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to create a mural that was supposed to be about happy men, parrots, and palms with fruit falling into the mouths of people. Siqueiros completely ignored the institutional project request in pursuit of his own unique artistic idea by creating a mural, which turned out to be one of the most
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The mural became the center of controversy, as the painting depicted a Maya-like pyramid with surrounding twisted trees, and in the center was an indigenous person crucified, dead on a double edged cross. There are sculptures lying at the bottom of the mural, destroyed, which signify
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architecture and ancient indigenous civilization. On the left side of the pyramid there are two snipers overlooking the imperial
American eagle which is on top of the crucified indigenous person and the two Mexican revolutionary snipers look ready to shoot at any time.
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Work has been completed on: documentation, cleaning, reattachment, stabilization, and treatment of the mural; constructing a shelter and viewing platform on an adjacent roof with elevator access; and the América
Tropical Interpretive Center.
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and Jaime Mejía were brought in to restore the mural in 1971, but opted to preserve the mural instead of restoring it at that time. At the time, Siqueiros declined the preservation of his mural.
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América
Tropical: Oprimida y Destrozada por los Imperialismos, or Tropical America: Oppressed and Destroyed by Imperialism).
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in the United States for
Mexican-Americans. Siqueiros also belonged to one of the most elite groups of artists from the
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233:. The three of them went around all over the Americas painting murals that depicted the struggles of people.
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Goldman, Shifra M. "Siqueiros and Three Early Murals in Los
Angeles." Art Journal 33, no. 4 (1974): 321–327
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Dimensions of the
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Siqueiros came to Los
Angeles as a political refugee in 1932 and was sponsored by the
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The Long Arm of the Wall: Mural, Myth, and Memory in América
Tropical
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A photo of the América
Tropical mural within the Interpretive Center
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movement that happened from the 1920s–1970s and later inspired the
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América
Tropical: Oprimida y Destrozada por los Imperialismos
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América Tropical: Oprimida y Destrozada por los Imperialismos
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Eyewitness: A Filmmaker's Memoir of the Chicano Movement
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Tropical America: Oppressed and Destroyed by Imperialism
338:"Revolutionary Mural To Return To L.A. After 80 Years"
691:Sueño de una Tarde Dominical en la Alameda Central
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143:is a 98-foot wide fresco mural created in 1932 by
191:controversial art pieces in Los Angeles history,
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544:Getty.edu: América Tropical Interpretive Center
467:. Houston, Texas: Arte Publico Press. pp.
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367:Siqueiros and Three Early Murals in Los Angeles
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303:Getty.edu: Conservation of "América Tropical"
249:For the restoration of Siqueiros' mural, the
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161:El Pueblo de Los Angeles Historical Monument
627:History of Morelos, Conquest and Revolution
501:. University of Chicago Press. p. 99.
317:www.kcet.org. Retrieved September 17, 2016.
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406:"L.A.'s long-running Siqueiros affair"
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432:Davidson, Terry (November 7, 1982).
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16:1932 mural by David Alfaro Siqueiros
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434:"Spartans of Legend CV High Mural"
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667:The Epic of American Civilization
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315:Welcome Back, 'América Tropical.'
799:Desiderio Hernández Xochitiotzin
459:Treviño, Jesús Salvador (2001).
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864:Manuel Rodriguez Lozano
794:Jorge González Camarena
659:Detroit Industry Murals
483:josefina quezada mural.
121:34.057917°N 118.23778°W
829:Ramón Alva de la Canal
769:Alfredo Ramos Martínez
759:David Alfaro Siqueiros
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180:David Alfaro Siqueiros
145:David Alfaro Siqueiros
50:David Alfaro Siqueiros
920:Murals in Los Angeles
869:Jorge Figueroa Acosta
738:San Ildefonso College
675:Man at the Crossroads
635:The History of Mexico
438:Chula Vista Star-News
344:. NPR Hourly Newscast
336:Del Barco, Mandalit.
277:Murals of Los Angeles
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147:and other artists in
126:34.057917; -118.23778
764:José Clemente Orozco
231:José Clemente Orozco
219:Chicano art movement
165:Downtown Los Angeles
575:Interpretive Center
385:(Thesis). p. 3
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819:José Chávez Morado
774:Roberto Montenegro
683:Pan American Unity
577:— official website
404:Muchnic, Suzanne.
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411:Los Angeles Times
261:Josephina Quezada
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346:. Retrieved
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109:34°03′28.5″N
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694:(1946-1947)
670:(1932-1934)
662:(1932-1933)
638:(1929-1935)
630:(1929-1930)
237:Restoration
149:Los Angeles
124: /
112:118°14′16″W
98:Coordinates
91:Los Angeles
899:Categories
707:Still Life
643:Prometheus
283:References
253:, via the
153:California
72:Dimensions
365:Goldman,
80:Condition
29:English:
271:See also
88:Location
747:Artists
726:Museums
718:(1960s)
563:website
171:History
710:(1954)
702:(1954)
686:(1940)
678:(1934)
654:(1932)
646:(1930)
619:Murals
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369:, 324.
182:, 1960
46:Artist
159:, in
67:Mural
503:ISBN
473:ISBN
446:2017
419:2016
391:2020
350:2016
229:and
64:Type
59:1932
56:Year
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.