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128:. By having TV match this aspect ratio, movies originally photographed on 35 mm film could be satisfactorily viewed on TV in the early days of television (i.e. the 1940s and the 1950s). When
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Film originally created in the 4:3 aspect ratio does not need to be altered for full-screen release. In contrast, other aspect ratios can be converted to full screen using techniques such as
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which were shot but not intended to be used for the theatrical release. In reframing, elements within the image are repositioned. Reframing is used for entirely
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aspect ratios (such as 1.85:1) in order to differentiate the film industry from TV. However, at the turn of the 21st century,
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worldwide began phasing out the 4:3 standard entirely and manufacturers started to favor the
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Full-screen aspect ratios in standard television have been in use since the invention of
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Civil
Servants on the Silver Screen: Hollywood's Depiction of Government and Bureaucrats
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employed the same aspect ratio. The aspect ratio 4:3 was used for
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ratios started to become more popular in the 1990s and 2000s.
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of early standard television screens and computer monitors.
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Jim Taylor; Mark R. Johnson; Charles G. Crawford (2006).
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92:movies, where the elements can be easily moved.
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208:Joey Lott; Robert Reinhardt (11 April 2006).
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122:Academy of Motion Picture Arts and Sciences
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124:as a standard after the advent of optical
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214:. John Wiley & Sons. pp. 789–.
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116:. It is also very close to the 1.375:1
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132:attendance dropped, Hollywood created
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238:Guerilla Film Makers Movie Blueprint
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262:Pautz, Michelle C. (2017-12-29).
241:. A&C Black. pp. 517–.
268:. Lexington Books. p. 31.
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235:Chris Jones (20 June 2003).
187:. McGraw Hill Professional.
148:sets, broadcast cameras and
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211:Flash 8 ActionScript Bible
146:high-definition television
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80:the sides of the film. In
660:Film and video technology
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45:) refers to the 4:3 (1.
34:The aspect ratio of 4:3
102:moving picture cameras
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665:Picture aspect ratios
587:Anamorphic widescreen
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162:Aspect ratio (image)
479:Super Panavision 70
471:Ultra Panavision 70
27:Aspect ratio of 4:3
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638:Shoot and protect
562:Anamorphic format
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428:Modern anamorphic
275:978-1-4985-3913-5
248:978-0-8264-1453-3
221:978-0-471-79271-0
194:978-0-07-142398-4
150:computer monitors
142:16:9 aspect ratio
120:, defined by the
106:computer monitors
16:(Redirected from
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615:Pan and scan
538:Aspect ratio
524: (1958)
516: (1958)
514:Kinopanorama
508: (1952)
489: (1970)
465: (1955)
446: (1982)
438: (1960)
430: (1957)
414: (1954)
406: (1953)
388:Film formats
356:17.5 mm
318:film formats
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138:broadcasters
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74:pan and scan
62:pan and scan
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51:aspect ratio
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522:Cinemiracle
436:Techniscope
412:VistaVision
404:CinemaScope
342:9.5 mm
326:Film gauges
144:for modern
43:full screen
654:Categories
631:Open matte
622:Fullscreen
580:Widescreen
420:Technirama
377:70 mm
370:35 mm
363:28 mm
349:16 mm
168:References
134:widescreen
114:silent era
82:open matte
66:open matte
55:Widescreen
39:Fullscreen
608:Windowbox
601:Pillarbox
594:Letterbox
540:standards
498:35 mm × 3
335:8 mm
70:reframing
506:Cinerama
444:Super 35
156:See also
104:. Early
86:negative
78:cropping
463:Todd-AO
112:in the
96:History
481:(1959)
473:(1957)
422:(1956)
272:
245:
218:
191:
130:cinema
455:70 mm
396:35 mm
72:. In
555:14:9
487:IMAX
270:ISBN
243:ISBN
216:ISBN
189:ISBN
49::1)
41:(or
68:or
18:4:3
656::
152:.
90:CG
64:,
309:e
302:t
295:v
278:.
251:.
224:.
197:.
47:3
20:)
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