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Admeto

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Trasimede decides to kill his brother but Alceste dashes his weapon from his hand, saving her husband's life. When Admetus realises Alceste has been restored to life, he is undecided as to the honourable course for him to take - should he return to his wife, whom he thought dead, or keep his pledge to Antigona? Antigona solves this dilemma for him by taking his hand and putting it in that of Alceste, telling the king to return to the woman who has now saved his life twice. Trasimede begs his brother for forgiveness, which is granted. Alceste rejoices once more in her husband's love.
475: 470:..Cuzzoni had been publicly told...she was to be hissed off the stage on Tuesday; she was in such concern at this, that she had a great mind not to sing, but I...positively ordered her not to quit the stage, but let them do what they would...and she owns now that if she had not had that order she would have quitted the stage when they cat-called her to such a degree in one song, that she was not heard one note, which provoked the people that liked her so much, that they were not able to get the better of their resentment, but would not suffer the Faustina to speak afterwards. 490:. With royalty again present in the person of the Princess of Wales, Cuzzoni and Faustina were onstage together and members of the audience who were supporters of one of the prima donnas were loudly protesting and hissing whenever the other one sang. Actual fist fights broke out in the audience between rival groups of "fans" and Cuzzoni and Faustina stopped singing, began trading insults and finally came to blows onstage and had to be dragged apart. The performance was abandoned, creating an enormous scandal reported gleefully in newspapers and pamphlets, satirized in 2728: 149: 2749: 2739: 140:
composers for the academy, and to increase audience interest, the directors decided to import another celebrated singer from Italy, soprano Faustina Bordoni, so that the operas would have not one but two leading ladies onstage. This was a common practice in opera houses of the day in Italy; Cuzzoni and Faustina (as Bordoni was called) had appeared together in various European cities without incident.
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whose portrait he carries about with him at all times, never ceasing to gaze at it. She insists, however, that he is mistaken; her name is Rosilda, she tells him, and the man with her is her father, called Fidalbo. Trasimede offers her a job at the palace, working as a gardener, which Antigona is glad to accept as she will be able to be close to Admetus that way and hopes to teach him a lesson.
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mission to perform glorious deeds to increase his fame, has come to pay a visit to his friend King Admetus. As her husband the king sleeps, his wife Alceste prays to Apollo to spare his life. The statue speaks and informs her that only if a close relative dies in his place will Admetus be permitted to continue to live. Alceste resolves to sacrifice her life for her husband.
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on 4 April 1727 with members of the royal family present, elements of the audience were extremely unruly, hissing and interrupting the performance with cat-calls when the "rival" to their favourite was performing, causing public scandal. Cuzzoni issued a public apology to the royal family through one
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In the woods, Alceste, returned to life, is now disguised as a male soldier, worried that her husband, thinking her dead, may have fallen in love with someone else or even married another woman. When she sees the lovely "Rosilda" working in the palace gardens, she worries her fears were well-founded.
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Handel had composed numerous Italian operas for the academy, with varying degrees of success; some were enormously popular. The star soprano Francesca Cuzzoni had partnered with internationally renowned castrato Senesino as the leading performers in a long series of Italian operas by Handel and other
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The opera was very successful at its first performances. However the presence of two prima donnas in the London operas had created factions of very partisan supporters of either one or the other ladies, and some performances were disrupted by hisses and loud cat calls by supporters of one of the star
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of an organisation called the Royal Academy of Music (unconnected with the present day London conservatoire), a company under royal charter to produce Italian operas in London. Handel was not only to compose operas for the company but hire the star singers, supervise the orchestra and musicians, and
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Trasimede, madly in love with "Rosilda", has abducted her. Merapse tells Admetus who "Rosilda" really is and that she still loves the king. Hercules, not wanting to give Alceste's disguise away, tells Admetus that he was unable to find her in Hades. It seems to Admetus that his duty is now to marry
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Merapse returns to Antigona in the woods and tells her about Alceste's death and Admetus' recovery. They are glad that now there seems to be nothing in the way of Admetus making Antigona his wife, as he had promised. A hunting party approaches, led by Trasimede, who recognises Antigona as the woman
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Living in a nearby wood, disguised as shepherds, are Princess Antigona of Troy (which was burnt to the ground by Hercules) and her tutor Merapse. King Admetus had been betrothed to marry Antigona, but jilted her in favour of Alceste. This rejection of her is the reason, Antigona believes, why he is
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wrote that he was "told by persons who heard this opera performed when it first came out, that Senesino never sung or acted better, or more to the satisfaction of the public, than in this scene." The opening of Act Two, with an orchestral piece depicting Hercules rescuing Alceste in hell, is also
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In the gardens of the palace, Alceste holds a dagger, preparing to die in her husband's place as she bids farewell to her grieving ladies-in-waiting, and then retires. Admetus, rejuvenated, enters with his friend Hercules, celebrating his recovery. Lamentations are heard from within and Admetus is
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Orindo takes the portrait to Admetus and tells him that Trasimede had not been honest when he had shown him another portrait of the Trojan princess he had been engaged to; Trasimede had obviously substituted a portrait of a far less attractive girl. Admetus is astonished by the resemblance of the
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with a friend who "was driven out of her senses" by the singing of Faustina, Cuzzoni and Senesino. At the conclusion of one of Cuzzoni's arias at a performance of the original run, a man in the gallery called out "Damn her: she has got a nest of nightingales in her belly", while one aristocratic
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Antigona is working at her new job as a gardener at the palace, where she has attracted the unwelcome attentions of the courtier Orindo, whom she spurns. Trasimede has lost interest in the portrait he was so obsessed with now he sees "Rosilda" who so closely resembles it, and tosses the portrait
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In a room of his palace, dominated by a statue of the god Apollo, King Admetus of Thessaly lies dying, tormented by terrible dreams. He is told by a courtier, Orindo, that his brother, Trasimede, is also in a bad way, obsessed with the portrait of a woman. The hero Hercules, on his never ending
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Trasimede, feeling guilty about abducting "Rosilda", has released her. When the disguised Alceste sees "Rosilda" sighing over a portrait of King Admetus, she snatches it from her hand. Admetus and Antigona make plans for their wedding, watched by the jealous Trasimede and Alceste in disguise.
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The Royal Academy of Music collapsed at the end of the 1728 - 29 season, partly due to the huge fees paid to the star singers, and Cuzzoni and Faustina both left London for engagements in continental Europe. Handel started a new opera company with a new prima donna,
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The opening of the opera, with Admeto on his deathbed tormented by a ballet of demons representing his inner physical and mental agony, is very striking in its use of unusual harmonies, dissonance and chromaticism, followed by a dramatic
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horrified to see his wife's dead body. Admetus knows that Hercules once descended into the underworld and brought the hero Theseus back to the land of the living and asks him to do the same for Alceste, to which Hercules agrees.
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The opera was well-received and had nineteen performances in its initial run, a mark of success for those times. Many audience members were extremely enthusiastic about the singers. One of Handel's most loyal supporters,
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portrait to his new gardener "Rosilda"; she tells him that Princess Antigona is dead and asks him if she were still alive, would he marry her. Admetus gives no satisfactory answer, leaving "Rosilda" still very unhappy.
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was revived in 1754 and received 5 additional performances. The last, 6 April 1754, proved to be the last opera performance that Handel saw of his own operas in his lifetime. As with all Baroque opera seria,
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The German-born Handel, after spending some of his early career composing operas and other pieces in Italy, settled in London, where in 1711 he had brought Italian opera for the first time with his opera
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However, some members of the London audience had become fiercely partisan in favouring either Bordoni or Cuzzoni and disliking the other and at the performance of
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the guard dog of hell, overcomes the Furies and breaks the fetters tying Alceste to the rock. She joyfully looks forward to being reunited with her husband.
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created a craze in London for Italian opera seria, a form focused overwhelmingly on solo arias for the star virtuoso singers. In 1719, Handel was appointed
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After the 19 performances in its first season, over the time from September 1727 to January 1732, the opera received 16 additional performances.
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aside, whereupon Orindo picks it up. Antigona / "Rosilda" is not interested in anyone but King Admetus, however, and rejects Trasimede also.
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The second act opens in Hades, where Alceste, tormented by the Furies, is chained to a rock. Hercules appears, fights with
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being punished with a mortal illness. She sends Merapse to the palace, instructing him to pretend that he is her father.
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This sort of disturbance continued however, climaxing that June in a performance at the academy of an opera by
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of 1728, and tainting the entire reputation of Italian opera in London with disrepute in the eyes of many.
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was the second of the five operas that Handel composed to feature specifically these two
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went unperformed for many years, but with the revival of interest in Baroque music and
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patron wrote in her programme beside Cuzzoni's name "She is a devil of a singer".
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very unusual for Handel operas of the period. Handel's music, according to
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The opera is scored for flute, two oboes, bassoon, two horns, strings and
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The second of the two-volume definitive reference on the operas of Handel
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A General History of Music: from the Earliest Ages to the Present Period.
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sopranos whenever the other one was singing, creating public scandal.
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Hercules and Xena – The Animated Movie: The Battle for Mount Olympus
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Dean, W. & J.M. Knapp (1995) Handel's operas 1704-1726, p. 298.
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Vol. 4, London 1789, reprint Cambridge University Press 2010,
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in London on 31 January 1727. The original cast included
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Essays on Handel and Italian opera by Reinhard Strohm
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Francesca Cuzzoni, who created the role of Antigona.
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Agrippina condotta a morire or Dunque sarĂ  pur vero
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Ombra: Supernatural Music in the Eighteenth Century
408:for the suffering king. 18th century musicologist 936: 444:Faustina Bordoni, who created the role of Alceste. 1155:Smith, William C., "The 1754 Revival of Handel's 768:Dean, Winton, "Reports: Birmingham" (July 1968). 4223: 136:adapt operas from Italy for London performance. 2967: 2779: 1398: 328:The Death of Alceste by Pierre Peyron (1785). 88: 33: 453:, wrote to her sister that she had attended 56:to an Italian-language libretto prepared by 1086:The Gilded Stage: A Social History of Opera 70:. The opera's first performance was at the 3360:Hercules Separates Mounts Calpe and Abylla 2974: 2960: 2786: 2772: 1412: 1405: 1391: 934: 3957:Fire Monsters Against the Son of Hercules 3519:LaĂźt uns sorgen, laĂźt uns wachen, BWV 213 2793: 1378:International Music Score Library Project 1172: 514:historically informed musical performance 3392:Hercules in the Garden of the Hesperides 1063:"Programme Notes for "The Rival Queens"" 1054: 473: 439: 357: 323: 152:Senesino, who created the role of Admeto 147: 107: 20: 2981: 1083: 883: 881: 879: 877: 830: 530:Göttingen International Handel Festival 4224: 3280:Hercules Killing the Stymphalian Birds 1931:L'Allegro, il Penseroso ed il Moderato 984: 978: 796: 4093:The Mighty Hercules (Gold Key Comics) 3643:Hercules and the Conquest of Atlantis 2955: 2767: 1867:Il trionfo del Tempo e del Disinganno 1386: 158:Roles, voice types, and premiere cast 4015:Hercules in the Maze of the Minotaur 3949:Mole Men Against the Son of Hercules 3707:Hercules Against the Sons of the Sun 2738: 1338: 1226: 1180:"Handel:A Biographical Introduction" 1135:"Handel And The Battle Of The Divas" 1108: 1102: 1009: 874: 4252:Operas based on classical mythology 3965:Ulysses Against the Son of Hercules 3731:Hercules and the Tyrants of Babylon 3376:Hercules's Dog Discovers Purple Dye 2605:Keyboard suite in D minor (HWV 437) 1871:Il trionfo del Tempo e della VeritĂ  867:. L'Almanacco di Gherardo Casaglia 644: 398: 13: 4257:Operas based on works by Euripides 2096:Ode for the Birthday of Queen Anne 1203: 560: 536:in 2010, and was performed at the 112:The King's Theatre, London, where 14: 4273: 3739:Hercules and the Princess of Troy 3462:Hercules and the Erymanthian Boar 3400:Landscape with Hercules and Cacus 3344:Hercules Fighting the Nemean Lion 2261:Funeral Anthem for Queen Caroline 1362: 1278: 1252: 1060: 797:Strohm, Reinhard (20 June 1985). 436:Reception and performance history 425:, music of "surpassing" quality. 333:Scene:Greece, in legendary times. 4237:Operas by George Frideric Handel 4142:Hercules: The Legendary Journeys 3975:Hercules: The Legendary Journeys 3241:Statue of Hercules, Dura-Europos 2747: 2737: 2727: 2726: 2282:Wedding anthem for Princess Anne 1489: 3999:Hercules and the Circle of Fire 3805:The Three Stooges Meet Hercules 3723:Samson and His Mighty Challenge 1298: 1272: 1246: 1220: 1197: 1149: 1127: 1077: 1028: 1003: 987:Handel: The Man & His Music 706:Händelfestspielorchester HallĂ© 638:EMI Classics 1C 163-30 808/812 548:. One of Handel's librettists, 60:. The story is partly based on 16:Opera by George Frideric Handel 4262:Works based on Alcestis (play) 4033:Hercules and the Arabian Night 3218:Hercules and the lion of Nemea 2703:Handel & Hendrix in London 957: 928: 906: 849: 824: 790: 781: 762: 40:("Admetus, King of Thessaly", 1: 4025:Hercules: The Animated Series 3991:Hercules and the Lost Kingdom 3983:Hercules and the Amazon Women 3776:Hercules Against the Moon Men 3659:Hercules in the Valley of Woe 3651:Hercules in the Haunted World 3446:The Twelve Labors of Hercules 3226:Hercules of the Forum Boarium 2376:Music for the Royal Fireworks 1875:The Triumph of Time and Truth 1255:"Von den Royals nichts Neues" 1036:"G. F. Handel's Compositions" 750: 736:Göttingen Festival Orchestra 555: 103: 3675:Hercules, Samson and Ulysses 3469:Hercules and the Nemean Lion 2307:Utrecht Te Deum and Jubilate 2191:Tra le fiamme (Il consiglio) 1446:Handel's lost Hamburg operas 1281:"'Admeto' unter Alan Curtis" 1227:Brug, Manuel (29 May 2009). 432:(cello, lute, harpsichord). 284:Giovanni Battista Palmerini 7: 4176:Hercules in popular culture 3384:The Origin of the Milky Way 3320:The Origin of the Milky Way 835:. Oxford University Press. 314: 10: 4278: 4007:Hercules in the Underworld 3837:The Adventures of Hercules 3076:Hercules at the crossroads 1344:Handel's Operas, 1726–1741 935:McClelland, Clive (2012). 855:Casaglia, Gherardo (2005). 116:had its first performance. 4168: 4101: 4088:Hercules (Radical Comics) 4068: 3926: 3879: 3786: 3757: 3602: 3593: 3535:Le nozze d'Ercole e d'Ebe 3478: 3422:The Sanctuary of Hercules 3209: 3182: 3143: 3106: 3099: 3063: 3016: 2994: 2931: 2880: 2862: 2807: 2721: 2670: 2644: 2621:Handel Reference Database 2613: 2599:The Harmonious Blacksmith 2569: 2538: 2384: 2363: 2337: 2298: 2289:Foundling Hospital Anthem 2238: 2207: 2177:O lucenti, o sereni occhi 2119: 2110:Ode For St. Cecilia's Day 2080: 1858: 1826: 1787: 1438: 1420: 1229:"Lebe wohl, meine Geisha" 1010:Lang, Paul Henry (2011). 985:Keates, Jonathan (2009). 833:Handel (Master Musicians) 4078:Hercules (Marvel Comics) 3256:Hercules slaying Antaeus 3197:Hercules and the Wagoner 3086:Hercules in ancient Rome 2636:Hallische Händel-Ausgabe 2626:Händel-Werke-Verzeichnis 2614:Catalogs and collections 1084:Snowman, Daniel (2010). 831:Burrows, Donald (2012). 385: 353: 319: 143: 127:. A tremendous success, 4242:Italian-language operas 4150:Heracles Chariot Racing 3845:Jason and the Argonauts 3813:Jason and the Argonauts 3715:The Triumph of Hercules 3691:Hercules the Invincible 3191:The Labours of Hercules 2135:Allor ch'io dissi addio 2089:Aci, Galatea e Polifemo 1994:Joseph and his Brethren 254:Trasimede (Thrasymedes) 52:with music composed by 35:Admeto, re di Tessaglia 4210:Xena: Warrior Princess 4110:The Return of Heracles 3904:Hercules: Zero to Hero 3861:The Legend of Hercules 3627:Goliath and the Dragon 3543:The Choice of Hercules 3503:Ercole su'l Termodonte 3454:The Labors of Herakles 3352:Hercules and the Hydra 3328:The Choice of Hercules 3296:The Choice of Hercules 3272:Hercules and the Hydra 2561:Concerti grossi, Op. 6 2556:Concerti grossi, Op. 3 2551:Organ concertos, Op. 7 2546:Organ concertos, Op. 4 2321:Queen Caroline Te Deum 2064:The Choice of Hercules 1414:George Frideric Handel 1208:. Classical Net Review 1012:George Frideric Handel 526:Handel Festival, Halle 479: 472: 445: 406:accompanied recitative 363: 362:Hercules and Cerberus. 329: 153: 117: 89: 54:George Frideric Handel 50:Royal Academy of Music 34: 28: 26:George Frideric Handel 3797:The Warrior's Husband 3699:Hercules Against Rome 3635:The Loves of Hercules 3583:Hercules vs. Vampires 3438:Achelous and Hercules 3368:The Death of Hercules 3264:Hercules and Deianira 3071:Creation of Milky Way 2149:Clori, Tirsi e Fileno 1109:Dean, Winton (1997). 712:Arthaus Musik 101257 635:Il Complesso Barocco 477: 468: 443: 361: 327: 248:Giuseppe Maria Boschi 226:Francesco Bernardi (" 151: 111: 58:Nicola Francesco Haym 24: 4181:Hercules (franchise) 4083:Hercules (DC Comics) 3942:The Sons of Hercules 3821:Hercules in New York 3747:Hercules the Avenger 3667:The Fury of Hercules 3408:Hercules and Omphale 3336:Hercules and Omphale 3304:Hercules and Antaeus 3288:Hercules and Antaeus 2683:Letters and writings 2156:Dalla guerra amorosa 1817:Va tacito e nascosto 1810:Svegliatevi nel core 1430:List of compositions 1111:The New Grove Handel 914:"Synopsis of Admeto" 778:(1505): pp. 651–656. 691:Romelia Lichtenstein 524:was produced at the 273:Anna Vincenza Dotti 4194:Pillars of Hercules 3935:The Mighty Hercules 3683:Hercules vs. Moloch 3430:Hercules the Archer 3081:Labours of Hercules 2940:Alcmaeon in Psophis 2678:British citizenship 2631:Händel-Gesellschaft 2355:Oboe Concerto No. 2 2350:Oboe Concerto No. 1 2345:Oboe Concerto No. 3 2015:Occasional Oratorio 1796:Lascia ch'io pianga 1162:Music & Letters 943:. Lexington Books. 572: 538:Theater an der Wien 466:of her supporters: 160: 44:22) is a three-act 3619:Hercules Unchained 3559:Le Rouet d'Omphale 3415:Libertas Americana 3312:Hercules and Cacus 3234:Lansdowne Heracles 3127:Catalogue of Women 3120:Shield of Heracles 2916:(Schweitzer, 1773) 2871:The Cocktail Party 2208:Latin church music 2198:Un'alma innamorata 2163:Del bell'idolo mio 2142:Aure soavi e lieti 1316:on 12 January 2021 1088:. Atlantic Books. 1065:. Hyperion Records 1042:. Handel Institute 565: 497:The Beggar's Opera 484:Giovanni Bononcini 480: 446: 364: 330: 156: 154: 118: 29: 4219: 4218: 4199:Maczuga Herkulesa 4158:Glory of Heracles 4134:Herc's Adventures 4126:Disney's Hercules 4053:(2005 miniseries) 3922: 3921: 3229:(2nd century BCE) 3221:(5th century BCE) 3205: 3204: 2949: 2948: 2761: 2760: 2693:Handel at Cannons 2364:Orchestral suites 2314:Dettingen Te Deum 2247:As Pants the Hart 2103:Alexander's Feast 1750:Alessandro Severo 1687:Parnasso in festa 1346:. Boydell Press. 1310:handelhendrix.org 1204:Tuttle, Raymond. 1169:(2): pp. 141–149. 1021:978-0-486-29227-4 973:978-1-1080-1642-1 893:handelhendrix.org 771:The Musical Times 748: 747: 642: 641: 312: 311: 205:Francesca Cuzzoni 80:Francesca Cuzzoni 72:Haymarket Theatre 4269: 3600: 3599: 3248:Farnese Hercules 3173:Hercules Oetaeus 3159:Women of Trachis 3114:Heracles Papyrus 3104: 3103: 2976: 2969: 2962: 2953: 2952: 2788: 2781: 2774: 2765: 2764: 2751: 2741: 2740: 2730: 2729: 2671:Related articles 2328:Chandos Jubilate 2254:Zadok the Priest 2081:Odes and masques 2022:Judas Maccabaeus 1827:Incidental music 1680:Arianna in Creta 1631:Lotario (Handel) 1526:Acis and Galatea 1519:Amadigi di Gaula 1493: 1407: 1400: 1393: 1384: 1383: 1376:: Scores at the 1369:Italian libretto 1357: 1326: 1325: 1323: 1321: 1312:. Archived from 1302: 1296: 1295: 1293: 1291: 1279:Bordt, Michael. 1276: 1270: 1269: 1267: 1265: 1253:Lange, Joachim. 1250: 1244: 1243: 1241: 1239: 1224: 1218: 1217: 1215: 1213: 1201: 1195: 1194: 1192: 1190: 1176: 1170: 1159:" (April 1970). 1153: 1147: 1146: 1144: 1142: 1131: 1125: 1124: 1113:. W. W. Norton. 1106: 1100: 1099: 1081: 1075: 1074: 1072: 1070: 1061:Hicks, Anthony. 1058: 1052: 1051: 1049: 1047: 1032: 1026: 1025: 1007: 1001: 1000: 989:. Random House. 982: 976: 963:Charles Burney: 961: 955: 954: 942: 932: 926: 925: 923: 921: 910: 904: 903: 901: 899: 885: 872: 870: 865:31 January 1727" 864: 853: 847: 846: 828: 822: 821: 819: 817: 794: 788: 785: 779: 766: 732:Nicholas McGegan 686:Matthias Rexroth 649: 648: 645:Video recordings 573: 571: 564: 532:in 2009, at the 528:in 2006, at the 516:since the 1960s, 399:Musical features 192:Faustina Bordoni 174:31 January 1727 161: 159: 155: 94: 82:as Antigona, as 78:as Alcestis and 76:Faustina Bordoni 48:written for the 37: 4277: 4276: 4272: 4271: 4270: 4268: 4267: 4266: 4222: 4221: 4220: 4215: 4164: 4097: 4064: 3918: 3875: 3788: 3782: 3759: 3753: 3589: 3551:Hercule mourant 3474: 3201: 3178: 3166:Hercules Furens 3139: 3095: 3091:Shirt of Nessus 3059: 3012: 2990: 2980: 2950: 2945: 2927: 2876: 2858: 2803: 2792: 2762: 2757: 2717: 2713:Händel-Jahrbuch 2666: 2640: 2609: 2565: 2534: 2380: 2359: 2333: 2294: 2275:Chandos Anthems 2234: 2203: 2115: 2076: 2036:Alexander Balus 1972:Scratch Messiah 1924:Israel in Egypt 1889:Brockes Passion 1882:La resurrezione 1854: 1822: 1783: 1434: 1416: 1411: 1365: 1354: 1330: 1329: 1319: 1317: 1304: 1303: 1299: 1289: 1287: 1277: 1273: 1263: 1261: 1251: 1247: 1237: 1235: 1225: 1221: 1211: 1209: 1202: 1198: 1188: 1186: 1178: 1177: 1173: 1154: 1150: 1140: 1138: 1133: 1132: 1128: 1121: 1107: 1103: 1096: 1082: 1078: 1068: 1066: 1059: 1055: 1045: 1043: 1034: 1033: 1029: 1022: 1008: 1004: 997: 983: 979: 962: 958: 951: 933: 929: 919: 917: 916:. Naxos Records 912: 911: 907: 897: 895: 887: 886: 875: 868: 862: 854: 850: 843: 829: 825: 815: 813: 811: 803:. CUP Archive. 795: 791: 786: 782: 767: 763: 753: 744:C Major 702008 735: 727: 726:William Berger, 725: 724:Kirsten Blaise, 723: 721: 705: 698: 696: 695:Mechthild Bach, 694: 689: 671: 669: 664: 662: 660: 658: 656: 647: 634: 624: 619: 614: 609: 593: 588: 586: 584: 582: 580: 566: 563: 561:Audio recording 558: 438: 423:Paul Henry Lang 415:Jonathan Keates 401: 388: 356: 322: 317: 173: 157: 146: 106: 17: 12: 11: 5: 4275: 4265: 4264: 4259: 4254: 4249: 4244: 4239: 4234: 4217: 4216: 4214: 4213: 4206: 4204:Hercules' Club 4201: 4196: 4191: 4190:(2019 musical) 4183: 4178: 4172: 4170: 4166: 4165: 4163: 4162: 4154: 4146: 4138: 4130: 4122: 4114: 4105: 4103: 4099: 4098: 4096: 4095: 4090: 4085: 4080: 4074: 4072: 4066: 4065: 4063: 4062: 4054: 4046: 4042:Young Hercules 4038: 4037: 4036: 4021: 4020: 4019: 4011: 4003: 3995: 3987: 3971: 3970: 3969: 3961: 3953: 3938: 3930: 3928: 3924: 3923: 3920: 3919: 3917: 3916: 3908: 3900: 3892: 3883: 3881: 3880:Animated films 3877: 3876: 3874: 3873: 3865: 3857: 3849: 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589:Trasimede 556:Recordings 488:Astianatte 419:Alessandro 391:Antigona. 168:Voice type 104:Background 3853:Immortals 3575:Atlántida 3403:(c. 1660) 3275:(c. 1475) 3267:(c. 1470) 3259:(c. 1460) 2801:Euripides 2652:Göttingen 2645:Festivals 2578:Germanico 2299:Canticles 1944:Structure 1859:Oratorios 1743:Faramondo 1701:Ariodante 1638:Partenope 1582:Rodelinda 1575:Tamerlano 1533:Radamisto 1479:Agrippina 1306:"Lotario" 720:Tim Mead, 674:Producer 670:orchestra 661:Antigona, 585:Antigona, 540:in 2014. 269:contralto 179:Alceste ( 62:Euripides 4187:Hercules 4118:Hercules 4058:Atlantis 4050:Hercules 4035:" (1999) 3896:Hercules 3888:Hercules 3869:Hercules 3829:Hercules 3768:Herakles 3611:Hercules 3567:DĂ©janire 3527:Hercules 3237:(c. 125) 3152:Herakles 3044:Deianira 3032:(mother) 3026:(father) 2987:Heracles 2983:Hercules 2849:Heracles 2834:Alcestis 2820:Thanatos 2796:Alcestis 2732:Category 2120:Cantatas 2057:Theodora 2001:Hercules 1959:Part III 1778:Deidamia 1736:Berenice 1729:Giustino 1715:Atalanta 1589:Scipione 1451:Florindo 1342:(2006). 1233:Die Welt 1206:"Admeto" 889:"Admeto" 700:Tim Mead 659:Alceste, 657:Admetus, 583:Alceste, 492:John Gay 430:continuo 368:Cerberus 315:Synopsis 305:baritone 237:Heracles 235:Ercole ( 228:Senesino 222:castrato 211:Admeto ( 198:Antigona 181:Alcestis 67:Alcestis 4028:(1998) 3978:(1995) 3050:(wives) 3040:Omphale 3030:Alcmene 3006:Hercule 2932:Related 2913:Alceste 2905:Alceste 2889:Alceste 2844:Eumelus 2839:Admetus 2743:Commons 2396:sonatas 2394:XV solo 2239:Anthems 2071:Jephtha 2050:Solomon 2043:Susanna 1954:Part II 1938:Messiah 1910:Athalia 1903:Deborah 1849:Alceste 1722:Arminio 1673:Orlando 1659:Sosarme 1624:Tolomeo 1486:Rinaldo 1472:Rodrigo 1333:Sources 1290:13 June 1264:13 June 1238:13 June 1212:13 June 663:Ercole, 587:Ercole, 581:Admeto, 301:A voice 278:Meraspe 213:Admetus 201:soprano 187:soprano 129:Rinaldo 124:Rinaldo 4247:Operas 4161:(2008) 4153:(2007) 4145:(2000) 4137:(1997) 4129:(1997) 4121:(1984) 4113:(1983) 4070:Comics 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183:)

Index


George Frideric Handel
HWV
opera
Royal Academy of Music
George Frideric Handel
Nicola Francesco Haym
Euripides
Alcestis
Haymarket Theatre
Faustina Bordoni
Francesca Cuzzoni
prime donne

Rinaldo
music director

Voice type
Alcestis
soprano
Faustina Bordoni
Francesca Cuzzoni
Admetus
alto
castrato
Senesino
Heracles
bass
Giuseppe Maria Boschi
contralto

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