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A Woman Under the Influence

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Nick comes home, he finds all the children run wild, half-naked, and he gets into a fistfight with Jensen, who then leaves with his children. Nick also angrily slaps Mabel in front of the children. He brings the doctor who treats her, Dr. Zepp, to evaluate her mental health. Mabel grows increasingly angry and suspicious and Nick fights off the doctor when he attempts to sedate her, while repeating to Mabel that he loves her. His mother, Margaret, accuses Mabel of being a bad mother, drinking all the time, and leaving her children hungry and naked. She offers nothing to her son, she says, and the other day she had brought another man to the house. Convinced she has become a threat to herself and others, the doctor
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Mabel beforehand. Mabel makes everyone spaghetti and they all sit at the table together to eat. Mabel seems extremely polite and warm to all Nick's colleagues. The meal is superficially pleasant, with Mabel asking each one of Nick's coworkers if they have children. Finally, Nick snaps at Mabel for making one of his men feel uncomfortable by being overly warm to him. The next day, Nick has an early wake up when his mother-in-law and their three children stop over before school, invading the couple's bedroom and making Mabel nervous.
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levels of emotion. Cassavetes is strongest as a writer and filmmaker at creating specific characters and then sticking with them through long, painful, uncompromising scenes until we know them well enough to read them, to predict what they'll do next and even to begin to understand why." Ebert later added the film to his "Great Movies" list, in which he called the film "perhaps the greatest of Cassavetes' films."
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over the phone, and Mabel is devastated. That night, drunk, she meets a man at a bar, Garson, who offers her some more drinks, and then he takes her home almost passed out. Despite her protests, he forces her to dance with him and appears to sexually assault her at the bottom of the stairs, while she hits him with her handbag.
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Six months later, Nick plans a large surprise welcome home party for Mabel's return from the institution. However, his mother points out that this may be overwhelming for her, and Nick asks all of the non-family guests to leave. When Mabel arrives, she is apprehensive and quiet, in great contrast to
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Mabel's strange mannerisms and increasingly odd behavior continue to be a source of concern for Nick. She hosts a birthday party, but one of the child's parents, Harold Jensen, becomes disturbed by her behavior and is reluctant to leave his children alone with her, asking if she's been drinking. When
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expressed a desire to appear in a play about the difficulties faced by contemporary women. His completed script was so intense and emotional she knew she would be unable to perform it eight times a week, so he decided to adapt it for the screen. When he tried to raise funding for the project, he was
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After the guests leave, Mabel has a breakdown and cuts herself. When she stands on a sofa, bleeding, and refuses to come down, Nick slaps her and causes her to fall in front of their distraught children. She appears to recover somewhat and puts the kids to bed while they express their love for her.
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She wakes up the next morning in bed and the man is still there. She is confused and briefly argues with him before he leaves, calling him by her husband's name and warning him that she's not in the mood for games. Later the same day, Nick brings his 11 member crew over to the house without calling
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rated the film four out of four stars and called it "terribly complicated, involved and fascinating – a revelation." He added "The characters are larger than life (although not less convincing because of that), and their loves and rages, their fights and moments of tenderness, exist at exhausting
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housewife and mother, sends her three children, Tony, Angelo and Maria, to spend the night with her mother but is extremely hesitant to do so. She is a heavy drinker and exhibits strange behavior. An unexpected pipe leak forces her husband, Nick, a construction foreman, to cancel their date night
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The world premiere screening of a restored print was held at the Castro Theatre in San Francisco on April 26, 2009, as part of the San Francisco International Film Festival. Gena Rowlands was in attendance and spoke briefly. The restoration was done by the UCLA Film & Television Archive with
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Upon completion of the film, Cassavetes was unable to find a distributor, so he personally called theater owners and asked them to run the film. According to college student Jeff Lipsky, who was hired to help distribute the film, "It was the first time in the history of motion pictures that an
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her former outgoing and eccentric personality. Nick tries to make her feel comfortable, telling her that he is with her and to hell with all the others, but to no avail. The evening degenerates in yet another emotional and psychologically taxing event for Mabel. She reveals she underwent
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Nick returns to work and is annoyed by the workers' interest in Mabel's situation. He gets into an altercation with a worker, who falls down a hill and is severely injured. He picks up the children from school in the middle of the day to go to the beach and allows them to sip his beer.
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with Peter Falk, he described the film as "the most incredible, disturbing, scary, brilliant, dark, sad, depressing movie" and added "I went crazy. I went home and vomited," which prompted curious audiences to seek out the film capable of making Dreyfuss (who is himself bipolar) ill.
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format with an English audiotrack. Bonus features include commentary by sound recordist and composer Bo Harwood and camera operator Mike Ferris and interviews with Gena Rowlands and Peter Falk. On October 22, 2013, the box set was re-released on
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independent film was distributed without the use of a nationwide system of sub-distributors." It was booked into art houses and shown on college campuses, where Cassavetes and Falk discussed it with the audience.
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in the mental hospital and becomes increasingly distraught, while at the same time, she asks all the family guests to go home, because she and Nick want to go to bed together, making all, once again, feel awkward.
2168: 520:, the film has an approval rating of 89% based on 35 reviews, with a rating average of 8.2/10. The website's critical consensus reads: "Electrified by searing performances from Gena Rowlands and Peter Falk, 465:, where Cassavetes was serving as the first "filmmaker in residence" at their Center for Advanced Film Studies. Working with a limited budget forced him to shoot scenes in a real house near 719: 250: 569:
style which is unconvincing and unsympathetic; but Falk is persuasively insane as the husband; and the result is an astonishing, compulsive film, directed with a crackling energy."
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wrote "The brilliance of the film lies in its sympathetic and humorous exposure of social structure. Rowlands unfortunately overdoes the manic psychosis at times, and lapses into a
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observed "Miss Rowlands unleashes an extraordinary characterization....The actress’s style of performing sometimes shows a kinship with that of the early
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essay by Daniel Eagan in America's Film Legacy: The Authoritative Guide to the Landmark Movies in the National Film Registry, A&C Black, 2010
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2012 poll on the greatest films of all time, the film placed 59th in the directors' poll and 144th in the critics' poll. In 2015, the BBC named
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rated the film four out of four stars, calling it "tough-minded" and "moving" and "an insightful essay on sexual politics."
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as being "culturally, historically, or aesthetically significant", one of the first fifty films to be so honored.
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also panned the film in his 1974 review of it. He wrote: "To me this film is utterly without interest or merit".
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Lacking studio financing, Cassavetes mortgaged his house and borrowed from family and friends, one of whom was
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finds pioneering independent filmmaker John Cassavetes working at his artistic peak."
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On September 21, 2004, the film was released in Region 1 – together with
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Films featuring a Best Drama Actress Golden Globe-winning performance
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In 1990, the film was selected for preservation in the United States
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for being "culturally, historically or aesthetically significant".
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Nick and Mabel prepare their bed together as the credits roll.
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In 1992 Touchstone Home Video released the movie on VHS.
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selected the film for preservation in the United States
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Cassavetes' film as director, it premiered at the 1974
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told "No one wants to see a crazy, middle-aged dame."
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Please note figures are for rentals in US and Canada
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American Film Distribution: The Changing Marketplace
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Rowlands also won a 14: 2200: 2164:Films directed by John Cassavetes 2034:(1959–60, directed five episodes) 1777: 1702:"A Woman Under the Influence VHS" 1496:"Influential woman Gena Rowlands" 1450:"The 100 Greatest American Films" 1272:Ebert, Roger (January 14, 1988). 1753:American Dreaming: The Films of 1494:Zinko, Carolyne (June 1, 2009). 1234:Sayre, Nora (October 14, 1974). 808:National Film Preservation Board 746:Best Screenplay – Motion Picture 384:Angelo Grisanti as Vito Grimaldi 363:Matthew Cassel as Tony Longhetti 1980:The Killing of a Chinese Bookie 1712: 1694: 1664: 1637: 1610: 1592:"KCFCC Award Winners – 1970-79" 1584: 1557: 1487: 1462: 1412: 1387: 1362: 1343: 1331:Lacher, Irene (March 6, 1975). 1324: 1306: 1284: 1265: 1253:Ebert, Roger (March 14, 1974). 1246: 1085:Brody, Richard (July 2, 2013). 1042:"All-time Film Rental Champs". 919:The Killing of a Chinese Bookie 881:Writers Guild of America Awards 869:OCIC Award (Honorable Mention) 780:National Board of Review Awards 1761:University of California Press 1200: 1115: 1097: 1078: 1057:Donahue, Suzanne Mary (1987). 1050: 1046:. 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Index


John Cassavetes
Gena Rowlands
Peter Falk
Bo Harwood
drama film
John Cassavetes
Gena Rowlands
Peter Falk
blue-collar
New York Film Festival
Academy Award
Best Director
Best Actress
Golden Globe Award
National Board of Review Award
Library of Congress
National Film Registry
Los Angeles
institutionalizes
electroshock therapy
American Film Institute
Gena Rowlands
Peter Falk
Fred Draper
Lady Rowlands
Katherine Cassavetes
Matthew Laborteaux
George Dunn
Mario Gallo

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