139:'s 'philosophical poem, consisting of twenty-four apparently unconnected stanzas'. This poem, according to Professor Giles, 'is admirably adapted to exhibit the forms under which pure Taoism commends itself to the mind of a cultivated scholar.' This is what Professor Giles thinks Ssu-K'ung Tu to have done, but what Ssu-K'ung Tu really does is to convey in imageries of surpassing beauty the impressions made upon a sensitive mind by twenty-four different kinds of poetry—'pure, ornate, grotesque', etc.
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comparative success in a general historical survey of the subject". But he adds that "It may be said without offence that a work which would be inadequate to the requirements of a native public, may properly be submitted to
English readers as an introduction into the great field which lies beyond". A large part of the book is devoted to translations, "enabling the Chinese author, so far as is possible, to speak for himself".
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Although there had been surveys of
Chinese literature in Japanese, it was the first such survey to appear in English. In his preface, Giles claims that such a work of history was not already available, even in Chinese, since Chinese scholars realized the "utter hopelessness" of "achieving even
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Jasper, David; Geng, Youzhuang; Wang, Hai, eds. (2016). "The 'Ishmael' of
Sinology: H. A. Giles' History of Chinese Literature (1901) and Late Victorian Perceptions of Chinese Literature and Culture".
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commented that "'History of
Chinese Literature' was a misnomer; it was a series of attempted essays on certain Chinese works, and was not even an outline covering the successive periods.”
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Perspectives of
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A Poetics of
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