Knowledge

An Autumn Afternoon

Source 📝

348:
marriage for her. He asks Kōichi to find out if Miura, whom Michiko is fond of, is interested. Unfortunately, Miura is already engaged. Kōichi and Hirayama break the news to Michiko. Michiko does not react but retires to her room. Hirayama and Kōichi conclude that she is not upset, but a little later Kazuo comes in and asks why Michiko is crying. Hirayama later asks Michiko if she is willing to go for a matchmaking session with a candidate Kawai has selected. Michiko agrees.
295:), Sugai (Tsūzai Sugawara), Watanabe (Masao Oda) and Nakanishi, hold regular reunions at a restaurant called Wakamatsu ("Young Pine"), which is owned by Sugai. They reminisce about old times and banter with each other. For example, Horie is teased about having a new young wife and asked whether he is taking pills to maintain his virility. 29: 284:). The ages of the children and what they respectively remember about their mother suggests that she died just before the end of the war, perhaps in the bombing of Tokyo in 1944–45. Since his marriage, Kōichi has moved out to live with his wife in a small flat, leaving Hirayama and Kazuo to be looked after by Michiko. 355:
Ozu is famous for, the film next shows us Michiko being dressed in a traditional wedding kimono and head-dress. She has clearly agreed to marry, but the bridegroom, and the wedding ceremony, are never shown. After the wedding, Hirayama goes to a bar with friends while Kōichi, Akiko and Kazuo wait for
596:
placed the film in his "Great Movies" collection, writing, "From time to time I return to Ozu feeling a need to be calmed and restored. He is a man with a profound understanding of human nature, about which he makes no dramatic statements. We are here, we hope to be happy, we want to do well, we are
328:
and Sakamoto marches up and down, holding a salute and singing meaningless syllables in time to the music, in a mocking version of military drill. Later, Hirayama visits the bar alone and Kaoru puts the record on again. Two tipsy customers begin to parody the kind of morale-boosting radio propaganda
321:
Sakuma's former pupils decide to help him out with a gift of money, and Hirayama goes back to the restaurant to hand it over. While he is there, Yoshitarō Sakamoto (Daisuke Katō), the owner of a small local car-repair shop, comes in for a bowl of noodles and recognises Hirayama as the captain of the
347:
The "Gourd" tells his former pupils that it is because he selfishly kept her at home to look after him that his daughter is now condemned to a lonely life as a spinster. Troubled by this, Hirayama recognises his own selfishness in keeping Michiko at home to look after him, and decides to arrange a
314:, so would have been a career naval officer up to 1945. Sakuma has too much to drink, and when Kawai and Hirayama take him home, they find that he has fallen on hard times and is running a cheap noodle restaurant in a working-class area. They meet his middle-aged daughter Tomoko ( 322:
ship in which he served as a Petty Officer during the war. He takes Hirayama to his favourite bar. Hirayama notices that the bar-owner Kaoru (Kyōko Kishida) resembles his dead wife. Kaoru puts on a recording of the patriotic song
344:) does not want him to do so, and says that if he is going to indulge himself like this, she will spend money on an expensive white leather handbag. Eventually, having made her point, she relents. 1027: 408: 281: 1003: 336:
from his father, ostensibly to buy a refrigerator, but this is more than the refrigerator will cost. He plans to use the extra money to buy a set of second-hand
498: 820: 1304: 979: 474: 486: 480: 396: 616:
In 2011, the BFI released a Region 2 Dual Format Edition (Blu-ray + DVD). Included with this release is a standard definition presentation of
450: 402: 1309: 492: 468: 1299: 930: 249:
as the patriarch of the Hirayama family who eventually realises that he has a duty to arrange a marriage for his daughter Michiko (
798: 1118: 1284: 1174: 1289: 880: 311: 1134: 895: 698: 1319: 1279: 356:
him at home. When he returns, drunk, Kōichi and Akiko leave. Kazuo goes to bed, leaving Hirayama by himself.
923: 1314: 1035: 723: 352: 1110: 563:. Both these titles were found in a poem by Ozu in his diaries written after the death of his mother: 1274: 1075: 626: 524: 310:"), attends one of the reunions. We learn from a remark of his that Hirayama went from school to the 1214: 1190: 1102: 1067: 903: 916: 1294: 1230: 672: 875: 754: 337: 323: 1158: 995: 890: 610: 220: 8: 1269: 971: 780: 1126: 1019: 955: 806: 462: 1238: 1142: 987: 853: 732: 618: 212: 646: 601:, the film has a 95% rating based on 22 reviews, with an average rating of 8.8/10. 552: 426: 299: 438: 1083: 908: 759: 598: 432: 372: 315: 269: 246: 76: 28: 940: 456: 238: 42: 1222: 1206: 1198: 1043: 414: 378: 288: 277: 253:). It was Ozu's last film; he died the following year on the day he turned 60. 250: 72: 869: 1263: 1059: 963: 899: 694: 544: 540: 420: 230: 444: 292: 1166: 1051: 1011: 886: 390: 341: 329:
announcements that would have been introduced by this tune during the war.
84: 858: 359:
In the final scene, a melancholy Hirayama drunkenly sings snatches of the
1182: 1150: 719: 593: 847: 384: 273: 80: 514:, and the credits of the film are placed before a backdrop of painted 519: 511: 52: 864: 307: 242: 131: 613:
released the film in the US on DVD in 2008, and Blu-ray in 2014.
318:), who missed the chance to marry when young and is now too old. 556: 287:
Hirayama and five of his classmates from middle-school, Kawai (
272:) is an aging widower with a 32-year-old married son, Kōichi ( 515: 276:), and two unmarried children, 24-year-old daughter Michiko ( 625:
It was shown as part of the Cannes Classics section of the
340:
from his colleague Miura (Teruo Yoshida). His wife Akiko (
333: 260:
is considered by many to be one of Ozu's finest works.
938: 571:But here, the sluggish eye, the taste of mackerel- 592:is widely regarded as a masterpiece. Film critic 1261: 597:locked within our aloneness, life goes on." On 363:. His last words in the film are "Alone, eh?". 298:Their old teacher of Chinese classics, Sakuma ( 224: 924: 559:. The French title of the film translates to 931: 917: 237:is a 1962 Japanese drama film directed by 27: 693: 489:as Woman at Kōichi and Akiko's apartment 1119:Brothers and Sisters of the Toda Family 821:"Cannes Classics 2013 line-up unveiled" 575:And the flavor of sake becomes bitter. 567:Down in the valley it is already spring 1305:Films with screenplays by Yasujirō Ozu 1262: 684:"252. An Autumn Afternoon (Ozu, 1962)" 912: 718: 882:An Autumn Afternoon: A Fond Farewell 699:"An Autumn Afternoon: Ozu's Diaries" 441:as the proprietor of the bar "Kaoru" 1310:Films with screenplays by Kogo Noda 501:as Second Tipsy Customer at "Kaoru" 13: 1028:Where Now Are the Dreams of Youth? 896:An Autumn Afternoon: Ozu's Diaries 673:"1,000 Greatest Films (Full List)" 495:as First Tipsy Customer at "Kaoru" 483:as Yōko Sasaki, ShÅ«hei's secretary 16:1962 Japanese film by Yasujirō Ozu 14: 1331: 1175:The Flavor of Green Tea over Rice 841: 522:used in all of Ozu's films since 312:Imperial Japanese Naval Academy 1300:Films directed by Yasujirō Ozu 1135:Record of a Tenement Gentleman 813: 791: 773: 747: 712: 687: 665: 639: 435:as Tomoko Sakuma, his daughter 429:as Seitarō Sakuma, "The Gourd" 268:Tokyo, 1962. ShÅ«hei Hirayama ( 1: 1285:1960s Japanese-language films 632: 604: 505: 280:) and 21-year-old son Kazuo ( 584: 245:Films. It stars Ozu regular 7: 1036:Until the Day We Meet Again 573:The blossoms are melancholy 225: 10: 1336: 799:"DVD & Blu-ray - Shop" 579: 569:Clouds of cherry blossoms; 477:as Waitress at "Wakamatsu" 453:as Tamako, his second wife 155:18 November 1962 1111:What Did the Lady Forget? 1094: 1076:A Story of Floating Weeds 947: 627:2013 Cannes Film Festival 525:A Story of Floating Weeds 423:as Nobuko Kawai, his wife 216: 195: 187: 179: 169: 146: 138: 122: 114: 106: 98: 68: 60: 48: 38: 33:Theatrical release poster 26: 21: 1068:A Mother Should Be Loved 785:The Criterion Collection 199:125,090 tickets (France) 366: 263: 1290:Films about alcoholism 1004:The Lady and the Beard 332:Kōichi borrows 50,000 781:"An Autumn Afternoon" 755:"An Autumn Afternoon" 647:"Samma no Aji (1978)" 459:as Yoshitarō Sakamoto 1320:1960s Japanese films 1280:Japanese drama films 1159:The Munekata Sisters 904:Criterion Collection 891:Criterion Collection 803:filmstore.bfi.org.uk 728:Movie Review (1962)" 611:Criterion Collection 531:The Japanese title, 1247:An Autumn Afternoon 972:I Graduated, But... 871:An Autumn Afternoon 860:An Autumn Afternoon 849:An Autumn Afternoon 726:An Autumn Afternoon 590:An Autumn Afternoon 381:as Michiko Hirayama 258:An Autumn Afternoon 207:An Autumn Afternoon 22:An Autumn Afternoon 1315:Films set in Tokyo 1127:There Was a Father 1020:I Was Born, But... 956:Sword of Penitence 939:Films directed by 876:TCM Movie Database 533:The Taste of Sanma 510:It was shot using 409:Shin'ichirō Mikami 387:as Kōichi Hirayama 375:as ShÅ«hei Hirayama 282:Shin'ichirō Mikami 110:Yoshiyasu Hamamura 1257: 1256: 1239:The End of Summer 1143:A Hen in the Wind 996:That Night's Wife 988:I Flunked, But... 809:on July 25, 2011. 733:Chicago Sun-Times 619:A Hen in the Wind 561:The Taste of Sake 411:as Kazuo Hirayama 405:as Fusako Taguchi 393:as Akiko Hirayama 203: 202: 92:Shinichiro Mikami 64:Shizuo Yamanouchi 1327: 1275:1962 drama films 933: 926: 919: 910: 909: 835: 834: 832: 831: 817: 811: 810: 805:. Archived from 795: 789: 788: 777: 771: 770: 768: 767: 751: 745: 744: 742: 740: 722:(May 31, 2011). 716: 710: 709: 707: 705: 691: 685: 683: 681: 679: 669: 663: 662: 660: 658: 643: 553:Japanese culture 535:, refers to the 499:Zen'ichi Inagawa 236: 229:, "The Taste of 228: 218: 162: 160: 31: 19: 18: 1335: 1334: 1330: 1329: 1328: 1326: 1325: 1324: 1260: 1259: 1258: 1253: 1090: 1084:An Inn in Tokyo 980:Walk Cheerfully 943: 937: 844: 839: 838: 829: 827: 819: 818: 814: 797: 796: 792: 779: 778: 774: 765: 763: 760:Rotten Tomatoes 753: 752: 748: 738: 736: 717: 713: 703: 701: 692: 688: 677: 675: 671: 670: 666: 656: 654: 651:JP's Box-Office 645: 644: 640: 635: 607: 599:Rotten Tomatoes 587: 582: 577: 574: 572: 570: 568: 518:instead of the 508: 463:Tsûsai Sugawara 433:Haruko Sugimura 399:as Yutaka Miura 369: 316:Haruko Sugimura 266: 210: 172: 165: 158: 156: 149: 134: 127: 125: 93: 91: 89: 87: 83: 79: 75: 55: 34: 17: 12: 11: 5: 1333: 1323: 1322: 1317: 1312: 1307: 1302: 1297: 1295:Shochiku films 1292: 1287: 1282: 1277: 1272: 1255: 1254: 1252: 1251: 1243: 1235: 1227: 1223:Floating Weeds 1219: 1211: 1207:Equinox Flower 1203: 1199:Tokyo Twilight 1195: 1187: 1179: 1171: 1163: 1155: 1147: 1139: 1131: 1123: 1115: 1107: 1098: 1096: 1092: 1091: 1089: 1088: 1080: 1072: 1064: 1056: 1048: 1044:Woman of Tokyo 1040: 1032: 1024: 1016: 1008: 1000: 992: 984: 976: 968: 960: 951: 949: 945: 944: 936: 935: 928: 921: 913: 907: 906: 893: 878: 867: 856: 843: 842:External links 840: 837: 836: 812: 790: 772: 746: 711: 686: 664: 637: 636: 634: 631: 606: 603: 586: 583: 581: 578: 565: 507: 504: 503: 502: 496: 490: 484: 478: 475:Toyo Takahashi 472: 466: 460: 454: 448: 442: 436: 430: 424: 418: 417:as ShÅ«zō Kawai 415:Nobuo Nakamura 412: 406: 400: 394: 388: 382: 379:Shima Iwashita 376: 368: 365: 351:In one of the 289:Nobuo Nakamura 278:Shima Iwashita 265: 262: 251:Shima Iwashita 201: 200: 197: 193: 192: 189: 185: 184: 181: 177: 176: 173: 170: 167: 166: 164: 163: 152: 150: 147: 144: 143: 140: 139:Distributed by 136: 135: 130: 128: 123: 120: 119: 116: 112: 111: 108: 104: 103: 100: 99:Cinematography 96: 95: 73:Shima Iwashita 70: 66: 65: 62: 58: 57: 50: 46: 45: 40: 36: 35: 32: 24: 23: 15: 9: 6: 4: 3: 2: 1332: 1321: 1318: 1316: 1313: 1311: 1308: 1306: 1303: 1301: 1298: 1296: 1293: 1291: 1288: 1286: 1283: 1281: 1278: 1276: 1273: 1271: 1268: 1267: 1265: 1249: 1248: 1244: 1241: 1240: 1236: 1233: 1232: 1228: 1225: 1224: 1220: 1217: 1216: 1212: 1209: 1208: 1204: 1201: 1200: 1196: 1193: 1192: 1188: 1185: 1184: 1180: 1177: 1176: 1172: 1169: 1168: 1164: 1161: 1160: 1156: 1153: 1152: 1148: 1145: 1144: 1140: 1137: 1136: 1132: 1129: 1128: 1124: 1121: 1120: 1116: 1113: 1112: 1108: 1105: 1104: 1100: 1099: 1097: 1093: 1086: 1085: 1081: 1078: 1077: 1073: 1070: 1069: 1065: 1062: 1061: 1060:Passing Fancy 1057: 1054: 1053: 1049: 1046: 1045: 1041: 1038: 1037: 1033: 1030: 1029: 1025: 1022: 1021: 1017: 1014: 1013: 1009: 1006: 1005: 1001: 998: 997: 993: 990: 989: 985: 982: 981: 977: 974: 973: 969: 966: 965: 964:Days of Youth 961: 958: 957: 953: 952: 950: 946: 942: 934: 929: 927: 922: 920: 915: 914: 911: 905: 901: 900:Donald Richie 897: 894: 892: 888: 884: 883: 879: 877: 873: 872: 868: 866: 862: 861: 857: 855: 851: 850: 846: 845: 826: 822: 816: 808: 804: 800: 794: 786: 782: 776: 762: 761: 756: 750: 735: 734: 729: 727: 721: 715: 700: 696: 695:Donald Richie 690: 674: 668: 652: 648: 642: 638: 630: 628: 623: 621: 620: 614: 612: 602: 600: 595: 591: 576: 564: 562: 558: 555:to represent 554: 550: 546: 545:seasonal food 542: 541:Pacific saury 538: 534: 529: 527: 526: 521: 517: 513: 500: 497: 494: 491: 488: 487:Matsuko Shiga 485: 482: 481:Shinobu Asaji 479: 476: 473: 470: 467: 464: 461: 458: 455: 452: 449: 447:as Shin Horie 446: 443: 440: 439:Kyōko Kishida 437: 434: 431: 428: 425: 422: 421:Kuniko Miyake 419: 416: 413: 410: 407: 404: 401: 398: 397:Teruo Yoshida 395: 392: 389: 386: 383: 380: 377: 374: 371: 370: 364: 362: 361:Warship March 357: 354: 349: 345: 343: 339: 335: 330: 327: 326: 325:Warship March 319: 317: 313: 309: 305: 302:), nicknamed 301: 296: 294: 290: 285: 283: 279: 275: 271: 261: 259: 254: 252: 248: 244: 240: 234: 233: 227: 222: 214: 209: 208: 198: 194: 190: 186: 182: 178: 174: 168: 154: 153: 151: 145: 141: 137: 133: 129: 121: 117: 113: 109: 105: 102:Yûharu Atsuta 101: 97: 88:Teruo Yoshida 86: 82: 78: 74: 71: 67: 63: 59: 54: 51: 47: 44: 41: 37: 30: 25: 20: 1246: 1245: 1237: 1229: 1221: 1215:Good Morning 1213: 1205: 1197: 1191:Early Spring 1189: 1181: 1173: 1167:Early Summer 1165: 1157: 1149: 1141: 1133: 1125: 1117: 1109: 1103:The Only Son 1101: 1082: 1074: 1066: 1058: 1052:Dragnet Girl 1050: 1042: 1034: 1026: 1018: 1012:Tokyo Chorus 1010: 1002: 994: 986: 978: 970: 962: 954: 948:Silent films 941:Yasujirō Ozu 898:an essay by 887:Geoff Andrew 885:an essay by 881: 870: 859: 848: 828:. Retrieved 825:Screen Daily 824: 815: 807:the original 802: 793: 784: 775: 764:. Retrieved 758: 749: 737:. Retrieved 731: 725: 720:Ebert, Roger 714: 702:. Retrieved 689: 676:. Retrieved 667: 655:. Retrieved 650: 641: 624: 617: 615: 608: 589: 588: 566: 560: 548: 536: 532: 530: 523: 509: 457:Daisuke Katō 391:Mariko Okada 360: 358: 350: 346: 342:Mariko Okada 331: 324: 320: 303: 297: 286: 267: 257: 255: 239:Yasujirō Ozu 231: 226:Sanma no Aji 206: 205: 204: 171:Running time 148:Release date 85:Mariko Okada 56:Yasujirō Ozu 43:Yasujirō Ozu 1231:Late Autumn 1183:Tokyo Story 1151:Late Spring 1095:Sound films 739:January 24, 678:January 24, 653:(in French) 594:Roger Ebert 551:is used in 543:fish. As a 471:as Watanabe 451:Michiyo Kan 427:Eijirō Tōno 403:Noriko Maki 300:Eijirō Tōno 175:113 minutes 118:Kojun Saito 94:Eijiro Tono 90:Noriko Maki 61:Produced by 39:Directed by 1270:1962 films 1264:Categories 830:2013-04-30 766:2022-02-02 633:References 605:Home media 506:Production 493:Fujio Suga 445:RyÅ«ji Kita 385:Keiji Sada 373:ChishÅ« RyÅ« 338:golf clubs 293:RyÅ«ji Kita 291:), Horie ( 274:Keiji Sada 270:ChishÅ« RyÅ« 247:ChishÅ« RyÅ« 159:1962-11-18 124:Production 81:Keiji Sada 77:ChishÅ« RyÅ« 49:Written by 704:March 19, 585:Reception 528:in 1934. 520:sackcloth 512:Agfacolor 469:Masao Oda 107:Edited by 53:Kogo Noda 865:AllMovie 657:12 April 465:as Sugai 353:ellipses 243:Shochiku 213:Japanese 191:Japanese 188:Language 142:Shochiku 132:Shochiku 115:Music by 69:Starring 902:at the 889:at the 874:at the 580:Release 256:Today, 221:Hepburn 180:Country 157: ( 126:company 1250:(1962) 1242:(1961) 1234:(1960) 1226:(1959) 1218:(1959) 1210:(1958) 1202:(1957) 1194:(1956) 1186:(1953) 1178:(1952) 1170:(1951) 1162:(1950) 1154:(1949) 1146:(1948) 1138:(1947) 1130:(1942) 1122:(1941) 1114:(1937) 1106:(1936) 1087:(1935) 1079:(1934) 1071:(1934) 1063:(1933) 1055:(1933) 1047:(1933) 1039:(1932) 1031:(1932) 1023:(1932) 1015:(1931) 1007:(1931) 999:(1930) 991:(1930) 983:(1930) 975:(1929) 967:(1929) 959:(1927) 557:autumn 516:fronds 306:("the 304:Hyōtan 196:Budget 549:sanma 537:sanma 308:Gourd 232:Sanma 217:秋刀魚の味 183:Japan 854:IMDb 741:2016 706:2024 680:2016 659:2022 609:The 367:Cast 264:Plot 241:for 863:at 852:at 539:or 334:yen 1266:: 823:. 801:. 783:. 757:. 730:. 697:. 649:. 629:. 622:. 547:, 235:") 223:: 219:, 215:: 932:e 925:t 918:v 833:. 787:. 769:. 743:. 724:" 708:. 682:. 661:. 211:( 161:)

Index


Yasujirō Ozu
Kogo Noda
Shima Iwashita
Chishū Ryū
Keiji Sada
Mariko Okada
Shochiku
Japanese
Hepburn
Sanma
Yasujirō Ozu
Shochiku
Chishū Ryū
Shima Iwashita
Chishū Ryū
Keiji Sada
Shima Iwashita
Shin'ichirō Mikami
Nobuo Nakamura
Ryūji Kita
Eijirō Tōno
Gourd
Imperial Japanese Naval Academy
Haruko Sugimura
Warship March
yen
golf clubs
Mariko Okada
ellipses

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

↑