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tell the kids, 'Go ahead and get mad at me. Take it all out on me. Soon you will realize that your anger is not against me, but against the whole system that lied to you.'" According to the AP, the film "has infuriated people on both sides of the
Israeli-Palestinian divide", with some Israelis "asking why the government helped fund a film so scathing in its criticism of its own policies, while Palestinians are shocked that the film is winning accolades for being 'Israeli.'" The Israeli nonprofit Consensus petitioned the Israeli Attorney General claiming that Davidi and Burnat "should be charged with slander and prosecuted for 'incitement.'"
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328:. At the same time, Burnat uses the camera to record the growth of his son. Very soon, these events begin to affect his family and his own life. Burnat films the army and police beating and arresting villagers and activists who come to support them. Settlers destroy Palestinian olive trees and attack Burnat when he tries to film them. The army raids the village in the middle of the night to arrest children. He, his friends, and brothers are arrested or shot; some are killed. Each camera used to document these events is shot or smashed.
437:, a Mediterranean development project initiated by an Israeli foundation and sponsored by the European Union. Later it received funding from international and Israeli sources such as the New Israeli Cinema Fund (Israel), the Jan Vrijman Fund (Netherland), ITVS (USA). Still later, funding was provided by Israel's Channel 8, Dutch Television IKON, and sources in Canada, South Korea, and the UK. Ultimately French television and the CNC French Cinema Fund provided help. It was pitched at the 2010
292:. The documentary was shot almost entirely by Palestinian farmer Emad Burnat, who bought his first camera in 2005 to record the birth of his youngest son. In 2009 Israeli co-director Guy Davidi joined the project. Structured around the destruction of Burnat's cameras, the filmmakers' collaboration follows one family's evolution over five years of turmoil. The film won a 2012
396:
aggression expressed towards the arts in Israel. I connect it completely with the political situation.... So I left for Paris and I found time to reflect on my life.... I kind of found a freedom in Paris and I wanted to express it as well in Israel. And ever since my life was connected with the West Bank."
549:
There was considerable controversy over whether the film should be identified as an
Israeli or Palestinian production. Burnat described it as a "Palestinian film" while Davidi said it was "first and foremost...a Palestinian film" in contradiction of the Israeli embassy in the United States which in a
424:
Beginning with the episode involving the third camera, the personal and village movement narratives grow more integrated. Burnat becomes more conspicuous as a protagonist. First he is placed under house arrest and films himself, then he is filmed at the moment a bullet directly hits his third camera.
370:
As media interest in Bil'in grew, Burnat's footage gained international recognition and was used by local and international news agencies. He started working as a freelance photographer for
Reuters and provided footage documenting the villagers' fight to professional filmmakers. This footage was used
536:
There was also considerable negative response to the film in Israel, however. Davidi said that when he first screened the film for
Israeli high school students, "they got angry at me, accused me of lying and being a traitor. But the anger is really against the whole system that lied to them.... So I
420:
The most prominent narrative is of Burnat's fourth son
Gibreel, whose growth throughout almost 6 years is documented in the film. The birth of Gibreel occurs at the same time as the birth of the non-violent movement in the village; later in the film, Gibreel's first words are "wall" and "cartridge",
395:
Earlier, Davidi had been involved in the left-wing organizations
Indymedia and Anarchists Against the Wall. "Until my twenties," Davidi has said in an interview, "it was very hard for me to work in Israel. I felt it was a very destructive environment, a very violent environment.... There is a lot of
348:
in the West Bank village of Bil'in, Palestine in 2005. Discovering that the wall would cut through their agricultural land, confiscating half of it, the villagers initiated popular protests and were joined by
Israeli and international activists. At that point Burnat received a camera to document the
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while stating that the film was "unlikely to persuade anyone with a hardened view of the issue to think again" and was a "hardly neutral...piece of advocacy journalism", also said that it was a "visual essay in autobiography and, as such, a modest, rigorous and moving work of art" that deserved "to
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Davidi provided Burnat's film with a new concept: Burnat himself, the cameraman, would be the protagonist, and the story would be told from his point of view. Davidi also proposed that the film be structured around the history of the destruction of Burnat's cameras. Footage that Burnat shot of his
320:
When his fourth son, Gibreel, is born in 2005, self-taught cameraman Emad Burnat, a
Palestinian villager, gets his first camera. At the same time in his village of Bil'in, the Israelis begin bulldozing village olive groves to build a barrier to separate Bil'in from the Jewish settlement Modi'in
545:
When the film was nominated for an Oscar, the
Israeli media referred to it as an Israeli film that would be representing Israel at the Academy Awards, even though the Academy of Motion Picture Arts and Sciences does not consider films nominated in the documentary category as representing their
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gave the film four stars, describing it as a "proudly defiant work, devoted to a community and created by its members" that shows the "largely unreported details" of normal life in the West Bank. An NPR review of the film noted that it "is unabashedly pro-Palestinian, an indictment of Israel's
416:
In a prologue, Burnat is shown with his 5 broken cameras laid out on a table. This scene is returned to at the end of the film. Title cards identifying the time periods during which each camera was used are shown at the start of each episode as well as the epilogue. The story shifts frequently
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Starting in 2009, Davidi worked on the voice-overs and structuring the film. In 2011 French editor Véronique
Lagoarde–Ségot joined the project to edit the final cut of the 90-minute film and to create the 52-minute television version. The film takes the form of a diary, and is divided into 5
387:
Burnat was approached in 2009 by Greenhouse, a Mediterranean film development project, to develop a documentary. The project focused on the non-violent movement and especially on Bassem Abu-Rahme, who was killed earlier that year at a demonstration in Bil'in. After some difficulties, Burnat
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Burnat was criticized in Ramallah for working with Israelis, and Davidi was made to feel that "I had not sufficiently proved myself. I thought to myself that maybe we needed an Israeli activist to die in order to win credibility. Perhaps not enough Israeli blood has been spilled."
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Beginning in 2009, Burnat, adhering to the new concept for the film, focused more extensively on his family's reactions to events. A few important scenes shot by other cameramen (including Guy Davidi) were used to supplement the narrative, and to introduce Burnat as a character.
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countries of origin. In addition, the fact that the film was also a Palestinian work often went unmentioned. Davidi sparked controversy and was criticized by Israeli officials when he stated in an interview that "he does not represent Israel, only himself."
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that "the film is not representing a country" and for him "films have no nationalities; the film is a Palestinian-Israeli-French co-production, Israeli and Palestinian directors and a story that is told Palestinian characters and in the West Bank."
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settlement policy that never examines either the settlers' claims or the security forces' point of view" and quoted Anav Silverman of the Tazpit News Agency as saying that "the conflict in Judea and Samaria has become a camera war."
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noted that the documentary was "gripping from the get go" and that seeing it is to "wonder what it would have been like to have a black Alabaman's 8mm documentation of the civil rights struggle." Joshua Rothkopf of
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calling it "a masterpiece" and Israeli film critic Shmulik Duvdevani naming it "the most important cinematic event of the year." Even Israel's most popular right-wing newspaper,
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Eventually, in 2009, Burnat approaches Guy Davidi, an Israeli filmmaker, and the two of them create the film from these five broken cameras and the stories that they represent.
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597:, for Best Documentary Film, the Van Leer Group Foundation Award for Best Israeli Documentary at the Jerusalem Film Festival in 2012, and the Busan Cinephile Award at the
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The first year, Burnat filmed mainly to serve the purposes of activists. His footage was introduced as evidence in Israeli court and posted on
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ordered the barrier rerouted, and four years later, after village access to some of the land was restored, the demonstrations were called off.
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Illit. The barrier's route cuts off 60% of Bil'in farmland and the villagers resist this seizure of more of their land by the settlers.
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uttered when he crosses the barrier with his brothers and finally writes his name on the second concrete wall at the end of the film.
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During the next year, Burnat films this struggle, which is led by two of his best friends including his brother
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between the dramatic public events in the village and the highly intimate scenes involving Burnat's family.
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has received positive reviews from numerous critics. It has a fresh rating of 96%, based on 48 reviews at
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sections, each of which recounts the story of one of the five cameras that Burnat used over the years.
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The film was released in Israel in July 2012 and immediately won the Best Documentary Award at the
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1032:"Guy Davidi, '5 Broken Cameras' Co-Director, Responds To Slander Claims: 'Disturbing' (VIDEO)"
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be appreciated for the lyrical delicacy of voice and the precision of his eye."
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in 2012. The film also won Sheffield Doc/Fest Audience Award at the 2012
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785:"A Palestinian Whose Cameras Are Witnesses and Casualties of Conflict"
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approached Israeli filmmaker Guy Davidi who had just finished editing
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264:) is a 94-minute documentary film co-directed by Palestinian
503:, where it competed against another Oscar-nominated film, "
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Is There One Who Understands Me?: The World of James Joyce
513:, at the Cinema South Film Festival in Sderot. In Israel,
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Documentary films about the Israeli–Palestinian conflict
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Stephen Fry: The Secret Life of the Manic Depressive
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International Emmy Award for Outstanding Documentary
1094:"JVF film 5 Broken Cameras wins IDFA Audience Award"
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tweet identified it as an Israeli film. Davidi told
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733:"5 Broken Cameras: Guy Davidi Interview - TAKE ONE"
992:"A West Bank Story, Told Through Palestinian Eyes"
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611:was nominated for Best Documentary Feature in the
1442:Monika and Jonas – the Face of the Informer State
587:International Documentary Film Festival Amsterdam
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835:"Interview With Guy Davidi, "5 Broken Cameras""
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371:in such notable films as Shai Carmeli Pollac's
1374:Chasing a Rainbow: The Life of Josephine Baker
1069:"2012 Sundance Film Festival Announces Awards"
296:award, it won the Golden Apricot at the 2012
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517:received overwhelming positive reviews, with
375:and Guy Davidi's and Alesandre Goetschmann's
367:to spread awareness of the growing movement.
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1051:"Why Oscar Nominee Doesn't Represent Israel"
577:won the World Cinema Directing Award at the
400:family was also incorporated into the film.
687:"International Emmy Award Official website"
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456:. It also has a score of 78 out of 100 on
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1437:Disappearing World: We Are All Neighbours
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433:The film was initially developed by the
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759:"Israeli Court Orders Barrier Rerouted"
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589:in 2011. In addition, the film won the
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280:is a first-hand account of protests in
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1572:Hiroshima: BBC History of World War II
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1010:"'5 Broken Cameras' angers both sides"
599:17th Busan International Film Festival
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1790:Documentary films about citizen media
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757:Kershner, Isabel (5 September 2007).
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1480:The Saga of Life: The Unknown World
1449:Life in the Freezer: The Big Freeze
1416:J'ai Douze Ans et Je Fais la Guerre
1390:The Last Seven Months of Anne Frank
1289:The Last Campaign of Robert Kennedy
595:Yerevan International Film Festival
298:Yerevan International Film Festival
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213:$ 108,541 (USA) (15 February 2013))
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1710:Hope Frozen: A Quest to Live Twice
1540:The Power of Good: Nicholas Winton
1049:Seliger, Ralph (5 February 2020).
833:Robbins, Jonathan (May 30, 2012).
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1820:Ramallah and al-Bireh Governorate
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1825:Documentary films about families
1800:International Emmy Award winners
1631:Terry Pratchett: Choosing to Die
990:Abramson, Larry (Feb 20, 2013).
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1670:Exodus: Our Journey to Europe
1470:The Pelican of Ramzan the Red
946:. Artinfo.com. Archived from
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383:Pre-Production and Guy Davidi
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1795:Films directed by Guy Davidi
1723:Mariupol: The People’s Story
1030:Shea, Danny (Mar 14, 2013).
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261:Hamesh Matslemot Shvurot
241:Khams Kamīrāt Muḥaṭṭamah
108:Véronique Lagoarde–Ségot
1810:2011 multilingual films
501:Jerusalem Film Festival
1750:2011 documentary films
1717:Iraq's Lost Generation
1532:Welcome to North Korea
1502:14 Up Born in the USSR
1422:Cambodia: The Betrayal
1273:Big Deal at Gothenburg
939:""ND/NF" Continues..."
294:Sundance Film Festival
1647:No Burqas Behind Bars
1588:The Beckoning Silence
1564:Das Drama von Dresden
1548:Das Leben geht weiter
1506:Just Like Anyone Else
1457:Anne Frank Remembered
1306:No Awards (1970–1978)
1141:"2013 Oscar Nominees"
358:A case against Canada
354:Israeli Supreme Court
16:2011 Palestinian film
1398:Four Hours in My Lai
1336:Charter pour l'enfer
561:Palestinian response
1596:The Ascent of Money
1487:Gerrie & Louise
1358:Heart of the Dragon
1350:The Miracle of Life
1281:La Section Anderson
1036:The Huffington Post
613:85th Academy Awards
495:Reception in Israel
390:Interrupted Streams
377:Interrupted Streams
77:Christine Camdessus
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971:"5 Broken Cameras"
950:on August 25, 2012
937:(March 27, 2012).
913:The New York Times
884:"5 Broken Cameras"
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603:Sheffield Doc/Fest
581:. it won the 2013
511:Juliano Mer Khamis
469:The New York Times
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1149:. Retrieved
1145:the original
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1098:the original
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1077:. Retrieved
1073:the original
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954:February 22,
952:. Retrieved
948:the original
941:
935:Hoberman, J.
929:
919:February 22,
917:. Retrieved
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820:972 Magazine
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593:at the 2012
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352:In 2007 the
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268:and Israeli
220:
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166:Running time
138:Release date
80:Serge Gordey
1785:Nonviolence
1055:The Forward
904:Scott, A.O.
794:23 February
553:The Forward
531:Ophir Award
481:J. Hoberman
479:magazine's
274:Kino Lorber
266:Emad Burnat
131:Kino Lorber
97:Emad Burnat
83:Emad Burnat
71:Produced by
43:Emad Burnat
36:Directed by
1745:2011 films
1739:Categories
1206:Metacritic
1151:2013-01-12
1079:2012-05-17
889:Metacritic
868:October 7,
697:2014-07-10
631:References
464:A.O. Scott
458:Metacritic
349:movement.
335:Production
270:Guy Davidi
210:Box office
170:94 minutes
149:2011-11-23
111:Guy Davidi
86:Guy Davidi
63:Guy Davidi
57:Written by
48:Guy Davidi
445:Reception
286:West Bank
276:in 2012.
255:romanized
235:romanized
193:Languages
175:Countries
102:Edited by
1702:For Sama
863:Fandango
619:See also
316:Synopsis
119:Music by
1014:SF Gate
943:Artinfo
768:6 March
719:Haaretz
476:Artinfo
429:Funding
408:Editing
365:YouTube
302:Armenia
257::
237::
147: (
1725:(2023)
1719:(2022)
1713:(2021)
1705:(2020)
1686:(2019)
1678:(2018)
1672:(2017)
1666:(2016)
1658:(2015)
1650:(2014)
1642:(2013)
1634:(2012)
1626:(2011)
1618:(2010)
1599:(2009)
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1575:(2006)
1567:(2005)
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1551:(2003)
1543:(2002)
1535:(2001)
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1498:(1998)
1490:(1997)
1482:(1996)
1466:(1995)
1452:(1994)
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1432:(1992)
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1401:(1989)
1393:(1988)
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1377:(1986)
1369:(1985)
1361:(1984)
1353:(1983)
1345:(1982)
1339:(1981)
1331:(1980)
1312:(1979)
1292:(1969)
1284:(1968)
1276:(1967)
1104:17 May
570:Awards
282:Bil'in
246:Hebrew
226:Arabic
202:Hebrew
199:Arabic
187:France
183:Israel
153: (
1694:2020s
1607:2010s
1516:2000s
1409:1990s
1366:28 Up
1320:1980s
1300:1970s
1265:1960s
739:5 Nov
1524:Kapo
1184:IMDb
1127:IMDB
1106:2012
956:2013
921:2013
870:2021
796:2013
770:2013
741:2012
650:IMDb
326:Iyad
284:, a
155:IDFA
1220:at
1204:at
1193:at
1182:at
996:NPR
648:at
466:of
1741::
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1114:^
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224:(
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151:)
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