341:
and they go to the same doctor. Meanwhile, having met Pushpa, Anand Babu decides to catch up with all his old friends and meets the doctor. During the conversation, he reveals that he has stopped drinking and visiting brothels once he left Pushpa. He also tells him that he is now divorced/separated due to his wife's partying ways, but is finally at peace and is happy with Pushpa's love and affection in his heart. They talk about Nandu and the Doctor informs him that Nandu is in town. Nandu meets Anand Babu when he comes to meet the doctor to ask regarding the medicine, who takes him to meet Pushpa. Both of them, unable to see Pushpa ill-treated, stand up for her and in the end Nandu takes Pushpa home with him, like a son who is reunited with his long lost mother with Anand Babu looking on, crying happily.
822:, the gentlefolk, through Anand Babu, a businessman trapped in a bad marriage, whose wife is constantly busy in beauty-parlours and parties, and seeks company in Pushpa and alcohol. Pushpa, herself lonely, fulfills her maternal instincts through Nandu, a young boy in the neighbourhood, often ill-treated by his step mother. Thus three lonely people become surrogates for each other and create their own family unit, even though briefly, as Anand Babu defines it, "Koi agar apna na hoke bhi bahut apna ho, toh ise kya kehte hain? Bahut pyara rishta, na?" (If someone is bound to you in spite of not being related to you, isn't that a lovely relationship?) Also through his song,
322:
from fever and his treatment is too expensive, Pushpa asks Anand Babu for help and he secretly finances the treatment and does not let anybody know. When the doctor asks him why is he so keen on helping Nandu, he replies some relationships have no names. However, when Nandu's father asks the doctor who paid for the treatment, the doctor says that his mother did. Then Nandu's father discovers that it was Pushpa who saved her son's life and he thanks her and gives her the sari that he had bought for his wife, telling her that it was a gift from a brother to a sister. A touched Pushpa accepts.
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726:(Night is passing, Shyam (Krishna) hasn't arrived), calling on to Krishna; however in many part of the film she is treated by her environment as common prostitute. This blurring in representation of a courtesan and a common prostitute has been a recurrent feature in mainstream Bollywood cinema, just as the theme of the fallen woman is. However, things were changing rapidly, only a few years later, Sharmila Tagore herself portrayed a far more realistic and feisty prostitute in
318:
her from interacting with him and his family as he fears what people would say. However, Pushpa starts treating Nandu as her own son when she realises that he is mistreated at home, and often goes hungry. Nandu also comes to love Pushpa and starts to regard her as his mother. He visits her every day and comes upon Anand Babu, who also becomes fond of him becoming a father figure, calling him Pushpa's son, seeing the way Pushpa loves the child.
1010:
where's the composer in you in this tune, Pancham (Burman's nickname)?" and went on to explain: "..For
Sharmila here is something more than the nautch-girl she plays. Her motherly instincts have been aroused by that kid. Your tune therefore must communicate all the agony of the nautch-girl wanting to be the mother she can never be. Do it again, your way, but with the moving human situation in mind." Thus R.D. Burman made a tune in Raga
1347:(1973). Today, they are still considered one of the leading on-screen romantic couples in the 100 years of India cinema. Rajesh Khanna's dialogue "Pushpa, I hate tears", which appeared five times in the film, was not only parodied over the years, but also went on to become one of the epic dialogues of Indian cinema. Apart from her work with Satyajit Ray, lead actress Tagore's films with Samanta including
813:
meeting, and Anand Babu suggests she goes home with her foster son, Nandu as a mother. This genre was in direct contrast with similar maternal melodrama of 1930s
Hollywood, where the abandoned mother often disappeared into oblivion and destitution; it continued in Hindi cinema for another decade, before the "avenging heroine" marked her entry and the women narratives began to change.
791:, as she chooses to relinquish her profession and makes a living washing utensils, quietly suffering societal and psychological abuses all through the film, instead of fighting back or standing up for herself. This is also conveyed with the use of symbolism like the handful of mud being taken from Pushpa's brothel grounds to make goddess
340:
Several years later, Nandu grows up to become a government engineer posted in the same town. Anand Babu meets Pushpa, now working as a maidservant who is ill-treated and they both reconcile. Nandu unsuccessfully searches for her and gives up after inquiring in the neighbourhood. Nandu's son gets sick
321:
One day, Anand Babu's brother-in-law comes to see Pushpa and demands that she tell Anand Babu to stop visiting her. With great reluctance, Pushpa agrees and she turns Anand Babu away when he comes to see her. It is then that the businessman realises that he is in love with Pushpa. When Nandu suffers
812:
festival just as Nandu is taking Pushpa home. This makes her a veritable model for womanhood, although conservative and affirming patriarchal traditions. The fallen woman, solely longs to marry the man, but in vain, Pushpa too is reunited with Anand Babu in the end, however this is only a momentary
317:
Later, a widowed man with his family, from the same village as her, moves in close to Pushpa's place. The new neighbour's son, Nandu, does not get any love at home, as his father works all the time and his stepmother does not care about him. Nandu's father learns about Pushpa's new life and forbids
1009:
situation" by
Samanta, later as he was giving final touches to the tune, his father heard the tune, and asked for the precise description of situation. On listening to the situation, he expressed his dismay as not doing justice to the situation, as R.D. Burman recounted in a later interview, "But
571:
s screenplay to write a Hindi version, with Ramesh Pant, a longtime-collaborator with
Samanta penning the Hindi dialogues. The famous dialogue, "Pushpa, I hate tears" though also there in the original, was merely part of a dialogue, Samanta decided to use it to great effect, delivered in Rajesh
648:
in the background. Earlier authorities in
Kolkata didn't give the film crew permission to shoot under the bridge, as it would be a crowd problem. Thus the song was shot in a water tank in the studio, with the crew filming in knee-deep water. Samanta has been using music directors like
308:
Pushpa is expelled from her house by her husband and his new wife. When she refuses to leave, her husband beats her and throws her out. She goes to her mother for help, but her mother too disowns her. When she tries to commit suicide, she is sold to a kotha (brothel) in
692:, though here it places a wronged wife Pushpa in the narrative. When her husband marries the second time, due to her apparent infertility, she is kicked out of her home, her mother and community both abandon her, subsequently she is tricked into prostitution. Thus the
40:
610:, wouldn't be interested in doing a film that focussed on the female lead. However, Khanna convinced Samanta that would do justice to the role. However, Khanna changed the character's name from Ananta to Anand to draw connection to his character in
1017:
Finally, Burman roped in his father, S. D. Burman to sing "Doli Mein Bithai Ke Kahaar" in his typical bardic voice, and the song which appears twice in the film, was to become one of the most memorable songs of his career as a playback singer.
313:
by her village-uncle, Nepal Babu. On her audition at the kotha, Anand Babu, a businessman seeking love, is attracted by her singing. Anand Babu is unhappily married and lonely and becomes her regular and exclusive visitor as love blossoms.
799:
festival, a popular festival of goddess worship. Further towards the end of the film, her purity is compared with that of the Ganges itself by Anand Babu, when she finally visits the banks of
Hooghly river, a distributary of the sacred
1014:, which Lata Mangeshkar too sang with marked emotional clarity and abandon, who is usually prone let her technical dexterity outshine. The song became a classic, and later Burman called it his "best lesson in music" from his father.
524:
as leads. When
Samanta saw the film, he was so impressed by the performance of Uttam Kumar, that he decided to remake it. However, he decided to make some changes in the script. The original film was based on the Bengali short story
1004:
However, when it came to "Bada
Natkhat hai Re Krishna Kanhaiyya", things took a different turn when his father, veteran music director, S. D. Burman intervened and asked Burman to redo the tune. Burman was given the brief of "usual
667:(1971), who also laboured to produce one of his best scores; later in an interview Samanta recalled: "Pancham (R. D. Burman) would go into his room and work from 9 o'clock in the morning till 9 o'clock in the night for Amar Prem."
1202:(1971). The music by R. D. Burman proved one of the best scores of his career, with hits like "Chingaari Koi Bhadke", "Kuchh Toh Log Kahenge", "Yeh Kya Hua" sung by Kishore Kumar and "Raina beeti jaaye" by Lata Mangheskar.
1915:
2080:
1985:
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249:. The film portrays the decline of human values and relationships and contrasts it by presenting an illustrious example of a boy's innocent love for a neighbourhood
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1351:, defined her screen image for her career. The film's success also affected the fashion trends of the time, the puff-sleeved blouses, which were first seen on
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1995:
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459:as Priest
253:(courtesan). The movie is about a school boy, who is ill-treated by his step mother, and becomes friends with a courtesan neighbour. The film stars
2507:
2032:
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2160:
826:, Anand Babu mocks society's moral judgement and hypocrisy, as he consoles a despondent Pushpa by singing, "Sita bhi yahan badnaam hui" (Even
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993:, which he said was on his mind, while composing the song. Bakshi's lyrics, created a Meera bhajan-like idiom for the song, employing the
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to break her bangles after her ill-treating husband dies; and in the very end, the juxtaposition of the home-coming of
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Khanna's trademark style. Later, both the writers of the film won
Filmfare Awards in their respective categories.
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As the film evolves, Pushpa is no longer the fallen woman; she is not just redeemed — Anand Babu tells her,
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840:) was insulted here) relating to an episode in epic, where in Sita having returned from captivity of demon king
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Once the script was ready, Samanta approached
Sharmila Tagore, with whom he had done a string of films, like
592:(1969), with Rajesh Khanna. Tagore found her character "Pushpa", "a very strong role in the iconic mould of
2457:
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who sings to her customers for a living. As Pushpa is introduced to the audience singing a genteel mystic
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After the film's success, the Rajesh Khanna–Sharmila Tagore pair, which had already achieved success in
2799:
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963:. The soundtrack was melody based, which gave Lata Mangeshkar her finest classical solo of the decade,
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takes forward the popular genre of self-sacrificing mother or woman prevalent in the decade as seen in
292:. The songs and soundtrack written by Anand Bakshi and sung by Kishore Kumar were well-received, with
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1946:
598:" and instantly agreed, thus it was one of the first films she signed on after the birth of her son
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was eighth amongst Khanna's top releases in the year. Samanta achieved a hat-trick of hits with
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238:
60:
17:
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in the 1950s were revived again after Tagore's character Pushpa wore them through the film.
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was Samanta's first choice, as he believed Khanna who had become a super star after the hit
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337:) at Pushpa's home, making her promise to always take care of it. Pushpa cries and agrees.
8:
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1990:
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516:(Night Flower, 1970), for night-flowering-jasmine, was made by Arabinda Mukherjee with
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was the inaugural film of a retrospective on Shakti Samanta Films organised in Delhi.
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Prior to the release of the film, a special show was organised in Delhi, where Gen
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708:(1970), clearly portrays her as a common prostitute, in Samanta's version she is a
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The song "Kuchh Toh Log Kahenge" is considered to be one of the most loved
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551:
533:,. The title derives its name from a typical Bengali late afternoon snack,
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241:, who wrote screenplay for both the films based on the Bengali short story
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512:(1971), Samanta had entered the phase of emotional dramas in his career.
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266:
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85:
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845:
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The story was first published in Bandopadhyay's short story collection,
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Nandu's family has to move to the village and Nandu plants a sapling of
2848:
2419:
956:
809:
796:
603:
540:
405:
381:
1380:"Remakes of Bengali films: What's new in this trend? - Times of India"
788:
2841:
2827:
2752:
2209:
Encyclopaedia of women biography: India, Pakistan, Bangladesh, Vol. 3
1325:
940:
818:
771:
753:
715:
697:
450:
2377:
1170:
902:
836:
632:, entirely at Natraj Studios in Mumbai, including the famous song,
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550:(Fifty Stories, 1956). His stories had previously been adapted by
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994:
645:
535:
310:
269:
as adult Nandu, the young child, who they both come to care for.
2528:
2161:"Ambika Soni inaugurates retrospective of Shakti Samanta films"
1358:
In July 2009, after Samanta's death in April of the same year,
1011:
1006:
976:
841:
816:
The film also deals with the theme of urban melancholy, of the
776:
744:
728:
719:
710:
250:
1520:"'He wanted Amar Prem to be Rajesh Khanna's best performance'"
1400:"AMAR PREM : Juxtaposing legend and contemporary subtext"
787:(You have turned this room into a temple) – but in the end is
1797:
1023:
998:
805:
792:
2250:
Prostitution and Beyond: An Analysis of Sex Workers in India
1491:"Bollywood will miss wizard of entertainment Shakti Samanta"
39:
2132:
1916:"Last goodbye from Pushpa as Bollywood loses Rajesh Khanna"
1463:"Sharmila Tagore: Shattering Stereotypes for Over 60 Years"
968:
831:
827:
539:, made with of fried dough stuffed with lentils, and hing (
2455:
2229:
Killing Women: The Visual Culture of Gender And Violence
2008:
smash hits, 'Kati Patang' (1970) and 'Amar Prem' (1972).
2247:
Rohini Sahni; V. Kalyan Shankar; Hemant Apte (2008).
2189:
National Identity in Indian Popular Cinema: 1947–1987
2985:
Films based on works by Bibhutibhushan Bandyopadhyay
2415:"The Magic of Rajesh Khanna, Sharmila and Amar Prem"
2292:
Bollywood Melodies: A History of the Hindi Film Song
2055:"Top 10 most romantic on-screen couples of all time"
1833:. panchamonline, (original The Times of India, 1994)
955:The score and soundtrack for film was composed by
1682:
844:, she had to prove her purity, and even then was
2911:
1887:"Top 32: Most loved Bollywood songs of all time"
564:. Shakti Samanta asked Mukherjee who also wrote
411:Master Bobby as Young Nandkishore Sharma "Nandu"
2316:Bollywood's Top 20: Superstars of Indian Cinema
2109:
1944:
2333:Anirudha Bhattacharjee; Balaji Vittal (2012).
1732:"Mandi or Market, going where the role calls!"
985:. Burman had heard his father, music composer
296:topping at 5th position on the year-end chart
2441:
2112:"100 years, 100 great movie memories: Part 8"
2019:
1862:
1828:
1593:
1986:"Noted filmmaker Shakti Samanta passes away"
1805:. India Book House Publishers. p. 119.
686:(1971), though seen as early as in 1957 in
2863:Sahaj Paather Gappo (Colours of Innocence)
2448:
2434:
2396:
2380:
2081:"How Indian cinema evolved over the years"
1773:"The Magic of Rajesh Khanna, Sharmila nnd
1514:
1512:
38:
25:1972 romantic drama film by Shakti Samanta
1980:
1978:
1767:
1152:invited the cast, however the next day a
1910:
1908:
1824:
1822:
1678:
1676:
1674:
1168:Though 1972 was a year of the big films
276:; numbers sung by playback singers like
265:in the role of a lonely businessman and
2025:"Bollywood turns 100: love that lasted"
1599:"Shakti Samanta his Aradhana came true"
1509:
1431:
1429:
1427:
1425:
1423:
1421:
670:
2912:
2133:Linda Welters; Abby Lillethun (2011).
1975:
1803:The Hundred Luminaries of Hindi Cinema
1618:
1616:
2429:
1964:
1905:
1819:
1671:
1662:
1660:
1648:
1646:
1644:
1632:
1630:
1541:
1539:
1537:
2226:Annette Burfoot; Susan Lord (2006).
1418:
975:in mukhara or the opening verse and
1683:Pradeep Sebastian (5 August 2012).
1613:
272:The film is noted for its music by
209:
13:
2268:Sunil Kumar Chattopadhyay (1994).
2163:. Business of Cinema. 10 July 2009
1657:
1641:
1627:
1534:
785:Tumne is kamre ko mandir bana diya
14:
2996:
2354:
967:, set in an unusual blend of two
636:, which was set on a boat on the
2960:Films directed by Shakti Samanta
2336:R. D. Burman: The Man, The Music
1945:Rajiv Vijayakar (9 March 2012).
298:Binaca Geetmala annual list 1972
2945:Films about courtesans in India
2835:Ashani Sanket (Distant Thunder)
2232:. Wilfrid Laurier Univ. Press.
2207:Nagendra Kr Singh, ed. (2001).
2179:
2153:
2126:
2103:
2073:
2047:
2013:
1994:. 10 April 2009. Archived from
1938:
1879:
1856:
1845:
1791:
1761:
1750:
1724:
1702:
1587:
1561:
742:had already made the bold film
500:(1967) through the 1960s, with
474:After making entertainers like
16:For the 1989 Bengali film, see
2965:Hindi remakes of Bengali films
2760:Apur Sansar (The World of Apu)
2186:Sumita S. Chakravarty (1993).
2110:Nandini Ramnath (4 May 2013).
1922:. 19 July 2012. Archived from
1685:"'Amar Prem': A neglected gem"
1550:
1483:
1469:
1455:
1392:
1372:
724:Raina Beeti Jai, Shyam Na Aaye
704:; though the original version
1:
2192:. University of Texas Press.
1863:Shubha Mudgal (14 May 2010).
1712:. Business Line. 3 March 2006
1522:. Rediff Movies. 26 June 2016
1365:
464:
366:as Nandkishore Sharma "Nandu"
2980:Hindi-language romance films
2970:Films based on short fiction
2955:Films scored by R. D. Burman
2458:Bibhutibhushan Bandyopadhyay
2289:Ganesh Anantharaman (2008).
2271:Bibhutibhushan Bandopadhyaya
2087:. 2 May 2013. Archived from
1710:"The Chingaris of Bollywood"
1205:
1138:
602:. For the role Anand, actor
7:
2925:Indian romantic drama films
2253:. SAGE Publications India.
1801:; Jitendra Kothari (1996).
1329:(1974), besides films like
1163:
531:Bibhutibhushan Bandopadhyay
259:hooker with a heart of gold
247:Bibhutibhushan Bandopadhyay
81:Bibhutibhushan Bandopadhyay
10:
3001:
2930:1970s Hindi-language films
1158:Indo-Pakistani War of 1971
1143:
795:idols prior to the annual
623:
575:
417:as Nandu's younger brother
15:
2940:1972 romantic drama films
2886:
2872:
2769:
2737:
2730:
2705:
2679:
2627:
2464:
1831:"The Sound of RD's Music"
1300:
1296:for "Chingari Koi Bhadke"
1290:Best Male Playback Singer
1286:for "Chingari Koi Bhadke"
916:
908:
896:
884:
876:
863:
858:
588:(1967) and most recently
469:
441:as Anand's Brother-in-law
193:
185:
171:28 January 1972
162:
148:
138:
130:
122:
101:
93:
71:
56:
46:
37:
32:
2611:Kosi Pranganeyer Chitthi
2339:. Harper Collins India.
2332:
2310:Bhaichand Patel (2012).
2185:
1947:"Pakeezah one of a kind"
1622:
1545:
1309:(1969), worked again in
1098:"Kuchh Toh Log Kahenge"
851:
614:'s critically acclaimed
227:. It is a remake of the
2318:. Penguin Books India.
2309:
2295:. Penguin Books India.
2288:
2267:
2246:
2225:
2206:
1970:
1851:
1756:
1666:
1652:
1636:
1556:
1126:"Bada Natkhat Hai Yeh"
344:
327:night-flowering jasmine
303:
280:, R.D. Burman's father
2588:(completed by his son
1829:Raju Bharatan (1994).
1082:"Chingari Koi Bhadke"
1050:"Doli Mein Bithai Ke"
2687:Shankar Ray Choudhuri
2571:Sundarbane Sat Batsar
2139:. Berg. p. 552.
1437:"It's All About Love"
1190:, which started with
1156:was declared, as the
628:The film was shot in
18:Amar Prem (1989 film)
2975:Films shot in Mumbai
2950:Films set in Kolkata
2856:Bhalobasar Onek Naam
1865:"The soulful Burman"
1852:Anantharaman, p. 156
1557:Chattopadhyay, p. 96
1546:Bhattacharjee, p. 56
1212:20th Filmfare Awards
1182:, upon its release,
671:Themes and allusions
612:Hrishikesh Mukherjee
447:as Hostel Supervisor
294:Chingaari Koi Bhadke
237:(1970), directed by
213: Immortal Love
2800:Adarsha Hindu Hotel
2494:Adarsha Hindu Hotel
2274:. Sahitya Akademi.
1623:Chakravarty, p. 295
1271:Best Music Director
1242:– Jehangir Nowrojee
1066:"Raina Beeti Jaye"
1027:songs of all time.
824:Kuch To Log Kahenge
770:(1958) and even in
738:(1975), meanwhile,
634:Chingari koi bhadke
586:An Evening in Paris
497:An Evening in Paris
2935:1970s Indian films
2597:Maroner Danka Baje
2136:The Fashion Reader
2059:The Times of India
1991:The Times of India
1951:The Indian Express
1736:The Times of India
1477:"Amar Prem (1972)"
1441:The Indian Express
1406:on 7 February 2009
1385:The Times of India
1229:Arabinda Mukherjee
522:Sabitri Chatterjee
239:Arabinda Mukherjee
61:Arabinda Mukherjee
2907:
2906:
2794:
2793:
2410:Bollywood Hungama
2346:978-93-5029-236-5
2325:978-0-670-08572-9
2302:978-0-14-306340-7
2281:978-81-7201-578-7
2260:978-0-7619-3638-1
2146:978-1-84788-589-0
1998:on 4 October 2013
1597:(11 April 2009).
1321:Basu Bhattacharya
1240:Best Sound Design
1136:
1135:
959:, with lyrics by
953:
952:
949:
948:
661:once again after
655:Shankar-Jaikishen
453:as Pan Shop Owner
370:Abhi Bhattacharya
288:; lyrics were by
223:film directed by
201:
200:
67:
2992:
2879:Taranath Tantrik
2735:
2734:
2731:Film Adaptations
2697:Taranath Tantrik
2618:Aam Aatir Bhenpu
2450:
2443:
2436:
2427:
2426:
2400:
2384:
2350:
2329:
2306:
2285:
2264:
2243:
2222:
2203:
2173:
2172:
2170:
2168:
2157:
2151:
2150:
2130:
2124:
2123:
2121:
2119:
2107:
2101:
2100:
2098:
2096:
2077:
2071:
2070:
2068:
2066:
2051:
2045:
2044:
2042:
2040:
2031:. Archived from
2017:
2011:
2010:
2005:
2003:
1982:
1973:
1968:
1962:
1961:
1959:
1957:
1942:
1936:
1935:
1933:
1931:
1912:
1903:
1902:
1900:
1898:
1893:. 31 August 2013
1883:
1877:
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1872:
1860:
1854:
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1843:
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1611:
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1591:
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1565:
1559:
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1531:
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1527:
1516:
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1506:
1504:
1502:
1487:
1481:
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1473:
1467:
1466:
1459:
1453:
1452:
1450:
1448:
1433:
1416:
1415:
1413:
1411:
1402:. Archived from
1396:
1390:
1389:
1376:
1129:Lata Mangeshkar
1030:
1029:
965:Raina Beti Jaaye
918:
917:
865:Soundtrack album
856:
855:
846:banished by Rama
570:
548:Galpa Panchashat
390:as Mahesh Sharma
376:Satyendra Kapoor
214:
211:
178:
176:
65:
42:
30:
29:
3000:
2999:
2995:
2994:
2993:
2991:
2990:
2989:
2910:
2909:
2908:
2903:
2894:The Apu Trilogy
2882:
2868:
2790:
2785:Amazon Obhijaan
2765:
2746:Pather Panchali
2738:The Apu Trilogy
2726:
2721:Amazon Obhijaan
2701:
2675:
2666:Benigir fulbari
2623:
2604:Mismider Kabach
2536:Bipiner Sangsar
2522:Hire Manik Jale
2473:Pather Panchali
2460:
2454:
2394:Rotten Tomatoes
2357:
2347:
2326:
2312:"Rajesh Khanna"
2303:
2282:
2261:
2240:
2219:
2200:
2182:
2177:
2176:
2166:
2164:
2159:
2158:
2154:
2147:
2131:
2127:
2117:
2115:
2108:
2104:
2094:
2092:
2085:Hindustan Times
2079:
2078:
2074:
2064:
2062:
2053:
2052:
2048:
2038:
2036:
2029:Hindustan Times
2018:
2014:
2001:
1999:
1984:
1983:
1976:
1969:
1965:
1955:
1953:
1943:
1939:
1929:
1927:
1926:on 19 July 2012
1920:Hindustan Times
1914:
1913:
1906:
1896:
1894:
1891:Hindustan Times
1885:
1884:
1880:
1870:
1868:
1861:
1857:
1850:
1846:
1836:
1834:
1827:
1820:
1813:
1796:
1792:
1782:
1780:
1779:. Rediff Movies
1766:
1762:
1755:
1751:
1741:
1739:
1730:
1729:
1725:
1715:
1713:
1708:
1707:
1703:
1693:
1691:
1681:
1672:
1665:
1658:
1651:
1642:
1637:Burfoot, p. 254
1635:
1628:
1621:
1614:
1604:
1602:
1592:
1588:
1578:
1576:
1569:"Familiar turn"
1567:
1566:
1562:
1555:
1551:
1544:
1535:
1525:
1523:
1518:
1517:
1510:
1500:
1498:
1497:. 10 April 2009
1489:
1488:
1484:
1475:
1474:
1470:
1461:
1460:
1456:
1446:
1444:
1435:
1434:
1419:
1409:
1407:
1398:
1397:
1393:
1378:
1377:
1373:
1368:
1303:
1266:Sharmila Tagore
1225:Best Screenplay
1208:
1166:
1146:
1141:
1070:Lata Mangeshkar
944:
935:
926:
891:Film soundtrack
872:
854:
848:to the forest.
673:
626:
582:Kashmir Ki Kali
578:
568:
560:(1955) and the
557:Pather Panchali
485:Kashmir Ki Kali
472:
467:
462:
402:as Nandu's wife
396:as Kamla Sharma
352:Sharmila Tagore
347:
306:
286:Lata Mangeshkar
255:Sharmila Tagore
212:
181:
174:
172:
165:
158:
153:
151:
118:
109:Sharmila Tagore
78:
63:
26:
21:
12:
11:
5:
2998:
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2905:
2904:
2902:
2901:
2896:
2890:
2888:
2884:
2883:
2881:
2876:
2874:
2873:TV Adaptations
2870:
2869:
2867:
2866:
2859:
2852:
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2824:
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2689:
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2673:
2668:
2663:
2658:
2656:Jonmo o mrittu
2653:
2646:
2639:
2631:
2629:
2625:
2624:
2622:
2621:
2614:
2607:
2600:
2593:
2581:
2574:
2567:
2560:
2553:
2546:
2539:
2532:
2525:
2518:
2511:
2508:Dristi Pradeep
2504:
2497:
2490:
2483:
2476:
2468:
2466:
2462:
2461:
2453:
2452:
2445:
2438:
2430:
2424:
2423:
2412:
2401:
2385:
2369:
2356:
2355:External links
2353:
2352:
2351:
2345:
2330:
2324:
2307:
2301:
2286:
2280:
2265:
2259:
2244:
2238:
2223:
2217:
2211:. A.P.H. Pub.
2204:
2198:
2181:
2178:
2175:
2174:
2152:
2145:
2125:
2102:
2072:
2046:
2023:(3 May 2013).
2012:
1974:
1963:
1937:
1904:
1878:
1855:
1844:
1818:
1811:
1790:
1760:
1749:
1738:. 13 July 2007
1723:
1701:
1670:
1656:
1640:
1626:
1612:
1586:
1575:. 25 July 2012
1560:
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1417:
1391:
1370:
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1145:
1142:
1140:
1137:
1134:
1133:
1130:
1127:
1124:
1120:
1119:
1116:
1115:Kishore Kumar
1113:
1112:"Yeh Kya Hua"
1110:
1106:
1105:
1102:
1101:Kishore Kumar
1099:
1096:
1092:
1091:
1088:
1083:
1080:
1076:
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1067:
1064:
1060:
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1044:
1043:
1040:
1037:
1034:
991:Bela Boye Jaye
951:
950:
947:
946:
937:
928:
914:
913:
906:
905:
900:
894:
893:
888:
882:
881:
878:
874:
873:
868:
861:
860:
853:
850:
808:idols used in
672:
669:
625:
622:
577:
574:
527:Hinger Kochuri
491:Sawan Ki Ghata
471:
468:
466:
463:
461:
460:
454:
448:
442:
436:
430:
424:
418:
412:
409:
403:
397:
391:
385:
384:as Nepali Babu
379:
373:
367:
361:
355:
348:
346:
343:
305:
302:
243:Hinger Kochuri
225:Shakti Samanta
221:romantic drama
199:
198:
195:
191:
190:
187:
183:
182:
180:
179:
168:
166:
163:
160:
159:
156:
154:
149:
146:
145:
140:
136:
135:
134:Govind Dalwadi
132:
128:
127:
126:Aloke Dasgupta
124:
123:Cinematography
120:
119:
117:
116:
111:
105:
103:
99:
98:
97:Shakti Samanta
95:
91:
90:
88:(Bengali Film)
76:Hinger Kochuri
73:
69:
68:
58:
54:
53:
51:Shakti Samanta
48:
44:
43:
35:
34:
24:
9:
6:
4:
3:
2:
2997:
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2933:
2931:
2928:
2926:
2923:
2921:
2918:
2917:
2915:
2900:
2899:Chander Pahar
2897:
2895:
2892:
2891:
2889:
2885:
2880:
2877:
2875:
2871:
2865:
2864:
2860:
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2850:
2846:
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2825:
2823:
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2818:
2816:
2815:
2811:
2809:
2808:
2804:
2802:
2801:
2797:
2796:
2787:
2786:
2782:
2780:
2779:
2778:Chander Pahar
2775:
2774:
2772:
2770:Chander Pahar
2768:
2762:
2761:
2757:
2755:
2754:
2750:
2748:
2747:
2743:
2742:
2740:
2736:
2733:
2729:
2723:
2722:
2718:
2716:
2715:
2714:Moon Mountain
2711:
2710:
2708:
2704:
2698:
2695:
2693:
2692:Diego Alvarez
2690:
2688:
2685:
2684:
2682:
2678:
2672:
2669:
2667:
2664:
2662:
2659:
2657:
2654:
2652:
2651:
2647:
2645:
2644:
2640:
2638:
2637:
2633:
2632:
2630:
2628:Short stories
2626:
2620:
2619:
2615:
2613:
2612:
2608:
2606:
2605:
2601:
2599:
2598:
2594:
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2573:
2572:
2568:
2566:
2565:
2561:
2559:
2558:
2554:
2552:
2551:
2550:Ashani Sanket
2547:
2545:
2544:
2540:
2538:
2537:
2533:
2531:
2530:
2526:
2524:
2523:
2519:
2517:
2516:
2515:Chander Pahar
2512:
2510:
2509:
2505:
2503:
2502:
2498:
2496:
2495:
2491:
2489:
2488:
2484:
2482:
2481:
2477:
2475:
2474:
2470:
2469:
2467:
2463:
2459:
2451:
2446:
2444:
2439:
2437:
2432:
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2416:
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2407:
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2342:
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2331:
2327:
2321:
2317:
2313:
2308:
2304:
2298:
2294:
2293:
2287:
2283:
2277:
2273:
2272:
2266:
2262:
2256:
2252:
2251:
2245:
2241:
2239:0-88920-497-7
2235:
2231:
2230:
2224:
2220:
2214:
2210:
2205:
2201:
2199:0-292-78985-8
2195:
2191:
2190:
2184:
2183:
2162:
2156:
2148:
2142:
2138:
2137:
2129:
2113:
2106:
2091:on 3 May 2013
2090:
2086:
2082:
2076:
2060:
2056:
2050:
2035:on 3 May 2013
2034:
2030:
2026:
2022:
2021:Dinesh Raheja
2016:
2009:
1997:
1993:
1992:
1987:
1981:
1979:
1972:
1971:Patel, p. 177
1967:
1952:
1948:
1941:
1925:
1921:
1917:
1911:
1909:
1892:
1888:
1882:
1866:
1859:
1853:
1848:
1832:
1825:
1823:
1814:
1808:
1804:
1800:
1799:Dinesh Raheja
1794:
1778:
1776:
1770:
1769:Dinesh Raheja
1764:
1758:
1757:Patel, p. 178
1753:
1737:
1733:
1727:
1711:
1705:
1690:
1689:Deccan Herald
1686:
1679:
1677:
1675:
1668:
1667:Singh, p. 368
1663:
1661:
1654:
1653:Sahni, p. 294
1649:
1647:
1645:
1638:
1633:
1631:
1624:
1619:
1617:
1600:
1596:
1595:Dinesh Raheja
1590:
1574:
1570:
1564:
1558:
1553:
1547:
1542:
1540:
1538:
1521:
1515:
1513:
1496:
1492:
1486:
1478:
1472:
1464:
1458:
1443:. 26 May 2012
1442:
1438:
1432:
1430:
1428:
1426:
1424:
1422:
1405:
1401:
1395:
1387:
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1375:
1371:
1363:
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1340:
1339:
1334:
1333:
1328:
1327:
1322:
1318:
1317:
1312:
1308:
1295:
1294:Kishore Kumar
1291:
1288:
1285:
1281:
1280:Best Lyricist
1278:
1276:
1272:
1269:
1267:
1263:
1260:
1258:
1257:Rajesh Khanna
1254:
1251:
1250:
1249:
1248:
1241:
1238:
1236:– Ramesh Pant
1235:
1234:Best Dialogue
1232:
1230:
1226:
1223:
1222:
1221:
1220:
1213:
1210:
1209:
1203:
1201:
1200:
1195:
1194:
1189:
1188:Rajesh Khanna
1185:
1181:
1177:
1173:
1172:
1161:
1159:
1155:
1151:
1150:Sam Manekshaw
1131:
1128:
1125:
1122:
1121:
1117:
1114:
1111:
1108:
1107:
1103:
1100:
1097:
1094:
1093:
1089:
1087:
1086:Kishore Kumar
1084:
1081:
1078:
1077:
1073:
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966:
962:
958:
943:
942:
938:
934:
933:
929:
925:
924:
923:Bombay to Goa
920:
919:
915:
911:
907:
904:
901:
899:
895:
892:
889:
887:
883:
879:
875:
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829:
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811:
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798:
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790:
786:
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773:
769:
765:
761:
760:
755:
751:
750:Rehana Sultan
748:(1970), with
747:
746:
741:
737:
736:
731:
730:
725:
721:
717:
713:
712:
707:
703:
702:heart of gold
699:
695:
691:
690:
685:
681:
677:
668:
666:
665:
660:
656:
652:
647:
643:
642:Howrah Bridge
639:
638:Hooghly River
635:
631:
621:
619:
618:
613:
609:
605:
601:
600:Saif Ali Khan
597:
596:
591:
587:
583:
573:
567:
563:
559:
558:
553:
549:
544:
542:
538:
537:
532:
529:, written by
528:
523:
519:
515:
511:
510:
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499:
498:
493:
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487:
486:
481:
477:
458:
455:
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449:
446:
443:
440:
439:Rakesh Pandey
437:
434:
431:
428:
425:
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416:
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407:
404:
401:
398:
395:
392:
389:
386:
383:
380:
377:
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371:
368:
365:
362:
359:
358:Rajesh Khanna
356:
353:
350:
349:
342:
338:
336:
332:
328:
323:
319:
315:
312:
301:
299:
295:
291:
287:
283:
279:
278:Kishore Kumar
275:
270:
268:
264:
263:Rajesh Khanna
260:
256:
252:
248:
244:
240:
236:
235:
230:
226:
222:
219:Indian Hindi
218:
207:
206:
196:
192:
188:
184:
170:
169:
167:
161:
155:
147:
144:
141:
137:
133:
129:
125:
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115:
114:Rajesh Khanna
112:
110:
107:
106:
104:
100:
96:
92:
89:
87:
82:
77:
74:
70:
62:
59:
57:Screenplay by
55:
52:
49:
45:
41:
36:
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1275:R. D. Burman
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689:Mother India
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657:, but chose
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408:as Natwarlal
400:Farida Jalal
372:as Dr. Ghosh
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290:Anand Bakshi
274:R. D. Burman
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164:Release date
157:Shakti Films
143:R. D. Burman
84:
75:
64:Ramesh Pant
27:
22:
2814:Nishi Padma
2807:Baksa Badal
2636:MeghaMallar
1410:27 February
1353:Devika Rani
1341:(1972) and
1332:Chhoti Bahu
1319:(1973) and
1311:Yash Chopra
1199:Kati Patang
1196:(1969) and
1160:had begun.
834:'s wife in
774:'s classic
740:B.R. Ishara
706:Nishi Padma
696:ends up as
684:Kati Patang
682:(1969) and
664:Kati Patang
566:Nishi Padma
562:Apu Trilogy
518:Uttam Kumar
514:Nishi Padma
509:Kati Patang
506:(1969) and
494:(1966) and
415:Master Raju
388:Sujit Kumar
364:Vinod Mehra
282:S.D. Burman
267:Vinod Mehra
234:Nishi Padma
94:Produced by
86:Nishi Padma
47:Directed by
2920:1972 films
2914:Categories
2887:Franchises
2680:Characters
2650:Jatrabadol
2643:Mauriphool
2557:Kedar Raja
2420:Rediff.com
2218:8176482617
1812:8175080078
1366:References
1253:Best Actor
957:R.D.Burman
912:chronology
810:Durga Puja
797:Durga Puja
604:Raaj Kumar
541:asafoetida
476:China Town
465:Production
429:as Chandar
406:Om Prakash
382:Madan Puri
331:Harsingaar
257:playing a
175:1972-01-28
150:Production
66:(dialogue)
2842:Fuleswari
2828:Nimantran
2821:Amar Prem
2753:Aparajito
2661:Kinnardal
2543:Anubartan
2501:Ichhamati
2480:Aparajito
2456:Works of
2405:Amar Prem
2389:Amar Prem
2373:Amar Prem
2362:Amar Prem
1775:Amar Prem
1601:. MiD DAY
1573:The Hindu
1495:The Hindu
1360:Amar Prem
1349:Amar Prem
1344:Raja Rani
1326:Avishkaar
1247:Nominated
1206:Accolades
1184:Amar Prem
1139:Reception
1042:Duration
1039:Singer(s)
941:Apna Desh
932:Amar Prem
859:Amar Prem
819:bhadralok
772:Guru Dutt
754:Bimal Roy
716:Meera Bai
700:, with a
698:courtesan
676:Amar Prem
451:Moolchand
354:as Pushpa
205:Amar Prem
131:Edited by
33:Amar Prem
2671:Nabagata
2578:Dui Bari
2378:AllMovie
1897:13 April
1335:(1971),
1307:Aradhana
1193:Aradhana
1171:Pakeezah
1164:Response
1154:blackout
903:Saregama
877:Released
867: by
837:Ramayana
762:(1955),
680:Aradhana
620:(1971).
608:Aradhana
590:Aradhana
584:(1964),
503:Aradhana
488:(1964),
482:(1963),
478:(1962),
457:Jankidas
433:Manmohan
427:Asit Sen
423:as Mausi
378:as Vijay
360:as Anand
311:Calcutta
194:Language
139:Music by
102:Starring
72:Based on
2590:Taradas
2564:Dampati
2487:Aranyak
1180:Beimaan
1176:Dushman
1144:Release
1001:motif.
995:Krishna
979:in the
945:(1972)
936:(1972)
927:(1972)
789:deified
646:Kolkata
640:, with
624:Filming
576:Casting
536:kachori
480:Ek Raaz
445:Hiralal
335:Parijat
261:, with
229:Bengali
215:) is a
210:transl.
186:Country
173: (
152:company
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2529:Debjan
2465:Novels
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2114:. Mint
1867:. Mint
1809:
1338:Maalik
1301:Legacy
1012:Khamaj
1007:bhajan
989:sing,
982:antara
977:Khamaj
842:Ravana
830:(King
777:Pyaasa
768:Sadhna
759:Devdas
745:Chetna
735:Mausam
729:Gulzar
720:bhajan
718:-like
711:tawaif
470:Script
251:tawaif
2585:Kajol
2167:4 May
2118:4 May
2095:4 May
2065:7 May
2039:4 May
2002:7 May
1956:7 May
1930:7 May
1871:4 May
1837:9 May
1783:9 May
1742:7 May
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1605:4 May
1579:7 May
1526:7 May
1501:4 May
1447:4 May
1132:4:53
1118:4:33
1104:4:56
1090:5:38
1074:5:20
1058:5:43
1036:Title
1024:filmi
999:Radha
969:Ragas
898:Label
886:Genre
852:Music
806:Durga
793:Durga
617:Anand
569:'
394:Bindu
231:film
197:Hindi
189:India
2367:IMDb
2341:ISBN
2320:ISBN
2297:ISBN
2276:ISBN
2255:ISBN
2234:ISBN
2213:ISBN
2194:ISBN
2169:2013
2141:ISBN
2120:2013
2097:2013
2067:2013
2041:2013
2004:2013
1958:2013
1932:2013
1899:2021
1873:2013
1839:2013
1807:ISBN
1785:2013
1744:2013
1718:2013
1696:2013
1607:2013
1581:2013
1528:2013
1503:2013
1449:2013
1412:2009
1316:Daag
1178:and
973:Todi
880:1972
832:Rama
828:Sita
653:and
520:and
345:Cast
304:Plot
284:and
217:1972
83:and
2849:Alo
2417:at
2408:at
2392:at
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2365:at
1323:'s
1313:'s
1219:Won
766:'s
756:'s
644:of
554:as
543:).
333:or
245:by
79:by
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