Arri - Knowledge

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In 2011, it was alleged that Michael Bravin, an executive of the US-based subsidiary Arri Inc., had unlawfully accessed a rival company email account. A suit was brought before a US court and in September 2011, Bravin entered a guilty plea. Arri Inc. denied knowledge or gains from Bravin's actions,

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Arri announced a strategic partnership with Zeiss and Fujinon in 2010 to create new lenses that incorporated enhanced electronic lens data transfer in order to simplify visual effects workflows in postproduction. The Arri/Fujinon Alura Zooms were released that same year, while the Arri/Zeiss Master

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Arri revealed its Arriscan prototype during IBC 2003. The 16mm/35mm film scanner worked alongside the Arrilaser to support the increasingly popular digital intermediate route through postproduction. Later, the Arriscan became a widely used tool for film restoration work and was recognized with a

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formats and allowed direct-to-edit workflows. Later models added to the range included the Alexa Plus, Alexa Studio and Alexa M, which was designed to get the camera closer to the action. The Alexa Plus 4:3, like the Alexa Studio, allowed the full area of the sensor to be used with

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camera for photography. The reflex design was subsequently used in almost every professional motion picture film camera and is still used in the Arri Alexa Studio digital camera. The first Hollywood film to employ an Arriflex was the 1947 Humphrey Bogart and Lauren Bacall film

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Arri's subsidiary postproduction and creative services company, Arri Film & TV, was renamed Arri Media in 2015 as part of a company restructuring. At NAB 2015, the SkyPanel LED fixtures were introduced by Arri. The SC60 and the SC30 have a full color tunable LED option.

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followed in 1972 as a lightweight, quiet alternative to the rather heavy and cumbersome blimped cameras of the time. Also in 1972, Arri pioneered the development of daylight luminaires with the Arrisonne 2000 W. The

2612: 485:, a business unit that utilizes its camera technology for medical purposes. Apart from a medical imaging documentation service, it has developed a fully digital 3D surgical microscope called the 440:

The Arrilaser 2 was released in 2009, with new client-server architecture and speeds twice as fast as the original model. In 2011, the Arrilaser was recognized with an Academy Award of Merit.

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Arri released the Master Prime lenses in 2005, designed for a super-fast aperture of T1.3 without breathing and distortion. In 2007, the Master Prime 14mm and 150mm lenses were released.

510:. The Arri Amira camera was also released in 2014. In 2015, four of the five nominees for the cinematography category of the Academy Awards were filmed using the Arri Alexa. 286:

In 1924, Arnold and Richter developed their first film camera, the small and portable Kinarri 35. In 1937, Arri introduced the world's first reflex mirror shutter in the

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in 1947. Over the years, more than 17,000 Arriflex 35s were built. The design was recognized with two Scientific and Technical Academy Awards in 1966 and 1982.

525:/ Vitec Videocom. As a result, Arri became the exclusive seller of Artemis Trinity stabilizers. At NAB 2016, Arri unveiled its version of the Trinity system. 2401: 2577: 2469: 518: 1765: 1150: 202:, the company was founded in 1917. It produces professional motion picture cameras, lenses, lighting and post-production equipment. It is cited by 2592: 2046: 918: 2094: 1329: 2572: 2357: 1880: 1038: 2334: 2280: 1954: 2455: 2483: 2379: 1977: 2607: 396:

in order to develop and manufacture advanced lenses for the motion picture industry. In 1998, Arri released the Ultra Prime lenses.

2435: 2185: 1578: 2542: 1374: 500: 1836: 1316: 215: 89: 1792: 414:, a 35mm camera platform. In 2003, Arri developed its first digital camera, the Arriflex D-20, which later evolved into the 426:) and allowed cinematographers to utilize standard 35mm lenses. This technology was further developed and improved for the 2505: 2597: 2235: 2000: 2582: 1858: 291: 2415: 2116: 1396: 298:-free reflex viewing to the operator, and the ability to focus the image by eye through the viewfinder, much like an 2072: 2558:

Discussion and demonstration of the Arriflex ST 16mm film camera by ex BBC cameramen Brian Tufano and David Whitson

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The concept and engineering of the first operational 35mm handheld, spinning-mirror reflex motion picture camera

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and a separate lawsuit against the company was dropped as a result of an out-of-court settlement.

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Continuing development and innovation in the design and manufacturing of advanced camera systems

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The 16mm Arriflex 416 camera and Ultra Prime 16 lenses were used in the filming of the 2010 film

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camera was released in 1990, followed by the Arriflex 535B and the Arriflex 16SR 3 in 1992. The

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Arri was founded in Munich, Germany on 12 September 1917 by August Arnold and Robert Richter as

2602: 2587: 2440: 2420: 2138: 48: 2456:"'Former ARRI exec pleads guilty to hacking into rival CEO's e-mail account, faces jail time'" 403:, a postproduction film recorder, began in 1997 and it was released for beta testing in 1998. 369:, launched in 1975, featured a redesigned viewfinder with a through-the-lens light meter. The 1234: 423: 1881:"The SciTech Award Goes to... ARRI/Zeiss Maser Prime Lenses for Motion Picture Photography" 1714: 506: 17: 1739: 8: 2552: 305: 232: 1309:

Hidden Champions of the 21st Century: Success Strategies of Unknown World Market Leaders

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camera was released. The camera had the ability to compress 1080p footage to ProRes

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Arnold & Richter, Otto Blaschek and the Engineering Department of ARRI Austria

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In April 2016, Arri acquired the Artemis camera stabilizer systems developed by

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Erich Kästner, Chief Design Engineer at Arnold & Richter from 1932 to 1982

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