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Chippie time to place substantial bets on the foregone winning horses. Chippie, however, is recognized by a man who bears a grudge against Granger. He tells Stephans, who has Chippie brought to him, and learns where Granger can be found. Stephans passes the information along to Wright, content to let the police rid him of a troublesome colleague.
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named Gizzi to kill Mason with a rifle. After the hit, Gizzi decides to blackmail Granger, who agrees to pay $ 25,000 at a rendezvous at the Malibu Pier, but there Gizzi announces he intends to become Granger's silent partner. Granger uses his car to crush Gizzi to death against the pier's railing,
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with Gail, but first he sets out to collect what is owed to him. With the help of Gail and Chippie, he taps into a phone line at a mob betting parlor in Las Vegas and pulls off a pass-post swindle, intercepting and taping race results to be rebroadcast after a two-minute delay, giving Gail and
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as a daring and courageous revelation of the big bookmaking and gambling syndicates, this modest Columbia melodrama ... is no more than an average crime picture with some colorful but vague details thrown in. Certainly, no one who reads the papers with a fairly retentive eye can have any less
302:, trying to cross the state line to get out of Wright's jurisdiction, but encounter a roadblock. They join a tour group and descend into the dam. Gail collapses from fatigue while running, Granger is shot and apparently killed before he can find his way to the Arizona side. 286:
and thus has an alibi for the murder. Wright tapes the call and hears a streetcar whistle; there are no streetcars in Palm Springs, so the police deduce he was actually in town. The police eventually match the paint from Granger's damaged car to Gizzi's murder.
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operation. The expansion is a great success, and Granger also develops a better system for gathering information at racetracks. Granger wants a cut of the action and threatens to leave unless Walters makes him a 20% partner. Walters accedes to the demand.
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wrote well of the film: "Operations of the syndicates are given a realistic touch by the screenplay, and Joseph M. Newman's direction keeps the action at a fast pace. O'Brien is excellent as the hot-tempered, ambitious young syndicate chief."
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Granger decides to accept a 50/50 split with his new partners. Some of the independent bookies do not like the new arrangement (and the extra 20% "protection" fee) and refuse to go along. They are roughed up by Syndicate goons.
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comprehension of the gambling racket than is illustrated here. ... In short, this little picture, conventionally written but well photographed, does no more than any gangster picture in reminding us that gangsters are crooks."
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When Walters tries to collect from a bookie, the bookie kills first Walters, then himself. Granger takes control of the wire service and the racket, making him a target for Lieutenant Wright of the Los Angeles police.
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Director Joseph M. Newman remarked: "t was a tremendously successful picture ... that got good reviews and the studios all liked it. After that picture I was in great demand." Following his work on
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Telephone technician Mal Granger, with knowledge of telephones and electronics, is hired by gangster Vince Walters to expand Walters' legitimate business that is a front for an illegal
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Granger's assistant Trudy discovers that he is being shortchanged. Granger complains and is told that the shortfall is the result of "necessary expenses." He vows to get his money.
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East Coast mobster Larry Mason is sent by boss Carl Stephans to persuade Granger to join his syndicate. Granger and Mason's wife Gail are attracted to each other.
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Using his telephone know-how, Granger places a call to Wright that makes it appear he is in
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Granger and Gail pursue their attraction. After Mason beats Gail, Granger hires a
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panned the film, writing: "Despite some considerable advertising of
597: 409:, Newman signed a two-year contract with Twentieth Century-Fox. 554:. Staff film review, July 1, 1950. Accessed: February 15, 2011. 275: 540:, film review, July 20, 1950. Accessed: February 15, 2011. 668: 298:
With the police closing in, Granger and Gail flee to
430: 905: 479: 654: 437:. University Press of Mississippi. p.  661: 647: 27: 279:then sends the man's body over the side. 618:at Film Noir of the Week by film critic 290:Granger decides to retire and escape to 480:Mayer, Geoff; McDonnell, Brian (2007). 424: 422: 906: 994:English-language crime thriller films 642: 428: 419: 13: 989:English-language crime drama films 969:Films directed by Joseph M. Newman 14: 1005: 561: 929:American black-and-white films 543: 527: 507: 473: 469:. January 3, 1951. p. 58. 455: 1: 979:American crime thriller films 959:American films about gambling 412: 16:1950 film by Joseph M. Newman 939:1950s English-language films 575:AFI Catalog of Feature Films 521:AFI Catalog of Feature Films 372: 7: 10: 1010: 974:Films scored by Sol Kaplan 964:American crime drama films 924:1950s crime thriller films 835:The Gunfight at Dodge City 771:The Outcasts of Poker Flat 377:In a contemporary review, 368:as Mal's date (uncredited) 677: 486:. ABC-CLIO. p. 373. 483:Encyclopedia of Film Noir 429:Davis, Ronald L. (2005). 350:as Lieutenant Pete Wright 206: 198: 190: 182: 172: 148: 138: 133:Frank Seltzer Productions 124: 114: 104: 96: 86: 68: 60: 48: 38: 33:Theatrical release poster 26: 21: 954:Films shot in California 949:Films set in Los Angeles 934:Columbia Pictures films 305: 247: 919:1950 crime drama films 157:July 1, 1950 891:The George Raft Story 747:I'll Get You for This 731:The Guy Who Came Back 463:"Top Grosses of 1950" 984:1950s American films 819:Death in Small Doses 763:Red Skies of Montana 851:Tarzan, the Ape Man 811:Flight to Hong Kong 707:The Great Dan Patch 691:Diary of a Sergeant 221:is a 1950 American 859:A Thunder of Drums 779:Dangerous Crossing 669:Films directed by 609:TCM Movie Database 538:The New York Times 433:Just making movies 901: 900: 795:This Island Earth 683:Northwest Rangers 448:978-1-57806-690-2 214: 213: 143:Columbia Pictures 1001: 883:The Big Bankroll 787:The Human Jungle 671:Joseph M. 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Newman 31: 19: 18: 1009: 1008: 1004: 1003: 1002: 1000: 999: 998: 904: 903: 902: 897: 875:The Lawbreakers 867:Twenty Plus Two 723:711 Ocean Drive 673: 667: 627:711 Ocean Drive 625: 615:711 Ocean Drive 604:711 Ocean Drive 593:711 Ocean Drive 582:711 Ocean Drive 569:711 Ocean Drive 564: 559: 558: 548: 544: 532: 528: 515:711 Ocean Drive 512: 508: 498: 496: 494: 478: 474: 461: 460: 456: 449: 427: 420: 415: 407:711 Ocean Drive 389:711 Ocean Drive 385:Bosley Crowther 375: 354:Robert Osterloh 348:Howard St. John 336:Dorothy Patrick 308: 250: 218:711 Ocean Drive 175: 168: 160: 158: 151: 134: 129: 127: 119:Black and white 79: 75: 53: 52:Richard English 34: 22:711 Ocean Drive 17: 12: 11: 5: 1007: 997: 996: 991: 986: 981: 976: 971: 966: 961: 956: 951: 946: 941: 936: 931: 926: 921: 916: 899: 898: 896: 895: 887: 879: 871: 863: 855: 847: 843:The Big Circus 839: 831: 823: 815: 807: 799: 791: 783: 775: 767: 759: 751: 743: 735: 727: 719: 711: 703: 695: 687: 678: 675: 674: 666: 665: 658: 651: 643: 637: 636: 622: 620:Glenn Erickson 611: 600: 589: 578: 577: 563: 562:External links 560: 557: 556: 542: 526: 523: 506: 492: 472: 454: 447: 417: 416: 414: 411: 380:New York Times 374: 371: 370: 369: 363: 357: 351: 345: 344:as Larry Mason 339: 333: 327: 321: 315: 314:as Mal Granger 312:Edmond O'Brien 307: 304: 249: 246: 234:Edmond O'Brien 212: 211: 208: 204: 203: 200: 196: 195: 192: 188: 187: 184: 180: 179: 176: 173: 170: 169: 167: 166: 154: 152: 149: 146: 145: 140: 139:Distributed by 136: 135: 132: 130: 125: 122: 121: 116: 112: 111: 106: 102: 101: 98: 94: 93: 88: 87:Cinematography 84: 83: 73:Edmond O'Brien 70: 66: 65: 62: 58: 57: 50: 46: 45: 40: 36: 35: 32: 24: 23: 15: 9: 6: 4: 3: 2: 1006: 995: 992: 990: 987: 985: 982: 980: 977: 975: 972: 970: 967: 965: 962: 960: 957: 955: 952: 950: 947: 945: 942: 940: 937: 935: 932: 930: 927: 925: 922: 920: 917: 915: 912: 911: 909: 893: 892: 888: 885: 884: 880: 877: 876: 872: 869: 868: 864: 861: 860: 856: 853: 852: 848: 845: 844: 840: 837: 836: 832: 829: 828: 827:Fort Massacre 824: 821: 820: 816: 813: 812: 808: 805: 804: 800: 797: 796: 792: 789: 788: 784: 781: 780: 776: 773: 772: 768: 765: 764: 760: 757: 756: 752: 749: 748: 744: 741: 740: 736: 733: 732: 728: 725: 724: 720: 717: 716: 712: 709: 708: 704: 701: 700: 699:Jungle Patrol 696: 694:(1945, short) 693: 692: 688: 685: 684: 680: 679: 676: 672: 664: 659: 657: 652: 650: 645: 644: 641: 635: 631: 628: 623: 621: 617: 616: 612: 610: 606: 605: 601: 599: 595: 594: 590: 588: 584: 583: 579: 576: 573: 571: 570: 566: 565: 553: 552: 546: 539: 535: 530: 522: 519: 517: 516: 510: 495: 493:9780313333064 489: 485: 484: 476: 468: 464: 458: 450: 444: 440: 435: 434: 425: 423: 418: 410: 408: 403: 400: 399: 393: 390: 386: 382: 381: 367: 364: 361: 358: 355: 352: 349: 346: 343: 340: 337: 334: 331: 328: 325: 322: 320:as Gail Mason 319: 316: 313: 310: 309: 303: 301: 296: 293: 288: 285: 280: 277: 272: 269: 265: 262: 258: 255: 245: 243: 239: 235: 232:and starring 231: 227: 224: 220: 219: 209: 205: 201: 197: 193: 189: 186:United States 185: 181: 177: 171: 156: 155: 153: 147: 144: 141: 137: 131: 123: 120: 117: 115:Color process 113: 110: 107: 103: 99: 95: 92: 89: 85: 82: 78: 74: 71: 67: 63: 59: 56: 55:Francis Swann 51: 47: 44: 41: 37: 30: 25: 20: 889: 881: 873: 865: 857: 849: 841: 833: 825: 817: 809: 803:Kiss of Fire 801: 793: 785: 777: 769: 761: 755:Pony Soldier 753: 745: 737: 729: 722: 721: 713: 705: 697: 689: 681: 626: 614: 603: 592: 581: 568: 550: 545: 537: 529: 514: 509: 497:. Retrieved 482: 475: 466: 457: 432: 406: 404: 396: 394: 388: 383:film critic 378: 376: 330:Barry Kelley 297: 289: 284:Palm Springs 281: 273: 270: 266: 263: 259: 251: 228:directed by 217: 216: 215: 174:Running time 150:Release date 91:Franz Planer 360:Sammy White 324:Otto Kruger 300:Boulder Dam 242:Otto Kruger 210:$ 1,550,000 178:102 minutes 165: (U.S.) 100:Bert Jordan 81:Otto Kruger 61:Produced by 39:Directed by 914:1950 films 908:Categories 499:October 5, 413:References 366:Cleo Moore 342:Don Porter 318:Joanne Dru 254:bookmaking 238:Joanne Dru 207:Box office 161:1950-07-01 126:Production 109:Sol Kaplan 77:Joanne Dru 49:Written by 944:Film noir 739:Love Nest 715:Abandoned 629:film clip 395:However, 373:Reception 292:Guatemala 226:film noir 202:$ 300,000 97:Edited by 598:AllMovie 356:as Gizzi 191:Language 105:Music by 69:Starring 634:YouTube 607:at the 572:at the 551:Variety 518:at the 467:Variety 398:Variety 194:English 183:Country 159: ( 128:company 894:(1962) 886:(1961) 878:(1961) 870:(1960) 862:(1960) 854:(1959) 846:(1959) 838:(1959) 830:(1958) 822:(1957) 814:(1956) 806:(1955) 798:(1955) 790:(1954) 782:(1953) 774:(1952) 766:(1952) 758:(1952) 750:(1951) 742:(1951) 734:(1951) 726:(1950) 718:(1949) 710:(1949) 702:(1948) 686:(1942) 490:  445:  276:hitman 199:Budget 223:crime 587:IMDb 501:2013 488:ISBN 443:ISBN 306:Cast 248:Plot 240:and 632:on 596:at 585:at 536:. 439:162 910:: 465:. 441:. 421:^ 244:. 236:, 662:e 655:t 648:v 524:. 503:. 451:. 163:)

Index


Joseph M. Newman
Francis Swann
Edmond O'Brien
Joanne Dru
Otto Kruger
Franz Planer
Sol Kaplan
Black and white
Columbia Pictures
crime
film noir
Joseph M. Newman
Edmond O'Brien
Joanne Dru
Otto Kruger
bookmaking
hitman
Palm Springs
Guatemala
Boulder Dam
Edmond O'Brien
Joanne Dru
Otto Kruger
Barry Kelley
Dorothy Patrick
Don Porter
Howard St. John
Robert Osterloh
Sammy White

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