31:
524:, Payton MacDonald, and Miles Brown (AWS bassist) as well as arrangements of MMW originals like "End of the World Party" and "Anonymous Skulls." A live album of this cooperation "Omnisphere" was released on 14 September 2018. In the 2015–2016 season Alarm Will Sound worked with
543:'s story through a blend of music, text and imagery. Centered on his Chamber Concerto and Piano Concerto, the performance makes connections between biography and music, explores the relationship of politics and art, and sheds light on his unique artistic imagination.
447:
in 2013 to complement their existing touring schedule and bring to the midwest the work they do around the country and abroad. The goal being to grow a local audience for contemporary performing arts. In St. Louis, AWS has presented concerts at
507:
In 2014 Alarm Will Sound kicked off Alarm System a program that brings musical artists from a variety of backgrounds together with Alarm Will Sound to create new work. In the 2014–2015 season the ensemble worked with
1185:"Philip Glass, James DePreist, Matt Haimovitz, Alarm Will Sound and Recipients of the 2006 ASCAP Foundation Morton Gould Young Composer Awards Honored at 7th Annual ASCAP Concert Music Awards in New York City"
549:
During the COVID-19 pandemic Alarm Will Sound remained active, recording remotely utilizing software that allowed for real-time musical interaction as well as presenting performances of works like
326:
created on a computer by meticulous and complicated sampling, looping and layering was translated and arranged by Matt Marks, Alan
Pierson, and Chris Thompson for 23 musicians of both bands.
148:
Alarm Will Sound's repertoire ranges from
European to American works, from the arch-modernist to the pop-influenced. The group has worked with contemporary composers, premiering pieces by
243:
recognized Alarm Will Sound with its
Concert Music Award in 2006 for "the virtuosity, passion and commitment with which they perform and champion the repertory for the 21st century."
400:—striving for a new music and a new world amidst the turmoil of the late 1960s. 1969's unconventional approach combining music, history, and ideas has been critically praised by
408:(“They exploded musical genres, made history come alive and demonstrated that art—original, vivid, reckless—can lift the grim clouds of current events, if only for two hours.”)
467:
and became artists-in-residence at the institution. Their season at the museum includes a performance entitled "The
Permanent Collection," a concert of integral works for the
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30:
404:("...a swirling, heady meditation on the intersection of experimental and commercial spheres, and of social and aesthetic agendas.... a consistent wonder."), and the
440:
says, "Bermel tends to build his music layer by layer, creating exhilaratingly complex instrumental textures, which Alarm Will Sound realise with great panache."
384:
In 2011 at
Carnegie Hall, the group presented 1969, a multimedia event that uses music, images, text, and staging to tell the compelling story of great musicians—
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337:. As the resident ensemble, they have premiered 8 works each year by the festival's resident composers and works by the festival's guest composers, including
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says about Alarm Will Sound, "It's hard to imagine another ensemble that could handle the vast range of musical ingredients – including rock,
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516:, and Adult Fur (St. Louis-based producer). AWS presented two concerts in Colorado with Medeski Martin & Wood presenting new pieces by
1478:
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in 1996 by graduating members of
Eastman's new music ensemble, Ossia. The group's first concert was on May 24, 2001, when they performed
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588:, a through-composed composition scored for sinfonietta commissioned by the ensemble in 2019, as well as several versions of
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that allow for physical distancing among the audience. The remote recording projects culminated with a series entitled
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Band member Matt Marks, who performed horn, keyboards and electronics, died on May 11, 2018. He was 38 years old.
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whose eclectic approach draws on the musical traditions of Europe, North and South
America, and Africa. The
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Since 2010, the group has been the ensemble in residence at the Mizzou
International Composers Festival in
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592:, spontaneous compositions led by Sorey drawing on the improvisational abilities of the instrumentalists.
145:
said that Alarm Will Sound is "one of the most vital and original ensembles on the
American music scene."
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was premiered in 2019 at
Washington University in St Louis and released on an album with two versions of
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127:. Its performances have been described as "equal parts exuberance, nonchalance, and virtuosity" by the
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After two recordings of music written by Steve Reich in 2001 and 2002, Alarm Will Sound's 2005 album
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is a 20-member chamber orchestra that focuses on recordings and performances of
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992:"Alarm Will Sound/John Adams, Dinkelspiel Auditorium, Stanford University"
906:"Alarm Will Sound/John Adams, Dinkelspiel Auditorium, Stanford University"
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1361:"Review: Ligeti Sounded Thrilling, When Alarm Will Sound Was Let Loose"
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539:, a concert in radio play format. Alarm Will Sound's production tells
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1011:"Alarm Will Sound Premiering Two Pieces in St. Louis This Weekend"
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Caleb Burhans – violin, viola, voice, electric guitar, composer
483:, and libretto by Nigel Maister, performed in and around the
427:
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From 2004 to 2007, they were musical artists-in-residence at
106:
580:, Alarm Will Sound embarked on other musical projects with
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1388:"Matt Marks, Versatile Composer And Musician, Dies At 38"
621:
Michael Harley – bassoon, contrabassoon, voice, keyboards
463:
In the 2013–2014 season, Alarm Will Sound partnered with
1414:"17 Players in Five States, Composing Over the Internet"
923:
Kosman, Joshua (2 Dec 2001). "Astonishing Steve Reich".
1305:"Review: Björk at Carnegie Hall, Heartbreak and Pathos"
1136:"For Music, a Fall Deluge of Performances Is Beginning"
642:
Courtney Orlando – violin, voice, keyboards, accordion
1030:"Bespoke Works for Ensemble Whose Focus Is New Music"
414:, their 2012 release on Cantaloupe features music by
267:
is an eclectic mix of rhythmically complex music by
1187:(Press release). New York, NY. ASCAP. May 26, 2006.
749:), with Katherine Manley and Iarla Ó Lionáird (CD)
479:; and "I Was Here I Was I," an opera with music by
310:in its new identity as a live performance piece at
787:and Vicky Chow performing Piano Counterpoint (CD)
471:; "All Steve Reich," featuring the NY premiere of
434:– that inform this wildly eclectic new document…"
1470:
966:"Some Boundaries Are Broken, Others Are Defined"
1200:Acoustica: Alarm Will Sound performs Aphex Twin
833:Acoustica: Alarm Will Sound performs Aphex Twin
1049:"Passing Measures: An Evening with David Lang"
133:and as "a triumph of ensemble playing" by the
1494:Electronic music groups from New York (state)
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252:features acoustic arrangements of music by
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660:Gavin Chuck – managing director, composer
657:– artistic director, conductor, keyboards
498:to kick-off her world tour for her album
1385:
1252:"Eclectic Release from Alarm Will Sound"
1065:
881:Neil Rolnick: Gardening at Gropius House
615:Elisabeth Stimpert – clarinet, saxophone
322:. Music that Dirty Projectors front-man
35:Alarm Will Sound at Sacrum Profanum 2011
1504:2001 establishments in New York (state)
1484:Contemporary classical music ensembles
1471:
1412:Walls, Seth Colter (30 October 2020).
1302:
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1087:"A Tour de Force on the Idea of Ideas"
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937:
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844:Steve Reich, Tehillim/The Desert Music
335:University of Missouri School of Music
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854:Steve Reich, Music for Large Ensemble
302:In 2010, the group collaborated with
1499:American experimental musical groups
1489:Musical groups from New York (state)
1359:Colter Walls, Seth (18 March 2018).
1085:Guerrieri, Matthew (March 5, 2016).
940:"Just in Time for Timeless Melodies"
863:
216:Alarm Will Sound was founded at the
1220:"A '60s Mash-Up That Didn't Happen"
938:Kozinn, Allan (September 9, 2007).
618:Bill Kalinkos – clarinet, saxophone
13:
1479:Musical groups established in 2001
990:Urlich, Allan (December 3, 2007).
904:Urlich, Allan (December 3, 2007).
669:Jason Varvaro – production manager
603:
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1066:Schiller, Mike (April 14, 2008).
1009:Smith, Erica (October 17, 2014).
795:Derek Bermel: Canzonas Americanas
633:Christopher Thompson - percussion
535:Alarm Will Sound first presented
1363:. New York Times. Archived from
1047:Bowles, Jerry (April 19, 2002).
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648:Stefan Freund – cello, composer
639:John Orfe – keyboards, composer
1218:Kozinn, Allan (4 March 2011).
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1028:Smith, Steve (April 8, 2013).
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700:John Pickford Richards – viola
465:The Metropolitan Museum of Art
454:Touhill Performing Arts Center
1:
1386:Huizenga, Tom (14 May 2018).
1303:Chinen, Nate (7 March 2015).
890:
685:Payton MacDonald – percussion
443:Alarm Will Sound began their
420:San Francisco Classical Voice
630:Michael Clayville - trombone
490:The ensemble performed with
196:, Stefan Freund, John Orfe,
125:contemporary classical music
7:
925:The San Francisco Chronicle
779:2014. "Radio Rewrite" with
694:Yuki Numata Resnick – viola
636:Matt Smallcomb - percussion
561:that featured new works by
10:
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996:The London Financial Times
627:Laura Weiner – french horn
211:
16:American chamber orchestra
1160:"Before Alarm Will Sound"
761:Medeski Martin & Wood
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510:Medeski Martin & Wood
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1110:. Alarm Will Sound. 2021
827:(CD/DVD) Sweetspot Music
815:Michael Gordon, Van Gogh
450:The Sheldon Concert Hall
871:Caleb Burhans: Evensong
682:Jessica Johnson – flute
612:Christa Robinson - oboe
306:to develop and perform
218:Eastman School of Music
136:San Francisco Chronicle
1335:www.alarmwillsound.com
1015:St. Louis Public Radio
573:, and Daniel Neumann.
41:Background information
785:Electric Counterpoint
697:Jason Price – trumpet
645:Patti Kilroy - violin
624:Tim Leopold – trumpet
559:Video Chat Variations
390:Karlheinz Stockhausen
578:Video Chat Variation
569:, John Fitz Rogers,
528:, Rashad Becker and
1134:(August 31, 2021).
609:Erin Lesser – flute
576:In addition to the
412:Canzonas Americanas
379:Augusta Read Thomas
289:Harrison Birtwistle
200:, Dennis Desantis,
194:Augusta Read Thomas
50:Rochester, New York
1418:The New York times
1309:The New York Times
1290:alarmwillsound.com
1224:The New York Times
1140:The New York Times
1132:Colter Walls, Seth
1034:The New York Times
970:The New York Times
944:The New York Times
666:– staging director
651:Miles Brown – bass
551:Ten Thousand Birds
514:Valgeir SigurĂ°sson
494:in March, 2015 at
402:The New York Times
341:, Oscar Bettison,
331:Columbia, Missouri
142:The New York Times
1367:on 19 August 2013
1274:. 3 January 2013.
885:Innova Recordings
864:Guest appearances
825:Reich at the Roxy
765:Indirecto Records
555:John Luther Adams
398:Leonard Bernstein
308:The Getty Address
259:Their 2009 album
237:Dickinson College
158:John Luther Adams
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1462:Official website
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1436:Nonesuch Records
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1240:. 11 March 2011.
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838:Cantaloupe Music
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809:Nonesuch Records
799:Cantaloupe Music
789:Nonesuch Records
775:Cantaloupe Music
751:Nonesuch Records
747:Donnacha Dennehy
735:Cantaloupe Music
733:, composer (CD)
727:/ Autoschediasms
594:For George Lewis
586:For George Lewis
485:Temple of Dendur
445:St. Louis Season
430:to West African
424:Conlon Nancarrow
351:Donnacha Dennehy
333:, hosted by the
304:Dirty Projectors
293:Josquin des Prez
285:Conlon Nancarrow
281:Johannes Ciconia
265:Nonesuch Records
230:The Desert Music
182:Aaron Jay Kernis
178:Michael Harrison
121:Alarm Will Sound
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604:Current members
530:Tyondai Braxton
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359:Daniel Kellogg
312:Lincoln Center
273:Michael Gordon
269:Benedict Mason
263:, released on
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186:Michael Gordon
180:, Cenk ErgĂĽn,
117:Musical artist
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1439:. Retrieved
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1432:"The Hunger"
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1365:the original
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711:Discography
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469:sinfonietta
458:The Pageant
386:John Lennon
316:Disney Hall
150:Steve Reich
1473:Categories
1441:12 January
1345:2016-03-06
1170:2021-11-25
1145:2021-09-03
1114:2021-09-03
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891:References
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771:Modernists
757:Omnisphere
743:The Hunger
689:Matt Marks
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