Knowledge

Absolute threshold of hearing

Source 📝

81: 364: 222: 335: 264: 142: 385: 347:
to eight reversals, the first one is discarded and the threshold is defined as the average of the midpoints of the remaining runs. Experiments have shown that this method provides only 50% accuracy. To produce more accurate results, this simple method can be further modified by increasing the size of steps in the descending runs, e.g.
831:
The peak sensitivities shown in this figure are equivalent to a sound pressure amplitude in the sound wave of 10 μPa or: about -6 dB(SPL). Note that this is for monaural listening to a sound presented at the front of the listener. For sounds presented on the listening side of the head there is a rise
498:
detector that samples the amount of energy present within a certain time frame. A certain amount of energy is needed within a time frame to reach the threshold. This can be done by using a higher intensity for less time or by using a lower intensity for more time. Sensitivity to sound improves as the
247:
Method of constant stimuli has several advantages over the method of limits. Firstly, the random order of stimuli means that the correct answer cannot be predicted by the listener. Secondarily, as the tone may be absent (catch trial), "yes" is not always the correct answer. Finally, catch trials help
121:
Some procedures use a series of trials, with each trial using the 'single-interval "yes"/"no" paradigm'. This means that sound may be present or absent in the single interval, and the listener has to say whether they thought the stimulus was there. When the interval does not contain a stimulus, it is
490:
For example, suppose that the quietest sound a subject can hear is 16 dB SPL if the sound is presented at a duration of 200 ms. If the same sound is then presented for a duration of only 20 ms, the quietest sound that can now be heard by the subject goes up to 26 dB SPL. In other words, if
346:
consists of a series of descending and ascending trial runs and turning points (reversals). The stimulus level is increased if the subject does not respond and decreased when a response occurs. Similar to the method of limits, the stimuli are adjusted in predetermined steps. After obtaining from six
169:
The trial starts with the descending run, where a stimulus is presented at a level well above the expected threshold. When the subject responds correctly to the stimulus, the level of intensity of the sound is decreased by a specific amount and presented again. The same pattern is repeated until the
451:
Two methods can be used to measure the minimal audible stimulus and therefore the absolute threshold of hearing. Minimal audible field involves the subject sitting in a sound field and stimulus being presented via a loudspeaker. The sound level is then measured at the position of the subject's head
486:
Temporal summation is the relationship between stimulus duration and intensity when the presentation time is less than 1 second. Auditory sensitivity changes when the duration of a sound becomes less than 1 second. The threshold intensity decreases by about 10 dB when the duration of a tone
431:
To give an example, this could be the probability curve of the subject detecting a sound being presented as a function of the sound level. When the stimulus is presented to the listener one would expect that the sound would either be audible or inaudible, resulting in a 'doorstep' function. In
117:
Several psychophysical methods can measure absolute threshold. These vary, but certain aspects are identical. Firstly, the test defines the stimulus and specifies the manner in which the subject should respond. The test presents the sound to the listener and manipulates the stimulus level in a
371:
Bekesy's method contains some aspects of classical methods and staircase methods. The level of the stimulus is automatically varied at a fixed rate. The subject is asked to press a button when the stimulus is detectable. Once the button is pressed, the level is automatically decreased by the
316:
Two intervals are presented to a listener, one with a tone and one without a tone. The listener must decide which interval had the tone in it. The number of intervals can be increased, but this may cause problems for the listener who has to remember which interval contained the tone.
285:
Also this method can produce several biases. To avoid giving cues about the actual stimulus level, the dial must be unlabeled. Apart from the already mentioned anticipation and habituation, stimulus persistence (preservation) could influence the result from the method of
92:
for younger (18-30 year olds, red circles) and older adults (60-67 year olds, black diamonds). The hearing of older adults is shown to be significantly less sensitive than that of younger adults at frequencies of 4000 and 8000 Hz, corresponding approximately to the
416:
In practice this means that when measuring threshold with sounds decreasing in amplitude, the point at which the sound becomes inaudible is always lower than the point at which it returns to audibility. This phenomenon is known as the 'hysteresis effect'.
198:
creates completely opposite effect, and occurs when the subject becomes accustomed to responding either "yes" in the descending runs and/or "no" in the ascending runs. For this reason, thresholds are raised in ascending runs and improved in descending
456:
using a very small probe microphone. The two different methods produce different thresholds and minimal audible field thresholds are often 6 to 10 dB better than minimal audible pressure thresholds. It is thought that this difference is due to:
189:
There are several issues related to the method of limits. First is anticipation, which is caused by the subject's awareness that the turn-points determine a change in response. Anticipation produces better ascending thresholds and worse descending
901:
Miller et al., 2002. "Nonparametric relationships between single-interval and two-interval forced-choice tasks in the theory of signal detectability". Journal of Mathematical Psychology archive. 46:4;383–417. Available from:
325:
Unlike the classical methods, where the pattern for changing the stimuli is preset, in adaptive methods the subject's response to the previous stimuli determines the level at which a subsequent stimulus is presented.
469:
physiological noises heard when ear is occluded by an earphone during minimal audible pressure measurements. When the ear is covered the subject hears body noises, such as heart beat, and these may have a masking
179:(dB) steps until the subject responds. As there are no clear margins to 'hearing' and 'not hearing', the threshold for each run is determined as the midpoint between the last audible and first inaudible level. 465:
hearing. With minimal audible field both ears are able to detect the stimuli but with minimal audible pressure only one ear is able to detect the stimuli. Binaural hearing is more sensitive than monaural
274:
However, unlike in the method of limits, here the stimulus is controlled by the listener. The subject reduces the level of the tone until it cannot be detected anymore, or increases until it can be heard
51:
that can just be heard by the organism. The absolute threshold is not a discrete point and is therefore classed as the point at which a sound elicits a response a specified percentage of the time.
291:
In the descending runs, the subject may continue to reduce the level of the sound as if the sound was still audible, even though the stimulus is already well below the actual hearing threshold.
395:
can be defined roughly as 'the lagging of an effect behind its cause'. When measuring hearing thresholds it is always easier for the subject to follow a tone that is audible and decreasing in
261:
Method of adjustment shares some features with the method of limits, but differs in others. There are descending and ascending runs and the listener knows that the stimulus is always present.
242:
The stimuli are presented many times at each level and the threshold is defined as the stimulus level at which the subject scored 50% correct. "Catch" trials may be included in this method.
280:
The stimulus level is varied continuously via a dial and the stimulus level is measured by the tester at the end. The threshold is the mean of the just audible and just inaudible levels.
689: 1089: 376:
and increased when the button is not pushed. The threshold is thus tracked by the listeners, and calculated as the mean of the midpoints of the runs as recorded by the automat.
138:. Three methods are traditionally used for testing a subject's perception of a stimulus: the method of limits, the method of constant stimuli, and the method of adjustment. 77:-dependent and it has been shown that the ear's sensitivity is best at frequencies between 2 kHz and 5 kHz, where the threshold reaches as low as −9 dB SPL. 1074: 1032: 1012: 920: 798:
On the other hand, you can also see in Figure 1 that our hearing is slightly more sensitive to frequencies just above 1 kHz, where thresholds can be as low as −9 dBSPL!
452:
with the subject not in the sound field. Minimal audible pressure involves presenting stimuli via headphones or earphones and measuring sound pressure in the subject's
432:
reality a grey area exists where the listener is uncertain as to whether they have actually heard the sound or not, so their responses are inconsistent, resulting in a
204:
Another problem may be related to step size. Too large a step compromises accuracy of the measurement as the actual threshold may be just between two stimulus levels.
1119: 713: 644: 402:
This is because 'top-down' influences mean that the subject expects to hear the sound and is, therefore, more motivated with higher levels of concentration.
296:
In contrast, in the ascending runs, the subject may have persistence of the absence of the stimulus until the hearing threshold is passed by certain amount.
811: 1114: 428:'represents the probability of a certain listener's response as a function of the magnitude of the particular sound characteristic being studied'. 69:
of 0.98 pW/m at 1 atmosphere and 25 °C. It is approximately the quietest sound a young human with undamaged hearing can detect at 1 
502:
The timpani of the ear operates more as a sound pressure sensor. Also a microphone works the same way and is not sensitive to sound intensity.
491:
a signal is shortened by a factor of 10 then the level of that signal must be increased by as much as 10 dB to be heard by the subject.
80: 776: 175:
In the ascending run, which comes after, the stimulus is first presented well below the threshold and then gradually increased in two
1013:
http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&id=JASMAN00004900002B000467000001&idtype=cvips&gifs=yes
251:
The main disadvantage lies in the large number of trials needed to obtain the data, and therefore time required to complete the test.
184:
The subject's absolute hearing threshold is calculated as the mean of all obtained thresholds in both ascending and descending runs.
1011:
Levitt H., 1971. "Transformed up-down methods in psychoacoustics". J. Acoust. Soc. Amer. 49, 467–477. Available to download from:
1109: 1079: 888:
Hirsh I J.,Watson C S., 1996. Auditory Psychophysics and Perception. Annu. Rev. Psychol. 47: 461–84. Available to download from:
118:
predetermined pattern. The absolute threshold is defined statistically, often as an average of all obtained hearing thresholds.
1064: 845: 1104: 1040: 1049: 219:
In the method of constant stimuli, the tester sets the level of stimuli and presents them at completely random order.
1060:
Online Hearing Threshold Test – An alternate audiometric test, with calibrated levels and results expressed in dBHL
649: 889: 819: 405:
The 'bottom-up' theory explains that unwanted external (from the environment) and internal (e.g., heartbeat)
97:
and tones of b′′′′ (B7) and b′′′′′ (B8), respectively. B8 is near the high end of the piano frequency range.
88: (SPL) (the unit of 'dB(HL)' shown on the vertical axis is incorrect) are plotted from 125 to 8000 1059: 832:
in peak sensitivity of about 6 dB due to the increase in pressure caused by reflection from the head.
462: 478:
issues and they also illustrate that the human hearing is most sensitive in the 2–5 kHz range.
373: 110:. The tools used to collect such information are called psychophysical methods. Through these, the 546: 1099: 499:
signal duration increases up to about 200 to 300 ms, after that the threshold remains constant.
1110:
Three Models of Temporal Summation Evaluated Using Normal-Hearing and Hearing-Impaired Subjects
516: 131: 433: 425: 410: 94: 36: 1069: 783: 306: 1094: 8: 1070:
Minimising boredom by maximising likelihood-an efficient estimation of masked thresholds
114:
of a physical stimulus (sound) and our psychological response to the sound is measured.
106:
Measurement of the absolute hearing threshold provides some basic information about our
1134: 698: 629: 170:
subject stops responding to the stimuli, at which point the descending run is finished.
155:
In the method of limits, the tester controls the level of the stimuli. Single-interval
1084: 940: 879:
Hirsh I J.,1952. "The Measurement of Hearing". United States of America: McGraw-Hill.
1139: 932: 440: 55: 853: 474:
Minimal audible field and minimal audible pressure are important when considering
1044: 536: 107: 66: 903: 716: 58: 1054: 209:
Finally, since the tone is always present, "yes" is always the correct answer.
1128: 1001:. New York: Holt, Rinehart and Winston. Citation from the book available on: 541: 521: 363: 221: 1037: 130:
Classical methods date back to the 19th century and were first described by
47:
can hear with no other sound present. The absolute threshold relates to the
1033:
A comparison of threshold estimation methods in children 6–11 years of age
1008:
Katz J. (Ed). United States of America: Lippencott, Williams & Wilkins
944: 890:
http://arjournals.annualreviews.org/doi/pdf/10.1146/annurev.psych.47.1.461
1002: 966:
Manual of Practical Audiometry: Volume 2 (Practical Aspects of Audiology)
475: 195: 62: 334: 392: 263: 111: 936: 420: 748:
Hearing: An introduction to psychological and physiological acoustics
453: 396: 74: 40: 615:
Hearing an Introduction to Psychological and Physiological Acoustics
446: 1018: 526: 443:
characterised by being 's' shaped in its graphical representation.
141: 54:
The threshold of hearing is generally reported in reference to the
583:. Second Edition. United States of America: Williams & Wilkins 388:
Descending runs give better hearing thresholds than ascending runs
101: 1080:
Psychometric Functions for Children's Detection of Tones in Noise
338:
Series of descending and ascending trials runs and turning points
176: 85: 44: 495: 164:
The trial uses several series of descending and ascending runs.
1055:
Equal loudness contours and audiometry – Test your own hearing
575: 573: 571: 569: 567: 511: 406: 384: 48: 551: 531: 409:
results in the subject only responding to the sound if the
145:
Series of descending and ascending runs in Method of Limits
564: 617:. Fourth edition. United States of America: Marcel Dekker 70: 882: 237:
The subject responds "yes"/"no" after each presentation.
89: 846:"24/192 Music Downloads ...and why they make no sense" 750:. 2nd edition. New York and Basel: Marcel Dekker, Inc. 701: 652: 646:
can be converted to plane wave sound intensity using
632: 399:
than to detect a tone that was previously inaudible.
267:
The subject reduces or increase the level of the tone
225:
Subject responding "yes"/"no" after each presentation
865:
The very quietest perceptible sound is about -8dbSPL
1038:
A Concise Vocabulary of Audiology and allied topics
895: 421:
Psychometric function of absolute hearing threshold
707: 683: 638: 232:Thus, there are no ascending or descending trials. 16:Minimum sound level that an average human can hear 447:Minimal audible field vs minimal audible pressure 159:paradigm' is used, but there are no catch trials. 1126: 921:"Transformed up-down methods in psychoacoustics" 914: 912: 742: 740: 738: 736: 734: 732: 730: 728: 726: 724: 609: 102:Psychophysical methods for measuring thresholds 958: 607: 605: 603: 601: 599: 597: 595: 593: 591: 589: 329: 248:to detect the amount of a listener's guessing. 875: 873: 777:"What's the quietest sound a human can hear?" 300: 976: 974: 909: 904:http://portal.acm.org/citation.cfm?id=634580 721: 782:. University College London. Archived from 586: 367:The threshold being tracked by the listener 358: 870: 753: 1120:Threshold of Hearing – equation and graph 1105:The psychoacoustics of multichannel audio 1090:Reference levels for objective audiometry 971: 918: 684:{\displaystyle I={\frac {p^{2}}{\rho v}}} 65:, i.e. 0 dB SPL, corresponding to a 383: 362: 333: 311: 262: 220: 140: 79: 759: 1127: 1003:http://psychclassics.yorku.ca/Fechner/ 843: 487:burst is increased from 20 to 200 ms. 43:that an average human ear with normal 774: 481: 809: 379: 125: 816:College of Santa Fe Auditory Theory 775:Jones, Pete R (November 20, 2014). 320: 13: 764:(third ed.). Wiley-Blackwell. 579:Durrant J D., Lovrinic J H. 1984. 14: 1151: 1026: 1075:On Minimum Audible Sound Fields 1065:Fundamentals of psychoacoustics 968:. Chichester: Whurr Publishers. 762:Acoustic and Auditory Phonetics 439:The psychometric function is a 1095:Response bias in psychophysics 1050:Fundamental aspects of hearing 986:Handbook of Clinical Audiology 837: 803: 768: 620: 84:Average hearing thresholds in 73:. The threshold of hearing is 1: 557: 21:absolute threshold of hearing 7: 1021:. Accessed 28 February 2007 505: 330:Staircase (up-down) methods 10: 1156: 1015:. (Accessed 1 March 2007). 695:is the density of air and 413:is above a certain point. 304: 301:Modified classical methods 215:Method of constant stimuli 29:absolute hearing threshold 1019:www.thefreedictionary.com 999:Elements of psychophysics 844:Montgomery, Christopher. 581:Bases of Hearing Sciences 136:Elements of Psychophysics 1100:Sensitivity of Human Ear 906:. Accessed 1 March 2007. 892:. Accessed 1 March 2007. 812:"Lecture 007 Hearing II" 359:Bekesy's tracking method 122:called a "catch trial". 760:Johnson, Keith (2015). 547:Signal detection theory 494:The ear operates as an 1085:Psychophysical methods 709: 685: 640: 517:Equal-loudness contour 389: 368: 339: 268: 226: 146: 132:Gustav Theodor Fechner 98: 746:Gelfand, S A., 1990. 710: 686: 641: 434:psychometric function 426:Psychometric function 411:signal-to-noise ratio 387: 366: 337: 312:Forced-choice methods 266: 224: 144: 83: 27:), also known as the 699: 650: 630: 613:Gelfand S A., 2004. 307:Pure tone audiometry 257:Method of adjustment 997:Fechner, G., 1860. 964:Arlinger, S. 1991. 810:Feilding, Charles. 626:RMS sound pressure 353:3-down-1-up methods 1043:2021-03-04 at the 925:J. Acoust. Soc. Am 919:Levitt H. (1971). 705: 681: 636: 482:Temporal summation 390: 369: 349:2-down-1-up method 344:1-down-1-up method 340: 269: 227: 147: 99: 33:auditory threshold 937:10.1121/1.1912375 708:{\displaystyle v} 679: 639:{\displaystyle p} 380:Hysteresis effect 126:Classical methods 35:, is the minimum 1147: 989: 988:. Fifth Edition. 978: 969: 962: 956: 955: 953: 951: 916: 907: 899: 893: 886: 880: 877: 868: 867: 862: 861: 852:. Archived from 841: 835: 834: 828: 827: 818:. Archived from 807: 801: 800: 795: 794: 788: 781: 772: 766: 765: 757: 751: 744: 719: 714: 712: 711: 706: 690: 688: 687: 682: 680: 678: 670: 669: 660: 645: 643: 642: 637: 624: 618: 611: 584: 577: 441:sigmoid function 321:Adaptive methods 151:Method of limits 1155: 1154: 1150: 1149: 1148: 1146: 1145: 1144: 1125: 1124: 1045:Wayback Machine 1029: 1024: 993: 992: 982:Psychoacoustics 980:Kidd G. 2002. 979: 972: 963: 959: 949: 947: 917: 910: 900: 896: 887: 883: 878: 871: 859: 857: 842: 838: 825: 823: 808: 804: 792: 790: 786: 779: 773: 769: 758: 754: 745: 722: 700: 697: 696: 671: 665: 661: 659: 651: 648: 647: 631: 628: 627: 625: 621: 612: 587: 578: 565: 560: 537:Psychoacoustics 508: 484: 449: 423: 382: 361: 332: 323: 314: 309: 303: 128: 108:auditory system 104: 67:sound intensity 17: 12: 11: 5: 1153: 1143: 1142: 1137: 1123: 1122: 1117: 1112: 1107: 1102: 1097: 1092: 1087: 1082: 1077: 1072: 1067: 1062: 1057: 1052: 1047: 1035: 1028: 1027:External links 1025: 1023: 1022: 1016: 1009: 1006: 994: 991: 990: 970: 957: 931:(2): 467–477. 908: 894: 881: 869: 836: 802: 767: 752: 720: 717:speed of sound 704: 677: 674: 668: 664: 658: 655: 635: 619: 585: 562: 561: 559: 556: 555: 554: 549: 544: 539: 534: 529: 524: 519: 514: 507: 504: 483: 480: 472: 471: 467: 448: 445: 422: 419: 381: 378: 360: 357: 331: 328: 322: 319: 313: 310: 305:Main article: 302: 299: 298: 297: 293: 292: 288: 287: 282: 281: 277: 276: 271: 270: 259: 253: 252: 249: 244: 243: 239: 238: 234: 233: 229: 228: 217: 211: 210: 206: 205: 201: 200: 192: 191: 186: 185: 181: 180: 172: 171: 166: 165: 161: 160: 153: 127: 124: 103: 100: 59:sound pressure 15: 9: 6: 4: 3: 2: 1152: 1141: 1138: 1136: 1133: 1132: 1130: 1121: 1118: 1116: 1113: 1111: 1108: 1106: 1103: 1101: 1098: 1096: 1093: 1091: 1088: 1086: 1083: 1081: 1078: 1076: 1073: 1071: 1068: 1066: 1063: 1061: 1058: 1056: 1053: 1051: 1048: 1046: 1042: 1039: 1036: 1034: 1031: 1030: 1020: 1017: 1014: 1010: 1007: 1004: 1000: 996: 995: 987: 983: 977: 975: 967: 961: 946: 942: 938: 934: 930: 926: 922: 915: 913: 905: 898: 891: 885: 876: 874: 866: 856:on 2016-03-14 855: 851: 847: 840: 833: 822:on 2016-05-07 821: 817: 813: 806: 799: 789:on 2016-03-24 785: 778: 771: 763: 756: 749: 743: 741: 739: 737: 735: 733: 731: 729: 727: 725: 718: 702: 694: 675: 672: 666: 662: 656: 653: 633: 623: 616: 610: 608: 606: 604: 602: 600: 598: 596: 594: 592: 590: 582: 576: 574: 572: 570: 568: 563: 553: 550: 548: 545: 543: 542:Psychophysics 540: 538: 535: 533: 530: 528: 525: 523: 522:Hearing range 520: 518: 515: 513: 510: 509: 503: 500: 497: 492: 488: 479: 477: 468: 464: 460: 459: 458: 455: 444: 442: 437: 435: 429: 427: 418: 414: 412: 408: 403: 400: 398: 394: 386: 377: 375: 372:motor-driven 365: 356: 354: 350: 345: 336: 327: 318: 308: 295: 294: 290: 289: 284: 283: 279: 278: 273: 272: 265: 260: 258: 255: 254: 250: 246: 245: 241: 240: 236: 235: 231: 230: 223: 218: 216: 213: 212: 208: 207: 203: 202: 197: 194: 193: 188: 187: 183: 182: 178: 174: 173: 168: 167: 163: 162: 158: 154: 152: 149: 148: 143: 139: 137: 133: 123: 119: 115: 113: 109: 96: 91: 87: 82: 78: 76: 72: 68: 64: 60: 57: 52: 50: 46: 42: 38: 34: 30: 26: 22: 998: 985: 981: 965: 960: 948:. Retrieved 928: 924: 897: 884: 864: 858:. Retrieved 854:the original 849: 839: 830: 824:. Retrieved 820:the original 815: 805: 797: 791:. Retrieved 784:the original 770: 761: 755: 747: 692: 622: 614: 580: 501: 493: 489: 485: 473: 461:monaural vs 450: 438: 430: 424: 415: 404: 401: 391: 370: 352: 348: 343: 341: 324: 315: 256: 214: 156: 150: 135: 134:in his work 129: 120: 116: 105: 63:micropascals 53: 32: 28: 24: 20: 18: 476:calibration 342:The simple 286:adjustment. 196:Habituation 190:thresholds. 37:sound level 1129:Categories 860:2016-03-17 826:2016-03-17 793:2016-03-16 558:References 393:Hysteresis 374:attenuator 112:perception 95:piano keys 1135:Acoustics 1115:Threshold 673:ρ 454:ear canal 397:amplitude 75:frequency 41:pure tone 1041:Archived 850:xiph.org 691:, where 527:Loudness 506:See also 466:hearing/ 463:binaural 86:decibels 1140:Hearing 950:1 March 945:5541744 715:is the 470:effect. 177:decibel 45:hearing 943:  496:energy 275:again. 157:yes/no 61:of 20 787:(PDF) 780:(PDF) 512:dB(A) 407:noise 199:runs. 49:sound 39:of a 952:2007 941:PMID 552:Sone 532:Phon 19:The 984:IN 933:doi 71:kHz 56:RMS 31:or 25:ATH 1131:: 973:^ 939:. 929:49 927:. 923:. 911:^ 872:^ 863:. 848:. 829:. 814:. 796:. 723:^ 588:^ 566:^ 436:. 355:. 351:, 90:Hz 1005:. 954:. 935:: 703:v 693:ρ 676:v 667:2 663:p 657:= 654:I 634:p 23:(

Index

sound level
pure tone
hearing
sound
RMS
sound pressure
micropascals
sound intensity
kHz
frequency

decibels
Hz
piano keys
auditory system
perception
Gustav Theodor Fechner

decibel
Habituation


Pure tone audiometry


attenuator

Hysteresis
amplitude
noise

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.