254:, Remo Chiti and Emilio Settimelli. They proposed a cinema that "being essentially visual, must above all fulfill the evolution of painting, detach itself from reality, from photography, from the graceful and solemn. It must become antigraceful, deforming, impressionistic, synthetic, dynamic, free-wording." "The most varied elements will enter into the Futurist film as expressive means: from the slice of life to the streak of color, from the conventional line to words-in-freedom, from chromatic and plastic music to the music of objects. In other words it will be painting, architecture, sculpture, words-in-freedom, music of colors, lines, and forms, a jumble of objects and reality thrown together at random." Among the proposed methods were: "Cinematic musical researches", "Daily exercises in freeing ourselves from mere photographed logic" and "Linear, plastic, chromatic equivalences, etc., of men, women, events, thoughts, music, feelings, weights, smells, noises (with white lines on black we shall show the inner, physical rhythm of a husband who discovers his wife in adultery and chases the lover – rhythm of soul and rhythm of legs)." About a month later the short film
1133:(1929 – 1999) invested 15 years in crafting his time-lapse film portraying Manhattan as a dynamic organism, offering a captivating glimpse of New York during its gritty peak. The short-fim maintains a continuous sense of movement, creating an illusion of organic evolution and transformation via time-lapse photography. In this portrayal, the city evolves into a dynamic entity pulsing with energy, vitality, and perpetual regeneration. It embodies a colossal organism, thriving on the life force of those drawn to it, each seeking to conquer its urban landscape. Titled "Organism," it was finalised in 1975 and is recognised as a precursor to
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1157:, offer visual experiences that examine the effects of technology, consumerism, and environmental issues on the world. Reggio's work employs techniques such as time-lapse photography and slow motion to prompt reflection on contemporary existence. Following in Reggio's footsteps, his cinematographer Ron Fricke achieved notable milestones within this approach, including "Chronos," "
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else, but he got to distribute the film in Europe and took sole credit for the film. Ray had backed out of the project before completion and did not want his name to be used. Murphy had gone back to the U.S.A. shortly after editing the final version, with the deal that he could distribute the film there.
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follow the changes in the designs when looking at the scroll from beginning to end. For a few years
Eggeling and Richter worked together, each on their own projects based on these ides, and created thousands of rhythmic series of simple shapes. In 1920 they started working on film versions of their work.
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Documentary must be made by poets. Few of those within French cinema have understood that in our country, we possess innumerable elements and subjects to make, not just insignificant ribbons (of film), but splendid films lively and expressive... The purest demonstration of pure cinema, that is to say
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have been used for non-narrative films that aimed to create a purer experience of the distinctive qualities of film, like movement, rhythm and changing visual compositions. More narrowly, "absolute film" was used for the works of a group of filmmakers in
Germany in the 1920s, that consisted, at least
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activities in Zürich and befriended Hans
Richter. According to Richter, absolute film originated in the scroll sketches that Viking Eggeling made in 1917–1918. On paper rolls up to 15 meters long, Eggeling would draw sketches of variations of small graphic designs, in such a way that a viewer could
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Music was an extremely influential aspect of absolute film, and one of the biggest elements, other than art, used by abstract film directors. Absolute film directors are known to use musical elements such as rhythm/tempo, dynamics, and fluidity. These directors sought to use this to add a sense of
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Absolute film pioneers sought to create short length and breathtaking films with different approaches to abstraction-in-motion: as an analogue to music, or as the creation of an absolute language of form, a desire common to early abstract art. Ruttmann wrote of his film work as "painting in time".
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is the dominant aesthetic, though non-narrative film is not fully distinct from that aesthetic. While the non-narrative film avoids "certain traits" of the narrative film, it "still retains a number of narrative characteristics". Narrative film also occasionally uses "visual materials that are not
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Cinéma pur started around the same period with the same goals as the absolute film movement and both mainly concerned dadaists. Although the terms have been used interchangeably, or to differentiate between the German and the French filmmakers, a very noticeable difference is that very few of the
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magazine, which had also featured a poem and art by Man Ray. They ran out of money before they could complete the film. Fernand Léger helped financing the completion and contributed a cubist
Charlie Chaplin image that was jerkily animated for the film. It is unclear if Léger contributed anything
863:(2 mins) premiered in July 1923 at the 'Soirée du coeur à barbe" program in Paris. The film consisted mainly of abstract textures, with moving photograms that were created directly on the film strip, abstract forms filmed in motion, and light and shadow on the nude torso of Kiki of Montparnasse (
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had convinced
Malevich that Richter should direct the film. Due to circumstances the scenario did not get into the hands of Richter before the end of the 1950s. Richter created storyboards, two rough cuts and at least 120 takes for the film in collaboration with Arnold Eagle since 1971, but it
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form that should not borrow from literature or stage. As such, "pure cinema" is made up of nonstory, noncharacter films that convey abstract emotional experiences through unique cinematic devices such as camera movement and camera angles, close-ups, dolly shots, lens distortions, sound-visual
854:. The Dadaists saw in cinema an opportunity to transcend "story", to ridicule "character," "setting," and "plot" as bourgeois conventions, to slaughter causality by using the innate dynamism of the motion picture film medium to overturn conventional Aristotelian notions of time and space.
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The non-linear and not-narrative documentary current found its world recognition with
Godfrey Reggio. He is a filmmaker known for his exploration of various themes related to human life and society. Amongst his works stand out the "Qatsi" trilogy, which includes "Koyaanisqatsi" (1982),
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color organ, for which she filed 11 patents between 1919 and 1926. The films were not projected, but one viewer at a time could look down into the machine at the film itself. The
Sarabet was first publicly demonstrated at John Wanamaker's New York department store in 1922.
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Viking
Eggeling came from a family of musicians and analysed the elements of painting by reducing it into his "Generalbass der Malerei", a catalogue of typological elements, from which he would create new "orchestrations". In 1918 Viking Eggeling had been engaging in
136:. Abstract films are non-narrative, contain no acting and do not attempt to reference reality or concrete subjects. They rely on the unique qualities of motion, rhythm, light and composition inherent in the technical medium of cinema to create emotional experiences.
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Absolute filmmakers used rudimentary handicraft, techniques, and language in their short motion pictures that refuted the reproduction of the natural world, instead, focusing on light and form in the dimension of time, impossible to represent in static visual arts.
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motion and harmony to the images in their films that was new to cinema, and was intended to leave audiences in awe. In her article "Visual Music" Maura McDonnell compared these films to musical compositions due to their careful articulation of timing and dynamics.
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in part. Lucas throughout his entire career was passionate and interested in camerawork and editing, defining himself as a filmmaker as opposed to a director, and he loved making abstract visual movies that create emotions purely through cinema.
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and Clair himself. The film showed absurd scenes and used slow motion and reverse playback, superimpositions, radical camera angles, stop motion and other effects. Erik Satie composed a score that was to be performed in sync with certain scenes.
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Around 1911 Hans Lorenz
Stoltenberg also experimented with direct animation, rhythmically piecing together tinted film in different colors. He published a leaflet about it and claimed that many people growing up with the hand-colored films of
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was compiled around 1964 and contains early works that may have been created since 1939, 1941 or 1946 until 1952, 1956 or 1957. Smith was not very concerned about keeping documentation about his oeuvre and frequently re-edited his works.
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did not really allow him the creative freedom that he desired. Frustrated with all the trouble with filmmaking he experienced in
America, Fischinger did not make many films afterwards. Apart from some commercials, the only exception was
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films are clearly devoid of narrative elements, distinction between a narrative film and a non-narrative film can be rather vague and is often open for interpretation. Unconventional imagery, concepts and structuring can obscure the
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Walter Ruttmann, trained as a musician and painter, gave up painting to devote himself to film. He made his earliest films by painting frames on glass in combination with cutouts and elaborate tinting and hand-coloring. His
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remained incomplete. Richter had wanted to create the film totally in Malevich's spirit, but concluded that in the end he could not discern how much of his own creativity withheld him from executing the scenario properly.
570:. Initially there were plans to have the film animated in a Soviet studio, but Malevich took it along on a trip to Berlin and ended up leaving it for Hans Richter after the two had met. The style and colorfulness of
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and proposed to collaborate on a longer film. They shot all kinds of material in the street and in a studio, used Murphy's special beveled lenses and crudely animated showroom dummy legs. They chose the title
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with live music in Frankfurt. In 1921 he started experimenting with abstract animation in wax and clay and with colored liquids. He used such early material in 1926 in multiple-projection performances for
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was released, directed by Ginna in collaboration with Corra, Balla and Marinetti. Only a few frames of the film remain and little else of any Futurist Cinema work seems to have been made or preserved.
676:'s animation unit in 1941. Direct animation was seen as a way to deviate from cel animation and thus a way to stand out from the many American productions. McLaren's direct animations for NFB include
281:: over 100 abstract ink wash / watercolor drawings that he wanted to turn into a film. Unable to raise the funds, the film was not realized and Survage only exhibited the pictures separately.
621:. Paramount had failed to communicate that it would be in black and white, so Fischinger left when the studio refused to even consider a color test of the animated section. He then created
1003:(Ghosts before Breakfast) (1928) features some stop motion, but mostly shows live action material with cinematographic effects and visual tricks. It is usually regarded as a dadaist film.
1983:, nr 5-6, 1926, p.5. English reprint edition edited by Detlef Mertins & Michael W. Jennings; Translated by Steven Lindberg & Margareta Ingrid Christian; Tate Publishing, 2010.
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1141:" (1982). Very little had been said about the importance of this short film. Nevertheless, it was the spark from which a visual revolution occurred in documentary filmmaking.
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The style of the French cinéma pur artists probably had a strong influence on newer works by Ruttmann and Richter, which would no longer be totally abstract. Richter's
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techniques. The distinction between animation and other techniques can be rather unclear in some films, for instance when moving objects could either be animated with
994:. In these, as well as in her theoretical writing, Dulac's goal was "pure" cinema, free from any influence from literature, the stage, or even the other visual arts.
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film movement of French filmmakers, who "wanted to return the medium to its elemental origins" of "vision and movement". It declares cinema to be its own independent
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during the early 1960s, saw many exhilarating and inspiring abstract 16mm movies and nonstory noncharacter 16mm visual tone poems screened at cinematic artist
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also attempted to create abstract films, but seems never to have realized his plans. Some designs were published in 1924 in the avant-garde magazine block as
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1098:. In the book Corrigan writes, "A non-narrative film may be entirely or partly fictional; conversely, a nonfiction film can be constructed as a narrative."
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used templates and aerosol sprays to create repeating geometrical patterns on hand-painted films. These extant films were probably made around 1916 for her
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480:'s Colorlightmusic concerts. That same year he released his first abstract animations and would continue with a few dozens of short films over the years.
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took place in the UFA-Palast theater at the Kurfurstendamm in Berlin. Its 900 seats soon sold out and the program was repeated a week later. Eggeling's
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French cinéma pur films were totally non-figurative or contained traditional (drawn) animation, instead mainly using radical types of cinematography,
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started making experimental films in 1933, mostly with abstract images visualizing music. Occasionally she applied animation techniques in her films.
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491:" prevented the German abstract animation movement from developing after 1933. The last abstract motion picture screened in the Third Reich was
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Some of the earliest abstract motion pictures known to survive are those produced by a group of artists working in Germany in the early 1920s:
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was coined to describe the style of several filmmakers in France in the 1920s, whose work was non-narrative, but hardly ever non-figurative.
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techniques, recorded during their actual movement, or appear to move due to being filmed against a neutral background with a moving camera.
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Some of the earliest animation designs for stroboscopic devices (like the phénakisticope and the zoetrope) were abstract, including one
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of poetry which is truly cinematographic, has been provided us by some remarkable films, vulgarly called documentaries, particularly
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and at film school became prolific at making 16mm nonstory noncharacter visual tone poems and cinéma vérité, with such titles as
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Viking Eggeling. Drei momente des Horizontal-Vertikalorchesters. c 1921. From De Stijl, vol. 4, nr, 7 (July 1921): facing p. 112.
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1844:"The Futurist Cinema (1916) - F.T. Marinetti, Bruno Corra, Emilio Settimelli, Arnaldo Ginna, Giacomo Balla, Remo Chiti"
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had created a 3-page scenario in manuscript with explanatory color drawings for an "Artistic-Scientific film" entitled
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Henri Chomette adjusted the film speed and shot from different angles to capture abstract patterns in his 1925 film
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This article is about the French avant-garde movement. For Alfred Hitchcock's use of the term "pure cinema", see
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366:) in 1921, but kept changing elements until he first presented the work on 7 July 1923 in Paris at the dadaist
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in 1923. The film is now considered lost. In November 1924 Eggeling was able to present his new finished film
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The clearest examples of pure cinema are said by essayist and filmmaker Hubert Revol to be documentaries.
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were all shown publicly for the first time in Germany, along with the two French dadaist cinéma pur films
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of discarded footage and city street scenes, had a profound influence on Lucas and sound designer/editor
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2087:"Marcin Giżycki - Mieczysław Szczuka - 5 Moments of an Abstract Film - Museum of Modern Art in Warsaw"
662:(1947), which won the Grand Prix at the Brussels International Experimental Film Competition in 1949.
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A number of devices can be regarded as early media for abstract animation or visual music, including
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had visited Richter and Eggeling in December 1920 and reported on their film works in his magazine
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that does not narrate, or relate "an event, whether real or imaginary". It is usually a form of
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created several direct films, initially by hand-painting abstract animations on celluloid. His
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1780:"The Avant-Garde Cinema of the 1920s: Connections to Futurism, Precisionism, and Suprematism"
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in relation to music, except that the images in these films are not generated in real-time.
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Art and the Problems of Architecture: The Emergence of a New Plastic System of Architecture
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Oskar Fischinger moved to Hollywood in 1936 when he had a lucrative agreement to work for
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519:(i.e. Ballet of Dots and Dashes) in 1943, but could not finish the film during the war.
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made hand-painted films between 1910 and 1912 that are now lost. In 1916 they published
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and possible others. These art movements were beginning to gain momentum in the 1910s.
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Beyond Impressions: The Life and Films of Germaine Dulac from Aesthetics to Politics
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The movement also encompasses the work of the feminist critic/cinematic filmmaker
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Abstract film concepts were shaped by early 20th century art movements such as
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and became interested in producing abstract animation. A first result was the
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The history of abstract film often overlaps with the concerns and history of
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3445:
3440:
3377:
3340:
3318:
3308:
3186:
3117:
3097:
2999:
2957:
2863:
2846:
1572:
1557:
1502:
1487:
1467:
1392:
1341:
1333:
1254:
1250:
1239:
1198:
1174:
1154:
1108:
918:
598:
515:. The director Herbert Seggelke was working on the abstract motion picture
228:
169:
133:
53:
1992:
Hans Richter (2004). Dada. Art and anti-art. London: Thames & Hudson (
1193:'s own early visual motion pictures, Lucas became inspired by the work of
6451:
6231:
6009:
5851:
5836:
5313:
5275:
5255:
5250:
5235:
5225:
5205:
5135:
5113:
5039:
4945:
4886:
4881:
4739:
4544:
4524:
4489:
4238:
4134:
3891:
3876:
3817:
3783:
3561:
3534:
3499:
3370:
3360:
3233:
3193:
3161:
3112:
3028:
3009:
2982:
2878:
2836:
2787:
2121:
1641:
1607:
1512:
1457:
1258:
1202:
897:
from an image by Francis Picabia that had been published in his New York
838:"cinema pur" film movement, which influenced the development of art film.
804:
780:
767:
567:
395:
358:
239:
220:
161:
144:
81:
initially, of animated films that were totally abstract. The French term
58:
2519:
Tape music with absolute animated film : Prehistory and development
2517:
2176:
1015:
6456:
6323:
6236:
5919:
5914:
5859:
5265:
5245:
5195:
5175:
5160:
5150:
5066:
5017:
4827:
4634:
4574:
4392:
4285:
4228:
4156:
4114:
3945:
3763:
3748:
3718:
3676:
3645:
3335:
3198:
2962:
2903:
2883:
2773:
1803:
1427:
1407:
1150:
1146:
910:
869:
864:
644:(1940). He hired Oskar Fischinger to collaborate with effects animator
2492:
The Many Faces of Weimar Cinema: Rediscovering Germany's Filmic Legacy
2464:
George Lucas interview. Wired. May 2005. Retrieved September 13, 2012.
1046:
6466:
6436:
6246:
6190:
6140:
6108:
5907:
5895:
5821:
5355:
5076:
5022:
4920:
4859:
4852:
4694:
4589:
4539:
4260:
4146:
4009:
3955:
3758:
3681:
3671:
3544:
3539:
3154:
3149:
3139:
3065:
3038:
3014:
2952:
2925:
2868:
1681:
Aumont, Jacques; Bergala, Alain; Marie, Michel; Vernet, Marc (1992).
1312:
1224:
471:
Oskar Fischinger met Walter Ruttmann at rehearsals for screenings of
331:
140:
3738:
1795:
1687:. Texas Film and Media Studies. University of Texas Press. pp.
92:
can be regarded as non-narrative films and partly overlaps with the
6461:
6328:
6278:
6263:
6241:
6113:
6090:
5602:
5324:
4962:
4624:
4519:
4305:
4295:
4243:
3933:
3392:
3144:
2821:
2020:
1646:
1121:
works can be considered as documentaries in the cinéma pur style.
375:
38:
566:, an instructional film about the theory, origin and evolution of
5285:
4967:
4910:
3928:
2479:
CBC News Online. September 8, 2004. Retrieved September 13, 2012.
2202:
1492:
1299:
1275:
1190:
942:
847:
831:
682:
602:
in 1935. The colorful production was commissioned to promote the
589:
548:
216:
2371:"The Met just posted Hilary Harris's Organism (1975) to YouTube"
6123:
6098:
6004:
5240:
4437:
4362:
4014:
3950:
3923:
3586:
3399:
3253:
2651:
Cinema and abstraction : from Bruno Corra to Hugo Verlinde
2036:"Deutsches Institut für Animationsfilm | Blog Detailseite"
1874:
Darstellen und Mitteilen: Elemente der Pragmasemiotik des Films
1205:, and others. Lucas then went on to enrol as a film student at
826:
484:
208:
2739:
2104:
Benson, Timothy O.; Shatskikh, Aleksandra (January 29, 2013).
6378:
5404:
4925:
4058:
4036:
4029:
3829:
2714:] (in Croatian and Serbian). Fakultet dramskih umetnosti.
2252:
Dictionary of Film Terms: The Aesthetic Companion To Film Art
1219:
5956:
3977:
2770:
843:
835:
341:
93:
34:
6441:
2607:
Cinema and abstraction: from Bruno Corra to Hugo Verlinde
771:
626:
2324:
European Film Theory and Cinema: A Critical Introduction
2278:
European Film Theory and Cinema: A Critical Introduction
1680:
775:
relationships, split-screen imagery, super-impositions,
1926:"Léopold Survage, "Colored Rhythm: Study for the Film""
270:
would try their hand on painting on film at that time.
2148:
Composing Motion: Len Lye and Experimental Film-Making
2022:
Discovering Pure Cinema: Avant-Garde Film in the 1920s
2271:
2269:
1597:
295:
6521:
List of animated television series by episode count
2245:
2243:
2241:
1340:, especially when electronic devices (for instance
1238:, and the visualise cinéma vérité documentaries of
155:
2411:"Movies with Spirit screens documentary 'Samsara'"
2315:
2266:
2106:"Malevich and Richter: An Indeterminate Encounter"
617:, was planned for inclusion in the musical comedy
2700:. International Experimental Film Congress, 1989.
1129:Documentary filmmaker, artist, and choreographer
6580:
2238:
6516:List of animated films by box office admissions
2103:
353:was first screened in March 1921 in Frankfurt.
2436:Skywalking: The Life and Films of George Lucas
5340:
2755:
2515:
2344:
2327:. Indiana University Press; 1 January 2002 .
2168:
522:
394:followed similar principles, with noticeable
178:special animated slides for the magic lantern
2281:. Indiana University Press; 1 January 2002.
1336:. Some films are very similar to electronic
1006:
2345:Corrigan, Timothy; White, Patricia (2012).
2194:
1616:Category:Avant-garde and experimental films
751:
202:
5347:
5333:
2762:
2748:
2675:
1153:" (2002). These films, scored by composer
973:) reflected a more minimal, formal style.
2719:Pudovkin, Vsevolod Illarionovich (1958).
2579:The Music and Sound of Experimental Film,
1674:
422:On 3 May 1925 the Sunday matinee program
2718:
2703:
2543:CEC - Canadian Electroacoustic Community
2489:Rogowski, Christian (15 December 2018).
2488:
2142:
1981:G: Zeitschrift für elementare Gestaltung
1124:
1045:
917:to make a short film to be shown as the
834:(pictured here in 1934) was part of the
825:
725:
503:) in 1939. The film was reviewed by the
330:
322:
139:Many abstract films have been made with
103:
2433:
2408:
2200:
2174:
1897:
1738:
14:
6581:
2228:"Harry Smith - Heaven and earth magic"
1777:
842:The cinéma pur film movement included
5328:
2743:
2536:
2349:. Bedford/St. Martin's. p. 264.
2014:
2012:
2010:
2008:
2006:
1870:
1716:
1714:
1712:
1710:
1708:
1085:Herbert Revol, filmmaker and essayist
745:
356:Hans Richter finished his first film
335:Four frames from "Diagonal-Symphonie"
6489:Films with live action and animation
5354:
2682:. Penguin Group (USA) Incorporated.
2347:The Film Experience: An Introduction
1964:"Moritz-Absolute Films of the 1920s"
1871:Wulff, Hans Jürgen (July 29, 1999).
1323:
1010:
653:The Museum of Non-Objective Painting
613:. A first film, eventually entitled
2152:National Art Gallery of New Zealand
2000:): p. 62-63, 74, 77, 164, 197, 221.
1288:Anyone Lived in a Pretty (how) Town
45:, not made for mass entertainment.
24:
5102:List of American independent films
2662:
2003:
1826:"Abstract Cinema--Chromatic Music"
1778:Norden, Martin F. (Jan 14, 1984).
1742:A Journey Through Documentary Film
1705:
1351:
1344:) were used to generate a type of
721:Alfred Hitchcock § Filmmaking
651:Fischinger's two commissions from
25:
6650:
5581:Modern TV cable and streaming era
2018:
1315:", said to have been inspired by
1090:According to Timothy Corrigan in
992:Cinegraphic Study of an Arabesque
963:The Play of Reflections and Speed
888:Dudley Murphy had seen Man Ray's
815:The term was coined by filmmaker
668:, having carefully studied Lye's
592:made the first publicly released
578:
296:1920s: The absolute film movement
52:representational". Although many
6557:
6548:
6547:
5308:
5299:
5298:
2577:Holly Rogers and Jeremy Barham:
2385:"Godfrey Reggio, Cinematic Seer"
1928:– via www.khanacademy.org.
1600:
1104:Berlin: Symphony of a Great City
1014:
941:by Francis Picabia, Erik Satie,
156:Abstract animation before cinema
99:
2769:
2530:
2516:David Kershaw (December 1982).
2509:
2482:
2467:
2452:
2427:
2402:
2377:
2363:
2338:
2292:
2220:
2209:. National Film Board of Canada
2183:. National Film Board of Canada
2136:
2097:
2079:
2064:
2046:
2028:
1986:
1974:
1956:
1932:
1918:
1898:Pilling, Jayne (May 22, 1998).
1891:
1168:
949:, Jean Borlin (director of the
547:, filmed in collaboration with
2722:Film Technique and Film Acting
2476:Star Wars: the Canadian angle.
2038:. May 26, 2016. Archived from
1864:
1858:"Vita futurista (1916) - IMDb"
1850:
1836:
1818:
1771:
1759:
1732:
959:Jeux des reflets de la vitesse
640:section in the "concert film"
487:censorship against so-called "
13:
1:
6511:Most expensive animated films
6166:Direct manipulation animation
5817:Barrier-grid and stereography
2409:Freeman, Daily (2023-06-05).
1901:A Reader In Animation Studies
1662:
1211:National Film Board of Canada
931:. The result became known as
882:Les Mystères du Château de Dé
714:
674:National Film Board of Canada
532:5 Moments of an Abstract Film
6057:Non-photorealistic rendering
2679:The Complete Film Dictionary
2672:Avant-scene du Cinema, 1968.
2621:The Most Typical Avant-Garde
2561:The Most Typical Avant-Garde
1968:www.centerforvisualmusic.org
1940:"Industrial Light and Magic"
1904:. Indiana University Press.
1739:Dormehl, Luke (2012-03-30).
1726:www.centerforvisualmusic.org
1307:appear in several places in
1207:USC School of Cinematic Arts
1185:'s independent, underground
810:
787:, stop-action, montage (the
638:Toccata and Fugue in D Minor
411:Horizontal-vertikalorchester
117:, an absolute film from 1925
7:
5689:International Animation Day
2601:, in: ART IN SOCIETY, No. 3
1622:List of non-narrative films
1593:
971:Five minutes of Pure Cinema
945:, Marcel Duchamp, composer
830:Photographer and filmmaker
632:Walt Disney had seen Lye's
27:Aesthetic of cinematic film
10:
6655:
6604:Film and video terminology
6159:Linear Animation Generator
6062:Physically based animation
4993:Classical Hollywood cinema
4182:Commedia sexy all'italiana
3090:Exploitation film template
3034:Commedia sexy all'italiana
2698:Abstract Films of the 1920
2438:. London: Elm Tree Books.
1613:
1189:shows; along with some of
967:Cinq minutes du cinéma pur
718:
523:Other artists in the 1920s
150:
6543:
6412:
6341:
6214:
6139:
6089:
5995:
5947:
5928:
5850:
5807:
5800:
5748:Children's animated films
5697:
5595:
5478:
5370:
5363:
5294:
4897:
4815:
4560:German underground horror
4515:Documentary Film Movement
4423:American eccentric cinema
4408:
3654:
2780:
2704:Vorkapić, Slavko (1998).
2670:Germaine Dulac: 1882–1942
2627:Abstract Film and Beyond.
2567:Abstract Film and Beyond.
2505:– via Google Books.
1914:– via Google Books.
1887:– via Google Books.
1860:– via www.imdb.com.
1814:– via Project MUSE.
1722:"CVM-Moritz-AbsoluteFilm"
1578:Apichatpong Weerasethakul
1007:Pure cinema documentaries
619:The Big Broadcast of 1937
252:Filippo Tommaso Marinetti
5657:Animation film festivals
2676:Konigsberg, Ira (1998).
2298:Tami Michelle Williams.
2201:McLaren, Norman (1942).
2175:McLaren, Norman (1941).
2019:Horak, Jan-Christopher,
1257:. Lucas greatly admired
1246:, a 1963 Canadian short
921:of their Dadaist ballet
732:Man with a Movie Camera,
419:in a private screening.
246:manifesto together with
203:1910s: Earliest examples
197:Stroboscopische Scheiben
180:(like the chromatrope).
6479:Twelve basic principles
6399:Instructional animation
4495:Cinema of Transgression
3629:Cinema of Transgression
2657:, No. 61, December 2011
1637:Drawn-on-film animation
1114:Man with a Movie Camera
819:, brother of filmmaker
368:Soirée du coeur à barbe
285:Mary Hallock-Greenewalt
6077:Virtual cinematography
5674:Highest-grossing films
5576:Early TV broadcast era
4715:The Prague film school
4580:Hollywood on the Tiber
2434:Pollock, Dale (1983).
1877:. Gunter Narr Verlag.
1388:Lucien Castaing-Taylor
1303:. Lucas's tributes to
1088:
1060:
867:). Man Ray later made
839:
803:and occasionally some
777:time-lapse photography
735:
466:Ludwig Hirschfeld-Mack
386:in May and July 1921.
336:
328:
118:
6394:Independent animation
6384:Educational animation
4570:Grupo Cine Liberación
4510:Czechoslovak New Wave
4505:Commedia all'italiana
2852:Commedia all'italiana
2668:Ford, Charles Price.
2645:Light Moving in Time.
2591:Light Moving in Time.
2249:Frank Eugene Beaver.
2132:– via Crossref.
1228:Jean-Claude Labrecque
1125:Nature and technology
1065:
1049:
890:Le Retour à la Raison
879:(15 mins, 1928); and
860:Le Retour à la Raison
829:
729:
659:Motion Painting No. 1
409:Eggeling debuted his
334:
326:
113:
96:cinéma pur movement.
6374:Animated documentary
6206:Whiteboard animation
6099:Traditional puppetry
5743:Adult animated films
5652:Biologist simulators
5615:Animation department
5097:Guerrilla filmmaking
4760:Kitchen sink realism
4645:New French Extremity
4555:German Expressionist
4463:Kitchen sink realism
4328:Contemporary Western
4108:Environmental issues
3639:New French Extremity
3597:New French Extremity
3422:Softcore pornography
3417:Hardcore pornography
3284:New French Extremity
2389:Harvard Film Archive
2255:. Peter Lang; 2006.
2122:10.1162/OCTO_a_00131
1846:. November 15, 1916.
1311:, with the phrase, "
937:(1924) and featured
517:Strich-Punkt-Ballett
438:, Walter Ruttmann's
406:is considered lost.
6614:Movements in cinema
6594:Non-narrative films
6447:Character animation
6227:Character animation
5765:Children's animated
4833:Children and family
4807:Yugoslav Black Wave
4680:Nuevo Cine Mexicano
4565:Nigerian Golden Age
4530:European art cinema
4433:Australian New Wave
2304:. ProQuest; 2007 .
2232:Experimental Cinema
2058:oskarfischinger.org
2054:"Untitled Document"
1657:Nonlinear narrative
1627:Surrealism and film
1523:Mark John Ostrowski
1338:music visualization
1177:, as a teenager in
1092:The Film Experience
1056:Nanook of the North
983:Thème et variations
905:Avant-garde artist
747:[sinemapyʁ]
702:Harry Everett Smith
604:General Post Office
501:Dance of the Colors
428:Symphonie diagonale
416:Symphonie diagonale
244:The Futurist Cinema
33:is an aesthetic of
6619:Abstract animation
6474:Creature animation
6404:Virtual newscaster
6349:Abstract animation
6181:Ink-wash animation
6171:Humanoid animation
6154:Audio-Animatronics
5718:Lost or unfinished
5642:Animation database
5620:Animation director
5131:Major film studios
4725:Pure Film Movement
4705:Polish Film School
4605:Italian neorealist
4585:Hong Kong New Wave
4187:Mexican sex comedy
3244:German underground
2637:Sitney, P. Adams,
2625:Malcolm Le Grice,
2583:Sitney, P. Adams,
2565:Malcolm Le Grice,
2537:McDonnell, Maura.
2524:University of York
1684:Aesthetics of Film
1061:
1051:Robert J. Flaherty
1026:. You can help by
840:
736:
734:Opening shot, 1929
707:Early Abstractions
611:Paramount Pictures
528:Mieczysław Szczuka
505:Film Review Office
390:and the colourful
351:Lichtspiel: Opus I
337:
329:
234:Italian Futurists
119:
31:Non-narrative film
18:Abstract animation
6624:Cinema of Germany
6599:Experimental film
6576:
6575:
6337:
6336:
6264:Erasure animation
6085:
6084:
5827:Limited animation
5770:Computer-animated
5708:Computer-animated
5630:Animation studios
5591:
5590:
5322:
5321:
5261:Socialist realist
4973:Behind-the-scenes
4750:Socialist realist
4745:Spaghetti Western
4735:Romanian New Wave
4610:Japanese New Wave
4276:Sword and sorcery
4192:Nazi exploitation
3774:Mumbai underworld
3530:Planetary romance
2696:Moritz, William.
2689:978-0-14-051393-6
2649:Bassan, Raphaël,
2604:Bassan, Raphaël,
2595:Andreas Weiland,
2461:Life After Darth.
2458:Steve Silberman.
2356:978-0-312-68170-8
2333:978-0-253-34043-6
2310:978-0-549-44079-6
2287:978-0-253-34043-6
2261:978-0-8204-7298-0
2161:978-0-908843-06-0
1752:978-1-84243-592-2
1698:978-0-292-70437-4
1324:Musical influence
1230:'s cinéma vérité
1117:(1929) and other
1096:documentary films
1044:
1043:
965:). His 1926 film
939:cameo appearances
885:(27 mins, 1929).
873:(16 mins, 1926);
850:, René Clair and
846:artists, such as
458:and René Clair's
424:Der absolute Film
380:Theo van Doesburg
364:Film ist Rhythmus
187:disc by inventor
174:musical fountains
166:chinese fireworks
130:experimental film
128:is a subgenre of
111:
90:surrealist cinema
43:experimental film
16:(Redirected from
6646:
6561:
6551:
6550:
6531:anime franchises
6506:Cartoon violence
6494:highest grossing
6389:Erotic animation
6364:Animated cartoon
6131:Supermarionation
6104:Digital puppetry
6025:Facial animation
5945:
5944:
5805:
5804:
5678:Opening weekends
5368:
5367:
5349:
5342:
5335:
5326:
5325:
5312:
5302:
5301:
5281:Vulgar auteurism
5109:Interstitial art
5087:Hyperlink cinema
4802:Vulgar auteurism
4797:Toronto New Wave
4787:Telefoni Bianchi
4782:Sword-and-sandal
4600:Italian futurist
4595:Iranian New Wave
4458:British New Wave
4271:Sword-and-sandal
4152:Rape and revenge
4093:Mouth of Garbage
3939:Tentacle erotica
3887:Goona-goona epic
3867:Extraterrestrial
3754:Heroic bloodshed
3388:Occult detective
3219:Christmas horror
3071:Sword-and-sandal
2803:Hong Kong action
2798:Heroic bloodshed
2764:
2757:
2750:
2741:
2740:
2736:
2725:. Vision Press.
2715:
2693:
2655:Senses of Cinema
2631:William Moritz,
2598:Hamburg Memories
2571:William Moritz,
2547:
2546:
2534:
2528:
2527:
2513:
2507:
2506:
2495:. Camden House.
2486:
2480:
2471:
2465:
2456:
2450:
2449:
2431:
2425:
2424:
2422:
2421:
2406:
2400:
2399:
2397:
2396:
2381:
2375:
2374:
2367:
2361:
2360:
2342:
2336:
2319:
2313:
2296:
2290:
2273:
2264:
2247:
2236:
2235:
2224:
2218:
2217:
2215:
2214:
2198:
2192:
2191:
2189:
2188:
2172:
2166:
2165:
2140:
2134:
2133:
2101:
2095:
2094:
2083:
2077:
2071:Herbert Seggelke
2068:
2062:
2061:
2050:
2044:
2043:
2042:on May 26, 2016.
2032:
2026:
2025:
2016:
2001:
1990:
1984:
1978:
1972:
1971:
1960:
1954:
1953:
1951:
1950:
1936:
1930:
1929:
1922:
1916:
1915:
1895:
1889:
1888:
1868:
1862:
1861:
1854:
1848:
1847:
1840:
1834:
1833:
1822:
1816:
1815:
1775:
1769:
1765:William Moritz,
1763:
1757:
1756:
1745:. Kamera Books.
1736:
1730:
1729:
1718:
1703:
1702:
1678:
1652:Documentary film
1610:
1605:
1604:
1603:
1563:Andrei Tarkovsky
1543:Leni Riefenstahl
1518:E. Elias Merhige
1478:Abbas Kiarostami
1418:Oscar Fischinger
1403:Sergei Parajanov
1101:Ruttmann's 1927
1086:
1039:
1036:
1018:
1011:
951:Ballets Suédois)
895:Ballet Mécanique
765:
762:
759:
756:
753:
749:
744:
689:Begone Dull Care
594:direct animation
560:Kasimir Malevich
537:In 1926 dadaist
478:Alexander Laszlo
455:Ballet Mécanique
400:Kasimir Malevich
314:Oskar Fischinger
238:and his brother
112:
21:
6654:
6653:
6649:
6648:
6647:
6645:
6644:
6643:
6639:History of film
6579:
6578:
6577:
6572:
6539:
6501:Cartoon physics
6420:Animation music
6408:
6369:Animated sitcom
6359:Adult animation
6333:
6314:Special effects
6210:
6135:
6081:
5991:
5932:
5924:
5846:
5796:
5775:Direct-to-video
5693:
5587:
5474:
5359:
5353:
5323:
5318:
5290:
5231:Semidocumentary
5156:Minimalist film
5146:Message picture
5141:Maximalist film
5035:Database cinema
5018:Computer screen
4978:Black-and-white
4903:
4901:
4899:
4893:
4811:
4767:Soviet parallel
4690:Parallel cinema
4685:Pan-Indian film
4615:Kammerspielfilm
4550:French New Wave
4470:Budapest school
4453:Brighton School
4428:New Objectivity
4410:
4404:
4373:Science fiction
4005:Bruceploitation
3914:Girls with guns
3860:Turksploitation
3734:Gentleman thief
3650:
3485:Science fiction
3331:Minimalist film
3326:Maximalist film
3304:Science fiction
3264:Japanese horror
3061:Social guidance
2776:
2768:
2733:
2690:
2665:
2663:Further reading
2633:Optical Poetry.
2573:Optical Poetry.
2551:
2550:
2535:
2531:
2514:
2510:
2503:
2487:
2483:
2472:
2468:
2457:
2453:
2446:
2432:
2428:
2419:
2417:
2407:
2403:
2394:
2392:
2383:
2382:
2378:
2369:
2368:
2364:
2357:
2343:
2339:
2320:
2316:
2297:
2293:
2274:
2267:
2248:
2239:
2226:
2225:
2221:
2212:
2210:
2199:
2195:
2186:
2184:
2177:"Boogie-Doodle"
2173:
2169:
2162:
2144:Horrocks, Roger
2141:
2137:
2102:
2098:
2085:
2084:
2080:
2069:
2065:
2052:
2051:
2047:
2034:
2033:
2029:
2017:
2004:
1991:
1987:
1979:
1975:
1962:
1961:
1957:
1948:
1946:
1938:
1937:
1933:
1924:
1923:
1919:
1912:
1896:
1892:
1885:
1869:
1865:
1856:
1855:
1851:
1842:
1841:
1837:
1824:
1823:
1819:
1796:10.2307/1574999
1776:
1772:
1767:Optical Poetry.
1764:
1760:
1753:
1737:
1733:
1720:
1719:
1706:
1699:
1679:
1675:
1665:
1632:Structural film
1618:
1606:
1601:
1599:
1596:
1588:Steven Woloshen
1568:Tsai Ming-liang
1553:Walter Ruttmann
1498:Terrence Malick
1438:Peter Greenaway
1423:Hollis Frampton
1358:Chantal Akerman
1354:
1352:Noted directors
1346:motion graphics
1326:
1223:, the Canadian
1171:
1149:" (1988), and "
1127:
1087:
1084:
1040:
1034:
1031:
1024:needs expansion
1009:
980:, particularly
929:Ballets suédois
907:Francis Picabia
876:L'Étoile de Mer
813:
797:special effects
789:Kuleshov effect
763:
760:
757:
754:
742:
724:
717:
623:An Optical Poem
584:Mary Ellen Bute
581:
525:
497:Tanz der Farben
493:Hans Fischinger
310:Viking Eggeling
302:Walter Ruttmann
298:
279:Rythmes colorés
275:Léopold Survage
268:Ferdinand Zecca
205:
158:
153:
104:
102:
78:integral cinema
28:
23:
22:
15:
12:
11:
5:
6652:
6642:
6641:
6636:
6631:
6626:
6621:
6616:
6611:
6606:
6601:
6596:
6591:
6574:
6573:
6571:
6570:
6565:
6555:
6544:
6541:
6540:
6538:
6537:
6536:
6535:
6534:
6533:
6518:
6513:
6508:
6503:
6498:
6497:
6496:
6486:
6481:
6476:
6471:
6470:
6469:
6464:
6459:
6454:
6444:
6439:
6434:
6433:
6432:
6430:Mickey Mousing
6427:
6416:
6414:
6413:Related topics
6410:
6409:
6407:
6406:
6401:
6396:
6391:
6386:
6381:
6376:
6371:
6366:
6361:
6356:
6345:
6343:
6339:
6338:
6335:
6334:
6332:
6331:
6326:
6321:
6316:
6311:
6306:
6304:Straight ahead
6301:
6296:
6291:
6286:
6284:Paint-on-glass
6281:
6276:
6271:
6266:
6261:
6256:
6251:
6250:
6249:
6244:
6239:
6234:
6224:
6218:
6216:
6212:
6211:
6209:
6208:
6203:
6201:Squigglevision
6198:
6193:
6188:
6183:
6178:
6176:Idle animation
6173:
6168:
6163:
6162:
6161:
6156:
6145:
6143:
6137:
6136:
6134:
6133:
6128:
6127:
6126:
6121:
6116:
6111:
6101:
6095:
6093:
6087:
6086:
6083:
6082:
6080:
6079:
6074:
6069:
6064:
6059:
6054:
6053:
6052:
6047:
6042:
6035:Motion capture
6032:
6027:
6022:
6017:
6012:
6007:
6001:
5999:
5993:
5992:
5990:
5989:
5987:Onion skinning
5984:
5979:
5974:
5969:
5964:
5959:
5953:
5951:
5942:
5926:
5925:
5923:
5922:
5917:
5912:
5911:
5910:
5900:
5899:
5898:
5888:
5883:
5873:
5872:
5871:
5856:
5854:
5848:
5847:
5845:
5844:
5842:Exposure sheet
5839:
5834:
5829:
5824:
5819:
5813:
5811:
5802:
5798:
5797:
5795:
5794:
5793:
5792:
5787:
5782:
5777:
5772:
5767:
5762:
5760:Adult animated
5752:
5751:
5750:
5745:
5740:
5735:
5730:
5725:
5720:
5715:
5713:Feature-length
5710:
5701:
5699:
5695:
5694:
5692:
5691:
5686:
5681:
5671:
5670:
5669:
5664:
5654:
5649:
5644:
5639:
5638:
5637:
5627:
5622:
5617:
5612:
5611:
5610:
5599:
5597:
5593:
5592:
5589:
5588:
5586:
5585:
5584:
5583:
5578:
5573:
5568:
5566:The Golden Age
5563:
5557:United States
5555:
5553:United Kingdom
5550:
5545:
5540:
5535:
5530:
5525:
5520:
5515:
5510:
5505:
5500:
5495:
5490:
5484:
5482:
5476:
5475:
5473:
5472:
5467:
5462:
5457:
5452:
5447:
5442:
5437:
5432:
5427:
5422:
5417:
5412:
5407:
5402:
5397:
5392:
5387:
5382:
5377:
5371:
5365:
5361:
5360:
5352:
5351:
5344:
5337:
5329:
5320:
5319:
5317:
5316:
5306:
5295:
5292:
5291:
5289:
5288:
5283:
5278:
5273:
5268:
5263:
5258:
5253:
5248:
5243:
5238:
5233:
5228:
5223:
5218:
5216:Reverse motion
5213:
5208:
5203:
5198:
5193:
5188:
5183:
5178:
5173:
5168:
5166:Modernist film
5163:
5158:
5153:
5148:
5143:
5138:
5133:
5128:
5123:
5122:
5121:
5111:
5106:
5105:
5104:
5099:
5089:
5084:
5079:
5074:
5069:
5064:
5059:
5058:
5057:
5047:
5042:
5037:
5032:
5031:
5030:
5028:midnight movie
5020:
5015:
5010:
5005:
5000:
4995:
4990:
4985:
4980:
4975:
4970:
4965:
4960:
4955:
4954:
4953:
4948:
4943:
4938:
4933:
4928:
4918:
4913:
4907:
4905:
4895:
4894:
4892:
4891:
4890:
4889:
4884:
4874:
4873:
4872:
4867:
4857:
4856:
4855:
4850:
4842:
4841:
4840:
4830:
4825:
4819:
4817:
4816:By demographic
4813:
4812:
4810:
4809:
4804:
4799:
4794:
4789:
4784:
4779:
4774:
4769:
4764:
4763:
4762:
4755:Social realist
4752:
4747:
4742:
4737:
4732:
4727:
4722:
4717:
4712:
4710:Poliziotteschi
4707:
4702:
4700:Poetic realist
4697:
4692:
4687:
4682:
4677:
4672:
4667:
4662:
4657:
4655:New generation
4652:
4647:
4642:
4637:
4632:
4630:Modernist film
4627:
4622:
4620:L.A. Rebellion
4617:
4612:
4607:
4602:
4597:
4592:
4587:
4582:
4577:
4572:
4567:
4562:
4557:
4552:
4547:
4542:
4537:
4532:
4527:
4522:
4517:
4512:
4507:
4502:
4497:
4492:
4487:
4485:Cinéma du look
4482:
4477:
4472:
4467:
4466:
4465:
4455:
4450:
4445:
4440:
4435:
4430:
4425:
4420:
4414:
4412:
4406:
4405:
4403:
4402:
4401:
4400:
4398:Zapata Western
4395:
4390:
4385:
4380:
4378:Singing cowboy
4375:
4370:
4365:
4360:
4355:
4350:
4345:
4340:
4335:
4333:Dacoit Western
4330:
4325:
4315:
4314:
4313:
4308:
4303:
4293:
4288:
4283:
4278:
4273:
4268:
4263:
4258:
4253:
4252:
4251:
4241:
4236:
4231:
4226:
4221:
4216:
4214:Shoshimin-eiga
4211:
4210:
4209:
4204:
4202:Nunsploitation
4199:
4197:Pornochanchada
4194:
4189:
4184:
4179:
4169:
4164:
4159:
4154:
4149:
4144:
4143:
4142:
4132:
4127:
4122:
4117:
4112:
4111:
4110:
4100:
4095:
4090:
4085:
4084:
4083:
4082:
4081:
4071:
4066:
4061:
4056:
4046:
4045:
4044:
4034:
4033:
4032:
4027:
4022:
4017:
4012:
4007:
3997:
3992:
3987:
3986:
3985:
3980:
3970:
3965:
3964:
3963:
3953:
3948:
3943:
3942:
3941:
3936:
3931:
3921:
3916:
3911:
3910:
3909:
3904:
3899:
3889:
3884:
3879:
3874:
3872:Food and drink
3869:
3864:
3863:
3862:
3857:
3852:
3850:Blaxploitation
3842:
3837:
3832:
3827:
3822:
3821:
3820:
3815:
3805:
3804:
3803:
3793:
3788:
3787:
3786:
3781:
3779:Poliziotteschi
3776:
3771:
3766:
3761:
3756:
3751:
3746:
3741:
3736:
3731:
3726:
3716:
3711:
3706:
3701:
3696:
3691:
3690:
3689:
3684:
3674:
3669:
3664:
3658:
3656:
3652:
3651:
3649:
3648:
3643:
3642:
3641:
3636:
3634:Extreme cinema
3631:
3621:
3620:
3619:
3614:
3609:
3604:
3599:
3594:
3589:
3584:
3579:
3574:
3564:
3559:
3554:
3553:
3552:
3547:
3542:
3537:
3532:
3527:
3522:
3517:
3512:
3507:
3502:
3497:
3492:
3482:
3481:
3480:
3475:
3470:
3465:
3460:
3459:
3458:
3443:
3438:
3433:
3432:
3431:
3424:
3419:
3409:
3404:
3403:
3402:
3397:
3396:
3395:
3390:
3375:
3374:
3373:
3368:
3363:
3358:
3353:
3348:
3338:
3333:
3328:
3323:
3322:
3321:
3316:
3311:
3306:
3301:
3296:
3291:
3286:
3281:
3276:
3271:
3266:
3261:
3256:
3251:
3246:
3241:
3236:
3231:
3226:
3221:
3216:
3214:Chinese horror
3211:
3206:
3201:
3191:
3190:
3189:
3184:
3179:
3174:
3169:
3159:
3158:
3157:
3152:
3147:
3137:
3136:
3135:
3130:
3125:
3120:
3115:
3110:
3105:
3095:
3094:
3093:
3080:
3075:
3074:
3073:
3063:
3058:
3053:
3052:
3051:
3046:
3041:
3036:
3026:
3025:
3024:
3023:
3022:
3012:
3007:
3002:
2997:
2987:
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2807:
2806:
2805:
2800:
2795:
2784:
2782:
2778:
2777:
2767:
2766:
2759:
2752:
2744:
2738:
2737:
2731:
2716:
2712:On True Cinema
2707:O pravom filmu
2701:
2694:
2688:
2673:
2664:
2661:
2660:
2659:
2647:
2643:William Wees,
2641:
2639:Visionary Film
2635:
2629:
2623:
2619:James, David,
2616:
2615:
2611:
2610:
2602:
2593:
2589:William Wees,
2587:
2585:Visionary Film
2581:
2575:
2569:
2563:
2559:James, David.
2556:
2555:
2549:
2548:
2539:"Visual Music"
2529:
2522:(PhD thesis).
2508:
2501:
2481:
2466:
2451:
2444:
2426:
2401:
2376:
2362:
2355:
2337:
2314:
2291:
2265:
2237:
2219:
2193:
2167:
2160:
2135:
2096:
2078:
2063:
2045:
2027:
2002:
1985:
1973:
1955:
1931:
1917:
1910:
1890:
1883:
1863:
1849:
1835:
1830:www.unknown.nu
1817:
1790:(2): 108–112.
1770:
1758:
1751:
1731:
1704:
1697:
1672:
1671:
1670:
1669:
1664:
1661:
1660:
1659:
1654:
1649:
1644:
1639:
1634:
1629:
1624:
1612:
1611:
1595:
1592:
1591:
1590:
1585:
1580:
1575:
1570:
1565:
1560:
1555:
1550:
1545:
1540:
1538:Godfrey Reggio
1535:
1533:Richard Reeves
1530:
1528:Ihor Podolchak
1525:
1520:
1515:
1510:
1508:Norman McLaren
1505:
1500:
1495:
1490:
1485:
1483:Arthur Lipsett
1480:
1475:
1473:Geoffrey Jones
1470:
1465:
1460:
1455:
1453:Harmony Korine
1450:
1445:
1440:
1435:
1433:Larry Gottheim
1430:
1425:
1420:
1415:
1410:
1405:
1400:
1398:Terence Davies
1395:
1390:
1385:
1380:
1375:
1370:
1368:Scott Bartlett
1365:
1360:
1353:
1350:
1325:
1322:
1236:Norman McLaren
1234:, the work of
1215:Arthur Lipsett
1170:
1167:
1135:Godfrey Reggio
1126:
1123:
1082:
1042:
1041:
1021:
1019:
1008:
1005:
1000:Vormittagsspuk
978:Germaine Dulac
852:Marcel Duchamp
817:Henri Chomette
812:
809:
801:visual effects
730:Dziga Vertov,
716:
713:
695:Blinkity Blank
672:, founded the
666:Norman McLaren
580:
579:1930s to 1960s
577:
539:Marcel Duchamp
524:
521:
509:Georg Anschütz
489:degenerate art
372:Théâtre Michel
297:
294:
264:Georges Méliès
256:Vita Futurista
204:
201:
193:Simon Stampfer
189:Joseph Plateau
157:
154:
152:
149:
132:and a form of
101:
98:
64:Terms such as
49:Narrative film
35:cinematic film
26:
9:
6:
4:
3:
2:
6651:
6640:
6637:
6635:
6632:
6630:
6627:
6625:
6622:
6620:
6617:
6615:
6612:
6610:
6607:
6605:
6602:
6600:
6597:
6595:
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6590:
6587:
6586:
6584:
6569:
6566:
6564:
6560:
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6545:
6542:
6532:
6529:
6528:
6527:
6524:
6523:
6522:
6519:
6517:
6514:
6512:
6509:
6507:
6504:
6502:
6499:
6495:
6492:
6491:
6490:
6487:
6485:
6482:
6480:
6477:
6475:
6472:
6468:
6465:
6463:
6460:
6458:
6455:
6453:
6450:
6449:
6448:
6445:
6443:
6440:
6438:
6435:
6431:
6428:
6426:
6425:Bouncing ball
6423:
6422:
6421:
6418:
6417:
6415:
6411:
6405:
6402:
6400:
6397:
6395:
6392:
6390:
6387:
6385:
6382:
6380:
6377:
6375:
6372:
6370:
6367:
6365:
6362:
6360:
6357:
6354:
6350:
6347:
6346:
6344:
6340:
6330:
6327:
6325:
6322:
6320:
6317:
6315:
6312:
6310:
6307:
6305:
6302:
6300:
6297:
6295:
6292:
6290:
6287:
6285:
6282:
6280:
6277:
6275:
6272:
6270:
6269:Hydrotechnics
6267:
6265:
6262:
6260:
6259:Drawn-on-film
6257:
6255:
6252:
6248:
6245:
6243:
6240:
6238:
6235:
6233:
6230:
6229:
6228:
6225:
6223:
6220:
6219:
6217:
6215:Other methods
6213:
6207:
6204:
6202:
6199:
6197:
6194:
6192:
6189:
6187:
6186:Magic Lantern
6184:
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6174:
6172:
6169:
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6150:
6147:
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6138:
6132:
6129:
6125:
6122:
6120:
6119:Virtual human
6117:
6115:
6112:
6110:
6107:
6106:
6105:
6102:
6100:
6097:
6096:
6094:
6092:
6088:
6078:
6075:
6073:
6070:
6068:
6065:
6063:
6060:
6058:
6055:
6051:
6048:
6046:
6045:hand tracking
6043:
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6033:
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6028:
6026:
6023:
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6018:
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5909:
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5897:
5894:
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5884:
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5877:
5874:
5870:
5866:
5865:clay painting
5863:
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5468:
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5465:United States
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5264:
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5237:
5234:
5232:
5229:
5227:
5224:
5222:
5219:
5217:
5214:
5212:
5211:Postmodernist
5209:
5207:
5204:
5202:
5201:Participatory
5199:
5197:
5194:
5192:
5189:
5187:
5184:
5182:
5179:
5177:
5174:
5172:
5171:Musical short
5169:
5167:
5164:
5162:
5159:
5157:
5154:
5152:
5149:
5147:
5144:
5142:
5139:
5137:
5134:
5132:
5129:
5127:
5124:
5120:
5117:
5116:
5115:
5112:
5110:
5107:
5103:
5100:
5098:
5095:
5094:
5093:
5090:
5088:
5085:
5083:
5082:Found footage
5080:
5078:
5075:
5073:
5070:
5068:
5065:
5063:
5060:
5056:
5053:
5052:
5051:
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5033:
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5026:
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5021:
5019:
5016:
5014:
5011:
5009:
5006:
5004:
5001:
4999:
4996:
4994:
4991:
4989:
4988:Cinéma vérité
4986:
4984:
4981:
4979:
4976:
4974:
4971:
4969:
4966:
4964:
4961:
4959:
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4934:
4932:
4929:
4927:
4924:
4923:
4922:
4919:
4917:
4914:
4912:
4909:
4908:
4906:
4904:or production
4896:
4888:
4885:
4883:
4880:
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4878:
4875:
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4868:
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4800:
4798:
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4778:
4775:
4773:
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4756:
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4751:
4748:
4746:
4743:
4741:
4738:
4736:
4733:
4731:
4728:
4726:
4723:
4721:
4720:Prussian film
4718:
4716:
4713:
4711:
4708:
4706:
4703:
4701:
4698:
4696:
4693:
4691:
4688:
4686:
4683:
4681:
4678:
4676:
4673:
4671:
4668:
4666:
4665:New Nollywood
4663:
4661:
4660:New Hollywood
4658:
4656:
4653:
4651:
4648:
4646:
4643:
4641:
4638:
4636:
4633:
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4628:
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4608:
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4508:
4506:
4503:
4501:
4498:
4496:
4493:
4491:
4488:
4486:
4483:
4481:
4480:Cannibal boom
4478:
4476:
4475:Calligrafismo
4473:
4471:
4468:
4464:
4461:
4460:
4459:
4456:
4454:
4451:
4449:
4446:
4444:
4443:Berlin School
4441:
4439:
4436:
4434:
4431:
4429:
4426:
4424:
4421:
4419:
4416:
4415:
4413:
4407:
4399:
4396:
4394:
4393:Weird Western
4391:
4389:
4386:
4384:
4381:
4379:
4376:
4374:
4371:
4369:
4366:
4364:
4361:
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4336:
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4329:
4326:
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4321:
4320:
4319:
4316:
4312:
4309:
4307:
4304:
4302:
4299:
4298:
4297:
4294:
4292:
4289:
4287:
4284:
4282:
4279:
4277:
4274:
4272:
4269:
4267:
4264:
4262:
4259:
4257:
4254:
4250:
4247:
4246:
4245:
4242:
4240:
4237:
4235:
4232:
4230:
4227:
4225:
4224:Slice of life
4222:
4220:
4217:
4215:
4212:
4208:
4205:
4203:
4200:
4198:
4195:
4193:
4190:
4188:
4185:
4183:
4180:
4178:
4177:Bavarian porn
4175:
4174:
4173:
4172:Sexploitation
4170:
4168:
4165:
4163:
4160:
4158:
4155:
4153:
4150:
4148:
4145:
4141:
4138:
4137:
4136:
4133:
4131:
4130:Partisan film
4128:
4126:
4123:
4121:
4118:
4116:
4113:
4109:
4106:
4105:
4104:
4101:
4099:
4098:Muslim social
4096:
4094:
4091:
4089:
4086:
4080:
4079:Zombie comedy
4077:
4076:
4075:
4072:
4070:
4067:
4065:
4062:
4060:
4057:
4055:
4054:Giant monster
4052:
4051:
4050:
4047:
4043:
4040:
4039:
4038:
4035:
4031:
4028:
4026:
4023:
4021:
4018:
4016:
4013:
4011:
4008:
4006:
4003:
4002:
4001:
3998:
3996:
3993:
3991:
3988:
3984:
3981:
3979:
3976:
3975:
3974:
3971:
3969:
3966:
3962:
3959:
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3957:
3954:
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3940:
3937:
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3930:
3927:
3926:
3925:
3922:
3920:
3917:
3915:
3912:
3908:
3905:
3903:
3900:
3898:
3895:
3894:
3893:
3890:
3888:
3885:
3883:
3880:
3878:
3875:
3873:
3870:
3868:
3865:
3861:
3858:
3856:
3855:Mexploitation
3853:
3851:
3848:
3847:
3846:
3843:
3841:
3838:
3836:
3833:
3831:
3828:
3826:
3823:
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3811:
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3809:
3806:
3802:
3799:
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3794:
3792:
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3777:
3775:
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3767:
3765:
3762:
3760:
3757:
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3752:
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3747:
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3740:
3737:
3735:
3732:
3730:
3727:
3725:
3722:
3721:
3720:
3717:
3715:
3712:
3710:
3709:Coming-of-age
3707:
3705:
3702:
3700:
3697:
3695:
3692:
3688:
3685:
3683:
3680:
3679:
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3653:
3647:
3644:
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3632:
3630:
3627:
3626:
3625:
3624:Transgressive
3622:
3618:
3615:
3613:
3610:
3608:
3607:Psychological
3605:
3603:
3600:
3598:
3595:
3593:
3590:
3588:
3585:
3583:
3580:
3578:
3575:
3573:
3570:
3569:
3568:
3565:
3563:
3560:
3558:
3557:Slice of life
3555:
3551:
3548:
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3543:
3541:
3538:
3536:
3533:
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3528:
3526:
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3324:
3320:
3317:
3315:
3312:
3310:
3307:
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3300:
3297:
3295:
3294:Psychological
3292:
3290:
3287:
3285:
3282:
3280:
3277:
3275:
3272:
3270:
3269:Korean horror
3267:
3265:
3262:
3260:
3257:
3255:
3252:
3250:
3247:
3245:
3242:
3240:
3239:Found footage
3237:
3235:
3232:
3230:
3227:
3225:
3222:
3220:
3217:
3215:
3212:
3210:
3207:
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3200:
3197:
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3156:
3153:
3151:
3148:
3146:
3143:
3142:
3141:
3138:
3134:
3131:
3129:
3128:Magic realism
3126:
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3121:
3119:
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3069:
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3067:
3064:
3062:
3059:
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3050:
3047:
3045:
3044:Sexploitation
3042:
3040:
3037:
3035:
3032:
3031:
3030:
3027:
3021:
3018:
3017:
3016:
3013:
3011:
3008:
3006:
3003:
3001:
2998:
2996:
2995:Calligrafismo
2993:
2992:
2991:
2988:
2984:
2981:
2979:
2976:
2974:
2971:
2969:
2966:
2964:
2961:
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2954:
2951:
2949:
2948:City symphony
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2502:9781571134295
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2445:0-241-11034-3
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2415:Daily Freeman
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2075:filmportal.de
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1998:0-500-20039-4
1995:
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1911:9780861969005
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1713:
1711:
1709:
1700:
1694:
1690:
1686:
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1677:
1673:
1667:
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1655:
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1650:
1648:
1645:
1643:
1640:
1638:
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1630:
1628:
1625:
1623:
1620:
1619:
1617:
1609:
1598:
1589:
1586:
1584:
1583:James Whitney
1581:
1579:
1576:
1574:
1571:
1569:
1566:
1564:
1561:
1559:
1556:
1554:
1551:
1549:
1546:
1544:
1541:
1539:
1536:
1534:
1531:
1529:
1526:
1524:
1521:
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1516:
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1501:
1499:
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1479:
1476:
1474:
1471:
1469:
1466:
1464:
1461:
1459:
1456:
1454:
1451:
1449:
1448:Werner Herzog
1446:
1444:
1443:Hilary Harris
1441:
1439:
1436:
1434:
1431:
1429:
1426:
1424:
1421:
1419:
1416:
1414:
1413:Ed Emshwiller
1411:
1409:
1406:
1404:
1401:
1399:
1396:
1394:
1391:
1389:
1386:
1384:
1381:
1379:
1378:Stan Brakhage
1376:
1374:
1373:James Benning
1371:
1369:
1366:
1364:
1363:Bruce Baillie
1361:
1359:
1356:
1355:
1349:
1347:
1343:
1342:oscilloscopes
1339:
1335:
1330:
1321:
1318:
1314:
1310:
1306:
1302:
1301:
1296:
1295:
1290:
1289:
1284:
1283:
1278:
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1265:
1260:
1256:
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1245:
1241:
1237:
1233:
1229:
1226:
1222:
1221:
1216:
1212:
1208:
1204:
1200:
1196:
1195:Jordan Belson
1192:
1188:
1187:Canyon Cinema
1184:
1183:Bruce Baillie
1180:
1179:San Francisco
1176:
1166:
1164:
1160:
1156:
1152:
1148:
1142:
1140:
1139:Koyaanisqatsi
1136:
1132:
1131:Hilary Harris
1122:
1120:
1119:cinéma vérité
1116:
1115:
1110:
1106:
1105:
1099:
1097:
1093:
1081:
1079:
1078:
1073:
1072:
1064:
1058:
1057:
1052:
1048:
1038:
1029:
1025:
1022:This section
1020:
1017:
1013:
1012:
1004:
1002:
1001:
995:
993:
989:
985:
984:
979:
974:
972:
968:
964:
960:
955:
952:
948:
947:Georges Auric
944:
940:
936:
935:
930:
926:
925:
920:
916:
912:
909:and composer
908:
903:
900:
896:
891:
886:
884:
883:
878:
877:
872:
871:
866:
862:
861:
855:
853:
849:
845:
837:
833:
828:
824:
822:
818:
808:
806:
802:
798:
792:
790:
786:
782:
778:
773:
769:
748:
740:
733:
728:
722:
712:
709:
708:
703:
699:
697:
696:
691:
690:
685:
684:
679:
678:Boogie-Doodle
675:
671:
667:
663:
661:
660:
654:
649:
647:
643:
639:
635:
630:
628:
624:
620:
616:
612:
607:
605:
601:
600:
595:
591:
587:
585:
576:
573:
569:
565:
561:
556:
554:
553:Marc Allégret
550:
546:
545:
544:Anémic Cinéma
540:
535:
533:
529:
520:
518:
514:
510:
506:
502:
498:
494:
490:
486:
481:
479:
474:
469:
467:
463:
462:
457:
456:
451:
450:
445:
441:
437:
433:
429:
425:
420:
418:
417:
412:
407:
405:
401:
398:influence of
397:
393:
389:
385:
381:
377:
373:
369:
365:
361:
360:
354:
352:
346:
343:
333:
325:
321:
317:
315:
311:
307:
303:
293:
290:
286:
282:
280:
276:
271:
269:
265:
259:
257:
253:
249:
248:Giacomo Balla
245:
241:
237:
236:Arnaldo Ginna
232:
230:
226:
222:
218:
214:
213:Expressionism
210:
200:
198:
194:
190:
186:
181:
179:
175:
171:
167:
163:
148:
146:
142:
137:
135:
131:
127:
126:absolute film
123:
122:Abstract film
116:
100:Abstract film
97:
95:
91:
86:
84:
79:
75:
71:
67:
66:absolute film
62:
60:
55:
50:
46:
44:
40:
36:
32:
19:
6634:Visual music
6629:Abstract art
6526:anime series
6484:Motion comic
6353:visual music
6299:Pose to pose
6274:Inbetweening
6254:Chuckimation
6196:Shadowmation
6149:Animatronics
6050:eye tracking
6030:Morph target
5982:Multi-sketch
5733:Short series
5647:Art pipeline
5625:Story artist
5571:World War II
5440:South Africa
5050:Experimental
5045:Ethnofiction
4792:Third Cinema
4695:Persian Film
4438:Auteur films
4409:By movement
4266:Swashbuckler
4125:Ozploitation
4120:Outlaw biker
4000:Martial arts
3995:Magical girl
3845:Exploitation
3840:Ethnographic
3769:Mafia comedy
3412:Pornographic
3289:Psycho-biddy
3274:Lovecraftian
3108:Contemporary
3089:
3083:Exploitation
3078:Experimental
2958:Mockumentary
2827:Biographical
2721:
2711:
2706:
2697:
2678:
2669:
2654:
2650:
2644:
2638:
2632:
2626:
2620:
2614:Bibliography
2605:
2596:
2590:
2584:
2578:
2572:
2566:
2560:
2542:
2532:
2518:
2511:
2491:
2484:
2475:
2469:
2460:
2454:
2435:
2429:
2418:. Retrieved
2414:
2404:
2393:. Retrieved
2391:. 2019-09-21
2388:
2379:
2365:
2346:
2340:
2322:
2321:Ian Aitken.
2317:
2299:
2294:
2276:
2275:Ian Aitken.
2250:
2231:
2222:
2211:. Retrieved
2206:
2196:
2185:. Retrieved
2180:
2170:
2147:
2138:
2113:
2109:
2099:
2091:artmuseum.pl
2090:
2081:
2066:
2057:
2048:
2040:the original
2030:
2021:
1988:
1980:
1976:
1967:
1958:
1947:. Retrieved
1943:
1934:
1920:
1900:
1893:
1873:
1866:
1852:
1838:
1829:
1820:
1787:
1783:
1773:
1766:
1761:
1741:
1734:
1725:
1683:
1676:
1573:Dziga Vertov
1558:Michael Snow
1503:Chris Marker
1488:George Lucas
1468:Derek Jarman
1463:Peter Hutton
1393:Bruce Conner
1334:visual music
1331:
1327:
1316:
1308:
1304:
1298:
1292:
1286:
1280:
1274:
1268:
1264:Look at Life
1262:
1255:Walter Murch
1251:collage film
1243:
1242:. Lipsett's
1240:Claude Jutra
1231:
1218:
1199:Bruce Conner
1175:George Lucas
1172:
1169:George Lucas
1155:Philip Glass
1143:
1128:
1112:
1109:Dziga Vertov
1102:
1100:
1091:
1089:
1075:
1069:
1066:
1062:
1054:
1035:January 2024
1032:
1028:adding to it
1023:
998:
996:
991:
990:(1928), and
987:
981:
975:
970:
966:
962:
958:
956:
932:
922:
904:
898:
894:
889:
887:
880:
874:
868:
858:
856:
841:
814:
793:
738:
737:
731:
705:
700:
693:
687:
681:
677:
670:A Colour Box
669:
664:
657:
650:
641:
637:
634:A Colour Box
633:
631:
622:
614:
608:
599:A Colour Box
597:
588:
582:
571:
563:
557:
542:
536:
531:
526:
516:
500:
496:
482:
472:
470:
459:
453:
447:
443:
439:
435:
431:
430:, Richter's
427:
423:
421:
414:
410:
408:
403:
391:
387:
383:
371:
367:
363:
357:
355:
350:
347:
338:
318:
306:Hans Richter
299:
288:
283:
278:
277:created his
272:
260:
255:
243:
233:
229:Precisionism
206:
196:
191:and many of
184:
182:
170:kaleidoscope
162:color organs
159:
138:
134:abstract art
125:
121:
120:
114:
87:
82:
77:
73:
69:
65:
63:
47:
30:
29:
6609:Film genres
6589:Film theory
6452:model sheet
6309:Rubber hose
6232:model sheet
6010:Cel shading
5852:Stop motion
5837:Rotoscoping
5809:Traditional
5738:Stop-motion
5684:Outsourcing
5445:South Korea
5425:Philippines
5420:North Korea
5276:Video nasty
5271:Underground
5256:Slow cinema
5226:Sceneggiata
5114:Live action
5092:Independent
5072:Film à clef
5040:Docufiction
5008:Compilation
4983:Blockbuster
4951:Traditional
4946:Stop-motion
4882:Chick flick
4740:Slow cinema
4730:Remodernist
4545:Free Cinema
4525:Erra Cinema
4490:Cinema Novo
4368:Revisionist
3877:Gendai-geki
3813:Psychedelic
3801:Apocalyptic
3667:Beach party
3562:Slow cinema
3535:Space opera
3500:Fantastique
3371:Sceneggiata
3361:Musicarello
3234:Fantastique
3113:Fantastique
3056:Educational
2983:Video essay
2938:Documentary
2473:Dan Brown.
1642:Narrativity
1608:Film portal
1548:Ben Russell
1513:Jonas Mekas
1458:Will Hindle
1383:Luis Buñuel
1282:The Emperor
1259:pure cinema
1203:Will Hindle
805:stop motion
799:, editing,
785:trick shots
781:slow motion
768:avant-garde
761:pure cinema
692:(1949) and
625:(1937) for
572:Rhythmus 25
568:suprematism
513:Film-Kurier
436:Rhythmus 23
432:Rhythmus 21
404:Rhythmus 25
396:suprematist
392:Rhythmus 25
370:program in
359:Rhythmus 21
240:Bruno Corra
221:Suprematism
145:stop motion
74:true cinema
61:of a film.
59:narrativity
6583:Categories
6457:walk cycle
6324:Syncro-Vox
6237:walk cycle
6141:Mechanical
6067:Procedural
5967:PowerPoint
5920:Puppetoons
5915:Pixilation
5880:silhouette
5869:strata-cut
5860:Claymation
5801:Techniques
5790:Television
5561:Silent Era
5493:Bangladesh
5488:Azerbaijan
5375:Bangladesh
5364:By country
5196:Paracinema
5181:Neorealist
5176:Mythopoeia
5161:Mockbuster
5126:Low-budget
5067:Featurette
4900:technique,
4898:By format,
4777:Surrealist
4772:Structural
4650:New German
4640:Neorealist
4635:Mumblecore
4575:Heimatfilm
4535:Film d'art
4500:Cinéma pur
4234:South Seas
4207:Sex report
3473:Paranormal
3436:Propaganda
3336:Mumblecore
3123:Historical
3005:Historical
2894:Remarriage
2884:Mo lei tau
2554:References
2420:2024-01-29
2395:2024-01-29
2213:2009-04-09
2187:2009-04-09
1949:2019-07-26
1663:References
1614:See also:
1428:Ron Fricke
1408:Maya Deren
1151:Naqoyqatsi
1147:Powaqqatsi
988:Disque 957
915:René Clair
911:Erik Satie
870:Emak-Bakia
865:Alice Prin
857:Man Ray's
821:René Clair
739:Cinéma pur
715:Cinéma pur
615:Allegretto
388:Rhytmus 23
378:. Founder
185:Fantascope
83:cinéma pur
70:cinéma pur
6467:off-model
6437:Key frame
6294:Pixel art
6289:Pinscreen
6247:off-model
6191:Scanimate
6109:Machinima
5908:Brickfilm
5896:go motion
5822:Flip book
5356:Animation
5186:No-budget
5151:Meta-film
5119:animation
5077:Film-poem
5013:Composite
4958:Anthology
4921:Animation
4916:Actuality
4902:approach,
4670:New Queer
4590:Indiewood
4540:Film gris
4411:or period
4388:Spaghetti
4311:Submarine
4291:Vigilante
4256:Superhero
4010:Chopsocky
3956:Jidaigeki
3825:Dystopian
3724:Detective
3682:Buddy cop
3672:Body swap
3602:Political
3582:Financial
3545:Tokusatsu
3540:Steampunk
3456:Bromantic
3428:Malayalam
3407:Crossover
3383:Detective
3351:Backstage
3299:Religious
3155:Tech noir
3150:Pulp noir
3140:Film noir
3015:Melodrama
2953:Docudrama
2926:Cyberpunk
2919:Slapstick
2909:Screwball
2869:Gross out
2832:Christian
2810:Adventure
2203:"Hen Hop"
2116:: 52–68.
1812:192322086
1313:the Force
1309:Star Wars
1294:Filmmaker
1232:60 Cycles
1225:cameraman
1173:Director
934:Entr'acte
919:entr'acte
766:) was an
596:entitled
541:released
461:Entr'acte
402:'s work.
141:animation
6553:Category
6462:lip sync
6342:Variants
6329:Zoetrope
6279:Morphing
6242:lip sync
6222:Blocking
6114:Aniforms
6091:Puppetry
6072:Skeletal
5939:timeline
5930:Computer
5785:Internet
5667:regional
5603:Animator
5596:Industry
5460:Thailand
5430:Portugal
5410:Malaysia
5304:Category
5191:One-shot
5055:Abstract
4941:Computer
4625:Lettrist
4520:Dogme 95
4448:Bourekas
4418:Absolute
4358:Northern
4353:Meat pie
4306:Euro War
4301:Anti-war
4167:Rumberas
4088:Mountain
3990:Luchador
3946:Homeland
3934:Shotacon
3907:Suburban
3835:Economic
3796:Disaster
3729:Gangster
3704:Colonial
3694:Cannibal
3655:By theme
3612:Romantic
3567:Thriller
3525:New Wave
3520:Military
3478:Thriller
3446:Romantic
3393:Whodunit
3366:Operetta
3346:Arthouse
3314:Splatter
3209:Cannibal
3199:Arthouse
3182:Suburban
3172:Southern
3145:Neo-noir
3049:Thriller
2943:Animated
2931:Japanese
2899:Romantic
2889:Thriller
2815:Survival
2793:Arthouse
2781:By style
2335:. p. 72.
2289:. p. 80.
2263:. p. 23.
2146:(1991).
2130:57562885
1784:Leonardo
1647:Art film
1594:See also
1248:abstract
1161:," and "
1083:—
986:(1928),
698:(1955).
686:(1942),
680:(1941),
646:Cy Young
642:Fantasia
558:In 1927
511:for the
444:Opus III
384:De Stijl
376:De Stijl
362:(a.k.a.
273:In 1913
225:Futurism
199:(1833).
88:Much of
54:abstract
39:art film
6568:Outline
5935:history
5886:Graphic
5832:Masking
5723:Package
5548:Ukraine
5518:Hungary
5480:History
5470:Vietnam
5435:Romania
5395:Estonia
5390:Czechia
5286:Z movie
5062:Feature
4998:Collage
4968:B movie
4936:Cartoon
4675:No wave
4343:Florida
4338:Fantasy
4318:Western
4261:Surfing
4249:Eurospy
4219:Slavery
4069:Vampire
4049:Monster
4020:Kung fu
3961:Samurai
3929:Lolicon
3897:Romance
3744:Gong'an
3714:Concert
3699:Chicano
3662:Animals
3550:Western
3505:Fantasy
3463:Fantasy
3441:Reality
3378:Mystery
3356:Jukebox
3341:Musical
3319:Satanic
3309:Slasher
3279:Natural
3259:Holiday
3167:Romance
3133:Science
3098:Fantasy
3000:Dramedy
2864:Dramedy
2312:. p. 7.
2110:October
1804:1574999
1493:Len Lye
1300:6-18-67
1276:1:42.08
1191:Baillie
1163:Samsara
943:Man Ray
924:Relâche
848:Man Ray
836:Dadaist
832:Man Ray
811:History
755:
743:French:
683:Hen Hop
590:Len Lye
549:Man Ray
507:and by
449:Opus IV
440:Opus II
289:Sarabet
217:Dadaism
151:History
115:Opus IV
94:dadaist
6563:Portal
6124:Live2D
6040:facial
6005:T-pose
5903:Object
5876:Cutout
5755:Series
5704:Films
5543:Russia
5513:France
5503:Canada
5498:Brazil
5455:Taiwan
5415:Mexico
5380:Bhutan
5358:topics
5314:Portal
5251:Silent
5241:Shinpa
5236:Serial
5221:Satire
5206:Poetry
5136:Masala
4865:Shōnen
4848:Seinen
4363:Ostern
4348:Horror
4281:Travel
4239:Sports
4162:Rubble
4135:Prison
4103:Nature
4074:Zombie
4015:Gun fu
3951:Isekai
3924:Hentai
3892:Gothic
3818:Stoner
3784:Yakuza
3739:Gokudō
3687:Female
3617:Techno
3587:Giallo
3577:Erotic
3572:Comedy
3515:Horror
3510:Gothic
3495:Comedy
3468:Gothic
3451:Comedy
3400:Giallo
3254:Giallo
3224:Comedy
3194:Horror
3162:Gothic
3103:Comedy
3029:Erotic
3020:Korean
2978:Travel
2968:Pseudo
2914:Silent
2879:Parody
2874:Horror
2842:Action
2837:Comedy
2788:Action
2774:genres
2729:
2686:
2499:
2442:
2353:
2331:
2308:
2285:
2259:
2207:NFB.ca
2181:NFB.ca
2158:
2128:
1996:
1908:
1881:
1810:
1802:
1749:
1695:
1297:, and
1270:Herbie
1159:Baraka
1071:Nanook
913:asked
499:(i.e.
473:Opus I
464:, and
209:Cubism
168:, the
6379:Anime
6020:Crowd
5962:Flash
5891:Model
5780:Flash
5728:Short
5698:Works
5538:Korea
5533:Japan
5523:India
5508:China
5450:Spain
5405:Japan
5400:India
5385:China
5266:Sound
5246:Short
5003:Color
4926:Anime
4887:Josei
4877:Women
4870:Shōjo
4838:Anime
4828:Black
4823:Adult
4383:Space
4286:Trial
4229:Snuff
4140:Women
4115:Opera
4064:Mummy
4059:Kaiju
4042:Anime
4037:Mecha
4030:Wuxia
4025:Ninja
3973:LGBTQ
3968:Kaitō
3919:Harem
3902:Space
3882:Ghost
3830:Ecchi
3791:Dance
3764:Mafia
3749:Heist
3719:Crime
3677:Buddy
3646:Trick
3592:Legal
3249:Ghost
3187:Urban
3177:Space
3010:Legal
2990:Drama
2963:Mondo
2847:Black
2710:[
2126:S2CID
1944:Topic
1808:S2CID
1800:JSTOR
1689:70–71
1668:Notes
1317:21-87
1305:21-87
1244:21-87
1220:21-87
1213:like
1077:Moana
485:Nazis
6319:Sand
5957:2.5D
5635:List
5608:List
5528:Iran
5023:Cult
4860:Teen
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4844:Men
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