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Aniconism in Christianity

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medieval art and architecture survived. Joseph Leo Koerner has noted that Lutherans, seeing themselves in the tradition of the ancient, apostolic church, sought to defend as well as reform the use of images. 'An empty, white-washed church proclaimed a wholly spiritualized cult, at odds with Luther's doctrine of Christ's real presence in the sacraments' (Koerner 2004, 58). In fact, in the 16th century some of the strongest opposition to destruction of images came not from Catholics but from Lutherans against Calvinists: 'You black Calvinist, you give permission to smash our pictures and hack our crosses; we are going to smash you and your Calvinist priests in return' (Koerner 2004, 58). Works of art continued to be displayed in Lutheran churches, often including an imposing large crucifix in the sanctuary, a clear reference to Luther's
407:, "They also possess images, some of them painted, and others formed from different kinds of material; while they maintain that a likeness of Christ was made by Pilate at that time when Jesus lived among them. They crown these images, and set them up along with the images of the philosophers of the world that is to say, with the images of Pythagoras, and Plato, and Aristotle, and the rest. They have also other modes of honouring these images, after the same manner of the Gentiles ". Irenaeus does not speak critically of icons or portraits in a general sense, only of certain gnostic sectarians use of icons. On the other hand, by the 8th century there is evidence that opposition to images was associated with what was by then the largely vanished heresy of 755: 547:, the century-old religion which had inflicted devastating defeats on Byzantium in the decades preceding. Most scholars reject direct religious influence, though many feel the feeling of crisis produced by defeats at the hands of Islam contributed to the Iconoclast movement. Both the cross and secular two-dimensional images continued to be acceptable, indeed were used to replace religious imagery in the two best-known examples. The defeat of Byzantine Iconoclasm was so emphatic that the issue has never arisen again in Orthodoxy. Indeed, the final cessation of the iconoclast controversy and the permanent use of images in the Orthodox Church is celebrated annually during Great Lent during the 420:
new people came into the new large public churches, which began to be decorated with images that certainly drew in part on imperial and pagan imagery: "The representations of Christ as the Almighty Lord on his judgment throne owed something to pictures of Zeus. Portraits of the Mother of God were not wholly independent of a pagan past of venerated mother-goddesses. In the popular mind the saints had come to fill a role that had been played by heroes and deities." The possibility that Christian art was a movement from below, disapproved of by the clerical hierarchy, vanishes in the large churches built with imperial patronage at the urging of that hierarchy.
366:(died 403) "seems to have been the first cleric to have taken up the matter of Christian religious images as a major issue". He wrote an appeal to John, Bishop of Jerusalem (c. 394) in which he recounted how he tore apart a curtain hanging on the doors of the church decorated with an image of 'Christ or one of the saints' and admonished the other bishop that such images are "opposed ... to our religion", while also replacing the curtain with another expensively embroidered one. Other writers cited in later controversies were 442:(527–565) evidently saw a huge increase in the use of images, both in volume and quality, and a gathering aniconic reaction. According to Kitzinger, "during the late sixth and seventh centuries devotional practices in front of images became elaborate, common, and intense". In addition it was in this period that images seem to have become common in Christian homes, and "Once admitted to that sphere their use and abuse was beyond control". Literary mentions of Christian images greatly increase, in the accounts of pilgrims to the 450:
so that "the image acts or behaves as the subject itself is expected to act or behave. It makes known its wishes ... It enacts evangelical teachings, ... When attacked it bleeds, ... In some cases it defends itself against infidels with physical force ...". Images make promises, and demand that promises made by others are kept, are immune to attack, and most commonly of all, images bestow "some kind of material benefit upon ... votaries". The most famous example of this is the role ascribed to the
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they were best advised not to look, and were strictly forbidden to represent what they had seen". These derived respectively from Greek and Near Eastern pagan religions, from Ancient Greek philosophy, and from the Jewish tradition and the Old Testament. Of the three, Finney concludes that "overall, Israel's aversion to sacred images influenced early Christianity considerably less than the Greek philosophical tradition of invisible deity apophatically defined", so placing less emphasis on the
2137:"But in the cloister, in the sight of the reading monks, what is the point of such ridiculous monstrosity, the strange kind of shapely shapelessness? Why these unsightly monkeys, why these fierce lions, why the monstrous centaurs, why semi-humans, why spotted tigers, why fighting soldiers, why trumpeting huntsmen? ... In short there is such a variety and such a diversity of strange shapes everywhere that we may prefer to read the marbles rather than the books." 990: 1328: 1132: 479: 339:. The objections to "decorative and symbolic devices, narrative and didactic images", a description that encompasses much though not all of the earliest Christian art, were much less, as these were not plausibly capable of "idolatric abuse"; according to Kitzinger, "much of the art of the Roman catacombs betrays a studied attempt to avoid any suspicion or encouragement of idolatric practices". 296:
above mentioned idea of the uncomely personal appearance of Jesus the entire silence of the Gospels about it and the Old Testament prohibition of images restrained the church from making either pictures or statues of Christ until the Nicene age when a great reaction in this respect took place though not without energetic and long continued opposition.
350:(c. 305) bishops concluded, "Pictures are not to be placed in churches, so that they do not become objects of worship and adoration", if understood this way, it's the earliest such prohibition known. Though a more formal translation would suggest it is about not having images painted directly into the walls in order to protect them from vandalism. 164:. The Catholic Church and Eastern Orthodox Church accept the church council which condemned iconoclasm and mandated the use of sacred images, the icons of saints, and the crucifix in churches, public shrines, and in homes. The explanation of the consistency of sacred images with the Christian religion was largely based on the arguments of 446:, in works of history, and in popular accounts of the lives of saints; at the same time some of these begin to mention acts of iconoclasm against images. The legendary nature of much of the last two types of material is clear, but the stories remain evidence of practices around images and beliefs as to what images were capable of. 1307:
who wrote: "In other ages God had not been represented in images, being incorporate and faceless. But since God has now been seen in the flesh, and lived among men, I represent that part of God which is visible. I do not venerate matter, but the Creator of matter" and stated that it forms part of the
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altarpieces in large numbers, the Netherlands produced genre scenes (very often depicting ungodly behavior), still lifes, portraits and landscapes. Moralistic messages were often attached to these, though the subject matter often fights somewhat with them. Protestant religious art, mainly in the form
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It is this period that the attribution to individual images of the potential to achieve, channel or display various forms of spiritual grace or divine power becomes a regular motif in literature. In the many miracle stories, there is a "tendency to break down the barrier between image and prototype",
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Yet previous to the time of Constantine we find no trace of an image of Christ properly speaking except among the Gnostic Carpocratians and in the case of the heathen emperor Alexander Severus who adorned his domestic chapel as a sort of pantheistic Pantheon with representatives of all religions. The
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Answer: The sins forbidden in the second commandment are, all devising, counseling, commanding, using, and anywise approving, any religious worship not instituted by God himself; tolerating a false religion; the making any representation of God, of all or of any of the three persons, either inwardly
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referred to 2 Corinthians 4.6: "the light of the knowledge of the glory of God in the face of Jesus Christ" and wrote that meditation on the icons of Christ "gives us the power to see all things freshly". Williams states that the arguments in favor of the use of images of Christ eventually won over
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of most of the first Christians than most traditional accounts. Finney also suggests that "the reasons for the non-appearance of Christian art before 200 have nothing to do with principled aversion to art, with other-worldliness, or with anti-materialism. The truth is simple and mundane: Christians
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Calvinist aniconism, especially in printed material, and stained glass, can generally be said to have weakened in force, although the range and context of images used are much more restricted than in Catholicism, Lutheranism, or parts of Anglicanism, the latter of which also incorporated many high
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Lutheran places of worship contain images and sculptures not only of Christ but also of biblical and occasionally of other saints as well as prominent decorated pulpits due to the importance of preaching, stained glass, ornate furniture, magnificent examples of traditional and modern architecture,
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However, as Christianity increasingly spread among gentiles with traditions of religious images, and especially after the conversion of Constantine (c. 312), the legalization of Christianity, and, later that century, the establishment of Christianity as the state religion of the Roman Empire, many
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by showing Luther and Cranach "alongside John the Baptist at the foot of the cross". Lutherans strongly opposed the iconoclastic campaigns of the Reformed partisans. But within a few decades of the start of the Reformation, production of new paintings for Lutheran churches had all but ceased, and
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Paul Corby Finney's analysis of Early Christian writing and material remains distinguishes three different sources of attitudes affecting Early Christians on the issue: "first that humans could have a direct vision of God; second that they could not; and, third, that although humans could see God
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Today, Lutheran clergy generally have a pronounced interest in music and the visual arts. Parishes include contemporary arts and crafts in their places of worship. Exhibitions, works of art, altars, pulpits, lecterns, crucifixes, wall hangings, and banners are a common part of the liturgical and
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of about 593. Though most often images are described as acting through some kind of intermediary, sometimes direct physical contact produces the benefit, as with a dry well that refilled when an icon was lowered in the bucket, or medical benefit ascribed to drinking some ground-up plaster from a
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The Assyrian Church of the East uses neither images nor icons. A stand, holding a copy of the Gospels and covered with a cloth, bears a simple cross that is venerated with the kiss of peace that people in other Eastern churches accord to their icons. The simplicity of their church interiors may
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before images comes from the first half of the 6th century; it had already been common before the cross by the end of the 4th century. The lighting of candles before images, and leaving lit candles and lamps (going beyond what might merely be necessary to actually see them) is mentioned in 6th
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Lutherans continued to worship in pre-Reformation churches, generally with few alterations to the interior. It has even been suggested that in Germany to this day one finds more ancient Marian altarpieces in Lutheran than in Catholic churches. Thus in Germany and in Scandinavia many pieces of
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It has been suggested that the question of images caused a tension in the early church between a theologically trained clerical elite and the broad mass of followers of the church, and perhaps especially women; the letter of Eusebius being a leading piece of evidence cited here. However other
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It is a striking fact that when painting and sculpture first began to infiltrate Christian assembly rooms and cemeteries they did so practically unheeded by either opponents of or apologists for Christianity—engaged though these were in passionate disputes over idols and idolatry. No literary
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Romanists make images of God the Father, painting him in their church windows as an old man; and an image of Christ on the crucifix; and, because it is against the letter of this commandment, they sacrilegiously blot it out of their catechism, and divide the tenth commandment into
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As it developed in north-eastern Germany, Lutheran worship became a complex ritual choreography set in a richly furnished church interior. This much is evident from the background of an epitaph painted in 1615 by Martin Schulz, destined for the Nikolaikirche in Berlin (see Figure
2341:. ... In contrast, Reformed (Calvinist) churches are strikingly different. Usually unadorned and somewhat lacking in aesthetic appeal, pictures, sculptures, and ornate altar-pieces are largely absent; there are few or no candles; and crucifixes or crosses are also mostly absent. 2283:
The Beeldenstorm, or Iconoclastic Fury, involved roving bands of radical Calvinists who were utterly opposed to all religious images and decorations in churches and who acted on their beliefs by storming into Catholic churches and destroying all artwork and
1051:". Generally, Reformed churches are now more relaxed over the use of religious art and symbols than they were in the Reformation period, though many denominations avoid images in churches and may discourage the interpretation of Biblical texts in 675:
for example (where images of the Ancient of Days, also banned, are held to represent Christ). Free-standing monumental sculpture is also avoided by the Orthodox churches, and reliefs are much rarer, especially large ones. On the other hand,
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In a new situation, parishes became increasingly active commissioners of altarpieces. In terms of their function, the altarpieces commissioned by parishes represented a new type of artwork. The plainly framed altarpiece acquired a didactic
1925:, The Early Church (The Penguin History of the Church, 1993), p. 283; Hurlbut, J. L. The Story of the Christian Church. Zondervan, 1967, p. 62; Loverance, Rowena (2007). Christian Art. Cambridge, MA: Harvard University Press. p. 117. 358:(Emperor Constantine's sister) saying "To depict purely the human form of Christ before its transformation, on the other hand, is to break the commandment of God and to fall into pagan error"; though this did not stop her decorating 2235:
Inside their homes, a cross is placed on the eastern wall of the first room. If one sees a cross in a house and do not find a crucifix or pictures, it is almost certain that the particular family belongs to the Church of the
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In fact, Lutherans often justified their continued use of medieval crucifixes with the same arguments employed since the Middle Ages, as is evident from the example of the altar of the Holy Cross in the Cistercian church of
1074:; Bible illustrations or picture books, especially those intended for children, were and continue to be widely used in Protestantism, so that in the 17th century, even "the ordinary Puritan enjoyed a Bible with pictures". 232:
expressed "grave reservations about the dangers of images", though contextualizing these remarks has often been the source of fierce controversy, as the same texts were brought out at intervals in succeeding centuries.
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religious art of his day, which he said distracted monks from their religious life. Nonetheless, he was prepared to sacrifice religious imagery also, both to save money and avoid "distractions of the senses".
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rather than Calvinist tradition, and are therefore readier to use large crosses and other images, though not with the profusion of traditional Catholicism or Lutheranism. Hence works like the 52 ft tall
528:. Iconoclasts believed that icons could not represent both the divine and the human natures of the Messiah at the same time, but separately. Because an icon which depicted Jesus as purely physical would be 2728: 1262:
The use of icons and images of Jesus continues to employed in Christian denominations such as Lutherans, Anglicans, Methodists and Catholics. The veneration of icons is a key element of the
876:–1553), were commissioned, although they now served a dual purpose of exciting the mind to thoughts of the Divine, as well as serving to teach Lutheran doctrine. The altarpiece in 390:
suggests that "church authorities at least tolerated if not approved both the decoration and the content of the iconography on its own property over a fairly long period of time".
284:, of about 230–256, which of the very early churches surviving is in the best condition, there are frescos of biblical scenes including a figure of Jesus, as well as Christ as the 892:
preached in violent terms the rejection of what they perceived as idolatrous Catholic practices such as religious pictures, statues, or relics of saints, as well as against the
1123:(1606–1669), who also painted biblical subjects. In the early stages of the Reformation, Protestant propagandists made vigorous use of images satirizing their opponents. 2883: 1102:
The virtual end of the production of religious painting in Reformed parts of Europe had the effect of diverting artistic production into secular subjects, especially in
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lacked land and capital. Art requires both. As soon as they began to acquire land and capital, Christians began to experiment with their own distinctive forms of art".
516:". The simple belief that images were idolatrous appears to have been their main motive; reference was made to the prohibitions on the worship of graven images in the 1308:
theological basis for the veneration of images. The use of significant representations of Jesus has continued among Catholics, e.g. with the 2008 parishioner funded
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statement from the period prior to the year 300 would make one suspect the existence of any Christian images other than the most laconic and hieroglyphic of symbols.
1095:) reacted by quietly removing some types of medieval imagery that could not be justified theologically, but otherwise by strengthening its commitment to the use of 2078:
Mango, Cyril, "Historical Introduction," in Bryer & Herrin, pp. 1–6, "Chronology", pp. 178–179, "Anthology of Texts in Translation", pp. 180–186
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long remained unacceptable; he was typically only shown with the features of Jesus, which had become fairly standardized by the 6th century, in scenes such as the
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iconoclasm among Christians at large because the use of icons is "so closely connected with the most essential beliefs of Christians about Jesus Christ himself".
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reflect a concession to the Islamic objection to religious pictures in places of worship, or it may merely attest to the poverty of an isolated Christian people.
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agrees: "In two-dimensional, applied art of this kind there was never any danger of idolatry in the sense of actual worship of cult-images and votive pictures".
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and crucifixes can arouse strong feelings. However while early Anglicans destroyed portraits of saints, portraits of contemporary individuals, including church
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traditions, the latter two broadly following the Reformed (Calvinist) faith. Lutherans and Reformed Christians had different views regarding religious imagery.
467: 399: 1066:, were not considered problematic, and exist in large numbers. Reformed Christians did not object to small religious images, typically of episodes from the 2214: 720:, pejoratively but incorrectly also known as the Nestorian Church by its detractors, opposition to religious images eventually became the norm due to the 144:
The use of religious icons and images continues to be advocated at the highest level by religious leaders of major Christian denominations such as some
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scholars, including Finney and Toynbee, dispute this reading of the documentary evidence, pointing out that the physical evidence of sites such as the
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described the mentions of Christian views on Christian images before the mid-6th century as "scattered and spotty", and of an earlier period wrote:
532:, and one which showed Him as both human and divine would not be able to do so without confusing the two natures into one mixed nature, which was 125:
in particular rejected all images in churches, and this practice continues today in some Reformed (Calvinist) churches, as well as some forms of
1299:, 67 that: "the veneration of images of Christ, the Blessed Virgin and the saints, be religiously observed". In his 6 May 2009 general audience 1020:, falling with the broader Reformed tradition, also removed most religious images and symbols from churches and discouraged their private use. 945: 2470:
Martin Luther as Prophet, Teacher, and Hero (Texts and Studies in Reformation and Post-Reformation Thought): Images of the Reformer, 1520–1620
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monk who famously wrote against the excessive use of imagery in a monastic context, and was largely responsible for the unornamented style of
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to promote the Christian message, though tightening up on the detailed content of imagery, which the church brought under stricter control.
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The traditional Protestant position on the history of images in places of worship however is expressed by Philip Schaff, who claimed that:
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large religious sculpture (as opposed to smaller figures decorating pulpits and other fittings) has never been produced for Lutheran use.
1485: 591:. The Western church was anxious to distinguish its use of images from idolatry, and set out its theological position in the Carolingian 508:, in the mid eighth and early ninth centuries. The arguments of the Iconoclasts remain rather obscure, as almost all their writings were 378:, although evidence of opposition to images by church leaders is often also evidence of their usage in the church. In the second century 602:
between 1007 and 1020 the cleric Bernard of Angers was initially disapproving of the large crucifixes with a sculpted three-dimensional
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and other cults and religions around them, and much early Christian polemic was devoted to attacking paganism for idolatry. In the
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it is clear that the use of quite complex figurative Christian images was widespread by that date. There are mentions of images of
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objected to sculpture, but not paintings, which is effectively the Orthodox position to the present day, except for small works.
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Declan Marmion, Salvador Ryan and Gesa E. Thiessen, Remembering the Reformation: Martin Luther and Catholic Theology, page 169
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Faced with the Protestant challenge to imagery, then far more virulent than it usually is in the 21st century, the Catholic
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is the absence of material representations of the natural and supernatural world in various cultures. Most denominations of
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In the 4th century there are increased, if scattered, expressions of opposition to images. At the Spanish non-ecumenical
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The political aspects of the conflicts are complex, involving with the relationship between the Byzantine Emperors, the
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The Iconoclastic Imagination: Image, Catastrophe, and Economy in America from the Kennedy Assassination to September 11
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groups continue to avoid photographs or any depictions of people; their children's dolls usually have blank faces. The
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have a slightly different theological position in Orthodoxy and play a more significant part in religious life than in
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councils, and the Pope. There has been much scholarly discussion over the possible influence on the Iconoclasts of the
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David M. Gwynn, "From Iconoclasm to Arianism: The Construction of Christian Tradition in the Iconoclast Controversy",
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have not generally practiced aniconism, or the avoidance or prohibition of these types of images, even dating back to
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For Lutherans, "the Reformation renewed rather than removed the religious image", at least temporarily. The Lutheran
754: 454:(or Mandylion) in the failure of the Persian siege of the city in 544. The image is not mentioned in the account of 2369:
According to Koerner, who dwells on Lutheran art, the Reformation renewed rather than removed the religious image.
595:, in similar but slightly different terms to those set out by the Eastern church after the episode of Iconoclasm. 2999:, ed. Enrico Castelnuovo and Giuseppe Sergi, 4 v. (Giulio Einaudi Editore, Turin, 2002–2004) v. 3, pp. 49–84 759: 640:, except in the few cases where both Jesus and God the Father needed to be shown separately, as in scenes of the 324: 261: 3061: 3014: 2222: 2758: 2187:
A Guide to Christian Churches in the Middle East: Present-day Christianity in the Middle East and North Africa
1143:, an English Calvinist foundation, with statues and stained glass figures of divines of the Reformed tradition 2900:
CBCP News (Catholic Bishops Conference of the Philippines) March 28, 2008: "Divine Mercy Sunday in Mindanao"
619: 73: 2977: 1333: 949: 587:(see below). Religious sculpture, especially if large and free-standing, has always been extremely rare in 81: 1842:"Overview on Iconophile and Iconoclastic Attitudes toward Images in Early Christianity and Late Antiquity" 2882:
26 August 2011: "DIVINE MERCY SHRINE in Misamis Oriental celebrates Birthday of the Blessed Virgin Mary"
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variety) maintain the aniconism of the English Reformation, articulated in the religious injunctions of
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Holy Apostolic Catholic Assyrian Church of the East – Archdiocese of Australia, New Zealand and Lebanon
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Representations and Contradictions: Ambivalence Towards Images, Theatre, Fiction, Relics and Sexuality
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From Iconoclasm to Arianism: The Construction of Christian Tradition in the Iconoclast Controversy",
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proclaiming the Counter-Reformation message, though these are in a gallery, rather than in a church.
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There is some evidence that the use of images was regarded as especially characteristic of heretics.
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contains both schools of thought – aniconism and iconodulism. While some Anglicans (typically of the
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carved or otherwise embellished altar pieces, and liberal use of candles on the altar and elsewhere.
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for her chapel when they were against a law she had approved, and objecting forcefully when the
458:, writing soon after the event, but first appears as the agent of the failure in the history of 133:
has always defended the use of sacred images in churches, shrines, and homes, encouraging their
3056: 3030:, Vol. 58, Parts 1 and 2 (1968), pp. 294–296, Society for the Promotion of Roman Studies, 2808: 2248: 1021: 657: 320: 118: 2530: 2524: 924:
Churches) completely prohibited the display of religious images. Reformed theologians such as
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of three persons in one God, representations of God could be achieved by depicting Jesus as
1341: 1252: 1195: 1040: 815: 692: 628: 588: 584: 564: 560: 513: 495: 483: 114: 524:, some of which may now be lost. One theological issue revolved around the two natures of 8: 1078: 1035:, was one of many Anglicans to exhibit somewhat contradictory attitudes, both ordering a 933: 881: 835: 653: 328: 308: 281: 77: 42: 779:
Opposition to religious imagery was a feature of proto-Protestant movements such as the
3046: 2569:. Truebner's Oriental Series (reprint ed.). Abingdon: Routledge (published 2013). 2269:
The Victory of Reason: How Christianity Led to Freedom, Capitalism, and Western Success
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resembling angels and saints, nay, grosser absurdities, pictures resembling the Holy
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In their homes, Christians belonging to the Assyrian Church of the East hang a plain
725: 645: 265: 196: 149: 101: 45:, is shown enthroned in lower left, while a Reformed church service according to the 2989:, Vol. 8, (1954), pp. 83–150, Dumbarton Oaks, Trustees for Harvard University, 3002: 2946:, "The Structure of Byzantine and European Iconoclasm", in Bryer & Herrin above 1556: 1304: 1071: 925: 921: 905: 807: 641: 517: 505: 336: 188: 2493: 1004:
Apart from official destruction of art, there were outbreaks of violent Calvinist
610:, the earliest life-size crucifix image to survive, probably dates to around 960. 3019: 2982: 2943: 2889: 2777:"The Collection – Museum & Gallery Old Master paintings and period furniture" 2631: 2598: 2564: 2255: 1667: 1640: 1454: 1183: 1164: 791: 767: 739: 681: 668: 451: 359: 347: 340: 234: 192: 130: 85: 69: 1816: 276:, dating from the end of the 2nd century onwards. Jesus is often represented by 202:
Christian aniconism has only very rarely covered general secular images, unlike
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Inventing the Holy Land: American Protestant Pilgrimage to Palestine, 1865–1941
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produced two main branches of Protestant Christianity; one was the Evangelical
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Toynbee, pp. 294–295; see also Jensen, pp. 13–19 on the types of early images.
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in our mind, or outwardly in any kind of image or likeness of any creature'.
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Homily against the Peril of Idolatry and the Superfluous Decking of Churches
1009: 763: 633: 606:, and other religious statues that he saw, but he came to accept them. The 529: 509: 57: 1248: 1233: 1179: 1112: 1059: 1017: 944:, explicitly reject the depiction of Christ, citing arguments drawn from 909: 803: 787: 568: 487: 425: 253: 199:, have introduced the devotional use of images back into their churches. 184: 172: 153: 145: 626:. The rationale for this was the doctrine of the pre-existing Christ or 2990: 1351: 1271: 1255:, also explicitly forbid the use of any religious image, including the 1229: 1210: 1206: 1005: 997: 897: 847:
occurred in ornate churches, reflecting Lutherans' exalted view of the
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Marmion, Declan; Ryan, Salvador; Thiessen, Gesa E. (1 February 2017).
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Ante Pacem: Archaeological Evidence of Church Life Before Constantine
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Lutheran churches continue to be ornate, with respect to sacred art:
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in the region, where it forbade any type of depictions of Saints and
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From Sacred to Secular: Visual Images in Early American Publications
1841: 1327: 1313: 1263: 1256: 1131: 1036: 996:, a German Lutheran church that retains its pre-Reformation carved 904:(1486–1541) was the earliest extreme iconoclast, to be followed by 893: 852: 819: 811: 780: 599: 576: 408: 394: 351: 316: 157: 2729:"Construction progressing on new Jesus statue along Interstate 75" 1203: 1116: 1107: 1048: 1044: 913: 575:
had no association of sculpture with cult images and a life-size
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showing the destruction of Catholic images in the upper portion.
2918:, 1977, Centre for Byzantine Studies, University of Birmingham, 2677:
Remembering the Reformation: Martin Luther and Catholic Theology
1880:
Tertullian and Origen warned against the use of images in piety.
1371:"A Godfather's Solemn Charge – the Coronation of King Edward VI" 1266:
of the Eastern Orthodox Church which continues to celebrate the
268:
contain the earliest images, mostly painted, but also including
2833:"General Audience of 6 May 2009: John Damascene | BENEDICT XVI" 2716:
Methodism emerges in a Moravian context – this is hard to deny.
1106:
of the 17th century. While Catholic Europe was still producing
1063: 572: 379: 269: 138: 38: 2439:Østrem, Eyolf; Fleischer, Jens; Petersen, Nils Holger (2003). 810:(1484–1531). Out of these branches grew three main sects, the 656:, as it is prominent in the wall paintings of the 3rd century 478: 1755:"CANONS OF THE CHURCH COUNCIL ELvira (Granada) ca. 309 A. D." 1217: 912:. The Reformed (Calvinist) churches (including the Anglican, 661: 525: 257: 211: 3009:, 1972 (English trans from German), Lund Humphries, London, 728:. As such, the Church was forced to get rid of their icons. 433: 1850:
Clement of Alexandria and Origen opposed the use of images.
677: 644:. Alternatively God the Father was represented only by the 2995:
Rudolph, Conrad, "La resistenza all'arte nell'Occidente,"
2410:
Marquardt, Janet T.; Jordan, Alyce A. (14 January 2009).
2062:, pp. 95–96, 106–118, 1985, George Philip, London, 301:
Philip Schaff, History of the Christian Church, page 381
2856:
The Dwelling of the Light: Praying with Icons of Christ
2438: 2049:
Kitzinger, p. 94–95 (with long note); Freedberg, p. 170
1456:
The Dwelling of the Light: Praying with Icons of Christ
956:'What are the sins forbidden in the second commandment? 156:. The veneration of icons is also a key element of the 16:
Prohibition of the veneration of images in Christianity
1672:. Massachusetts: Hendrickson Publishers. p. 381. 749: 2985:, "The Cult of Images in the Age before Iconoclasm", 2759:"Giant Jesus statue keeps watch over Ohio interstate" 2324:. Rowman & Littlefield Publishers. p. 138. 1391:. Rowman & Littlefield Publishers. p. 138. 1323: 1000:
as well as other smaller post-Reformation paintings.
2827: 2825: 2674: 2441:
The Arts and the Cultural Heritage of Martin Luther
2432: 2412:
Medieval Art and Architecture after the Middle Ages
2403: 888:On the other hand, at the time of the Reformation, 664:. Depictions of God the Father, essentially as the 482:A simple cross replaced a mosaic figure during the 362:with such images. By the end of the century Bishop 2670: 2668: 1480: 1478: 1476: 1277:In his 2003 book on praying with icons of Christ, 1111:of illustrations of biblical events, continued in 1058:In the Anglican Church matters such as the use of 64:. Those in the faith have generally had an active 2930:The Invisible God: The Earliest Christians on Art 2322:Encyclopedia of Martin Luther and the Reformation 1846:Journal for the Study of Religions and Ideologies 1598: 1596: 1594: 1513:Merriam-Webster's Encyclopedia of World Religions 1389:Encyclopedia of Martin Luther and the Reformation 3038: 2822: 2289: 2091:, pp. 98–106, 1985, George Philip, London, 2089:Writing in Gold, Byzantine Society and its Icons 2060:Writing in Gold, Byzantine Society and its Icons 1274:and the reintroduction of images into churches. 109:There have however been periods of aniconism in 2665: 2409: 1473: 1178:traditions, as well as other Wesleyan-Arminian 2315: 2313: 2311: 2309: 2307: 2271:. Random House Publishing Group. p. 176. 1591: 1115:and in book illustrations, for example in the 2414:. Cambridge Scholars Publishing. p. 71. 1445: 1443: 1441: 280:symbols, though he is also portrayed. In the 2849: 2636:. University of Delaware Press. p. 17. 2295: 1861: 1531: 1529: 1508: 1506: 762:by Calvinists, the "signature event" of the 711: 3024:Frühchristliche Sarkophage in Bild und Wort 2914:Bryer, Anthony & Herrin, Judith, eds., 2486: 2304: 2247:analysed in Arnade, 146 (quoted); see also 2693: 2374: 2178: 1778:"CATHOLIC ENCYCLOPEDIA: Council of Elvira" 1438: 1414: 1412: 1043:put in the royal pew a service book with " 579:(with "corpus") known to have been in the 2793: 2566:Studies in Biblical and Semitic Symbolism 2562: 2346: 2260: 2164: 1526: 1503: 1382: 1380: 1289:In his 29 October 1997 general audience, 1126: 1033:Supreme Governor of the Church of England 434:From Justinian to the Iconoclastic period 403:(1:25–26) says scornfully of the Gnostic 117:of the eighth century, and following the 2805:News Article by Brad Igou, (1991, 2001)" 2461: 2443:. Museum Tusculanum Press. p. 147. 2383:Lutheran Churches in Early Modern Europe 2109:The Pictorial arts of the West, 800–1200 1839: 1645:. Mercer University Press. p. 134. 1449: 1130: 988: 824: 753: 477: 113:, notably during the controversy of the 18: 2704:. Lehigh University Press. p. 29. 2623: 2529:. Edinburgh: Banner of Truth. pp.  2513:Freedberg, pp. 165(quoted)–166, 167–173 2319: 2296:Nuechterlein, Jeanne Elizabeth (2000). 2207: 2138: 1409: 1386: 934:the Divines of the Westminster Assembly 687: 473: 3039: 2953:, London, Blackwell Publishers, 1997. 2699: 2596: 2590: 2522: 2380: 2357:. John Wiley & Sons. p. 146. 2184: 1665: 1659: 1638: 1377: 141:them as if they were gods themselves. 3007:Iconography of Christian Art, Vol. II 2873: 2629: 2385:. Taylor & Francis. p. 237. 2352: 2300:. University of California, Berkeley. 2266: 2139:Harpham, Geoffrey Galt (2006-01-01), 1420:"The Methodist Modern Art Collection" 684:, let alone the Protestant churches. 315:Images were also associated with the 217: 191:, other Anglicans, influenced by the 2756: 2721: 2467: 1817:"CHURCH FATHERS: Letter 51 (Jerome)" 1692:Finney, viii–xii, viii and xi quoted 851:. Lutherans employed the use of the 414: 62:early Christian art and architecture 23:Woodcut of 1563 from the Protestant 2750: 2320:Lamport, Mark A. (31 August 2017). 1911:Greek, Roman, and Byzantine Studies 1794:Greek, Roman, and Byzantine Studies 1404:cultural life in Lutheran churches. 1387:Lamport, Mark A. (31 August 2017). 1270:which originally marked the end of 1245:Members Church of God International 1198:, a standard bearer for Protestant 984:Thomas Watson, The Ten Commandments 750:Reformation and Counter-Reformation 731:Houses of worship belonging to the 554: 13: 2516: 2381:Spicer, Andrew (5 December 2016). 2298:Holbein and the Reformation of Art 2267:Stark, Rodney (18 December 2007). 1303:referred to the reasoning used by 855:as it highlighted Martin Luther's 794:, which followed the teachings of 423:The earliest literary evidence of 14: 3073: 2966:Understanding Early Christian Art 2932:, Oxford University Press, 1997, 2111:, pp. 32–33, 1993, Yale UP, 1891:Finney, viii–xii; Toynbee, p. 295 1424:Methodist Church in Great Britain 1016:in 1566. During this time, early 613: 536:, all icons were thus heretical. 520:, and aniconic statements by the 2468:Kolb, Robert (1 December 1999). 2353:Dixon, C. Scott (9 March 2012). 1326: 880:exemplified the doctrine of the 859:. Lutheran altarpieces, such as 758:Print of the destruction in the 327:the issues are discussed in the 137:but condemning anyone who would 2894: 2807:. amishnews.com. Archived from 2801:""The Amish & Photographs" 2769: 2735:. June 15, 2012. Archived from 2679:. Fortress Press. p. 169. 2656: 2603:. Lexington Books. p. 24. 2556: 2547: 2507: 2241: 2131: 2122: 2101: 2081: 2072: 2052: 2043: 2040:Kitzinger, pp. 105–107 and note 2034: 2025: 2016: 2007: 1998: 1989: 1980: 1971: 1962: 1953: 1944: 1935: 1916: 1903: 1894: 1885: 1868:. University of Chicago Press. 1855: 1833: 1809: 1800: 1784: 1770: 1747: 1738: 1729: 1704: 1695: 1686: 1669:History of the Christian Church 1632: 1623: 1614: 1605: 1577: 1026: 798:(1483–1546), and the other the 695:(1090–1153) was an influential 504:, or image destruction, in the 49:takes place in the lower right. 2563:Farbridge, Maurice H. (1923). 2494:"Murray on pictures of Christ" 1840:Strezova, Anita (2013-11-25). 1563: 1549: 1515:by Merriam-Webster (Jan 2000) 1363: 1182:churches, are inspired by the 802:, which followed the ideas of 438:The period after the reign of 84:, religious figures including 1: 2908: 2700:Dreyer, Frederick A. (1999). 2189:. Mission Focus. p. 23. 1585:"Anglican Library – Homilies" 1492:. vatican.va. 29 October 1997 1459:. W.B. Eerdmans. p. 83. 1089: 1082: 968: 952:of 1647 asks in Question 109: 870: 760:Church of Our Lady in Antwerp 354:(died 339) wrote a letter to 3028:The Journal of Roman Studies 1977:Kitzinger, pp. 85–87; 95–115 1536:The Orthodox Christian World 1334:Reformed Christianity portal 1293:reiterated the statement of 1236:until the mid-20th century. 1202:, has a major collection of 950:Westminster Larger Catechism 878:St. Peter und Paul in Weimar 7: 3020:Toynbee, Jocelyn (J. M. C.) 2472:. Baker Books. p. 65. 2145:, Davies Group Publishers, 1639:Snyder, Graydon F. (2003). 1319: 1253:Restorationist-like beliefs 1163:church practices after the 733:Assyrian Church of the East 598:In his travels through the 382:opposed the use of images. 127:fundamentalist Christianity 66:tradition of making artwork 10: 3078: 3052:Censorship in Christianity 2997:Arti e storia nel Medioevo 2757:Maag, Chris (2005-11-18). 2355:Contesting the Reformation 2185:Horner, Norman A. (1989). 1796:47 (2007) 225–251, p. 227. 814:tradition, as well as the 772: 500:There were two periods of 493: 221: 121:of the 16th century, when 2172:"The Shadow of Nestorius" 1141:Mansfield College, Oxford 1104:Dutch Golden Age painting 712:In the Church of the East 648:, which probably reached 563:was still avoided in the 94:other aspects of theology 2964:Jensen, Robin Margaret, 2702:The Genesis of Methodism 1666:Schaff, Phillip (2006). 1357: 1279:Archbishop of Canterbury 2523:Watson, Thomas (1965). 1718:(Subscription required) 1538:Augustine Casiday 2012 1310:50 foot statue of Jesus 1243:(Church of Christ) and 1139:19th century chapel of 867:Lucas Cranach the Elder 830:Pieter Jansz. Saenredam 775:The Reformation and art 701:Cistercian architecture 673:Russian Orthodox Church 581:Palatine Chapel, Aachen 333:prohibition of idolatry 162:Eastern Orthodox Church 2662:Freedberg, pp. 176–177 2597:Rogers, S. S. (2011). 2031:Kitzinger, pp. 103–104 1862:O'Gorman, Ned (2016). 1232:, rejected all use of 1160: 1144: 1127:Among Christians today 1022:Elizabeth I of England 1001: 987: 961: 946:the second commandment 840: 770: 766:, August 20, 1566, by 658:Dura-Europos synagogue 491: 397:, (c. 130–202) in his 321:Ancient Roman religion 304: 250: 119:Protestant Reformation 50: 26:Foxe's Book of Martyrs 3062:Christian terminology 2987:Dumbarton Oaks Papers 2880:BusinessWeek Mindanao 2630:Lacey, B. E. (2007). 2128:Schiller, pp. 140–141 1149: 1134: 992: 976: 954: 857:theology of the cross 828: 757: 620:God the Father in art 481: 460:Evagrius Scholasticus 388:Catacomb of Callistus 368:Clement of Alexandria 364:Epiphanius of Salamis 293: 239: 222:Further information: 214:are rare exceptions. 47:Book of Common Prayer 22: 2928:Finney, Paul Corby, 2781:Museum & Gallery 2526:The Ten Commandments 2004:Kitzinger, pp. 95–96 1968:Kitzinger, pp. 96–97 1342:Aniconism in Judaism 1228:, another branch of 1196:Bob Jones University 816:Continental Reformed 693:Bernard of Clairvaux 688:Bernard of Clairvaux 589:Eastern Christianity 585:Byzantine iconoclasm 561:monumental sculpture 514:Triumph of Orthodoxy 496:Byzantine iconoclasm 484:Byzantine iconoclasm 474:Byzantine iconoclasm 468:Julian of Atramytion 380:Origen of Alexandria 115:Byzantine iconoclasm 2968:, Routledge, 2000, 2215:"Sign of the Cross" 1587:. Book 2, Homily 2. 1373:. 20 February 2017. 1079:Counter-Reformation 882:communion of saints 836:Saint Bavo, Haarlem 806:(1509–1564) and of 735:tend to be simple. 654:Hellenistic Judaism 466:In the 6th century 335:is included in the 329:Letters of St. Paul 282:Dura-Europos church 210:groups such as the 37:charged to emulate 2888:2018-03-16 at the 2254:2016-03-03 at the 2119:; Schiller, p. 140 1571:"1559 Injunctions" 1486:"General audience" 1347:Aniconism in Islam 1268:Feast of Orthodoxy 1251:-based sects with 1226:Brethren in Christ 1145: 1002: 994:St Severin, Keitum 841: 771: 746:of the main room. 718:Church of the East 567:until the time of 549:Feast of Orthodoxy 545:aniconism in Islam 492: 490:Church in Istanbul 247:Kitzinger, page 86 230:early Christianity 228:Several voices in 224:Depiction of Jesus 218:Early Christianity 204:aniconism in Islam 166:St. John Damascene 51: 3003:Schiller, Gertrud 2976:, 9780415204545, 2553:Freedberg, p. 175 2496:. the-highway.com 2196:978-1-877736-00-1 2152:978-1-888570-85-4 2022:Kitzinger, p. 102 2013:Kitzinger, p. 101 1941:Jensen, pp. 23–24 1931:978-0-674-02479-3 1913:47 (2007) 225–251 1875:978-0-226-31023-7 1821:www.newadvent.org 1652:978-0-86554-895-4 1602:Freedberg, p. 176 1466:978-0-8028-2778-4 1301:Pope Benedict XVI 1291:Pope John Paul II 1241:Iglesia ni Cristo 1070:, in the form of 1041:Dean of St Paul's 974:–1686) declared: 902:Andreas Karlstadt 800:Reformed Churches 792:Lutheran churches 726:biblical prophets 682:Roman Catholicism 618:The depiction of 463:fresco in water. 430:century sources. 415:After Constantine 309:Jewish background 266:Catacombs of Rome 197:Anglo-Catholicism 187:, as well as the 111:Christian history 3069: 2983:Kitzinger, Ernst 2944:Freedberg, David 2903: 2898: 2892: 2877: 2871: 2853: 2847: 2846: 2844: 2843: 2829: 2820: 2819: 2817: 2816: 2797: 2791: 2790: 2788: 2787: 2773: 2767: 2766: 2754: 2748: 2747: 2745: 2744: 2739:on June 29, 2013 2725: 2719: 2718: 2697: 2691: 2690: 2672: 2663: 2660: 2654: 2653: 2651: 2650: 2627: 2621: 2620: 2618: 2617: 2594: 2588: 2587: 2585: 2583: 2560: 2554: 2551: 2545: 2544: 2520: 2514: 2511: 2505: 2504: 2502: 2501: 2490: 2484: 2483: 2465: 2459: 2458: 2436: 2430: 2429: 2407: 2401: 2400: 2378: 2372: 2371: 2350: 2344: 2343: 2339:theologia crucis 2317: 2302: 2301: 2293: 2287: 2286: 2264: 2258: 2249:Art through time 2245: 2239: 2238: 2232: 2230: 2225:on 14 April 2020 2221:. Archived from 2211: 2205: 2204: 2182: 2176: 2175: 2168: 2162: 2161: 2160: 2159: 2142:Bernard's letter 2135: 2129: 2126: 2120: 2105: 2099: 2085: 2079: 2076: 2070: 2056: 2050: 2047: 2041: 2038: 2032: 2029: 2023: 2020: 2014: 2011: 2005: 2002: 1996: 1995:Kitzinger, p. 98 1993: 1987: 1986:Kitzinger, p. 99 1984: 1978: 1975: 1969: 1966: 1960: 1959:Kitzinger, p. 90 1957: 1951: 1950:Kitzinger, p. 94 1948: 1942: 1939: 1933: 1920: 1914: 1907: 1901: 1898: 1892: 1889: 1883: 1882: 1859: 1853: 1852: 1837: 1831: 1830: 1828: 1827: 1813: 1807: 1806:Kitzinger, p. 92 1804: 1798: 1790:David M. Gwynn, 1788: 1782: 1781: 1774: 1768: 1767: 1765: 1764: 1751: 1745: 1742: 1736: 1735:Kitzinger, p. 89 1733: 1727: 1726: 1724: 1723: 1716:Grove Art Online 1708: 1702: 1699: 1693: 1690: 1684: 1683: 1663: 1657: 1656: 1636: 1630: 1629:Jensen, pp. 9–12 1627: 1621: 1618: 1612: 1611:Kitzinger, p. 95 1609: 1603: 1600: 1589: 1588: 1581: 1575: 1574: 1567: 1561: 1560: 1553: 1547: 1533: 1524: 1510: 1501: 1500: 1498: 1497: 1482: 1471: 1470: 1447: 1436: 1435: 1433: 1431: 1416: 1407: 1406: 1384: 1375: 1374: 1367: 1336: 1331: 1330: 1305:John of Damascus 1158: 1094: 1091: 1087: 1084: 1030: 1029: 1558–1603 1028: 985: 973: 970: 926:Francis Turretin 922:Reformed Baptist 906:Huldrych Zwingli 875: 872: 808:Huldrych Zwingli 642:Baptism of Jesus 571:around 800; the 555:After Iconoclasm 506:Byzantine Empire 400:Against Heresies 337:Apostolic Decree 302: 248: 3077: 3076: 3072: 3071: 3070: 3068: 3067: 3066: 3037: 3036: 3026:by T. Klauser, 2940:, 9780195113815 2911: 2906: 2899: 2895: 2890:Wayback Machine 2878: 2874: 2854: 2850: 2841: 2839: 2831: 2830: 2823: 2814: 2812: 2799: 2798: 2794: 2785: 2783: 2775: 2774: 2770: 2755: 2751: 2742: 2740: 2727: 2726: 2722: 2712: 2698: 2694: 2687: 2673: 2666: 2661: 2657: 2648: 2646: 2644: 2628: 2624: 2615: 2613: 2611: 2595: 2591: 2581: 2579: 2577: 2561: 2557: 2552: 2548: 2541: 2521: 2517: 2512: 2508: 2499: 2497: 2492: 2491: 2487: 2480: 2466: 2462: 2451: 2437: 2433: 2422: 2408: 2404: 2393: 2379: 2375: 2365: 2351: 2347: 2332: 2318: 2305: 2294: 2290: 2279: 2265: 2261: 2256:Wayback Machine 2246: 2242: 2228: 2226: 2213: 2212: 2208: 2197: 2183: 2179: 2170: 2169: 2165: 2157: 2155: 2153: 2136: 2132: 2127: 2123: 2107:Dodwell, C.R.; 2106: 2102: 2087:Robin Cormack, 2086: 2082: 2077: 2073: 2058:Robin Cormack, 2057: 2053: 2048: 2044: 2039: 2035: 2030: 2026: 2021: 2017: 2012: 2008: 2003: 1999: 1994: 1990: 1985: 1981: 1976: 1972: 1967: 1963: 1958: 1954: 1949: 1945: 1940: 1936: 1921: 1917: 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150:Anglo-Catholics 131:Catholic Church 82:The Holy Spirit 70:Christian media 41:purging of the 17: 12: 11: 5: 3075: 3065: 3064: 3059: 3054: 3049: 3035: 3034: 3017: 3000: 2993: 2980: 2978:google preview 2962: 2947: 2941: 2926: 2910: 2907: 2905: 2904: 2893: 2872: 2860:Rowan Williams 2848: 2837:www.vatican.va 2821: 2792: 2768: 2763:New York Times 2749: 2720: 2710: 2692: 2685: 2664: 2655: 2642: 2622: 2609: 2589: 2575: 2555: 2546: 2539: 2515: 2506: 2485: 2478: 2460: 2449: 2431: 2420: 2402: 2391: 2373: 2363: 2345: 2330: 2303: 2288: 2277: 2259: 2240: 2206: 2195: 2177: 2163: 2151: 2130: 2121: 2100: 2080: 2071: 2051: 2042: 2033: 2024: 2015: 2006: 1997: 1988: 1979: 1970: 1961: 1952: 1943: 1934: 1923:Henry Chadwick 1915: 1902: 1893: 1884: 1874: 1854: 1832: 1808: 1799: 1783: 1769: 1746: 1737: 1728: 1703: 1701:Finney, p. 108 1694: 1685: 1678: 1658: 1651: 1631: 1622: 1613: 1604: 1590: 1576: 1562: 1559:(VI ed.). 1548: 1525: 1502: 1472: 1465: 1437: 1408: 1397: 1376: 1361: 1359: 1356: 1355: 1354: 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Index


Foxe's Book of Martyrs
Edward VI
Cranmer
Josiah's
Temple
Book of Common Prayer
Aniconism
Christianity
early Christian art and architecture
tradition of making artwork
Christian media
God
Jesus
The Holy Spirit
saints
prophets
other aspects of theology
The Trinity
Manus Dei
Christian history
Byzantine iconoclasm
Protestant Reformation
Calvinism
fundamentalist Christianity
Catholic Church
veneration
worship
Lutherans
Anglo-Catholics

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