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Even though
Raychoudhuri admits the 13th stage is wholly extinct, as we see we are in jhala already at the fourth stage; the sthai-to-abhog movement is all part of the first stage (vilambit). Stages six and up are for instrumentalists only. Other authorities have forwarded other classifications. For
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Several musicologists have proposed much more complicated classifications and descriptions of alap. In the same way as traditional four-part compositions have a
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to the listener. It defines the raga, its mood, and the emphasized notes and notes with a secondary role.
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Instead of wholly free improvisation, many musicians perform alap schematically, for example by way of
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singing the alap is unmetered, improvised (within the raga) and unaccompanied (except for the
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Kamien, Roger, and Anita Kamien. Music: an
Appreciation. McGraw-Hill Education, 2018.
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In instrumental music, when a steady pulse is introduced into the alap, it is called
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performance. It is a form of melodic improvisation that introduces and develops a
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example, when alap is sung with lyrics or at least syllables, as in
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160:) and by performance style (according to the four ancient
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140:researcher Bimalakanto Raychoudhuri in his
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70:) is the opening section of a typical
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20:. For the 2012 Bollywood film, see
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24:. For the village in Hungary, see
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333:Formal sections in music analysis
16:For the 1977 Bollywood film, see
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328:Hindustani music terminology
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290:Hindustani classical music
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72:North Indian classical
142:Bharatiya Sangeetkosh
164:or singing styles –
67:[aːˈlaːp]
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22:Aalaap (film)
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193:Madhya laya
63:Hindustani:
322:Categories
301:References
111:(dhrupad:
257:Paramatha
227:Larguthav
221:Lari/Ladi
279:See also
273:anakshar
232:Larlapet
186:Vilambit
285:Alapana
269:sakshar
265:dhrupad
178:Khandar
150:bandhan
138:Bengali
130:sanchar
84:tanpura
80:dhrupad
170:Nauhar
158:vistar
146:aochar
126:antara
114:nomtom
98:vistar
252:Matha
247:Dhuya
237:Paran
207:Jhala
174:Dagar
166:Gohar
162:vanis
154:kayed
134:abhog
122:sthai
109:jhala
91:thaat
87:drone
78:. In
18:Alaap
295:Buka
242:Sath
214:Thok
200:Drut
176:and
156:and
132:and
76:raga
33:Alap
31:The
105:jor
324::
275:.
172:,
168:,
152:,
128:,
124:,
61:;
51:ɑː
57:/
54:p
48:l
45:ˈ
42:æ
39:/
35:(
28:.
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