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club. At lower right is a jockey with a silver trophy showing Tom's racehorse "Silly Tom". In the background left are more hangers-on including a poet, a wig maker and a hat maker. The quarterstaff instructor looks disapprovingly on both the fencing and dancing masters. Both masters appear to be in
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and her mother holds his love letters). He pays her off, but she still loves him, as becomes clear in the fourth painting. Behind Tom the
Administrator of the estate filches a coin from the money bag Tom holds. Evidence of the father's miserliness abound: his portrait above the fireplace shows him
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shows three clamped vises with the motto "Beware"; a half-starved cat reveals the father kept little food in the house, while lack of ashes in the fireplace demonstrates that he spent even less money on wood to heat his home. A servant hanging mourning crepe accidentally uncovers a cache of gold
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coins. The engraving (right), which is reversed left-to-right compared to the painting, shows the father went so far as to resole his shoes with a piece of leather cut from a Bible cover. An account book has an entry of the miser's joy of getting rid of a bad shilling.
337:, a man filling a street lantern spills the oil on Tom's head. This is a sly reference to how blessings on a person were accompanied by oil poured on the head; in this case, the 'blessing' being the 'saving' of Tom by Sarah, although Rakewell, being a
395:. In the background, Sarah arrives, holding their child while her indignant mother struggles with another repudiated lover and her mother. It looks as though Tom's eyes are already upon the pretty maid to his new wife's left during the nuptials.
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in his new London home, attended by musicians and other hangers-on all dressed in expensive costumes. Surrounding Tom from left to right: a music master at a harpsichord, who was supposed to represent
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gambling club and a young pickpocket has just emptied Tom's pocket. At the lower right urchins are gambling. The painting, however, shows the young thief stealing Tom's cane, and has no lightning.
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329:(Saint David is the patron saint of Wales). On this occasion he is saved by the intervention of Sarah Young, the girl he had earlier rejected; she is apparently a dealer in
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at White's club after losing his reacquired wealth. Neither he nor the other obsessive gamblers seem to have noticed a fire that is breaking out behind them.
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son and heir of a rich merchant, who comes to London, wastes all his money on luxurious living, prostitution and gambling, and as a consequence is
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became law. The composition of several of the engravings is reversed from the paintings, due to the printing process.
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experiment in the background. Beside Tom is a rejected play; another inmate is writing a pamphlet on how to solve the
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with her, he now rejects the hand of his pregnant fiancée, Sarah Young, whom he had promised to marry (she holds his
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on the death of his miserly father. While the servants mourn, he is measured for new clothes. Although he has had a
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the "French" style, which was a subject
Hogarth loathed. Upon the wall, between paintings of roosters (emblems of
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Castro, Anaclara (1 April 2016). "The Rake's (Un)lawfully Wedded Wives in
William Hogarth's A Rake's Progress".
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962:"Grayson Perry: The Vanity of Small Differences | Touring | Exhibitions | British Council − Visual Arts"
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created a version with eight paintings accompanied by copper engravings on the same themes.
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In the fifth, Tom attempts to salvage his fortune by marrying a rich but aged and ugly
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This article is about the series of paintings by
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All is lost by the seventh painting, and Tom is incarcerated in the notorious
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Finally insane and violent, in the eighth painting he ends his days in
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instructor; a dancing master with a violin; a landscape gardener,
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The sixth painting shows Tom pleading for the assistance of the
39:) is a series of eight paintings by 18th-century English artist
786:(New Haven and London: Yale University Press 2016), nos. 74-81.
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828:– A celebration of 500 years of British Art – 19 March 2000
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William
Hogarth: A Complete Catalogue of the Paintings
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936:"William Hogarth A Rake's Progress (plate 1) 1735"
808:Bindman, David. Hogarth, Thames and Hudson, 1981.
686:. Hogarth received a writing credit for the film.
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909:"A Rake's Progress VIII: The Madhouse"
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235:A Rake's Progress, 3: The Tavern Scene
1766:Collection of Sir John Soane's Museum
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725:created a series of tapestries named
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1317:Scene from Shakespeare's The Tempest
795:For the prints, see Ronald Paulson,
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882:"A Rake's Progress IV: The Arrest"
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16:Painting series by William Hogarth
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1349:Portrait of Captain Thomas Coram
1140:A Just View of the British Stage
764:List of works by William Hogarth
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1046:Analysis and Critical Reception
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1756:Paintings by William Hogarth
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852:10.1215/00982601-3483888
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621:Engravers' Copyright Act
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1248:Five Orders of Periwigs
1057:Sir John Soane's Museum
914:Sir John Soane's Museum
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1421:Humours of an Election
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1715:The Rake's Progress
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1389:Painter and his Pug
1365:The Graham Children
1295:A Harlot's Progress
782:Elizabeth Einberg,
758:A Harlot's Progress
739:The British artist
716:The Rake's Progress
695:The Rake's Progress
659:Notorious Gentleman
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637:The Rake's Progress
100:common-law marriage
36:The Rake's Progress
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1397:The Gate of Calais
1357:Taste in High Life
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972:on 8 January 2018
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1033:
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986:
974:. Retrieved
970:the original
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943:. Retrieved
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918:. Retrieved
912:
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891:. Retrieved
885:
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846:(2): 66–87.
843:
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747:S2 gallery.
741:Henry Hudson
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588:The Madhouse
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555:The Madhouse
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541:
529:
486:
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468:
456:
443:gambling den
436:
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419:The Marriage
418:
407:The Marriage
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57:Fleet Prison
45:Tom Rakewell
35:
34:
29:
28:
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25:
1746:English art
704:W. H. Auden
680:Mark Robson
627:Adaptations
602:(engraving)
544:(engraving)
471:(engraving)
421:(engraving)
371:(engraving)
315:sedan chair
285:(engraving)
217:(engraving)
142:(engraving)
109:hospitality
72:Alan Parker
49:spendthrift
1740:Categories
1513:The Bagnio
1306:(1732–33,
976:10 October
920:29 October
893:29 October
770:References
676:Val Lewton
617:engravings
611:Engravings
542:The Prison
530:The Prison
482:The Prison
369:The Arrest
357:The Arrest
296:The Arrest
257:syphilitic
76:storyboard
53:imprisoned
1445:The Bench
1290:(1730–31)
1267:Paintings
1012:Sobethy's
945:24 August
868:147268861
860:0098-2601
745:Sotheby's
698:, with a
664:The 1946
504:telescope
331:millinery
305:by Welsh
215:The Levée
203:The Levée
153:The Levée
82:Paintings
1726:(ballet)
1662:Portions
1553:Theories
1408:(c.1750)
1344:(c.1740)
1320:(c.1735)
751:See also
732:In 2014
700:libretto
439:Almighty
389:old maid
307:bailiffs
283:The Orgy
271:The Orgy
259:sores.
228:The Orgy
180:fox hunt
140:The Heir
128:The Heir
89:The Heir
1718:(opera)
1585:Related
1569:Museums
553:VIII –
512:alchemy
343:White's
245:brothel
96:fortune
55:in the
1699:(1945)
1696:Bedlam
1691:(1945)
1545:(1753)
1477:(1745)
1464:(1759)
1456:(1759)
1448:(1758)
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1376:(1745)
1368:(1742)
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1336:(1736)
1328:(1736)
1298:(1731)
1283:Before
1259:(1763)
1251:(1761)
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1211:(1751)
1203:(1747)
1195:(1743)
1187:(1741)
1179:(1741)
1171:(1738)
1163:(1736)
1155:(1736)
1148:Before
1143:(1724)
1135:(1724)
1127:(1721)
1111:Prints
866:
858:
824:Life:
812:
671:Bedlam
496:jailer
480:VII –
226:III –
47:, the
1707:Stage
1592:Trump
1534:Books
1287:After
1152:After
864:S2CID
668:film
489:Fleet
441:in a
430:VI –
311:leeks
294:IV –
160:levée
151:II –
1680:Film
1285:and
1150:and
978:2016
947:2019
940:Tate
922:2021
895:2021
856:ISSN
810:ISBN
706:and
380:V –
339:rake
303:debt
241:orgy
104:ring
87:I –
33:(or
1651:'s
1055:at
848:doi
702:by
666:RKO
500:mad
391:at
166:or
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