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Almost Killed Me

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1131: 1106: 351: 301: 296: 227: 346: 341: 336: 331: 291: 286: 281: 222: 217: 212: 207: 29: 1168: 794: 844: 389:, and the fictional characters Hallelujah and Charlemagne. Its concept album roots are further explored with the recurring characters in 1161: 876: 1078: 647: 1202: 1154: 420: 1197: 1192: 869: 838: 1085: 1041: 747: 1187: 991: 963: 595: 1109: 998: 862: 621: 1071: 1005: 970: 700: 382: 1048: 28: 1142: 8: 705: 260: 977: 830: 374: 106: 956: 391: 142: 78: 679:
Jam, James (May 23, 2007). "The Hold Steady: Almost Killed Me / Separation Sunday".
657: 1092: 779: 696: 652: 322: 236: 1023: 885: 826: 370: 113: 41: 1138: 752: 395:, the Hold Steady's second album, which uses the same characters introduced in 310: 415:
While not a full-time member of the band at this time, future keyboard player
1181: 1065: 921: 799: 732: 727: 546: 416: 405: 378: 272: 984: 774: 101: 69: 1130: 909: 902: 599: 528: 523: 440: 433: 176: 74: 777:(June 2007). "The Hold Steady: Almost Killed Me / Separation Sunday". 625: 366: 199: 61: 854: 386: 36: 681: 505:
contains the same bonus tracks as the Australian edition.
248: 730:(June 10, 2004). "The Hold Steady: Almost Killed Me". 648:"Album Review: The Hold Steady – Almost Killed Me" 471: 1137:This 2000s indie rock album–related article is a 596:"Reviews for Almost Killed Me by The Hold Steady" 1179: 419:makes a guest appearance on the album alongside 843:: CS1 maint: others in cite AV media (notes) ( 1162: 870: 328: 278: 204: 449:"Most People Are DJs" (Finn, Kubler) – 5:50 1169: 1155: 877: 863: 27: 726: 695: 571:Tad Kubler – photography, layout, design 381:, with several recurring themes such as 16:2004 studio album by The Hold Steady 645: 540: 1180: 773: 646:Hayward, Daniel (September 17, 2004). 467:"Killer Parties" (Finn, Kubler) – 5:48 458:"Hostile, Mass." (Finn, Kubler) – 3:42 446:"Barfruit Blues" (Finn, Kubler) – 3:31 858: 461:"Sketchy Metal" (Finn, Kubler) – 4:17 185: 162: 1125: 748:"The Hold Steady – Almost Killed Me" 622:"Almost Killed Me – The Hold Steady" 514:Adapted from the album liner notes. 421:the World/Inferno Friendship Society 126:Milkcrate Mosh/Hey Hey What Can I Do 884: 701:"The Hold Steady: Almost Killed Me" 678: 464:"Sweet Payne" (Finn, Kubler) – 4:33 377:. It is considered by many to be a 13: 619: 517: 488:"Modesto Is Not That Sweet" – 3:12 14: 1214: 412:s 100 Best Albums of the Decade. 373:, released on March 16, 2004, on 330: 280: 206: 1129: 1105: 1104: 426: 349: 344: 339: 334: 329: 299: 294: 289: 284: 279: 225: 220: 215: 210: 205: 815: 574:Tim Harrington – layout, design 472:Australian edition bonus tracks 795:"100 Best Albums of the 2000s" 787: 767: 740: 720: 689: 672: 639: 613: 588: 1: 581: 452:"Certain Songs" (Finn) – 3:54 365:is the debut studio album by 1203:2000s indie rock album stubs 1141:. You can help Knowledge by 568:Seth Jabour – layout, design 556: 509: 7: 1086:We All Want the Same Things 1042:The Virgin Digital Sessions 562:Dean Baltulonis – recording 501:The 2016 deluxe edition of 10: 1219: 1124: 992:Thrashing Thru the Passion 565:Matt Henderson – recording 485:"Curves and Nerves" – 2:40 1198:Frenchkiss Records albums 1102: 1058: 1033: 1015: 964:Boys and Girls in America 941: 892: 193: 190: 170: 167: 120: 112: 100: 84: 68: 56: 48: 35: 26: 21: 577:Dave Gardner – mastering 491:"You Gotta Dance" – 2:00 478: 455:"Knuckles" (Finn) – 3:46 403:was ranked number 99 on 479:"Milkcrate Mosh" – 5:56 1193:The Hold Steady albums 552:Peter Hess – saxophone 383:near-death experiences 60:Atomic Recording Co., 1072:Clear Heart Full Eyes 1006:The Price of Progress 423:bandmate Peter Hess. 1049:Live at Fingerprints 803:. September 12, 2009 541:Additional musicians 158:Professional ratings 1079:Faith in the Future 839:cite AV media notes 439:"The Swish" (Finn, 159: 978:Heaven Is Whenever 831:Frenchkiss Records 699:(March 24, 2004). 482:"Hot Fries" – 3:37 375:Frenchkiss Records 157: 1188:2004 debut albums 1150: 1149: 1116: 1115: 957:Separation Sunday 697:Petrusich, Amanda 392:Separation Sunday 369:-based rock band 358: 357: 155: 154: 151: 150: 143:Separation Sunday 79:post-punk revival 1210: 1171: 1164: 1157: 1133: 1126: 1108: 1107: 1093:I Need a New War 1059:Related articles 999:Open Door Policy 950:Almost Killed Me 879: 872: 865: 856: 855: 849: 848: 842: 834: 823:Almost Killed Me 819: 813: 812: 810: 808: 791: 785: 784: 771: 765: 764: 762: 760: 744: 738: 737: 724: 718: 717: 715: 713: 693: 687: 686: 676: 670: 669: 667: 665: 656:. Archived from 653:Drowned in Sound 643: 637: 636: 634: 632: 620:Hopkin, Kenyon. 617: 611: 610: 608: 606: 592: 503:Almost Killed Me 432:"Positive Jam" ( 411: 401:Almost Killed Me 397:Almost Killed Me 362:Almost Killed Me 354: 353: 352: 348: 347: 343: 342: 338: 337: 333: 332: 304: 303: 302: 298: 297: 293: 292: 288: 287: 283: 282: 237:Drowned in Sound 230: 229: 228: 224: 223: 219: 218: 214: 213: 209: 208: 163:Aggregate scores 160: 156: 134:Almost Killed Me 122: 121: 96: 95: 91: 31: 22:Almost Killed Me 19: 18: 1218: 1217: 1213: 1212: 1211: 1209: 1208: 1207: 1178: 1177: 1176: 1175: 1122: 1119: 1117: 1112: 1098: 1054: 1029: 1024:A Positive Rage 1011: 937: 888: 886:The Hold Steady 883: 853: 852: 836: 835: 827:The Hold Steady 821: 820: 816: 806: 804: 793: 792: 788: 772: 768: 758: 756: 746: 745: 741: 725: 721: 711: 709: 694: 690: 677: 673: 663: 661: 644: 640: 630: 628: 618: 614: 604: 602: 594: 593: 589: 584: 559: 543: 520: 518:The Hold Steady 512: 474: 429: 409: 371:the Hold Steady 350: 345: 340: 335: 300: 295: 290: 285: 226: 221: 216: 211: 146: 137: 128: 114:The Hold Steady 93: 89: 88: 44: 42:The Hold Steady 17: 12: 11: 5: 1216: 1206: 1205: 1200: 1195: 1190: 1174: 1173: 1166: 1159: 1151: 1148: 1147: 1134: 1114: 1113: 1103: 1100: 1099: 1097: 1096: 1089: 1082: 1075: 1068: 1062: 1060: 1056: 1055: 1053: 1052: 1045: 1037: 1035: 1031: 1030: 1028: 1027: 1019: 1017: 1013: 1012: 1010: 1009: 1002: 995: 988: 981: 974: 967: 960: 953: 945: 943: 939: 938: 936: 935: 931: 930: 928:Steve Selvidge 925: 918: 913: 906: 899: 893: 890: 889: 882: 881: 874: 867: 859: 851: 850: 814: 786: 766: 753:Tiny Mix Tapes 739: 728:Sheffield, Rob 719: 688: 671: 660:on May 7, 2008 638: 612: 586: 585: 583: 580: 579: 578: 575: 572: 569: 566: 563: 558: 555: 554: 553: 550: 542: 539: 538: 537: 534: 531: 526: 519: 516: 511: 508: 507: 506: 498: 497: 493: 492: 489: 486: 483: 480: 477: 473: 470: 469: 468: 465: 462: 459: 456: 453: 450: 447: 444: 437: 428: 425: 356: 355: 326: 318: 317: 314: 311:Tiny Mix Tapes 306: 305: 276: 268: 267: 264: 256: 255: 252: 244: 243: 240: 232: 231: 202: 196: 195: 192: 188: 187: 183: 182: 179: 173: 172: 169: 165: 164: 153: 152: 149: 148: 139: 130: 118: 117: 110: 109: 104: 98: 97: 86: 82: 81: 72: 66: 65: 58: 54: 53: 52:March 16, 2004 50: 46: 45: 40: 33: 32: 24: 23: 15: 9: 6: 4: 3: 2: 1215: 1204: 1201: 1199: 1196: 1194: 1191: 1189: 1186: 1185: 1183: 1172: 1167: 1165: 1160: 1158: 1153: 1152: 1146: 1144: 1140: 1135: 1132: 1128: 1127: 1123: 1120: 1111: 1101: 1095: 1094: 1090: 1088: 1087: 1083: 1081: 1080: 1076: 1074: 1073: 1069: 1067: 1066:Lifter Puller 1064: 1063: 1061: 1057: 1051: 1050: 1046: 1044: 1043: 1039: 1038: 1036: 1032: 1026: 1025: 1021: 1020: 1018: 1014: 1008: 1007: 1003: 1001: 1000: 996: 994: 993: 989: 987: 986: 982: 980: 979: 975: 973: 972: 971:Stay Positive 968: 966: 965: 961: 959: 958: 954: 952: 951: 947: 946: 944: 942:Studio albums 940: 934:Judd Counsell 933: 932: 929: 926: 924: 923: 922:Franz Nicolay 919: 917: 916:Galen Polivka 914: 912: 911: 907: 905: 904: 900: 898: 895: 894: 891: 887: 880: 875: 873: 868: 866: 861: 860: 857: 846: 840: 832: 828: 824: 818: 802: 801: 800:Rolling Stone 796: 790: 782: 781: 776: 775:Empire, Kitty 770: 755: 754: 749: 743: 736:. p. 86. 735: 734: 733:Rolling Stone 729: 723: 708: 707: 702: 698: 692: 684: 683: 675: 659: 655: 654: 649: 642: 627: 623: 616: 601: 597: 591: 587: 576: 573: 570: 567: 564: 561: 560: 551: 548: 547:Franz Nicolay 545: 544: 536:Judd Counsell 535: 533:Galen Polivka 532: 530: 527: 525: 522: 521: 515: 504: 500: 499: 495: 494: 490: 487: 484: 481: 476: 475: 466: 463: 460: 457: 454: 451: 448: 445: 442: 438: 435: 431: 430: 427:Track listing 424: 422: 418: 417:Franz Nicolay 413: 408: 407: 406:Rolling Stone 402: 398: 394: 393: 388: 384: 380: 379:concept album 376: 372: 368: 364: 363: 327: 325: 324: 320: 319: 315: 313: 312: 308: 307: 277: 275: 274: 273:Rolling Stone 270: 269: 265: 263: 262: 258: 257: 253: 251: 250: 246: 245: 241: 239: 238: 234: 233: 203: 201: 198: 197: 189: 186:Review scores 184: 180: 178: 175: 174: 166: 161: 145: 144: 140: 136: 135: 131: 127: 124: 123: 119: 115: 111: 108: 105: 103: 99: 87: 83: 80: 76: 73: 71: 67: 63: 59: 55: 51: 47: 43: 38: 34: 30: 25: 20: 1143:expanding it 1136: 1121: 1118: 1091: 1084: 1077: 1070: 1047: 1040: 1022: 1004: 997: 990: 985:Teeth Dreams 983: 976: 969: 962: 955: 949: 948: 927: 920: 915: 908: 901: 896: 822: 817: 807:November 29, 805:. 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Index


Studio album
The Hold Steady
Brooklyn
Genre
Indie rock
post-punk revival
Label
Frenchkiss
The Hold Steady
Separation Sunday
Metacritic
AllMusic
Drowned in Sound
NME
Pitchfork
Rolling Stone
Tiny Mix Tapes
Uncut
Brooklyn
the Hold Steady
Frenchkiss Records
concept album
near-death experiences
parties
Separation Sunday
Rolling Stone
Franz Nicolay
the World/Inferno Friendship Society
Craig Finn

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