319:
281:
248:
314:
309:
304:
299:
276:
271:
266:
243:
238:
233:
228:
36:
353:(Nessa) is a straightahead blowing date from 1976 featuring Marsh backed by a redoubtable rhythm section ... Both Levy and Hanna are top-drawer bop stylists, and Marsh is one of the all-time greats at the top of his game. Definitely not just for Tristo-philes or Marsh completists".
332:
review commented: "The mid-'70s were a prime time for tenor saxophonist Warne Marsh, and this 1976 studio session is one of his best dates from this portion of his career. ... Marsh's sophisticated solo work shines no matter what the setting".
349:
Chris Kelsey wrote: "The late tenor saxophonist Warne Marsh played with a spontaneous, seat-of-the-pants creativity that puts todayβs young, book-learned jazzers to shame. ...
790:
830:
882:
806:
838:
822:
814:
147:
770:
744:
704:
665:
618:
257:
335:
290:
854:
165:
902:
894:
580:
1023:
532:
1059:
600:
1092:
982:
1082:
974:
728:
712:
990:
658:
605:
596:
634:
799:
764:
507:
555:
1087:
651:
8:
756:
1011:
962:
910:
736:
720:
465:
382:
1035:
922:
614:
576:
1047:
887:
460:
372:
124:
954:
946:
862:
520:
473:
548:
16:
This article is about the 1976 jazz album. For the online music database, see
1076:
1040:
795:
782:
610:
410:
390:
190:
113:
931:
867:
108:
674:
479:
456:
186:
134:
80:
48:
1052:
1028:
1016:
938:
927:
775:
749:
484:
397:
915:
874:
386:
345:
35:
488:
329:
220:
17:
643:
469:
43:
791:
Report of the 1st Annual
Symposium on Relaxed Improvisation
85:
684:
Years given are for the recording(s), not first release.
501:
343:
is one of the best places to hear Marsh at work". In
831:Live at the Montmartre Club: Jazz Exchange Vol. 2
1074:
575:. USA: Random House/Rolling Stone. p. 132.
362:"I Have a Good One for You" (Warne Marsh) β 5:29
807:The Unissued 1975 Copenhagen Studio Recordings
659:
839:Warne Marsh Lee Konitz: Jazz Exchange Vol. 3
443:"I Have a Good One for You" (Marsh) β 5:55
437:"I Have a Good One for You" (Marsh) β 5:49
431:"I Have a Good One for You" (Marsh) β 5:29
425:"I Have a Good One for You" (Marsh) β 6:48
419:"I Have a Good One for You" (Marsh) β 0:47
296:
263:
225:
666:
652:
595:
543:
541:
34:
823:Warne Marsh Quintet: Jazz Exchange Vol. 1
815:The Unissued Copenhagen Studio Recordings
148:The Unissued Copenhagen Studio Recordings
570:
566:
564:
538:
1075:
589:
647:
206:
189:recorded in 1976 and released on the
606:The Penguin Guide to Jazz Recordings
561:
258:The Penguin Guide to Jazz Recordings
23:1976 studio album by Warne Marsh
573:The Rolling Stone Jazz Record Guide
336:The Rolling Stone Jazz Record Guide
291:The Rolling Stone Jazz Record Guide
13:
855:Lee Konitz Meets Warne Marsh Again
533:Enciclopedia del Jazz: Warne Marsh
166:Lee Konitz Meets Warne Marsh Again
14:
1104:
903:Conversations with Warne Volume 2
895:Conversations with Warne Volume 1
521:Discography of Warne Marion Marsh
365:"Background Music" (Marsh) β 4:32
298:
265:
227:
356:
317:
312:
307:
302:
297:
279:
274:
269:
264:
246:
241:
236:
231:
226:
673:
1060:Lee Konitz Meets Jimmy Giuffre
627:
526:
513:
1:
494:
975:Warne Marsh & Susan Chen
450:
403:"On Purpose" (Levy) β 5:44
368:"On Purpose" (Lou Levy) 7:07
196:
7:
906:(and Pete Christlieb, 1978)
898:(and Pete Christlieb, 1978)
729:Art Pepper with Warne Marsh
713:Lee Konitz with Warne Marsh
185:is an album by saxophonist
10:
1109:
991:Two Days in the Life of...
75:Sound Studios, Chicago, IL
67:February 20 & 21, 1976
15:
1001:
690:
681:
571:Swenson, J., ed. (1985).
558:. Retrieved May 16, 2017.
508:Nessa Records discography
445:Bonus track on CD reissue
439:Bonus track on CD reissue
433:Bonus track on CD reissue
427:Bonus track on CD reissue
421:Bonus track on CD reissue
415:Bonus track on CD reissue
405:Bonus track on CD reissue
214:
211:
141:
133:
123:
107:
91:
79:
71:
63:
55:
42:
33:
28:
378:"Lunarcy" (Levy) β 9:02
958:(and Susan Chen, 1985)
842:(and Lee Konitz, 1975)
834:(and Lee Konitz, 1975)
826:(and Lee Konitz, 1975)
765:The Art of Improvising
771:Live at the Half Note
745:The Right Combination
535:accessed May 16, 2017
523:accessed May 16, 2017
510:accessed May 16, 2017
1093:Nessa Records albums
396:"Subconscious-Lee" (
202:Professional ratings
818:(December 29, 1975)
810:(December 28, 1975)
409:"A Time for Love" (
203:
1083:Warne Marsh albums
1012:Blues for a Reason
911:How Deep, How High
737:Music for Prancing
721:Jazz of Two Cities
201:
1070:
1069:
923:I Remember You...
705:Live in Hollywood
620:978-0-141-03401-0
547:Dryden, Ken.
446:
440:
434:
428:
422:
416:
406:
371:"317 East 32nd" (
326:
325:
178:
177:
174:
173:
119:
1100:
1048:Subconscious-Lee
668:
661:
654:
645:
644:
638:
635:JazzTimes Review
631:
625:
624:
609:(9th ed.).
593:
587:
586:
568:
559:
545:
536:
530:
524:
517:
511:
505:
444:
438:
432:
426:
420:
414:
404:
322:
321:
320:
316:
315:
311:
310:
306:
305:
301:
300:
284:
283:
282:
278:
277:
273:
272:
268:
267:
251:
250:
249:
245:
244:
240:
239:
235:
234:
230:
229:
204:
200:
143:
142:
117:
103:
102:
98:
38:
26:
25:
1108:
1107:
1103:
1102:
1101:
1099:
1098:
1097:
1073:
1072:
1071:
1066:
1003:
997:
888:Pete Christlieb
696:
694:
692:
686:
677:
672:
642:
641:
632:
628:
621:
613:. p. 954.
594:
590:
583:
569:
562:
546:
539:
531:
527:
518:
514:
506:
502:
497:
461:tenor saxophone
453:
373:Lennie Tristano
359:
318:
313:
308:
303:
280:
275:
270:
247:
242:
237:
232:
199:
169:
160:
151:
116:
100:
96:
95:
51:
24:
21:
12:
11:
5:
1106:
1096:
1095:
1090:
1085:
1068:
1067:
1065:
1064:
1056:
1044:
1032:
1020:
1007:
1005:
999:
998:
996:
995:
987:
979:
971:
959:
955:Ballad for You
951:
947:A Ballad Album
943:
935:
919:
907:
899:
891:
879:
871:
863:Tenor Gladness
859:
851:
843:
835:
827:
819:
811:
803:
787:
779:
761:
753:
741:
733:
725:
717:
709:
700:
698:
688:
687:
682:
679:
678:
671:
670:
663:
656:
648:
640:
639:
637:, June 1, 2004
626:
619:
588:
581:
560:
537:
525:
512:
499:
498:
496:
493:
492:
491:
482:
478:Fred Atwood β
476:
474:electric piano
463:
452:
449:
448:
447:
441:
435:
429:
423:
417:
407:
401:
394:
379:
376:
369:
366:
363:
358:
355:
324:
323:
294:
286:
285:
261:
253:
252:
223:
217:
216:
213:
209:
208:
198:
195:
176:
175:
172:
171:
162:
153:
139:
138:
131:
130:
127:
121:
120:
111:
105:
104:
93:
89:
88:
83:
77:
76:
73:
69:
68:
65:
61:
60:
57:
53:
52:
47:
40:
39:
31:
30:
22:
9:
6:
4:
3:
2:
1105:
1094:
1091:
1089:
1086:
1084:
1081:
1080:
1078:
1062:
1061:
1057:
1054:
1050:
1049:
1045:
1042:
1041:Clare Fischer
1038:
1037:
1033:
1030:
1026:
1025:
1024:Crosscurrents
1021:
1018:
1014:
1013:
1009:
1008:
1006:
1000:
993:
992:
988:
985:
984:
980:
977:
976:
972:
969:
965:
964:
960:
957:
956:
952:
949:
948:
944:
941:
940:
936:
933:
929:
925:
924:
920:
917:
913:
912:
908:
905:
904:
900:
897:
896:
892:
889:
885:
884:
880:
877:
876:
872:
869:
865:
864:
860:
857:
856:
852:
849:
848:
844:
841:
840:
836:
833:
832:
828:
825:
824:
820:
817:
816:
812:
809:
808:
804:
801:
797:
796:Clare Fischer
793:
792:
788:
785:
784:
783:Ne Plus Ultra
780:
777:
773:
772:
767:
766:
762:
759:
758:
754:
751:
747:
746:
742:
739:
738:
734:
731:
730:
726:
723:
722:
718:
715:
714:
710:
707:
706:
702:
701:
699:
689:
685:
680:
676:
669:
664:
662:
657:
655:
650:
649:
646:
636:
630:
622:
616:
612:
608:
607:
602:
601:Morton, Brian
598:
597:Cook, Richard
592:
584:
582:0-394-72643-X
578:
574:
567:
565:
557:
553:
551:
544:
542:
534:
529:
522:
516:
509:
504:
500:
490:
486:
483:
481:
477:
475:
471:
467:
464:
462:
458:
455:
454:
442:
436:
430:
424:
418:
412:
411:Johnny Mandel
408:
402:
399:
395:
392:
391:Ralph Rainger
388:
384:
380:
377:
374:
370:
367:
364:
361:
360:
357:Track listing
354:
352:
348:
347:
342:
338:
337:
331:
295:
293:
292:
288:
287:
262:
260:
259:
255:
254:
224:
222:
219:
218:
210:
207:Review scores
205:
194:
192:
188:
184:
183:
168:
167:
163:
159:
158:
154:
150:
149:
145:
144:
140:
136:
132:
128:
126:
122:
115:
112:
110:
106:
94:
90:
87:
84:
82:
78:
74:
70:
66:
62:
58:
54:
50:
45:
41:
37:
32:
27:
19:
1058:
1046:
1034:
1022:
1010:
989:
981:
973:
967:
961:
953:
945:
937:
932:Red Mitchell
921:
909:
901:
893:
881:
873:
868:Lew Tabackin
861:
853:
846:
845:
837:
829:
821:
813:
805:
789:
781:
769:
763:
755:
743:
735:
727:
719:
711:
703:
683:
629:
604:
591:
572:
549:
528:
515:
503:
350:
344:
340:
334:
327:
289:
256:
181:
180:
179:
164:
156:
155:
146:
44:Studio album
1088:1976 albums
968:Newly Warne
800:Gary Foster
757:Warne Marsh
675:Warne Marsh
633:Kelsey, C.
519:Godwin, M.
457:Warne Marsh
383:Easy Living
187:Warne Marsh
135:Warne Marsh
129:Chuck Nessa
49:Warne Marsh
1077:Categories
1055:, 1949β50)
1053:Lee Konitz
1029:Bill Evans
1017:Chet Baker
963:Posthumous
939:Star Highs
928:Karin Krog
918:, 1976β79)
776:Lee Konitz
750:Joe Albany
495:References
485:Jake Hanna
398:Lee Konitz
137:chronology
1036:Thesaurus
983:Back Home
978:(1985β86)
916:Sal Mosca
875:Warne Out
847:All Music
760:(1957β58)
697:co-leader
550:All Music
451:Personnel
413:) β 5:20
387:Leo Robin
351:All Music
346:JazzTimes
341:All Music
197:Reception
182:All Music
157:All Music
29:All Music
603:(2008).
556:AllMusic
552:β Review
466:Lou Levy
400:) β 5:04
393:) β 4:09
375:) β 6:57
330:AllMusic
221:AllMusic
125:Producer
64:Recorded
56:Released
46: by
18:AllMusic
1043:, 1968)
1031:, 1977)
1019:, 1984)
934:, 1980)
890:, 1978)
870:, 1976)
802:, 1972)
778:, 1959)
768:(1959)/
752:, 1957)
611:Penguin
339:said: "
193:label.
170:(1976)
161:(1976)
152:(1975)
1063:(1959)
1004:others
994:(1987)
986:(1986)
970:(1985)
950:(1983)
942:(1982)
883:Apogee
878:(1977)
858:(1976)
850:(1976)
786:(1969)
740:(1957)
732:(1957)
724:(1956)
716:(1955)
708:(1952)
693:leader
617:
579:
215:Rating
212:Source
92:Length
72:Studio
926:(and
914:(and
886:(and
866:(and
748:(and
489:drums
470:piano
191:Nessa
114:Nessa
109:Label
81:Genre
1002:With
615:ISBN
577:ISBN
480:bass
328:The
86:Jazz
59:1976
554:at
385:" (
118:N-7
1079::
930:,
798:,
695:or
691:As
599:;
563:^
540:^
487:β
472:,
468:β
459:β
389:,
101:37
97:42
1051:(
1039:(
1027:(
1015:(
966:/
794:(
774:(
667:e
660:t
653:v
623:.
585:.
381:"
99::
20:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.