228:
223:
218:
213:
208:
29:
321:
was featured on guitar in place of the departed McGovern, and the bass slot on several tracks was filled by one of two session players in place of
Michael Goodroe. Adrian Peritore (who went by the name Guy Perry because his former producer had misspelled his name on an album cover) was hired in late
290:
Wanting to stretch the limits as to what they could do artistically and musically, the band recorded some of its darkest and heaviest music to date. McGovern, Davis' boyfriend at the time, clashed with Garay in the studio, and ended up de facto producer and arranger for the album, which was titled
300:
Neither the band nor Garay ever submitted any of the recordings to
Capitol Records while the recording process was underway. When the record company heard the finished product, they rejected it for being "not commercial enough" and "too weird", and
334:
because the band had recorded four albums but one would not be released, and because the four remaining members had stayed together to complete the album. It was released on April 5, 1982, by
Capitol Records.
312:
throughout the album, and molding the final product to a more commercially appealing sound. Several band members were used sparingly or not at all on the final recordings; in particular, studio drummer
305:
was scrapped. The band attempted to go back and re-record the entire album but in the process, Davis and McGovern's relationship dissolved and by
December 1981 McGovern was no longer in the band.
326:
tracks were completely re-recorded for the new album, while four new tracks were added (including the hit "Take the L", and a cover of the Goffin/King song "
283:. The band at this time consisted of Martha Davis on vocals and guitar, Tim McGovern on lead guitar, Marty Jourard on keyboards, Michael Goodroe on bass and
382:, and music videos were produced for both "Only the Lonely" and "Take the L". Davis won an award in the Best Performance in a Music Video category at the
366:
chart. The song "Mission of Mercy" also received enough airplay to reach No. 23 on the Top Tracks chart. In addition, two other singles, "
297:. Martha Davis considers this period "the last time the Motels were uninhibited, wild, and not worried about our place on the charts."
1137:
1287:
1112:
1021:
550:
1197:
936:
462:
347:
251:
1119:
1292:
327:
1087:
293:
803:
977:
342:
was the first U.S. hit album for The Motels, and was the band's best selling album. The first single from
1218:
1094:
1282:
1052:
956:
275:
148:
1183:
1073:
1014:
884:
Exclusive
Magazine. Interview by Russell Trunk in 'Lonely No More' article, January 2007 edition.
1239:
1232:
1080:
363:
1256:
924:
279:, the Motels went back into the studio in early 1981 to record their third album with producer
787:
308:
With McGovern gone, Garay took a different approach with the re-recording process, utilizing
1277:
1169:
1151:
383:
359:
378:
Hot 100 (#52 and #60, respectively). The album's release coincided with the emergence of
8:
1225:
1211:
1007:
574:
371:
322:
January as an official band member, and played lead guitar on some of the tracks. Six
1204:
932:
705:
441:
367:
351:
255:
894:
309:
1190:
123:
116:
952:
1066:
1045:
623:
447:
284:
243:
166:
88:
1271:
1144:
931:(illustrated ed.). St Ives, N.S.W.: Australian Chart Book. p. 209.
867:
640:
318:
28:
898:
646:
556:
314:
262:
111:
1176:
560:
83:
783:
1030:
669:
247:
135:
75:
41:
663:
357:
and No. 27 on the Adult
Contemporary chart, as well as No. 6 on the
280:
128:
953:"Top Selling Albums of 1982 — The Official New Zealand Music Chart"
675:
200:
999:
911:
36:
386:
in 1982 for her performance in the "Only the Lonely" video.
893:
Essential
Collection. Liner notes from album insert, 2005.
842:" Jourard.com, official website. Retrieved 24 April 2007.
839:
379:
259:
400:
All songs written by Martha Davis, except where noted.
804:"Review: The Motels' lost "Apocalypso" worth the wait"
1269:
250:, released in 1982. It features the Top 10 hit "
265:. The album was recorded and mixed digitally.
1015:
205:
1022:
1008:
27:
797:
795:
268:
866:
392:was eventually released in August 2011.
801:
630:
317:replaced Brian Glascock on all tracks,
258:". Both songs were assisted by popular
1270:
857:. Liner notes from album insert, 1990.
826:. Liner notes from album insert, 2011.
792:
569:
1003:
587:
545:
531:
517:
503:
489:
475:
457:
436:
422:
186:
923:
850:
848:
834:
832:
617:Marty Jourard – keyboards, saxophone
1138:No Vacancy – The Best of The Motels
917:
817:
551:He Hit Me (and It Felt like a Kiss)
16:1982 studio album by the Motels
13:
978:"Top Billboard 200 Albums of 1982"
733:
14:
1304:
887:
878:
872:Top Adult Contemporary: 1961-2001
845:
829:
636:Bryan Garofalo, Bob Getter – bass
207:
1120:Atomic Cafe: Greatest Songs Live
686:
395:
226:
221:
216:
211:
206:
970:
945:
929:Australian Chart Book 1970–1992
874:. Record Research. p. 175.
328:He Hit Me (It Felt Like a Kiss)
1029:
904:
860:
777:
407:
350:", which reached No. 9 on the
338:Despite its rough beginnings,
1:
802:Willman, Chris (2011-08-15).
770:
656:
611:Martha Davis – vocals, guitar
605:
374:", also managed to reach the
242:is the third studio album by
1288:Albums produced by Val Garay
763:
751:
726:
718:
600:
7:
1095:The Last Few Beautiful Days
914:". Retrieved 26 April 2007.
662:Produced and engineered by
652:Kobla Ladzekpo – percussion
429:Martha Davis, Marty Jourard
273:After the minor success of
10:
1309:
957:Recorded Music New Zealand
749:New Zealand Albums (RMNZ)
330:"). The album was renamed
254:", and the follow-up hit "
1249:
1161:
1129:
1104:
1037:
681:
417:
414:
411:
406:
194:
191:
142:
134:
122:
110:
94:
82:
71:
63:
48:
35:
26:
21:
674:Mastering: Mike Reese,
52:April 5, 1982
1293:Capitol Records albums
620:Michael Goodroe – bass
496:Davis, Steve Goldstein
269:Background and writing
910:Mars Talent Agency. "
724:'U.S.' Billboard 200
384:American Music Awards
1219:Suddenly Last Summer
1152:If Not Now Then When
984:. Billboard Magazine
912:The Motels Biography
668:Assistant engineer:
631:Additional personnel
182:Professional ratings
1226:Remember the Nights
649:– drums, percussion
626:– drums, percussion
482:Davis, Tim McGovern
183:
1130:Compilation albums
1113:Standing Room Only
614:Guy Perry – guitar
426:"Mission of Mercy"
181:
1283:The Motels albums
1265:
1264:
982:www.billboard.com
840:Marty Jourard Bio
838:Jourard, Marty. "
768:
767:
731:
730:
706:Kent Music Report
597:
596:
235:
234:
179:
178:
175:
174:
1300:
1250:Related articles
1024:
1017:
1010:
1001:
1000:
994:
993:
991:
989:
974:
968:
967:
965:
963:
949:
943:
942:
921:
915:
908:
902:
891:
885:
882:
876:
875:
864:
858:
852:
843:
836:
827:
821:
815:
814:
812:
811:
799:
790:
781:
738:
737:
691:
690:
590:
493:"Change My Mind"
450:, Davis, Jourard
409:
404:
403:
310:studio musicians
231:
230:
229:
225:
224:
220:
219:
215:
214:
210:
209:
184:
180:
144:
143:
106:
105:
101:
59:
57:
31:
19:
18:
1308:
1307:
1303:
1302:
1301:
1299:
1298:
1297:
1268:
1267:
1266:
1261:
1245:
1198:Only the Lonely
1157:
1125:
1100:
1033:
1028:
998:
997:
987:
985:
976:
975:
971:
961:
959:
951:
950:
946:
939:
922:
918:
909:
905:
892:
888:
883:
879:
865:
861:
853:
846:
837:
830:
822:
818:
809:
807:
800:
793:
782:
778:
773:
736:
734:Year-end charts
698:
689:
684:
659:
633:
608:
603:
598:
588:
524:Davis, McGovern
463:Only the Lonely
398:
348:Only the Lonely
271:
252:Only the Lonely
227:
222:
217:
212:
170:
161:
152:
103:
99:
98:
55:
53:
44:
17:
12:
11:
5:
1306:
1296:
1295:
1290:
1285:
1280:
1263:
1262:
1260:
1259:
1253:
1251:
1247:
1246:
1244:
1243:
1236:
1229:
1222:
1215:
1208:
1201:
1194:
1191:Whose Problem?
1187:
1180:
1173:
1165:
1163:
1159:
1158:
1156:
1155:
1148:
1141:
1133:
1131:
1127:
1126:
1124:
1123:
1116:
1108:
1106:
1102:
1101:
1099:
1098:
1091:
1084:
1077:
1070:
1067:Little Robbers
1063:
1056:
1049:
1041:
1039:
1035:
1034:
1027:
1026:
1019:
1012:
1004:
996:
995:
969:
944:
937:
916:
903:
886:
877:
868:Whitburn, Joel
859:
844:
828:
816:
791:
775:
774:
772:
769:
766:
765:
762:
754:
753:
750:
746:
745:
742:
735:
732:
729:
728:
725:
721:
720:
717:
716:Canada Albums
713:
712:
709:
701:
700:
695:
688:
685:
683:
680:
679:
678:
672:
666:
658:
655:
654:
653:
650:
644:
637:
632:
629:
628:
627:
624:Brian Glascock
621:
618:
615:
612:
607:
604:
602:
599:
595:
594:
591:
585:
584:
581:
578:
571:
567:
566:
563:
554:
547:
543:
542:
539:
536:
533:
529:
528:
525:
522:
519:
515:
514:
511:
508:
505:
501:
500:
497:
494:
491:
487:
486:
483:
480:
477:
473:
472:
469:
466:
459:
455:
454:
451:
445:
438:
434:
433:
430:
427:
424:
420:
419:
416:
413:
410:
402:
397:
394:
285:Brian Glascock
270:
267:
233:
232:
203:
197:
196:
193:
189:
188:
177:
176:
173:
172:
167:Little Robbers
163:
154:
140:
139:
132:
131:
126:
120:
119:
114:
108:
107:
96:
92:
91:
86:
80:
79:
73:
69:
68:
65:
61:
60:
50:
46:
45:
40:
33:
32:
24:
23:
15:
9:
6:
4:
3:
2:
1305:
1294:
1291:
1289:
1286:
1284:
1281:
1279:
1276:
1275:
1273:
1258:
1255:
1254:
1252:
1248:
1241:
1237:
1234:
1230:
1227:
1223:
1220:
1216:
1213:
1209:
1206:
1202:
1199:
1195:
1192:
1188:
1185:
1181:
1178:
1174:
1171:
1170:Total Control
1167:
1166:
1164:
1160:
1154:
1153:
1149:
1147:
1146:
1145:Anthologyland
1142:
1140:
1139:
1135:
1134:
1132:
1128:
1122:
1121:
1117:
1115:
1114:
1110:
1109:
1107:
1103:
1097:
1096:
1092:
1090:
1089:
1085:
1083:
1082:
1078:
1076:
1075:
1071:
1069:
1068:
1064:
1062:
1061:
1057:
1055:
1054:
1050:
1048:
1047:
1043:
1042:
1040:
1038:Studio albums
1036:
1032:
1025:
1020:
1018:
1013:
1011:
1006:
1005:
1002:
983:
979:
973:
958:
954:
948:
940:
938:0-646-11917-6
934:
930:
926:
920:
913:
907:
900:
896:
890:
881:
873:
869:
863:
856:
851:
849:
841:
835:
833:
825:
820:
805:
798:
796:
789:
785:
780:
776:
760:
756:
755:
748:
747:
743:
741:Chart (1982)
740:
739:
723:
722:
715:
714:
710:
707:
703:
702:
696:
694:Chart (1982)
693:
692:
687:Weekly charts
677:
673:
671:
667:
665:
661:
660:
651:
648:
645:
642:
641:Waddy Wachtel
638:
635:
634:
625:
622:
619:
616:
613:
610:
609:
592:
589:Total length:
586:
582:
579:
576:
572:
568:
564:
562:
558:
555:
552:
548:
544:
540:
537:
534:
530:
526:
523:
521:"Tragic Surf"
520:
516:
512:
509:
506:
502:
498:
495:
492:
488:
484:
481:
478:
474:
470:
467:
464:
460:
456:
452:
449:
446:
443:
439:
435:
431:
428:
425:
421:
405:
401:
396:Track listing
393:
391:
387:
385:
381:
377:
373:
369:
365:
362:
361:
356:
354:
349:
345:
341:
336:
333:
329:
325:
320:
319:Waddy Wachtel
316:
311:
306:
304:
298:
296:
295:
288:
286:
282:
278:
277:
266:
264:
261:
257:
253:
249:
245:
241:
240:
204:
202:
199:
198:
190:
187:Review scores
185:
169:
168:
164:
160:
159:
155:
151:
150:
146:
145:
141:
137:
133:
130:
127:
125:
121:
118:
115:
113:
109:
97:
93:
90:
87:
85:
81:
78:(Los Angeles)
77:
74:
70:
66:
62:
51:
47:
43:
38:
34:
30:
25:
20:
1212:Forever Mine
1150:
1143:
1136:
1118:
1111:
1093:
1086:
1079:
1072:
1065:
1060:All Four One
1059:
1058:
1051:
1044:
986:. Retrieved
981:
972:
960:. Retrieved
947:
928:
919:
906:
899:724386370624
889:
880:
871:
862:
854:
823:
819:
808:. Retrieved
784:All Four One
779:
758:
647:Craig Krampf
639:Craig Hull,
575:Forever Mine
557:Gerry Goffin
535:"Apocalypso"
399:
389:
388:
375:
372:Forever Mine
358:
352:
344:All Four One
343:
340:All Four One
339:
337:
332:All Four One
331:
323:
315:Craig Krampf
307:
302:
299:
292:
289:
274:
272:
263:music videos
239:All Four One
238:
237:
236:
165:
158:All Four One
157:
156:
147:
37:Studio album
22:All Four One
1278:1982 albums
1257:Discography
1177:Days Are OK
1105:Live albums
925:Kent, David
704:Australia (
561:Carole King
479:"Art Fails"
1272:Categories
1205:Take the L
1088:Apocalypso
1031:The Motels
962:1 February
855:No Vacancy
824:Apocalypso
810:2012-05-24
771:References
670:Niko Bolas
657:Production
606:The Motels
442:Take the L
390:Apocalypso
368:Take the L
364:Top Tracks
324:Apocalypso
303:Apocalypso
294:Apocalypso
287:on drums.
256:Take the L
248:the Motels
138:chronology
136:The Motels
76:Record One
56:1982-04-05
42:the Motels
806:. Reuters
759:Billboard
744:Position
699:position
664:Val Garay
643:– guitars
601:Personnel
507:"So L.A."
415:Writer(s)
376:Billboard
360:Billboard
353:Billboard
281:Val Garay
129:Val Garay
927:(1993).
870:(2002).
788:AllMusic
676:Doug Sax
244:new wave
201:AllMusic
124:Producer
89:New wave
64:Recorded
49:Released
39: by
1162:Singles
1053:Careful
988:4 April
370:" and "
355:Hot 100
276:Careful
171:(1983)
162:(1982)
153:(1980)
149:Careful
117:Capitol
67:1981–82
54: (
1184:Danger
1046:Motels
935:
897:
682:Charts
580:
538:
510:
448:Carter
418:Length
195:Rating
192:Source
95:Length
72:Studio
1240:Shock
1233:Shame
1074:Shock
757:U.S.
593:33:02
468:Davis
412:Title
346:was "
246:band
112:Label
84:Genre
1081:This
990:2020
964:2022
933:ISBN
761:200
697:Peak
583:3:22
565:2:28
541:3:16
527:3:32
513:3:16
499:3:21
485:3:12
471:3:16
453:3:42
432:3:02
895:UPC
786:at
764:51
752:32
727:16
719:39
711:20
570:10.
408:No.
380:MTV
260:MTV
1274::
980:.
955:.
847:^
831:^
794:^
708:)
559:,
546:9.
532:8.
518:7.
504:6.
490:5.
476:4.
458:3.
437:2.
423:1.
104:02
100:33
1242:"
1238:"
1235:"
1231:"
1228:"
1224:"
1221:"
1217:"
1214:"
1210:"
1207:"
1203:"
1200:"
1196:"
1193:"
1189:"
1186:"
1182:"
1179:"
1175:"
1172:"
1168:"
1023:e
1016:t
1009:v
992:.
966:.
941:.
901:.
813:.
577:"
573:"
553:"
549:"
465:"
461:"
444:"
440:"
102::
58:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.