Knowledge

Androcles and the Lion (play)

Source ๐Ÿ“

339: 358: 595:
thrown down onto the "stage" where each ball would call out a different response. For instance, if the yellow ball was the Lion, the green ball might pull a story, while the blue or red ball would call for what a cast member is thinking of at that particular time. During intermission the coloured balls would be handed out again, and then once more be able to be thrown down on the "stage" and prompt the actors for other tidbits of information. One colour would be for a summary of the epilogue, another for something an actor has gleaned from the massive prologue, that sort of thing.
373: 401: 385: 133: 328:, which he takes. The Christians are to be released, but the crowd demands blood. To satisfy them, Androcles offers himself to be savaged by lions. But the lion that is supposed to kill him turns out to be the one that Androcles saved, and the two dance around the arena to the delight of the crowd. The emperor comes into the arena to get a closer look, and the lion attacks him. Androcles calls him off and the emperor is saved. He then declares an end to the 27: 316:, a fugitive Christian tailor, accompanied by his nagging wife, is on the run from his Roman persecutors. While hiding in the forest he comes upon a wild lion who approaches him with a wounded paw. His wife runs off. Androcles sees that the cause of the animal's distress is a large thorn embedded in its paw, which he draws out while soothing the lion in baby language. 454: 594:
balls, to be used to pick the Lion from the audience. An audience member is called upon at the start of the play to choose a colour (red, green, blue or yellow), and the person holding that colour ball is then chosen as the lion. During the 2nd act (the march to Rome) the remaining balls could be
323:
to be executed with other Christians in gladiatorial combat. They are joined by a new Christian convert called Ferrovius, who struggles to reconcile his Christian principles with his violent inclinations. The Roman captain guarding them is attracted to the genteel convert Lavinia. Eventually the
477:
in public life. The reversal of roles in the play possibly served to evoke empathy from his targeted audience. The characters also represent different "types" of Christian believers. The journey and outcome of each of the characters make it clear which believers Shaw sympathizes with the most,
584:
as artistic director, the Shaw Festival produced a radically different interpretation with an unprecedented amount of audience participation. The Lion is/was played by an audience member, while a member of the cast chosen before production acted as an
428:
was a benevolent genius (in areas ranging from moral to social to economic) who eventually bought into popular ideas of his divinity and impending martyrdom. Shaw goes on to state that the teachings of Jesus were lost with his
589:
that would read the directions for the Lion to follow. Before the play starts, the cast spends time talking and interacting with the audience at the Courtroom Theatre, and some cast members hand out coloured
1309: 338: 478:
especially with Lavinia. One of the most famous passages of the play is Lavinia's metaphor of capturing a mouse to converting from Christianity to believing in the
1250: 1275: 1264: 1284: 357: 1243: 1090: 233:, a slave who is saved by the requiting mercy of a lion. In the play, Shaw portrays Androcles to be one of the many Christians being led to the 44: 761: 581: 384: 324:
Christians are sent into the arena, but Ferrovius kills all the gladiators before they can harm any Christians. He is offered a job in the
91: 63: 634: 1417: 400: 1378: 1027: 70: 473:
The play was written at a time when the Christian Church was an important influence on society and there was strong pressure on
1234: 1412: 1188: 1146: 787: 372: 77: 779: 138: 1125: 59: 1422: 880: 556: 544: 1069: 922: 796: 754: 110: 1357: 1139: 950: 1364: 936: 929: 859: 48: 1427: 1257: 985: 747: 901: 873: 824: 84: 908: 734: 433:, and that the Christian churches that followed are instead based on the teachings and philosophies of 1333: 964: 852: 329: 237:
for torture. Characters in the play exemplify several themes and takes on both modern and supposed
1316: 1195: 1160: 424:
by Shaw, in which Shaw analyzes the Bible and proclaims his findings. In summary, Shaw states that
1385: 887: 391: 348: 37: 1167: 971: 1302: 1055: 1048: 992: 482:, where Lavinia shows that the most important part of religion is earnestness and a lack of 1371: 1174: 1097: 642: 586: 438: 8: 1407: 1118: 810: 770: 226: 150: 1216: 1083: 1041: 845: 697: 689: 242: 238: 693: 1223: 1209: 1153: 1104: 866: 722: 701: 669: 570: 569:
A radio version was recorded by BBC Radio in 1967 and was most recently repeated on
1348: 1338: 1202: 1076: 1020: 1013: 1006: 894: 831: 681: 521: 458: 434: 325: 212: 943: 817: 510: 466: 1132: 1111: 1034: 957: 838: 803: 549: 222: 560: 1401: 1353: 1181: 915: 574: 525: 502: 344: 612: 1343: 1062: 685: 474: 728: 453: 978: 498: 430: 132: 479: 739: 670:"Joined Together as One: The Animal Dances in Androcles and the Lion" 506: 483: 364: 320: 313: 234: 230: 717: 486:. Hypocrisy was a characteristic in the Church that Shaw condemned. 26: 591: 442: 566:
A later film version, from 1984, was produced by Ronald Smedley.
417: 494: 490: 421: 425: 528:
in 1962, with an excerpt on the cover, including the title:
493:
and persecution which are portrayed through the vehicle of
1310:
The Intelligent Woman's Guide to Socialism and Capitalism
1285:
The Adventures of the Black Girl in Her Search for God
497:. Another point in the play is his position against 445:. The preface is about twice as long as the play. 51:. Unsourced material may be challenged and removed. 363:Daniel L. Haynes as Ferrovius, lighting design by 1091:A Glimpse of the Domesticity of Franklyn Barnabas 184:A Christian is saved by his devotion to an animal 1399: 465:, 1962 Penguin Books paperback; cover design by 332:. Androcles and his new 'pet' depart together. 501:, which connected to his philosophy in being a 667: 406:Dooley Wilson (Androcles) and Add Bates (Lion) 229:. The play is Shaw's retelling of the tale of 755: 529: 516:In compliance with a bequest in Shaw's will, 216: 548:, was made of the play in 1952, produced by 524:when it was released in that orthography by 762: 748: 131: 319:Androcles is captured and is sent to the 111:Learn how and when to remove this message 1379:SHAW: The Annual of Bernard Shaw Studies 452: 420:that includes a long examination of the 769: 605: 416:The short play is often printed with a 241:, including the cultural clash between 1400: 1147:The Simpleton of the Unexpected Isles 743: 730:​Androcles and the Lion​ 641:. Shaw Festival 2017. Archived from 49:adding citations to reliable sources 20: 1126:How These Doctors Love One Another! 13: 1189:In Good King Charles's Golden Days 661: 613:"GB Shaw - Androcles and the Lion" 531:ยท๐‘จ๐‘ฏ๐‘›๐‘ฎ๐‘ฉ๐‘’๐‘ค๐‘ฐ๐‘Ÿ ๐‘ฏ ๐‘ž ๐‘ค๐‘ฒ๐‘ฉ๐‘ฏ 520:was the first book printed in his 218:ยท๐‘จ๐‘ฏ๐‘›๐‘ฎ๐‘ฉ๐‘’๐‘ค๐‘ฐ๐‘Ÿ ๐‘ฏ ๐‘ž ๐‘ค๐‘ฒ๐‘ฉ๐‘ฏ 60:"Androcles and the Lion" play 14: 1439: 1070:Annajanska, the Bolshevik Empress 923:Passion, Poison, and Petrifaction 709: 1418:British plays adapted into films 1334:Charlotte Payne-Townshend (wife) 399: 383: 371: 356: 337: 25: 16:1912 work by George Bernard Shaw 951:The Shewing-Up of Blanco Posnet 881:Captain Brassbound's Conversion 448: 36:needs additional citations for 1365:George Bernard Shaw: His Plays 937:The Interlude at the Playhouse 627: 537: 530: 245:and traditional Roman values. 217: 1: 598: 378:Daniel L. Haynes as Ferrovius 248: 1413:Plays by George Bernard Shaw 986:The Dark Lady of the Sonnets 580:During the 2017 Season with 7: 168:St. James's Theatre, London 10: 1444: 909:How He Lied to Her Husband 735:Internet Broadway Database 411: 255:Androcles (main character) 1423:Plays set in ancient Rome 1326: 1294: 1274: 1258:Cashel Byron's Profession 1233: 965:The Fascinating Foundling 786: 777: 505:. In the play, Shaw uses 347:as Androcles in the 1938 330:persecution of Christians 196: 188: 180: 172: 164: 156: 146: 130: 125: 1317:Quintessence of Ibsenism 1196:The British Party System 902:John Bull's Other Island 825:Mrs. Warren's Profession 1386:Twain and Shaw Do Lunch 888:The Admirable Bashville 668:Dorwick, Keith (2018). 615:. BBC. 24 December 1967 513:to portray his themes. 489:The play has themes of 392:Federal Theatre Project 349:Federal Theatre Project 308: 139:Federal Theatre Project 1251:Love Among the Artists 1168:Arthur and the Acetone 1000:Androcles and the Lion 972:The Glimpse of Reality 718:Androcles and the Lion 694:10.5325/shaw.38.1.0066 686:10.5325/shaw.38.1.0066 637:Androcles and The Lion 545:Androcles and the Lion 518:Androcles and the Lion 470: 463:Androcles and the Lion 208:Androcles and the Lion 126:Androcles and the Lion 1303:The Perfect Wagnerite 1265:An Unsocial Socialist 1056:Augustus Does His Bit 1049:The Inca of Perusalem 456: 1428:Colosseum in fiction 1372:Great Contemporaries 1175:Cymbeline Refinished 930:The Doctor's Dilemma 874:Caesar and Cleopatra 860:The Devil's Disciple 439:Pauline Christianity 390:Scene from the 1938 45:improve this article 1119:Too True to Be Good 771:George Bernard Shaw 645:on 10 November 2016 577:playing Androcles. 573:on 16 August 2021, 457:Cover image of The 227:George Bernard Shaw 151:George Bernard Shaw 1358:production history 1217:Shakes versus Shav 1084:Back to Methuselah 993:Fanny's First Play 853:You Never Can Tell 846:The Man of Destiny 557:TV version in 1967 471: 239:early Christianity 1395: 1394: 1224:Why She Would Not 1210:Farfetched Fables 1161:The Millionairess 1154:The Six of Calais 1098:Jitta's Atonement 723:Project Gutenberg 571:BBC Radio 4 Extra 509:, verbal wit and 204: 203: 173:Original language 121: 120: 113: 95: 1435: 1349:Shavian alphabet 1203:Buoyant Billions 1077:Heartbreak House 895:Man and Superman 832:Arms and the Man 811:Widowers' Houses 764: 757: 750: 741: 740: 725: 705: 655: 654: 652: 650: 631: 625: 624: 622: 620: 609: 542:A film version, 533: 532: 522:Shavian alphabet 403: 387: 375: 360: 341: 326:Praetorian Guard 294:Menagerie Keeper 243:Jesus' teachings 220: 219: 135: 123: 122: 116: 109: 105: 102: 96: 94: 53: 29: 21: 1443: 1442: 1438: 1437: 1436: 1434: 1433: 1432: 1398: 1397: 1396: 1391: 1322: 1290: 1270: 1229: 1042:O'Flaherty V.C. 1028:Great Catherine 944:Getting Married 818:The Philanderer 782: 773: 768: 715: 712: 664: 662:Further reading 659: 658: 648: 646: 633: 632: 628: 618: 616: 611: 610: 606: 601: 540: 511:physical comedy 467:Germano Facetti 451: 414: 407: 404: 395: 388: 379: 376: 367: 361: 352: 342: 311: 306: 251: 165:Place premiered 142: 117: 106: 100: 97: 54: 52: 42: 30: 17: 12: 11: 5: 1441: 1431: 1430: 1425: 1420: 1415: 1410: 1393: 1392: 1390: 1389: 1382: 1375: 1368: 1361: 1351: 1346: 1341: 1336: 1330: 1328: 1324: 1323: 1321: 1320: 1313: 1306: 1298: 1296: 1292: 1291: 1289: 1288: 1280: 1278: 1272: 1271: 1269: 1268: 1261: 1254: 1247: 1239: 1237: 1231: 1230: 1228: 1227: 1220: 1213: 1206: 1199: 1192: 1185: 1178: 1171: 1164: 1157: 1150: 1143: 1136: 1133:Village Wooing 1129: 1122: 1115: 1112:The Apple Cart 1108: 1101: 1094: 1087: 1080: 1073: 1066: 1059: 1052: 1045: 1038: 1035:The Music Cure 1031: 1024: 1017: 1010: 1003: 996: 989: 982: 975: 968: 961: 958:Press Cuttings 954: 947: 940: 933: 926: 919: 912: 905: 898: 891: 884: 877: 870: 863: 856: 849: 842: 835: 828: 821: 814: 807: 804:Un Petit Drame 800: 792: 790: 784: 783: 778: 775: 774: 767: 766: 759: 752: 744: 738: 737: 726: 711: 710:External links 708: 707: 706: 663: 660: 657: 656: 626: 603: 602: 600: 597: 550:Gabriel Pascal 539: 536: 450: 447: 413: 410: 409: 408: 405: 398: 396: 389: 382: 380: 377: 370: 368: 362: 355: 353: 343: 336: 310: 307: 305: 304: 301: 298: 295: 292: 289: 286: 283: 280: 277: 274: 271: 268: 265: 262: 259: 256: 252: 250: 247: 202: 201: 198: 194: 193: 190: 186: 185: 182: 178: 177: 174: 170: 169: 166: 162: 161: 158: 157:Date premiered 154: 153: 148: 144: 143: 136: 128: 127: 119: 118: 33: 31: 24: 15: 9: 6: 4: 3: 2: 1440: 1429: 1426: 1424: 1421: 1419: 1416: 1414: 1411: 1409: 1406: 1405: 1403: 1388: 1387: 1383: 1381: 1380: 1376: 1374: 1373: 1369: 1367: 1366: 1362: 1359: 1355: 1354:Shaw Festival 1352: 1350: 1347: 1345: 1342: 1340: 1339:Shaw's Corner 1337: 1335: 1332: 1331: 1329: 1325: 1319: 1318: 1314: 1312: 1311: 1307: 1305: 1304: 1300: 1299: 1297: 1293: 1287: 1286: 1282: 1281: 1279: 1277: 1276:Short stories 1273: 1267: 1266: 1262: 1260: 1259: 1255: 1253: 1252: 1248: 1246: 1245: 1241: 1240: 1238: 1236: 1232: 1226: 1225: 1221: 1219: 1218: 1214: 1212: 1211: 1207: 1205: 1204: 1200: 1198: 1197: 1193: 1191: 1190: 1186: 1184: 1183: 1179: 1177: 1176: 1172: 1170: 1169: 1165: 1163: 1162: 1158: 1156: 1155: 1151: 1149: 1148: 1144: 1142: 1141: 1137: 1135: 1134: 1130: 1128: 1127: 1123: 1121: 1120: 1116: 1114: 1113: 1109: 1107: 1106: 1102: 1100: 1099: 1095: 1093: 1092: 1088: 1086: 1085: 1081: 1079: 1078: 1074: 1072: 1071: 1067: 1065: 1064: 1060: 1058: 1057: 1053: 1051: 1050: 1046: 1044: 1043: 1039: 1037: 1036: 1032: 1030: 1029: 1025: 1023: 1022: 1018: 1016: 1015: 1014:Beauty's Duty 1011: 1009: 1008: 1004: 1002: 1001: 997: 995: 994: 990: 988: 987: 983: 981: 980: 976: 974: 973: 969: 967: 966: 962: 960: 959: 955: 953: 952: 948: 946: 945: 941: 939: 938: 934: 932: 931: 927: 925: 924: 920: 918: 917: 916:Major Barbara 913: 911: 910: 906: 904: 903: 899: 897: 896: 892: 890: 889: 885: 883: 882: 878: 876: 875: 871: 869: 868: 864: 862: 861: 857: 855: 854: 850: 848: 847: 843: 841: 840: 836: 834: 833: 829: 827: 826: 822: 820: 819: 815: 813: 812: 808: 806: 805: 801: 799: 798: 794: 793: 791: 789: 785: 781: 776: 772: 765: 760: 758: 753: 751: 746: 745: 742: 736: 732: 731: 727: 724: 720: 719: 714: 713: 703: 699: 695: 691: 687: 683: 679: 675: 671: 666: 665: 644: 640: 638: 630: 614: 608: 604: 596: 593: 588: 583: 578: 576: 575:Leslie French 572: 567: 564: 562: 558: 553: 551: 547: 546: 535: 527: 526:Penguin Books 523: 519: 514: 512: 508: 504: 500: 496: 492: 487: 485: 481: 476: 475:non-believers 468: 464: 460: 459:Shaw Alphabet 455: 446: 444: 440: 436: 432: 427: 423: 419: 402: 397: 393: 386: 381: 374: 369: 366: 359: 354: 350: 346: 345:Dooley Wilson 340: 335: 334: 333: 331: 327: 322: 317: 315: 302: 299: 296: 293: 290: 287: 284: 281: 278: 275: 272: 269: 266: 263: 260: 257: 254: 253: 246: 244: 240: 236: 232: 228: 224: 214: 210: 209: 199: 195: 192:epic pastiche 191: 187: 183: 179: 175: 171: 167: 163: 159: 155: 152: 149: 145: 140: 134: 129: 124: 115: 112: 104: 93: 90: 86: 83: 79: 76: 72: 69: 65: 62: โ€“  61: 57: 56:Find sources: 50: 46: 40: 39: 34:This article 32: 28: 23: 22: 19: 1384: 1377: 1370: 1363: 1344:Shaw Theatre 1315: 1308: 1301: 1283: 1263: 1256: 1249: 1242: 1222: 1215: 1208: 1201: 1194: 1187: 1180: 1173: 1166: 1159: 1152: 1145: 1140:On the Rocks 1138: 1131: 1124: 1117: 1110: 1103: 1096: 1089: 1082: 1075: 1068: 1063:Macbeth Skit 1061: 1054: 1047: 1040: 1033: 1026: 1019: 1012: 1005: 999: 998: 991: 984: 977: 970: 963: 956: 949: 942: 935: 928: 921: 914: 907: 900: 893: 886: 879: 872: 865: 858: 851: 844: 837: 830: 823: 816: 809: 802: 797:Passion Play 795: 780:Bibliography 729: 716: 680:(1): 66โ€“87. 677: 673: 649:26 September 647:. Retrieved 643:the original 636: 629: 617:. Retrieved 607: 579: 568: 565: 555:There was a 554: 543: 541: 517: 515: 488: 472: 462: 449:Significance 415: 318: 312: 221:) is a 1912 207: 206: 205: 200:Ancient Rome 107: 98: 88: 81: 74: 67: 55: 43:Please help 38:verification 35: 18: 1295:Non-fiction 979:Misalliance 561:Noรซl Coward 538:Adaptations 499:vivisection 461:Edition of 431:crucifixion 225:written by 1408:1912 plays 1402:Categories 1244:Immaturity 1105:Saint Joan 867:The Gadfly 599:References 582:Tim Carrol 503:vegetarian 480:Roman gods 394:production 351:production 291:The Editor 249:Characters 147:Written by 141:production 101:April 2022 71:newspapers 1021:Pygmalion 1007:Overruled 702:187081482 619:19 August 507:slapstick 491:martyrdom 484:hypocrisy 365:Abe Feder 321:Colosseum 314:Androcles 285:Ox-Driver 282:Ferrovius 264:Centurion 235:Colosseum 231:Androcles 592:juggling 443:Barabbas 303:Retiariu 288:Call Boy 276:Metellus 273:Lentulus 258:The Lion 1327:Related 839:Candida 733:at the 422:Gospels 418:preface 412:Preface 300:Secutor 279:Spintho 270:Lavinia 267:Captain 261:Magaera 213:Shavian 197:Setting 181:Subject 176:English 85:scholar 1235:Novels 1182:Geneva 700:  692:  495:comedy 297:Caesar 87:  80:  73:  66:  58:  788:Plays 698:S2CID 690:JSTOR 559:with 441:) or 437:(see 426:Jesus 189:Genre 137:1938 92:JSTOR 78:books 674:Shaw 651:2017 621:2021 435:Paul 309:Plot 223:play 160:1913 64:news 721:at 682:doi 47:by 1404:: 696:. 688:. 678:38 676:. 672:. 587:MC 563:. 552:. 534:. 215:: 1360:) 1356:( 763:e 756:t 749:v 704:. 684:: 653:. 639:" 635:" 623:. 469:. 211:( 114:) 108:( 103:) 99:( 89:ยท 82:ยท 75:ยท 68:ยท 41:.

Index


verification
improve this article
adding citations to reliable sources
"Androcles and the Lion" play
news
newspapers
books
scholar
JSTOR
Learn how and when to remove this message

Federal Theatre Project
George Bernard Shaw
Shavian
play
George Bernard Shaw
Androcles
Colosseum
early Christianity
Jesus' teachings
Androcles
Colosseum
Praetorian Guard
persecution of Christians
Dooley Wilson as Androcles in the 1938 Federal Theatre Project production
Dooley Wilson
Federal Theatre Project
Daniel L. Haynes as Ferrovius, lighting design by Abe Feder
Abe Feder

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

โ†‘