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called "The Belle Creole" by Don
Barreto and his Cuban Orchestra. After the music was transferred to film, Lye made cue marks on the sound track, which he used as a guide as he painted on the image track.
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The film had its international premiere in
October 1935 at the International Cinema Festival in Brussels. The jury created a special "fantasy film" category so that they could award
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was first shown to critics and journalists on 6 September 1935. Cinema owners were hesitant to screen the work because of its experimental approach and promotional nature. The
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carefully studied the film, inspired by Lye's "technical inventiveness". It became a major influence on his own direct filmmaking practices.
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and protested the film. They stomped their feet loudly, leading to the three-minute film being stopped before its completion.
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were polarised. Many critics recognised its originality but viewed it as little more than a novelty.
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went through hundreds of records looking for music to use as the soundtrack. They selected a
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said that Lye had "stirred the abstract film to a new vitality."
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with a Medal of Honour. The film was later screened at the 1936
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used. He used combs or sticks to create linear patterns on the
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Smythe, Luke (2013). "Len Lye: The Vital Body of Cinema".
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and the Tatler Cinema were among the first to screen it.
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called it "the first ballet in film". One review in
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138:. Commissioned to promote the
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169:Lye and sound editor
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347:. pp. 136–145.
341:Len Lye: A Biography
237:Venice Film Festival
185:film stock, without
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608:GPO Film Unit films
558:1935 animated films
243:viewers labeled it
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140:General Post Office
618:1935 musical films
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127:is a 1935 British
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191:film frames
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65:Production
407:: 73–91.
251:Reception
108:3 minutes
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339:(2001).
296:(1991).
239:, where
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400:October
217:Release
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528:(1979)
520:(1942)
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