Alexander Scriabin

145: 542: 645: 1874: 1800: 875: 1093:, and their spiritual ideas. Russian cosmism is an action-oriented tradition that aims to unite humanity through various means, from technology to spirituality, in a cosmic mission of active evolution and transformation. Scriabin's unique contribution to Russian cosmism was "the centrality of music’s role in his philosophy", believing in music's transformative power to achieve cosmist goals. This contrasts with other cosmists, who focused more on religious, scientific, or technological means. Scriabin's philosophy integrates music and spirituality, seeing them as interconnected pathways to mystical union. 957: 823: 1616: 685: 1354:. Sofronitsky never met Scriabin, as his parents forbade him to attend a concert due to illness. Sofronitsky said he never forgave them, but he married Scriabin's daughter Elena. According to Horowitz, when he played for Scriabin as an 11-year-old, Scriabin responded enthusiastically and encouraged him to pursue a full musical and artistic education. When Rachmaninoff performed Scriabin's music, Scriabin criticized his pianism and his admirers as earthbound. 5976: 5522: 4517: 671: 902:. During this period, Scriabin's music becomes more chromatic and dissonant, yet still mostly adheres to functional tonality. As dominant chords are more and more extended, they gradually lose their tensive function. Scriabin wanted his music to have a radiant, shining feeling, and attempted this by raising the number of chord tones. During this time, complex forms like the mystic chord are hinted at, but still show their roots in Chopinesque harmony. 637:. Scriabin's doctor remarked that the sore looked "like purple fire". His temperature shot up to 41 °C (106 °F) and he was now bedridden. Incisions were made on 12 April, but the sore had already begun to poison his blood, and he became delirious. Bowers writes: "Intractably and inexplicably, a simple spot had grown into a terminal ailment." On 14 April 1915, at age 43 and at the height of his career, Scriabin died in his Moscow apartment of 381: 5986: 5532: 65: 1319: 6093: 1154: 6265: 6220: 271: 6248: 1018:. Though Scriabin has commonly been associated with theosophy, "The extent to which Scriabin seriously studied Theosophy ... is debatable, but nevertheless these associations earned him significant press coverage." Even Scriabin's brother-in-law, Boris de Schlözer, said that despite Scriabin's general interest in theosophy, he never took it seriously and was even disappointed by certain aspects of it. 6208: 1085:'s ideas, Russian cosmism sought to unite humanity in a cosmic evolution, integrating spirituality and technology. Such cosmist ideas were hugely popular in Russia, and as a child of his age, Scriabin "demonstrates a creative adaptation of ideas typical of late imperial Russia" and emphasizes "concepts that corresponded to his intellectual contemporaries' preoccupation with 6196: 917:

important to accumulate high tones. To make it shining, conveying the idea of light, a greater number of tones had to be raised in the chord. And, therefore, I raise the tones: At first I take the shining major third, then I also raise the fifth, and the eleventh—thus forming my chord—which is raised completely and, therefore, really shining.

1261:. It was played like a piano, but projected coloured light on a screen in the concert hall rather than sound. Most performances of the piece (including the premiere) have omitted this light element, although a performance in New York City in 1915 projected colours onto a screen. It has been erroneously claimed that this performance used the 3241:, Vol. 34, Issue 4, pp. 357–362: "authors conclude that the nature of Scriabin's 'color-tonal' analogies was associative, i.e. psychological; accordingly, the existing belief that Scriabin was a distinctive, unique 'synesthete' who really saw the sounds of music—that is, literally had an ability for 'co-sensations'—is placed in doubt." 1838:. Rimma died of intestinal issues in 1905 at age seven. Marina became an actress at the Second Moscow Art Theatre and the wife of director Vladimir Tatarinov. Lev also died at age seven, in 1910. At this point, relations with Scriabin's first wife had significantly deteriorated, and Scriabin did not meet her at the funeral. 468:). In August 1897, Scriabin married the pianist Vera Ivanovna Isakovich, and then toured in Russia and abroad, culminating in a successful 1898 concert in Paris. That year he became a teacher at the Moscow Conservatory and began to establish his reputation as a composer. During this period he composed his cycle of 1823:, whose birth name was Vyacheslav Skryabin. In his memoirs published by Felix Chuyev under the Russian title "Молотов, Полудержавный властелин", Molotov explains that his brother Nikolay Skryabin, who was also a composer, had adopted the name Nikolay Nolinsky in order not to be confused with Alexander Scriabin. 702: 1334:

of Leipzig. The Welte rolls were recorded in February 1910 in Moscow, and have been replayed and published on CD. Those recorded for Hupfeld include the Sonatas Nos. 2 and 3 (Opp. 19 and 23). While this indirect evidence of Scriabin's pianism prompted a mixed critical reception, close analysis of the

628:

Scriabin returned triumphantly to his Moscow apartment on 4 April. He noticed a resurgence of a little pimple on his right upper lip. He had mentioned the pimple as early as 1914 while in London. His temperature rose, and he took to bed and cancelled his Moscow concert for 11 April. The pimple became

1037:

The main sources of Scriabin's philosophy can be found in his notebooks, published posthumously. These writings are infamous for containing the declaration, "I am God." This phrase, often wrongly attributed to a megalomaniac personality by those unfamiliar with mysticism, is in fact a declaration of

503:

By 13 March 1904, Scriabin and his wife had relocated to Geneva, Switzerland. While living here, Scriabin separated legally from his wife, with whom he had had four children. He also began working on his Symphony No. 3 here. The work was performed in Paris during 1905, where Scriabin was accompanied

364:

Apparently precocious, Scriabin began building pianos after becoming fascinated with piano mechanisms. He sometimes gave houseguests pianos he had built. Lyubov portrays Scriabin as very shy and unsociable with his peers, but appreciative of adult attention. According to one anecdote, Scriabin tried

1710:

Scriabin's funeral, on 16 April 1915, was attended by so many people that tickets had to be issued. Rachmaninoff, a pallbearer, subsequently embarked on a grand tour of Russia, performing only Scriabin's music for the family's benefit. It was the first time Rachmaninoff had publicly performed piano

620:

Scriabin gave his last concert on 2 April 1915 in Saint Petersburg, performing a large programme of his own works. He received rave reviews from music critics, who called his playing "most inspiring and affecting", and wrote, "his eyes flashed fire and his face radiated happiness". Scriabin himself

952:

According to Claude Herndon, in Scriabin's late music "tonality has been attenuated to the point of virtual extinction, although dominant sevenths, which are among the strongest indicators of tonality, preponderate. The progression of their roots in minor thirds or diminished fifths dissipate the

515:

With a wealthy sponsor's financial assistance, Scriabin spent several years travelling in Switzerland, Italy, France, Belgium and the United States, working on more orchestral pieces, including several symphonies. He also began to compose "poems" for the piano, a form with which he is particularly

447:

In 1892 he graduated with the Little Gold Medal in piano performance, but did not complete a composition degree because of strong personality and musical differences with Arensky (whose faculty signature is the only one absent from Scriabin's graduation certificate) and an unwillingness to compose

1214:

Rachmaninoff recorded a conversation he had had with Scriabin and Rimsky-Korsakov about Scriabin's association of colour and music. Rachmaninoff was surprised to find that Rimsky-Korsakov agreed with Scriabin about associations of musical keys with colors; himself skeptical, Rachmaninoff made the

978:

Varvara Dernova writes, "The tonic continued to exist, and, if necessary, the composer could employ it . . . but in the great majority of cases, he preferred the concept of a tonic in distant perspective, so to speak, rather than the actually sounding tonic . . . The relationship of the tonic and

905:

At first, the added dissonances resolve conventionally according to voice leading, but the focus slowly shifts to a system in which chord coloring is most important. Later on, fewer dissonances in the dominant chords are resolved. According to Sabbagh, "the dissonances are frozen, solidified in a

916:

I decided that the more higher tones there are in harmony, it would turn out to be more radiant, sharper and more brilliant. But it was necessary to organize the notes giving them a logical arrangement. Therefore, I took the usual thirteenth-chord, which is arranged in thirds. But it is not that

388:

In 1882, Scriabin enlisted in the Second Moscow Cadet Corps. As a student, he became friends with the actor Leonid Limontov, who in his memoirs recalls his reluctance to become friends with Scriabin, who was the smallest and weakest among all the boys and sometimes teased due to his stature. But

1100:

for humanity. His music, embodying flight and space exploration themes, aligns with cosmist beliefs in humanity's cosmic destiny. His philosophical ideas, particularly his declarations of being God and ideas about unity and multiplicity, should be understood within the mystical context of early

1725:

praised Scriabin's thematic material as "truly individual, truly inspired", but criticized Scriabin for putting "this really new body of feeling into the strait-jacket of the old classical sonata-form, recapitulation and all", calling this "one of the most extraordinary mistakes in all music."

360:

during his later years. Alexander's father left the infant Sasha (as he was known) with his grandmother, great-aunt, and aunt. Scriabin's father later remarried, giving Scriabin a number of half-brothers and sisters. His aunt Lyubov (his father's unmarried sister) was an amateur pianist who

1172:

Though Scriabin's late works are often considered to be influenced by synesthesia, an involuntary condition wherein one experiences sensation in one sense in response to stimulus in another, it is doubted that Scriabin actually experienced this. His colour system, unlike most synesthetic

1215:

obvious objection that the two composers did not always agree on the colours involved. Both maintained that D major is golden-brown, but Scriabin linked E-flat major with red-purple, while Rimsky-Korsakov favored blue. Rimsky-Korsakov protested that a passage in Rachmaninoff's opera

846:

Scriabin's early harmonic language was especially fond of the 13th dominant chord, usually with the 7th, 3rd, and 13th spelled in fourths. This voicing can also be seen in several of Chopin's works. According to Peter Sabbagh, this voicing was the main generating source of the later

1893:(Stern Gang), undertaking special operations for the militant group, and she was imprisoned in 1947 for launching a terrorist letter bomb campaign against British targets and planting explosives on British ships that had been trying to prevent Jewish immigrants from travelling to 859:. But despite these tendencies, slightly more dissonant than usual for the time, all these dominant chords were treated according to the traditional rules: the added tones resolved to the corresponding adjacent notes, and the whole chord was treated as a dominant, fitting inside 1221:

accorded with their claim: the scene in which the Old Baron opens treasure chests to reveal gold and jewels glittering in torchlight is in D major. Scriabin told Rachmaninoff, "your intuition has unconsciously followed the laws whose very existence you have tried to deny."

1284:

and designed by Richard N. Gould, who projected the colors into the auditorium reflected by Mylar vests worn by the audience. The Yale Symphony repeated the presentation in 1971 and brought the work to Paris that year for what was perhaps its Paris premiere at the

486:

According to later reports, between 1901 and 1903 Scriabin envisioned writing an opera. He expounded its ideas in the course of normal conversation. The work would center around a nameless hero, a philosopher-musician-poet. Among other things, he would declare:

1697: 625:, "I completely forgot I was playing in a hall with people around me. This happens very rarely to me on the platform." He elaborated that he normally "had to watch himself very carefully, look at himself as if from afar, to keep himself in control." 930:

formal tensions are created by the absence of harmonic contrast and "between the cumulative momentum of the music, usually achieved by textural rather than harmonic means, and the formal constraints of the tripartite mould". He also argues that the

1046:) to refer to essentially the same state of consciousness. Although scholars contest Scriabin's status as a theosophist, there is no denying that he was a mystic, especially influenced by a range of Russian mystics and spiritual thinkers, such as 735: 759:

Rather than seeking musical versatility, Scriabin was happy to write almost exclusively for solo piano and for orchestra. His earliest piano pieces resemble Chopin's and include music in many genres that Chopin employed, such as the

365:

to conduct an orchestra composed of local children, an attempt that ended in frustration and tears. He performed his own plays and operas with puppets to willing audiences. He studied the piano from an early age, taking lessons with

701: 1136:

represents the culmination of his mystico-philosophical worldview. Scriabin "came to believe that he had a mission to regenerate mankind through art. This goal was to be achieved by means of a work which he referred to as the

979:

dominant functions in Scriabin's work is changed radically; for the dominant actually appears and has a varied structure, while the tonic exists only as if in the imagination of the composer, the performer, and the listener."

1561: 389:

Scriabin won his peers' approval at a concert where he performed on the piano. He ranked generally first in his class academically, but was exempt from drilling due to his physique and given time each day to practice piano.

1202:

tonality with the same tonic, such as C minor and C major. Indeed, influenced by theosophy, he developed his system of synesthesia toward what would have been a pioneering multimedia performance: his unrealized magnum opus

736: 703: 1865:

and was responsible for communications between the command in Toulouse and the partisan forces in the Tarn district and for taking weapons to the partisans, which resulted in her death when she was ambushed by the

1737:

and eventually was given theoretical explication by the composer. Roslavets was not alone in his innovative extension of Scriabin's musical language, as quite a few Soviet composers and pianists, such as Feinberg,

554:

In 1909, Scriabin permanently returned to Russia, where he continued to compose, working on increasingly grandiose projects. For some time before his death he had planned a multimedia work, to be performed in the

1695: 1065:, the bedrock of Russian mysticism, is another contributing factor to Scriabin's declaration "I am God": if everything is interconnected and everything is God, then I, too, am God, as much as anything else. 1141:, which was to last seven days, would involve all means of expression and all of humanity, and would transform the world." Ideas of unity, transcendence, the synthesis of arts, and transformation pervade 651:—Traduction française de Joseph Belleau—Imprimé par Alexandre Scriabine—Don fait par la veuve du pianiste canadien et proche ami de Scriabine Alfred LaLiberté au grand pianiste canadien Marc-André Hamelin 1916:, while her son Joseph (Yossi, born 1943) served in the Israeli special forces, before becoming a poet, publishing many poems dedicated to his mother. One of her great-grandsons, via Betty Knut-Lazarus, 1676: 1655: 1634: 1038:

extreme humility in both Eastern and Western mysticism. In these traditions, the individual ego is so fully eradicated that only God remains. Different traditions have used different terms (e.g.,

1696: 253:, "No one was more famous during their lifetime, and few were more quickly ignored after death." Nevertheless, his musical aesthetics have been reevaluated since the 1970s, and his ten published 694: 733: 361:

documented Sasha's early life until he met his first wife. As a child, Scriabin was frequently exposed to piano playing; anecdotal references describe him demanding that his aunt play for him.

1881:

Ariadna's daughter (by her first marriage to French composer David Lazarus), Betty (Elizabeth) Knut-Lazarus, became a famous teenage heroine of the French Resistance, personally winning the

2204: 1653: 1674: 1632: 144: 1276:

On 22 November 1969, the work was fully realized, making use of the composer's color score as well as newly developed laser technology on loan from Yale's Physics Department, by

596:

at the piano. Nemtin eventually completed a second portion ("Mankind") and a third ("Transfiguration"), and Ashkenazy recorded his entire two-and-a-half-hour completion with the

1556: 1207:

was to be a weeklong performance including music, scent, dance, and light in the foothills of the Himalayas that was somehow to bring about the world's dissolution in bliss.

237:

described Scriabin's music as "a sincere expression of genius." Scriabin's oeuvre exerted a salient influence on the music world over time, and inspired composers such as

3215:: "In fact, there is considerable doubt about the legitimacy of Scriabin's claim, or rather the claims made on his behalf, as we shall discuss in Chapter 5." (pp. 31–32). 1335:

recordings within the context of the limitations of the particular piano roll technology can shed light on the free style he favoured for his own works, characterized by

1675: 1654: 1633: 249:. But Scriabin's importance in the Russian (subsequently Soviet) musical scene, and internationally, drastically declined after his death. According to his biographer 1021:

Scriabin used poetry to express his philosophical notions, and he communicated much of his philosophical thought through his music, the most prominent examples being

440:, as a "cry against God, against fate." It was the third sonata he wrote, but the first to which he gave an opus number (his second was condensed and released as the 973:

In former times the chords were arranged by thirds or, which is the same, by sixths. But I decided to construct them by fourths or, which is the same, by fifths.

1773:, who compiled a catalogue of Scriabin's piano music in 1927, was championing his music in recitals and regarded him as "the greatest composer since Beethoven". 1567: 1269:; in fact, it was a novel construction supervised personally and built in New York specifically for the performance by Preston S. Miller, the president of the 2074:, which was also the most popular spelling used in English-language publications during his lifetime. First editions of his works used the Romanizations " 795:. Many passages in them can be said to be tonally vague, though from 1903 through 1908, "tonal unity was almost imperceptibly replaced by harmonic unity." 4377: 1733:, unlike Prokofiev's and Stravinsky's, is often seen as a direct extension of Scriabin's. But unlike Scriabin's, Roslavets' music was not explained with 1688: 4341: 734: 574: 4336: 878:

Examples of enhanced dominant chords in Scriabin's early work. Extracted from the Mazurkas Op. 3 (1888–1890): No. 1, mm. 19–20, 68; No. 4, mm. 65–67.

5424: 3303: 3020: 2086: 2552: 1897:. Regarded as a heroine in France, she was released prematurely but imprisoned a year later in Israel for alleged involvement in the killing of 6360: 1225:

Scriabin wrote only a small number of orchestral works, but they are among his most famous, and some are performed frequently. They include a

1362: 6340: 6325: 4389: 4384: 4372: 4367: 4362: 4145: 2685: 1097: 922:

According to Samson, while the sonata form of Scriabin's Sonata No. 5 has some meaning to the work's tonal structure, in his Sonatas Nos.

563:", "a grandiose religious synthesis of all arts which would herald the birth of a new world." Scriabin left only sketches for this piece, 541: 483:

For five years, Scriabin was based in Moscow, during which time his old teacher Safonov conducted the first two of Scriabin's symphonies.

5568: 4520: 1055: 665: 384:

Zverev's students in the late 1880s. Scriabin, with military attire, is second from the left. Rachmaninoff is the fourth from the right.

4163: 661: 131: 3808: 1060: 6420: 6395: 6315: 6300: 4075: 3606: 1826:

Scriabin had seven children in total: from his first marriage Rimma (Rima), Elena, Marina (1901–1989), and Lev, and from his second

787:

The development of Scriabin's style can be traced in his ten piano sonatas: the earliest are composed in a fairly conventional late-

6345: 6320: 6305: 4565: 2984:

Ballard, Lincoln M. (Summer 2012). "A Russian Mystic in the Age of Aquarius: The U.S. Revival of Alexander Scriabin in the 1960s".

1808: 1010:, all of whom greatly influenced his musical and philosophical thought. He also showed interest in theosophy and the writings of 456:

In 1894, Scriabin made his debut as a pianist in Saint Petersburg, performing his own works to positive reviews. The same year,

6022: 2051: 851:. More importantly, Scriabin was fond of simultaneously combining two or more different dominant-seventh enhancements, such as 791:

manner and reveal the influence of Chopin and sometimes Liszt, but the later ones are very different, the last five lacking a

5429: 4050: 4025: 4004: 3978: 3933: 3905: 3408: 3378: 2810: 2772: 2737: 2467: 2225: 2178: 1306:

Scriabin's original colour keyboard, with its associated turntable of coloured lamps, is preserved in his apartment near the

3947: 3558: 2602: 2144: 1905:, Israel, where she had three children and founded a nightclub that became Beersheba's cultural centre. She died at age 38. 344:'s Institute of Oriental Languages and left for Turkey. Like all his relatives, he followed a military path and served as a 6310: 4042: 3346: 2289: 2246: 1286: 1089:

and eschatological visions of life transformation." Scriabin was deeply influenced by figures like Solovyov, Berdyaev, and

597: 6400: 6385: 6355: 6236: 726: 1776:

Scriabin's music has since undergone a total rehabilitation and can be heard in major concert halls worldwide. In 2009,

3542: 294:, belonged to a modest noble family founded by Scriabin's great-grandfather Ivan Alekseevich Scriabin, a soldier from 6380: 6375: 5505: 4399: 3862: 3732: 3644: 3532: 3212: 2679: 2410: 2369: 1769:

called Scriabin a "sad pathological case, erotic and egotistic to the point of mania". At the same time, the pianist

227:

Scriabin was an innovator as well as one of the most controversial composer-pianists of the early 20th century. The

4138: 3228: 1270: 644: 4108: 713: 675: 5561: 4415: 4394: 1322:

Autograph signature, from the manuscript of Two Poems, Op. 63. The composer uses the French spelling "Scriabine".

1082: 1047: 826:

Common spellings of the dominant chord and its extensions during the common practice period. From left to right:

811:

harmonic language. But Scriabin's voice is present from the very beginning, in this case by his fondness for the

776:. Scriabin's music rapidly evolved over the course of his life. The mid- and late-period pieces use very unusual 579: 353: 6365: 4357: 4316: 3632: 2970: 2337: 1850: 1078: 523:

In 1907, Scriabin settled in Paris with his family and was involved with a series of concerts organized by the

4984: 4071: 460:

agreed to pay Scriabin to compose for his publishing company (he published works by notable composers such as

6410: 6370: 5847: 4420: 4307: 4302: 4293: 4288: 4283: 4278: 4273: 4264: 4259: 3988: 946: 927: 923: 892: 888: 622: 437: 161: 157: 99: 80: 22: 5408: 188:, Scriabin developed a much more dissonant musical language that had transcended usual tonality but was not 6350: 6330: 5264: 4558: 4212: 3181:

Edited by Caryl Emerson, George Pattison, and Randall A. Poole. London: Oxford University Press, 2020, 388.

1504: 1241: 1120: 221: 4654: 422: 6335: 5897: 5586: 5467: 4131: 2355: 1266: 330: 4086: 3829: 3237: 966:

is not a dominant chord, but a basic chord, a consonance. It is true—it sounds soft, like a consonance.

310:. His mother, Lyubov Petrovna Scriabina (née Schetinina), was a concert pianist and a former student of 6405: 6390: 6186: 6015: 5979: 5554: 5512: 4754: 4709: 4583: 3970: 3477: 3281: 2199: 1718: 1520: 1296: 1096:

Scriabin's works reflect key cosmist themes: the importance of art, cosmos, monism, destination, and a

299: 3085:

Starcevic, Vladan (February 2012). "The life and music of Alexander Scriabin: megalomania revisited".

2544: 2122: 2083: 2079: 2075: 5331: 4649: 4236: 4194: 4189: 4184: 2729: 1770: 1667: 1646: 1625: 1226: 804: 477: 229: 6124: 5239: 5064: 3342: 2986: 2909: 2897: 1765:, calling it "evil music", and even banned Scriabin's music from broadcasts in the 1930s. In 1935, 1762: 1456: 1385: 4112: 1923:

Julian, a child prodigy, was a composer and pianist, but died by drowning at age 11 (1919) in the

1889:, as well as the French Croix de Guerre. After the war she became an active member of the Zionist 1873: 604:. Several late pieces published during Scriabin's lifetime are believed to have been intended for 257:

and other works have been increasingly championed, garnering significant acclaim in recent years.

6254: 6162: 6114: 5967: 5525: 5134: 4551: 4468: 3996: 3704: 2209: 1812: 1799: 1572: 1397: 1336: 1281: 1246: 461: 349: 291: 4844: 2669: 6212: 5989: 5948: 5535: 5477: 5452: 5284: 4859: 4604: 1358: 808: 545:

Scriabin (sitting on the left of the table) as a guest at Wladimir Metzl's home in Berlin, 1910

5315: 5154: 5029: 5019: 4784: 2898:"Principles of Pitch Organization in Scriabin's Early Post-tonal Period: The Piano Miniatures" 2453: 2217: 436:. His doctor said he would never recover, and he wrote his first large-scale masterpiece, his 6157: 6008: 5932: 5074: 4954: 4909: 4889: 4804: 1912:

after the war, where her son Eli (born 1935) became a sailor in the Israeli Navy and a noted

874: 516:

associated. While in New York City, in 1907, he became acquainted with the Canadian composer

6271: 4849: 4178: 4099:

Scriabin's own recording of the third and fourth movements of his Piano Sonata No. 3, Op. 23

1717:

bears great likeness to Scriabin's tone and style. Another admirer was the English composer

1405: 956: 822: 6415: 6295: 6290: 5489: 5435: 5274: 4729: 4639: 4219: 3805: 1524: 1441: 1437: 1343: 1326:

Scriabin himself made recordings of 19 of his own works, using 20 piano rolls, six for the

1131: 1039: 565: 307: 173: 5234: 3687:"Scriabin...: A Complete Catalogue of His Piano Compositions, with Thematic Illustrations" 1901:. The charges were later dropped. After her release from prison, she settled at age 23 in 517: 509: 302:

in 1819. Alexander's paternal grandmother, Elizaveta Ivanovna Podchertkova, daughter of a

8: 6045: 5832: 5484: 5402: 5104: 4939: 4205: 4102: 1913: 1894: 1819:

between 1957 and 2003. Scriabin was not a relative of Soviet Minister of Foreign Affairs

1788: 1721:, who promoted Scriabin even during the years when his popularity had decreased greatly. 1235: 1114: 1022: 1007: 999: 835: 393: 370: 311: 5079: 4879: 4869: 4714: 4098: 505: 504:

by Tatiana Fyodorovna Schlözer—a former pupil and the niece of the pianist and composer

345: 6129: 6075: 5827: 5397: 5244: 5084: 5014: 4999: 4979: 4834: 4684: 4493: 3925: 3755: 3611: 3325: 3160: 3110: 3011: 2459: 1820: 1743: 1597: 1540: 1351: 1217: 1166: 868: 589: 465: 303: 5189: 2136: 803:

Scriabin's first period is usually considered to last from his earliest pieces to his

512:. Tatiana would become Scriabin's second wife, with whom Scriabin had other children. 233:

said of him, "no composer has had more scorn heaped on him or greater love bestowed."

5985: 5740: 5625: 5577: 5531: 5414: 5294: 5279: 5219: 5199: 5159: 5144: 5124: 5059: 5049: 5044: 5039: 5024: 5009: 5004: 4779: 4774: 4679: 4488: 4046: 4021: 4000: 3974: 3939: 3929: 3901: 3874: 3858: 3854: 3728: 3640: 3584: 3538: 3447: 3404: 3374: 3350: 3208: 3164: 3152: 3102: 3015: 3003: 2806: 2768: 2743: 2733: 2675: 2473: 2463: 2406: 2365: 2281: 2221: 2174: 2114: 1842: 1827: 1751: 1747: 1739: 1730: 1713: 1552: 1508: 1492: 1464: 1460: 1393: 1347: 998:

Scriabin was interested in the philosophies and aesthetics of German authors such as

816: 812: 457: 408:. He became a noted pianist despite his small hands, which could barely stretch to a 246: 217: 185: 4749: 3425: 3114: 2999: 1757:

Scriabin's music was greatly disparaged in the West during the 1930s. In the UK Sir

413: 6200: 5953: 5922: 5887: 5842: 5837: 5750: 5730: 5720: 5685: 5680: 5419: 5371: 5259: 5214: 5209: 5149: 4964: 4919: 4764: 4734: 4704: 4644: 3602: 3437: 3370: 3293: 3144: 3094: 2995: 2913: 2361: 2276: 2213: 2046: 2034: 1998: 1954: 1898: 1886: 1835: 1784: 1339:

variations in tempo, rhythm, articulation, dynamics, and sometimes even the notes.

1178: 1162: 1158: 1051: 1011: 827: 527: 341: 319: 283: 242: 209: 5695: 5675: 5094: 4799: 3373:: The Vestal Press, for the Automatic Musical Instrument Collectors' Association. 2384: 6050: 5862: 5760: 5710: 5472: 5366: 5361: 5341: 5336: 5310: 5224: 5174: 5099: 5069: 5034: 4994: 4724: 4719: 4689: 4629: 4478: 4447: 4082: 4036: 4015: 3966:

Music and Decadence in European Modernism: The Case of Central and Eastern Europe

3964: 3919: 3812: 3722: 3686: 3398: 3364: 3265: 3232: 2800: 2762: 2723: 2610: 2341: 2250: 2090: 1992: 1846: 1831: 1578: 1528: 1516: 1468: 1452: 1421: 1090: 1074: 987: 896: 781: 765: 531: 473: 287: 238: 197: 4934: 4819: 3442: 2271: 2241: 1384:, and Elina Akselrud. The complete published sonatas have also been recorded by 6055: 5912: 5872: 5857: 5786: 5781: 5690: 5640: 5462: 5376: 5269: 5254: 5229: 5169: 5164: 5129: 4989: 4969: 4959: 4914: 4894: 4874: 4854: 4839: 4829: 4814: 4794: 4699: 4659: 4624: 4614: 4574: 4426: 3915: 3148: 2267: 1867: 1816: 1766: 1548: 1544: 1536: 1532: 1429: 1425: 1373: 1367: 1331: 1126: 1026: 1003: 983: 937: 856: 838:, dominant seventh with raised fifth, dominant seventh with a rising chromatic 831: 788: 709: 593: 427: 405: 401: 366: 340:

After her death, Nikolai Scriabin completed tuition in the Turkish language in

250: 181: 4759: 4118: 3471: 1862: 1290: 6284: 6224: 5892: 5620: 5249: 5184: 5119: 4974: 4929: 4674: 4669: 4664: 4609: 4503: 4463: 3718: 3699: 3572: 3513: 3451: 3156: 3132: 3098: 3007: 2449: 2360:. Cultural Heritage of the Russian Emigration, 1917–1940. Volume 1 // ed. by 2166: 2071: 1924: 1777: 1722: 1512: 1484: 1480: 1433: 1401: 1381: 1015: 792: 601: 489:

I am the apotheosis of world creation. I am the aim of aims, the end of ends.

397: 318:; its founder, Semyon Feodorovich Yaroslavskiy, nicknamed Schetina (from the 5650: 4530: 3943: 3787:”Blushed at Bomb Plot Charge". 26 August 1948, Morning Bulletin. Rockhampton 3025: 2967:

Varvara Dernova's Garmoniia Skriabina: A Translation and Critical Commentary

2285: 1342:

Pianists who have performed Scriabin to particular critical acclaim include

6031: 5927: 5882: 5796: 5791: 5670: 5660: 5630: 5615: 5194: 5114: 5109: 5089: 5054: 4904: 4899: 4884: 4864: 4824: 4809: 4789: 4619: 4599: 4483: 3879:

The Concise Edition of Baker's Biographical Dictionary of Musicians, 8th ed

3394: 3106: 2747: 1890: 1758: 1593: 1585: 1488: 1409: 1377: 1327: 1277: 1254: 1182: 848: 839: 334: 295: 254: 4739: 3588: 3426:"The Performance of Scriabin's Piano Music: Evidence from the Piano Rolls" 2477: 6109: 6082: 6070: 5867: 5852: 5457: 5204: 5139: 4944: 4924: 4769: 4744: 4473: 3580: 3062:. Edited by Simon Nicholls. New York: Oxford University Press, 68 and 70. 2400: 2380: 1917: 1882: 1500: 1476: 1472: 1445: 1413: 1389: 1073:

Recent scholarship has positioned Scriabin within the tradition of early

990:

scales, as well as the nine-note scale resulting from their combination.

852: 807:. The works from this period adhere to the romantic tradition, employing 717: 417: 234: 201: 193: 3756:"Смотрим Главное, Вести, Фильмы, Сериалы, Шоу И Эфир Российских Каналов" 3660:

Defining Moments: Vicissitudes in Scriabin's Twentieth-Century Reception

3298: 3225: 2918: 2764:

Music in Transition: A Study of Tonal Expansion and Atonality, 1900–1920

2725:

Music in Transition: A Study of Tonal Expansion and Atonality, 1900–1920

2575: 2243:

Rachmaninoff and Scriabin: Creativity and Suffering in Talent and Genius

1861:

and took the name Sarah. She co-founded the Zionist resistance movement

1130:) that encapsulate his philosophical ideas, perhaps his unfinished work 573:("Prefatory Action"), was eventually made into a performable version by 5917: 5907: 5877: 5610: 5346: 4949: 4066: 3177:

Mitchell, Rebecca. "'Musical metaphysics' in late imperial Russia". In

2334: 1854: 1496: 1417: 1199: 1195: 751: 560: 524: 26: 1181:, which tends to prove it was mostly a conceptual system based on Sir 670: 380: 6065: 5902: 5822: 5705: 5289: 4694: 4634: 4498: 4123: 2345:

article from NashaGazeta.ch, 23 November 2011 (in Russian and French)

1902: 1877:

Scriabin's children from Tatiana: Julian, Marina and Ariadna, c. 1913

1761:

refused to play the Scriabin selections chosen by the BBC programmer

1750:

followed this legacy until Stalinist politics quelled it in favor of

1734: 1601: 1318: 1258: 630: 556: 374: 314:. She belonged to an ancient dynasty that traced its history back to 290:. His father, Nikolai Aleksandrovich Scriabin, then a student at the 213: 189: 64: 2671:

Music of the Twentieth-Century Avant-Garde: A Biocritical Sourcebook

906:

color-like effect in the chord"; the added notes become part of it.

6152: 6119: 6060: 5381: 3851:

The Concise Edition of Baker's Biographical Dictionary of Musicians

1230: 864: 860: 769: 634: 535: 357: 177: 165: 6092: 5546: 3896:

Ballard, Lincoln; Bengtson, Matthew; with John Bell Young (2017).

3657: 1310:

in Moscow, which is now a museum dedicated to his life and works.

1153: 761: 469: 5356: 4543: 1928: 1858: 1853:. Her third marriage was to the poet and WWII Resistance fighter 1194:

Scriabin did not, for his theory, recognize a difference between

1187: 1101:

Russian cosmism, emphasizing unity between man, God, and nature.

1043: 777: 773: 432: 270: 205: 169: 34: 3898:

The Alexander Scriabin Companion: History, Performance, and Lore

184:

idiom. Later, and independently of his influential contemporary

6000: 3194:

Edited by Simon Nicholls. New York: Oxford University Press. 1.

1909: 638: 279: 172:. Before 1903, Scriabin was greatly influenced by the music of 86: 3263:

Frisch, Walter (22 February 1971). "'Prometheus' Transcends".

2943: 2941: 1711:

music other than his own. Prokofiev admired Scriabin, and his

6230: 6134: 3727:. Continuum International Publishing Group Ltd. p. 183. 1972: 1451:

Other prominent performers of Scriabin's piano music include

1307: 584:. Part of that unfinished piece was performed with the title 409: 315: 3825: 3796:

Lazaris, V. (2000). Три женщины. Tel Aviv: Lado, pp. 363–368

1600:, and Ashley Hribar to honour Scriabin at various venues in 5351: 2938: 2405:. Scriabin As a Face. Saint Petersburg: Liki Rossii, p. 13 2010: 1966: 1780:

called Scriabin "one of the greatest of modern composers".

3768: 3048:. Berkeley: University of California Press. pp. 68–9. 160:

25 December 1871] – 27 April [

3895: 3689:. Hawkes & Son. 30 May 1927 – via Google Books. 3326:"Scriabin Museum in Moscow 2019 ✮ Best Museums in Russia" 3031: 2637: 2022: 2016: 1978: 2834: 2824: 2822: 1257:

designed specifically for the performance of Scriabin's

1245:(1910), which includes a part for a machine known as a " 960:

The acoustic and octatonic scales, and their combination

941:"find a much happier co-operation of 'form' and 'content 495:

Op. 34 were originally conceived as arias in the opera.

2625: 369:, a strict disciplinarian, who was also the teacher of 2880:

Skryabin's new harmonic vocabulary in his sixth sonata

2700: 2385:

Chapter 11, 59–70: Yaroslvaskiy and Schetinin families

1357:

Surveys of the solo piano works have been recorded by

720:

Classical Music Student Workshop Concert. (2009-11-04)

534:

in the West at the time. He subsequently relocated to

444:, Op. 4). He eventually regained the use of his hand. 265: 196:. Scriabin found significant appeal in the concept of 6184: 2926: 2846: 2819: 2649: 2509: 2485: 2427: 2415: 2025: 2004: 2001: 1981: 1960: 1957: 373:

and other piano prodigies, though Scriabin was not a

3494: 2497: 2364:, Dmitry Shakhovskoy. Moscow: Nasledie, p. 507–509 2313: 2311: 2309: 2307: 2019: 2007: 1975: 1963: 1908:

In total, three of Ariadna's children immigrated to

949:("Black Mass"), employ a more flexible sonata form. 298:

who had a brilliant military career and was granted

3482: 3244: 2013: 1969: 842:

on the fifth, and dominant seventh flattened fifth.

3724:Understanding Music: Philosophy and Interpretation 3224:B. M. Galeyev and I. L. Vanechkina (August 2001). 2661: 2335:Nikolai Scriabin: First Russian Consul in Lausanne 2107: 742:Étude, Op. 8, No. 12. played by Domenico Stigliani 3179:The Oxford handbook of Russian Religious Thought. 3075:. Oakland: University of California Press, 187-8. 2882:. Journal of Musicological Research. p. 354. 2304: 982:Most of the music of this period is built on the 6282: 3775:Chronicles of the Life and Art of A. N. Scriabin 2047:[ɐlʲɪˈksandrnʲɪkɐˈla(j)ɪvʲɪtɕˈskrʲæbʲɪn] 1787:of Scriabin was placed in the Small Hall of the 1289:. The piece was reprised at Yale again in 2010 ( 286:family on Christmas Day, 1871, according to the 3280:Gawboy, Anna M.; Townsend, Justin (June 2012). 2767:. W.W. Norton & Company. pp. 156–157. 4038:The Development of Harmony in Scriabin's Works 3900:. Lanham, Maryland: Rowman & Littlefield. 3279: 2891: 2889: 2802:The Development of Harmony in Scriabin's Works 476:, his first three piano sonatas, and his only 6016: 5562: 4559: 4535: 4139: 3530: 2717: 2715: 2674:. Connecticut: Greenwood Press. p. 483. 2202:(2001). "Skryabin , Aleksandr Nikolayevich". 1815:who directed the Russian Orthodox diocese in 549: 520:, who became a personal friend and disciple. 416:, he damaged his right hand while practicing 4017:The Composer-Pianists: Hamelin and The Eight 3995:. Oxford studies of composers (15). Oxford: 3043: 2444: 2442: 1794: 1313: 1054:, both of whom Scriabin knew. The notion of 798: 192:, which accorded with his personal brand of 2886: 1161:in order to show the relationship with the 1014:, making contact with theosophists such as 666:Category:Compositions by Alexander Scriabin 498: 451: 448:pieces in forms that did not interest him. 220:composer and a major representative of the 208:tones of his scale, while his colour-coded 6023: 6009: 5569: 5555: 4566: 4552: 4146: 4132: 3534:The Lives and Times of the Great Composers 3417: 3403:. Westport, Connecticut: Greenwood Press. 3190:Simon Nicholls (2018). "Introduction". In 2877: 2794: 2792: 2790: 2788: 2786: 2784: 2712: 2607:Nuances. Preparation for The Final Mystery 2462:: Books for Libraries Press. p. 141. 1607: 1111:Apart from Scriabin's finished works (e.g. 882: 662:List of compositions by Alexander Scriabin 204:, and associated colours with the various 63: 4076:International Music Score Library Project 3987: 3873: 3857:. New York, Schirmer Books, 1993. p. 921 3771:Летопись жизни и творчества А. Н.Скрябина 3441: 3366:The Welte-Mignon: Its Music and Musicians 3297: 3133:"Alexander Scriabin as a Russian Cosmist" 3084: 2917: 2706: 2439: 909: 621:wrote that during his performance of his 306:, came from a wealthy noble house of the 3601: 3218: 3197: 3073:Russian opera and the symbolist movement 2964: 2328: 2326: 1872: 1798: 1317: 1152: 955: 873: 821: 669: 643: 540: 538:(rue de la Réforme 45) with his family. 379: 269: 16:Russian composer and pianist (1872–1915) 4034: 3717: 3655: 3571: 3465: 3250: 3130: 3032:Ballard, Bengtson & Bell Young 2017 2983: 2932: 2852: 2840: 2828: 2798: 2781: 2667: 2448: 2395: 2393: 2218:10.1093/gmo/9781561592630.article.25946 2194: 2192: 2190: 480:, among other works, mostly for piano. 274:A young Alexander Scriabin (late 1870s) 164:14 April] 1915) was a Russian 6283: 4153: 3962: 3914: 3806:בטי קנוט־לזרוס – סיפורה של לוחמת נשכחת 3500: 3423: 3393: 3262: 3126: 3124: 2895: 2760: 2754: 2721: 2655: 2643: 2631: 2600: 2573: 2515: 2503: 2491: 2433: 2421: 2317: 2266: 2198: 1148: 6361:Academic staff of Moscow Conservatory 6004: 5550: 4547: 4534: 4342:Étude in D-sharp minor, Op. 8, No. 12 4127: 4113:The Reproducing Piano Roll Foundation 3362: 2609:. Classical CD Review. Archived from 2323: 2165: 2045: 1811:of Sourozh, a renowned bishop in the 6237: 4337:Étude in C-sharp minor, Op. 2, No. 1 4013: 3826:"Elisha Abas – the official website" 3769:Pryanishnikov and Tompakov (1985). 3488: 3400:The Classical Reproducing Piano Roll 3306:from the original on 1 February 2014 3192:The notebooks of Alexander Skryabin. 2455:Crotchets: A Few Short Musical Notes 2390: 2260: 2187: 2072:used the French spelling "Scriabine" 598:Deutsches Symphonie-Orchester Berlin 337:when Alexander was only a year old. 6341:Infectious disease deaths in Russia 6326:20th-century Russian male musicians 5576: 5425:Tchaikovsky and the Belyayev circle 4020:. Portland, Oregon: Amadeus Press. 3702:. "The Resurgence of Scriabin", in 3595: 3347:The Juilliard Manuscript Collection 3336: 3121: 3060:The notebooks of Alexander Skryabin 2058:; also transliterated variously as 1845:, and was posthumously awarded the 1590:The Scriabin Project Concert Series 1584:In 2015, German-Australian pianist 1299:, who, with Justin Townsend, wrote 887:This period begins with Scriabin's 266:Childhood and education (1872–1893) 13: 4573: 3950:from the original on 19 March 2021 3639:. London, Macmillan, 1989. p. 157 3506: 3387: 3273: 2958: 2871: 2688:from the original on 19 March 2021 2601:Benson, Robert E. (October 2000). 2594: 2555:from the original on 19 March 2021 2542: 2536: 2527: 2374: 2147:from the original on 19 March 2021 1614: 1068: 945:" and that later sonatas, such as 750:Problems playing these files? See 683: 216:. He is often considered the main 14: 6432: 4390:Prelude in A minor, Op. 51, No. 2 4385:Prelude in F major, Op. 49, No. 2 4072:Free scores by Alexander Scriabin 4060: 3832:from the original on 4 March 2008 3656:Ballard, Lincoln (January 2010). 3473:Horowitz plays Scriabin in Moscow 3205:Synaesthesia: The Strangest Thing 2482:ISBN is for January 2001 edition. 2292:from the original on 1 April 2008 2234: 1920:, is an Israeli concert pianist. 102:14 April] 1915 (aged 43) 6421:Nobility from the Russian Empire 6396:Russian male classical composers 6316:20th-century classical composers 6301:19th-century classical composers 6263: 6246: 6218: 6206: 6194: 6091: 6030: 5984: 5975: 5974: 5530: 5521: 5520: 4516: 4515: 3137:Studies in East European Thought 3131:Yansori, Ali (7 December 2023). 2951:, Moscow 1925, p. 47, quoted in 2171:Longman Pronunciation Dictionary 1997: 1953: 1703:Performed by Jennifer Castellano 1693: 1672: 1651: 1630: 1271:Illuminating Engineering Society 731: 699: 559:, that would cause a so-called " 143: 6346:Russian male classical pianists 6321:20th-century classical pianists 6306:19th-century classical pianists 4237:Piano Concerto in F-sharp minor 3867: 3844: 3818: 3799: 3790: 3781: 3762: 3748: 3711: 3693: 3679: 3649: 3626: 3565: 3551: 3524: 3356: 3318: 3292:(2). Society for Music Theory. 3256: 3184: 3171: 3078: 3065: 3052: 3037: 3000:10.5406/americanmusic.30.2.0194 2977: 2858: 2567: 2521: 1857:, after which she converted to 569:, although a preliminary part, 508:and sister of the music critic 154:Alexander Nikolayevich Scriabin 76:Alexander Nikolayevich Scriabin 5848:Modes of limited transposition 4119:Scriabin's Étude, Op. 8 No. 12 2971:Catholic University of America 2878:Herndon, Claude H. (1982–83). 2348: 2159: 1946: 1292:as conceived by Anna M. Gawboy 712:performs Alexander Scriabin's 491:The Poem Op. 32 No. 2 and the 392:Scriabin later studied at the 1: 3607:"Restoring Comrade Roslavets" 3363:Smith, Charles Davis (1994). 2668:Roberts, Peter Deane (2002). 2387:at Genealogia.ru (in Russian) 2056:Aleksandr Nikolaevič Skrjabin 1934: 1841:Ariadna became a hero of the 1233:: three numbered symphonies, 993: 530:, who was actively promoting 329:), was the great-grandson of 176:and composed in a relatively 23:Eastern Slavic naming customs 4213:Prometheus: The Poem of Fire 3226:"Was Scriabin a Synesthete?" 3044:de Schloezer, Boris (1987). 2100: 2039:Александр Николаевич Скрябин 1265:invented by English painter 1242:Prometheus: The Poem of Fire 1121:Prometheus: The Poem of Fire 1104: 1032: 674:The beginning of Scriabin's 260: 7: 6311:19th-century male musicians 5898:Quartal and quintal harmony 5587:List of modernist composers 5468:Gothic Revival architecture 3881:. New York: Schirmer Books. 3777:] (in Russian). Muzyka. 3577:What to Listen for in Music 3443:10.5642/perfpr.199609.01.08 3430:Performance Practice Review 3282:"Scriabin and The Possible" 3058:Alexander Skryabin (2018). 3046:Scriabin: Artist and mystic 2356:Russian Academy of Sciences 1803:Scriabin with Tatiana, 1909 855:, altered 5ths, and raised 331:Vasili, Prince of Yaroslavl 10: 6437: 6401:Russian Romantic composers 6386:Russian classical pianists 6356:Moscow Conservatory alumni 5409:Neue Zeitschrift für Musik 4584:List of Romantic composers 3971:Cambridge University Press 3889: 3149:10.1007/s11212-023-09590-6 2730:W. W. Norton & Company 2272:"Scriabin Again and Again" 2052:scientific transliteration 1809:Metropolitan Anthony Bloom 1807:Scriabin was the uncle of 1287:Théâtre des Champs-Élysées 659: 550:Return to Russia (1909–15) 156:(6 January 1872 [ 21:In this name that follows 20: 6143: 6100: 6089: 6038: 5962: 5941: 5811: 5771: 5600: 5593: 5584: 5500: 5445: 5390: 5324: 5303: 4590: 4581: 4541: 4536:Links to related articles 4512: 4456: 4440: 4408: 4350: 4329: 4252: 4245: 4229: 4195:Symphony No. 3 in C minor 4190:Symphony No. 2 in C minor 4185:Symphony No. 1 in E major 4170: 4161: 2965:Guenther, Roy J. (1979). 2949:Vospominanija o Skrjabine 2549:The Canadian Encyclopedia 2249:25 September 2009 at the 2173:(3rd ed.). Longman. 2038: 1851:Médaille de la Résistance 1795:Relatives and descendants 1314:Recordings and performers 1301:Scriabin and the Possible 1253:(Italian for "light"), a 1165:in Scriabin's variant of 799:First period (1880s–1903) 472:, Op. 8, several sets of 438:Piano Sonata No. 1, Op. 6 423:Réminiscences de Don Juan 230:Great Soviet Encyclopedia 142: 137: 127: 110: 94: 79:6 January 1872 [ 71: 62: 53: 46: 6381:Pupils of Sergei Taneyev 6376:Pupils of Nikolai Zverev 5430:Tchaikovsky and The Five 3963:Downes, Stephen (2010). 3811:29 December 2014 at the 3770: 3424:Leikin, Anatole (1996). 3203:*Harrison, John (2001). 3099:10.1177/1039856211432480 2910:Society for Music Theory 2805:. Universal-Publishers. 1939: 1210:In his autobiographical 655: 615: 499:Leaving Russia (1903–09) 452:Early career (1894–1903) 412:. Feeling challenged by 54: 6163:Mary Hallock-Greenewalt 4378:No. 10 in C-sharp minor 4067:UK Scriabin Association 4035:Sabbagh, Peter (2003). 3997:Oxford University Press 3815:Oded Bar-Meir, 05.05.11 3231:25 January 2021 at the 3087:Australasian Psychiatry 3071:Simon Morrison (2019). 2896:Kallis, Vasily (2008). 2799:Sabbagh, Peter (2001). 2210:Oxford University Press 2141:Random House Dictionary 2123:Encyclopædia Britannica 2070:. The composer himself 1813:Russian Orthodox Church 1608:Reception and influence 1566:, Margarita Shevchenko 1457:Elena Bekman-Shcherbina 1282:Yale Symphony Orchestra 883:Second period (1903–07) 462:Nikolai Rimsky-Korsakov 350:Active State Councillor 292:Moscow State University 5949:Second Viennese School 5942:Schools of composition 5453:Common practice period 4400:Prelude, Op. 74, No. 2 3531:Michael Steen (2011). 2603:"Scriabin's Mysterium" 2119:Merriam-Webster Online 1878: 1804: 1619: 1359:Gordon Fergus-Thompson 1323: 1169: 975: 968: 961: 919: 910:Third period (1907–15) 891:, and ends around his 879: 843: 805:Symphony No. 2, Op. 29 688: 678: 652: 546: 385: 352:; he was appointed an 275: 105:Moscow, Russian Empire 6366:Musicians from Moscow 6158:Louis Bertrand Castel 5933:Twelve-tone technique 4395:Prelude, Op. 59 No. 2 4103:The Pianola Institute 4014:Rimm, Robert (2002). 3921:Scriabin, a Biography 3853:, 8th ed. Revised by 2340:19 March 2021 at the 2255:Psychoanalytic Review 2240:E. E. Garcia (2004): 2089:19 March 2021 at the 1876: 1802: 1689:Prelude, Op. 67 No. 1 1668:Mazurka, Op. 40 No. 2 1647:Prélude, Op. 11 No. 2 1626:Prélude, Op. 11 No. 1 1618: 1321: 1156: 971: 964: 959: 953:suggested tonality." 914: 877: 825: 687: 673: 647: 544: 383: 278:Scriabin was born in 273: 212:was also inspired by 83:25 December 1871] 6411:Russian Theosophists 6371:20th-century mystics 5490:Romantic nationalism 5436:War of the Romantics 4416:Fantaisie in B minor 4164:List of compositions 4085:has compositions by 4043:Universal-Publishers 3605:(20 February 2005). 2969:. PhD Dissertation, 2761:Samson, Jim (1977). 2722:Samson, Jim (1977). 2576:"Alexander Scriabin" 1592:, joined his pupils 1568:Margarita Shevchenko 1525:Burkard Schliessmann 1442:Mikhail Voskresensky 1438:Mariangela Vacatello 1344:Vladimir Sofronitsky 1267:A. Wallace Rimington 893:Sonata No. 5, Op. 53 889:Sonata No. 4, Op. 30 714:Étude, Op. 8, No. 12 695:"Étude Op. 8 No. 12" 676:Étude, Op. 8, No. 12 649:Le Poême de l’Extase 623:Sonata No. 3, Op. 23 442:Allegro Appassionato 308:Novgorod Governorate 132:List of compositions 6351:Modernist composers 6331:Composers for piano 6046:Music visualization 5485:Musical nationalism 5403:Musical nationalism 4358:24 Preludes, Op. 11 4206:The Poem of Ecstasy 3299:10.30535/mto.18.2.2 3286:Music Theory Online 3034:, pp. 122–125. 2919:10.30535/mto.14.3.2 2902:Music Theory Online 2646:, pp. 270–271. 2613:on 30 December 2007 2574:Minderovic, Zoran. 2545:"Alfred La Liberté" 1914:classical guitarist 1895:Mandatory Palestine 1789:Moscow Conservatory 1249:", also known as a 1236:The Poem of Ecstasy 1177:, accords with the 1157:Keys arranged in a 1149:Influence of colour 1115:The Poem of Ecstasy 1077:. Originating from 1023:The Poem of Ecstasy 836:dominant thirteenth 394:Moscow Conservatory 377:like Rachmaninoff. 371:Sergei Rachmaninoff 312:Theodor Leschetizky 300:hereditary nobility 98:27 April [ 6336:Deaths from sepsis 6233:Alexander Scriabin 6168:Alexander Scriabin 6130:Ocular Harpsichord 6115:Clavier à lumières 5398:Indianist movement 5316:Romantic orchestra 4494:Synesthesia in art 4469:Clavier à lumières 4441:Named for Scriabin 4421:Nocturne in A-flat 4155:Alexander Scriabin 4087:Alexander Scriabin 3926:Dover Publications 3875:Slonimsky, Nicolas 3708:, 26 February 1970 3658:"Lincoln Ballard, 3612:The New York Times 2460:Freeport, New York 2205:Grove Music Online 2143:. Dictionary.com. 2066:, and (in French) 1879: 1821:Vyacheslav Molotov 1805: 1744:Nikolai Myaskovsky 1620: 1598:Konstantin Shamray 1541:Matthijs Verschoor 1505:Alexander Melnikov 1463:, Marta Deyanova, 1406:Marc-André Hamelin 1352:Sviatoslav Richter 1324: 1247:clavier à lumières 1218:The Miserly Knight 1170: 962: 880: 869:functional harmony 844: 727:Étude Op. 8 No. 12 689: 679: 653: 629:a pustule, then a 590:Vladimir Ashkenazy 547: 466:Alexander Glazunov 386: 304:captain lieutenant 276: 222:Russian Silver Age 48:Alexander Scriabin 6406:Russian symbolism 6391:Russian inventors 6182: 6181: 6176: 6175: 6101:Instruments & 5998: 5997: 5807: 5806: 5544: 5543: 5415:New German School 5010:Felix Mendelssohn 5005:Fanny Mendelssohn 4528: 4527: 4489:Russian symbolism 4436: 4435: 4052:978-1-58112-595-5 4027:978-1-57467-072-1 4006:978-0-19-315438-4 3980:978-0-521-76757-6 3935:978-0-486-28897-0 3907:978-1-4422-3262-4 3855:Nicolas Slonimsky 3603:Taruskin, Richard 3410:978-0-313-25496-3 3380:978-1-879511-17-0 3351:The Rest Is Noise 2947:Leonid Sabaneev, 2843:, pp. 17–18. 2812:978-1-58112-595-5 2774:978-0-393-02193-6 2739:978-0-393-02193-6 2528:Bowers, Faubion. 2469:978-0-7222-5836-1 2227:978-1-56159-263-0 2180:978-1-4058-8118-0 1843:French Resistance 1752:Socialist Realism 1748:Alexander Mosolov 1740:Sergei Protopopov 1731:Nikolai Roslavets 1719:Kaikhosru Sorabji 1714:Visions fugitives 1698: 1677: 1656: 1635: 1553:Evgeny Zarafiants 1509:Stanislav Neuhaus 1493:Elena Kuschnerova 1465:Sergio Fiorentino 1461:Nikolai Demidenko 1348:Vladimir Horowitz 1229:(1896), and five 817:added tone chords 813:dominant function 737: 704: 518:Alfred La Liberté 510:Boris de Schlözer 458:Mitrofan Belyayev 348:in the status of 255:sonatas for piano 247:Karol Szymanowski 218:Russian symbolist 186:Arnold Schoenberg 151: 150: 56:Александр Скрябин 6428: 6276: 6268: 6267: 6266: 6259: 6251: 6250: 6249: 6239: 6223: 6222: 6221: 6211: 6210: 6209: 6199: 6198: 6197: 6190: 6125:Graphic notation 6095: 6025: 6018: 6011: 6002: 6001: 5988: 5978: 5977: 5954:Darmstadt School 5888:Post-romanticism 5598: 5597: 5571: 5564: 5557: 5548: 5547: 5534: 5524: 5523: 5420:Post-romanticism 5285:Vaughan Williams 4568: 4561: 4554: 4545: 4544: 4532: 4531: 4519: 4518: 4457:Related articles 4373:No. 9 in E major 4368:No. 4 in E minor 4363:No. 1 in C major 4250: 4249: 4171:Orchestral works 4148: 4141: 4134: 4125: 4124: 4056: 4031: 4010: 3984: 3959: 3957: 3955: 3911: 3883: 3882: 3871: 3865: 3848: 3842: 3841: 3839: 3837: 3822: 3816: 3803: 3797: 3794: 3788: 3785: 3779: 3778: 3766: 3760: 3759: 3752: 3746: 3745: 3743: 3741: 3715: 3709: 3697: 3691: 3690: 3683: 3677: 3676: 3674: 3672: 3653: 3647: 3633:Kennedy, Michael 3630: 3624: 3623: 3621: 3619: 3599: 3593: 3592: 3569: 3563: 3562: 3555: 3549: 3548: 3528: 3522: 3521: 3510: 3504: 3498: 3492: 3486: 3480: 3474: 3469: 3463: 3462: 3460: 3458: 3445: 3421: 3415: 3414: 3391: 3385: 3384: 3371:Vestal, New York 3360: 3354: 3340: 3334: 3333: 3322: 3316: 3315: 3313: 3311: 3301: 3277: 3271: 3270: 3260: 3254: 3248: 3242: 3222: 3216: 3201: 3195: 3188: 3182: 3175: 3169: 3168: 3128: 3119: 3118: 3082: 3076: 3069: 3063: 3056: 3050: 3049: 3041: 3035: 3029: 3023: 3019: 2981: 2975: 2974: 2962: 2956: 2945: 2936: 2930: 2924: 2923: 2921: 2893: 2884: 2883: 2875: 2869: 2862: 2856: 2850: 2844: 2838: 2832: 2826: 2817: 2816: 2796: 2779: 2778: 2758: 2752: 2751: 2719: 2710: 2704: 2698: 2697: 2695: 2693: 2665: 2659: 2653: 2647: 2641: 2635: 2634:, p. 2:264. 2629: 2623: 2622: 2620: 2618: 2598: 2592: 2591: 2589: 2587: 2571: 2565: 2564: 2562: 2560: 2543:Potvin, Gilles. 2540: 2534: 2533: 2530:The New Scriabin 2525: 2519: 2513: 2507: 2501: 2495: 2489: 2483: 2481: 2446: 2437: 2431: 2425: 2419: 2413: 2397: 2388: 2378: 2372: 2362:Eugene Chelyshev 2352: 2346: 2330: 2321: 2315: 2302: 2301: 2299: 2297: 2264: 2258: 2238: 2232: 2231: 2208:(8th ed.). 2200:Powell, Jonathan 2196: 2185: 2184: 2163: 2157: 2156: 2154: 2152: 2133: 2131: 2129: 2111: 2094: 2049: 2044: 2040: 2032: 2031: 2028: 2027: 2024: 2021: 2018: 2015: 2012: 2009: 2006: 2003: 1996: 1988: 1987: 1984: 1983: 1980: 1977: 1974: 1971: 1968: 1965: 1962: 1959: 1950: 1899:Folke Bernadotte 1887:George S. Patton 1700: 1699: 1679: 1678: 1658: 1657: 1637: 1636: 1617: 1576: 1565: 1448:, among others. 1371: 1293: 1179:circle of fifths 1163:visible spectrum 1159:circle of fifths 1079:Nikolai Fyodorov 1064: 1012:Helena Blavatsky 944: 828:dominant seventh 739: 738: 706: 705: 686: 586:Prefatory Action 583: 575:Alexander Nemtin 571:L'acte préalable 528:Sergei Diaghilev 506:Paul de Schlözer 346:military attaché 342:Saint Petersburg 243:Sergei Prokofiev 210:circle of fifths 147: 89:, Russian Empire 67: 57: 44: 43: 6436: 6435: 6431: 6430: 6429: 6427: 6426: 6425: 6281: 6280: 6279: 6269: 6264: 6262: 6252: 6247: 6245: 6242: 6238:sister projects 6235:at Knowledge's 6229: 6219: 6217: 6213:Classical music 6207: 6205: 6195: 6193: 6185: 6183: 6178: 6177: 6172: 6145: 6139: 6102: 6096: 6087: 6051:Audiovisual art 6034: 6029: 5999: 5994: 5971: 5958: 5937: 5863:New Objectivity 5816: 5814: 5803: 5767: 5589: 5580: 5578:Modernist music 5575: 5545: 5540: 5517: 5513:Modernist music 5509: 5506:Classical music 5496: 5441: 5386: 5367:Romantic ballet 5362:Orchestral song 5342:Chorale prelude 5337:Character piece 5320: 5311:Romantic guitar 5304:Instrumentation 5299: 5135:Rimsky-Korsakov 4755:Ferdinand David 4592: 4586: 4577: 4572: 4537: 4529: 4524: 4508: 4479:Julian Scriabin 4452: 4448:ANS synthesizer 4432: 4404: 4346: 4325: 4267:Sonata-Fantasie 4241: 4225: 4199:The Divine Poem 4166: 4157: 4152: 4083:Mutopia Project 4063: 4053: 4028: 4007: 3989:Macdonald, Hugh 3981: 3953: 3951: 3936: 3916:Bowers, Faubion 3908: 3892: 3887: 3886: 3872: 3868: 3849: 3845: 3835: 3833: 3824: 3823: 3819: 3813:Wayback Machine 3804: 3800: 3795: 3791: 3786: 3782: 3772: 3767: 3763: 3754: 3753: 3749: 3739: 3737: 3735: 3716: 3712: 3698: 3694: 3685: 3684: 3680: 3670: 3668: 3654: 3650: 3631: 3627: 3617: 3615: 3600: 3596: 3570: 3566: 3557: 3556: 3552: 3545: 3529: 3525: 3518:cpaus.force.com 3514:"Artist Portal" 3512: 3511: 3507: 3499: 3495: 3487: 3483: 3472: 3470: 3466: 3456: 3454: 3422: 3418: 3411: 3392: 3388: 3381: 3361: 3357: 3353:website, p. 27. 3341: 3337: 3324: 3323: 3319: 3309: 3307: 3278: 3274: 3266:Yale Daily News 3261: 3257: 3249: 3245: 3233:Wayback Machine 3223: 3219: 3202: 3198: 3189: 3185: 3176: 3172: 3129: 3122: 3083: 3079: 3070: 3066: 3057: 3053: 3042: 3038: 3030: 3026: 2982: 2978: 2963: 2959: 2946: 2939: 2931: 2927: 2894: 2887: 2876: 2872: 2863: 2859: 2851: 2847: 2839: 2835: 2827: 2820: 2813: 2797: 2782: 2775: 2759: 2755: 2740: 2720: 2713: 2705: 2701: 2691: 2689: 2682: 2666: 2662: 2654: 2650: 2642: 2638: 2630: 2626: 2616: 2614: 2599: 2595: 2585: 2583: 2572: 2568: 2558: 2556: 2541: 2537: 2526: 2522: 2514: 2510: 2502: 2498: 2490: 2486: 2470: 2447: 2440: 2432: 2428: 2420: 2416: 2398: 2391: 2379: 2375: 2353: 2349: 2342:Wayback Machine 2331: 2324: 2316: 2305: 2295: 2293: 2280:(2). New York. 2268:Bowers, Faubion 2265: 2261: 2251:Wayback Machine 2239: 2235: 2228: 2197: 2188: 2181: 2164: 2160: 2150: 2148: 2135: 2134: 2127: 2125: 2113: 2112: 2108: 2103: 2098: 2097: 2091:Wayback Machine 2042: 2000: 1991: 1990: 1956: 1952: 1951: 1947: 1942: 1937: 1847:Croix de Guerre 1797: 1771:Edward Mitchell 1708: 1707: 1706: 1705: 1704: 1701: 1694: 1691: 1685: 1684: 1683: 1680: 1673: 1670: 1664: 1663: 1662: 1659: 1652: 1649: 1643: 1642: 1641: 1638: 1631: 1628: 1621: 1615: 1610: 1588:, as a part of 1579:Daniil Trifonov 1570: 1559: 1557:Aleksei Chernov 1529:Grigory Sokolov 1521:Jonathan Powell 1517:Mikhail Pletnev 1469:Andrei Gavrilov 1453:Samuil Feinberg 1422:Garrick Ohlsson 1365: 1316: 1291: 1231:symphonic works 1151: 1109: 1075:Russian cosmism 1071: 1069:Russian cosmism 1058: 1035: 996: 976: 969: 942: 933:Poem of Ecstasy 920: 912: 898:Poem of Ecstasy 885: 809:common-practice 801: 757: 756: 748: 746: 745: 744: 743: 740: 732: 729: 723: 722: 721: 707: 700: 697: 690: 684: 668: 658: 618: 592:in Berlin with 577: 552: 501: 454: 354:honorary consul 288:Julian calendar 268: 263: 239:Igor Stravinsky 198:Gesamtkunstwerk 174:Frédéric Chopin 123: 106: 103: 90: 84: 78: 77: 58: 55: 49: 42: 17: 12: 11: 5: 6434: 6424: 6423: 6418: 6413: 6408: 6403: 6398: 6393: 6388: 6383: 6378: 6373: 6368: 6363: 6358: 6353: 6348: 6343: 6338: 6333: 6328: 6323: 6318: 6313: 6308: 6303: 6298: 6293: 6278: 6277: 6275:from Wikiquote 6260: 6231: 6228: 6227: 6215: 6203: 6180: 6179: 6174: 6173: 6171: 6170: 6165: 6160: 6155: 6149: 6147: 6141: 6140: 6138: 6137: 6132: 6127: 6122: 6117: 6112: 6106: 6104: 6098: 6097: 6090: 6088: 6086: 6085: 6080: 6079: 6078: 6068: 6063: 6058: 6056:Chladni figure 6053: 6048: 6042: 6040: 6036: 6035: 6028: 6027: 6020: 6013: 6005: 5996: 5995: 5993: 5992: 5982: 5968:Romantic music 5964: 5963: 5960: 5959: 5957: 5956: 5951: 5945: 5943: 5939: 5938: 5936: 5935: 5930: 5925: 5920: 5915: 5910: 5905: 5900: 5895: 5890: 5885: 5880: 5875: 5873:Pandiatonicism 5870: 5865: 5860: 5858:New Complexity 5855: 5850: 5845: 5840: 5835: 5830: 5825: 5819: 5817: 5812: 5809: 5808: 5805: 5804: 5802: 5801: 5800: 5799: 5794: 5789: 5784: 5778:United States 5775: 5773: 5769: 5768: 5766: 5765: 5764: 5763: 5758: 5753: 5745: 5744: 5743: 5735: 5734: 5733: 5725: 5724: 5723: 5715: 5714: 5713: 5708: 5700: 5699: 5698: 5693: 5688: 5683: 5678: 5673: 5665: 5664: 5663: 5655: 5654: 5653: 5645: 5644: 5643: 5635: 5634: 5633: 5628: 5623: 5618: 5613: 5604: 5602: 5595: 5591: 5590: 5585: 5582: 5581: 5574: 5573: 5566: 5559: 5551: 5542: 5541: 5539: 5538: 5528: 5510: 5502: 5501: 5498: 5497: 5495: 5494: 5493: 5492: 5482: 5481: 5480: 5475: 5470: 5465: 5455: 5449: 5447: 5443: 5442: 5440: 5439: 5432: 5427: 5422: 5417: 5412: 5405: 5400: 5394: 5392: 5388: 5387: 5385: 5384: 5379: 5377:Symphonic poem 5374: 5372:Romantic opera 5369: 5364: 5359: 5354: 5349: 5344: 5339: 5334: 5328: 5326: 5322: 5321: 5319: 5318: 5313: 5307: 5305: 5301: 5300: 5298: 5297: 5292: 5287: 5282: 5277: 5272: 5267: 5262: 5257: 5252: 5247: 5242: 5237: 5232: 5227: 5222: 5217: 5212: 5207: 5202: 5197: 5192: 5187: 5182: 5177: 5172: 5167: 5162: 5157: 5152: 5147: 5142: 5137: 5132: 5127: 5122: 5117: 5112: 5107: 5102: 5097: 5092: 5087: 5082: 5077: 5072: 5067: 5062: 5057: 5052: 5047: 5042: 5037: 5032: 5027: 5022: 5017: 5012: 5007: 5002: 4997: 4992: 4987: 4982: 4977: 4972: 4967: 4962: 4957: 4952: 4947: 4942: 4937: 4932: 4927: 4922: 4917: 4912: 4907: 4902: 4897: 4892: 4887: 4882: 4877: 4872: 4867: 4862: 4857: 4852: 4847: 4842: 4837: 4832: 4827: 4822: 4817: 4812: 4807: 4802: 4797: 4792: 4787: 4782: 4777: 4772: 4767: 4762: 4757: 4752: 4750:Félicien David 4747: 4742: 4737: 4732: 4727: 4722: 4717: 4712: 4707: 4702: 4697: 4692: 4687: 4682: 4677: 4672: 4667: 4662: 4657: 4652: 4647: 4642: 4637: 4632: 4627: 4622: 4617: 4612: 4607: 4602: 4596: 4594: 4588: 4587: 4582: 4579: 4578: 4575:Romantic music 4571: 4570: 4563: 4556: 4548: 4542: 4539: 4538: 4526: 4525: 4513: 4510: 4509: 4507: 4506: 4501: 4496: 4491: 4486: 4481: 4476: 4471: 4466: 4460: 4458: 4454: 4453: 4451: 4450: 4444: 4442: 4438: 4437: 4434: 4433: 4431: 4430: 4427:Vers la flamme 4423: 4418: 4412: 4410: 4406: 4405: 4403: 4402: 4397: 4392: 4387: 4382: 4381: 4380: 4375: 4370: 4365: 4354: 4352: 4348: 4347: 4345: 4344: 4339: 4333: 4331: 4327: 4326: 4324: 4323: 4314: 4305: 4300: 4291: 4286: 4281: 4276: 4271: 4262: 4256: 4254: 4247: 4243: 4242: 4240: 4239: 4233: 4231: 4227: 4226: 4224: 4223: 4216: 4209: 4202: 4192: 4187: 4182: 4174: 4172: 4168: 4167: 4162: 4159: 4158: 4151: 4150: 4143: 4136: 4128: 4122: 4121: 4116: 4106: 4090: 4089: 4079: 4069: 4062: 4061:External links 4059: 4058: 4057: 4051: 4032: 4026: 4011: 4005: 3985: 3979: 3960: 3934: 3912: 3906: 3891: 3888: 3885: 3884: 3866: 3843: 3817: 3798: 3789: 3780: 3761: 3747: 3733: 3719:Scruton, Roger 3710: 3700:Rubbra, Edmund 3692: 3678: 3648: 3625: 3594: 3573:Copland, Aaron 3564: 3550: 3544:978-1848311350 3543: 3537:. Icon Books. 3523: 3505: 3493: 3491:, p. 145. 3481: 3464: 3416: 3409: 3386: 3379: 3355: 3335: 3332:. 6 July 2016. 3317: 3272: 3255: 3243: 3217: 3196: 3183: 3170: 3143:(2): 305–331. 3120: 3077: 3064: 3051: 3036: 3024: 2994:(2): 194–227. 2987:American Music 2976: 2957: 2953:Musik-Konzepte 2937: 2925: 2885: 2870: 2866:Musik-Konzepte 2857: 2845: 2833: 2818: 2811: 2780: 2773: 2753: 2738: 2711: 2707:Macdonald 1978 2699: 2680: 2660: 2658:, p. 278. 2648: 2636: 2624: 2593: 2566: 2535: 2520: 2518:, p. 315. 2508: 2496: 2494:, p. 154. 2484: 2468: 2450:Scholes, Percy 2438: 2436:, p. 121. 2426: 2424:, p. 120. 2414: 2389: 2373: 2347: 2322: 2303: 2277:Aspen Magazine 2259: 2233: 2226: 2186: 2179: 2167:Wells, John C. 2158: 2105: 2104: 2102: 2099: 2096: 2095: 1944: 1943: 1941: 1938: 1936: 1933: 1868:French Militia 1796: 1793: 1767:Gerald Abraham 1702: 1692: 1687: 1686: 1681: 1671: 1666: 1665: 1660: 1650: 1645: 1644: 1639: 1629: 1624: 1623: 1622: 1613: 1612: 1611: 1609: 1606: 1549:Roger Woodward 1545:Arcadi Volodos 1537:Yevgeny Sudbin 1533:Alexander Satz 1430:Anatol Ugorski 1426:Roberto Szidon 1386:Dmitri Alexeev 1374:Maria Lettberg 1332:Ludwig Hupfeld 1315: 1312: 1227:piano concerto 1212:Recollections, 1150: 1147: 1127:Vers la flamme 1108: 1103: 1070: 1067: 1034: 1031: 1027:Vers la flamme 995: 992: 970: 963: 938:Vers la flamme 913: 911: 908: 884: 881: 832:dominant ninth 800: 797: 747: 741: 730: 725: 724: 710:Awadagin Pratt 708: 698: 693: 692: 691: 682: 681: 680: 657: 654: 617: 614: 608:, such as the 594:Alexei Lubimov 551: 548: 500: 497: 493:Poème tragique 478:piano concerto 453: 450: 428:Mily Balakirev 414:Josef Lhévinne 406:Vasily Safonov 402:Sergei Taneyev 367:Nikolai Zverev 333:. She died of 267: 264: 262: 259: 251:Faubion Bowers 149: 148: 140: 139: 135: 134: 129: 125: 124: 122: 121: 118: 114: 112: 108: 107: 104: 96: 92: 91: 85: 75: 73: 69: 68: 60: 59: 51: 50: 47: 15: 9: 6: 4: 3: 2: 6433: 6422: 6419: 6417: 6414: 6412: 6409: 6407: 6404: 6402: 6399: 6397: 6394: 6392: 6389: 6387: 6384: 6382: 6379: 6377: 6374: 6372: 6369: 6367: 6364: 6362: 6359: 6357: 6354: 6352: 6349: 6347: 6344: 6342: 6339: 6337: 6334: 6332: 6329: 6327: 6324: 6322: 6319: 6317: 6314: 6312: 6309: 6307: 6304: 6302: 6299: 6297: 6294: 6292: 6289: 6288: 6286: 6274: 6273: 6261: 6257: 6256: 6244: 6243: 6240: 6234: 6226: 6216: 6214: 6204: 6202: 6192: 6191: 6188: 6169: 6166: 6164: 6161: 6159: 6156: 6154: 6151: 6150: 6148: 6142: 6136: 6133: 6131: 6128: 6126: 6123: 6121: 6118: 6116: 6113: 6111: 6108: 6107: 6105: 6099: 6094: 6084: 6081: 6077: 6074: 6073: 6072: 6069: 6067: 6064: 6062: 6059: 6057: 6054: 6052: 6049: 6047: 6044: 6043: 6041: 6037: 6033: 6026: 6021: 6019: 6014: 6012: 6007: 6006: 6003: 5991: 5987: 5983: 5981: 5973: 5972: 5970: 5969: 5961: 5955: 5952: 5950: 5947: 5946: 5944: 5940: 5934: 5931: 5929: 5926: 5924: 5921: 5919: 5916: 5914: 5911: 5909: 5906: 5904: 5901: 5899: 5896: 5894: 5891: 5889: 5886: 5884: 5881: 5879: 5876: 5874: 5871: 5869: 5866: 5864: 5861: 5859: 5856: 5854: 5851: 5849: 5846: 5844: 5841: 5839: 5836: 5834: 5833:Expressionism 5831: 5829: 5826: 5824: 5821: 5820: 5818: 5810: 5798: 5795: 5793: 5790: 5788: 5785: 5783: 5780: 5779: 5777: 5776: 5774: 5770: 5762: 5759: 5757: 5754: 5752: 5749: 5748: 5746: 5742: 5739: 5738: 5736: 5732: 5729: 5728: 5726: 5722: 5719: 5718: 5716: 5712: 5709: 5707: 5704: 5703: 5701: 5697: 5694: 5692: 5689: 5687: 5684: 5682: 5679: 5677: 5674: 5672: 5669: 5668: 5666: 5662: 5659: 5658: 5656: 5652: 5649: 5648: 5646: 5642: 5639: 5638: 5636: 5632: 5629: 5627: 5624: 5622: 5619: 5617: 5614: 5612: 5609: 5608: 5606: 5605: 5603: 5599: 5596: 5592: 5588: 5583: 5579: 5572: 5567: 5565: 5560: 5558: 5553: 5552: 5549: 5537: 5533: 5529: 5527: 5519: 5518: 5515: 5514: 5508: 5507: 5499: 5491: 5488: 5487: 5486: 5483: 5479: 5476: 5474: 5471: 5469: 5466: 5464: 5461: 5460: 5459: 5456: 5454: 5451: 5450: 5448: 5444: 5437: 5433: 5431: 5428: 5426: 5423: 5421: 5418: 5416: 5413: 5411: 5410: 5406: 5404: 5401: 5399: 5396: 5395: 5393: 5389: 5383: 5380: 5378: 5375: 5373: 5370: 5368: 5365: 5363: 5360: 5358: 5355: 5353: 5350: 5348: 5345: 5343: 5340: 5338: 5335: 5333: 5330: 5329: 5327: 5323: 5317: 5314: 5312: 5309: 5308: 5306: 5302: 5296: 5293: 5291: 5288: 5286: 5283: 5281: 5278: 5276: 5273: 5271: 5268: 5266: 5263: 5261: 5258: 5256: 5253: 5251: 5248: 5246: 5243: 5241: 5238: 5236: 5233: 5231: 5228: 5226: 5223: 5221: 5220:J. Strauss II 5218: 5216: 5213: 5211: 5208: 5206: 5203: 5201: 5198: 5196: 5193: 5191: 5188: 5186: 5183: 5181: 5178: 5176: 5173: 5171: 5168: 5166: 5163: 5161: 5158: 5156: 5153: 5151: 5148: 5146: 5143: 5141: 5138: 5136: 5133: 5131: 5128: 5126: 5123: 5121: 5118: 5116: 5113: 5111: 5108: 5106: 5103: 5101: 5098: 5096: 5093: 5091: 5088: 5086: 5083: 5081: 5078: 5076: 5073: 5071: 5068: 5066: 5063: 5061: 5058: 5056: 5053: 5051: 5048: 5046: 5043: 5041: 5038: 5036: 5033: 5031: 5028: 5026: 5023: 5021: 5018: 5016: 5013: 5011: 5008: 5006: 5003: 5001: 4998: 4996: 4993: 4991: 4988: 4986: 4983: 4981: 4978: 4976: 4973: 4971: 4968: 4966: 4963: 4961: 4958: 4956: 4953: 4951: 4948: 4946: 4943: 4941: 4938: 4936: 4933: 4931: 4928: 4926: 4923: 4921: 4918: 4916: 4913: 4911: 4908: 4906: 4903: 4901: 4898: 4896: 4893: 4891: 4888: 4886: 4883: 4881: 4878: 4876: 4873: 4871: 4868: 4866: 4863: 4861: 4858: 4856: 4853: 4851: 4848: 4846: 4843: 4841: 4838: 4836: 4833: 4831: 4828: 4826: 4823: 4821: 4818: 4816: 4813: 4811: 4808: 4806: 4803: 4801: 4798: 4796: 4793: 4791: 4788: 4786: 4783: 4781: 4778: 4776: 4773: 4771: 4768: 4766: 4763: 4761: 4758: 4756: 4753: 4751: 4748: 4746: 4743: 4741: 4738: 4736: 4733: 4731: 4728: 4726: 4723: 4721: 4718: 4716: 4713: 4711: 4708: 4706: 4703: 4701: 4698: 4696: 4693: 4691: 4688: 4686: 4683: 4681: 4678: 4676: 4673: 4671: 4668: 4666: 4663: 4661: 4658: 4656: 4653: 4651: 4648: 4646: 4643: 4641: 4638: 4636: 4633: 4631: 4628: 4626: 4623: 4621: 4618: 4616: 4613: 4611: 4608: 4606: 4603: 4601: 4598: 4597: 4595: 4591:Composers and 4589: 4585: 4580: 4576: 4569: 4564: 4562: 4557: 4555: 4550: 4549: 4546: 4540: 4533: 4523: 4522: 4511: 4505: 4504:Unified field 4502: 4500: 4497: 4495: 4492: 4490: 4487: 4485: 4482: 4480: 4477: 4475: 4472: 4470: 4467: 4465: 4464:Accarezzevole 4462: 4461: 4459: 4455: 4449: 4446: 4445: 4443: 4439: 4429: 4428: 4424: 4422: 4419: 4417: 4414: 4413: 4411: 4407: 4401: 4398: 4396: 4393: 4391: 4388: 4386: 4383: 4379: 4376: 4374: 4371: 4369: 4366: 4364: 4361: 4360: 4359: 4356: 4355: 4353: 4349: 4343: 4340: 4338: 4335: 4334: 4332: 4328: 4322: 4320: 4315: 4313: 4311: 4306: 4304: 4301: 4299: 4297: 4292: 4290: 4287: 4285: 4282: 4280: 4277: 4275: 4272: 4270: 4268: 4263: 4261: 4258: 4257: 4255: 4251: 4248: 4244: 4238: 4235: 4234: 4232: 4228: 4222: 4221: 4217: 4215: 4214: 4210: 4208: 4207: 4203: 4200: 4196: 4193: 4191: 4188: 4186: 4183: 4181: 4180: 4176: 4175: 4173: 4169: 4165: 4160: 4156: 4149: 4144: 4142: 4137: 4135: 4130: 4129: 4126: 4120: 4117: 4114: 4110: 4107: 4104: 4100: 4097: 4096: 4095: 4094: 4088: 4084: 4080: 4077: 4073: 4070: 4068: 4065: 4064: 4054: 4048: 4044: 4040: 4039: 4033: 4029: 4023: 4019: 4018: 4012: 4008: 4002: 3998: 3994: 3990: 3986: 3982: 3976: 3972: 3969:. Cambridge: 3968: 3967: 3961: 3949: 3945: 3941: 3937: 3931: 3927: 3923: 3922: 3917: 3913: 3909: 3903: 3899: 3894: 3893: 3880: 3876: 3870: 3864: 3863:0-02-872416-X 3860: 3856: 3852: 3847: 3831: 3827: 3821: 3814: 3810: 3807: 3802: 3793: 3784: 3776: 3765: 3757: 3751: 3736: 3734:9781847065063 3730: 3726: 3725: 3720: 3714: 3707: 3706: 3701: 3696: 3688: 3682: 3667: 3663: 3661: 3652: 3646: 3645:0-333-48752-4 3642: 3638: 3634: 3629: 3614: 3613: 3608: 3604: 3598: 3590: 3586: 3582: 3578: 3574: 3568: 3560: 3554: 3546: 3540: 3536: 3535: 3527: 3519: 3515: 3509: 3503:, p. 99. 3502: 3497: 3490: 3485: 3479: 3475: 3468: 3453: 3449: 3444: 3439: 3436:(1): 97–113. 3435: 3431: 3427: 3420: 3412: 3406: 3402: 3401: 3396: 3395:Sitsky, Larry 3390: 3382: 3376: 3372: 3368: 3367: 3359: 3352: 3348: 3344: 3339: 3331: 3330:moscovery.com 3327: 3321: 3305: 3300: 3295: 3291: 3287: 3283: 3276: 3268: 3267: 3259: 3252: 3247: 3240: 3239: 3234: 3230: 3227: 3221: 3214: 3213:0-19-263245-0 3210: 3206: 3200: 3193: 3187: 3180: 3174: 3166: 3162: 3158: 3154: 3150: 3146: 3142: 3138: 3134: 3127: 3125: 3116: 3112: 3108: 3104: 3100: 3096: 3092: 3088: 3081: 3074: 3068: 3061: 3055: 3047: 3040: 3033: 3028: 3022: 3017: 3013: 3009: 3005: 3001: 2997: 2993: 2989: 2988: 2980: 2973:. p. 67. 2972: 2968: 2961: 2954: 2950: 2944: 2942: 2935:, p. 40. 2934: 2929: 2920: 2915: 2911: 2907: 2903: 2899: 2892: 2890: 2881: 2874: 2867: 2861: 2855:, p. 24. 2854: 2849: 2842: 2837: 2831:, p. 16. 2830: 2825: 2823: 2814: 2808: 2804: 2803: 2795: 2793: 2791: 2789: 2787: 2785: 2776: 2770: 2766: 2765: 2757: 2749: 2745: 2741: 2735: 2731: 2727: 2726: 2718: 2716: 2708: 2703: 2687: 2683: 2681:9780313017230 2677: 2673: 2672: 2664: 2657: 2652: 2645: 2640: 2633: 2628: 2612: 2608: 2604: 2597: 2581: 2577: 2570: 2554: 2550: 2546: 2539: 2532:. p. 47. 2531: 2524: 2517: 2512: 2506:, p. 60. 2505: 2500: 2493: 2488: 2479: 2475: 2471: 2465: 2461: 2457: 2456: 2451: 2445: 2443: 2435: 2430: 2423: 2418: 2412: 2411:5-87417-026-X 2408: 2404: 2402: 2396: 2394: 2386: 2382: 2377: 2371: 2370:5-201-13219-7 2367: 2363: 2359: 2357: 2351: 2344: 2343: 2339: 2336: 2332:Ivan Grezin. 2329: 2327: 2319: 2314: 2312: 2310: 2308: 2291: 2287: 2283: 2279: 2278: 2273: 2269: 2263: 2257:, 91: 423–42. 2256: 2252: 2248: 2245: 2244: 2237: 2229: 2223: 2219: 2215: 2211: 2207: 2206: 2201: 2195: 2193: 2191: 2182: 2176: 2172: 2168: 2162: 2146: 2142: 2138: 2124: 2120: 2116: 2110: 2106: 2092: 2088: 2085: 2081: 2077: 2073: 2069: 2065: 2061: 2057: 2053: 2048: 2036: 2030: 1994: 1986: 1949: 1945: 1932: 1930: 1926: 1925:Dnieper River 1921: 1919: 1915: 1911: 1906: 1904: 1900: 1896: 1892: 1888: 1884: 1875: 1871: 1869: 1864: 1860: 1856: 1852: 1848: 1844: 1839: 1837: 1833: 1830:(1906–1944), 1829: 1824: 1822: 1818: 1817:Great Britain 1814: 1810: 1801: 1792: 1790: 1786: 1781: 1779: 1778:Roger Scruton 1774: 1772: 1768: 1764: 1760: 1755: 1753: 1749: 1745: 1741: 1736: 1732: 1727: 1724: 1723:Aaron Copland 1720: 1716: 1715: 1690: 1669: 1648: 1627: 1605: 1603: 1599: 1595: 1591: 1587: 1582: 1580: 1574: 1569: 1563: 1558: 1554: 1550: 1546: 1542: 1538: 1534: 1530: 1526: 1522: 1518: 1514: 1513:Artur Pizarro 1510: 1506: 1502: 1498: 1494: 1490: 1486: 1485:Evgeny Kissin 1482: 1481:Andrej Hoteev 1478: 1474: 1470: 1466: 1462: 1458: 1454: 1449: 1447: 1443: 1439: 1435: 1434:Anna Malikova 1431: 1427: 1423: 1419: 1415: 1411: 1407: 1403: 1402:Bernd Glemser 1399: 1395: 1391: 1388:, Ashkenazy, 1387: 1383: 1382:Michael Ponti 1379: 1375: 1369: 1364: 1360: 1355: 1353: 1349: 1345: 1340: 1338: 1333: 1330:, and 14 for 1329: 1320: 1311: 1309: 1304: 1302: 1298: 1294: 1288: 1283: 1279: 1274: 1272: 1268: 1264: 1260: 1256: 1252: 1248: 1244: 1243: 1238: 1237: 1232: 1228: 1223: 1220: 1219: 1213: 1208: 1206: 1201: 1197: 1192: 1190: 1189: 1184: 1180: 1176: 1168: 1164: 1160: 1155: 1146: 1144: 1140: 1135: 1134: 1129: 1128: 1123: 1122: 1117: 1116: 1107: 1102: 1099: 1094: 1092: 1088: 1084: 1080: 1076: 1066: 1062: 1057: 1053: 1049: 1045: 1041: 1030: 1028: 1024: 1019: 1017: 1016:Jean Delville 1013: 1009: 1005: 1001: 991: 989: 985: 980: 974: 967: 958: 954: 950: 948: 947:No. 9, Op. 68 940: 939: 934: 929: 925: 918: 907: 903: 901: 899: 894: 890: 876: 872: 870: 866: 862: 858: 854: 850: 841: 837: 833: 829: 824: 820: 818: 814: 810: 806: 796: 794: 793:key signature 790: 785: 783: 779: 775: 771: 767: 763: 755: 753: 728: 719: 715: 711: 696: 677: 672: 667: 663: 650: 646: 642: 640: 636: 632: 626: 624: 613: 611: 607: 603: 599: 595: 591: 587: 581: 576: 572: 568: 567: 562: 558: 543: 539: 537: 533: 532:Russian music 529: 526: 521: 519: 513: 511: 507: 496: 494: 490: 484: 481: 479: 475: 471: 467: 463: 459: 449: 445: 443: 439: 435: 434: 429: 425: 424: 419: 415: 411: 407: 403: 399: 398:Anton Arensky 395: 390: 382: 378: 376: 372: 368: 362: 359: 355: 351: 347: 343: 338: 336: 332: 328: 324: 321: 317: 313: 309: 305: 301: 297: 293: 289: 285: 284:Russian noble 281: 272: 258: 256: 252: 248: 244: 240: 236: 232: 231: 225: 223: 219: 215: 211: 207: 203: 199: 195: 191: 187: 183: 179: 175: 171: 167: 163: 159: 155: 146: 141: 136: 133: 130: 126: 119: 116: 115: 113: 109: 101: 97: 93: 88: 82: 74: 70: 66: 61: 52: 45: 40: 36: 33: and the 32: 28: 24: 19: 6270: 6258:from Commons 6253: 6232: 6167: 6144:People & 6032:Visual music 5966: 5928:Tone cluster 5883:Polytonality 5828:Experimental 5755: 5511: 5504: 5407: 5391:Other topics 5215:J. Strauss I 5179: 5105:Rachmaninoff 4860:Gretchaninov 4514: 4484:Mystic chord 4425: 4318: 4309: 4295: 4266: 4218: 4211: 4204: 4198: 4177: 4154: 4092: 4091: 4037: 4016: 3992: 3965: 3952:. Retrieved 3924:. New York: 3920: 3897: 3878: 3869: 3850: 3846: 3834:. Retrieved 3820: 3801: 3792: 3783: 3774: 3764: 3750: 3738:. Retrieved 3723: 3713: 3705:The Listener 3703: 3695: 3681: 3669:. Retrieved 3666:Academia.edu 3665: 3659: 3651: 3637:Adrian Boult 3636: 3628: 3616:. Retrieved 3610: 3597: 3579:. New York: 3576: 3567: 3553: 3533: 3526: 3517: 3508: 3496: 3484: 3467: 3455:. Retrieved 3433: 3429: 3419: 3399: 3389: 3365: 3358: 3338: 3329: 3320: 3308:. Retrieved 3289: 3285: 3275: 3264: 3258: 3251:Ballard 2012 3246: 3236: 3220: 3204: 3199: 3191: 3186: 3178: 3173: 3140: 3136: 3093:(1): 57–60. 3090: 3086: 3080: 3072: 3067: 3059: 3054: 3045: 3039: 3027: 2991: 2985: 2979: 2966: 2960: 2955:32/33, p. 8. 2952: 2948: 2933:Sabbagh 2003 2928: 2905: 2901: 2879: 2873: 2868:32/33, p. 8. 2865: 2860: 2853:Sabbagh 2003 2848: 2841:Sabbagh 2003 2836: 2829:Sabbagh 2003 2801: 2763: 2756: 2728:. New York: 2724: 2709:, p. 7. 2702: 2690:. Retrieved 2670: 2663: 2651: 2639: 2627: 2615:. Retrieved 2611:the original 2606: 2596: 2584:. Retrieved 2579: 2569: 2557:. Retrieved 2548: 2538: 2529: 2523: 2511: 2499: 2487: 2454: 2429: 2417: 2399: 2376: 2354: 2350: 2333: 2294:. Retrieved 2275: 2262: 2254: 2242: 2236: 2203: 2170: 2161: 2149:. Retrieved 2140: 2126:. Retrieved 2118: 2109: 2067: 2063: 2059: 2055: 1948: 1922: 1907: 1880: 1840: 1825: 1806: 1782: 1775: 1763:Edward Clark 1759:Adrian Boult 1756: 1729:The work of 1728: 1712: 1709: 1594:Mekhla Kumar 1589: 1586:Stefan Ammer 1583: 1489:Anton Kuerti 1450: 1410:Yakov Kasman 1398:Boris Berman 1394:Håkon Austbø 1378:Joseph Villa 1356: 1341: 1328:Welte-Mignon 1325: 1305: 1300: 1278:John Mauceri 1275: 1263:colour-organ 1262: 1255:colour organ 1250: 1240: 1239:(1908), and 1234: 1224: 1216: 1211: 1209: 1204: 1193: 1186: 1183:Isaac Newton 1174: 1171: 1142: 1138: 1132: 1125: 1119: 1112: 1110: 1105: 1095: 1086: 1072: 1036: 1020: 1000:Schopenhauer 997: 981: 977: 972: 965: 951: 936: 932: 921: 915: 904: 897: 886: 849:mystic chord 845: 840:appoggiatura 802: 786: 758: 749: 648: 627: 619: 609: 605: 585: 570: 564: 553: 522: 514: 502: 492: 488: 485: 482: 455: 446: 441: 431: 421: 391: 387: 363: 339: 335:tuberculosis 326: 322: 277: 228: 226: 153: 152: 38: 31:Nikolayevich 30: 18: 6416:Synesthesia 6296:1915 deaths 6291:1872 births 6110:Color organ 6083:Music video 6071:Synesthesia 5878:Polyrhythms 5853:Neotonality 5741:Szymanowski 5458:Romanticism 5240:Tchaikovsky 5175:R. Schumann 5170:C. Schumann 5155:Saint-Saëns 5050:Niedermeyer 4940:Leoncavallo 4910:Kalkbrenner 4685:Bortkiewicz 4474:Color organ 4246:Piano music 4109:Piano Rolls 3740:28 November 3581:McGraw-Hill 3501:Downes 2010 2864:Taken from 2656:Bowers 1996 2644:Bowers 1996 2632:Bowers 1996 2559:10 December 2516:Bowers 1996 2504:Bowers 1996 2492:Bowers 1996 2434:Bowers 1996 2422:Bowers 1996 2401:Yuri Khanon 2381:Velvet Book 2318:Bowers 1996 1918:Elisha Abas 1883:Silver Star 1863:Armée Juive 1783:In 2020, a 1571: [ 1560: [ 1501:Eric Le Van 1477:Glenn Gould 1473:Emil Gilels 1446:Igor Zhukov 1414:Ruth Laredo 1390:Robert Taub 1366: [ 1363:Pervez Mody 1337:extemporary 1167:synesthesia 1098:common task 1059: [ 718:White House 578: [ 418:Franz Liszt 235:Leo Tolstoy 202:synesthesia 200:as well as 194:metaphysics 111:Occupations 35:family name 6285:Categories 6272:Quotations 5923:Surrealism 5918:Stochastic 5908:Sound mass 5843:Microtonal 5815:techniques 5813:Genres and 5761:Stravinsky 5721:Skalkottas 5626:Schoenberg 5446:Background 5347:Intermezzo 5280:Wieniawski 5260:Vieuxtemps 5225:R. Strauss 5150:Rubinstein 5075:Paderewski 5045:Mussorgsky 5040:Moszkowski 5015:Mercadante 4310:Black Mass 4296:White Mass 4093:Recordings 3457:4 February 3310:4 February 2692:15 October 2617:9 December 2586:9 December 2582:. Allmusic 2151:6 February 2137:"Scriabin" 2128:6 February 2115:"Scriabin" 1935:References 1855:David Knut 1497:Piers Lane 1418:John Ogdon 1175:experience 994:Philosophy 772:, and the 752:media help 660:See also: 612:, Op. 73. 610:Two Dances 561:armageddon 525:impresario 27:patronymic 6201:Biography 6103:notations 6066:Sound art 5903:Serialism 5823:Atonality 5751:Prokofiev 5594:Composers 5060:Offenbach 5035:Moscheles 5030:Moniuszko 5025:Meyerbeer 4980:Marschner 4965:MacDowell 4780:Donizetti 4725:Cherubini 4715:Chaminade 4640:Beethoven 4625:Balakirev 4615:Atterberg 4593:musicians 4499:Theosophy 4220:Mysterium 3559:"page 17" 3489:Rimm 2002 3452:1044-1638 3343:Alex Ross 3165:266120753 3157:1573-0948 3016:191613100 3008:0734-4392 2580:Biography 2452:(1969) . 2101:Citations 2080:Scriàbine 2076:Scriabine 2068:Scriabine 1903:Beersheba 1735:mysticism 1661:(1492 kB) 1602:Australia 1259:tone poem 1205:Mysterium 1143:Mysterium 1133:Mysterium 1106:Mysterium 1056:All-Unity 1052:Berdyayev 1033:Mysticism 1008:Nietzsche 988:octatonic 928:7, Op. 64 924:6, Op. 62 778:harmonies 631:carbuncle 606:Mysterium 566:Mysterium 557:Himalayas 375:pensioner 261:Biography 214:theosophy 138:Signature 6153:Animusic 6120:Clavilux 6061:Cymatics 5980:Category 5913:Spectral 5838:Futurism 5772:Americas 5756:Scriabin 5727:Hungary 5702:Germany 5686:Messiaen 5681:Koechlin 5657:Finland 5647:Czechia 5641:Pousseur 5637:Belgium 5607:Austria 5526:Category 5503: ← 5382:Symphony 5245:Thalberg 5210:Spontini 5185:Sibelius 5180:Scriabin 5165:Schubert 5160:Sarasate 5125:Respighi 5120:Reinecke 5080:Paganini 4990:Massenet 4985:Masarnau 4970:Madetoja 4915:Kreisler 4905:Kalivoda 4850:J. Gomis 4835:Glazunov 4830:Giuliani 4720:Chausson 4710:Chadwick 4700:Bruckner 4521:Category 4351:Preludes 4317:No. 10 ( 4230:Concerto 3993:Skryabin 3991:(1978). 3948:Archived 3944:33405309 3918:(1996). 3877:(1993). 3836:14 April 3830:Archived 3809:Archived 3721:(2009). 3671:14 April 3575:(1957). 3397:(1990). 3304:Archived 3238:Leonardo 3229:Archived 3115:44608320 3107:22357678 2686:Archived 2553:Archived 2338:Archived 2296:14 April 2290:Archived 2286:50534422 2270:(1966). 2247:Archived 2169:(2008). 2145:Archived 2087:Archived 2084:Skrjábin 2082:", and " 2064:Skryabin 2060:Skriabin 1849:and the 1682:(677 kB) 1640:(728 kB) 1280:and the 1091:Bulgakov 1083:Solovyov 1048:Solovyov 984:acoustic 900:, Op. 54 895:and the 865:diatonic 861:tonality 789:Romantic 782:textures 770:nocturne 635:furuncle 536:Brussels 474:preludes 358:Lausanne 325:meaning 323:schetina 206:harmonic 182:Romantic 166:composer 117:Composer 39:Scriabin 6187:Portals 6039:General 5965: ← 5893:Process 5782:Antheil 5747:Russia 5737:Poland 5717:Greece 5711:Strauss 5691:Milhaud 5676:Jolivet 5667:France 5661:Bergman 5516:→ 5478:Science 5357:Mazurka 5332:Ballade 5265:Voříšek 5235:Tárrega 5230:Taneyev 5190:Smetana 5145:Rossini 5100:Puccini 5095:Prudent 5055:Nielsen 5020:Méreaux 4995:Medtner 4960:Lysenko 4930:Lachner 4895:Joachim 4875:Herbert 4795:Farrenc 4760:Delibes 4735:Crusell 4680:Borodin 4670:Berwald 4660:Berlioz 4650:Bennett 4645:Bellini 4630:Bazzini 4610:Arensky 4308:No. 9 ( 4294:No. 7 ( 4265:No. 2 ( 4253:Sonatas 4179:Rêverie 4078:(IMSLP) 4074:at the 3954:24 July 3890:Sources 3618:25 July 3478:YouTube 3021:Archive 2748:3240273 2035:Russian 1929:Ukraine 1859:Judaism 1828:Ariadna 1297:YouTube 1188:Opticks 1139:Mystery 1081:'s and 1044:samadhi 774:mazurka 766:prelude 716:at the 433:Islamey 327:stubble 320:Russian 282:into a 180:, late- 170:pianist 120:pianist 6225:Russia 6146:groups 6076:in art 5990:Portal 5792:Cowell 5787:Carter 5731:Bartók 5696:Varèse 5631:Webern 5621:Mahler 5616:Krenek 5601:Europe 5536:Portal 5473:Poetry 5325:Genres 5270:Wagner 5250:Tobias 5115:Reicha 5090:Popper 5070:Pacini 5065:Onslow 4975:Mahler 4955:Lumbye 4920:Kuhlau 4900:Joplin 4890:Hummel 4880:Hérold 4870:Halévy 4855:Gounod 4840:Glinka 4820:Franck 4815:Foster 4785:Dvořák 4775:d'Indy 4765:Delius 4745:Czerny 4730:Chopin 4705:Busoni 4690:Brahms 4665:Bertin 4655:Bériot 4330:Études 4319:Insect 4049: 4024: 4003: 3977: 3942: 3932: 3904: 3861: 3731: 3643: 3589:269329 3587: 3541: 3450: 3407: 3377: 3211: 3163: 3155: 3113: 3105: 3014: 3006: 2809: 2771: 2746: 2736: 2678: 2478:855415 2476: 2466: 2409: 2403:(1995) 2368: 2358:(1994) 2284: 2224: 2177: 1910:Israel 1836:Marina 1834:, and 1832:Julian 1746:, and 1577:, and 1444:, and 1198:and a 1006:, and 1004:Wagner 768:, the 764:, the 639:sepsis 633:and a 470:études 404:, and 396:under 280:Moscow 245:, and 190:atonal 87:Moscow 25:, the 6255:Media 6135:VJing 5868:Noise 5706:Reger 5671:Henry 5463:Chess 5295:Ysaÿe 5275:Weber 5255:Verdi 5205:Spohr 5200:Sousa 5085:Paine 5000:Méhul 4950:Loewe 4945:Liszt 4925:Kuula 4885:Holst 4865:Grieg 4845:Gomes 4825:Franz 4810:Foote 4805:Field 4800:Fauré 4790:Elgar 4770:Denza 4695:Bruch 4675:Bizet 4635:Beach 4620:Auber 4605:Alkan 4409:Other 4303:No. 8 4289:No. 6 4284:No. 5 4279:No. 4 4274:No. 3 4260:No. 1 3773:[ 3161:S2CID 3111:S2CID 3012:S2CID 2908:(3). 1995:also 1940:Notes 1885:from 1575:] 1564:] 1370:] 1308:Arbat 1200:minor 1196:major 1087:unity 1063:] 857:11ths 762:étude 656:Music 616:Death 602:Decca 582:] 410:ninth 316:Rurik 178:tonal 128:Works 5797:Ives 5651:Hába 5611:Berg 5352:Lied 5290:Wolf 5140:Rode 5130:Ries 5110:Raff 4935:Lalo 4600:Adam 4081:The 4047:ISBN 4022:ISBN 4001:ISBN 3975:ISBN 3956:2018 3940:OCLC 3930:ISBN 3902:ISBN 3859:ISBN 3838:2008 3742:2012 3729:ISBN 3673:2014 3641:ISBN 3620:2011 3585:OCLC 3539:ISBN 3459:2014 3448:ISSN 3405:ISBN 3375:ISBN 3312:2013 3209:ISBN 3153:ISSN 3103:PMID 3004:ISSN 2807:ISBN 2769:ISBN 2744:OCLC 2734:ISBN 2694:2020 2676:ISBN 2619:2007 2588:2007 2561:2019 2474:OCLC 2464:ISBN 2407:ISBN 2366:ISBN 2298:2008 2282:OCLC 2222:ISBN 2175:ISBN 2153:2014 2130:2014 2078:", " 2043:IPA: 1891:Lehi 1785:bust 1350:and 1251:Luce 1050:and 1040:fana 1025:and 986:and 935:and 926:and 863:and 853:9ths 815:and 780:and 664:and 600:for 464:and 426:and 296:Tula 168:and 162:O.S. 158:O.S. 100:O.S. 95:Died 81:O.S. 72:Born 5195:Sor 4740:Cui 3476:on 3438:doi 3349:", 3345:, " 3294:doi 3145:doi 3095:doi 2996:doi 2914:doi 2214:doi 1927:in 1303:). 1295:on 1185:'s 588:by 430:'s 420:'s 356:in 37:is 29:is 6287:: 4045:. 4041:. 3999:. 3973:. 3946:. 3938:. 3928:. 3828:. 3664:. 3635:. 3609:. 3583:. 3516:. 3446:. 3432:. 3428:. 3369:. 3328:. 3302:. 3290:18 3288:. 3284:. 3235:, 3207:, 3159:. 3151:. 3141:76 3139:. 3135:. 3123:^ 3109:. 3101:. 3091:20 3089:. 3010:. 3002:. 2992:30 2990:. 2940:^ 2912:. 2906:14 2904:. 2900:. 2888:^ 2821:^ 2783:^ 2742:. 2732:. 2714:^ 2684:. 2605:. 2578:. 2551:. 2547:. 2472:. 2458:. 2441:^ 2392:^ 2383:. 2325:^ 2306:^ 2288:. 2274:. 2253:. 2220:. 2212:. 2189:^ 2139:. 2121:. 2117:. 2093:". 2062:, 2054:: 2050:, 2041:, 2037:: 2033:; 1993:UK 1989:, 1973:ɑː 1931:. 1870:. 1791:. 1754:. 1742:, 1604:. 1596:, 1581:. 1573:pl 1562:ru 1555:, 1551:, 1547:, 1543:, 1539:, 1535:, 1531:, 1527:, 1523:, 1519:, 1515:, 1511:, 1507:, 1503:, 1499:, 1495:, 1491:, 1487:, 1483:, 1479:, 1475:, 1471:, 1467:, 1459:, 1455:, 1440:, 1436:, 1432:, 1428:, 1424:, 1420:, 1416:, 1412:, 1408:, 1404:, 1400:, 1396:, 1392:, 1380:, 1376:, 1372:, 1368:de 1361:, 1346:, 1273:. 1191:. 1145:. 1124:, 1118:, 1113:, 1061:ru 1042:, 1029:. 1002:, 871:. 867:, 834:, 830:, 819:. 784:. 641:. 580:de 400:, 241:, 224:. 6241:: 6189:: 6024:e 6017:t 6010:v 5570:e 5563:t 5556:v 5438:" 5434:" 4567:e 4560:t 4553:v 4321:) 4312:) 4298:) 4269:) 4201:) 4197:( 4147:e 4140:t 4133:v 4115:) 4111:( 4105:) 4101:( 4055:. 4030:. 4009:. 3983:. 3958:. 3910:. 3840:. 3758:. 3744:. 3675:. 3662:" 3622:. 3591:. 3561:. 3547:. 3520:. 3461:. 3440:: 3434:9 3413:. 3383:. 3314:. 3296:: 3269:. 3253:. 3167:. 3147:: 3117:. 3097:: 3018:. 2998:: 2922:. 2916:: 2815:. 2777:. 2750:. 2696:. 2621:. 2590:. 2563:. 2480:. 2320:. 2300:. 2230:. 2216:: 2183:. 2155:. 2132:. 2029:/ 2026:n 2023:ɪ 2020:b 2017:æ 2014:ˈ 2011:i 2008:r 2005:k 2002:s 1999:/ 1985:/ 1982:n 1979:ɪ 1976:b 1970:ˈ 1967:i 1964:r 1961:k 1958:s 1955:/ 943:' 754:. 41:.

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

Index