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Aiiieeeee! An Anthology of Asian-American Writers

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185:, many of whom are now staples in East Asian American literature courses. Because of this anthology and the work of C.A.R.P., many of these authors have been republished. At that time, however, they received little attention from publishers and critics because they did not subscribe to popular stereotypes but depicted what Elaine H. Kim calls the "unstereotyped aspects of Asian American experience". The "aiiieeeee!" of the title comes from a stereotypical expression used by East Asian characters in old movies, radio and television shows, comic books, etc. These same stereotypes affected the anthology itself: when the editors tried to find a publisher, they had to turn to a historically African-American press because, as Chin states: 256: 24: 201:, monolingualism, ghettoed communities, class issues etc.—that have become important for East Asian American scholarship. The essay also lays out the editors' understanding of what constitutes "a true Asian American sensibility": namely, that it is "non-Christian, nonfeminine, and nonimmigrant". These stances have been controversial, especially after the rise of East Asian American women's literature ( 239:
and others. It was even less representative of the variety of East Asian cultures now active in the United States (it no longer contained any Filipino works), and it remained firm in its insistence on certain qualities as essential for determining "true" East Asian American identity. These ideas are
141:(C.A.R.P.). It helped establish East Asian American literature as a field by recovering and collecting representative selections from Chinese, Japanese, and Filipino Americans from the past fifty years—many of whom had been mostly forgotten. This anthology included selections from 138: 252:, who wrote autobiographies (which Chin claims is "an exclusively Christian" genre) that accept "the Christian stereotype of Asia being as opposite morally from the West as it is geographically." 209:
et al.) and the change in East Asian American demographics in the 1980s, when more Asian American writers were immigrants and/or from other Asian cultures (e.g. Korean, Indian, Vietnamese).
442:...the pushers of white American culture that pictured the yellow man as something that when wounded, sad, or angry, or swearing, or wondering whined, shouted, or screamed 'aiiieeeee!' 244:, and other popular Chinese American writers are not authentically East Asian American, but rather follow the tradition of such mid-century Chinese American authors as 521:
Chin, Frank (1991). "Come All Ye Asian American Writers of the Real and the Fake". In Chan, Jeffery Paul; Chin, Frank; Inada, Lawson Fusao; Wong, Shawn (eds.).
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The anthology is also notable for its opening essay, "Fifty Years of Our Whole Voice", which laid out a list of concerns facing East Asian American writers—
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understood us and set out to publish our book with their first list. They liked our English we spoke and didn't accuse us of unwholesome literary devices.
170: 240:
forcefully presented in Chin's introductory essay, "Come All Ye Asian American Writers of the Real and the Fake", in which he argues that Kingston, Tan,
355: 454:
Wong, Sau-ling Cynthia (2001). "Navigating Asian American Panethnic Literary Anthologies". In Wong, Sau-ling Cynthia; Sumida, Stephen H (eds.).
174: 158: 189:
The blacks were the first to take us seriously and sustained the spirit of many Asian American writers.... t wasn't surprising to us that
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Chin, Frank; Chan, Jeffery Paul; Inada, Lawson Fusao; Wong, Shawn (1975). "Preface". In Chin; Chan; Inada; Wong (eds.).
558: 536: 505: 469: 435: 410: 373: 318: 255: 279: 563: 274: 568: 269: 361:
Multicultural American Literature: Comparative Black, Native, Latino/a and Asian American Fictions
358:(2003). "Chapter Six: Eat a Bowl of Tea: Fictions of America's Asia, Fictions of Asia's America". 488:
Wong, Sau-ling Cynthia (1993). "Introduction: Constructing an Asian American Textual Coalition".
190: 72: 461: 455: 365: 359: 310: 402: 396: 528: 522: 497: 202: 8: 303: 130: 42: 23: 532: 501: 490: 465: 431: 406: 369: 314: 241: 126: 38: 524:
The Big Aiiieeeee! An Anthology of Chinese American and Japanese American Literature
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Asian American Literature: An Introduction to the Writings and Their Social Context
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Aiiieeeee! And the Asian American Literary Movement: A Conversation with Shawn Wong
232: 182: 178: 395:(1982). "Chinatown Cowboys and Warrior Women: Searching for a New Self-Image". 249: 142: 552: 392: 228: 224: 198: 162: 146: 328: 236: 166: 154: 134: 122: 46: 34: 245: 150: 305:
Imagining the Nation: Asian American Literature and Cultural Consent
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Reading Asian American Literature: From Necessity to Extravagance
206: 333: 489: 302: 17:Aiiieeeee! An Anthology of Asian-American Writers 430:. Garden City, NY: Anchor-Doubleday. p. ix. 428:Aiiieeeee! An Anthology of Asian-American Writers 425: 118:Aiiieeeee! An Anthology of Asian-American Writers 550: 223:was published in 1991 and added such authors as 337:29.3/4 (2004): 91-102, accessed 14 August 2010. 457:A Resource Guide to Asian American Literature 296:David Leiwei Li devotes an entire chapter to 327:Partridge, Jeffrey F. L. and Shawn Wong. " 285:List of American writers of Korean descent 22: 139:Combined Asian American Resources Project 254: 483: 481: 551: 387: 385: 290: 212: 520: 487: 478: 453: 401:. Philadelphia: Temple UP. pp.  496:. Princeton: Princeton UP. p.  391: 354: 13: 382: 14: 580: 259:3rd Edition of Aiiieeeee!, 2019. 514: 447: 419: 348: 309:. Stanford UP. 1998. pp.  280:List of Asian American writers 1: 364:. UP of Mississippi. p.  341: 7: 275:Chinese American literature 263: 10: 585: 559:Asian-American literature 460:. New York: MLA. p.  270:Asian American literature 104: 96: 88: 78: 68: 64:anthology, Asian American 60: 52: 30: 21: 109:The Big Aiiieeeee!  191:Howard University Press 121:is a 1974 anthology by 73:Howard University Press 260: 195: 258: 217:An expanded edition, 187: 527:. Meridian. p.  203:Maxine Hong Kingston 564:Works by Frank Chin 18: 291:Additional sources 261: 220:The Big Aiiieeeee! 213:The Big Aiiieeeee! 131:Lawson Fusao Inada 43:Lawson Fusao Inada 16: 242:David Henry Hwang 137:, members of the 127:Jeffery Paul Chan 114: 113: 89:Publication place 39:Jeffery Paul Chan 576: 569:1974 anthologies 543: 542: 518: 512: 511: 495: 485: 476: 475: 451: 445: 444: 423: 417: 416: 389: 380: 379: 352: 324: 308: 105:Followed by 80:Publication date 26: 19: 15: 584: 583: 579: 578: 577: 575: 574: 573: 549: 548: 547: 546: 539: 519: 515: 508: 486: 479: 472: 452: 448: 438: 424: 420: 413: 390: 383: 376: 353: 349: 344: 321: 301: 293: 266: 233:Milton Murayama 215: 183:Wakako Yamauchi 179:Hisaye Yamamoto 171:Oscar Peñaranda 81: 12: 11: 5: 582: 572: 571: 566: 561: 545: 544: 537: 513: 506: 477: 470: 446: 436: 418: 411: 393:Kim, Elaine H. 381: 374: 356:Lee, A. Robert 346: 345: 343: 340: 339: 338: 325: 319: 292: 289: 288: 287: 282: 277: 272: 265: 262: 250:Jade Snow Wong 214: 211: 143:Carlos Bulosan 112: 111: 106: 102: 101: 98: 94: 93: 90: 86: 85: 82: 79: 76: 75: 70: 66: 65: 62: 58: 57: 54: 50: 49: 32: 28: 27: 9: 6: 4: 3: 2: 581: 570: 567: 565: 562: 560: 557: 556: 554: 540: 538:0-452-01076-4 534: 530: 526: 525: 517: 509: 507:0-691-01541-4 503: 499: 494: 493: 484: 482: 473: 471:0-87352-271-0 467: 463: 459: 458: 450: 443: 439: 437:0-385-01243-8 433: 429: 422: 414: 412:0-87722-260-6 408: 404: 400: 399: 394: 388: 386: 377: 375:1-57806-645-X 371: 367: 363: 362: 357: 351: 347: 336: 335: 330: 326: 322: 320:0-8047-3400-3 316: 312: 307: 306: 299: 295: 294: 286: 283: 281: 278: 276: 273: 271: 268: 267: 257: 253: 251: 247: 243: 238: 234: 230: 226: 222: 221: 210: 208: 204: 200: 194: 192: 186: 184: 180: 176: 172: 168: 164: 160: 156: 152: 148: 144: 140: 136: 132: 128: 124: 120: 119: 110: 107: 103: 99: 95: 92:United States 91: 87: 83: 77: 74: 71: 67: 63: 59: 55: 51: 48: 44: 40: 36: 33: 29: 25: 20: 523: 516: 491: 456: 449: 441: 427: 421: 397: 360: 350: 332: 304: 300:in his book 297: 219: 218: 216: 196: 188: 117: 116: 115: 108: 229:Monica Sone 225:Sui Sin Far 199:orientalism 175:Sam Tagatac 163:Toshio Mori 159:Wallace Lin 147:Diana Chang 553:Categories 342:References 298:Aiiieeeee! 237:Joy Kogawa 167:John Okada 155:Momoko Iko 135:Shawn Wong 123:Frank Chin 47:Shawn Wong 35:Frank Chin 246:Yung Wing 151:Louis Chu 69:Publisher 264:See also 53:Language 403:174–175 207:Amy Tan 56:English 535:  504:  468:  434:  409:  372:  317:  133:, and 31:Author 334:MELUS 313:–43. 97:Pages 61:Genre 533:ISBN 502:ISBN 466:ISBN 432:ISBN 407:ISBN 370:ISBN 315:ISBN 248:and 84:1974 462:238 366:142 331:." 100:200 555:: 531:. 500:. 480:^ 464:. 440:. 405:. 384:^ 368:. 235:, 231:, 227:, 205:, 181:, 177:, 173:, 169:, 165:, 161:, 157:, 153:, 149:, 145:, 129:, 125:, 45:, 41:, 37:, 541:. 529:8 510:. 498:8 474:. 415:. 378:. 323:. 311:1

Index


Frank Chin
Jeffery Paul Chan
Lawson Fusao Inada
Shawn Wong
Howard University Press
Frank Chin
Jeffery Paul Chan
Lawson Fusao Inada
Shawn Wong
Combined Asian American Resources Project
Carlos Bulosan
Diana Chang
Louis Chu
Momoko Iko
Wallace Lin
Toshio Mori
John Okada
Oscar Peñaranda
Sam Tagatac
Hisaye Yamamoto
Wakako Yamauchi
Howard University Press
orientalism
Maxine Hong Kingston
Amy Tan
Sui Sin Far
Monica Sone
Milton Murayama
Joy Kogawa

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