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210:. Todo, the proprietor of a café, and Mr. Walter Wex, who is the manager of a plantation owned by Sir Willoughby Rawdon are conversing. The truculent Francesco del Fuego enters. He boasts of his successful robberies and talks of his plans to marry the captivating Dolores. Had it not been for the arrival of Sir Willoughby Rawdon, Franceso's amatory aspirations might have been fulfilled, but Sir Willoughby and Dolores have met, and fallen in love.
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is laid in
Santiago and not in Baghdad, but there was something very familiar about the market place with its picturesque splashes of colour, with the people taking their siesta … even the white mule was there." The paper found the music "strangely familiar", and was disappointed at the tameness of
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Rawdon is unpopular with the inhabitants of
Santiago, not for anything he has done but because of the unscrupulous way in which his father acquired the plantation, depriving local people of their orange groves. Trading on this, Francesco raises the cry of the vendetta, and cards are drawn to decide
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who is to be the instrument of vengeance. Francesco stacks the deck, to ensure that the fatal card is drawn by
Dolores. She makes a passionate appeal to Willoughby to ensure safety by leaving the island. He, however, is too much in love with her to relinquish her or yield to his formidable rival.
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Francesco, however, is pushed off a cliff into the sea, and escapes from drowning by the timely arrival of a boat's crew from
Willoughby's yacht. This cools his ardour, and he calls the vendetta off, leaving Willoughby and Dolores free to marry in safety.
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in
Manchester on 24 December 1917. It also had three short engagements in Edinburgh between 1918 and 1920. The planned West End opening was delayed by the continuing success of
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praised the music as "both popular in its lilt and musicianly in its orchestral detail", and found one passage "good enough to remind us of
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was enthusiastic: "…yet another wonderful success, sumptuous in colour and rich in musical rhythms … palpitates with fire and life."
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and ran for 306 performances, a good run for the period, although dwarfed by that of its predecessor.
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the dénouement, but was full of praise for the staging and performances. In
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became available. The piece was produced under the management of
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Information about Fraser-Simpson and the shows that he wrote
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company toured the operetta in
Australia in 1923 (starring
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Cardus, Neville, "Prince's
Theatre – A Southern Maid",
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Dolores (José Collins) and
Willoughby (Claude Flemming)
25:"Southern Maid" redirects here. For the racehorse, see
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Sheet music from the
Australian production starring
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and Harry Miller. Additional music was provided by
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159:Walter Wex (Mark Lester), Francesco del Fuego (
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352:Information about the Edinburgh productions
135:was made based on the operetta, starring
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171:Sir Willoughby Rawdon – Claude Flemming
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232:found echoes of an earlier show in
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60:and Harry Graham and lyrics by
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18:For the film adaptation, see
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382:English-language operettas
52:in three acts composed by
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238:The Maid of the Mountains
183:Juanita – Dorothy Monkman
107:The Maid of the Mountains
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168:Walter Wex – Mark Lester
302:The Manchester Guardian
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246:: "True, the scene of
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20:A Southern Maid (film)
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27:Southern Maid (horse)
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174:Todo – Lionel Victor
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313:"A Southern Maid",
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387:1917 operas
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371:Categories
137:Amy Veness
39:as Dolores
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229:The Times
226:Although
133:1933 film
208:Santiago
194:Synopsis
50:operetta
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48:is an
275:Notes
263:Elgar
151:Cast
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