1414:
844:
27:
622:
382:'s parents to seek an education for their daughter. He was particularly critical of the American press and the sanitary conditions of American cities. He also wrote merciless parodies of the manners of the locals, including, but not limited to, their rural conversations and practice of spitting tobacco in public (Ch. 8 – Washington):
131:
403:... he looked somewhat worn and anxious, and well he might; being at war with everybody – but the expression of his face was mild and pleasant, and his manner was remarkably unaffected, gentlemanly, and agreeable. I thought that in his whole carriage and demeanour, he became his station singularly well.
419:
copies of his works were freely available in North
America and he could not abide losing money. Dickens called for international copyright law in many of his speeches in America, and his persistence in discussing the subject led some critics to accuse him of having travelled to America primarily to
386:
As
Washington may be called the headquarters of tobacco-tinctured saliva, the time is come when I must confess, without any disguise, that the prevalence of those two odious practices of chewing and expectorating began about this time to be anything but agreeable, and soon became most offensive and
298:– "the air was so clear, the houses were so bright and gay. The city is a beautiful one, and cannot fail, I should imagine, to impress all strangers very favourably." Further, it was close to the Perkins Institution and Massachusetts Asylum for the Blind where Dickens encountered
625:
449:
Third, he cites what he calls universal distrust, the extreme individualism that leads people to suspect others and to seek advantage over them. With a few exceptions, the scandal-seeking press contributes by undermining private life and destroying confidence in public life.
438:
Throughout the narrative, finding much to admire in
Americans he met and in their way of life, he also notes what he sees as their faults, sometimes jocularly. Then, in a conclusion, he gives his considered analysis of what he views as major flaws in US society.
453:
Allied to this is the overriding commercialism, with the urge to pull off a smart deal and the idolisation of successful businessmen. In this capitalist jungle, he finds most people far too serious and puritanical, lacking humour and a wider perspective.
442:
First and most serious is slavery. Apart from its corruption of both whites and blacks in slave states, the free states are complicit in the system. In particular, he is horrified by the physical violence vented on both male and female slaves.
257:
detailing his trip to North
America from January to June 1842. While there he acted as a critical observer of North American society, almost as if returning a status report on their progress. This can be compared to the style of his
329:
on 22 January 1842, the author was at once mobbed. Dickens at first revelled in the attention, but soon the endless demands on his time began to wear on his enthusiasm. He complained in a letter to his friend
457:
Finally, in many places he finds standards of personal cleanliness and public health still very primitive and is particularly disgusted by the almost universal habit of spitting.
411:, which he described as "that most hideous blot and foul disgrace ..." The final chapters of the book are devoted to a criticism of the practice. He was also unhappy about
1450:
338:
I can do nothing that I want to do, go nowhere where I want to go, and see nothing that I want to see. If I turn into the street, I am followed by a multitude.
636:
891:
682:
648:
499:
in which she followed
Dickens's journey through the United States, visiting many of the places mentioned by the author in his book.
446:
Next, he places violence. The ideals of liberty and equality seem to include the freedom to shoot or knife any other
American.
415:
issues. Dickens, by this time, had become an international celebrity, but owing to the lack of an international copyright law,
1397:
1323:
559:
264:
written four years later, where he wrote far more like a tourist. His
American journey was also an inspiration for his novel
91:
1313:
63:
583:
1273:
70:
1455:
110:
1465:
1348:
474:
1440:
1381:
1010:
354:, but also by rail and coach. During his extensive itinerary, he made a particular point of visiting prisons and
343:
44:
77:
1278:
48:
1460:
675:
1357:
702:
408:
363:
59:
1445:
1078:
1025:
1018:
967:
831:
423:
1129:
875:
331:
139:
From his friend
Charles Dickens, Eighteenth October 1842", one day prior to its official publication
1418:
1318:
668:
1070:
37:
1389:
1283:
1137:
743:
654:
642:
407:
Although generally impressed by what he found, he could not forgive the continued existence of
551:
1263:
1206:
275:
84:
1002:
931:
807:
8:
1248:
1086:
994:
719:
416:
260:
1373:
1288:
1102:
910:
883:
815:
791:
491:
355:
283:
1365:
1227:
1201:
1185:
959:
859:
823:
775:
759:
735:
614:
555:
544:
374:
person to receive a significant education in
English. His account of this meeting in
311:
310:
On 3 January 1842, one month shy of his 30th birthday, Dickens sailed with his wife,
266:
250:
234:
184:
528:
Hudon, Edward G. "Literary Piracy, Charles
Dickens and the American Copyright Law".
1211:
589:
496:
595:
1333:
1328:
1268:
1153:
1094:
1051:
1043:
951:
917:
691:
254:
148:
1293:
1165:
1145:
1121:
924:
767:
466:
427:
367:
299:
136:
1434:
1258:
799:
751:
478:
319:
221:
481:
led to widespread bank failures and rendered much paper currency worthless.
1343:
1338:
1253:
1232:
1180:
727:
379:
279:
130:
783:
473:
may have been a joke at the expense of American currency. The end of the
396:
347:
867:
392:
371:
843:
412:
351:
315:
287:
362:. Among his early visits to American institutions, Dickens visited
26:
631:
609:
660:
359:
326:
295:
291:
271:
350:
area of both the United States and Canada, primarily by
426:
home to his friends, including Forster and illustrator
433:
592:(scanned books original editions color illustrated)
1451:
Books about the United States written by foreigners
135:
Title page inscribed by the author to illustrator "
51:. Unsourced material may be challenged and removed.
543:
1432:
391:In Washington, D.C., he called upon President
676:
760:The Life and Adventures of Martin Chuzzlewit
752:Barnaby Rudge: A Tale of the Riots of Eighty
728:Oliver Twist; or, The Parish Boy's Progress
532:, Vol. 50, No. 12 (December, 1964) p. 1159.
720:The Posthumous Papers of the Pickwick Club
683:
669:
495:(2005), an authored documentary series by
129:
111:Learn how and when to remove this message
600:, New York: John W. Lovell company. 1883
519:(London: Chapman and Hall, 1888(, p. 24.
430:, helped to form the basis of the book.
892:The Haunted Man and the Ghost's Bargain
1433:
987:American Notes for General Circulation
541:
517:American Notes and Pictures from Italy
471:American Notes for General Circulation
294:. The American city he liked best was
246:American Notes for General Circulation
159:American Notes for General Circulation
664:
484:
358:and even took a quick glimpse at the
49:adding citations to reliable sources
20:
690:
13:
1314:Epitaph of Charles Irving Thornton
465:According to Dickens's biographer
434:Critique of US society at the time
14:
1477:
572:
550:. Yale University Press. p.
314:, and her maid, Anne Brown, from
1413:
1412:
842:
620:
530:American Bar Association Journal
475:Second Bank of the United States
282:, and travelled as far south as
25:
1274:Alfred D'Orsay Tennyson Dickens
325:bound for America. Arriving in
36:needs additional citations for
1398:The Man Who Invented Christmas
1279:Sydney Smith Haldimand Dickens
535:
522:
509:
489:The book formed the basis for
370:, who is considered the first
212:Print hardback, and paperback)
1:
502:
305:
302:, who impressed him greatly.
1358:Charles Dickens in His Study
1011:A Child's History of England
657:(HTML with reviews and maps)
409:slavery in the United States
364:Perkins School for the Blind
16:1842 book by Charles Dickens
7:
792:Hard Times: For These Times
630:public domain audiobook at
342:He travelled mainly on the
10:
1482:
1324:Charles Dickens and racism
1019:The Uncommercial Traveller
840:
832:The Mystery of Edwin Drood
366:near Boston, where he met
1408:
1306:
1241:
1220:
1194:
1173:
1164:
1113:
1062:
1035:
978:
941:
902:
876:The Cricket on the Hearth
851:
711:
698:
229:
216:
208:
200:
190:
180:
172:
164:
154:
144:
128:
1466:Chapman & Hall books
1456:Books by Charles Dickens
1228:Catherine Dickens (wife)
542:Slater, Michael (2009).
460:
420:agitate for that cause.
1350:Dickens and Little Nell
1233:Ellen Ternan (mistress)
1079:Master Humphrey's Clock
968:Master Humphrey's Clock
318:on board the steamship
1441:1842 non-fiction books
1284:Henry Fielding Dickens
1138:A Message from the Sea
744:The Old Curiosity Shop
655:University of Virginia
643:University of Adelaide
405:
389:
340:
1264:Walter Landor Dickens
1207:Alfred Lamert Dickens
401:
384:
336:
1461:British travel books
1071:Bentley's Miscellany
1003:The Life of Our Lord
932:The Trial for Murder
808:A Tale of Two Cities
290:and as far north as
270:. Having arrived in
45:improve this article
1382:The Invisible Woman
1249:Charles Dickens Jr.
995:Pictures from Italy
356:mental institutions
261:Pictures from Italy
155:Original title
125:
1446:Books about Canada
1377:(2005 documentary)
1374:Dickens in America
1289:Dora Annie Dickens
1103:All the Year Round
911:To Be Read at Dusk
884:The Battle of Life
816:Great Expectations
492:Dickens in America
485:Documentary (2005)
185:Chapman & Hall
123:
1428:
1427:
1369:(1976 miniseries)
1366:Dickens of London
1302:
1301:
1202:Frederick Dickens
1186:Elizabeth Dickens
1130:The Haunted House
960:The Mudfog Papers
860:A Christmas Carol
824:Our Mutual Friend
776:David Copperfield
736:Nicholas Nickleby
615:Project Gutenberg
561:978-0-300-11207-8
515:Charles Dickens,
424:Dickens's letters
286:, as far west as
267:Martin Chuzzlewit
242:
241:
235:Martin Chuzzlewit
201:Publication place
121:
120:
113:
95:
1473:
1416:
1415:
1393:(2015 TV series)
1212:Augustus Dickens
1171:
1170:
846:
685:
678:
671:
662:
661:
624:
623:
617:
590:Internet Archive
566:
565:
549:
539:
533:
526:
520:
513:
497:Miriam Margolyes
477:and the ensuing
399:, writing that:
278:, New York, and
230:Followed by
217:Preceded by
192:Publication date
133:
126:
122:
116:
109:
105:
102:
96:
94:
60:"American Notes"
53:
29:
21:
1481:
1480:
1476:
1475:
1474:
1472:
1471:
1470:
1431:
1430:
1429:
1424:
1404:
1361:(1859 painting)
1334:Gads Hill Place
1329:Tavistock House
1298:
1269:Francis Dickens
1237:
1216:
1190:
1160:
1154:No Thoroughfare
1109:
1095:Household Words
1058:
1052:No Thoroughfare
1044:The Frozen Deep
1031:
974:
952:Sketches by Boz
943:
937:
918:The Long Voyage
898:
852:Christmas books
847:
838:
707:
694:
692:Charles Dickens
689:
621:
607:
578:Online editions
575:
570:
569:
562:
546:Charles Dickens
540:
536:
527:
523:
514:
510:
505:
487:
463:
436:
308:
255:Charles Dickens
209:Media type
196:19 October 1842
193:
149:Charles Dickens
140:
124:American Notes
117:
106:
100:
97:
54:
52:
42:
30:
17:
12:
11:
5:
1479:
1469:
1468:
1463:
1458:
1453:
1448:
1443:
1426:
1425:
1423:
1422:
1409:
1406:
1405:
1403:
1402:
1394:
1386:
1378:
1370:
1362:
1354:
1346:
1341:
1336:
1331:
1326:
1321:
1316:
1310:
1308:
1304:
1303:
1300:
1299:
1297:
1296:
1294:Edward Dickens
1291:
1286:
1281:
1276:
1271:
1266:
1261:
1256:
1251:
1245:
1243:
1239:
1238:
1236:
1235:
1230:
1224:
1222:
1218:
1217:
1215:
1214:
1209:
1204:
1198:
1196:
1192:
1191:
1189:
1188:
1183:
1177:
1175:
1168:
1162:
1161:
1159:
1158:
1150:
1146:Mugby Junction
1142:
1134:
1126:
1122:A House to Let
1117:
1115:
1114:Collaborations
1111:
1110:
1108:
1107:
1099:
1091:
1087:The Daily News
1083:
1075:
1066:
1064:
1060:
1059:
1057:
1056:
1048:
1039:
1037:
1033:
1032:
1030:
1029:
1023:
1015:
1007:
999:
991:
982:
980:
976:
975:
973:
972:
964:
956:
947:
945:
939:
938:
936:
935:
928:
925:The Signal-Man
921:
914:
906:
904:
900:
899:
897:
896:
888:
880:
872:
864:
855:
853:
849:
848:
841:
839:
837:
836:
828:
820:
812:
804:
796:
788:
780:
772:
768:Dombey and Son
764:
756:
748:
740:
732:
724:
715:
713:
709:
708:
706:
705:
699:
696:
695:
688:
687:
680:
673:
665:
659:
658:
650:American Notes
646:
638:American Notes
634:
627:American Notes
618:
610:American Notes
604:
603:
602:
601:
597:American Notes
585:American Notes
574:
573:External links
571:
568:
567:
560:
534:
521:
507:
506:
504:
501:
486:
483:
467:Michael Slater
462:
459:
435:
432:
428:Daniel Maclise
378:would inspire
376:American Notes
368:Laura Bridgman
307:
304:
300:Laura Bridgman
240:
239:
231:
227:
226:
218:
214:
213:
210:
206:
205:
202:
198:
197:
194:
191:
188:
187:
182:
178:
177:
174:
170:
169:
166:
162:
161:
156:
152:
151:
146:
142:
141:
137:Daniel Maclise
134:
119:
118:
101:September 2024
33:
31:
24:
15:
9:
6:
4:
3:
2:
1478:
1467:
1464:
1462:
1459:
1457:
1454:
1452:
1449:
1447:
1444:
1442:
1439:
1438:
1436:
1421:
1420:
1411:
1410:
1407:
1400:
1399:
1395:
1392:
1391:
1387:
1384:
1383:
1379:
1376:
1375:
1371:
1368:
1367:
1363:
1360:
1359:
1355:
1353:
1351:
1347:
1345:
1342:
1340:
1337:
1335:
1332:
1330:
1327:
1325:
1322:
1320:
1317:
1315:
1312:
1311:
1309:
1305:
1295:
1292:
1290:
1287:
1285:
1282:
1280:
1277:
1275:
1272:
1270:
1267:
1265:
1262:
1260:
1259:Kate Perugini
1257:
1255:
1252:
1250:
1247:
1246:
1244:
1240:
1234:
1231:
1229:
1226:
1225:
1223:
1219:
1213:
1210:
1208:
1205:
1203:
1200:
1199:
1197:
1193:
1187:
1184:
1182:
1179:
1178:
1176:
1172:
1169:
1167:
1163:
1156:
1155:
1151:
1148:
1147:
1143:
1140:
1139:
1135:
1132:
1131:
1127:
1124:
1123:
1119:
1118:
1116:
1112:
1105:
1104:
1100:
1097:
1096:
1092:
1089:
1088:
1084:
1081:
1080:
1076:
1073:
1072:
1068:
1067:
1065:
1061:
1054:
1053:
1049:
1046:
1045:
1041:
1040:
1038:
1034:
1027:
1024:
1021:
1020:
1016:
1013:
1012:
1008:
1005:
1004:
1000:
997:
996:
992:
989:
988:
984:
983:
981:
977:
970:
969:
965:
962:
961:
957:
954:
953:
949:
948:
946:
940:
933:
929:
926:
922:
919:
915:
912:
908:
907:
905:
903:Short stories
901:
894:
893:
889:
886:
885:
881:
878:
877:
873:
870:
869:
865:
862:
861:
857:
856:
854:
850:
845:
834:
833:
829:
826:
825:
821:
818:
817:
813:
810:
809:
805:
802:
801:
800:Little Dorrit
797:
794:
793:
789:
786:
785:
781:
778:
777:
773:
770:
769:
765:
762:
761:
757:
754:
753:
749:
746:
745:
741:
738:
737:
733:
730:
729:
725:
722:
721:
717:
716:
714:
710:
704:
701:
700:
697:
693:
686:
681:
679:
674:
672:
667:
666:
663:
656:
652:
651:
647:
644:
640:
639:
635:
633:
629:
628:
619:
616:
612:
611:
606:
605:
599:
598:
594:
593:
591:
587:
586:
582:
581:
580:
579:
563:
557:
553:
548:
547:
538:
531:
525:
518:
512:
508:
500:
498:
494:
493:
482:
480:
479:Panic of 1837
476:
472:
468:
458:
455:
451:
447:
444:
440:
431:
429:
425:
421:
418:
414:
410:
404:
400:
398:
394:
388:
383:
381:
377:
373:
369:
365:
361:
357:
353:
349:
345:
339:
335:
333:
328:
324:
323:
317:
313:
303:
301:
297:
293:
289:
285:
281:
277:
274:, he visited
273:
269:
268:
263:
262:
256:
252:
248:
247:
238:
236:
232:
228:
225:
223:
222:Barnaby Rudge
219:
215:
211:
207:
203:
199:
195:
189:
186:
183:
179:
175:
171:
167:
163:
160:
157:
153:
150:
147:
143:
138:
132:
127:
115:
112:
104:
93:
90:
86:
83:
79:
76:
72:
69:
65:
62: –
61:
57:
56:Find sources:
50:
46:
40:
39:
34:This article
32:
28:
23:
22:
19:
1417:
1396:
1388:
1380:
1372:
1364:
1356:
1349:
1344:Dickens fair
1339:Grip (raven)
1254:Mary Dickens
1181:John Dickens
1152:
1144:
1136:
1128:
1120:
1101:
1093:
1085:
1077:
1069:
1050:
1042:
1017:
1009:
1001:
993:
986:
985:
966:
958:
950:
942:Short story
890:
882:
874:
866:
858:
830:
822:
814:
806:
798:
790:
782:
774:
766:
758:
750:
742:
734:
726:
718:
703:Bibliography
649:
637:
626:
608:
596:
584:
577:
576:
545:
537:
529:
524:
516:
511:
490:
488:
470:
469:, the title
464:
456:
452:
448:
445:
441:
437:
422:
406:
402:
390:
385:
380:Helen Keller
375:
341:
337:
332:John Forster
321:
309:
280:Philadelphia
265:
259:
245:
244:
243:
233:
220:
158:
107:
98:
88:
81:
74:
67:
55:
43:Please help
38:verification
35:
18:
1401:(2017 film)
1385:(2013 film)
1319:Bleak House
1106:(1859–1870)
1098:(1850–1859)
1090:(1846–1870)
1082:(1840–1841)
1074:(1836–1838)
1028:(1821–1870)
1022:(1860–1861)
1014:(1851–1853)
1006:(1846–1849)
979:Non-fiction
971:(1840–1841)
963:(1837–1838)
955:(1833–1836)
944:collections
827:(1864–1865)
819:(1860–1861)
803:(1855–1857)
787:(1852–1853)
784:Bleak House
779:(1849–1850)
771:(1846–1848)
763:(1843–1844)
747:(1840–1841)
739:(1838–1839)
731:(1837–1839)
723:(1836–1837)
397:White House
348:Great Lakes
176:Non-fiction
1435:Categories
1390:Dickensian
1063:Journalism
868:The Chimes
503:References
393:John Tyler
387:sickening.
372:deaf-blind
344:East Coast
306:Background
251:travelogue
71:newspapers
413:copyright
352:steamboat
322:Britannia
316:Liverpool
312:Catherine
288:St. Louis
181:Publisher
1419:Category
1352:(statue)
1242:Children
1221:Partners
1195:Brothers
934:" (1865)
927:" (1866)
920:" (1853)
913:" (1852)
632:LibriVox
346:and the
284:Richmond
165:Language
1307:Related
1174:Parents
1026:Letters
417:bootleg
395:in the
360:prairie
204:England
168:English
85:scholar
1166:Family
1157:(1867)
1149:(1866)
1141:(1860)
1133:(1859)
1125:(1858)
1055:(1867)
1047:(1856)
998:(1846)
990:(1842)
895:(1848)
887:(1846)
879:(1845)
871:(1844)
863:(1843)
835:(1870)
811:(1859)
795:(1854)
755:(1841)
712:Novels
645:(HTML)
558:
327:Boston
296:Boston
292:Quebec
276:Lowell
272:Boston
237:
224:
145:Author
87:
80:
73:
66:
58:
1036:Plays
461:Title
249:is a
173:Genre
92:JSTOR
78:books
556:ISBN
320:RMS
64:news
653:at
641:at
613:at
588:at
552:201
253:by
47:by
1437::
554:.
334::
930:"
923:"
916:"
909:"
684:e
677:t
670:v
564:.
114:)
108:(
103:)
99:(
89:·
82:·
75:·
68:·
41:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
