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974:(NUWSS). The song had been taken up by the Suffragists in 1917 and Fawcett asked Parry if it might be used at a Suffrage Demonstration Concert on 13 March 1918. Parry was delighted and orchestrated the piece for the concert (it had originally been for voices and organ). After the concert, Fawcett asked the composer if it might become the Women Voters' Hymn. Parry wrote back, "I wish indeed it might become the Women Voters' hymn, as you suggest. People seem to enjoy singing it. And having the vote ought to diffuse a good deal of joy too. So they would combine happily".
1471:. One unexpected touch is that "Jerusalem" is sung in four-part harmony, as if it were truly a hymn. This is not authentic: Parry's composition was a unison song (that is, all voices sing the tune – perhaps one of the things that make it so "singable" by massed crowds) and he never provided any harmonisation other than the accompaniment for organ (or orchestra). Neither does it appear in any standard hymn book in a guise other than Parry's own, so it may have been harmonised specially for the film. The film's working title was "Running" until
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improved. A human being observes, is indignant and speaks out: it's a basic political maxim which is necessary for any age. Blake wanted to stir people from their intellectual slumbers, and the daily grind of their toil, to see that they were captivated in the grip of a culture which kept them thinking in ways which served the interests of the powerful.
947:, and I recall vividly his unwonted happiness over it ... He ceased to speak, and put his finger on the note D in the second stanza where the words 'O clouds unfold' break his rhythm. I do not think any word passed about it, yet he made it perfectly clear that this was the one note and one moment of the song which he treasured ...
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The song was first called "And Did Those Feet in
Ancient Time" and the early scores have this title. The change to "Jerusalem" seems to have been made about the time of the 1918 Suffrage Demonstration Concert, perhaps when the orchestral score was published (Parry's manuscript of the orchestral score
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Parry was initially reluctant to supply music for the campaign meeting, as he had doubts about the ultra-patriotism of Fight for Right; but knowing that his former student
Walford Davies was to conduct the performance, and not wanting to disappoint either Robert Bridges or Davies, he agreed, writing
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The phrase "green and pleasant land" has become a common term for an identifiably
English landscape or society. It appears as a headline, title or sub-title in numerous articles and books. Sometimes it refers, whether with appreciation, nostalgia or critical analysis, to idyllic or enigmatic aspects
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is taken directly to heaven: "And it came to pass, as they still went on, and talked, that, behold, there appeared a chariot of fire, and horses of fire, and parted them both asunder; and Elijah went up by a whirlwind into heaven." The phrase has become a byword for divine energy, and inspired the
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An alternative theory is that Blake is referring to a mystical concept within his own mythology, related to the ancient history of
England. Satan's "mills" are referred to repeatedly in the main poem, and are first described in words which suggest neither industrialism nor ancient megaliths, but
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everyone in the task of speaking out about what they saw. Prophecy for Blake, however, was not a prediction of the end of the world, but telling the truth as best a person can about what he or she sees, fortified by insight and an "honest persuasion" that with personal struggle, things could be
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Several of Blake's poems and paintings express a notion of universal humanity: "As all men are alike (tho' infinitely various)". He retained an active interest in social and political events for all his life, but was often forced to resort to cloaking social idealism and political statements in
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The popularity of Parry's setting has resulted in many hundreds of recordings being made, too numerous to list, of both traditional choral performances and new interpretations by popular music artists. The song has also had a large cultural impact in Great
Britain. It is sung every year by an
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has the old title crossed out and "Jerusalem" inserted in a different hand). However, Parry always referred to it by its first title. He had originally intended the first verse to be sung by a solo female voice (this is marked in the score), but this is rare in contemporary performances. Sir
1080:), and several private schools in Australia, New Zealand, New England and Canada. In Hong Kong, diverted version of "Jerusalem" is also used as the school hymn of St. Catherine's School for Girls, Kwun Tong and Bishop Hall Jubilee School. "Jerusalem" was chosen as the opening hymn for the
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As
Parliament has not clarified the situation, Team England, the English Commonwealth team, held a public poll in 2010 to decide which anthem should be played at medal ceremonies to celebrate an English win at the Commonwealth Games. "Jerusalem" was selected by 52% of voters over
214:. However, according to British folklore scholar A. W. Smith, "there was little reason to believe that an oral tradition concerning a visit made by Jesus to Britain existed before the early part of the twentieth century". Instead, the poem draws on an older story, repeated in
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Although Parry composed the music as a unison song, many churches have adopted "Jerusalem" as a four-part hymn; a number of
English entities, including the BBC, the Crown, cathedrals, churches, and chapels regularly use it as an office or recessional hymn on
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of flour per week. The factory could have driven independent traditional millers out of business, but it was destroyed in 1791 by fire. There were rumours of arson, but the most likely cause was a bearing that overheated due to poor maintenance.
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1313:(WI) started closing meetings by singing it, and this caught on nationally. Although it was never adopted as the WI's official anthem, in practice it holds that position, and is an enduring element of the public image of the WI.
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with high treason for having "uttered seditious and treasonable expressions", but was acquitted. The trial was not a direct result of anything he had written, but comments he had made in conversation, including "Damn the King!".
256:. Blake's poem asks four questions rather than asserting the historical truth of Christ's visit. The second verse is interpreted as an exhortation to create an ideal society in England, whether or not there was a divine visit.
1088:" was the anthem sung during the raising of the flag in salute to the Queen. Some attempts have also been made to increase its use elsewhere with other words; examples include the state funeral of President Ronald Reagan in
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656:. Bridges asked Parry to supply "suitable, simple music to Blake's stanzas – music that an audience could take up and join in", and added that, if Parry could not do it himself, he might delegate the task to
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1642:”, asking, "Will those feet in modern times/Walk on soles that are made in China?", and alludes to "bright prosaic malls". Another version of "Jerusalem" was produced by the British post-punk band
1604:) records a track titled "This Is Outrageous" which uses the first and a version of the second line in a verse. A modified version of the hymn, replacing the word "England" with "Neo", is used in
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480:, explicitly recognised that element of English subculture when he acknowledged the view that "dark satanic mills" could refer to the "great churches". In similar vein, in 1967 the critic
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said it was "fast becoming an alternative national anthem," and there have been calls to give it official status. England has no official anthem and uses the
British national anthem "
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rather something more abstract: "the starry Mills of Satan/ Are built beneath the earth and waters of the
Mundane Shell...To Mortals thy Mills seem everything, and the Harrow of
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Under these circumstances, Bridges, finding the poem an appropriate hymn text to "brace the spirit of the nation accept with cheerfulness all the sacrifices necessary," asked
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641:, and published in 1916, at a time when morale had begun to decline because of the high number of casualties in World War I and the perception that there was no end in sight.
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stated "the adoption by the
Churches and women's organizations of this anti-clerical paean of free love is amusing evidence of the carelessness with which poetry is read".
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of the English countryside. In other contexts it can suggest the perceived habits and aspirations of rural middle-class life. Sometimes it is used ironically, e.g. in the
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1578:" although that story was set in 1893, i.e., before Parry's arrangement. A bawdy version of the first verse is sung by Mr Partridge in the third episode of Series 1 of
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In the most common interpretation of the poem, Blake asks whether a visit by Jesus briefly created heaven in England, in contrast to the "dark Satanic Mills" of the
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have not clarified the situation, as answers from the relevant minister say that since there is no official national anthem, each sport must make its own decision.
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it on 10 March 1916, and handing the manuscript to Davies with the comment, "Here's a tune for you, old chap. Do what you like with it." Davies later recalled,
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in Sussex. Amanda Gilroy argues that the poem is informed by Blake's "evident pleasure" in the Felpham countryside. However, local people say that records from
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at the Last Night of the Proms. Parry's version was traditionally sung at the Last Night, with Elgar's orchestration; the new version, with different rhythms,
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403:, and accused its owners of adulterating flour and using cheap imports at the expense of British producers. A contemporary illustration of the fire shows a
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The words of the poem "stress the importance of people taking responsibility for change and building a better society 'in Englands green and pleasant land.
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The hymn 'Jerusalem the Golden with milk and honey blessed... I know not oh I know not what joys await me there....' uses Jerusalem for the same metaphor.
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observed that many scholars argue that the " are churches and not the factories of the Industrial Revolution everyone else takes them for". In 2007, the
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1309:(indeed Parry transferred the copyright to the NUWSS in 1918; the Union was wound up in 1928 after women won the right to vote). During the 1920s many
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withdrawing his support entirely. There was even concern that the composer might withdraw the song from all public use, but the situation was saved by
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Accordingly, he assigned the copyright to the NUWSS. When that organisation was wound up in 1928, Parry's executors reassigned the copyright to the
268:, following the lines beginning "The Stolen and Perverted Writings of Homer & Ovid: of Plato & Cicero, which all Men ought to contemn: ..."
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The manuscripts of the song with organ and with orchestra, and of Elgar's orchestration, are in the library of the Royal College of Music, London
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claimed to be continuing this revolution. The poem expressed his desire for radical change without overt sedition. In 1803 Blake was charged at
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1141:", also unofficial, for some national occasions, such as before English international football matches. However, some sports, including
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1411:: since the Lions were superseded by England, "God Save the Queen" has replaced "Jerusalem". Since 2004, it has been the anthem of the
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The phrase "dark Satanic Mills", which entered the English language from this poem, is often interpreted as referring to the early
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The poem, which was little known during the century which followed its writing, was included in the patriotic anthology of verse
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for many years; in a countrywide poll to find the UK's favourite hymn in 2019, it was voted top, relegating previous favourite "
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of the period as a mechanism for the enslavement of millions, but the concepts underpinning the works had a wider application:
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Neo Yokio's national anthem is William Blake's 'Jerusalem,' and fight scenes are underpinned by tunes by the likes of Mingus.
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format, each taking up eight lines of Blake's original poem. He added a four-bar musical introduction to each verse and a
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as it is not a prayer to God; consequently, it is not sung in some churches in England. It was sung as a hymn during the
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But Parry began to have misgivings again about Fight for Right, and in May 1917 wrote to the organisation's founder Sir
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993:. Elgar's orchestration has overshadowed Parry's own, primarily because it is the version usually used now for the
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Blake's phrase resonates with a broader theme in his works; what he envisioned as a physically and spiritually
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An instrumental rendition of the hymn was included in the 1989 album "The Amsterdam EP" by Scottish rock band
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On its being played at King George V opening the British Empire Exhibition at Wembley, "British Table Talk",
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2635:(22 May 1924): 663; and Rubert Speaight, "England and St. George: A programme for St. George's Day , 1943",
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accounts for its popularity across much of the political spectrum. It was used as a campaign slogan by the
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185:. It is not to be confused with another poem, much longer and larger in scope and also by Blake, called
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Christopher Wiltshire (Former archivist, British Federation of Festivals for Music, Speech and Dance),
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166:. The date of 1804 on the title page is probably when the plates were begun, but the poem was printed
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1457:. A church congregation sings "Jerusalem" at the close of the film and a performance appears on the
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and its destruction of nature and human relationships. That view has been linked to the fate of the
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1856:"Anti-empire, anti-fascist, pro-suffragist: the stunning secret life of Proms staple Jerusalem"
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2790:"England announce victory anthem for Delhi chosen by the public! – Commonwealth Games England"
1330:. The arrangement of the hymn is notable for its use of the first polyphonic synthesizer, the
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Smith, A. W. (1989). "'And Did Those Feet...?': The 'Legend' of Christ's Visit to Britain".
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The Spirit of Man: An Anthology in English & French from the Philosophers & Poets
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London's independent millers celebrated, with placards reading, "Success to the mills of
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of the song. The word "those" was substituted for "these" before "dark satanic mills".
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2538:"What does it really mean to be English? Nothing at all – and that's how it should be"
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highlighting the usages of the song/poem and a case was made for its adoption as the
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Guardian newspaper 8 December 2000 Letters: Tune into Jerusalem's fighting history
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on 28 March and began rehearsing it. It was a success and was taken up generally.
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said they would build "a new Jerusalem". It has been sung at conferences of the
468:, suggesting they may relate to the oppressive power of priestcraft in general.
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here, and twice later, where standard English would normally use the spelling
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The hymn has featured in many other films and television programmes including
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on 11 June 2004, and the state memorial service for Australian Prime Minister
1001:, who introduced it to that event in the 1950s, always used Parry's version).
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held in London and inspired several of the opening show segments directed by
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The line from the poem "Bring me my Chariot of fire!" draws on the story of
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squatting on the building. The mill was a short distance from Blake's home.
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3001:"Navigating the 'Isles of Wonder': A guide to the Olympic opening ceremony"
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And all the Arts of Life they changed into the Arts of Death in Albion./...
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1334:. It was released as a single, but failed to chart in the United Kingdom.
1131:". "Jerusalem" is considered to be England's most popular patriotic song;
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The original text is found in the preface Blake wrote for inclusion with
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The Four and Twenty Elders Casting their Crowns before the Divine Throne
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1736:"And all the Arts of Life they changed into the Arts of Death in Albion.
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2700:"Royal Wedding: Prince William and Kate Middleton choose popular hymns"
2575:, C. Hubert H. Parry: His life and music, Oxford University Press, 1992
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1013:, a British composer born in Belize, was sung by South African soprano
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Green and Pleasant Land: English Culture and the Romantic Countryside
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said that he preferred "Jerusalem" over the British national anthem "
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The first reference to Satan's "mills", next to images of megaliths (
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2512:"Link to PBS script quoting Attlee in 1945 – Accessed 7 August 2008"
2263:
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Another interpretation is that the phrase refers to the established
3123:
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Benoliel, Bernard, Parry Before Jerusalem, Ashgate, Aldershot, 1997
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Jerusalem, Jerusalem: How the Ancient City Ignited Our Modern World
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Jerusalem, Jerusalem: How the Ancient City Ignited Our Modern World
2167:, Secker and Warburg, 1974, p.198., quoted in Shivashankar Mishra,
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re-scored the work for very large orchestra in 1922 for use at the
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And in their stead intricate wheels invented, wheel without wheel
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Because its workmanship was like the workmanship of the shepherd;
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2897:" caricature of the WI is still current enough that they have a
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However, some clergy in the Church of England, according to the
981:, where it remained until it entered the public domain in 1968.
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11:29: "Would to God that all the Lords people were prophets."
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206:, a tin merchant, travelled to what is now England and visited
2936:"Keith Emerson talks ELP's Brain Salad Surgery track-by-track"
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Blake lived in London for most of his life, but wrote much of
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Spartacus Educational (schoolnet.co) – Accessed 7 August 2008
1749:
To perplex youth in their outgoings and to bind to labours in
1451:"Bring me my Chariot of fire" inspired the title of the film
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492:/ A scheme of human conduct invisible and incomprehensible".
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Beneath the poem Blake inscribed a quotation from the Bible:
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The Wood of the Self-Murderers: The Harpies and the Suicides
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That raises water into cisterns, broken and burned with fire
1369:. Dickinson performed the track live in 2023 as part of the
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Themes from William Blake's The Marriage of Heaven and Hell
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2304:"Eric Ravilious: Green and Pleasant Land," by Tom Lubbock,
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Was like the workmanship of the Plowman and the water-wheel
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incorporated the full text of the poem into his 6:42 track
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but no Albion Mills." Opponents referred to the factory as
1316:
A rendition of "Jerusalem" was included in the 1973 album
245:
in particular, have long used Jerusalem as a metaphor for
4049:
The Works of William Blake: Poetic, Symbolic and Critical
2898:
2194:" Homily at the 175th anniversary of the founding of the
1069:
1068:
in Great Britain (it was used as the title music for the
2702:, The Telegraph, 29 April 2011. Retrieved 29 April 2011.
2001:. Ed. Morris Eaves, Robert N. Essick, and Joseph Viscomi
1123:
Upon hearing the orchestral version for the first time,
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The poem is followed in the preface by a quotation from
2447:(First ed.). Longmans, Green & Co. p. 335
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The hour-glass contemned because its simple workmanship
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Davies arranged for the vocal score to be published by
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ICONS – a portrait of England. Icon: Jerusalem (hymn)
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ICONS – a portrait of England. Icon: Jerusalem (hymn)
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Icons – a portrait of England. Icon: Jerusalem (hymn)
1481:, featuring the hymn and decided to change the title.
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1437:. It was included in the ceremony's soundtrack album,
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venues throughout the country. Similarly, along with "
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ideology based on a quantified reality. Blake saw the
340:"Would to God that all the Lords people were Prophets"
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It is often assumed that the poem was inspired by the
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Comparisons of the Hand Painted copies of the Preface
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Again, Blake wrote the genitive without an apostrophe
1298:", it is sung each year at the closing of the annual
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as the national anthem of the eponymous city state.
1773:
The Concise Oxford Chronology of English Literature
2921:"Brain Salad Surgery - Emerson, Lake & Palmer"
2765:. UK: Anthem 4 England. 8 May 2007. Archived from
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2141:. 21st Century Learning Initiative. Archived from
2054:Mosse, John (1967). "The Albion Mills 1784–1791".
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1568:(UK TV series). An extract was heard in the 2013
1418:team, being played before each day of their home
1055:wedding of Prince William and Catherine Middleton
1009:In 2020 a new musical arrangement of the poem by
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181:in 1916. The famous orchestration was written by
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2981:"Bruce Dickinson - Jerusalem (Zagreb 24.3.2023)"
2501:C. L.Graves, Hubert Parry, Macmillan 1926, p. 92
2165:The English Poets: from Chaucer to Edward Thomas
1775:, "1808", p 289, Oxford University Press, 2004,
2260:"The history of the Earl of March public house"
1982:
1980:
1049:, have said that the song is not technically a
495:
162:, one of a collection of writings known as the
2712:
2710:
2708:
2320:"This green and pleasant land," by Tim Adams,
1638:reworks lines from “Jerusalem” in their song “
1173:" (used since 1930) and "God Save the Queen".
572:. Even though the poem was written during the
3145:
2841:
2336:"Green and pleasant land?" by Jeremy Paxman,
2139:Annual Lecture to the Arts Council of England
1112:
3617:Jerusalem: The Emanation of the Giant Albion
2816:"Jerusalem: An Anthem for England (TV 2005)"
1977:
1307:National Union of Women's Suffrage Societies
972:National Union of Women's Suffrage Societies
882:
188:Jerusalem: The Emanation of the Giant Albion
2705:
1849:
1847:
894:Parry’s arrangement rendered electronically
4238:Musical settings of poems by William Blake
3152:
3138:
3020:
3018:
1499:The Loneliness of the Long Distance Runner
943:We looked at together in his room at the
735:
576:, Blake was an outspoken supporter of the
41:
4024:Scholarship, in popular culture, and more
2568:
2566:
2564:
2104:, Manchester University Press, 2001, p.40
1958:"William Blake: a visionary for our time"
1951:
1949:
1947:
1853:
1661:Romanticism and the Industrial Revolution
1383:"Jerusalem" is traditionally sung before
2716:
2622:, "Jerusalem" and Elgar's orchestration.
2174:
1844:
1282:audience of thousands at the end of the
1271:
760:"And did those feet in ancient time" by
443:
354:
139:
16:1808 William Blake poem and popular hymn
3015:
2719:"Time, and the Green and Pleasant Land"
2671:"Cathedral bans popular hymn Jerusalem"
2668:
2465:
2433:
2397:
2208:
2123:
2107:
2013:
1955:
330:In Englands green & pleasant Land.
249:, a place of universal love and peace.
4190:
3866:Europe Supported by Africa and America
2605:
2561:
2284:
2243:
2074:
1956:Rowland, Christopher (November 2007).
1944:
1276:
1064:Many schools use the song, especially
173:. Today it is best known as the hymn "
4258:Works based on the Book of Revelation
4022:
3824:
3684:
3171:
3133:
3051:
2933:
2477:. Houghton Mifflin Harcourt. p.
2409:. Houghton Mifflin Harcourt. p.
2370:
2053:
1918:from the original on 7 November 2012.
1854:Whittaker, Jason (5 September 2022).
1811:
1805:
1785:
4088:Serenade for Tenor, Horn and Strings
2578:
2129:
2056:Transactions of the Newcomen Society
1765:
1467:overlaid partly by a composition by
464:and other megaliths are featured in
326:Nor shall my Sword sleep in my hand:
4104:Songs and Proverbs of William Blake
3969:On the Morning of Christ's Nativity
2743:Parliamentary Early Day Motion 2791
2262:. 24 September 2019. Archived from
2183:, Bishop of Durham (23 June 2007) "
2171:, Mittal Publications, 1995, p.184.
2039:Poets in the Industrial Revolution.
1447:Use in film, television and theatre
706:
635:Poet Laureate of the United Kingdom
324:I will not cease from Mental Fight,
315:Bring me my Spear: O clouds unfold:
297:Shine forth upon our clouded hills?
288:On Englands pleasant pastures seen!
280:Walk upon Englands mountains green:
278:And did those feet in ancient time,
13:
3575:Visions of the Daughters of Albion
3172:
3104:And did those feet in ancient time
2842:Sam Wollaston (9 September 2005).
2681:from the original on 11 April 2008
2118:Introduction to a volume of Blake.
711:
150:And did those feet in ancient time
129:And did those feet in ancient time
25:And did those feet in ancient time
14:
4289:
3159:
3079:
3052:Toole, Mike (19 September 2017).
2961:"Simple Minds - the Amsterdam EP"
2788:Sir Andrew Foster (30 May 2010).
2669:Borland, Sophie (10 April 2008).
2248:. Peeters Publishers. p. 66.
2102:Reading Popular Prints, 1790–1870
2044:No. 1413: (Revised transcription)
1986:
1733:of citation given in Hall, 1996:
1188:. Varied contributions come from
618:
4138:William Blake in popular culture
3983:Illustrations of the Book of Job
3112:
2752:, UK Parliament, 18 October 2006
2651:Jerusalem: An Anthem for England
2518:from the original on 16 May 2011
1905:"Bring no spears to 'Jerusalem'"
1377:Concerto for Group and Orchestra
1182:Jerusalem: An Anthem For England
1047:Jerusalem: An Anthem for England
1028:
625:William Blake in popular culture
123:
53:, as it appeared in Blake's own
4253:Hymns in The New English Hymnal
4223:Anthems of non-sovereign states
3852:Original Stories from Real Life
3561:The Marriage of Heaven and Hell
3045:
3030:
2993:
2973:
2953:
2934:Bosso, Joe (17 February 2014).
2927:
2913:
2887:
2862:
2835:
2808:
2792:. Weare England. Archived from
2781:
2755:
2736:
2693:
2662:
2642:
2625:
2596:
2552:
2544:. 24 April 2012. Archived from
2530:
2504:
2495:
2459:
2427:
2391:
2364:
2345:
2329:
2313:
2297:
2285:Crosby, Mark (3 October 2019).
2278:
2252:
2237:
2224:
2201:
2157:
2094:
2047:
2031:
1724:
1715:
1702:
1686:
1493:How to Get Ahead in Advertising
1147:England and Wales Cricket Board
955:in time for the concert at the
535:while living in a cottage, now
305:Among these dark Satanic Mills?
241:. Churches in general, and the
3925:A Vision of the Last Judgement
2717:Brantley, Ben (20 July 2009).
2383:Public Library. Archived from
1922:
1896:
1868:
1677:
919:In adapting Blake's poem as a
602:has argued that this includes
237:, wherein Jesus establishes a
1:
4063:Blake: Prophet Against Empire
3873:The Night of Enitharmon's Joy
3685:
3472:The Voice of the Ancient Bard
3025:IMDb trivia – Origin of title
2923:– via www.allmusic.com.
2844:"Get me to the clink on time"
1830:10.1080/0015587X.1989.9715752
1759:
1613:In the theatre it appears in
1584:. A punk version is heard in
1258:London Community Gospel Choir
1090:Washington National Cathedral
562:
328:Till we have built Jerusalem,
313:Bring me my Arrows of desire:
167:
156:from the preface to his epic
3212:There is No Natural Religion
2514:. Pbs.org. 24 October 1929.
2185:Where Shall Wisdom be Found?
2082:Feature: And did those feet?
2042:The Engines of Our Ingenuity
1793:Feature: And did those feet?
1559:Monty Python's Flying Circus
1475:saw a television programme,
1004:
7:
4218:National symbols of England
3665:Never pain to tell thy love
3122:public domain audiobook at
1649:
1487:Four Weddings and a Funeral
1460:Chariots of Fire soundtrack
1025:, caused much controversy.
923:song, Parry deployed a two-
450:Milton: A Poem in Two Books
159:Milton: A Poem in Two Books
10:
4294:
4273:Quotations from literature
2901:about it on their site at
2342:. Retrieved 7 January 2011
2326:. Retrieved 7 January 2011
2310:. Retrieved 7 January 2011
1712:in his setting of the poem
1517:Star Trek: Deep Space Nine
1514:, Season 3: Episode 22 of
1328:Emerson, Lake & Palmer
1290:and simultaneously in the
1186:national anthem of England
1159:2019 ICC Cricket World Cup
1119:National anthem of England
1116:
1113:Proposal as English anthem
1099:It has been sung on BBC's
622:
4130:
4079:
4070:Witness Against the Beast
4033:
4029:
4018:
3992:
3835:
3831:
3820:
3693:
3680:
3655:
3630:
3538:
3501:
3490:
3337:
3234:
3221:
3182:
3178:
3167:
3027:– Accessed 11 August 2008
2287:"Green and pleasant land"
2169:The Rise of William Blake
1998:The William Blake Archive
1535:The Man Who Fell to Earth
1363:inspired 1998 solo album
1305:The song was used by the
913:
880:
875:
871:
861:
847:
832:
827:
801:
793:
778:
768:
756:
746:
734:
723:
718:
648:to put it to music for a
527:"Green and pleasant land"
177:", with music written by
122:
115:
107:
99:
89:
79:
69:
61:
40:
30:
23:
3631:The Pickering Manuscript
2087:12 December 2009 at the
1930:"Great Poetry Explained"
1798:12 December 2009 at the
1671:
1425:It was also used in the
1397:Super League Grand Final
650:Fight for Right campaign
4228:Poetry by William Blake
4213:English patriotic songs
4208:English Christian hymns
3825:
3479:(found only in Copy BB)
3357:The Clod and the Pebble
2907:11 January 2009 at the
2821:Internet Movie Database
2244:Gilroy, Amanda (2004).
2190:22 October 2013 at the
2037:Lienhard, John H. 1999
1666:List of British anthems
1284:Last Night of the Proms
1254:London Gay Men's Chorus
1151:2010 ICC World Twenty20
1021:, and reference to the
995:Last Night of the Proms
836:28 March 1916
782:10 March 1916
513:title of the 1981 film
259:
4164:Catherine Blake (wife)
2748:21 August 2009 at the
2437:, ed. (January 1916).
2135:"In Defense of Genius"
2091:Accessed 7 August 2008
1884:. BBC. 17 October 2008
1802:Accessed 7 August 2008
1771:Cox, Michael, editor,
1553:Quatermass and the Pit
1547:Jackboots on Whitehall
1409:the Great Britain team
1246:British National Party
1171:Land of Hope and Glory
949:
945:Royal College of Music
890:
663:The poem's idealistic
609:
453:
442:
387:, could produce 6,000
364:
348:
333:
145:
4278:Quotations from music
4143:William Blake Archive
4042:Life of William Blake
3932:Descriptive Catalogue
3639:Auguries of Innocence
3568:The French Revolution
3372:The Little Girl Found
3205:All Religions are One
3198:An Island in the Moon
3090:William Blake Archive
2618:9 August 2011 at the
1876:"What's your anthem?"
1272:Cultural significance
1109:" into second place.
941:
889:
856:Langham Place, London
741:The composer, c. 1916
677:1945 general election
604:
447:
424:
369:Industrial Revolution
358:
337:
275:
254:Industrial Revolution
143:
3939:The Great Red Dragon
3646:The Mental Traveller
3367:The Little Girl Lost
3279:The Little Boy Found
3259:The Little Black Boy
2196:University of Durham
2068:10.1179/tns.1967.004
1628:Time and the Conways
1431:2012 Summer Olympics
1366:The Chemical Wedding
1155:2010–11 Ashes series
1096:on 5 November 2014.
1082:London Olympics 2012
964:Francis Younghusband
652:meeting in London's
568:Protestant mystical
539:, in the village of
359:Albion Flour Mills,
351:"Dark Satanic Mills"
4248:Joseph of Arimathea
3961:Agony in the Garden
3954:The Ghost of a Flea
3859:The Ancient of Days
3658:Rossetti Manuscript
3427:The Little Vagabond
3407:My Pretty Rose Tree
3377:The Chimney Sweeper
3339:Songs of Experience
3329:On Another's Sorrow
3274:The Little Boy Lost
3269:The Chimney Sweeper
3126:(Multiple versions)
2969:. 2 September 1989.
2675:The Daily Telegraph
2639:169 (May 1943), iv.
2542:The Daily Telegraph
2387:on 26 January 2012.
2357:5 July 2008 at the
2220:. pp. 165–166.
2133:(8 February 1996).
2027:. biblegateway.com.
1594:. In an episode of
1391:Final, along with "
1319:Brain Salad Surgery
1277:Enduring popularity
1242:football supporters
600:Christopher Rowland
452:, copy C, object 4)
204:Joseph of Arimathea
198:story that a young
55:illuminated version
3893:Illustrations for
3589:The Book of Ahania
3582:The Book of Urizen
3515:America a Prophecy
3457:A Little Girl Lost
3437:The Human Abstract
3422:The Garden of Love
3249:The Ecchoing Green
3236:Songs of Innocence
3224:Songs of Innocence
3097:of Jerusalem from
3059:Anime News Network
3054:"Neo Yokio Review"
2723:The New York Times
2371:Liukkonen, Petri.
2216:Forms of Discovery
2198:. ntwrightpage.com
2145:on 25 October 2008
2025:King James Version
1993:, copy B object 2"
1932:. 25 February 2019
1822:Taylor and Francis
1576:The Crimson Horror
1405:God Save the Queen
1395:", and before the
1311:Women's Institutes
1134:The New York Times
1107:How Great Thou Art
1086:God Save the Queen
1036:Saint George's Day
979:Women's Institutes
931:, echoing melodic
891:
685:Conservative Party
658:George Butterworth
631:The Spirit of Man,
496:"Chariots of fire"
454:
373:Albion Flour Mills
365:
293:Countenance Divine
223:Book of Revelation
218:History of Britain
146:
4233:British Israelism
4185:
4184:
4181:
4180:
4177:
4176:
4014:
4013:
4010:
4009:
3967:Illustrations of
3916:Illustrations of
3901:Illustrations of
3816:
3815:
3676:
3675:
3672:
3671:
3626:
3625:
3522:Europe a Prophecy
3486:
3485:
3452:A Little Boy Lost
3226:and of Experience
3191:Poetical Sketches
2633:Christian Century
2548:on 26 April 2012.
2488:978-0-547-19561-2
2420:978-0-547-19561-2
2377:Books and Writers
1523:Goodnight Mr. Tom
1465:Ambrosian Singers
1463:performed by the
1359:), a part of his
1355:(co-written with
1292:Proms in the Park
1288:Royal Albert Hall
1250:Women's Institute
1230:public schoolboys
1139:God Save the King
1129:God Save the King
1059:Westminster Abbey
968:Millicent Fawcett
917:
916:
887:
701:Liberal Democrats
578:French Revolution
458:Church of England
282:And was the holy
243:Church of England
233::2) describing a
202:, accompanied by
138:
137:
4285:
4268:1800s quotations
4263:1800s neologisms
4152:(1983 monologue)
4056:Fearful Symmetry
4031:
4030:
4020:
4019:
3833:
3832:
3822:
3821:
3682:
3681:
3554:The Book of Thel
3499:
3498:
3294:The Divine Image
3232:
3231:
3180:
3179:
3169:
3168:
3154:
3147:
3140:
3131:
3130:
3116:
3115:
3095:Free sheet music
3074:
3073:
3068:
3066:
3049:
3043:
3034:
3028:
3022:
3013:
3012:
3010:
3008:
2997:
2991:
2990:
2989:. 25 March 2023.
2977:
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2785:
2779:
2778:
2776:
2774:
2763:"Correspondence"
2759:
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2733:
2731:
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2714:
2703:
2697:
2691:
2690:
2688:
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2659:
2646:
2640:
2629:
2623:
2613:Sir Hubert Parry
2609:
2603:
2600:
2594:
2593:8 December 2000.
2582:
2576:
2570:
2559:
2556:
2550:
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2306:The Independent,
2301:
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2282:
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2275:
2273:
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2256:
2250:
2249:
2241:
2235:
2230:Blake, William,
2228:
2222:
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2178:
2172:
2161:
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2152:
2150:
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2100:Brian Maidment,
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2078:
2072:
2071:
2051:
2045:
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2029:
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2017:
2011:
2010:
2008:
2006:
1987:Blake, William.
1984:
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1700:
1690:
1684:
1681:
1454:Chariots of Fire
1427:opening ceremony
1324:progressive rock
888:
843:
841:
789:
787:
739:
716:
715:
707:Setting to music
693:Liberal Assembly
646:Sir Hubert Parry
614:
516:Chariots of Fire
474:Bishop of Durham
440:
311:of burning gold:
183:Sir Edward Elgar
179:Sir Hubert Parry
172:
169:
127:
126:
100:Publication date
45:
36:
26:
21:
20:
4293:
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4287:
4286:
4284:
4283:
4282:
4243:British anthems
4188:
4187:
4186:
4173:
4126:
4096:Ten Blake Songs
4075:
4034:Scholarly works
4025:
4006:
4001:Visionary Heads
3988:
3850:Engravings for
3837:
3827:
3812:
3689:
3668:
3651:
3622:
3596:The Book of Los
3534:
3529:The Song of Los
3505:
3493:
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3333:
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2914:
2909:Wayback Machine
2892:
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2863:
2853:
2851:
2840:
2836:
2826:
2824:
2814:
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2809:
2799:
2797:
2796:on 11 June 2011
2786:
2782:
2772:
2770:
2769:on 20 July 2011
2761:
2760:
2756:
2750:Wayback Machine
2741:
2737:
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2435:Bridges, Robert
2432:
2428:
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2396:
2392:
2373:"William Blake"
2369:
2365:
2359:Wayback Machine
2350:
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2192:Wayback Machine
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2089:Wayback Machine
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2021:"Numbers 11:29"
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2002:
1985:
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1966:
1954:
1945:
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1923:
1914:. 17 May 1996.
1911:The Independent
1902:
1901:
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1800:Wayback Machine
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1478:Songs of Praise
1449:
1440:Isles of Wonder
1349:Bruce Dickinson
1279:
1274:
1226:trade unionists
1202:Lord Hattersley
1161:. Questions in
1121:
1115:
1102:Songs Of Praise
1072:'s 1979 series
1031:
1011:Errollyn Wallen
1007:
999:Malcolm Sargent
909:
895:
892:
883:
839:
837:
823:
785:
783:
742:
714:
712:By Hubert Parry
709:
691:of the British
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574:Napoleonic Wars
565:
537:Blake’s Cottage
529:
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319:Chariot of fire
316:
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309:Bring me my Bow
307:
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164:Prophetic Books
152:" is a poem by
124:
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47:The preface to
31:
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5:
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2324:10 April 2005.
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2340:6 March 2007.
2339:
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3382:Nurse's Song
3347:Introduction
3338:
3314:Nurse's Song
3244:The Shepherd
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2848:The Guardian
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2451:10 September
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2143:the original
2138:
2131:Hall, Ernest
2125:
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2114:Alfred Kazin
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2003:. Retrieved
1996:
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1967:. Retrieved
1961:
1936:12 September
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1886:. Retrieved
1881:The One Show
1879:
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1861:The Guardian
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1339:Simple Minds
1336:
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1302:conference.
1300:Labour Party
1296:The Red Flag
1291:
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1222:suffragettes
1210:David Mellor
1181:
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1143:rugby league
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673:Labour Party
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643:
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502:2 Kings 2:11
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470:Peter Porter
465:
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416:cotton mills
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345:XI. Ch 29.v
339:
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317:Bring me my
291:And did the
277:
272:Blake's poem
271:
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3504:continental
3264:The Blossom
3108:Hymnary.org
2879:5 September
2870:"Jerusalem"
2381:Kuusankoski
2379:. Finland:
1708:Parry used
1602:Robert Webb
1435:Danny Boyle
1345:Iron Maiden
1332:Moog Apollo
1194:Billy Bragg
719:"Jerusalem"
699:and by the
436:Chapter 3.
284:Lamb of God
210:during his
208:Glastonbury
171: 1808
94:Epic poetry
4203:1916 songs
4198:1804 poems
4192:Categories
4157:In Lambeth
3838:and prints
3768:Palamabron
3733:Golgonooza
3723:Enitharmon
3506:prophecies
3319:Infant Joy
2940:MusicRadar
2677:. London.
2234:, plate 4.
2207:Quoted in
1760:References
1571:Doctor Who
1565:Collateral
1505:Saint Jack
1163:Parliament
1117:See also:
1045:programme
1019:dissonance
840:1916-03-28
786:1916-03-10
623:See also:
586:Chichester
563:Revolution
462:Stonehenge
420:collieries
412:repressive
385:James Watt
196:apocryphal
133:Wikisource
3941:paintings
3903:The Grave
3836:Paintings
3687:Mythology
3492:Prophetic
3462:To Tirzah
3417:The Lilly
3402:The Tyger
3397:The Angel
3119:Jerusalem
2895:Jerusalem
2874:SongFacts
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1751:Albion."
1698:England's
1646:in 1988.
1636:The Verve
1616:Jerusalem
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1597:Peep Show
1581:Hi-de-Hi!
1574:episode "
1541:Shameless
1353:Jerusalem
1266:naturists
1180:produced
1005:By Wallen
862:Conductor
813:orchestra
689:Glee Club
687:, at the
557:Iron Hand
433:Jerusalem
377:Southwark
301:Jerusalem
216:Milton's
175:Jerusalem
117:Full text
4169:Ancients
4112:The Lamb
3993:Sketches
3254:The Lamb
3124:LibriVox
2905:Archived
2800:29 April
2773:29 April
2746:Archived
2728:23 April
2685:11 April
2679:Archived
2656:BBC Four
2616:Archived
2522:29 April
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2469:(2011).
2401:(2011).
2355:Archived
2291:Goodwood
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2188:Archived
2085:Archived
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1814:Folklore
1796:Archived
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1650:See also
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1469:Vangelis
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1178:BBC Four
1176:In 2005
1157:and the
848:Location
828:Premiere
794:Duration
779:Composed
769:Language
582:Napoleon
570:allegory
508:prophet
429:—
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361:Bankside
299:And was
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3392:The Fly
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3088:on the
3041:YouTube
3007:28 July
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1838:1260001
1731:Incipit
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1286:in the
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784: (
773:English
751:D major
675:in the
669:subtext
595:Numbers
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490:Shaddai
401:satanic
389:bushels
343:Numbers
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4099:(1958)
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3788:Tiriel
3748:Leutha
3738:Grodna
3708:Beulah
3703:Albion
3698:Ahania
3610:Milton
3547:Tiriel
3432:London
3309:Spring
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2270:28 May
2005:8 June
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725:Anthem
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555:song "
545:Lavant
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