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The car crashed and Drake was thrown clear, but
Raymond, who was wearing his seat belt to no avail, died instantly. Speculation surrounded the nature of his death. Drake and some others believed that Raymond was suicidal. Raymond had been involved in four automobile accidents in the month prior to his death. This led Drake to say that Raymond "had been trying to kill himself". Author Arlen Schumer ascribed Raymond's personal life as the motive for suicide. Schumer alleged that Raymond had been having affairs and that his wife was refusing to grant him a divorce. R. C. Harvey dismissed this motivation: "Committing suicide strikes me as an odd way for a man of Raymond's sophistication to react to his disappointment in romance". Harvey also noted that no mention of any alleged affairs appears in Tom Roberts's biography, "probably out of consideration to Raymond's surviving family". Drake has also been quoted as speculating that Raymond "hit the accelerator by mistake". Raymond was buried in St. John's Roman Catholic Cemetery in
509:, wrote Stephen Becker, "was wittier and moved faster," so "Buck's position as America's favorite sci-fi hero", wrote historian Bill Crouch Jr., "went down in flames to the artistic lash and spectacle of Alex Raymond's virtuoso artwork." Alex Raymond has stated, "I decided honestly that comic art is an art form in itself. It reflects the life and times more accurately and actually is more artistic than magazine illustration—since it is entirely creative. An illustrator works with camera and models; a comic artist begins with a white sheet of paper and dreams up his own business—he is playwright, director, editor and artist at once." A. E. Mendez has also stated that "Raymond’s achievements are chopped into bite-sized pieces by the comic art cognoscenti. Lost in the worthwhile effort to distinguish comics as an art form, the romance, sweep and beauty of Raymond's draftsmanship, his incomparable line work, is dismissed. To many, it's just pretty pictures. Somehow or another, it's OK for people like
705:
839:). Instead, " did more cogitating than fisticuffing, and smoked a leisurely pipe while he did it;" "had a frail, balding assistant ... instead of a two-fisted sidekick;" "had a steady girlfriend ... f that wasn't enough, he even wore glasses! Rip "lived and worked in a recognizable, glamorous, modern New York City on cases involving very human frailties and vice", and "grew older as the strip progressed", a continuity advancement little seen in the strips of the time (although pioneered in
870:'s president from 1950 until 1952, putting into place the committee structure responsible for overseeing the organization, and threw himself into championing the medium as an art form. Raymond profited in recognizability as well as financially, and continued on the strip until his untimely death in September 1956. His collaborator from 1952 was writer Fred Dickenson (who wrote the strip for a further 34 years), and he was succeeded artistically by magazine and Prize Publications'
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805:. The plotting of the strips is harder to attribute, the scant evidence available supporting the notion that Raymond was more than simply an illustrator. However, as was relatively commonplace on such strips, published credit went to Raymond, whose name was the major selling feature; the artist even managed to gain a part-ownership deal with King Features and a better split of the profits than was usual.
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763:) as a celebrity, he was nonetheless seen as "a down-to-earth fellow," and well liked. He saw "a period of intense combat in June 1945," and was "made an honorary member of VMTB-143 in August 1945." Raymond had, in May 1945, designed a squadron patch for the men of VMTB-143, after which the "squadron adopted the new name 'The Rocket Raiders'."
31:
676:". The companion strip evolved over time, morphing from an initial "two tiers and up to six panels , with speech balloons" into "a single row, of four very tall panels with declamatory text and static, vertical composition". Raymond's skill and artistic dexterity, however, kept the storytelling constant and the artwork vibrant.
614:
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for training in the curriculum of the
Aviation Ground Officer's School," and was soon producing "posters and patriotic images from a government office in Philadelphia." His most famous image from this time is "Marines at Prayer," which "was destined to become a well-known and well-circulated image of
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when he hit a tree and was killed. In his biography, Roberts described the circumstances as a result of the weather. Raymond was driving the convertible with its top down when the rain started to fall. He decided to reach his destination quicker rather than stop the vehicle to put the top back up.
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Raymond took the war in Europe seriously enough to incorporate it into his strips, with Flash returning to Earth in the spring of 1941. Jungle Jim found himself involved in the conflict too, fighting in the U.S. Army. Raymond was becoming "restive about doing his duty", a restlessness increased by
627:
Raymond's sensual artwork—for which the artist particularly "studied popular illustrators," including pulp artist Matt Clark, whose work
Raymond's male figures particularly evoke—outshone its borders and "attracted far more loyal readers than ... rather contrived and unconvincing adventure
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style has been "chastised for making his pictures too realistic, too gorgeous for its own sake", although many commentators believe that this very method "plunges the reader into the story". Raymond's work has a "timeless appeal," many aspects of which—including the use of feathering (a shading
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Raymond married Helen
Frances Williams on December 31, 1930, with whom he had five children. The names of his three daughters—Judith, Lynne and Helen—were immortalized in that of Rip Kirby's girlfriend, Judith Lynne "Honey" Dorian. The Raymonds also had two sons: Alan W. and Duncan. He was the
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as "ossibly the most influential artist on early comic books", Raymond's legacy as an artistic inspiration is immense. Harvey argued that it is because of
Raymond and Foster that the illustrative style became the dominant one used for adventure strips. "His work and Foster's created the visual
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advertising style for inspiration, spurring a new generation of comic artists to follow a fresh direction", that of "glorify contemporary post-War
American life". Although the strip was published entirely in black and white, Raymond worked hard to add tone through artistic technique. "Raymond
253:
He became known as "the artist's artist" and his much-imitated style can be seen on the many strips that he illustrated. Raymond worked from live models furnished by
Manhattan's Walter Thornton Agency, as indicated in "Modern Jules Verne," a profile of Raymond published in the Dell Four-Color
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Maurice Horn calls
Raymond "one of the most celebrated comic artists of all time as the creator of four outstanding comic features (a feat unequaled to this day)," noting that he "received many distinctions and awards during his lifetime for his work, both as a cartoonist and as a magazine
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in order to pursue a career in
Hollywood. While it has been presumed that Raymond took on the writing duties of the strip until a replacement could be found, biographer Tom Roberts instead believes that the strip was written by committee during editorial conference, a view
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and pointed out that
Raymond had left voluntarily to enlist. Relatives of Raymond recall the artist as resenting this decision, which left him feeling "cast off with so little regard." However, King Features offered Raymond the opportunity to create a new strip.
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stories" his work depicted. Raymond swiftly became "among the most highly-regarded—and most imitated—in all of comics" for his work on the weekly strip, with Harvey declaring his work on the strip "a technical virtuosity matched on the comics pages only by
729:, commissioned as a captain and serving in the public-relations arm. Raymond is quoted as stating "I just had to get into this fight ... I've always been the kind of guy who gets a lump in his throat when a band plays the 'Star Spangled Banner'".
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described Raymond as a man "who could combine craftsmanship with emotions and all the gimmicks that went into a good adventure strip". Raymond's influence on other cartoonists was considerable during his lifetime and did not diminish after his death.
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to captions at the bottom of the panel afforded Raymond the space to create detailed and atmospheric backgrounds. Against these spacious backgrounds, the placement of characters in heroic poses "lent the entire enterprise a mythic air."
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technique in which a soft series of parallel lines helps to suggest the contour of an object)—have inspired generations of cartoonists, his work becoming "the raw material for the swipe files of future generations". His work on
651:. Raymond left the Sunday strip in 1944 to join the Marines, whereupon the daily strip was cancelled and Briggs assumed the Sunday strip duties, continuing until 1948. Briggs was succeeded on the Sundays by
636:." Raymond evolved the layout of the strip from a four-tier strip in 1934 to a two-tier strip in 1936, reducing the number of panels but doubling their size. Combining this with a removal of dialogue from
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film), while Raymond's long shadow has fallen across the comics industry ever since his work saw print. Comics artists who have cited Raymond as a particularly significant influence on their work include
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is said to particularly reach for "the feel of the best pulp interior art of the time," a style that would evolve with his own so-called "great flourishes" and "later blossom to full effect in
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to the planet Mongo, "which was about to collide with Earth", the trio "immediately became embroiled in the affairs of Mongo's inhabitants—particularly those of its insidious warlord, Emperor
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reintegration of America's military into civilian life, Rip (like Raymond) was "an ex-Marine," who "set himself up as a private detective" a vocation tailor-made to provide daily thrills.
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was hired to take over the writing of the strip in September 1935, but the pair would only collaborate on one storyline. By the end of 1935, "the load was too much for Raymond," who left
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was Raymond's reintroduction to newspaper strips after the war, and he was quick to forge a new "up-to-date" style for the strip, while keeping ties to the audience he had built up with
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Raymond's "police daily strip," named after its central character – J. Remington "Rip" Kirby – debuted on March 4, 1946, conceived (and initially scripted) by King Features editor
610:'s contemporaneous work, with Raymond's failings as a visual storyteller less noticeable on a weekly Sunday strip, where the space afforded played to his skills as an illustrator.
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nevertheless through his use of varying linework ... color through contrast". His new style was much imitated throughout the industry and became known as 'the Raymond style'.
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stated that Raymond unquestionably possessed "the most versatile talent" of all the comic strip creators. He has also described his style as "precise, clear, and incisive."
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Raymond's father loved drawing and encouraged his son to draw from an early age. In the early 1930s, this led Raymond to become an assistant illustrator on strips such as
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Mint Condition: How Baseball Cards Became an American Obsession, pp. 125–126, Dave Jamieson, 2010, Atlantic Monthly Press, imprint of Grove/Atlantic Inc., New York, NY,
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in "1932 and 1933 ... both the daily strip and the Sunday page", turning it "into one of the most eye-catching strips of the time". Concurrently, Raymond assisted
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recalled that Raymond called his black areas "pools of quiet", serving as they did "as a pause for the viewer, something to slow the eye across the strip's panels".
332:" with his young son's artwork. Raymond's father died when he was 12, after which he felt that there was not as viable a future in art as he had hoped. He attended
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cites Raymond as a major influence, and is quoted as saying that Raymond was "the reason I became an artist". Indeed, Williamson ultimately assisted on the
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602:)." However, historian and critic R.C. Harvey argues that "despite Raymond's great talent as an illustrator, his deployment of the comic-strip medium (on
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2173:"the unevenness of the storytelling from week to week suggests that more than one hand was on the tiller, and some of them had only a tenuous grasp."
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artistic style, but lacked "Raymond's excellent design sense," although Prentice received praise for his work from the Raymond family. Prentice drew
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in 1933. According to King Features, syndicate president Joe Connolly "gave Raymond an idea ... based on fantastic adventures similar to those of
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is especially noted for its use of "sophisticated black spotting", a technique Raymond used from c.1949 "for pacing" reasons. Fellow-cartoonist
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the knowledge that four of his five brothers were already enlisted. In February 1944, Raymond left King Features and his work on the Sunday
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Circulation of the strip rose steadily, and it was the artist who was apportioned most of the praise – including being awarded the fourth
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In particular, Raymond has been named as a key influence by many of the most influential and important comic book artists of all time.
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2065:"The Look of Love: The Rise and Fall of the Photo-Realistic Newspaper Strip, 1946–1970: Honey Time 2.0: Alex Raymond and Rip Kirby"
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standard by which all such comic strips would henceforth be measured." Biographer Tom Roberts also believes Raymond's work on
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241:
851:). Raymond noted the change in subject matter, commenting that "I wanted to do something different and more down to earth."
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1458:(collects "The Ice Kingdom of Mongo", "Power Men of Mongo", and "The Fall of Ming"; 1940 to 1941; 80 pages, November 2005,
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Alex Raymond's "influence on other cartoonists was considerable during his lifetime and did not diminish after his death".
655:, while the daily strip was revived in 1951 by Dan Barry. Barry also took over Sunday duties after Raboy's death in 1967.
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and road builder who encouraged his son's love of drawing from an early age, even "covering one wall of his office in the
244:
in 1945, and was demobilized in 1946. Upon his return to civilian life, Raymond created and illustrated the much-heralded
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2423:
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1939:
933:"can trace their origins to the success of Raymond's strip". Although his work was rarely seen outside of the newspaper "
2776:
1402:(collects Raymond's earliest Sunday Strips starting from the first, printed on January 7, 1934; 98 pages, October 2003,
3113:
3033:
180:
175:
1486:(collects the final strips from mid-1943, until the final Raymond issue from February 1945; 100 pages, December 2006,
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is described by Armando Mendez as "a thing of beauty ... always more than just a topper or a shallow response to
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to borrow from film. That’s real storytelling. But for Raymond to study illustrators, well, that's just not comics."
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reprinted in hardcover some of Raymond's earlier comic strip work under his Nostalgia Press imprint. Regarded by
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Horn ascribes a full "creator" credit to Raymond for his being originating artist/co-creator/major influence on
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937:", as Raymond preferred to focus his energies on strip work, he also produced a number of "illustrations for
317:; his parents were Beatrice W. (née Crossley) and Alexander Gillespie Raymond, Sr. The boy was raised in the
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867:
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927:"inspired all the soap opera style strips of the fifties and sixties". Roberts argues that strips such as
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Raymond was influenced by a variety of strip cartoonists and magazine illustrators, including Matt Clark,
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and Al Williamson) structured around a hypothetical storyline set during the last day of Raymond's life.
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On September 6, 1956, a month before his 47th birthday, Raymond was killed in an automobile accident in
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Marines on a battlefield pausing for worship." Raymond also "designed the official 1944 Marine Corps
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831:
Described by Stephen Becker as "modern and almost too intellectual", the strip eschewed many of the
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1179:) as having had a strong influence on their artistic development. Decades later, the herald of the
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448:, a popular science fiction adventure strip that had debuted in 1929 and already spawned the rival
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on an athletic scholarship. There, he played fullback on coach "Turk" Smith's 1926 football team.
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which is an examination of Alex Raymond's career (and the techniques of other photorealists like
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Towards the end of 1933, King Features asked him to create a Sunday page that could compete with
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151:
250:, a private detective comic strip. In 1956, Raymond was killed in a car crash at the age of 46.
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detective tropes (e.g. alcoholism, two-fisted assistants, and an assortment of interchangeable
314:
63:
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1430:(collects the pages printed between October 25, 1936, and August 1, 1937; 96 pages, May 2005,
741:." Desiring "to get closer to the action," he then trained at the Marine Corps Air Station in
672:
261:
Numerous artists have cited Raymond as an inspiration for their work, including comic artists
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1299:, and he later served as president of the society in 1950 and 1951. He was inducted into the
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372:", where he later became a staff artist, and for whom he would produce his greatest artwork.
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81:
420:, and Raymond's illustrative approach to that strip made him King Features' leading talent.
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In 1933, King Features assigned him to do the art for an espionage action-adventure strip,
8:
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544:", who would become Flash Gordon's nemesis throughout the franchise's many incarnations.
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258:#10 (1942), showing how Thornton model Patricia Quinn posed as a character in the strip.
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He was demobilized as a major in 1946. Upon his return, Raymond was unable to return to
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and one from 1936 show how Raymond expanded from the standard layout to larger panels.
606:) was not very impressive." Harvey feels that Raymond's work suffers in comparison to
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The Look of Love: The Rise and Fall of the Photo-Realistic Newspaper Strip, 1946–1970
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The Look of Love: The Rise and Fall of the Photo-Realistic Newspaper Strip, 1946–1970
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2019:
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that would outlast the others, quickly "develop an audience far surpassing" that of
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1932:
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1472:(collects the pages printed from August 1941 to May 1943; 100 pages, April 2007,
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685:
681:
637:
495:, which premiered January 22, 1934, two weeks after the two other strips. It was
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veteran, Raymond created the visually sumptuous science fiction epic comic strip
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until just before he died in 1999, the strip itself concluding a month later.
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in 1934. The strip was subsequently adapted into many other media, from three
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artists credit Raymond with influencing their work. The artistic creators of
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was the more popular strip. Raymond also worked on the jungle adventure saga
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Heroes Of The Comics:Portraits of the Pioneering Legends of the Comic Books
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While he was in the Marines, Raymond painted "Marines at Prayer" for the
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player", improbably roped into a space adventure alongside love-interest
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Walker, Brian (2014). "Like Father, Like Son". In Mullaney, Dean (ed.).
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1881:"MRS. A.G. RAYMOND; Widow of Contractor—Four of Her Six Sons in Service"
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1380:(with writer Ward Greene, 1946–1956; with writer Fred Dickenson, 1956)
362:, Raymond soon quit his job and by 1930 was assisting Westover on his
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Raymond's work has been collected a number of times. Most recently:
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1678: : accessed March 2, 2013), Alexander Raymond, September 1956.
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266:
3309:
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1674:"United States Social Security Death Index," index, FamilySearch (
797:(July 28, 1956), his final strip with Judith Lynne "Honey" Dorian.
770:. King Features were not prepared to usurp Austin Briggs from the
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to another artist by 1935. He left the strips in 1944 to join the
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1983:
1199:
423:
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of islands, was intended to hark back to the original tales of
2899:
1580:(collects strips printed between 1934 and 1936; December 2011,
1540:(collects strips printed between 1951 and 1954; November 2010,
1444:(collects strips printed between 1938 and 1940; November 2005,
1416:(collects strips from 1935 and 1936; 100 pages, December 2004,
1152:
579:, in order to devote more time to his meticulous Sunday pages.
537:
1648:(collects strips printed between 1934 and 1936; February 2015
1594:(collects strips printed between 1936 and 1939; August 2012,
1554:(collects strips printed between 1954 and 1956; August 2011,
1869:. Michigan: University of Maryland Dept. of Art. p. 83.
1608:(collects strips printed between 1939 and 1941; April 2013,
1526:(collects strips printed between 1948 and 1951; March 2010,
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1752:
Comics, Comix & Graphic Novels: A History of Comic Art
1622:(collects strips printed between 1942 and 1944; May 2014,
759:." Treated by his fellow marines (who had been raised on
351:
in New York City and began working as a solicitor for a
206:
science fiction comic strip to compete with the popular
1512:(collects strips printed between 1946 and 1948; 2009,
547:
Early in 1935, Hammett decided to depart as writer of
140:(October 2, 1909 – September 6, 1956) was an American
2448:
Harvey, R.C. (January 2009). "Alex Raymond at Last".
2212:
Harvey, R.C. (January 2009). "Alex Raymond at Last".
2159:
Harvey, R.C. (January 2009). "Alex Raymond at Last".
489:
in some papers Raymond was concurrently illustrating
368:
comic strip. As a result, Raymond was "introduced to
232:, though his increasing workload caused him to leave
5580:
United States Marine Corps personnel of World War II
2849:
1238:, was also a cartoonist, and worked as assistant to
1191:
also credits Raymond, alongside fellow strip artist
854:
Stylistically, "Raymond turned to the Cooper Studio-
598:, his Sunday pages "became world famous (especially
202:. Towards the end of 1933, Raymond created the epic
144:
and illustrator who was best known for creating the
880:. Commentators have said that Prentice echoed the
481:, an adventurous saga set in South-East Asia", a
475:. The duo also created the "complementary strip,
5516:
2310:Lewis, Adam "Alex Raymond's USMC Art" at Lewis'
556:believes is supported by the strips themselves.
16:American cartoonist and illustrator (1909–1956)
5560:Military personnel from New Rochelle, New York
2727:, September 10, 2001. Accessed January 1, 2009
2269:Encyclopedia of Comic Books and Graphic Novels
1864:
1676:https://familysearch.org/pal:/MM9.1.1/JKNW-R2C
680:was "set in contemporary times and the exotic
424:Flash Gordon, Jungle Jim, and Secret Agent X-9
3295:
2915:
2567:, December 16, 1974. Accessed January 2, 2009
1207:has published a comic book since 2008 called
1195:, as a particular influence and inspiration.
647:gained a daily strip in 1940, illustrated by
520:Debuting on January 7, 1934, Raymond's first
339:Raymond's first job was as an order clerk in
2825:
1396:(hardcover, Checker Book Publishing Group):
1021:films (which, cyclically, inspired the 1980
914:—as "some sort of genius", and described in
3061:Flash Gordon: The Greatest Adventure of All
2769:"The Society of Illustrators: Hall of Fame"
2740:. Lambiek Comiclopedia. December 14, 2006.
2719:"Fordham golf coach has way with the brush"
2058:
2056:
998:, who has cited Raymond as an influence on
383:. From late 1931 to 1933, Raymond assisted
3302:
3288:
3248:Flesh Gordon Meets the Cosmic Cheerleaders
2922:
2908:
2601:
2599:
2597:
2595:
2412:
2410:
2207:
2205:
2203:
2201:
2199:
2088:
2086:
2054:
2052:
2050:
2048:
2046:
2044:
2042:
2040:
2038:
2036:
2010:
2008:
2006:
2004:
2002:
2000:
1970:
1968:
1966:
1964:
1962:
1960:
1958:
1956:
1954:
1952:
1803:(Chelsea House Publishers, 2nd ed., 1999)
1792:
29:
2690:
2688:
2686:
2684:
2197:
2195:
2193:
2191:
2189:
2187:
2185:
2183:
2181:
2179:
2018:(Gramercy Books: New York, Avenel, 1996)
1790:
1788:
1786:
1784:
1782:
1780:
1778:
1776:
1774:
1772:
1147:in the mid-1960s (all post-Raymond). Key
5590:Will Eisner Award Hall of Fame inductees
3169:Flash Gordon & the Warriors of Mongo
2575:
2573:
2337:
2335:
2333:
2331:
2329:
2327:
2325:
2323:
2321:
1689:"Explore Billions of Historical Records"
1268:at twice the 25 mph (40 km/h)
990:
788:
703:
612:
308:
3196:Popeye Meets the Man Who Hated Laughter
2592:
2407:
2305:
2303:
2301:
2299:
2297:
2295:
2293:
2139:
2116:
2114:
2112:
2110:
2108:
2106:
2104:
2102:
2083:
2033:
1997:
1949:
281:cited Raymond as a major influence for
35:Promotional photograph of Raymond from
5517:
2681:
2610:: "Alex Raymond and Rip Kirby, Page 3"
2483:
2470:Feduniewicz, K. & Yeates, T. 2004
2447:
2438:
2436:
2421:: "Alex Raymond and Rip Kirby, Page 2"
2265:
2211:
2176:
2158:
2016:100 Years of American Newspaper Comics
1831:
1829:
1827:
1825:
1823:
1821:
1819:
1817:
1769:
986:
970:The "heightened realism" of Raymond's
5279:
4817:
4434:
4081:
3808:
3565:
3382:
3322:
3283:
2903:
2896:, with 43 library catalog records
2570:
2474:. Milwaukee: Dark Horse Books, p. 196
2318:
1384:
2502:. Syracuse University. June 29, 2010
2290:
2234:
2099:
1918:
1916:
1914:
1912:
1910:
1908:
1906:
1904:
732:Shortly thereafter, he "was sent to
5585:United States Marine Corps officers
5575:Road incident deaths in Connecticut
5540:Artists from New Rochelle, New York
2699:: "Alex Rayomnd (cited influences)"
2559:"Christmas Books: Looking Backward"
2486:Rip Kirby, Volume Seven (1962–1964)
2433:
1867:The art of the comic strip, Issue 1
1814:
1301:Will Eisner Comic Book Hall of Fame
1260:. He was driving fellow cartoonist
710:Marine Corps' Headquarters Bulletin
524:strip introduced the "world-famous
289:Will Eisner Comic Book Hall of Fame
13:
5565:Artists from Westport, Connecticut
3114:The New Adventures of Flash Gordon
3034:Flash Gordon Conquers the Universe
2819:
2744:from the original on June 8, 2011.
2500:"John Prentice Cartoons 1956-1968"
2062:
2030:entry by Bill Crouch, Jr., pg. 118
1873:
1858:
1372:(with writer Don Moore, 1934–1944)
1352:(with writer Don Moore, 1934–1943)
1303:in 1996. He was inducted into the
699:
176:Flash Gordon Conquers the Universe
14:
5601:
5308:Jean Henri Gaston Giraud (MĹ“bius)
2845:
2697:Who's Who in American Comic Books
2586:Who's Who in American Comic Books
2520:
1923:King Features' "Alex Raymond" in
1901:
920:Who's Who in American Comic Books
5535:American comic strip cartoonists
2929:
2866:
2852:
1925:Famous Writers and Artists, 1949
1801:The World Encyclopedia of Comics
1220:
5550:Catholics from New York (state)
2791:
2761:
2748:
2730:
2711:
2653:
2622:
2552:
2536:
2514:
2492:
2477:
2464:
2383:
2360:
2259:
2238:Great Cartoonists and Their Art
2228:
2152:
1799:, "Alex Raymond" in Horn (ed.)
1314:
866:in 1949. He also served as the
445:Buck Rogers in the 25th Century
138:Alexander Gillespie Raymond Jr.
52:Alexander Gillespie Raymond Jr.
5555:Iona Preparatory School alumni
2828:Alex Raymond: His Life and Art
2631:, "Foreword" to Russ Manning,
2444:Alex Raymond: His Life and Art
2266:Booker, M. Keith, ed. (2010).
1741:
1711:
1681:
1668:
131:Comic Book Hall of Fame (1996)
1:
5280:
4818:
4435:
4082:
3809:
3566:
3383:
3323:
2666:. Seattle, Washington :
2272:. Santa Barbara, California:
1662:
1568:Flash Gordon & Jungle Jim
1143:strips in the mid-1950s, and
2695:Hames Ware and Jerry Bails'
1291:National Cartoonists Society
1015:as a major influence on his
868:National Cartoonists Society
778:
358:Approaching former neighbor
313:Raymond was born in 1909 in
303:
7:
3026:Flash Gordon's Trip to Mars
1865:O'Sullivan, Judith (1971).
1719:"Alex Raymond's Last Ride,
1183:(and co-creator of most of
904:magazine in 1974—alongside
824:Running alongside the post-
749:"on the 1945 cruise of the
594:". "Under his pen," writes
349:Grand Central School of Art
287:. He was inducted into the
170:Flash Gordon's Trip to Mars
10:
5606:
5545:Catholics from Connecticut
4473:Alice and Martin Provensen
2708:. Accessed January 2, 2009
2704:December 28, 2008, at the
2619:. Accessed January 3, 2009
2589:. Accessed January 2, 2009
2472:Al Williamson-Hidden Lands
2430:. Accessed January 1, 2009
2347:Don Markstein's Toonopedia
2315:. Accessed January 4, 2009
2274:Greenwood Publishing Group
2243:Pelican Publishing Company
2126:Don Markstein's Toonopedia
1946:. Accessed January 3, 2009
782:
427:
393:, eventually becoming the
212:comic strip. Before long,
41:Famous Artists and Writers
5496:Virginia Frances Sterrett
5463:
5417:
5372:
5331:
5290:
5286:
5275:
5226:
5170:
5124:
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5028:
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4941:
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4828:
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4697:
4651:
4620:
4589:
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4486:
4445:
4441:
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4376:
4335:
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4144:
4118:
4092:
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4077:
4043:
4017:
3996:
3975:
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3845:
3819:
3815:
3804:
3770:
3744:
3718:
3692:
3666:
3640:
3624:
3608:
3592:
3576:
3572:
3561:
3537:
3521:
3505:
3489:
3473:
3457:
3441:
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3389:
3378:
3349:
3333:
3329:
3318:
3232:
3178:
3144:
3105:
3078:
3071:
3044:
3009:
2993:
2947:
2937:
2615:January 23, 2009, at the
2523:"John Prentice – Tribute"
2063:Mendez, Prof. Armando E.
1841:Comics Between the Panels
1839:(ed.s) "Alex Raymond" in
1319:Raymond's work includes:
1280:
891:
122:
102:
89:
70:
48:
28:
23:
1293:in 1949 for his work on
1285:Alex Raymond received a
1251:
1187:'s pantheon of heroes),
1167:) credit him (alongside
1078:Everett Raymond Kinstler
5409:Sarah S. Stilwell Weber
5313:Jeffrey Catherine Jones
5010:William Cameron Menzies
4836:Charles Edward Chambers
4463:Charles Livingston Bull
4209:Elizabeth Shippen Green
3827:Howard Chandler Christy
3311:Society of Illustrators
3259:King Features Syndicate
2773:societyillustrators.org
2426:March 19, 2009, at the
2400:March 19, 2009, at the
2377:March 19, 2009, at the
2014:Horn, Maurice, editor.
1942:March 19, 2009, at the
1305:Society of Illustrators
1234:. His younger brother,
416:, scripted by novelist
370:King Features Syndicate
152:King Features Syndicate
4061:Arthur Ignatius Keller
3962:Charles Marion Russell
3832:James Montgomery Flagg
3122:Defenders of the Earth
2642:, Milwaukie, Or. 2010.
2149:entry, by Horn, p. 341
2096:entry, by Horn, p. 375
1931:June 18, 2004, at the
1344:(assistant, 1930–1933)
1336:(assistant, 1930–1933)
1307:Hall of Fame in 2014.
1226:great-uncle of actors
1062:JosĂ© Luis GarcĂa-LĂłpez
1004:
798:
745:before serving in the
713:
624:
315:New Rochelle, New York
64:New Rochelle, New York
5234:Alice Barber Stephens
4797:Herbert Morton Stoops
4715:Edward Windsor Kemble
2948:Supporting characters
2826:Roberts, Tom (2007).
2634:Magnus, Robot Fighter
2241:. Gretna, Louisiana:
1845:Dark Horse Publishing
1729:on September 27, 2013
1258:Westport, Connecticut
1128:, among many others.
994:
792:
747:Pacific Ocean theater
707:
616:
428:Further information:
343:. In the wake of the
309:Early life and career
242:Pacific Ocean theater
82:Westport, Connecticut
5570:Reuben Award winners
4607:Robert Andrew Parker
4348:Robert M. Cunningham
4131:William Arthur Smith
4126:Jessie Willcox Smith
3957:Arthur Burdett Frost
3465:Arthur William Brown
3216:Flash Gordon Classic
3210:"Flash" (Queen song)
2368:Comic Art in America
1011:has cited Raymond's
345:1929 economic crisis
240:, saw combat in the
5041:Walter M. Baumhofer
4643:Albert Beck Wenzell
4240:Joseph Clement Coll
3648:Charles Dana Gibson
2894:Library of Congress
2830:. Adventure House.
2605:Mendez, Armando E.
2416:Mendez, Armando E.
2366:Becker, Stephen in
1889:. February 21, 1945
1275:Darien, Connecticut
1114:Kurt Schaffenberger
987:Specific influences
910:author-illustrator
653:Emanuel "Mac" Raboy
347:he enrolled in the
4872:Kenneth Paul Block
4856:Chris Van Allsburg
4494:John James Audubon
4468:David Stone Martin
4343:Boris Artzybasheff
4261:Anton Otto Fischer
4235:McClelland Barclay
3863:Frederic R. Gruger
3778:Edwin Austin Abbey
3757:Frederic Remington
3362:Harold von Schmidt
2965:Ming the Merciless
2779:on August 15, 2022
2584:"Alex Raymond" in
2450:The Comics Journal
2235:Wood, Art (2000).
2214:The Comics Journal
2161:The Comics Journal
1886:The New York Times
1385:Collected editions
1005:
799:
725:pages to join the
714:
625:
582:Raymond's work on
330:Woolworth Building
228:concurrently with
222:and spy adventure
5512:
5511:
5508:
5507:
5504:
5503:
5430:Anna Whelan Betts
5344:Margaret Brundage
5298:Thomas Blackshear
5271:
5270:
5267:
5266:
5116:Richard M. Powers
4969:Charles M. Schulz
4841:Earl Oliver Hurst
4809:
4808:
4805:
4804:
4720:Russell Patterson
4664:Bradshaw Crandell
4535:E. Simms Campbell
4514:Charles R. Knight
4478:J. Allen St. John
4426:
4425:
4422:
4421:
4297:Chesley Bonestell
4073:
4072:
4069:
4068:
3800:
3799:
3796:
3795:
3726:J. C. Leyendecker
3557:
3556:
3553:
3552:
3374:
3373:
3370:
3369:
3277:
3276:
3206:(film soundtrack)
3140:
3139:
3072:Television series
2837:978-1-886937-78-9
2640:Dark Horse Comics
2548:978-0-8021-1939-1
2395:Armando E. Mendez
2283:978-0-313-35746-6
1937:Armando E. Mendez
1935:placed online by
1654:978-1-63140-211-1
1600:978-1-61377-220-1
1586:978-1-61377-015-3
1560:978-1-60010-989-8
1546:978-1-60010-785-6
1532:978-1-60010-582-1
1518:978-1-60010-484-8
1328:(assistant, 1930)
1325:Tillie the Toiler
1189:Jack "King" Kirby
1098:Luis Garcia Mozos
918:and Hames Ware's
727:U.S. Marine Corps
536:. Transported by
365:Tillie the Toiler
324:His father was a
193:Tillie the Toiler
185:1980 feature film
181:television series
135:
134:
74:September 6, 1956
5597:
5486:Gregory Manchess
5349:Walter Percy Day
5288:
5287:
5277:
5276:
5106:William Glackens
5086:Marshall Arisman
5036:Bernard D'Andrea
4974:Murray Tinkelman
4908:Ludwig Bemelmans
4826:
4825:
4815:
4814:
4787:Laurence Fellows
4725:George Stavrinos
4684:Alvin J. Pimsler
4519:Franklin McMahon
4443:
4442:
4432:
4431:
4399:Stanley Meltzoff
4245:Frank Schoonover
4090:
4089:
4079:
4078:
4035:Robert T. McCall
3941:James Williamson
3889:Henry P. Raleigh
3817:
3816:
3806:
3805:
3679:Maxfield Parrish
3574:
3573:
3563:
3562:
3433:Edward A. Wilson
3391:
3390:
3380:
3379:
3331:
3330:
3320:
3319:
3304:
3297:
3290:
3281:
3280:
3233:Related articles
3223:Life After Flash
3076:
3075:
2924:
2917:
2910:
2901:
2900:
2876:
2874:Biography portal
2871:
2870:
2869:
2862:
2857:
2856:
2841:
2814:
2799:Secret Agent X-9
2795:
2789:
2788:
2786:
2784:
2775:. Archived from
2765:
2759:
2752:
2746:
2745:
2734:
2728:
2717:Harry Blauvelt,
2715:
2709:
2692:
2679:
2657:
2651:
2626:
2620:
2603:
2590:
2582:and Hames Ware.
2577:
2568:
2556:
2550:
2540:
2534:
2533:
2531:
2529:
2518:
2512:
2511:
2509:
2507:
2496:
2490:
2489:
2488:. pp. 5–11.
2481:
2475:
2468:
2462:
2461:
2452:(295): 161–173.
2440:
2431:
2414:
2405:
2387:
2381:
2364:
2358:
2357:
2355:
2353:
2339:
2316:
2307:
2288:
2287:
2263:
2257:
2256:
2232:
2226:
2225:
2216:(295): 161–173.
2209:
2174:
2172:
2163:(295): 161–173.
2156:
2150:
2147:Secret Agent X-9
2143:
2137:
2136:
2134:
2132:
2118:
2097:
2094:Tim Tyler's Luck
2090:
2081:
2080:
2078:
2076:
2071:on July 20, 2007
2067:. Archived from
2060:
2031:
2012:
1995:
1994:
1992:
1990:
1972:
1947:
1920:
1899:
1898:
1896:
1894:
1877:
1871:
1870:
1862:
1856:
1837:Richardson, Mike
1835:Duin, Steve and
1833:
1812:
1794:
1767:
1745:
1739:
1738:
1736:
1734:
1725:. Archived from
1715:
1709:
1708:
1706:
1704:
1695:. Archived from
1693:FamilySearch.org
1685:
1679:
1672:
1636:Secret Agent X-9
1628:978-161377-917-0
1614:978-161377-580-6
1362:Dashiell Hammett
1357:Secret Agent X-9
1333:Tim Tyler's Luck
819:Secret Agent X-9
712:(December 1944).
578:
570:Charles Flanders
566:Secret Agent X-9
562:Leslie Charteris
549:Secret Agent X-9
492:Secret Agent X-9
485:which ran above
438:Secret Agent X-9
418:Dashiell Hammett
413:Secret Agent X-9
390:Tim Tyler's Luck
234:Secret Agent X-9
225:Secret Agent X-9
199:Tim Tyler's Luck
150:comic strip for
92:
85:
77:
60:
58:
33:
21:
20:
5605:
5604:
5600:
5599:
5598:
5596:
5595:
5594:
5515:
5514:
5513:
5500:
5481:Robert Grossman
5459:
5413:
5404:Reynold Ruffins
5368:
5327:
5282:
5263:
5254:Vincent Di Fate
5222:
5166:
5162:Gustaf Tenggren
5120:
5074:
5024:
4978:
4954:George Herriman
4937:
4896:
4860:
4820:
4801:
4765:
4751:Kinuko Y. Craft
4729:
4693:
4679:Frank H. Netter
4647:
4616:
4585:
4554:
4550:Daniel Schwartz
4545:Jean-Leon Huens
4523:
4509:F. O. C. Darley
4499:Will H. Bradley
4482:
4437:
4418:
4414:Adolph Treidler
4372:
4363:Edward Penfield
4331:
4322:Harrison Fisher
4285:
4249:
4218:
4192:
4178:Robert McGinnis
4166:
4157:Edwin A. Georgi
4140:
4114:
4084:
4065:
4039:
4013:
4009:Haddon Sundblom
3992:
3971:
3945:
3919:
3893:
3867:
3841:
3811:
3792:
3766:
3740:
3714:
3688:
3662:
3636:
3620:
3604:
3588:
3568:
3549:
3533:
3517:
3501:
3485:
3469:
3453:
3437:
3421:
3405:
3385:
3366:
3345:
3341:Norman Rockwell
3325:
3314:
3308:
3278:
3273:
3228:
3174:
3136:
3101:
3067:
3064:(1982; TV film)
3040:
3005:
2989:
2943:
2933:
2928:
2872:
2867:
2865:
2858:
2851:
2848:
2838:
2822:
2820:Further reading
2817:
2796:
2792:
2782:
2780:
2767:
2766:
2762:
2753:
2749:
2736:
2735:
2731:
2716:
2712:
2706:Wayback Machine
2693:
2682:
2658:
2654:
2627:
2623:
2617:Wayback Machine
2604:
2593:
2578:
2571:
2557:
2553:
2541:
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2525:
2519:
2515:
2505:
2503:
2498:
2497:
2493:
2482:
2478:
2469:
2465:
2446:. As quoted in
2441:
2434:
2428:Wayback Machine
2415:
2408:
2402:Wayback Machine
2388:
2384:
2379:Wayback Machine
2365:
2361:
2351:
2349:
2341:
2340:
2319:
2308:
2291:
2284:
2276:. p. 552.
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2013:
1998:
1988:
1986:
1974:
1973:
1950:
1944:Wayback Machine
1933:Wayback Machine
1921:
1902:
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1879:
1878:
1874:
1863:
1859:
1834:
1815:
1795:
1770:
1746:
1742:
1732:
1730:
1717:
1716:
1712:
1702:
1700:
1699:on June 7, 2011
1687:
1686:
1682:
1673:
1669:
1665:
1387:
1317:
1283:
1254:
1223:
1110:John Romita Jr.
1094:Sheldon Moldoff
1030:Murphy Anderson
989:
894:
793:Alex Raymond's
787:
781:
756:Gilbert Islands
702:
700:Military career
682:Malay peninsula
638:speech balloons
572:
534:Dr. Hans Zarkov
440:
426:
353:mortgage broker
311:
306:
130:
113:
105:
90:
80:
79:
75:
62:
61:October 2, 1909
56:
54:
53:
44:
17:
12:
11:
5:
5603:
5593:
5592:
5587:
5582:
5577:
5572:
5567:
5562:
5557:
5552:
5547:
5542:
5537:
5532:
5527:
5510:
5509:
5506:
5505:
5502:
5501:
5499:
5498:
5493:
5488:
5483:
5478:
5473:
5467:
5465:
5461:
5460:
5458:
5457:
5452:
5447:
5445:Helen Hokinson
5442:
5440:Seymour Chwast
5437:
5432:
5427:
5421:
5419:
5415:
5414:
5412:
5411:
5406:
5401:
5392:
5387:
5382:
5380:Charles Addams
5376:
5374:
5370:
5369:
5367:
5366:
5361:
5356:
5351:
5346:
5341:
5335:
5333:
5329:
5328:
5326:
5325:
5320:
5318:Barbara Nessim
5315:
5310:
5305:
5300:
5294:
5292:
5284:
5283:
5273:
5272:
5269:
5268:
5265:
5264:
5262:
5261:
5256:
5251:
5246:
5241:
5236:
5230:
5228:
5224:
5223:
5221:
5220:
5215:
5210:
5208:James McMullan
5205:
5200:
5195:
5190:
5185:
5183:Kate Greenaway
5180:
5174:
5172:
5168:
5167:
5165:
5164:
5159:
5154:
5149:
5147:Ralph Steadman
5144:
5139:
5134:
5128:
5126:
5122:
5121:
5119:
5118:
5113:
5111:Beatrix Potter
5108:
5103:
5098:
5093:
5091:Rolf Armstrong
5088:
5082:
5080:
5076:
5075:
5073:
5072:
5067:
5062:
5053:
5048:
5043:
5038:
5032:
5030:
5026:
5025:
5023:
5022:
5017:
5012:
5007:
5002:
4997:
4995:Walter Everett
4992:
4986:
4984:
4980:
4979:
4977:
4976:
4971:
4966:
4964:Arthur Rackham
4961:
4959:Sanford Kossin
4956:
4951:
4945:
4943:
4939:
4938:
4936:
4935:
4930:
4925:
4920:
4915:
4913:R. O. Blechman
4910:
4904:
4902:
4898:
4897:
4895:
4894:
4889:
4884:
4882:Robert Heindel
4879:
4874:
4868:
4866:
4862:
4861:
4859:
4858:
4853:
4848:
4843:
4838:
4832:
4830:
4822:
4821:
4811:
4810:
4807:
4806:
4803:
4802:
4800:
4799:
4794:
4789:
4784:
4779:
4773:
4771:
4767:
4766:
4764:
4763:
4758:
4753:
4748:
4743:
4737:
4735:
4731:
4730:
4728:
4727:
4722:
4717:
4712:
4707:
4701:
4699:
4695:
4694:
4692:
4691:
4686:
4681:
4676:
4671:
4666:
4661:
4655:
4653:
4649:
4648:
4646:
4645:
4640:
4635:
4630:
4624:
4622:
4618:
4617:
4615:
4614:
4612:Saul Steinberg
4609:
4604:
4599:
4593:
4591:
4587:
4586:
4584:
4583:
4578:
4573:
4568:
4562:
4560:
4556:
4555:
4553:
4552:
4547:
4542:
4537:
4531:
4529:
4525:
4524:
4522:
4521:
4516:
4511:
4506:
4501:
4496:
4490:
4488:
4484:
4483:
4481:
4480:
4475:
4470:
4465:
4460:
4455:
4449:
4447:
4439:
4438:
4428:
4427:
4424:
4423:
4420:
4419:
4417:
4416:
4411:
4406:
4401:
4396:
4391:
4386:
4384:Mitchell Hooks
4380:
4378:
4374:
4373:
4371:
4370:
4368:Martha Sawyers
4365:
4360:
4358:Frank Frazetta
4355:
4350:
4345:
4339:
4337:
4333:
4332:
4330:
4329:
4327:Frank McCarthy
4324:
4319:
4314:
4309:
4304:
4299:
4293:
4291:
4287:
4286:
4284:
4283:
4278:
4276:Mead Schaeffer
4273:
4268:
4263:
4257:
4255:
4251:
4250:
4248:
4247:
4242:
4237:
4232:
4226:
4224:
4220:
4219:
4217:
4216:
4211:
4206:
4204:Harry Anderson
4200:
4198:
4194:
4193:
4191:
4190:
4188:Coles Phillips
4185:
4180:
4174:
4172:
4168:
4167:
4165:
4164:
4159:
4154:
4148:
4146:
4142:
4141:
4139:
4138:
4133:
4128:
4122:
4120:
4116:
4115:
4113:
4112:
4110:Burt Silverman
4107:
4105:Morton Roberts
4102:
4096:
4094:
4086:
4085:
4075:
4074:
4071:
4070:
4067:
4066:
4064:
4063:
4058:
4053:
4047:
4045:
4041:
4040:
4038:
4037:
4032:
4027:
4021:
4019:
4015:
4014:
4012:
4011:
4006:
4004:Maurice Sendak
4000:
3998:
3994:
3993:
3991:
3990:
3985:
3979:
3977:
3973:
3972:
3970:
3969:
3964:
3959:
3953:
3951:
3947:
3946:
3944:
3943:
3938:
3933:
3927:
3925:
3921:
3920:
3918:
3917:
3912:
3907:
3905:Franklin Booth
3901:
3899:
3895:
3894:
3892:
3891:
3886:
3881:
3875:
3873:
3869:
3868:
3866:
3865:
3860:
3855:
3849:
3847:
3843:
3842:
3840:
3839:
3834:
3829:
3823:
3821:
3813:
3812:
3802:
3801:
3798:
3797:
3794:
3793:
3791:
3790:
3785:
3780:
3774:
3772:
3768:
3767:
3765:
3764:
3759:
3754:
3748:
3746:
3742:
3741:
3739:
3738:
3733:
3731:Wallace Morgan
3728:
3722:
3720:
3716:
3715:
3713:
3712:
3707:
3702:
3696:
3694:
3690:
3689:
3687:
3686:
3681:
3676:
3670:
3668:
3664:
3663:
3661:
3660:
3655:
3650:
3644:
3642:
3638:
3637:
3635:
3634:
3628:
3626:
3622:
3621:
3619:
3618:
3612:
3610:
3606:
3605:
3603:
3602:
3600:Stevan Dohanos
3596:
3594:
3590:
3589:
3587:
3586:
3580:
3578:
3570:
3569:
3559:
3558:
3555:
3554:
3551:
3550:
3548:
3547:
3541:
3539:
3535:
3534:
3532:
3531:
3525:
3523:
3519:
3518:
3516:
3515:
3513:Robert Fawcett
3509:
3507:
3503:
3502:
3500:
3499:
3493:
3491:
3487:
3486:
3484:
3483:
3477:
3475:
3471:
3470:
3468:
3467:
3461:
3459:
3455:
3454:
3452:
3451:
3445:
3443:
3439:
3438:
3436:
3435:
3429:
3427:
3423:
3422:
3420:
3419:
3413:
3411:
3407:
3406:
3404:
3403:
3397:
3395:
3387:
3386:
3376:
3375:
3372:
3371:
3368:
3367:
3365:
3364:
3359:
3353:
3351:
3347:
3346:
3344:
3343:
3337:
3335:
3327:
3326:
3316:
3315:
3313:' Hall of Fame
3307:
3306:
3299:
3292:
3284:
3275:
3274:
3272:
3271:
3266:
3261:
3256:
3251:
3244:
3236:
3234:
3230:
3229:
3227:
3226:
3219:
3212:
3207:
3199:
3192:
3182:
3180:
3176:
3175:
3173:
3172:
3165:
3157:
3148:
3146:
3142:
3141:
3138:
3137:
3135:
3134:
3126:
3118:
3109:
3107:
3103:
3102:
3100:
3099:
3091:
3082:
3080:
3073:
3069:
3068:
3066:
3065:
3057:
3048:
3046:
3042:
3041:
3039:
3038:
3030:
3022:
3013:
3011:
3007:
3006:
3004:
3003:
2997:
2995:
2991:
2990:
2988:
2987:
2982:
2977:
2972:
2967:
2962:
2957:
2951:
2949:
2945:
2944:
2938:
2935:
2934:
2927:
2926:
2919:
2912:
2904:
2898:
2897:
2887:
2878:
2877:
2863:
2847:
2846:External links
2844:
2843:
2842:
2836:
2821:
2818:
2816:
2815:
2790:
2760:
2756:New York Times
2747:
2729:
2710:
2680:
2652:
2621:
2591:
2569:
2551:
2535:
2513:
2491:
2476:
2463:
2442:Roberts, Tom,
2432:
2406:
2391:Jerry Robinson
2382:
2359:
2317:
2289:
2282:
2258:
2251:
2245:. p. 79.
2227:
2175:
2151:
2138:
2122:"Flash Gordon"
2098:
2082:
2032:
1996:
1976:"Alex Raymond"
1948:
1900:
1872:
1857:
1813:
1768:
1740:
1721:Hogan's Alley,
1710:
1680:
1666:
1664:
1661:
1660:
1659:
1658:
1657:
1633:
1632:
1631:
1617:
1603:
1589:
1565:
1564:
1563:
1549:
1535:
1521:
1497:
1496:
1495:
1481:
1467:
1453:
1439:
1425:
1411:
1386:
1383:
1382:
1381:
1373:
1365:
1353:
1345:
1337:
1329:
1316:
1313:
1311:illustrator."
1282:
1279:
1253:
1250:
1222:
1219:
988:
985:
972:photorealistic
907:Prince Valiant
893:
890:
842:Gasoline Alley
833:pulp fictional
783:Main article:
780:
777:
751:escort carrier
739:Christmas card
701:
698:
634:Prince Valiant
532:and scientist
451:Brick Bradford
425:
422:
377:Franklin Booth
326:civil engineer
319:Roman Catholic
310:
307:
305:
302:
133:
132:
124:
120:
119:
106:
103:
100:
99:
93:
87:
86:
78:(aged 46)
72:
68:
67:
50:
46:
45:
34:
26:
25:
15:
9:
6:
4:
3:
2:
5602:
5591:
5588:
5586:
5583:
5581:
5578:
5576:
5573:
5571:
5568:
5566:
5563:
5561:
5558:
5556:
5553:
5551:
5548:
5546:
5543:
5541:
5538:
5536:
5533:
5531:
5528:
5526:
5523:
5522:
5520:
5497:
5494:
5492:
5489:
5487:
5484:
5482:
5479:
5477:
5474:
5472:
5471:Steve Brodner
5469:
5468:
5466:
5462:
5456:
5455:Barron Storey
5453:
5451:
5450:Wendell Minor
5448:
5446:
5443:
5441:
5438:
5436:
5435:Reynold Brown
5433:
5431:
5428:
5426:
5425:Richard Amsel
5423:
5422:
5420:
5416:
5410:
5407:
5405:
5402:
5400:
5396:
5393:
5391:
5390:Emory Douglas
5388:
5386:
5383:
5381:
5378:
5377:
5375:
5371:
5365:
5362:
5360:
5359:Craig Mullins
5357:
5355:
5352:
5350:
5347:
5345:
5342:
5340:
5339:Braldt Bralds
5337:
5336:
5334:
5330:
5324:
5321:
5319:
5316:
5314:
5311:
5309:
5306:
5304:
5301:
5299:
5296:
5295:
5293:
5289:
5285:
5278:
5274:
5260:
5257:
5255:
5252:
5250:
5247:
5245:
5242:
5240:
5237:
5235:
5232:
5231:
5229:
5225:
5219:
5216:
5214:
5211:
5209:
5206:
5204:
5203:Hilary Knight
5201:
5199:
5198:Heinrich Kley
5196:
5194:
5191:
5189:
5186:
5184:
5181:
5179:
5176:
5175:
5173:
5169:
5163:
5160:
5158:
5155:
5153:
5152:Burne Hogarth
5150:
5148:
5145:
5143:
5140:
5138:
5135:
5133:
5130:
5129:
5127:
5123:
5117:
5114:
5112:
5109:
5107:
5104:
5102:
5101:Peter de Sève
5099:
5097:
5094:
5092:
5089:
5087:
5084:
5083:
5081:
5077:
5071:
5068:
5066:
5063:
5061:
5057:
5054:
5052:
5051:Virgil Finlay
5049:
5047:
5044:
5042:
5039:
5037:
5034:
5033:
5031:
5027:
5021:
5018:
5016:
5013:
5011:
5008:
5006:
5003:
5001:
4998:
4996:
4993:
4991:
4988:
4987:
4985:
4981:
4975:
4972:
4970:
4967:
4965:
4962:
4960:
4957:
4955:
4952:
4950:
4947:
4946:
4944:
4940:
4934:
4931:
4929:
4926:
4924:
4921:
4919:
4916:
4914:
4911:
4909:
4906:
4905:
4903:
4899:
4893:
4892:Jerry Pinkney
4890:
4888:
4885:
4883:
4880:
4878:
4877:Alan E. Cober
4875:
4873:
4870:
4869:
4867:
4863:
4857:
4854:
4852:
4851:Wilson McLean
4849:
4847:
4844:
4842:
4839:
4837:
4834:
4833:
4831:
4827:
4823:
4816:
4812:
4798:
4795:
4793:
4790:
4788:
4785:
4783:
4780:
4778:
4775:
4774:
4772:
4768:
4762:
4761:Walter Einsel
4759:
4757:
4754:
4752:
4749:
4747:
4744:
4742:
4739:
4738:
4736:
4732:
4726:
4723:
4721:
4718:
4716:
4713:
4711:
4708:
4706:
4703:
4702:
4700:
4696:
4690:
4687:
4685:
4682:
4680:
4677:
4675:
4674:Harold Foster
4672:
4670:
4667:
4665:
4662:
4660:
4659:Gilbert Bundy
4657:
4656:
4654:
4650:
4644:
4641:
4639:
4636:
4634:
4631:
4629:
4626:
4625:
4623:
4619:
4613:
4610:
4608:
4605:
4603:
4600:
4598:
4595:
4594:
4592:
4588:
4582:
4579:
4577:
4574:
4572:
4569:
4567:
4566:Elaine Duillo
4564:
4563:
4561:
4557:
4551:
4548:
4546:
4543:
4541:
4540:Milton Glaser
4538:
4536:
4533:
4532:
4530:
4526:
4520:
4517:
4515:
4512:
4510:
4507:
4505:
4504:Howard Brodie
4502:
4500:
4497:
4495:
4492:
4491:
4489:
4485:
4479:
4476:
4474:
4471:
4469:
4466:
4464:
4461:
4459:
4458:Nell Brinkley
4456:
4454:
4451:
4450:
4448:
4444:
4440:
4433:
4429:
4415:
4412:
4410:
4407:
4405:
4402:
4400:
4397:
4395:
4394:Antonio Lopez
4392:
4390:
4389:Andrew Loomis
4387:
4385:
4382:
4381:
4379:
4375:
4369:
4366:
4364:
4361:
4359:
4356:
4354:
4351:
4349:
4346:
4344:
4341:
4340:
4338:
4334:
4328:
4325:
4323:
4320:
4318:
4317:Maynard Dixon
4315:
4313:
4310:
4308:
4305:
4303:
4300:
4298:
4295:
4294:
4292:
4288:
4282:
4281:Herbert Tauss
4279:
4277:
4274:
4272:
4271:Violet Oakley
4269:
4267:
4264:
4262:
4259:
4258:
4256:
4252:
4246:
4243:
4241:
4238:
4236:
4233:
4231:
4228:
4227:
4225:
4221:
4215:
4212:
4210:
4207:
4205:
4202:
4201:
4199:
4195:
4189:
4186:
4184:
4181:
4179:
4176:
4175:
4173:
4169:
4163:
4160:
4158:
4155:
4153:
4150:
4149:
4147:
4143:
4137:
4136:Donald Teague
4134:
4132:
4129:
4127:
4124:
4123:
4121:
4117:
4111:
4108:
4106:
4103:
4101:
4098:
4097:
4095:
4091:
4087:
4080:
4076:
4062:
4059:
4057:
4056:John Held Jr.
4054:
4052:
4049:
4048:
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2676:9781606997314
2673:
2670:Books, 2014.
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2668:Fantagraphics
2665:
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2660:Drew Friedman
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159:movie serials
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104:Notable works
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51:
47:
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38:
37:King Features
32:
27:
22:
19:
5491:Yuko Shimizu
5476:Gustave Doré
5385:George Booth
5364:Floyd Norman
5354:Dale Messick
5323:Drew Struzan
5303:Edmund Dulac
5249:Mark Summers
5244:Frank Godwin
5178:Robert Crumb
5157:George Petty
5132:Mort Drucker
5065:Pat Oliphant
5020:Edward Sorel
5015:Alex Raymond
5014:
4923:Edward Gorey
4918:John Collier
4846:Orson Lowell
4777:Mario Cooper
4756:Naiad Einsel
4741:Benton Clark
4669:Keith Ferris
4638:Herbert Paus
4633:Brad Holland
4576:Bill Mauldin
4571:David Levine
4409:Rose O'Neill
4404:Thomas Moran
4307:Diane Dillon
4266:Winsor McCay
4162:Dorothy Hood
4100:Robert Riggs
3936:Neysa McMein
3915:Noel Sickles
3910:Mark English
3783:Lorraine Fox
3752:Norman Price
3674:Bernie Fuchs
3632:Jon Whitcomb
3616:Ray Prohaska
3497:Albert Dorne
3449:Walter Biggs
3246:
3241:Flesh Gordon
3239:
3221:
3214:
3203:Flash Gordon
3201:
3194:
3190:comic strips
3188:Flash Gordon
3187:
3167:
3164:(video game)
3161:Flash Gordon
3159:
3153:Flash Gordon
3151:
3130:Flash Gordon
3128:
3120:
3112:
3095:Flash Gordon
3093:
3087:Flash Gordon
3085:
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3053:Flash Gordon
3051:
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3018:Flash Gordon
3016:
2975:Prince Barin
2941:Alex Raymond
2940:
2931:Flash Gordon
2890:Alex Raymond
2882:
2827:
2810:
2806:
2803:Flash Gordon
2802:
2798:
2793:
2781:. Retrieved
2777:the original
2772:
2763:
2755:
2750:
2732:
2722:
2713:
2696:
2663:
2655:
2636:: Volume One
2632:
2624:
2607:
2585:
2580:Bails, Jerry
2562:
2554:
2538:
2526:. Retrieved
2521:Keefe, Jim.
2516:
2504:. Retrieved
2494:
2485:
2479:
2471:
2466:
2449:
2443:
2418:
2393:, quoted by
2389:As noted by
2385:
2372:A. E. Mendez
2370:, quoted by
2367:
2362:
2350:. Retrieved
2311:
2268:
2261:
2237:
2230:
2213:
2160:
2154:
2146:
2141:
2129:. Retrieved
2093:
2073:. Retrieved
2069:the original
2028:Flash Gordon
2027:
2015:
1987:. Retrieved
1980:Comiclopedia
1979:
1924:
1891:. Retrieved
1884:
1875:
1866:
1860:
1840:
1800:
1751:
1748:Sabin, Roger
1743:
1731:. Retrieved
1727:the original
1720:
1713:
1701:. Retrieved
1697:the original
1692:
1683:
1670:
1645:
1638:(hardcover,
1635:
1619:
1605:
1591:
1577:
1570:(hardcover,
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1509:
1502:(hardcover,
1499:
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1427:
1413:
1399:
1394:Flash Gordon
1393:
1388:
1375:
1367:
1364:, 1934–1935)
1355:
1349:Flash Gordon
1347:
1339:
1331:
1323:
1318:
1315:Bibliography
1309:
1294:
1287:Reuben Award
1284:
1255:
1243:
1232:Kevin Dillon
1224:
1209:
1198:
1197:
1173:Billy DeBeck
1144:
1141:Flash Gordon
1140:
1130:
1086:Russ Manning
1046:John Buscema
1024:Flash Gordon
1022:
1016:
1013:Flash Gordon
1012:
1009:George Lucas
1006:
999:
996:George Lucas
976:
969:
962:
958:Cosmopolitan
956:
950:
944:
938:
928:
924:
919:
905:
901:
898:Woody Gelman
895:
885:
881:
876:illustrator
871:
864:Reuben Award
861:
853:
846:
840:
830:
826:World War II
823:
818:
814:
811:Flash Gordon
810:
806:
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794:
772:Sunday strip
768:Flash Gordon
767:
765:
761:Flash Gordon
760:
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722:
719:Flash Gordon
718:
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709:
677:
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663:
662:, Raymond's
660:Flash Gordon
659:
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645:Flash Gordon
644:
643:
633:
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620:Flash Gordon
618:
603:
600:Flash Gordon
599:
596:Maurice Horn
591:
588:Flash Gordon
587:
583:
581:
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557:
554:R. C. Harvey
548:
546:
521:
519:
507:Flash Gordon
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496:
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472:Flash Gordon
470:
467:pulp-fiction
460:
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443:
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430:Flash Gordon
411:
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395:ghost artist
388:
374:
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323:
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293:Maurice Horn
282:
279:George Lucas
271:Russ Manning
260:
256:Flash Gordon
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204:Flash Gordon
203:
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164:Flash Gordon
163:
147:Flash Gordon
145:
137:
136:
127:Reuben Award
114:
110:Flash Gordon
108:
76:(1956-09-06)
40:
24:Alex Raymond
18:
5530:1956 deaths
5525:1909 births
5399:Wendy Froud
5218:C. F. Payne
5213:Kay Nielsen
5137:Bart Forbes
5096:Guy Billout
5070:Arthur Szyk
5060:Betsy Lewin
5046:Will Eisner
4949:Ted CoConis
4933:Nancy Stahl
4792:Arnold Roth
4710:Gary Kelley
4705:David Grove
4597:John Berkey
4581:Jack Potter
4230:James Avati
4183:Thomas Nast
4025:René Bouché
3879:John Clymer
3858:John Gannam
3837:Saul Tepper
3736:Robert Peak
3705:John Falter
3700:Harvey Dunn
3684:Howard Pyle
3658:N. C. Wyeth
3529:Peter Helck
3417:Floyd Davis
3401:Fred Cooper
3179:Other media
3133:(1996–1997)
3125:(1986–1987)
3117:(1979–1982)
3098:(2007–2008)
3090:(1954–1955)
3079:Live-action
2980:Prince Thun
2960:Hans Zarkov
2939:Created by
2343:"Rip Kirby"
1893:November 1,
1733:January 16,
1270:speed limit
1236:Jim Raymond
1228:Matt Dillon
1210:glamourpuss
1165:Joe Shuster
1122:Dick Sprang
1118:Joe Sinnott
1102:Joe Orlando
1090:Mort Meskin
1054:Dick Dillin
935:funny pages
916:Jerry Bails
803:Ward Greene
573: [
502:Buck Rogers
463:ghostwriter
456:Jules Verne
385:Lyman Young
341:Wall Street
209:Buck Rogers
5519:Categories
5239:Mary Petty
5193:Jack Kirby
5188:René Gruau
5142:Anita Kunz
4990:Mary Blair
4928:John Sloan
4887:Fred Otnes
4782:Paul Davis
4746:Matt Clark
4689:Jack Unruh
4628:Jack Davis
4602:John Groth
4453:James Bama
4312:Leo Dillon
4302:Joe DeMers
4152:Joe Bowler
3853:Stan Galli
3653:Tom Lovell
3254:Jungle Jim
2955:Dale Arden
2885:, Volume 1
2807:Jungle Jim
2629:Mike Royer
2352:January 2,
2131:January 2,
2075:January 1,
1989:January 2,
1663:References
1369:Jungle Jim
1262:Stan Drake
1240:Chic Young
1215:Stan Drake
1193:Hal Foster
1181:Silver Age
1149:Golden Age
1082:Joe Kubert
1050:Gene Colan
1038:Matt Baker
981:Stan Drake
912:Hal Foster
848:Mary Worth
815:Jungle Jim
723:Jungle Jim
678:Jungle Jim
668:Hal Foster
664:Jungle Jim
658:Run above
617:The first
592:Jungle Jim
568:to artist
530:Dale Arden
478:Jungle Jim
461:Alongside
434:Jungle Jim
399:Chic Young
297:Carl Barks
263:Jack Kirby
219:Jungle Jim
142:cartoonist
96:Cartoonist
57:1909-10-02
5281:2020–2029
5259:Roz Chast
5056:Ted Lewin
5000:Al Jaffee
4819:2010–2019
4436:2000–2009
4214:Ben Shahn
4083:1990–1999
3810:1980–1989
3788:Ben Stahl
3567:1970–1979
3481:Al Parker
3384:1960–1969
3324:1958–1959
3264:Mac Raboy
3156:(pinball)
2994:Locations
2883:Rip Kirby
2811:Rip Kirby
2724:USA Today
2458:0194-7869
2312:Plane Fun
2222:0194-7869
2169:0194-7869
1723:May 2012"
1646:1934-1936
1500:Rip Kirby
1377:Rip Kirby
1296:Rip Kirby
1289:from the
1177:Roy Crane
1145:Rip Kirby
1133:EC Comics
1126:Alex Toth
1106:Mac Raboy
1074:Jack Katz
1070:Bob Haney
1034:Jim Aparo
1018:Star Wars
1001:Star Wars
977:Rip Kirby
952:Collier's
940:Blue Book
925:Rip Kirby
896:In 1967,
886:Rip Kirby
882:Rip Kirby
856:Al Parker
807:Rip Kirby
795:Rip Kirby
785:Rip Kirby
779:Rip Kirby
694:Burroughs
334:Iona Prep
304:Biography
291:in 1996.
284:Star Wars
247:Rip Kirby
167:, 1938's
156:Universal
116:Rip Kirby
5005:Syd Mead
4353:Kerr Eby
3186:List of
3106:Animated
2783:June 20,
2742:Archived
2702:Archived
2613:Archived
2424:Archived
2398:Archived
2375:Archived
1940:Archived
1929:Archived
1847:, 1998)
1811:, p. 641
1758:, 1996)
1703:March 3,
1620:Volume 4
1606:Volume 3
1592:Volume 2
1578:Volume 1
1552:Volume 4
1538:Volume 3
1524:Volume 2
1510:Volume 1
1484:Volume 7
1470:Volume 6
1456:Volume 5
1442:Volume 4
1428:Volume 3
1414:Volume 2
1400:Volume 1
1266:Corvette
1264:'s 1956
1205:Dave Sim
1203:creator
1161:Superman
1157:Bob Kane
1135:-staple
1058:Lou Fine
734:Quantico
267:Bob Kane
161:(1936's
98:, Artist
2678:(p. 82)
2528:May 26,
2506:May 26,
1984:Lambiek
1766:, p. 54
1341:Blondie
1245:Blondie
1200:Cerebus
964:Esquire
690:Haggard
686:Kipling
560:author
404:Blondie
321:faith.
238:Marines
91:Area(s)
3056:(1980)
3037:(1940)
3029:(1938)
3021:(1936)
2834:
2674:
2650:(p. 7)
2646:
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2280:
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2167:
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2092:Horn.
2022:
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1558:
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1530:
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1490:
1476:
1462:
1448:
1434:
1420:
1406:
1281:Awards
1159:) and
1153:Batman
892:Legacy
817:, and
673:Tarzan
538:rocket
515:Eisner
511:Caniff
483:topper
436:, and
379:, and
273:, and
183:and a
129:(1949)
123:Awards
84:, U.S.
66:, U.S.
43:, 1949
5395:Brian
3145:Games
3001:Mongo
1252:Death
577:]
558:Saint
522:Flash
487:Flash
230:Flash
214:Flash
5464:2024
5418:2023
5397:and
5373:2022
5332:2021
5291:2020
5227:2019
5171:2018
5125:2017
5079:2016
5058:and
5029:2015
4983:2014
4942:2013
4901:2012
4865:2011
4829:2010
4770:2009
4734:2008
4698:2007
4652:2006
4621:2005
4590:2004
4559:2003
4528:2002
4487:2001
4446:2000
4377:1999
4336:1998
4290:1997
4254:1996
4223:1995
4197:1994
4171:1993
4145:1992
4119:1991
4093:1990
4051:Erté
4044:1989
4018:1988
3997:1987
3976:1986
3950:1985
3924:1984
3898:1983
3872:1982
3846:1981
3820:1980
3771:1979
3745:1978
3719:1977
3693:1976
3667:1975
3641:1974
3625:1973
3609:1972
3593:1971
3577:1970
3538:1969
3522:1968
3506:1967
3490:1966
3474:1965
3458:1964
3442:1963
3426:1962
3410:1961
3394:1960
3350:1959
3334:1958
3045:Film
2832:ISBN
2809:and
2785:2014
2672:ISBN
2644:ISBN
2564:Time
2544:ISBN
2530:2019
2508:2019
2454:ISSN
2354:2009
2278:ISBN
2247:ISBN
2218:ISSN
2165:ISSN
2133:2009
2077:2009
2020:ISBN
1991:2009
1895:2011
1849:ISBN
1805:ISBN
1760:ISBN
1735:2013
1705:2009
1650:ISBN
1624:ISBN
1610:ISBN
1596:ISBN
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1528:ISBN
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1488:ISBN
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1460:ISBN
1446:ISBN
1432:ISBN
1418:ISBN
1404:ISBN
1230:and
1175:and
1124:and
955:and
946:Look
902:Time
845:and
754:USS
692:and
590:and
542:Ming
526:polo
513:and
196:and
71:Died
49:Born
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