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was featured on guitar in place of the departed McGovern, and the bass slot on several tracks was filled by one of two session players in place of Michael Goodroe. Adrian Peritore (who went by the name Guy Perry because his former producer had misspelled his name on an album cover) was hired in late
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Wanting to stretch the limits as to what they could do artistically and musically, the band recorded some of its darkest and heaviest music to date. McGovern, Davis' boyfriend at the time, clashed with Garay in the studio, and ended up de facto producer and arranger for the album, which was titled
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Neither the band nor Garay ever submitted any of the recordings to Capitol Records while the recording process was underway. When the record company heard the finished product, they rejected it for being "not commercial enough" and "too weird", and
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because the band had recorded four albums but one would not be released, and because the four remaining members had stayed together to complete the album. It was released on April 5, 1982, by Capitol Records.
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throughout the album, and molding the final product to a more commercially appealing sound. Several band members were used sparingly or not at all on the final recordings; in particular, studio drummer
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was scrapped. The band attempted to go back and re-record the entire album but in the process, Davis and McGovern's relationship dissolved and by December 1981 McGovern was no longer in the band.
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tracks were completely re-recorded for the new album, while four new tracks were added (including the hit "Take the L", and a cover of the Goffin/King song "
283:. The band at this time consisted of Martha Davis on vocals and guitar, Tim McGovern on lead guitar, Marty Jourard on keyboards, Michael Goodroe on bass and 382:, and music videos were produced for both "Only the Lonely" and "Take the L". Davis won an award in the Best Performance in a Music Video category at the 366:
chart. The song "Mission of Mercy" also received enough airplay to reach No. 23 on the Top Tracks chart. In addition, two other singles, "
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was the first U.S. hit album for The Motels, and was the band's best selling album. The first single from
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Exclusive Magazine. Interview by Russell Trunk in 'Lonely No More' article, January 2007 edition.
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With McGovern gone, Garay took a different approach with the re-recording process, utilizing
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Hot 100 (#52 and #60, respectively). The album's release coincided with the emergence of
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January as an official band member, and played lead guitar on some of the tracks. Six
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and No. 27 on the Adult Contemporary chart, as well as No. 6 on the
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in 1982 for her performance in the "Only the Lonely" video.
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Essential Collection. Liner notes from album insert, 2005.
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All songs written by Martha Davis, except where noted.
804:"Review: The Motels' lost "Apocalypso" worth the wait" 1269: 250:, released in 1982. It features the Top 10 hit " 265:. The album was recorded and mixed digitally. 1015: 205: 1022: 1008: 27: 797: 795: 268: 866: 392:was eventually released in August 2011. 801: 630: 317:replaced Brian Glascock on all tracks, 258:". Both songs were assisted by popular 1270: 857:. Liner notes from album insert, 1990. 826:. Liner notes from album insert, 2011. 792: 569: 1003: 587: 545: 531: 517: 503: 489: 475: 457: 436: 422: 186: 923: 850: 848: 834: 832: 617:Marty Jourard – keyboards, saxophone 1138:No Vacancy – The Best of The Motels 917: 817: 551:He Hit Me (and It Felt like a Kiss) 16:1982 studio album by the Motels 13: 978:"Top Billboard 200 Albums of 1982" 733: 14: 1304: 887: 878: 872:Top Adult Contemporary: 1961-2001 845: 829: 636:Bryan Garofalo, Bob Getter – bass 207: 1120:Atomic Cafe: Greatest Songs Live 686: 395: 226: 221: 216: 211: 206: 970: 945: 929:Australian Chart Book 1970–1992 874:. Record Research. p. 175. 328:He Hit Me (It Felt Like a Kiss) 1029: 904: 860: 777: 407: 350:", which reached No. 9 on the 338:Despite its rough beginnings, 1: 802:Willman, Chris (2011-08-15). 770: 656: 611:Martha Davis – vocals, guitar 605: 374:", also managed to reach the 242:is the third studio album by 1288:Albums produced by Val Garay 763: 751: 726: 718: 600: 7: 1095:The Last Few Beautiful Days 914:". Retrieved 26 April 2007. 662:Produced and engineered by 652:Kobla Ladzekpo – percussion 429:Martha Davis, Marty Jourard 273:After the minor success of 10: 1309: 957:Recorded Music New Zealand 749:New Zealand Albums (RMNZ) 330:"). The album was renamed 254:", and the follow-up hit " 1249: 1161: 1129: 1104: 1037: 681: 417: 414: 411: 406: 194: 191: 142: 134: 122: 110: 94: 82: 71: 63: 48: 35: 26: 21: 674:Mastering: Mike Reese, 52:April 5, 1982 1293:Capitol Records albums 620:Michael Goodroe – bass 496:Davis, Steve Goldstein 269:Background and writing 910:Mars Talent Agency. " 724:'U.S.' Billboard 200 384:American Music Awards 1219:Suddenly Last Summer 1152:If Not Now Then When 984:. Billboard Magazine 912:The Motels Biography 668:Assistant engineer: 631:Additional personnel 182:Professional ratings 1226:Remember the Nights 649:– drums, percussion 626:– drums, percussion 482:Davis, Tim McGovern 183: 1130:Compilation albums 1113:Standing Room Only 614:Guy Perry – guitar 426:"Mission of Mercy" 181: 1283:The Motels albums 1265: 1264: 982:www.billboard.com 840:Marty Jourard Bio 838:Jourard, Marty. " 768: 767: 731: 730: 706:Kent Music Report 597: 596: 235: 234: 179: 178: 175: 174: 1300: 1250:Related articles 1024: 1017: 1010: 1001: 1000: 994: 993: 991: 989: 974: 968: 967: 965: 963: 949: 943: 942: 921: 915: 908: 902: 891: 885: 882: 876: 875: 864: 858: 852: 843: 836: 827: 821: 815: 814: 812: 811: 799: 790: 781: 738: 737: 691: 690: 590: 493:"Change My Mind" 450:, Davis, Jourard 409: 404: 403: 310:studio musicians 231: 230: 229: 225: 224: 220: 219: 215: 214: 210: 209: 184: 180: 144: 143: 106: 105: 101: 59: 57: 31: 19: 18: 1308: 1307: 1303: 1302: 1301: 1299: 1298: 1297: 1268: 1267: 1266: 1261: 1245: 1198:Only the Lonely 1157: 1125: 1100: 1033: 1028: 998: 997: 987: 985: 976: 975: 971: 961: 959: 951: 950: 946: 939: 922: 918: 909: 905: 892: 888: 883: 879: 865: 861: 853: 846: 837: 830: 822: 818: 809: 807: 800: 793: 782: 778: 773: 736: 734:Year-end charts 698: 689: 684: 659: 633: 608: 603: 598: 588: 524:Davis, McGovern 463:Only the Lonely 398: 348:Only the Lonely 271: 252:Only the Lonely 227: 222: 217: 212: 170: 161: 152: 103: 99: 98: 55: 53: 44: 17: 12: 11: 5: 1306: 1296: 1295: 1290: 1285: 1280: 1263: 1262: 1260: 1259: 1253: 1251: 1247: 1246: 1244: 1243: 1236: 1229: 1222: 1215: 1208: 1201: 1194: 1191:Whose Problem? 1187: 1180: 1173: 1165: 1163: 1159: 1158: 1156: 1155: 1148: 1141: 1133: 1131: 1127: 1126: 1124: 1123: 1116: 1108: 1106: 1102: 1101: 1099: 1098: 1091: 1084: 1077: 1070: 1067:Little Robbers 1063: 1056: 1049: 1041: 1039: 1035: 1034: 1027: 1026: 1019: 1012: 1004: 996: 995: 969: 944: 937: 916: 903: 886: 877: 868:Whitburn, Joel 859: 844: 828: 816: 791: 775: 774: 772: 769: 766: 765: 762: 754: 753: 750: 746: 745: 742: 735: 732: 729: 728: 725: 721: 720: 717: 716:Canada Albums 713: 712: 709: 701: 700: 695: 688: 685: 683: 680: 679: 678: 672: 666: 658: 655: 654: 653: 650: 644: 637: 632: 629: 628: 627: 624:Brian Glascock 621: 618: 615: 612: 607: 604: 602: 599: 595: 594: 591: 585: 584: 581: 578: 571: 567: 566: 563: 554: 547: 543: 542: 539: 536: 533: 529: 528: 525: 522: 519: 515: 514: 511: 508: 505: 501: 500: 497: 494: 491: 487: 486: 483: 480: 477: 473: 472: 469: 466: 459: 455: 454: 451: 445: 438: 434: 433: 430: 427: 424: 420: 419: 416: 413: 410: 402: 397: 394: 285:Brian Glascock 270: 267: 233: 232: 203: 197: 196: 193: 189: 188: 177: 176: 173: 172: 167:Little Robbers 163: 154: 140: 139: 132: 131: 126: 120: 119: 114: 108: 107: 96: 92: 91: 86: 80: 79: 73: 69: 68: 65: 61: 60: 50: 46: 45: 40: 33: 32: 24: 23: 15: 9: 6: 4: 3: 2: 1305: 1294: 1291: 1289: 1286: 1284: 1281: 1279: 1276: 1275: 1273: 1258: 1255: 1254: 1252: 1248: 1241: 1237: 1234: 1230: 1227: 1223: 1220: 1216: 1213: 1209: 1206: 1202: 1199: 1195: 1192: 1188: 1185: 1181: 1178: 1174: 1171: 1170:Total Control 1167: 1166: 1164: 1160: 1154: 1153: 1149: 1147: 1146: 1145:Anthologyland 1142: 1140: 1139: 1135: 1134: 1132: 1128: 1122: 1121: 1117: 1115: 1114: 1110: 1109: 1107: 1103: 1097: 1096: 1092: 1090: 1089: 1085: 1083: 1082: 1078: 1076: 1075: 1071: 1069: 1068: 1064: 1062: 1061: 1057: 1055: 1054: 1050: 1048: 1047: 1043: 1042: 1040: 1038:Studio albums 1036: 1032: 1025: 1020: 1018: 1013: 1011: 1006: 1005: 1002: 983: 979: 973: 958: 954: 948: 940: 938:0-646-11917-6 934: 930: 926: 920: 913: 907: 900: 896: 890: 881: 873: 869: 863: 856: 851: 849: 841: 835: 833: 825: 820: 805: 798: 796: 789: 785: 780: 776: 760: 756: 755: 748: 747: 743: 741:Chart (1982) 740: 739: 723: 722: 715: 714: 710: 707: 703: 702: 696: 694:Chart (1982) 693: 692: 687:Weekly charts 677: 673: 671: 667: 665: 661: 660: 651: 648: 645: 642: 641:Waddy Wachtel 638: 635: 634: 625: 622: 619: 616: 613: 610: 609: 592: 589:Total length: 586: 582: 579: 576: 572: 568: 564: 562: 558: 555: 552: 548: 544: 540: 537: 534: 530: 526: 523: 521:"Tragic Surf" 520: 516: 512: 509: 506: 502: 498: 495: 492: 488: 484: 481: 478: 474: 470: 467: 464: 460: 456: 452: 449: 446: 443: 439: 435: 431: 428: 425: 421: 405: 401: 396:Track listing 393: 391: 387: 385: 381: 377: 373: 369: 365: 362: 361: 356: 354: 349: 345: 341: 336: 333: 329: 325: 320: 319:Waddy Wachtel 316: 311: 306: 304: 298: 296: 295: 288: 286: 282: 278: 277: 266: 264: 261: 257: 253: 249: 245: 241: 240: 204: 202: 199: 198: 190: 187:Review scores 185: 169: 168: 164: 160: 159: 155: 151: 150: 146: 145: 141: 137: 133: 130: 127: 125: 121: 118: 115: 113: 109: 97: 93: 90: 87: 85: 81: 78:(Los Angeles) 77: 74: 70: 66: 62: 51: 47: 43: 38: 34: 30: 25: 20: 1212:Forever Mine 1150: 1143: 1136: 1118: 1111: 1093: 1086: 1079: 1072: 1065: 1060:All Four One 1059: 1058: 1051: 1044: 986:. 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Retrieved 784:All Four One 779: 758: 647:Craig Krampf 639:Craig Hull, 575:Forever Mine 557:Gerry Goffin 535:"Apocalypso" 399: 389: 388: 375: 372:Forever Mine 358: 352: 344:All Four One 343: 340:All Four One 339: 337: 332:All Four One 331: 323: 315:Craig Krampf 307: 302: 299: 292: 289: 274: 272: 263:music videos 239:All Four One 238: 237: 236: 165: 158:All Four One 157: 156: 147: 37:Studio album 22:All Four One 1278:1982 albums 1257:Discography 1177:Days Are OK 1105:Live albums 925:Kent, David 704:Australia ( 561:Carole King 479:"Art Fails" 1272:Categories 1205:Take the L 1088:Apocalypso 1031:The Motels 962:1 February 855:No Vacancy 824:Apocalypso 810:2012-05-24 771:References 670:Niko Bolas 657:Production 606:The Motels 442:Take the L 390:Apocalypso 368:Take the L 364:Top Tracks 324:Apocalypso 303:Apocalypso 294:Apocalypso 287:on drums. 256:Take the L 248:the Motels 138:chronology 136:The Motels 76:Record One 56:1982-04-05 42:the Motels 806:. Reuters 759:Billboard 744:Position 699:position 664:Val Garay 643:– guitars 601:Personnel 507:"So L.A." 415:Writer(s) 376:Billboard 360:Billboard 353:Billboard 281:Val Garay 129:Val Garay 927:(1993). 870:(2002). 788:AllMusic 676:Doug Sax 244:new wave 201:AllMusic 124:Producer 89:New wave 64:Recorded 49:Released 39: by 1162:Singles 1053:Careful 988:4 April 370:" and " 355:Hot 100 276:Careful 171:(1983) 162:(1982) 153:(1980) 149:Careful 117:Capitol 67:1981–82 54: ( 1184:Danger 1046:Motels 935:  897:  682:Charts 580:  538:  510:  448:Carter 418:Length 195:Rating 192:Source 95:Length 72:Studio 1240:Shock 1233:Shame 1074:Shock 757:U.S. 593:33:02 468:Davis 412:Title 346:was " 246:band 112:Label 84:Genre 1081:This 990:2020 964:2022 933:ISBN 761:200 697:Peak 583:3:22 565:2:28 541:3:16 527:3:32 513:3:16 499:3:21 485:3:12 471:3:16 453:3:42 432:3:02 895:UPC 786:at 764:51 752:32 727:16 719:39 711:20 570:10. 408:No. 380:MTV 260:MTV 1274:: 980:. 955:. 847:^ 831:^ 794:^ 708:) 559:, 546:9. 532:8. 518:7. 504:6. 490:5. 476:4. 458:3. 437:2. 423:1. 104:02 100:33 1242:" 1238:" 1235:" 1231:" 1228:" 1224:" 1221:" 1217:" 1214:" 1210:" 1207:" 1203:" 1200:" 1196:" 1193:" 1189:" 1186:" 1182:" 1179:" 1175:" 1172:" 1168:" 1023:e 1016:t 1009:v 992:. 966:. 941:. 901:. 813:. 577:" 573:" 553:" 549:" 465:" 461:" 444:" 440:" 102:: 58:)

Index


Studio album
the Motels
Record One
Genre
New wave
Label
Capitol
Producer
Val Garay
The Motels
Careful
Little Robbers
AllMusic
new wave
the Motels
Only the Lonely
Take the L
MTV
music videos
Careful
Val Garay
Brian Glascock
Apocalypso
studio musicians
Craig Krampf
Waddy Wachtel
He Hit Me (It Felt Like a Kiss)
Only the Lonely
Billboard Hot 100

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