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Acis et Galatée

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The story is of a love triangle between the three main characters—Acis, Galatea, and Poliphème. Poliphème murders Acis out of jealousy, but Acis is revived and turned into a river by Neptune.
87:, because it was on a pastoral theme and had only three acts (plus a prologue) compared to the usual five. Otherwise, there is little musically or dramatically to distinguish it from Lully's 318:
Lully: Acis et Galatée. Cyril Auvity (Acis/Apollon), Ambroisine Bré (Galatée/Diane), Edwin Crossley-Mercer (Polyphème), Les Talens Lyriques, Christophe Rousset. Aparte (2022).
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on 17 September 1686. It was revived multiple times before the French Revolution and
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The opera was premiered by the Académie Royale de Musique (
133:. The same story was also to inspire a dramatic work by 159:
on 6 September 1686 (without machines) and later at the
733: 75:. Unlike most of his operas, which are designated 783: 127:. The libretto is based on the story in Ovid's 119:. The duke considered giving the commission to 105:. Lully did not work with his usual librettist 378: 385: 371: 306:, Naouri, Crook, Delunsch, Félix, Masset; 188:Premiere cast, 6 September 1686 52:Musée national du Château et des Trianons 348:, ed. L. Macy (accessed July 23, 2006), 18: 392: 109:, although the two men collaborated on 784: 146: 366: 287: 123:, but it went instead to his protege 29:performs Acis et Galathée in front of 115:, which premiered the same year as 13: 45:Charles-Nicolas Cochin the Younger 14: 833: 560:George Dandin ou le Mari confondu 767: 755: 743: 718: 717: 342:Lois Rosow. "Acis et Galatée", 328: 94:The opera was commissioned by 1: 812:Operas based on Metamorphoses 792:Operas by Jean-Baptiste Lully 321: 171:appeared in one production. 96:Louis Joseph, duc de Vendôme 16:Opera by Jean-Baptiste Lully 7: 279: 81:, Lully called this work a 10: 838: 681:Académie Royale de Musique 125:Jean Galbert de Campistron 713: 673: 615: 590: 544: 409: 400: 295:Lully: Acis & Galatée 638:Jean-Baptiste Lully fils 606:Jubilate Deo omnis terra 574:Monsieur de Pourceaugnac 567:Le Bourgeois gentilhomme 174: 308:Les Musiciens du Louvre 161:Théâtre du Palais-Royal 797:French-language operas 359:(subscription access). 55: 599:Plaude Laetare Gallia 229:Louis Gaulard Dumesny 22: 403:List of compositions 78:tragédies en musique 822:Neptune (mythology) 704:Tragédie en musique 533:(completed 1687 by 530:Achille et Polyxène 394:Jean-Baptiste Lully 169:Madame de Pompadour 147:Performance history 73:Jean-Baptiste Lully 25:Madame de Pompadour 418:Cadmus et Hermione 355:2008-05-16 at the 345:Grove Music Online 288:Selected recording 84:pastorale-héroïque 56: 731: 730: 660:Philippe Quinault 314:). Archiv (1998). 277: 276: 107:Philippe Quinault 54: 829: 772: 771: 770: 760: 759: 748: 747: 746: 739: 721: 720: 643:Jean-Louis Lully 387: 380: 373: 364: 363: 335: 332: 208:Marie Le Rochois 179: 178: 140:Acis and Galatea 102:le Grand Dauphin 65:Acis and Galatea 49: 837: 836: 832: 831: 830: 828: 827: 826: 782: 781: 778: 768: 766: 754: 750:Classical music 744: 742: 734: 732: 727: 709: 693:French overture 669: 611: 586: 553:L'Amour médecin 540: 522:Acis et Galatée 405: 396: 391: 357:Wayback Machine 339: 338: 333: 329: 324: 290: 282: 177: 149: 117:Acis et Galatée 60:Acis et Galatée 48: 41:Adolphe Lalauze 17: 12: 11: 5: 835: 825: 824: 819: 814: 809: 804: 799: 794: 777: 776: 764: 752: 729: 728: 726: 725: 714: 711: 710: 708: 707: 700: 695: 690: 687:Comédie-ballet 683: 677: 675: 671: 670: 668: 667: 662: 657: 652: 647: 646: 645: 640: 635: 634: 633: 619: 617: 613: 612: 610: 609: 602: 594: 592: 588: 587: 585: 584: 577: 570: 563: 556: 548: 546: 542: 541: 539: 538: 526: 518: 510: 502: 494: 486: 478: 470: 462: 454: 446: 438: 430: 422: 413: 411: 407: 406: 401: 398: 397: 390: 389: 382: 375: 367: 361: 360: 350:grovemusic.com 337: 336: 326: 325: 323: 320: 316: 315: 289: 286: 281: 278: 275: 274: 272: 267: 261: 260: 250: 243: 232: 231: 226: 221: 211: 210: 205: 200: 190: 189: 186: 183: 176: 173: 157:Château d'Anet 148: 145: 47:(19th century) 15: 9: 6: 4: 3: 2: 834: 823: 820: 818: 815: 813: 810: 808: 805: 803: 800: 798: 795: 793: 790: 789: 787: 780: 775: 765: 763: 758: 753: 751: 741: 740: 737: 724: 716: 715: 712: 706: 705: 701: 699: 696: 694: 691: 689: 688: 684: 682: 679: 678: 676: 672: 666: 665:Pierre Perrin 663: 661: 658: 656: 653: 651: 648: 644: 641: 639: 636: 632: 629: 628: 627: 624: 623: 621: 620: 618: 614: 608: 607: 603: 601: 600: 596: 595: 593: 589: 583: 582: 578: 576: 575: 571: 569: 568: 564: 562: 561: 557: 555: 554: 550: 549: 547: 543: 536: 532: 531: 527: 524: 523: 519: 516: 515: 511: 508: 507: 503: 500: 499: 495: 492: 491: 487: 484: 483: 479: 476: 475: 471: 468: 467: 463: 460: 459: 455: 452: 451: 447: 444: 443: 439: 436: 435: 431: 428: 427: 423: 420: 419: 415: 414: 412: 408: 404: 399: 395: 388: 383: 381: 376: 374: 369: 368: 365: 358: 354: 351: 347: 346: 341: 340: 331: 327: 319: 313: 309: 305: 301: 297: 296: 292: 291: 285: 273: 271: 268: 266: 263: 262: 258: 254: 251: 249: 248: 244: 242: 238: 234: 233: 230: 227: 225: 222: 220: 216: 213: 212: 209: 206: 204: 201: 199: 195: 192: 191: 187: 184: 181: 180: 172: 170: 166: 162: 158: 154: 144: 142: 141: 136: 132: 131: 130:Metamorphoses 126: 122: 118: 114: 113: 108: 104: 103: 97: 92: 90: 86: 85: 80: 79: 74: 70: 66: 62: 61: 53: 46: 42: 38: 37:and his court 35: 34: 30: 27: 26: 21: 779: 702: 685: 604: 597: 579: 572: 565: 558: 551: 545:With Molière 528: 521: 520: 512: 504: 496: 488: 480: 472: 464: 456: 448: 440: 432: 424: 416: 343: 330: 317: 310:; Conductor 294: 293: 283: 256: 255:(called Dun 247:basse-taille 245: 240: 224:haute-contre 218: 197: 150: 138: 128: 116: 110: 101: 98:in honor of 93: 88: 82: 76: 64: 59: 58: 57: 50:Versailles, 36: 32: 28: 23: 802:1686 operas 626:Louis Lully 591:Other works 466:Bellérophon 300:Fouchécourt 235:Polyphème ( 198:a sea nymph 185:Voice type 153:Paris Opera 817:Polyphemus 786:Categories 474:Proserpine 322:References 237:Polyphemus 39:(1749) by 698:Intermède 650:Louis XIV 312:Minkowski 241:a monster 155:) at the 89:tragédies 723:Category 535:Collasse 353:Archived 280:Synopsis 253:Jean Dun 219:a mortal 67:) is an 33:Louis XV 736:Portals 674:Related 655:Molière 490:Phaëton 426:Alceste 265:Neptune 203:soprano 194:Galatea 100:Louis, 807:Operas 631:Alcide 616:People 581:Psyché 525:(1686) 517:(1686) 514:Armide 509:(1685) 506:Roland 501:(1684) 498:Amadis 493:(1683) 485:(1682) 482:Persée 477:(1680) 469:(1679) 461:(1678) 458:Psyché 453:(1677) 445:(1676) 437:(1675) 434:Thésée 429:(1674) 421:(1673) 410:Operas 334:Roscow 135:Handel 121:Racine 112:Armide 43:after 774:Music 762:Opera 622:Sons 182:Role 175:Roles 165:Paris 69:opera 450:Isis 442:Atys 304:Gens 270:bass 257:père 215:Acis 239:), 196:, 163:in 71:by 788:: 302:, 259:) 217:, 143:. 137:, 91:. 738:: 537:) 386:e 379:t 372:v 298:( 63:(

Index


Madame de Pompadour
Louis XV
Adolphe Lalauze
Charles-Nicolas Cochin the Younger
Musée national du Château et des Trianons
opera
Jean-Baptiste Lully
tragédies en musique
pastorale-héroïque
Louis Joseph, duc de Vendôme
Louis, le Grand Dauphin
Philippe Quinault
Armide
Racine
Jean Galbert de Campistron
Metamorphoses
Handel
Acis and Galatea
Paris Opera
Château d'Anet
Théâtre du Palais-Royal
Paris
Madame de Pompadour
Galatea
soprano
Marie Le Rochois
Acis
haute-contre
Louis Gaulard Dumesny

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