569:
777:"Vienna For Art's Sake ! Contemporary Art Show", created by Peter Noever; 161 exceptional artists, architects, designers, 13 solo exhibitions / site-specific interventions: Vito + Maria Elena Acconci, Zaha hadid, Magdalena JetelovĂĄ, Michael Kienzer, Hans Kupelwieser, Hermann Nitsch, Eva Schlegel, Kiki Smith, the next ENTERprise, Iv Toshain, Atelier Van Lieshout, Koen Vanmechelen, Manfred Wakolbinger; Winter Palace/Belvedere Wien; starting point: Imago Mundi/Luciano Benetton Collection, Archive Austria, curated by Peter Noever, Wien, 2015
169:
607:. The project replaced the existing facade with a series of twelve panels that pivot vertically or horizontally to open the entire length of the gallery directly onto the street. The project blurs the boundary between interior and exterior and, by placing the panels in different configurations, creates a multitude of different possible facades, and is now regarded as a contemporary architectural landmark. Another example of his work is
279:, whose diverse practice eventually included sculpture, architectural design, and landscape design. His performance and video art was characterized by "existential unease," exhibitionism, discomfort, transgression and provocation, as well as wit and audacity, and often involved crossing boundaries such as publicâprivate, consensualânonconsensual, and real worldâart world. His work is considered to have influenced artists including
210:
195:
42:
184:
522:
In the piece
Acconci is filming himself pointing directly at himself for about 25 minutes; by doing so Acconci makes a nonsensical gesture that exemplifies the critical aspects of a work of art through the beginning of the 20th century. Krauss also goes on to explain the psychological basis behind
548:
which was his first permanent installation. The work sparked immense controversy on the college's campus, and was eventually set on fire and destroyed in 1985. Despite this, the sculpture marked a transition for
Acconci's career from performance artist to architectural designer. He turned to the
323:
In the late-1970s, he turned to sculpture, architecture and design, greatly increasing the scale of his work, if not his art world profile. Over the next two decades he developed public artworks and parks, airport rest areas, artificial islands and other architectural projects that frequently
658:
and the connection it had to the performance, stating, "I knew what my goal had to be: I had to produce seed, the space I was in should become a bed of seed, a field of seed â in order to produce seed, I had to masturbate â in order to masturbate, I had to excite myself."
549:
creation of furniture and prototypes of houses and gardens in the late 1980s, and in 1988, the artist founded
Acconci Studio, which focused on theoretical design and building. Acconci Studio is located on Jay Street in Brooklyn. Acconci designed the United Bamboo store in
531:
In the 1980s, Acconci turned to permanent sculptures and installations. During this time he invited viewers to create artwork by activating machinery that erected shelters and signs. One of the most prominent examples of these temporary installations is titled
517:
refers to aspects of
Narcissism apparent in the video work of Acconci. "A line of sight begin Acconci's plane of vision ends on the eyes of his projected double." Krauss uses this description to underline aspects of narcissism in the Vito Acconci work
1364:
1368:
619:. The wall begins outside the Arvada Center and extends inside, rising from ground level to a height of 24 feet. The glass and steel wall contains a mixture of volcanic rock, various types of sand, red
943:
1724:
1609:
2822:
879:
1613:
639:. It has been there since 2009. The installation fills the lobby with a web of white Corian, creating a long, undulating wall resembling giant paper snowflakes.
417:. He noted: "There wasn't a woman in my classroom between kindergarten and graduate school." Then he returned to New York City to pursue a career as a poet.
368:(1986). In addition to his art and design work, Acconci taught at many higher learning institutions. Acconci died on April 28, 2017, in Manhattan at age 77.
768:
in the 1960s. Acconci died on April 28, 2017. He was 77. His cause of death has not been released by his estate. He is survived by his wife, Maria
Acconci.
704:. "I think what unbuildable stuff leads to is maybe a possible reexamination, not so much of the past, but of what's to come," he said in the interview.
1333:
2812:
1032:
816:
553:
in 2003, and collaborated on concept designs for interactive art vehicle Mister Artsee in 2006, among others including the highly acclaimed:
1534:
623:, and topsoil which are visible through the glass panels, and represents an attempt to bring what is underground up, and what is outside in.
168:
306:-influenced performances in the street or for small audiences that explored the body and public space. Two of his most famous pieces were
2842:
2837:
2832:
2807:
573:
568:
470:. Most of his early work incorporated subversive social comment. His performance and video work was marked heavily by confrontation and
2802:
1646:
612:
599:
and provide seating at both ends. An example of this interest on the private/public space is the collaboration he did with architect
361:
1788:
667:
1572:
2134:
1868:
499:
was to involve the public in the work's production by creating a situation of reciprocal interchange between artist and viewer.
2852:
2847:
2782:
1764:
729:
2787:
1148:
1107:
713:
580:
The artist has focused on architecture and landscape design that integrates public and private space. One example of this is
889:
537:
495:
while vocalizing into a loudspeaker his fantasies about the visitors walking above him on the ramp. One motivation behind
1578:
2531:
1548:
1313:
604:
345:
310:(1969), in which he selected random passersby on New York City streets and followed them for as long as he was able, and
2309:
1421:
1391:
2827:
2044:
394:
752:
in the Art
Department and Performance and Interactive Media Arts programs and was an Adjunct Associate Professor at
2385:
2199:
912:
721:
2797:
2792:
1803:
1009:
357:
2488:
353:
1346:
1639:
1892:
1780:
978:
1936:
1900:
1844:
717:
479:
312:
194:
1772:
1692:
1619:
471:
2390:
2059:
1716:
1586:
582:
406:
330:
94:
1582:
2817:
2726:
2641:
2483:
1924:
1748:
1740:
1708:
1632:
1552:
1298:
Donadio, Emmie. "Vito
Acconci's Way Station at Middlebury: A Turning Point in the Artists Career."
745:
636:
365:
1334:"Installation: "Lobby-For-The-Time-Being," Acconci Studio, Bronx Museum | Architect Magazine"
572:
A "surreal constellation of inhabitable orbs" by
Acconci was installed outside of Klapper Hall at
2651:
2524:
1876:
1184:
17:
1447:
692:, in which he talks about a few of his favorite projects that were never completed, including a
2324:
1605:
846:"Vito Acconci, Whose Poetic, Menacing Work Forms Bedrock of Performance, Video Art, Dies at 77"
1557:
474:. In the mid-1970s, Acconci expanded his métier into the world of audio/visual installations.
2548:
2089:
2069:
1916:
1678:
1282:
Krauss, Rosalind. "Video: The
Aesthetics of Narcissism." October 1 (1976): 50-64. JSTOR. Web.
1165:
1138:
1097:
845:
2777:
2772:
2626:
2269:
1567:
697:
671:
349:
183:
1124:"Vito Acconci and Bernadette Mayer - 0 to 9 : The Complete Magazine : 1967-1969"
509:
in 1971. Nemser also later did an interview with
Acconci which became the cover piece for
8:
2114:
2084:
1999:
1756:
1484:
1250:
1000:
973:
536:
which was first created in 1980, but was recently exhibited in the summer of 2012 at the
410:
118:
1944:
340:, for Graz, Austria (2003). Retrospectives of Acconci's work have been organized by the
2746:
2606:
2586:
2517:
2493:
2370:
2289:
2049:
1908:
1601:
UbuWeb Film & Video: Vito Acconci - Willoughby Sharp Videoviews Vito Acconci (1973)
1318:
884:
737:
682:
541:
447:
414:
103:
1199:
324:
embraced participation, change and playfulness. Notable works of this period include:
2478:
2319:
2204:
1852:
1144:
1103:
488:
477:
One installation/performance work from this period, perhaps his best known work, is
317:
316:(1972), in which he claimed that he masturbated while under a temporary floor at the
2691:
2425:
2360:
2304:
2279:
2224:
1365:"Renowned architect confronted by resurrection of early work at Middlebury College"
1185:"Revisiting Vito Acconci's 5 Most Infamousâand TransgressiveâPerformance Art Works"
1075:
749:
588:
436:
402:
341:
276:
242:
235:
122:
98:
2184:
2706:
2561:
2024:
1984:
1959:
1655:
753:
741:
701:
620:
514:
430:
299:
280:
272:
143:
126:
1600:
2751:
2716:
2701:
2631:
2571:
2566:
2417:
2339:
2264:
2259:
2104:
2014:
2004:
1979:
1796:
1732:
1232:
1123:
917:
795:
765:
390:
348:(1980), and his work is in numerous public collections, including those of the
2009:
1057:
439:
in the late 1960s. Produced in quantities of 100 to 350 copies per issue on a
2766:
2681:
2666:
2656:
2646:
2636:
2468:
2448:
2299:
2284:
2244:
2239:
2214:
2194:
2179:
2164:
2094:
2074:
2064:
1860:
1700:
1061:
681:
a work that was vandalized and destroyed in 1985 after being constructed for
643:
398:
386:
2174:
2736:
2711:
2686:
2676:
2661:
2601:
2581:
2576:
2453:
2380:
2375:
2344:
2334:
2254:
2209:
2189:
2159:
2154:
2129:
2124:
2099:
2039:
2029:
2019:
1994:
1989:
1954:
1399:
948:
725:
502:
492:
303:
288:
284:
2741:
2616:
2596:
2498:
2400:
2294:
2219:
2144:
1969:
1884:
600:
467:
455:
292:
2731:
2696:
2621:
2591:
2365:
2274:
2229:
2169:
2139:
2119:
2109:
2054:
1591:
1448:"Vito Acconci, Transgressive Progenitor of Performance Art, Dies at 77"
693:
689:
440:
202:
2611:
2540:
2473:
2463:
2249:
2079:
2034:
1964:
1812:
1670:
880:"Vito Acconci, Performance Artist and Uncommon Architect, Dies at 77"
596:
592:
451:
443:
machine, the magazine mixed contributions by both poets and artists.
382:
130:
780:"Vito Acconci. The City Inside Us", edited by Peter Noever/MAK, 1993
2721:
2671:
2443:
2234:
2149:
1974:
1836:
1828:
1820:
1268:
Nemser, Cindy (SeptemberâOctober 1971). "Subject=Object=Bedy Art".
790:
616:
554:
487:
Acconci lay hidden underneath a gallery-wide ramp installed at the
336:
213:
209:
176:
107:
1624:
1563:
674:. Part of the piece is indoors and part of the piece is outdoors.
2314:
685:, was reinstalled along with an exhibit at the college's museum.
562:
523:
the actions of video in comparison to discussions of object art.
221:
2458:
1725:
Couple in The Cage: Two Undiscovered Amerindians Visit the West
1685:
1595:
688:
In 2014, Acconci was featured in a video segment, produced by
1480:, DuMont Verlag, Cologne, Germany, (2009): p. 282 â 287.
550:
463:
298:
Acconci was initially interested in radical poetry, creating
260:
2509:
1302:. Middlebury College Museum of Art: Middlebury, 2013. Print.
1099:
Language to Cover a Page: The Early Writings of Vito Acconci
2395:
2329:
817:"Vito Acconci, an Artist as Influential as He Is Eccentric"
733:
558:
540:. Later, in January 1983, Acconci was a visiting artist at
459:
426:
263:
245:
217:
41:
756:
in the Graduate Architecture and Urban Design Department.
603:
when commissioned on a collaborative building project for
254:
1549:
Oral history interview with Vito Acconci, 2008 June 21-28
1512:
1033:"Vito Acconci Named Designer of the Year by Design Miami"
155:
513:. In the article "Video: the Aesthetics of Narcissism,"
1483:"Vito Acconci." MoMA. MoMA, n.d. Web. 9 May 2013. <
446:
In the late 1960s, Acconci transformed himself into a
334:
at the Wisconsin Center, in Milwaukee, WI (1998); and
748:. Prior to his death, he had most recently taught at
271:; January 24, 1940 â April 27, 2017) was an American
257:
251:
1476:
Peter Lodermeyer, Karlyn De Jongh & Sarah Gold,
1314:"Vito Acconci: Designs That Are Meant to Be Touched"
944:"Vito Acconci and the Shelf Life of Sensational Art"
505:
was the first art critic to write about Acconci for
1490:Lee, A. C. "Exhibits From 2 Artists in Their 70s."
1255:
The Metropolitan Museum of Art, i.e. The Met Museum
712:Acconci taught at many institutions, including the
356:. He has been recognized with fellowships from the
320:, as visitors walked above and heard him speaking.
248:
429:, editing and self-publishing the poetry magazine
2823:Skowhegan School of Painting and Sculpture alumni
1592:Art videos directed and performed by Vito Acconci
2764:
1422:"Bernadette Mayer on Rosemary Mayer (1943â2014)"
587:which flow through structural boundaries of the
1606:Art en Route: A Guide to Art in the MTA Network
1560:at the Israel Museum. Retrieved September 2016.
1497:Frazer Ward, Mark C. Taylor, Jennifer Bloomer,
1136:
666:a water feature at the visitors' center of the
328:, designed for Zwolle, the Netherlands (1994);
1221:. Barcelona: Ediciones Poligrafa. p. 154.
635:is an installation in the North Wing Lobby of
179:, relief and shaped embossing by Acconci, 1985
2525:
1640:
1216:
1095:
974:"Vito Acconci, Guggenheim Collection Online"
968:
966:
1130:
1089:
574:Queens College, City University of New York
2532:
2518:
1647:
1633:
1353:, 17 April 2008. Retrieved 4 January 2013.
1294:
1292:
1290:
1288:
1005:, Vito Acconci, The Met Collection Online"
937:
935:
759:
302:, but by the late 1960s he began creating
40:
1478:Personal Structures: Time Space Existence
1140:Encyclopedia of the New York School Poets
963:
873:
871:
869:
867:
839:
837:
613:Arvada Center for the Arts and Humanities
362:John Simon Guggenheim Memorial Foundation
2813:Regis High School (New York City) alumni
1789:Mattress Performance (Carry That Weight)
1056:Richard Prince interviews Vito Acconci,
904:
668:Newtown Creek Wastewater Treatment Plant
567:
208:
193:
182:
167:
1367:. Burlington Free Press. Archived from
1285:
932:
877:
843:
814:
764:Acconci had been married to the artist
27:American performance artist (1940â2017)
14:
2765:
1765:How to Explain Pictures to a Dead Hare
1439:
1267:
1166:"'SEEDBED', Vito Acconci, 1972 - Tate"
1030:
864:
834:
730:School of the Art Institute of Chicago
2513:
1628:
1445:
1311:
1197:
1182:
941:
913:"Postscript: Vito Acconci, 1940â2017"
910:
714:Nova Scotia College of Art and Design
234:
1233:"Vito Acconci. Seedbed. 1972 - MoMA"
1198:Jones, Jonathan (23 November 2002).
654:at length. Vito discussed the title
538:Museum of Contemporary Art San Diego
454:using his own body as a subject for
1654:
1143:. Infobase Learning. pp. 20â.
911:Scott, Andrea K. (April 28, 2017).
605:Storefront for Art and Architecture
346:Museum of Contemporary Art, Chicago
24:
2843:21st-century American male artists
2838:20th-century American male artists
2833:American people of Italian descent
2808:Academic staff of NSCAD University
1470:
1362:
1251:"Vito Acconci - Seedbed - The Met"
1200:"See Through, Vito Acconci (1969)"
1031:Gopnik, Blake (October 24, 2012).
993:
707:
413:in literature and poetry from the
381:Born Vito Hannibal Acconci in the
25:
2864:
1620:Public Art Fund:Face of the Earth
1610:West 8th Street-New York Aquarium
1542:
1389:
1137:Terence Diggory (22 April 2015).
878:Kennedy, Randy (April 28, 2017).
844:Russeth, Andrew (28 April 2017).
544:. During that time, he completed
2803:College of the Holy Cross alumni
1163:
722:California Institute of the Arts
420:
393:elementary school, high school (
371:
241:
1414:
1383:
1356:
1340:
1326:
1312:Nobel, Philip (April 8, 1999).
1305:
1276:
1261:
1243:
1225:
1210:
1191:
1176:
1157:
1116:
1068:
1010:Metropolitan Museum of New York
358:National Endowment for the Arts
2489:Survival Research Laboratories
1347:"Art Space Talk: Vito Acconci"
1050:
1024:
942:Capps, Kriston (May 3, 2017).
815:Kennedy, Randy (2 June 2016).
808:
771:
679:Way Station I (Study Chamber),
642:In 2008, in an interview with
546:Way Station I (Study Chamber),
425:Acconci began his career as a
401:), and college. He received a
354:Whitney Museum of American Art
13:
1:
2853:21st-century American artists
2848:20th-century American artists
2783:American installation artists
2539:
1575:from the Fales Library at NYU
1513:"Interview with Vito Acconci"
801:
2788:American performance artists
2386:LaBeouf, Rönkkö & Turner
1446:Davis, Ben (28 April 2017).
1300:Vito Acconci: Thinking Space
1183:Zhong, Fan (28 April 2017).
979:Solomon R. Guggenheim Museum
389:in 1940, Acconci attended a
376:
344:in Amsterdam (1978) and the
190:, sculpture by Acconci, 1988
7:
1614:161st Street-Yankee Stadium
1573:Guide to the 0 TO 9 archive
1538:, edited by Rosetta Brooks.
1505:
1102:. MIT Press. pp. 12â.
784:
718:San Francisco Art Institute
700:and a museum of needles in
662:In 2010, Acconci completed
10:
2869:
1693:Breathing in/breathing out
1217:Gloria Moure, ed. (2001).
852:. Sarah Douglas. Art Media
483:(January 15â29, 1972). In
360:(1976, 1980, 1983, 1993),
2547:
2436:
2409:
2391:Los Angeles Urban Rangers
2353:
1935:
1662:
1587:University College London
583:Walkways Through the Wall
407:College of the Holy Cross
331:Walkways Through the Wall
236:[ËviËtoakËkontÊi]
150:
136:
114:
95:College of the Holy Cross
90:
74:
51:
39:
32:
2828:Brooklyn College faculty
2727:Steina and Woody Vasulka
2484:Performance art in China
1749:Empathy and Prostitution
1553:Archives of American Art
1501:, Phaidon, London, 2002.
1237:The Museum of Modern Art
746:Parsons School of Design
637:Bronx Museum of the Arts
633:Lobby-for-the-Time-Being
631:One of his later works,
626:
526:
366:American Academy in Rome
2652:Virginia Lee Montgomery
1877:The Death of The Artist
1773:I'm too sad to tell you
1583:Small Press Collections
1558:Vito Acconci collection
1392:"Unbuilt: Vito Acconci"
760:Personal life and death
664:Waterfall Out & In,
405:in literature from the
2798:Artists from the Bronx
2793:American video artists
2325:Mierle Laderman Ukeles
1717:Ceci N'est Pas Un Viol
577:
224:
206:
191:
180:
1917:Untitled (Rape Scene)
1869:The Artist Is Present
1679:Amen or The Pederasty
1608:See Acconci works at
1511:Alessandra Orlandoni
1096:Vito Acconci (2006).
571:
212:
197:
188:Face of the Earth, #3
186:
171:
56:Vito Hannibal Acconci
2060:Guillermo Gómez-Peña
1568:Museum of Modern Art
1494:. 26 Apr. 2012. Web.
1065:, referenced 25/4/12
672:Greenpoint, Brooklyn
615:Sculpture Garden in
350:Museum of Modern Art
2115:Natalie Jeremijenko
1757:Food for the Spirit
1485:Vito Acconci | MoMA
1371:on 19 December 2013
677:In 2013, Acconci's
277:installation artist
119:Landscape architect
85:New York City, U.S.
69:New York City, U.S.
2747:Krzysztof Wodiczko
2587:Doris Totten Chase
2494:Viennese Actionism
2371:COUM Transmissions
2290:Carolee Schneemann
2135:Ragnar Kjartansson
1909:Three Weeks in May
1532:from London-based
1526:, AprilâJune 2005.
1492:The New York Times
1454:. artnet worldwide
1319:The New York Times
885:The New York Times
821:The New York Times
738:University of Iowa
683:Middlebury College
578:
542:Middlebury College
415:University of Iowa
295:, among others.
225:
216:(in the night) in
207:
192:
181:
104:University of Iowa
2760:
2759:
2507:
2506:
2479:Participatory art
2320:Melati Suryodarmo
2205:Charlotte Moorman
1853:Seven Easy Pieces
1522:Frederic Maufras
1428:. 9 December 2014
1150:978-1-4381-4066-7
1109:978-0-262-01224-9
489:Sonnabend Gallery
395:Regis High School
318:Sonnabend Gallery
175:, photointaglio,
166:
165:
16:(Redirected from
2860:
2692:Raymond Pettibon
2534:
2527:
2520:
2511:
2510:
2426:Kusama: Infinity
2305:Barbara T. Smith
2280:Rachel Rosenthal
2225:Pauline Oliveros
1945:Marina AbramoviÄ
1649:
1642:
1635:
1626:
1625:
1616:subway stations.
1464:
1463:
1461:
1459:
1443:
1437:
1436:
1434:
1433:
1426:www.artforum.com
1418:
1412:
1411:
1409:
1407:
1402:on 29 April 2017
1398:. Archived from
1387:
1381:
1380:
1378:
1376:
1360:
1354:
1344:
1338:
1337:
1330:
1324:
1323:
1309:
1303:
1296:
1283:
1280:
1274:
1273:
1265:
1259:
1258:
1247:
1241:
1240:
1229:
1223:
1222:
1214:
1208:
1207:
1195:
1189:
1188:
1180:
1174:
1173:
1161:
1155:
1154:
1134:
1128:
1127:
1120:
1114:
1113:
1093:
1087:
1086:
1084:
1082:
1072:
1066:
1054:
1048:
1047:
1045:
1043:
1028:
1022:
1021:
1019:
1017:
997:
991:
990:
988:
986:
970:
961:
960:
958:
956:
939:
930:
929:
927:
925:
908:
902:
901:
899:
897:
888:. Archived from
875:
862:
861:
859:
857:
841:
832:
831:
829:
827:
812:
750:Brooklyn College
589:Wisconsin Center
437:Bernadette Mayer
342:Stedelijk Museum
270:
269:
266:
265:
262:
259:
256:
253:
250:
247:
238:
233:
205:by Acconci, 1999
162:
159:
157:
139:
123:Installation art
81:
66:January 24, 1940
65:
63:
44:
30:
29:
21:
2868:
2867:
2863:
2862:
2861:
2859:
2858:
2857:
2818:Walking artists
2763:
2762:
2761:
2756:
2707:Mika Rottenberg
2562:John Baldessari
2543:
2538:
2508:
2503:
2432:
2405:
2349:
2085:Newton Harrison
2025:James Lee Byars
1985:Rebecca Belmore
1960:Laurie Anderson
1931:
1925:Untitled , 2008
1797:One & Other
1658:
1656:Performance art
1653:
1579:0 TO 9 magazine
1545:
1508:
1473:
1471:Further reading
1468:
1467:
1457:
1455:
1444:
1440:
1431:
1429:
1420:
1419:
1415:
1405:
1403:
1388:
1384:
1374:
1372:
1363:Pollak, Sally.
1361:
1357:
1345:
1341:
1332:
1331:
1327:
1310:
1306:
1297:
1286:
1281:
1277:
1266:
1262:
1249:
1248:
1244:
1231:
1230:
1226:
1215:
1211:
1196:
1192:
1181:
1177:
1162:
1158:
1151:
1135:
1131:
1122:
1121:
1117:
1110:
1094:
1090:
1080:
1078:
1074:
1073:
1069:
1055:
1051:
1041:
1039:
1037:The Daily Beast
1029:
1025:
1015:
1013:
999:
998:
994:
984:
982:
972:
971:
964:
954:
952:
940:
933:
923:
921:
909:
905:
895:
893:
876:
865:
855:
853:
842:
835:
825:
823:
813:
809:
804:
787:
774:
762:
754:Pratt Institute
742:Pratt Institute
710:
708:Academic career
702:Ichihara, Japan
650:Vito discussed
629:
529:
515:Rosalind Krauss
423:
409:in 1962 and an
379:
374:
326:Personal Island
308:Following Piece
300:0 to 9 Magazine
281:Laurie Anderson
244:
240:
231:
154:
137:
129:
127:Performance art
125:
121:
102:
86:
83:
79:
70:
67:
61:
59:
58:
57:
47:
46:Acconci in 1973
35:
28:
23:
22:
15:
12:
11:
5:
2866:
2856:
2855:
2850:
2845:
2840:
2835:
2830:
2825:
2820:
2815:
2810:
2805:
2800:
2795:
2790:
2785:
2780:
2775:
2758:
2757:
2755:
2754:
2752:Jordan Wolfson
2749:
2744:
2739:
2734:
2729:
2724:
2719:
2717:Ryan Trecartin
2714:
2709:
2704:
2702:Pipilotti Rist
2699:
2694:
2689:
2684:
2679:
2674:
2669:
2664:
2659:
2654:
2649:
2644:
2639:
2634:
2632:Shigeko Kubota
2629:
2624:
2619:
2614:
2609:
2604:
2599:
2594:
2589:
2584:
2579:
2574:
2572:Scott Bartlett
2569:
2567:Matthew Barney
2564:
2559:
2553:
2551:
2545:
2544:
2537:
2536:
2529:
2522:
2514:
2505:
2504:
2502:
2501:
2496:
2491:
2486:
2481:
2476:
2471:
2466:
2461:
2456:
2451:
2446:
2440:
2438:
2434:
2433:
2431:
2430:
2422:
2418:Mondo New York
2413:
2411:
2407:
2406:
2404:
2403:
2398:
2393:
2388:
2383:
2378:
2373:
2368:
2363:
2357:
2355:
2351:
2350:
2348:
2347:
2342:
2340:Robert Whitman
2337:
2332:
2327:
2322:
2317:
2312:
2307:
2302:
2297:
2292:
2287:
2282:
2277:
2272:
2267:
2265:Dorothy Podber
2262:
2260:Petr Pavlensky
2257:
2252:
2247:
2242:
2237:
2232:
2227:
2222:
2217:
2212:
2207:
2202:
2197:
2192:
2187:
2182:
2177:
2172:
2167:
2162:
2157:
2152:
2147:
2142:
2137:
2132:
2127:
2122:
2117:
2112:
2107:
2105:Tehching Hsieh
2102:
2097:
2092:
2087:
2082:
2077:
2072:
2067:
2062:
2057:
2052:
2047:
2042:
2037:
2032:
2027:
2022:
2017:
2015:Nancy Buchanan
2012:
2007:
2005:Stuart Brisley
2002:
1997:
1992:
1987:
1982:
1980:Matthew Barney
1977:
1972:
1967:
1962:
1957:
1952:
1947:
1941:
1939:
1933:
1932:
1930:
1929:
1921:
1913:
1905:
1897:
1889:
1881:
1873:
1865:
1857:
1849:
1841:
1833:
1825:
1817:
1809:
1801:
1793:
1785:
1777:
1769:
1761:
1753:
1745:
1737:
1729:
1721:
1713:
1705:
1697:
1689:
1683:
1675:
1666:
1664:
1660:
1659:
1652:
1651:
1644:
1637:
1629:
1623:
1622:
1617:
1603:
1598:
1589:
1576:
1570:
1561:
1555:
1544:
1543:External links
1541:
1540:
1539:
1530:Altered States
1527:
1520:
1507:
1504:
1503:
1502:
1495:
1488:
1481:
1472:
1469:
1466:
1465:
1438:
1413:
1382:
1355:
1339:
1325:
1304:
1284:
1275:
1260:
1242:
1224:
1209:
1190:
1175:
1156:
1149:
1129:
1115:
1108:
1088:
1076:"Vito Acconci"
1067:
1049:
1023:
992:
962:
931:
918:The New Yorker
903:
863:
833:
806:
805:
803:
800:
799:
798:
796:Conceptual art
793:
786:
783:
782:
781:
778:
773:
770:
766:Rosemary Mayer
761:
758:
709:
706:
628:
625:
611:(1992) at the
534:Instant House,
528:
525:
422:
419:
391:Roman Catholic
378:
375:
373:
370:
164:
163:
152:
148:
147:
140:
134:
133:
116:
115:Known for
112:
111:
92:
88:
87:
84:
82:(aged 77)
78:April 27, 2017
76:
72:
71:
68:
55:
53:
49:
48:
45:
37:
36:
33:
26:
9:
6:
4:
3:
2:
2865:
2854:
2851:
2849:
2846:
2844:
2841:
2839:
2836:
2834:
2831:
2829:
2826:
2824:
2821:
2819:
2816:
2814:
2811:
2809:
2806:
2804:
2801:
2799:
2796:
2794:
2791:
2789:
2786:
2784:
2781:
2779:
2776:
2774:
2771:
2770:
2768:
2753:
2750:
2748:
2745:
2743:
2740:
2738:
2735:
2733:
2730:
2728:
2725:
2723:
2720:
2718:
2715:
2713:
2710:
2708:
2705:
2703:
2700:
2698:
2695:
2693:
2690:
2688:
2685:
2683:
2682:Nam June Paik
2680:
2678:
2675:
2673:
2670:
2668:
2667:Shirin Neshat
2665:
2663:
2660:
2658:
2657:Shana Moulton
2655:
2653:
2650:
2648:
2647:Eric Millikin
2645:
2643:
2642:Steve McQueen
2640:
2638:
2637:Paul McCarthy
2635:
2633:
2630:
2628:
2625:
2623:
2620:
2618:
2615:
2613:
2610:
2608:
2605:
2603:
2600:
2598:
2595:
2593:
2590:
2588:
2585:
2583:
2580:
2578:
2575:
2573:
2570:
2568:
2565:
2563:
2560:
2558:
2555:
2554:
2552:
2550:
2546:
2542:
2535:
2530:
2528:
2523:
2521:
2516:
2515:
2512:
2500:
2497:
2495:
2492:
2490:
2487:
2485:
2482:
2480:
2477:
2475:
2472:
2470:
2469:Hunger artist
2467:
2465:
2462:
2460:
2457:
2455:
2452:
2450:
2449:Endurance art
2447:
2445:
2442:
2441:
2439:
2435:
2428:
2427:
2423:
2420:
2419:
2415:
2414:
2412:
2408:
2402:
2399:
2397:
2394:
2392:
2389:
2387:
2384:
2382:
2379:
2377:
2374:
2372:
2369:
2367:
2364:
2362:
2359:
2358:
2356:
2352:
2346:
2343:
2341:
2338:
2336:
2333:
2331:
2328:
2326:
2323:
2321:
2318:
2316:
2313:
2311:
2310:Michael Smith
2308:
2306:
2303:
2301:
2300:Aliza Shvarts
2298:
2296:
2293:
2291:
2288:
2286:
2285:Martha Rosler
2283:
2281:
2278:
2276:
2273:
2271:
2268:
2266:
2263:
2261:
2258:
2256:
2253:
2251:
2248:
2246:
2245:Nam June Paik
2243:
2241:
2238:
2236:
2233:
2231:
2228:
2226:
2223:
2221:
2218:
2216:
2215:Shirin Neshat
2213:
2211:
2208:
2206:
2203:
2201:
2198:
2196:
2195:Linda Montano
2193:
2191:
2188:
2186:
2185:Marta MinujĂn
2183:
2181:
2180:Eric Millikin
2178:
2176:
2173:
2171:
2168:
2166:
2165:Phoebe Legere
2163:
2161:
2158:
2156:
2153:
2151:
2148:
2146:
2143:
2141:
2138:
2136:
2133:
2131:
2128:
2126:
2123:
2121:
2118:
2116:
2113:
2111:
2108:
2106:
2103:
2101:
2098:
2096:
2095:Lynn Hershman
2093:
2091:
2088:
2086:
2083:
2081:
2078:
2076:
2075:David Hammons
2073:
2071:
2068:
2066:
2065:Cai Guo-Qiang
2063:
2061:
2058:
2056:
2053:
2051:
2048:
2046:
2043:
2041:
2038:
2036:
2033:
2031:
2028:
2026:
2023:
2021:
2018:
2016:
2013:
2011:
2008:
2006:
2003:
2001:
1998:
1996:
1993:
1991:
1988:
1986:
1983:
1981:
1978:
1976:
1973:
1971:
1968:
1966:
1963:
1961:
1958:
1956:
1953:
1951:
1948:
1946:
1943:
1942:
1940:
1938:
1934:
1927:
1926:
1922:
1919:
1918:
1914:
1911:
1910:
1906:
1903:
1902:
1898:
1895:
1894:
1890:
1887:
1886:
1882:
1879:
1878:
1874:
1871:
1870:
1866:
1863:
1862:
1861:Shot Marilyns
1858:
1855:
1854:
1850:
1847:
1846:
1842:
1839:
1838:
1834:
1831:
1830:
1826:
1823:
1822:
1818:
1815:
1814:
1810:
1807:
1806:
1802:
1799:
1798:
1794:
1791:
1790:
1786:
1783:
1782:
1778:
1775:
1774:
1770:
1767:
1766:
1762:
1759:
1758:
1754:
1751:
1750:
1746:
1743:
1742:
1738:
1735:
1734:
1730:
1727:
1726:
1722:
1719:
1718:
1714:
1711:
1710:
1706:
1703:
1702:
1701:Body Pressure
1698:
1695:
1694:
1690:
1687:
1684:
1681:
1680:
1676:
1673:
1672:
1668:
1667:
1665:
1661:
1657:
1650:
1645:
1643:
1638:
1636:
1631:
1630:
1627:
1621:
1618:
1615:
1611:
1607:
1604:
1602:
1599:
1597:
1593:
1590:
1588:
1584:
1580:
1577:
1574:
1571:
1569:
1565:
1562:
1559:
1556:
1554:
1550:
1547:
1546:
1537:
1536:
1531:
1528:
1525:
1524:Parachute 118
1521:
1518:
1514:
1510:
1509:
1500:
1496:
1493:
1489:
1486:
1482:
1479:
1475:
1474:
1453:
1449:
1442:
1427:
1423:
1417:
1401:
1397:
1393:
1390:Santo, Marc.
1386:
1370:
1366:
1359:
1352:
1348:
1343:
1335:
1329:
1321:
1320:
1315:
1308:
1301:
1295:
1293:
1291:
1289:
1279:
1271:
1270:Arts Magazine
1264:
1256:
1252:
1246:
1238:
1234:
1228:
1220:
1213:
1205:
1201:
1194:
1186:
1179:
1171:
1167:
1160:
1152:
1146:
1142:
1141:
1133:
1125:
1119:
1111:
1105:
1101:
1100:
1092:
1077:
1071:
1064:
1063:
1062:BOMB Magazine
1058:
1053:
1038:
1034:
1027:
1012:
1011:
1006:
1004:
996:
981:
980:
975:
969:
967:
951:
950:
945:
938:
936:
920:
919:
914:
907:
892:on 2017-04-30
891:
887:
886:
881:
874:
872:
870:
868:
851:
847:
840:
838:
822:
818:
811:
807:
797:
794:
792:
789:
788:
779:
776:
775:
769:
767:
757:
755:
751:
747:
743:
739:
735:
731:
727:
723:
719:
715:
705:
703:
699:
695:
691:
686:
684:
680:
675:
673:
669:
665:
660:
657:
653:
649:
645:
644:Brian Sherwin
640:
638:
634:
624:
622:
618:
614:
610:
606:
602:
598:
594:
590:
586:
584:
575:
570:
566:
564:
560:
556:
552:
547:
543:
539:
535:
524:
521:
516:
512:
511:Arts Magazine
508:
507:Arts Magazine
504:
500:
498:
494:
490:
486:
482:
481:
475:
473:
469:
465:
461:
457:
453:
449:
444:
442:
438:
434:
433:
428:
421:1960s and 70s
418:
416:
412:
408:
404:
400:
399:New York City
396:
392:
388:
384:
372:Life and work
369:
367:
363:
359:
355:
351:
347:
343:
339:
338:
333:
332:
327:
321:
319:
315:
314:
309:
305:
301:
296:
294:
290:
286:
282:
278:
274:
268:
237:
229:
223:
219:
215:
211:
204:
200:
199:City of Words
196:
189:
185:
178:
174:
170:
161:
153:
149:
146:
145:
141:
135:
132:
128:
124:
120:
117:
113:
109:
105:
100:
96:
93:
89:
77:
73:
54:
50:
43:
38:
31:
19:
2737:Wolf Vostell
2712:Diana Thater
2687:Sondra Perry
2677:Tony Oursler
2662:Bruce Nauman
2602:Valie Export
2582:Peter Campus
2577:Chris Burden
2557:Vito Acconci
2556:
2454:Feminist art
2424:
2416:
2381:General Idea
2376:Fallen Fruit
2345:Hannah Wilke
2335:Wolf Vostell
2255:Mark Pauline
2210:Bruce Nauman
2190:Kent Monkman
2160:Suzanne Lacy
2155:Yayoi Kusama
2130:Andy Kaufman
2125:Allan Kaprow
2100:Rebecca Horn
2090:Sharon Hayes
2070:Ann Hamilton
2045:Bob Flanagan
2040:Valie Export
2030:Sophie Calle
2020:Chris Burden
1995:David Blaine
1990:Joseph Beuys
1955:Bas Jan Ader
1950:Vito Acconci
1949:
1923:
1915:
1907:
1899:
1891:
1883:
1875:
1867:
1859:
1851:
1843:
1835:
1827:
1819:
1811:
1804:
1795:
1787:
1779:
1771:
1763:
1755:
1747:
1739:
1731:
1723:
1715:
1707:
1699:
1691:
1677:
1669:
1564:Vito Acconci
1533:
1529:
1523:
1519:, June 2007.
1517:The Plan 020
1516:
1499:Vito Acconci
1498:
1491:
1477:
1456:. Retrieved
1451:
1441:
1430:. Retrieved
1425:
1416:
1404:. Retrieved
1400:the original
1395:
1385:
1373:. Retrieved
1369:the original
1358:
1350:
1342:
1328:
1317:
1307:
1299:
1278:
1269:
1263:
1254:
1245:
1236:
1227:
1219:Vito Acconci
1218:
1212:
1204:the Guardian
1203:
1193:
1178:
1169:
1159:
1139:
1132:
1118:
1098:
1091:
1079:. Retrieved
1070:
1060:
1052:
1040:. Retrieved
1036:
1026:
1014:. Retrieved
1008:
1002:
995:
983:. Retrieved
977:
953:. Retrieved
949:The Atlantic
947:
922:. Retrieved
916:
906:
894:. Retrieved
890:the original
883:
854:. Retrieved
849:
824:. Retrieved
820:
810:
763:
736:University;
726:Cooper Union
724:, Valencia;
711:
687:
678:
676:
663:
661:
655:
651:
647:
641:
632:
630:
608:
581:
579:
545:
533:
530:
519:
510:
506:
503:Cindy Nemser
501:
496:
493:masturbating
484:
478:
476:
472:Situationism
452:video artist
445:
431:
424:
380:
364:(1979), and
335:
329:
325:
322:
311:
307:
304:Situationist
297:
289:Bruce Nauman
285:Karen Finley
275:, video and
228:Vito Acconci
227:
226:
198:
187:
172:
142:
138:Notable work
80:(2017-04-27)
34:Vito Acconci
2778:2017 deaths
2773:1940 births
2742:Andy Warhol
2627:Mike Kelley
2617:Arthur Jafa
2597:Tony Conrad
2499:Process art
2429:(2018 film)
2421:(1988 film)
2401:The Yes Men
2295:Tino Sehgal
2270:Jim Pomeroy
2220:Pat Oleszko
2200:Frank Moore
2145:Terence Koh
2010:GĂŒnter Brus
1970:Abel Azcona
1885:The Fathers
1805:Rest Energy
1792:(2014â2015)
1535:ZG Magazine
1406:27 February
1375:19 December
772:Exhibitions
716:, Halifax;
648:Myartspace,
601:Steven Holl
468:performance
456:photography
448:performance
293:Tracey Emin
273:performance
2767:Categories
2732:Bill Viola
2697:Walid Raad
2622:Joan Jonas
2592:Tony Cokes
2366:Concept 21
2275:Duke Riley
2240:Eiko Otaki
2230:Mihai Olos
2175:Miki Malör
2170:James Luna
2140:Yves Klein
2120:Joan Jonas
2110:Zhang Huan
2055:Coco Fusco
2000:Mark Bloch
1893:The Shadow
1781:Luminosity
1432:2022-10-23
1351:Myartspace
802:References
744:; and the
694:Skate Park
690:Marc Santo
441:mimeograph
203:lithograph
62:1940-01-24
2612:Gary Hill
2607:Terry Fox
2541:Video art
2474:monochrom
2464:Happening
2250:Gina Pane
2080:Jo Hanson
2050:Terry Fox
2035:Papo Colo
1965:Ron Athey
1901:The Shame
1813:Rhythm 10
1776:(1970â71)
1733:Cut Piece
1728:(1992â93)
1671:7000 Oaks
1551:from the
1042:August 5,
1016:March 20,
985:March 20,
955:March 20,
924:March 20,
896:April 30,
609:Dirt Wall
597:Wisconsin
593:Milwaukee
377:Education
131:Video art
91:Education
2722:Wu Tsang
2672:Yoko Ono
2444:Body art
2361:Ant Farm
2235:Yoko Ono
2150:Paul Kos
1975:Franko B
1837:Rhythm 0
1829:Rhythm 2
1821:Rhythm 5
1506:Articles
1458:28 April
1396:Crane.tv
856:28 April
791:Murinsel
785:See also
698:San Jose
621:dolomite
617:Colorado
576:in 1995.
555:Murinsel
520:Centers.
387:New York
337:Murinsel
232:Italian:
214:Murinsel
177:aquatint
158:.acconci
2549:Artists
2315:Stelarc
1937:Artists
1845:Seedbed
1581:in the
1566:at the
1081:28 July
1003:Seedbed
850:ARTnews
656:Seedbed
652:Seedbed
563:Austria
497:Seedbed
485:Seedbed
480:Seedbed
313:Seedbed
222:Austria
151:Website
18:Acconci
2459:Fluxus
2354:Groups
1928:(2008)
1920:(1973)
1912:(1977)
1904:(2018)
1896:(2014)
1888:(2016)
1880:(2018)
1872:(2010)
1864:(1964)
1856:(2005)
1848:(1972)
1840:(1974)
1832:(1974)
1824:(1974)
1816:(1973)
1808:(1980)
1800:(2009)
1784:(1997)
1768:(1965)
1760:(1971)
1752:(2013)
1744:(2012)
1741:Eating
1736:(1964)
1720:(2015)
1712:(2015)
1709:Buried
1704:(1974)
1696:(1977)
1688:(1969)
1686:Bed-in
1682:(2015)
1674:(1982)
1596:UbuWeb
1452:artnet
1164:Tate.
1147:
1106:
826:3 June
466:, and
432:0 TO 9
291:, and
144:0 to 9
2437:Other
2410:Media
1487:>.
627:2000s
551:Tokyo
527:1980s
464:video
435:with
383:Bronx
173:Crash
2396:Mavo
2330:Ulay
1663:Work
1612:and
1460:2017
1408:2017
1377:2013
1170:Tate
1145:ISBN
1104:ISBN
1083:2022
1044:2014
1018:2018
987:2018
957:2018
926:2018
898:2017
858:2017
828:2016
734:Yale
646:for
559:Graz
460:film
450:and
427:poet
352:and
218:Graz
160:.com
75:Died
52:Born
1594:on
740:,
696:in
670:in
591:in
557:in
411:MFA
397:in
156:www
108:MFA
2769::
1585:,
1515:â
1450:.
1424:.
1394:.
1349:,
1316:.
1287:^
1253:.
1235:.
1202:.
1168:.
1059:,
1035:.
1007:.
976:.
965:^
946:.
934:^
915:.
882:.
866:^
848:.
836:^
819:.
732:;
728:;
720:;
595:,
565:.
561:,
491:,
462:,
458:,
403:BA
385:,
287:,
283:,
261:tÊ
239:,
220:,
201:,
99:BA
2533:e
2526:t
2519:v
1648:e
1641:t
1634:v
1462:.
1435:.
1410:.
1379:.
1336:.
1322:.
1272:.
1257:.
1239:.
1206:.
1187:.
1172:.
1153:.
1126:.
1112:.
1085:.
1046:.
1020:.
1001:"
989:.
959:.
928:.
900:.
860:.
830:.
585:,
267:/
264:i
258:n
255:É
252:k
249:Ë
246:É
243:/
230:(
110:)
106:(
101:)
97:(
64:)
60:(
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
