1213:
450:
95:
517:
were stand alone, "done in one" stories with a beginning and end taking place within the confines of a single comic issue, often structured in chapters as are most novels. Over time, the comics companies realised the lucrative potential of the crossover comic, whereby other characters from a company's shared universe appeared in issues of each other's comics. This ultimately led to the formation of "team" books such as the
24:
1135:
901:, etc.). Comics fandom has produced various shorthand ways of referring to the various universes, however, and the comics themselves also refer to themselves in specific ways. These labels are usually reserved for the universes of "the Big Two" (Marvel and DC), in large part because they are the main American comics publishers and have the largest shared universes. A non-exhaustive list of terms includes:
575:) as well as older characters like the JSA were (re-)assigned their own Earths, which were then destroyed and folded into one, core Earth. This naturally resulted in a number of contradictions and discrepancies in individual characters' histories, so a new, uniform continuity was created and the revised origins of the resulting heroes were retold in the hopes of maintaining consistent continuity.
886:
concept (the JLA, the
Avengers, etc.) to exist at all. Stan Lee's initial Marvel Universe creations in the 1960s best exemplify the "shared universe" concept, whereby characters (and villains) would feature across multiple titles, sometimes in the foreground of the story, sometimes as cameos in passing, but always underlining the interlinkedness of the universe.
627:
addressed continuity and consistency errors over almost 50 years of comics publication, and retrofitted events and characters into the history of the DCU as if they had always been there (for example, the JSA went from being JLA-contemporaries from a parallel world to being their earlier, historical
543:
items, this was not considered that much of a problem, until the full advent of comics fandom. As a result of fan/reader scrutiny, the continuity both of individual characters and of the wider universes in which comics companies' characters interacted began to become more important. The Marvel "No
538:
During these crossover character interactions, editorial footnotes would often reference previous adventures and comics issues, but an actual editorially enforced "continuity" was not strictly adhered to, leading to some characters' actions appearing "out of character", or outrightly contradicting
516:
Comics continuity almost-always refers to the existence and use of a shared universe, although any comic can have internal continuity independent of this. Simply, the term describes a consistency of internal plot, and usually of characterisation and external references also. Initially, many comics
838:
A comics "event" describes a large storyline which almost always involves a crossover between one or more characters, titles, universes or companies, but usually denotes an internal company crossover. These then typically fall into two broad categories: character or universe events. i.e. a Batman
805:
A character's "origin" is the fictional story which describes (almost always solely for superheroes) how they came to be; gained their powers; arrived on Earth; were bitten by a radioactive spider, etc. Origins need not be established immediately, they can be told in flashback, or slowly over the
885:
extend the boundaries considerably), and it is most common in the main superhero universes of DC and Marvel. The benefit of having a shared universe is that characters can make (sales-boosting) guest appearances and allow for team-ups between different characters, as well as allowing the "team"
784:
All these terms refer to specific and general "non-canonical stories", often – but not exclusively – featuring alternate versions of established heroes, events, or both. For many years, some DC comics would feature stories labelled as "Imaginary Tales", signifying that the events which occurred
578:
With hundreds of characters and dozens of writers, over the years uniform and consistent continuity is difficult to maintain, and most comics companies periodically address the erosion of internal consistency with big "events" designed to explain and simplify (although at times they do neither)
593:
Similar to internal continuity, the canon of comics characters/universes is often subject to change, but refers to the stories which are, at any one point, part of the "official", "accepted" history and story of particular characters/universes. Alternate versions of characters (such as DC's
658:
Linked is retrofit, retroactively embedding something (usually a plot point or subsidiary character) into a past story, for the purposes of a current story. This can give added weight to a story, implying that the impetus for a current story had been around for some time; for example, the
544:
Prize" became a humorous method by which readers could write letters to authors and editors pointing out mistakes or "continuity errors" in various comics, and were then named in print and awarded a "No Prize" (in reality a coveted sheet of paper declaring itself a non prize).
709:
stories are often seen as throwaway and frivolous, perceived to be dominated by imaginary tales and "camp" characterisation. Neither label is entirely accurate, nor is the broad-brush assumption that a lack of cohesive continuity denotes a complete disregard for it.
1052:, for example, mainly publishes stand-alone ongoing series, miniseries and maxiseries, but also variously includes characters who were once part of the DCU, or have interacted with it in such a way as to make them at least an honorary part of it. Characters such as
650:
shorthand phrase for "retroactive continuity", and is the descriptive term used to explain continuity- and canon-affecting stories. A retcon affects the past history of characters and/or the whole shared universe, and says that the "new" changed events
704:
stories were not as stringently policed or edited, and often contained errors and internal inaccuracies (in large part because of their frequent nature as one-shot stories, rather than linked tales designed to follow evolving and changing characters).
1154:
identifies influences to comic book superheroes in the form of super-strong comic strip characters, pulp heroes, masked vigilantes dubbed "mystery men", and precursors, who lack specific elements of modern superhero convention. According to Coogan,
721:
maxiseries, and is (or was intended to be) far more internally consistent and interlinked. Characters' origins were revised and updated, conflating previous stories and origins into one, accepted canonical one. Writer-artist
880:
The concept of a shared universe is one in which a multitude of different characters co-exist and/or interact. Typically this concept confines itself to one publishing company's output (although concepts such as the
1047:
In addition to the core shared universe, some companies have subsidiary universes/imprints, which can be part of the main universe, or cannot be (or can be thoroughly confusing). DC Comics' mature readers' imprint
1116:
comic), but typically a "crossover" implies more than a simple appearance and denotes a cohesive storyline spanning more than one title, often as part of an event. These may also include a
889:
The concept of a shared universe, wherein a company's diverse cast of characters are able to interact and crossover between books and events is usually labelled the "Universe" (DC, Marvel,
997:
designation of the "main" DCU, in contrast to Earth-2 (featuring the JSA), and latterly dozens of individual Earths which were home to a plethora of characters, and were destroyed in the
547:
In 1985, cross-universe continuity took on new levels of depth and (intended) consistency at the two main comics companies: DC and Marvel. Marvel launched its cross-line toy-driven-event
559:, one of the earliest maxi-series', to address universe-wide continuity and attempt to explain away, remove or revise all previous errors in continuity. The reader was reminded that the
806:
course of several issues or, indeed, years. Origins are often subject to revision and retcons, and may find themselves having additional information retrofitted in at a later time.
1610:
862:
event saw the DCU and MU brought together (and ultimately, briefly, merged), while the DC Universe has also featured in events/crossovers with, for example, the WildStorm and
610:
canon, but the stories can change from being non-canonical to being accepted as canon - and vice versa. In particular, line-wide continuity-changing events (such as DC's
1159:
is the first character to bring together all of the necessary elements. Coogan defines the superhero as "a heroic character with a selfless, pro-social mission" who has
1150:
are the most popular genre of comic book in North
America. There are many definitions of a superhero, and the subject is debated by scholars and industry professionals.
553:, which required all characters to undergo specific changes at specific times, and required considerable editorial dictates and conformity. DC launched the
785:
therein did not have an active effect on continuity, and therefore that anything could happen, even the bizarre and contradictory. DC transitioned to the
655:. This can lead to intense confusion, as compounded events can cause even the most knowledgeable fan to falter over what is currently the accepted canon.
620:
storyline) retroactively affect which stories are part of a character/universe's core canon, as they may revise or ignore previous events and happenings.
567:, but of a number of different iterations of various heroes on a multitude of different planets. Companies and characters purchased by DC (such as the
849:
storylines), while a multi-character crossover will usually be universe-wide and affect several different individuals (an example would be Marvel's "
934:, the Six-One-Six, etc., denotes the numerical designation of the Earth which the Marvel Universe inhabits. The term was coined in the pages of
1066:
all began publication as part of the DCU, but have gradually drifted to a corner of it quite far removed, if still nominally a part. The
1325:
1607:
758:
DCU, showing the sequence of events as well as the revised origins of many characters (later to be fleshed out in their own series).
478:
1299:
769:" label largely defunct. However, because of the 1985 maxiseries' landmark status, the label persists in one form or another.
765:
DCU was not without its continuity problems, and several subsequent events have attempted to address them, making the "Post-
672:
to include new characters and plot points. It can also be used to update a character for more modern times; for instance,
428:
632:
DC Universe removed many stories from "official canon", explaining them as
Imaginary Tales or ignoring them completely.
1104:
Crossovers can be both internal and between different universes and companies. At their most basic level, a crossover
1591:
1570:
1543:
1513:
1482:
1455:
433:
67:
49:
1109:
1015:
1535:
1505:
1474:
1176:
121:
34:
1627:
1193:. Graphic novels may also be known as "prestige format" comics for single issues. Issues may be published as
1647:
972:
471:
1642:
952:
is a separate universe created to reinvent longstanding characters without affecting the main continuity.
1139:
750:
728:
572:
519:
986:
696:
555:
525:
212:
41:
1186:
616:
183:
1562:
464:
45:
1095:
1099:
968:
641:
1581:
1554:
1493:
1466:
1269:
1198:
1054:
673:
661:
423:
413:
268:
1527:
856:
Cross-universe events and intercompany events are considerably rarer, but do happen. 1996's
1160:
1004:
New Earth is the designation of the "main" DCU after the events on 2005's miniseries event
809:
They are also frequently updated to better reflect their times. For example, the origin of
511:
377:
679:
updated Iron Man's origin story so that he was wounded in
Afghanistan instead of Vietnam.
8:
1447:
772:
723:
499:
253:
221:
116:
1241:
882:
850:
845:
915:
The Marvel
Universe, sometimes abbreviated to MU, is the shared universe in which the
1587:
1566:
1539:
1509:
1478:
1451:
1440:
1303:
1226:
1194:
924:
666:
531:
397:
367:
357:
193:
126:
853:" event, which affected almost every character and title in their shared universe).
232:
1330:
1147:
863:
793:
602:
495:
352:
347:
335:
305:
258:
226:
1614:
1164:
1108:
refer simply to a character making a guest appearance in a different comic (e.g.
1079:
1006:
949:
935:
910:
875:
588:
568:
438:
295:
280:
275:
745:
1246:
1049:
898:
392:
382:
372:
320:
263:
238:
107:
99:
1580:
Coogan, Peter (2007). Haslem, Wendy; Ndalianis, Angela; Mackie, C. J. (eds.).
1039:
and associated titles take place inside the Duck universe, a fan appellation.
1636:
1218:
1190:
1182:
1075:
1035:
1028:
1011:
858:
840:
560:
454:
362:
310:
300:
246:
242:
188:
173:
1523:
1295:
1151:
1083:
1071:
890:
741:
315:
290:
285:
147:
813:
has gradually been revised and updated, so that instead of serving in the
1623:
1231:
1063:
1059:
962:
943:
814:
691:
647:
564:
549:
387:
178:
168:
1467:""Is this a book?": DC Vertigo and Redefinition of Comics in the 1990s"
1435:
1326:"Superhero switch-ups: A history of race and gender switches in comics"
1113:
939:
920:
818:
787:
596:
418:
163:
1618:
1129:
1067:
931:
694:
continuity and canon, with the separator being the 1985 retcon event
540:
977:
The DC Universe, or DCU, refers to the shared universe inhabited by
52:. Statements consisting only of original research should be removed.
1156:
982:
894:
822:
810:
198:
1212:
1086:
is on the fringes in a similar way to the
Vertigo/DC interaction.
449:
1134:
203:
142:
94:
1117:
978:
665:
limited series from 2006 "retrofit" the story line from 1975's
342:
330:
86:
1356:
1502:
The Rise of the
American Comics Artist: Creators and Contexts
1471:
The Rise of the
American Comics Artist: Creators and Contexts
1236:
916:
325:
1530:. In Hatfield, Charles; Heer, Jeet; Worcester, Kent (eds.).
1392:
1274:
1442:
Graphic Novels in your Media Center: A Definitive Guide
1368:
1208:
1416:
1380:
1344:
539:earlier plot-points. As comics were deemed largely
1439:
1404:
1078:, but not part of the DCU-proper. Similarly, the
717:DCU is that which was formed in the pages of the
1634:
1552:
1362:
1074:, is now largely accepted as part of the wider
754:to briefly detail a broad overview of the Post-
1163:, a codename, colorful costume, and usually a
628:counterparts some years previously). The Post-
1181:American comic books can be sold through the
472:
1553:Rosenberg, Robin S.; Coogan, Peter (2013).
1082:Universe is not part of the 616, while the
1070:Universe, which was initially published by
732:miniseries, for example, provided the Post-
1500:. In Williams, Paul; Lyons, James (eds.).
1469:. In Williams, Paul; Lyons, James (eds.).
479:
465:
1267:
68:Learn how and when to remove this message
1433:
1398:
1294:
1133:
579:discrepancies, and maintain continuity.
1583:Super/heroes: From Hercules to Superman
843:of characters (an example would be the
682:
1635:
1579:
1522:
1491:
1386:
1374:
1350:
1323:
1464:
1422:
1410:
839:"event" will likely only feature the
791:imprint, whereas Marvel created the
17:
1112:"crossing over" into an issue of a
13:
1170:
869:
614:and Marvel's controversial recent
14:
1659:
1601:
1185:. Formats include single issues,
1096:Fictional crossover § Comics
563:consisted not merely of the core
1268:Goldstein, Hilary (2006-01-26).
1211:
1022:
777:, alternates, possible futures,
448:
93:
22:
1536:University Press of Mississippi
1506:University Press of Mississippi
1475:University Press of Mississippi
927:, etc. all exist and interact.
1317:
1288:
1261:
1177:Glossary of comics terminology
1123:
1:
1494:"State of the Nation and the
1254:
1089:
828:
505:
213:Comics by country and culture
973:List of DC Multiverse worlds
7:
1586:. New Academia Publishing.
1363:Rosenberg & Coogan 2013
1324:Peters, Mark (2014-07-19).
1204:
1042:
48:the claims made and adding
10:
1664:
1628:Don Markstein's Toonopedia
1492:Murphy, Graham J. (2010).
1174:
1127:
1093:
1026:
966:
960:
908:
873:
800:
751:History of the DC Universe
729:Superman: The Man of Steel
639:
586:
520:Justice Society of America
509:
492:American comic book tropes
81:American comic book tropes
999:Crisis on Infinite Earths
987:Justice League of America
904:
833:
697:Crisis on Infinite Earths
653:have always been that way
646:Retcon or "ret-con" is a
635:
625:Crisis on Infinite Earths
600:and Marvel's speculative
556:Crisis on Infinite Earths
526:Justice League of America
736:origin of Kal-El, while
617:Spider-Man: One More Day
606:titles) are necessarily
582:
494:are common elements and
1563:Oxford University Press
1270:"Lexicon: Marvel's 616"
748:produced the two-issue
1143:
1100:Intercompany crossover
1058:family of titles, the
969:Multiverse (DC Comics)
642:Retroactive continuity
1528:"Comics Predecessors"
1465:Round, Julia (2010).
1434:Lyga, Allyson A. W.;
1137:
1010:, in which a revised
956:
662:X-Men: Deadly Genesis
587:Further information:
510:Further information:
1559:What is a Superhero?
1532:The Superhero Reader
1399:Lyga & Lyga 2004
993:Earth-1 was the Pre-
690:Labels referring to
512:Continuity (fiction)
500:American comic books
378:South African comics
1648:Lexis (linguistics)
1608:Comic Book Glossary
1448:Libraries Unlimited
82:
1643:Comics terminology
1613:2009-02-08 at the
1401:, p. 164–165.
1144:
883:Wold Newton family
846:Batman: Knightfall
623:For example, DC's
80:
33:possibly contains
1227:Manga iconography
773:Imaginary tales,
489:
488:
455:Comics portal
398:Vietnamese comics
368:Portuguese comics
358:Philippine comics
339:
272:
254:Australian comics
250:
194:Political cartoon
78:
77:
70:
35:original research
1655:
1597:
1576:
1549:
1519:
1496:Freedom Fighters
1488:
1461:
1446:(1st ed.).
1445:
1426:
1420:
1414:
1408:
1402:
1396:
1390:
1384:
1378:
1372:
1366:
1360:
1354:
1348:
1342:
1341:
1339:
1338:
1321:
1315:
1314:
1312:
1311:
1302:. Archived from
1292:
1286:
1285:
1283:
1282:
1265:
1221:
1216:
1215:
1187:trade paperbacks
1148:superhero comics
668:Giant-Size X-Men
496:literary devices
481:
474:
467:
453:
452:
353:Pakistani comics
333:
306:Hungarian comics
266:
259:Brazilian comics
236:
227:Argentine comics
97:
83:
79:
73:
66:
62:
59:
53:
50:inline citations
26:
25:
18:
1663:
1662:
1658:
1657:
1656:
1654:
1653:
1652:
1633:
1632:
1615:Wayback Machine
1604:
1594:
1573:
1546:
1516:
1485:
1458:
1430:
1429:
1421:
1417:
1409:
1405:
1397:
1393:
1385:
1381:
1377:, p. 7–13.
1373:
1369:
1365:, p. xvii.
1361:
1357:
1349:
1345:
1336:
1334:
1322:
1318:
1309:
1307:
1293:
1289:
1280:
1278:
1266:
1262:
1257:
1217:
1210:
1207:
1179:
1173:
1171:Technical terms
1165:secret identity
1132:
1126:
1102:
1094:Main articles:
1092:
1080:Ultimate Marvel
1045:
1031:
1025:
1007:Infinite Crisis
975:
965:
959:
950:Ultimate Marvel
936:Captain Britain
913:
911:Marvel Universe
907:
878:
876:Shared universe
872:
870:Shared universe
836:
831:
821:or the (first)
817:, he serves in
803:
782:
688:
644:
638:
591:
589:Canon (fiction)
585:
571:characters and
569:Charlton Comics
514:
508:
485:
447:
296:European comics
281:Croatian comics
276:Canadian comics
233:Bande dessinées
222:American comics
184:Trade paperback
102:
74:
63:
57:
54:
39:
27:
23:
12:
11:
5:
1661:
1651:
1650:
1645:
1631:
1630:
1621:
1603:
1602:External links
1600:
1599:
1598:
1592:
1577:
1571:
1555:"Introduction"
1550:
1544:
1520:
1514:
1489:
1483:
1462:
1456:
1428:
1427:
1415:
1403:
1391:
1379:
1367:
1355:
1343:
1316:
1298:(2007-05-29).
1287:
1259:
1258:
1256:
1253:
1252:
1251:
1250:
1249:
1247:Fantasy tropes
1239:
1234:
1229:
1223:
1222:
1206:
1203:
1191:graphic novels
1175:Main article:
1172:
1169:
1140:Captain Marvel
1128:Main article:
1125:
1122:
1091:
1088:
1050:Vertigo Comics
1044:
1041:
1027:Main article:
1024:
1021:
1020:
1019:
1002:
961:Main article:
958:
955:
954:
953:
947:
909:Main article:
906:
903:
874:Main article:
871:
868:
835:
832:
830:
827:
802:
799:
781:
771:
761:Even the Post-
700:. Simply, Pre-
687:
683:Pre- and Post-
681:
640:Main article:
637:
634:
584:
581:
573:Captain Marvel
507:
504:
487:
486:
484:
483:
476:
469:
461:
458:
457:
444:
443:
442:
441:
436:
431:
426:
421:
416:
408:
407:
403:
402:
401:
400:
395:
393:Turkish comics
390:
385:
383:Spanish comics
380:
375:
373:Serbian comics
370:
365:
360:
355:
350:
348:Mexican comics
345:
340:
328:
323:
321:Italian comics
318:
313:
308:
303:
298:
293:
288:
283:
278:
273:
269:Welsh-language
264:British comics
261:
256:
251:
229:
224:
216:
215:
209:
208:
207:
206:
201:
196:
191:
186:
181:
176:
171:
166:
158:
157:
153:
152:
151:
150:
145:
137:
136:
132:
131:
130:
129:
124:
119:
111:
110:
108:Comics studies
104:
103:
100:Speech balloon
98:
90:
89:
76:
75:
30:
28:
21:
9:
6:
4:
3:
2:
1660:
1649:
1646:
1644:
1641:
1640:
1638:
1629:
1625:
1622:
1620:
1616:
1612:
1609:
1606:
1605:
1595:
1593:9780977790845
1589:
1585:
1584:
1578:
1574:
1572:9780199339525
1568:
1564:
1560:
1556:
1551:
1547:
1545:9781617038068
1541:
1537:
1533:
1529:
1525:
1524:Coogan, Peter
1521:
1517:
1515:9781604737936
1511:
1507:
1503:
1499:
1497:
1490:
1486:
1484:9781604737936
1480:
1476:
1472:
1468:
1463:
1459:
1457:1-59158-142-7
1453:
1449:
1444:
1443:
1437:
1432:
1431:
1425:, p. 25.
1424:
1419:
1413:, p. 14.
1412:
1407:
1400:
1395:
1389:, p. 21.
1388:
1383:
1376:
1371:
1364:
1359:
1353:, p. 67.
1352:
1347:
1333:
1332:
1327:
1320:
1306:on 2007-05-22
1305:
1301:
1297:
1296:Brevoort, Tom
1291:
1277:
1276:
1271:
1264:
1260:
1248:
1245:
1244:
1243:
1240:
1238:
1235:
1233:
1230:
1228:
1225:
1224:
1220:
1219:Comics portal
1214:
1209:
1202:
1200:
1196:
1192:
1188:
1184:
1183:direct market
1178:
1168:
1166:
1162:
1158:
1153:
1149:
1141:
1136:
1131:
1121:
1119:
1115:
1111:
1107:
1101:
1097:
1087:
1085:
1081:
1077:
1076:DC Multiverse
1073:
1069:
1065:
1061:
1057:
1056:
1051:
1040:
1038:
1037:
1036:Uncle Scrooge
1030:
1029:Duck universe
1023:Duck universe
1017:
1013:
1009:
1008:
1003:
1000:
996:
992:
991:
990:
988:
984:
980:
974:
970:
964:
951:
948:
945:
941:
937:
933:
930:
929:
928:
926:
922:
918:
912:
902:
900:
896:
892:
887:
884:
877:
867:
865:
861:
860:
859:DC vs. Marvel
854:
852:
848:
847:
842:
841:Batman family
826:
824:
820:
816:
812:
807:
798:
796:
795:
790:
789:
780:
776:
770:
768:
764:
759:
757:
753:
752:
747:
743:
739:
735:
731:
730:
725:
720:
716:
711:
708:
703:
699:
698:
693:
686:
680:
678:
676:
671:
669:
664:
663:
656:
654:
649:
643:
633:
631:
626:
621:
619:
618:
613:
609:
605:
604:
599:
598:
590:
580:
576:
574:
570:
566:
562:
561:DC Multiverse
558:
557:
552:
551:
545:
542:
536:
534:
533:
528:
527:
522:
521:
513:
503:
501:
497:
493:
482:
477:
475:
470:
468:
463:
462:
460:
459:
456:
451:
446:
445:
440:
437:
435:
432:
430:
427:
425:
422:
420:
417:
415:
412:
411:
410:
409:
405:
404:
399:
396:
394:
391:
389:
386:
384:
381:
379:
376:
374:
371:
369:
366:
364:
363:Polish comics
361:
359:
356:
354:
351:
349:
346:
344:
341:
337:
332:
329:
327:
324:
322:
319:
317:
314:
312:
311:Indian comics
309:
307:
304:
302:
301:German comics
299:
297:
294:
292:
289:
287:
284:
282:
279:
277:
274:
270:
265:
262:
260:
257:
255:
252:
248:
244:
240:
235:
234:
230:
228:
225:
223:
220:
219:
218:
217:
214:
211:
210:
205:
202:
200:
197:
195:
192:
190:
189:Graphic novel
187:
185:
182:
180:
177:
175:
174:Digital comic
172:
170:
167:
165:
162:
161:
160:
159:
156:Media formats
155:
154:
149:
146:
144:
141:
140:
139:
138:
134:
133:
128:
125:
123:
120:
118:
115:
114:
113:
112:
109:
106:
105:
101:
96:
92:
91:
88:
85:
84:
72:
69:
61:
51:
47:
43:
37:
36:
31:This article
29:
20:
19:
16:
1582:
1558:
1531:
1501:
1495:
1470:
1441:
1418:
1406:
1394:
1382:
1370:
1358:
1346:
1335:. Retrieved
1329:
1319:
1308:. Retrieved
1304:the original
1290:
1279:. Retrieved
1273:
1263:
1199:periodically
1180:
1152:Peter Coogan
1146:As of 2010,
1145:
1105:
1103:
1072:Image Comics
1053:
1046:
1034:
1032:
1018:was created.
1005:
998:
994:
976:
938:, by either
914:
888:
879:
857:
855:
844:
837:
808:
804:
792:
786:
783:
778:
774:
766:
762:
760:
755:
749:
746:George PĂ©rez
742:Marv Wolfman
740:-architects
737:
733:
727:
718:
714:
712:
706:
701:
695:
689:
684:
674:
667:
660:
657:
652:
645:
629:
624:
622:
615:
611:
607:
601:
595:
592:
577:
554:
548:
546:
537:
530:
524:
518:
515:
491:
490:
316:Irish comics
291:Dutch comics
286:Czech comics
231:
148:Photo comics
64:
55:
32:
15:
1436:Lyga, Barry
1387:Coogan 2007
1375:Coogan 2013
1351:Murphy 2010
1232:Comic strip
1124:Superheroes
1084:MAX imprint
1064:Swamp Thing
1060:Doom Patrol
1055:The Sandman
1001:maxiseries.
963:DC Universe
944:Dave Thorpe
866:universes.
815:Vietnam War
794:What If...?
779:What If...?
692:DC Universe
677:(vol. 4) #1
648:portmanteau
603:What if...?
565:DC Universe
550:Secret Wars
498:related to
419:Cartoonists
388:Thai comics
179:Gag cartoon
169:Comic strip
1637:Categories
1423:Round 2010
1411:Round 2010
1337:2014-09-09
1310:2014-09-09
1300:"More 616"
1281:2014-09-09
1255:References
1114:Spider-Man
1090:Crossovers
1012:Multiverse
967:See also:
940:Alan Moore
921:Spider-Man
829:Storylines
788:Elseworlds
775:Elseworlds
724:John Byrne
597:Elseworlds
506:Continuity
429:Publishers
424:Collecting
164:Comic book
143:Cartooning
58:April 2023
42:improve it
1619:About.com
1195:one-shots
1130:Superhero
1110:Daredevil
1068:WildStorm
1033:Disney's
1016:52 worlds
932:Earth-616
864:Milestone
851:Civil War
713:The Post-
541:ephemeral
406:Community
336:Hong Kong
117:Education
46:verifying
1624:Glossary
1611:Archived
1526:(2013).
1438:(2004).
1205:See also
1157:Superman
1062:and the
1043:Imprints
983:Superman
925:Avengers
895:CrossGen
823:Gulf War
811:Iron Man
797:series.
675:Iron Man
532:Avengers
199:Webcomic
122:Glossary
1189:, and
989:, etc.
899:Valiant
801:Origins
439:Writers
239:Belgium
204:Webtoon
135:Methods
127:History
40:Please
1590:
1569:
1542:
1512:
1481:
1454:
1161:powers
1118:tie-in
1098:, and
995:Crisis
985:, the
979:Batman
923:, the
905:Marvel
834:Events
767:Crisis
763:Crisis
756:Crisis
738:Crisis
734:Crisis
715:Crisis
707:Crisis
702:Crisis
685:Crisis
636:Retcon
630:Crisis
612:Crises
414:Awards
343:Manhwa
331:Manhua
247:Quebec
243:France
87:Comics
1331:Slate
1242:Trope
1237:Comix
1142:comic
1138:1940
917:X-Men
891:Image
819:Korea
583:Canon
434:Sales
326:Manga
1588:ISBN
1567:ISBN
1540:ISBN
1510:ISBN
1498:Arc"
1479:ISBN
1452:ISBN
971:and
744:and
719:CoIE
705:Pre-
529:and
1626:at
1617:at
1275:IGN
1197:or
1106:can
1014:of
942:or
726:'s
608:not
44:by
1639::
1565:.
1561:.
1557:.
1538:.
1534:.
1508:.
1504:.
1477:.
1473:.
1450:.
1328:.
1272:.
1201:.
1167:.
1120:.
981:,
957:DC
919:,
897:,
893:,
825:.
670:#1
535:.
523:,
502:.
1596:.
1575:.
1548:.
1518:.
1487:.
1460:.
1340:.
1313:.
1284:.
946:.
480:e
473:t
466:v
338:)
334:(
271:)
267:(
249:)
245:/
241:/
237:(
71:)
65:(
60:)
56:(
38:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
