488:
close friendship with Margot and has a romance with Solène. When Léna unexpectedly appears, Gaspard is caught in a trap of his own making. To Solène, Gaspard downplays his relationship with Léna. When Solène or Léna show him kindness, Gaspard effusively praises them to Margot. And when they fight, Gaspard becomes extremely pessimistic about their prospects. Margot speaks for the viewer when she says that she fails to understand
Gaspard: is he passively trying to keep his romantic interests by pleasing them, or is he a cunning game-player with a plan? Is he deceiving these women, or is he deceiving himself? And who is the substitute for whom? The answers to these questions are left open to the viewer's interpretation.
428:
Gaspard's long walks and conversations lead them outside of the tourist areas and into the countryside. All characters seem to be in constant motion, restlessly wandering, hiking, or simply pacing the room, in reference to the impatience and spontaneity of youth. Gaspard is conscious of his own isolation, and confides his dislike of groups to Margot, and yet the viewer can see that his isolation is of his own making. Indeed, the first seven minutes of the film feature no dialogue at all, which is a record for Rohmer's films, surpassing even the five minutes of initial silence in his 1990 film,
424:
discussions with Margot. The film's youthful characters obsess over their self-image and group dynamics and the overarching theme is how romantic relationships define self-image and projection of self worth. Gaspard sees Léna, regardless of her behavior, as a better business decision. Solène is trying to redefine her "townie" image with an upgrade to a moody, mysterious artist, Léna is profoundly dissatisfied with
Gaspard being her best option in life. The most confident of the four characters, Margot, seems to be patiently waiting for Gaspard to find himself and discover her love.
938:
922:
903:
887:
436:
she appears to use her legs to flirt with the oblivious
Gaspard. Léna and Solène's personalities seem to drift with the clothing choices. Léna is accepting, sexual and embracing in her bikini, but cold, uptight and angry in her street clothes. In a similar fashion, the provocative Solène is more hot-headed and quicker to anger when she appears in street clothes. Likewise are the three women closely associated with different places: Margot is most often shown along the coastline, Léna is usually seen at the beach, and Solène indoors.
484:, these elements are obvious in this film. Gaspard departs the town at the end of the film in exactly the same way in which he arrived, via the ferry. His holiday really is a 'hole in time', being used to fill a gap before his new career begins. And the commitments he made to the three women ends with him being caught in a trap: he must choose one and disappoint two others. Unexpectedly, a friend calls with a deal too good to refuse, which allows Gaspard to escape this trap which he has created, albeit in a less than honourable way.
344:
boat. Solène, a former choir singer, shows interest in
Gaspard's music and he teaches her the sea-shanty he has written. Her attraction to him and his musical talent boosts his low self-esteem with women. Solène, who just broke up with two suitors herself, has rigid ideas of commitment and the romantic process and Gaspard falls into line as she becomes his best option at the moment. They decide to take a trip to
356:
and Margot talk about his growing dilemma, while Margot slowly becomes part of this same dilemma. Margot questions his tendency to go along with whichever girl he happens to be with at the time. She questions whether he is cunning and manipulative, or simply a weak fool. His inability to commit to a choice leads
Gaspard into the trap of double-booking the trip with both Léna and Solène.
367:
Gaspard asks Margot to meet him at the ferry to Saint Malo before he departs, where he explains the situation. Margot then tells
Gaspard that her boyfriend is imminently returning, and that they will go to Ouessant. Gaspard is surprised at the news, assuming that Margot would always be there for him,
359:
Later, LĂ©na, in a moody outburst, professes that she is not in love with
Gaspard and departs in anger. It appears to Gaspard that his only option is Solène, but on a walk with Margot, he again kisses her and this time it is reciprocated. Tired of Léna's moods and Solène's pressure, Gaspard then tells
448:
with her cousins, on the grounds that it leaves them with too little time to visit
Ouessant together. Waiting, especially for those with whom one has a relationship with, is also a theme of the film. Gaspard is waiting for LĂ©na to arrive, and once she does arrive, he waits for her to return from her
355:
By chance, LĂ©na finds
Gaspard at the beach and appears genuinely excited to see him after the long delay. Gaspard, who has been flummoxed by Léna's standoffish behavior in the past, is delighted at her renewed interest in him and begins to set the stage to renege on the vacation with Solène. Gaspard
507:
Rohmer gave permission for the film's production manager Françoise
Etchegaray to film the making of A Summer's Tale. This is the only time the shooting of a Rohmer film was itself recorded. Jean-André Fieschi was given the footage for editing after a chance meeting with Etchegaray in late 1995, but
479:
is an excellent example of this. Crisp writes that his films have "an extensive central element constituting a 'digression' or hole in time through which the temptation of the temporal intrudes. The digression will seem to promise escape from a trap which the protagonist feels closing around him or
363:
Léna calls Gaspard at home, apologising for her behavior and re-inviting herself back to Ouessant. Solène also calls, committing to the trip and then hanging up abruptly before Gaspard can respond. Gaspard now has a major dilemma since he has promised all three women he would take them to Ouessant.
343:
Gaspard joins Margot's friends for a night of dancing at a local bar where he feels out of place. One of Margot's friends, Solène, notices him and happens to run into him alone at the beach the next day. Solène is sensual, confident, and straightforward. She invites him to go sailing on her uncle's
435:
Rohmer's use of clothing appears to be a metaphor for the personalities which Gaspard has to choose from. After the first scene at the beach, Gaspard does not see Margot in swimwear again. Her attire is loose, casual and she even appears in pajamas in a later scene. Her skirts are often short, and
439:
Time plays an important role in the film: title-cards show the date each day from 17 July to 6 August. Gaspard tracks how many days late LĂ©na is, while walking with Margot and scanning the beaches for her. Characteristically of Rohmer's films, time is shown highly linearly. Gaspard is shown to be
487:
Other typically Rohmerian themes present here include the ideas of self-deception and coincidence, especially applied to a protagonist who does something unexpected while waiting for someone else, and then has to make a difficult choice. Gaspard came to Dinard to wait for LĂ©na, but he develops a
432:. The film's beginning follows Gaspard's silent, solitary wanderings on his first day in town, and he sometimes makes up excuses to be by himself throughout the film. Gaspard sees this as a protest against superficiality, but deeper analysis shows it may just be a way for him to protect his ego.
423:
A Summer's Tale is considered one of Rohmer's more conventional films due to its autobiographical nature. Rohmer's use of a male protagonist is somewhat of a departure from his earlier films, and is evidence for the idea that he put many of his own ideas into the mouth of Gaspard during his long
368:
and they half-heartedly make vague plans to meet in future. As they walk down the ramp to the boat, they say their goodbyes and kiss passionately, leaving their romantic feelings unresolved. Margot waves as the boat pulls out, before walking away. As Gaspard's boat sails off, the old sea-shanty "
520:
Typically for Rohmer, there is no extradiegetic music in the film, except for the final scene. The sea-shanty "Corsair's Daughter" which Gaspard writes during the course of the film was written by Rohmer, who credited himself under the pseudonym "SĂ©bastien Erms", as he had done for music he had
456:, and the movements of the characters are clearly signposted. The names of cafes, nightclubs, or towns are made clear in cinematography and dialogue. During their conversations, we learn that Gaspard is from Rennes, and that he is about to take a job with a design firm in Nantes. Margot is from
427:
The filming is mostly on the tourist beaches, except when Margot extracts Gaspard for excursions out of his comfort zone. We do not see Gaspard's relationships with Solène or Léna as extending past the beach, the water, and other places commonly frequented by tourists. In contrast, Margot and
339:
in her spare time. Gaspard has an on again/off again girlfriend, LĂ©na, who is planning to visit Dinard. Margot tells him that she has a long-distance boyfriend. Gaspard speaks of his confused relationship with LĂ©na while Margot offers advice. Gaspard clumsily tries to kiss Margot, which she
331:. He arrives alone and spends all his time in his friend's empty flat composing music and walking around the town. He meets Margot, a cheerful waitress, at a restaurant. Despite his initial reluctance, they soon become friends and meet daily to walk around the area. Margot has a PhD in
449:
unplanned family trip to Jersey. And Solène also waits, for Gaspard to decide to go to Ouessant with her, oblivious to the promises he made to the other women. Most significantly, Margot describes herself as waiting "like a sailor's wife" for her boyfriend across the world.
504:, early in the summer of 1995 to avoid the tourists. Melvil Poupaud recalled Rohmer shooting long single takes, not wanting actors to rehearse too much so that their lines would stay fresh. The tourists that were present mostly ignored the presence of the small film crew.
340:
lightheartedly brushes off. Margot takes Gaspard on a research trip to a local fisherman's house to discuss maritime folk songs. Gaspard is inspired by the fisherman's stories and writes his own sea shanty, a diversion from his typical blues music.
529:
In 1996, due to various economic issues with independent movie theaters and home video, the film was not released in the United States along with many other foreign films. It finally received a limited release on 20 June 2014.
364:
Luckily, a friend calls him to inform him of a man in Rennes who wants to sell Gaspard some recording equipment. It's an offer too good to pass up and he decides to leave town and not confront his problems.
472:, and Margot is the only one of the three women who "wanders onto all three of these stages", as she is seen in the locations closely associated with Léna and Solène, but the reverse does not occur.
29:
1304:
460:, an hour west of Dinard. On their walks, Margot takes pleasure in showing Gaspard around the area she knows so well, such as towns, islands, and landmarks, such as the
1296:
1344:
480:
her, but will come to be seen rather as itself a trap from which the protagonist must escape." Despite being written ten years prior to the release of
1423:
760:
1328:
1443:
1398:
1201:
1418:
1280:
965:
1225:
743:
718:
668:
1408:
845:
1448:
684:
1320:
1257:
1039:
1413:
512:
Rohmer agreed to release it in 2006. It has been included in several French and English DVD releases of the film.
1438:
1233:
802:
1428:
567:
1433:
360:
Margot he wants to travel with her to Ouessant as he realizes their relationship is more honest and caring.
958:
1403:
1169:
308:
The plot is loosely based on Rohmer's experiences as a young film student and his various relationships.
1100:
999:
594:
1367:
1288:
452:
Like time, place is also important in the film. A strong sense of place is a common theme of Rohmer's
316:
1217:
1177:
655:
440:
extremely conscious of time constraints: he has a date on which he must leave for his new job in
951:
1352:
1193:
1209:
909:
1241:
1060:
1023:
595:"Melvil Poupaud Reflects on Director Éric Rohmer and His Film, 'A Summer's Tale', PopMatters"
468:. Margot is also the most mobile of Gaspard's love interests: she drives him to neighbouring
80:
547:
396:
1372:
1336:
1121:
1092:
1076:
429:
277:
160:
8:
1393:
1185:
1007:
937:
921:
902:
620:
886:
1084:
1015:
881:
739:
714:
664:
327:
Gaspard, a mathematics graduate and musician, is on summer holiday by the seaside in
312:
1129:
1031:
780:
283:
1161:
1068:
933:
552:
369:
247:
43:
943:
927:
28:
850:
625:
387:
381:
302:
298:
136:
98:
93:
975:
264:
62:
1387:
501:
469:
465:
461:
761:"Secrets and Lies: Three Documentaries About Eric Rohmer – Senses of Cinema"
1312:
1249:
457:
260:
257:
1145:
892:
289:
914:
875:
820:
508:
the completed 90 minute documentary lay forgotten for ten years. Named
497:
332:
898:
349:
345:
475:
Rohmer's films have been noted to have a circular structure, and
336:
1305:
Les cabinets de physique : la vie de société au 18e siècle
445:
441:
328:
496:
The film was shot on location in the seaside towns of Dinard,
510:
La Fabrique du Conte d’été ("The making of A Summer's Tale"),
685:"Dangling Man: Close-up on Eric Rohmer's "A Summer's Tale""
621:"A Summer's Tale movie review & film summary (2014)"
444:
and is upset at LĂ©na for going on an unplanned trip to
1297:
Les métamorphoses du paysage : l'ère industrielle
1345:
Louis Lumière / conversation avec Langlois et Renoir
560:
973:
1385:
785:(in French), Aventures Intérieures, 2018-05-02
335:, and conducts research interviews with local
959:
713:. Basingstoke New York: Palgrave Macmillan.
846:"Eric Rohmer's Tribute to His Younger Self"
966:
952:
936:
920:
901:
885:
27:
1329:Les histoires extraordinaires d'Edgar Poe
1202:Four Adventures of Reinette and Mirabelle
803:"Eric Rohmer's Tales of the Four Seasons"
738:. Bloomington: Indiana University Press.
1226:The Tree, the Mayor and the Mediatheque
758:
1386:
1281:Présentation ou Charlotte et son steak
708:
653:
947:
843:
733:
618:
568:"Festival de Cannes: A Summer's Tale"
305:, Aurélia Nolin and Gwenaëlle Simon.
1316:(segment "Place de l'Étoile") (1965)
649:
647:
645:
643:
589:
587:
13:
1444:French romantic comedy-drama films
1424:Films produced by Margaret Ménégoz
402:Aimé Lefèvre as the Newfoundlander
14:
1460:
1258:The Romance of Astrea and Celadon
869:
736:Eric Rohmer, realist and moralist
640:
584:
521:composed for his previous films.
1399:1996 romantic comedy-drama films
844:Brody, Richard (19 June 2014).
837:
813:
795:
773:
752:
727:
702:
677:
612:
540:
275:) series, which also includes
267:. It is the third film in his
235:$ 198,126 (United States only)
1:
1419:Films directed by Éric Rohmer
759:Perkins, Bruce (2010-10-11).
711:Eric Rohmer: film as theology
619:Kenny, Glenn (20 June 2014).
533:
408:Evelyne Lahana as Aunt Maiwen
405:Alain Guellaff as Uncle Alain
311:The film was screened in the
263:film written and directed by
1321:Les caractères de La Bruyère
7:
1409:1990s French-language films
821:"SĂ©bastien Erms | Composer"
411:Yves Guérin as accordionist
348:, an island off the tip of
10:
1465:
1449:Les Films du Losange films
1101:Boyfriends and Girlfriends
1000:The Bakery Girl of Monceau
524:
491:
1363:
1272:
1156:
1113:Tales of the Four Seasons
1111:
1050:
989:
982:
454:Tales of the Four Seasons
418:
317:1996 Cannes Film Festival
273:Tales of the Four Seasons
269:Contes des quatre saisons
231:
223:
215:
205:
181:
173:
148:
129:
121:
113:
86:
76:
68:
58:
54:
42:
38:
33:Theatrical release poster
26:
21:
807:The Criterion Collection
515:
16:1996 film by Éric Rohmer
1414:Films about vacationing
1289:VĂ©ronique et son cancre
375:
322:
1439:Films shot in Brittany
1353:Victor Hugo architecte
1194:Catherine de Heilbronn
709:Tester, Keith (2008).
663:. Palgrave Macmillan.
654:Tester, Keith (2008).
414:Franck Cabot as cousin
251:
1429:Films set in Brittany
1242:The Lady and the Duke
1170:L'enfance d'une ville
1052:Comedies and Proverbs
1040:Love in the Afternoon
734:Crisp, C. G. (1988).
393:Aurelia Nolin as LĂ©na
190:5 June 1996
1434:Films set on beaches
1373:Les Films du Losange
1337:Entretien sur Pascal
1122:A Tale of Springtime
1077:Pauline at the Beach
430:A Tale of Springtime
278:A Tale of Springtime
177:Les Films du Losange
161:Les Films du Losange
1234:Rendezvous in Paris
1218:Les Jeux de société
1210:Le trio en si bémol
1186:Perceval le Gallois
929:A Summer's Tale
910:A Summer's Tale
894:A Summer's Tale
877:A Summer's Tale
572:festival-cannes.com
464:, across the river
256:) is a 1996 French
1404:1990s French films
1085:Full Moon in Paris
1061:The Aviator's Wife
1024:My Night at Maud's
1016:La Collectionneuse
974:Films directed by
1381:
1380:
1268:
1267:
1178:The Marquise of O
782:Conte d'été - DVD
745:978-0-253-31908-1
720:978-1-4039-9659-6
670:978-1-349-54546-9
548:"A Summer's Tale"
352:, the next week.
313:Un Certain Regard
239:
238:
1456:
1130:A Tale of Winter
1008:Suzanne's Career
987:
986:
968:
961:
954:
945:
944:
940:
924:
919:
905:
889:
863:
862:
860:
858:
841:
835:
834:
832:
831:
817:
811:
810:
799:
793:
792:
791:
790:
777:
771:
770:
768:
767:
756:
750:
749:
731:
725:
724:
706:
700:
699:
697:
696:
681:
675:
674:
662:
657:Film as Theology
651:
638:
637:
635:
633:
616:
610:
609:
607:
606:
591:
582:
581:
579:
578:
564:
558:
557:
544:
284:A Tale of Winter
197:
195:
81:Margaret Ménégoz
31:
19:
18:
1464:
1463:
1459:
1458:
1457:
1455:
1454:
1453:
1384:
1383:
1382:
1377:
1359:
1264:
1162:The Sign of Leo
1152:
1138:A Summer's Tale
1107:
1069:Le Beau Mariage
1046:
991:Six Moral Tales
978:
972:
934:Rotten Tomatoes
917:
872:
867:
866:
856:
854:
842:
838:
829:
827:
819:
818:
814:
801:
800:
796:
788:
786:
779:
778:
774:
765:
763:
757:
753:
746:
732:
728:
721:
707:
703:
694:
692:
683:
682:
678:
671:
660:
652:
641:
631:
629:
617:
613:
604:
602:
593:
592:
585:
576:
574:
566:
565:
561:
553:Box Office Mojo
546:
545:
541:
536:
527:
518:
494:
482:A Summer's Tale
477:A Summer's Tale
421:
397:Gwenaëlle Simon
378:
325:
315:section at the
295:A Summer's Tale
243:A Summer's Tale
208:
201:
193:
191:
184:
169:
168:
153:
151:
144:
109:
106:Gwenaëlle Simon
34:
22:A Summer's Tale
17:
12:
11:
5:
1462:
1452:
1451:
1446:
1441:
1436:
1431:
1426:
1421:
1416:
1411:
1406:
1401:
1396:
1379:
1378:
1376:
1375:
1370:
1364:
1361:
1360:
1358:
1357:
1349:
1341:
1333:
1325:
1317:
1309:
1301:
1293:
1285:
1276:
1274:
1270:
1269:
1266:
1265:
1263:
1262:
1254:
1246:
1238:
1230:
1222:
1214:
1206:
1198:
1190:
1182:
1174:
1166:
1157:
1154:
1153:
1151:
1150:
1142:
1134:
1126:
1117:
1115:
1109:
1108:
1106:
1105:
1097:
1089:
1081:
1073:
1065:
1056:
1054:
1048:
1047:
1045:
1044:
1036:
1028:
1020:
1012:
1004:
995:
993:
984:
980:
979:
971:
970:
963:
956:
948:
942:
941:
925:
906:
890:
871:
870:External links
868:
865:
864:
851:The New Yorker
836:
812:
794:
772:
751:
744:
726:
719:
701:
676:
669:
639:
626:RogerEbert.com
611:
583:
559:
538:
537:
535:
532:
526:
523:
517:
514:
493:
490:
420:
417:
416:
415:
412:
409:
406:
403:
400:
394:
391:
388:Melvil Poupaud
385:
382:Amanda Langlet
377:
374:
324:
321:
303:Melvil Poupaud
299:Amanda Langlet
237:
236:
233:
229:
228:
225:
221:
220:
217:
213:
212:
209:
206:
203:
202:
200:
199:
187:
185:
182:
179:
178:
175:
174:Distributed by
171:
170:
167:
166:
165:La Sept Cinéma
163:
157:
156:
154:
149:
146:
145:
143:
142:
141:SĂ©bastien Erms
139:
137:Philippe Eidel
133:
131:
127:
126:
123:
119:
118:
117:Diane Baratier
115:
114:Cinematography
111:
110:
108:
107:
104:
101:
99:Melvil Poupaud
96:
94:Amanda Langlet
90:
88:
84:
83:
78:
74:
73:
70:
66:
65:
60:
56:
55:
52:
51:
46:
40:
39:
36:
35:
32:
24:
23:
15:
9:
6:
4:
3:
2:
1461:
1450:
1447:
1445:
1442:
1440:
1437:
1435:
1432:
1430:
1427:
1425:
1422:
1420:
1417:
1415:
1412:
1410:
1407:
1405:
1402:
1400:
1397:
1395:
1392:
1391:
1389:
1374:
1371:
1369:
1366:
1365:
1362:
1355:
1354:
1350:
1347:
1346:
1342:
1339:
1338:
1334:
1331:
1330:
1326:
1323:
1322:
1318:
1315:
1314:
1310:
1307:
1306:
1302:
1299:
1298:
1294:
1291:
1290:
1286:
1283:
1282:
1278:
1277:
1275:
1271:
1260:
1259:
1255:
1252:
1251:
1247:
1244:
1243:
1239:
1236:
1235:
1231:
1228:
1227:
1223:
1220:
1219:
1215:
1212:
1211:
1207:
1204:
1203:
1199:
1196:
1195:
1191:
1188:
1187:
1183:
1180:
1179:
1175:
1172:
1171:
1167:
1164:
1163:
1159:
1158:
1155:
1148:
1147:
1143:
1140:
1139:
1135:
1132:
1131:
1127:
1124:
1123:
1119:
1118:
1116:
1114:
1110:
1103:
1102:
1098:
1095:
1094:
1093:The Green Ray
1090:
1087:
1086:
1082:
1079:
1078:
1074:
1071:
1070:
1066:
1063:
1062:
1058:
1057:
1055:
1053:
1049:
1042:
1041:
1037:
1034:
1033:
1032:Claire's Knee
1029:
1026:
1025:
1021:
1018:
1017:
1013:
1010:
1009:
1005:
1002:
1001:
997:
996:
994:
992:
988:
985:
983:Feature films
981:
977:
969:
964:
962:
957:
955:
950:
949:
946:
939:
935:
931:
930:
926:
923:
916:
912:
911:
907:
904:
900:
896:
895:
891:
888:
883:
879:
878:
874:
873:
853:
852:
847:
840:
826:
822:
816:
808:
804:
798:
784:
783:
776:
762:
755:
747:
741:
737:
730:
722:
716:
712:
705:
690:
686:
680:
672:
666:
659:
658:
650:
648:
646:
644:
628:
627:
622:
615:
600:
596:
590:
588:
573:
569:
563:
555:
554:
549:
543:
539:
531:
522:
513:
511:
505:
503:
502:Saint Lunaire
499:
489:
485:
483:
478:
473:
471:
470:Saint-Lunaire
467:
463:
462:Solidor Tower
459:
455:
450:
447:
443:
437:
433:
431:
425:
413:
410:
407:
404:
401:
398:
395:
392:
389:
386:
383:
380:
379:
373:
371:
365:
361:
357:
353:
351:
347:
341:
338:
334:
330:
320:
318:
314:
309:
306:
304:
300:
296:
292:
291:
286:
285:
280:
279:
274:
270:
266:
262:
259:
255:
254:
249:
245:
244:
234:
230:
226:
222:
218:
214:
210:
204:
198: (France)
189:
188:
186:
180:
176:
172:
164:
162:
159:
158:
155:
147:
140:
138:
135:
134:
132:
128:
124:
120:
116:
112:
105:
103:Aurélia Nolin
102:
100:
97:
95:
92:
91:
89:
85:
82:
79:
75:
71:
67:
64:
61:
57:
53:
50:
47:
45:
41:
37:
30:
25:
20:
1351:
1343:
1335:
1327:
1319:
1313:Six in Paris
1311:
1303:
1295:
1287:
1279:
1256:
1250:Triple Agent
1248:
1240:
1232:
1224:
1216:
1208:
1200:
1192:
1184:
1176:
1168:
1160:
1144:
1137:
1136:
1128:
1120:
1112:
1099:
1091:
1083:
1075:
1067:
1059:
1051:
1038:
1030:
1022:
1014:
1006:
998:
990:
928:
908:
893:
876:
855:. Retrieved
849:
839:
828:. Retrieved
824:
815:
806:
797:
787:, retrieved
781:
775:
764:. Retrieved
754:
735:
729:
710:
704:
693:. Retrieved
691:. 2015-06-21
688:
679:
656:
630:. Retrieved
624:
614:
603:. Retrieved
601:. 2014-07-01
598:
575:. Retrieved
571:
562:
551:
542:
528:
519:
509:
506:
495:
486:
481:
476:
474:
458:Saint-Brieuc
453:
451:
438:
434:
426:
422:
366:
362:
358:
354:
342:
326:
310:
307:
294:
288:
287:(1992), and
282:
276:
272:
268:
261:comedy-drama
252:
242:
241:
240:
207:Running time
183:Release date
125:Mary Stephen
48:
1368:Filmography
1146:Autumn Tale
976:Éric Rohmer
918:(in French)
857:19 February
632:19 February
290:Autumn Tale
265:Éric Rohmer
253:Conte d'été
211:113 minutes
77:Produced by
72:Éric Rohmer
63:Éric Rohmer
59:Directed by
49:Conte d'été
1394:1996 films
1388:Categories
830:2023-07-13
789:2023-12-24
766:2023-12-24
695:2023-07-13
605:2023-07-13
599:PopMatters
577:2009-09-19
534:References
498:Saint Malo
390:as Gaspard
232:Box office
194:1996-06-05
150:Production
69:Written by
399:as Solène
384:as Margot
372:" plays.
333:ethnology
152:companies
122:Edited by
915:AlloCiné
899:AllMovie
370:Santiano
350:Brittany
346:Ouessant
293:(1998).
281:(1990),
258:romantic
224:Language
130:Music by
87:Starring
525:Release
492:Filming
337:Bretons
216:Country
192: (
1356:(1969)
1348:(1968)
1340:(1965)
1332:(1965)
1324:(1965)
1308:(1964)
1300:(1964)
1292:(1958)
1284:(1951)
1273:Shorts
1261:(2007)
1253:(2004)
1245:(2001)
1237:(1995)
1229:(1993)
1221:(1989)
1213:(1988)
1205:(1987)
1197:(1980)
1189:(1978)
1181:(1976)
1173:(1975)
1165:(1962)
1149:(1998)
1141:(1996)
1133:(1992)
1125:(1990)
1104:(1987)
1096:(1986)
1088:(1984)
1080:(1983)
1072:(1982)
1064:(1981)
1043:(1972)
1035:(1970)
1027:(1969)
1019:(1967)
1011:(1963)
1003:(1963)
884:
742:
717:
667:
446:Jersey
442:Nantes
419:Themes
329:Dinard
297:stars
248:French
227:French
219:France
44:French
661:(PDF)
516:Music
466:Rance
882:IMDb
859:2022
825:IMDb
740:ISBN
715:ISBN
689:MUBI
665:ISBN
634:2022
500:and
376:Cast
323:Plot
932:at
913:at
897:at
880:at
1390::
848:.
823:.
805:.
687:.
642:^
623:.
597:.
586:^
570:.
550:.
319:.
301:,
250::
967:e
960:t
953:v
861:.
833:.
809:.
769:.
748:.
723:.
698:.
673:.
636:.
608:.
580:.
556:.
271:(
246:(
196:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
