1112:. Loos, who had always left the finances to Emerson, soon discovered that most of her money was no longer in joint accounts but in his own private accounts. Overworked at the studio and under stress from Emerson, she became more and more depressed. Loos promptly bought herself out of her United Artists contract, re-signed with MGM and bought a beach-front house in Santa Monica. After 17 years of marriage in 1937 Loos finally asked Emerson for a divorce and he agreed but would continue to stave off any talk of plans, making finalization impossible. When Emerson was deemed well enough to leave the sanatorium, she paid for a nurse to care for him in an apartment of his own.
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could be, faithful to any one female." Loos convinced herself he would see that she was different from all his other girls, and that behind his outwardly dull exterior was a great mind. She would later consider herself misled on both counts, writing: "I had set my sights on a man of brains, to whom I could look up", she lamented, "but what a terrible let down it would be to find out that I was smarter than he was."
1092:'s character on some confidence men she had known, including Wilson Mizner. Thalberg had taken ill again and gave Emerson a two-year contract as a producer at $ 1,250 a week. By mid-1937 Loos had decided not to renew her contract with MGM; since friend and supporter Thalberg's death in September 1936, things had not been going well at the studio and every film felt like a struggle. She signed with
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755:. Loos adored Mencken, but gradually realized disappointingly, "High-IQ gentlemen didn't fall for women with brains, but those with more downstairs". In 1925, on the train to Hollywood with Mencken, she became keenly aware of this fact when he solicited the attention of a blonde in the dining car. Loos then began to write a sketch of Mencken and his vacant lady friends that would later become
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782:, who was much more concerned with collecting expensive baubles from her conquests than any marriage licenses, in addition to being a shrewd woman of loose morals and high self-esteem. She was a practical young woman who had internalized the materialism of the United States in the 1920s and equated culture with cold cash and tangible assets.
1055:, and Harlow – that we were always on the lookout for 'shady lady' stories. But they were problematic because of the censorship code. Anita, however, could be counted on to supply the delicate double entendre, the telling innuendo. Whenever we had a Jean Harlow picture on the agenda, we always thought of Anita first." – MGM producer
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357:, Loos devised a method of cobbling together published reports of Manhattan social life and mailing them to a friend in New York, who would submit them under the friend's name for publication in San Diego. Her father had written some one-act plays for the stock company, and he encouraged Anita to write plays; she wrote
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Emerson first attempted to suppress its publication and then settled for a personal dedication. Loos continued to be overworked throughout 1926, sometimes working many projects at once. In the spring of 1926 she completed the stage adaptation, which opened a few weeks later in
Chicago and ran for 201
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Many of the scripts she turned out for
Griffith went unproduced. Some he considered unfilmable because the "laughs were all in the lines, there was no way to get them onto the screen", but he encouraged her to continue, because reading them amused him. Her first screen credit was for an adaptation of
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With each book came a new spate of interviews and as one of the last survivors of the silent era, Anita's stories became more exaggerated and she was soon reported to have sold her first scenario at the age of 12. She continued to thrive on interesting people and interesting activities – and held an
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At MGM, Loos happily turned out scripts; however, she frequently had to use
Emerson as a conduit to communicate with directors and other executives who balked at dealing with a woman on equal footing. This worked well to promote the idea they were a happy couple and writing team. She bought a modest
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In 1915, trying to escape her mother's influence and objections to a career in
Hollywood, Loos married Frank Pallma, Jr., the son of the band conductor. But Frank proved to be penniless and dull – after six months, Anita sent him out for hair pins, and while he was gone she packed her bags and went
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was eager to play in the screen version but the
Hollywood censors weren't ready for a woman to be "sloshed on screen for two acts and be rewarded with a happy ending." Loos sold her Santa Monica house to her niece and made certain Emerson understood he would not be joining her in New York under any
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and an assortment of chorus girls kept by prominent men. These "Tuesday Widows" soireés would influence her later writings, and it was with the "Tuesday Widows" that she visited one of her favorite hangouts, Harlem, where she developed a deep and lifelong appreciation for
African-American culture.
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migrated to New York as a group, with Loos and
Emerson sharing a leased mansion in Great Neck, Long Island. Loos wanted Marion as chaperone, as she found herself attracted to Emerson, a man 15 years her senior that she would refer to as "Mr. E". He would readily admit that he "had never been, nor
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Loos moved to an apartment in
Hollywood, where she was unexpectedly joined by Emerson. Though Emerson expressed contrition about his previous behavior, he did nothing to change it. While Emerson busied himself offering screen tests to young starlets, Loos was now free to see whomever she pleased,
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attacks to divert attention from her work; in the words of his wife, "he was a man who enjoyed ill health." It was the opinion of New York psychiatrist, Smith Ely
Jelliffe, "that she was to blame and in order for Emerson to get better she would have to give up her career." She resolved to retire
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The pictures for Famous
Players–Lasky were not as successful as their previous films, partly because they starred Broadway headliners not adept at screen acting and their contract was not renewed. The scripts carried both names but were mostly products of Loos alone. Later Loos would claim that
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With their income reduced, the couple moved to a residential hotel and did less traveling in 1931. Not long after, Loos came upon a love letter from one of Emerson's conquests. Devastated, Loos offered him a divorce; Emerson refused and suggested they live apart, with him giving her a suitable
391:, was her third screenplay and the first to be produced. Loos dredged real life, including her own, for scenarios: she dished up her father's cronies and brother's friends, also using the rich vacationers from the San Diego resorts; eventually every experience became grist for her script mill.
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as Dorothy. It was somewhat of a flop. From 1927 to 1929, Loos and Emerson traveled extensively, which was hard on Loos's health. All their winters were spent in Palm Beach, where Emerson would indulge in social climbing. Loos was starved of intellectual male companionship and met
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did not. They insisted on changing more than 80 lines and the film had to go into production. Loos was apprehensive, but Cukor insisted she do the changes on set, among his all-star bevy of leading ladies on this female-only picture that included Thalberg widow
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Upon returning, they produced five more films in 16 months. During this time, Loos had filed for divorce from her estranged first husband. Emerson proposed marriage and they were married at the Schenck estate on June 15, 1919. Loos was among the first to join
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497:: "My most popular subtitle introduced the name of a new character. The name was something like this: 'Count Xxerkzsxxv.' Then there was a note, 'To those of you who read titles aloud, you can't pronounce the Count's name. You can only think it.' "
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Emerson had convinced a devastated Loos that he needed to take a break from the marriage once a week. It was on these days he would date younger women, while Loos consoled herself by entertaining her friends: the Talmadge sisters, "Mama" Peg Talmadge,
789:. Modestly published in November 1925, the first printing sold out overnight. The initial reviews were rather bland and unimpressive, but through word of mouth it became the surprise best-seller of 1925. Loos garnered fan letters from fellow authors
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Loos would become a virtual New York institution, an assiduous partygoer and diner-out; conspicuous at fashion shows, theatrical and movie events, balls and galas. A celebrity anecdotalist, she was also never one to let facts spoil a good story:
778:, known as the "Lorelei" stories. They were satires on the state of sexual relations that only vaguely alluded to sexual intimacy; the magazine's circulation quadrupled overnight. The heroine of the stories, Lorelei Lee, was a bold, ambitious
957:. Though they saw each other every day, the relationship was rumored to have stopped just short of having a full-blown affair. Emerson's throat ailment returned, though he recovered quickly after his second round of "Viennese surgery".
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Loos worked on more adaptations for the next few years during travels while relocating to an apartment on West Fifty-Seventh Street. The apartment was that of Paul Swan, the aging "Most Beautiful Man in the World". Her next musical,
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Emerson took all the money and most of the credit, though his contribution usually consisted of observing from bed as she worked. Much to the chagrin of her friends, her adoration of Emerson had manifested as subservience. When
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apartment and cut back to two films a year in order to travel. They spent the summer in Paris. Loos and her new assistant, John Ashmore Creeland, visited many of the Paris-based writers Loos had met in America, as well as
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allowance. Blaming herself for his unhappiness, she moved to an apartment on East Sixty-Ninth Street. However, her new life allowed her finally to spend her portion of what she earned for the couple in any way she liked.
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When asked who the models for her characters were, Loos would almost always say they were composites of various people. But when pressed, she admitted that toothless flirt Sir Francis Beekman was modeled after writer
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was fired and replaced by Loos in a predominantly male run studio system. The picture, completed in May 1932, was a smash and established Harlow as a star and put Loos once again in the front rank of screenwriters.
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By age six, Anita Loos wanted to be a writer. While living in San Francisco, she accompanied her father, an alcoholic, on exciting fishing trips to the pier, exploring the city's underbelly (the Tenderloin and the
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house in Beverly Hills in 1934. During the day it was work, and at night parties given by other MGM studio executives or stars, like the Thalbergs, the Selznicks and the Goldwyns. Loos was a frequent attendee at
805:" would see three more printings sell by year's end and 20 more in its first decade. The little book would see 85 editions in the years to come and eventually be translated into 14 languages, including Chinese.
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In 1911, the theater was running one-reel films after each night's performances; Anita would take a perfunctory bow and run to the back of the theater to watch them. She sent her first attempt at a screenplay,
504:, he took the team of Emerson-Loos with him at the high income of $ 500 a week. During this time Loos, Fairbanks, and Emerson collaborated well together, and Loos was getting as much publicity as either
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that had been supposedly removed from his vocal cords. This placebo treatment did the trick, they returned with a cured Emerson. Not wanting to undo all her efforts, Loos retired to a life of leisure.
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movies. Loos and company realized that Douglas Fairbanks' acrobatics were an extension of his effervescent personality and parlayed his natural athletic ability into swashbuckling adventure roles.
296:, a tabloid newspaper, for which her mother did most of the work of a publisher. In 1892, when Anita was three years old, the family moved to San Francisco, where her father bought the newspaper
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The couple had planned another European vacation. Unwell at the last minute, Emerson insisted that Loos continue alone. Arriving in London, she was promptly taken under the wing of socialite
1360:. Biographer Gary Carey notes: "She was a born storyteller and was always in peak form when reshaping a real-life encounter to make an amusing anecdote." Loos began a volume of memoirs,
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including her now quite ill friend Wilson Mizner. Mizner having abused his body with alcohol and drugs, wasted away until dying on April 3, 1932, a date Loos would continue to mark.
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was published in 1927, Emerson proposed another European vacation and went ahead of Loos. A seriously ill Loos followed him, coming down with a sinus attack in Vienna. She and the
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Anita continued appearing on stage, being the family's breadwinner. Her father's spendthrift ways caught up with them, and in 1903 he took an offer to manage a theater company in
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in a hotel lobby in Monte Carlo. Gigi opened in the fall of 1951 and would run until the spring of 1952; by then Hepburn had been elevated to an A-list star, contracted to
696:] concerning my marriage to a man who treated me with complete lack of consideration, tried to take credit for my work and appropriated all my earnings", Loos wrote in
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the second time around meant Loos had a greater profile than ever before. She moved to a more spacious apartment at the Langdon Hotel and bought a car. In 1950 Loos wrote
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in London. Loos worked and traveled even while being treated for a painful hand ailment that prevented her from writing. In 1959 Loos opened another Colette adaptation,
462:(1916), she traveled to New York City for the first time to attend its premiere. Instead of returning to Hollywood, Loos spent the fall of 1916 in New York and met with
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as co-author. Loos threatened to quit the production unless assured she would never have to speak to Fields again. The show opened in Philadelphia with a then-unknown
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specialist who was treating her came up with a method of fixing Emerson's hypochondria. The doctor arranged a bit of sham surgery for him and presented him with the
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home to her mother. After that, Minnie rethought her position on a Hollywood career. Accompanied by her mother, Anita joined the film colony in Hollywood where
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218:(April 26, 1888 – August 18, 1981) was an American actress, novelist, playwright and screenwriter. In 1912, she became the first female staff screenwriter in
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studios. Between 1912 and 1915, she wrote 105 scripts, all but four of which were produced. She wrote 200 scenarios before she ever visited a film studio.
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1201:. It opened in Boston, but the audiences hated it at first. Loos kept improving the script throughout the Boston run; when it opened in New York at the
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in 1937. Many writers had, unsuccessfully, taken a stab at a screenplay version. The studio handed it to Loos and veteran scriptwriter
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1008:(1932) that pokes fun at her novel Gentlemen Prefer Blondes, in the hands of Harlow (a famous blonde who wore a red wig for the role).
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on August 29, 1923, received good reviews and was a moderate box-office success. Soon afterward the couple moved to a small house in
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567:(1919) was one of the first Marion Davies pictures that didn't lose money. In addition to their films, the couple wrote two books:
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Loos returned to California as Griffith was leaving Triangle to make longer films, and she joined director and future husband
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during their 1919 strike, he decided that the Loos-Emerson team should make the move to the theater. Their first play,
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In October Loos and her brother Clifford checked Emerson into a very expensive sanatorium where he was diagnosed with
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offered the couple a four-picture deal in New York for more money than they had been making with the Fairbanks unit.
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The success of the short stories had the public clamoring for them in book form. Pushed by Mencken, she signed with
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The five films Loos wrote for Fairbanks helped make him a star. When Fairbanks was offered a sweetheart deal with
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602:(1919) were great hits for Talmadge. The couple joined the Talmadges and the Schencks at the Ambassador Hotel on
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After spending several weeks with a lung infection, Anita Loos suffered a heart attack and died in Manhattan's
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opinion on everything – but worked hard on keeping the vivacious and flippant image and hiding her loneliness.
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About pronouncing her name, Loos said, "The family has always used the correct French pronunciation which is
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The story of 42nd Street: the theaters, shows, characters, and scandals of the world's most notorious street
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Anita Loos Rediscovered: Film Treatments and Fiction by Anita Loos, Creator of Gentlemen Prefer Blondes
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Anita Loos Rediscovered: Film Treatments and Fiction by Anita Loos, Creator of Gentlemen Prefer Blondes
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Anita Loos Rediscovered: Film Treatments and Fiction by Anita Loos, Creator of Gentlemen Prefer Blondes
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322:) and making friends with the locals. This fed her lifelong fascination with lowlifes and loose women.
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commented: "I was convinced the show wouldn't work without Carol, and in my opinion it never has." A
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Loos and Emerson turned down another picture with Davies, preferring to write for their old friend
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Loos and Emerson traveled to Hollywood for Christmas in 1929 with Loos's new friend, photographer
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1376:(1974) was a Hollywood memoir about her MGM years and would be very successful, while her book,
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3496:"Why the Writer Who Turned Audrey Hepburn and Douglas Fairbanks Into Stars Never Won an Oscar"
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had a lukewarm reception, but by then Loos was already working on a dramatic adaptation of
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3523:"Gentlemen Prefer Adaptations: Addressing Industry and Gender in Adaptation Studies"
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Gladys died at age eight of appendicitis, while their father was away on business.
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and knitted socks and sweaters for the boys overseas. She also had houseguests
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Cast of Thousands: a pictorial memoir of the most glittering stars of Hollywood
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1071:'s Sunday brunches, which was the closest Hollywood had to a literary salon.
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380:
336:
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79:
4082:
Without lying down: Frances Marion and the powerful women of early Hollywood
3850:"Anita Loos – sharp, shameless humour of the 'world's most brilliant woman'"
3722:"Gentlemen Prefer Blondes - 1926 Broadway - Backstage & Production Info"
1177:
In the fall of 1946, now a free agent, Loos returned to New York to work on
533:
1430:
1305:
1256:
1248:
1240:
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1158:
1068:
961:
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there, a witty and charming real estate speculator, and in some quarters –
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860:
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505:
410:
16:
American screenwriter, playwright, author, actress, and television producer
4520:
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1426:
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1342:
Loos continued writing as a magazine contributor, appearing regularly in
1327:
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1089:
1056:
1044:
1014:
945:
538:
415:
5150:
3546:
3522:
3274:"Red Bluff News 24 April 1901 — California Digital Newspaper Collection"
1477:
the character Anita St. Pierre, played by Jen Tullock, is based on Loos.
1088:
got an Academy Award nomination for best original screenplay. She based
5276:
4960:
4333:
4169:
Jacobs, Katrien; Foster, Gwendolyn Audrey; Unterburger, Amy L. (1998).
3965:
3385:
2826:
1867:
1863:
1434:
1402:
1218:
834:
764:
Gentlemen Prefer Blondes: The Illuminating Diary of a Professional Lady
453:
267:
60:
1401:
She once commented, "I've enjoyed my happiest moments when trailing a
335:
In 1897, at their father's urging, Loos and her sister performed in a
4254:
3370:"Blondes Have More Fun: Anita Loos and the Language of Silent Cinema"
3080:
1626:
Fate Keeps On Happening: Adventures Of Lorelei Lee And Other Writings
1550:
514:
347:
200:
4416:
4378:
3432:"Books of The Times; Centenary for Author of an Indubitable Classic"
3369:
1421:
in New York City at the age of 93. At the memorial service, friends
996:, Emerson refused to go. Loos took the $ 1,000-a-week salary alone.
4478:
Gentlemen Prefer Blondes: The Intimate Diary of A Professional Lady
4420:
1580:
Gentlemen Prefer Blondes: The Intimate Diary of a Professional Lady
1213:
Once again in New York, she and her long time friend, screenwriter
829:
performances on Broadway. Emerson had developed a serious case of
3823:"Gentlemen Prefer Blondes (Broadway, Times Square Theatre, 1926)"
3809:"Gentlemen Prefer Blondes – Broadway Play – Original | IBDB"
3777:"Gentlemen Prefer Blondes (Broadway, Times Square Theatre, 1926)"
1638:
1279:
779:
440:
361:, a successful piece, for which she received periodic royalties.
241:
4299:
The Scribner Encyclopedia of American Lives, Volume 1: 1981–1985
1082:, who would later become a frequent collaborator. Their work on
988:
When the Emerson-Loos team got an offer to write pictures for
657:(1920), Emerson refused another contract. After working with
4431:
907:
557:
offered Loos a contract to write a picture for his mistress,
4283:
Schmidt, Karl (June 1917). "The Handwriting on the Screen".
1405:
evening gown across the sawdust-covered floor of a saloon."
285:. However, I myself pronounce my name as if it were spelled
4552:
1031:'s book. Fitzgerald, an accomplished writer of novels like
493:(1916) was noted for its wry style of discursive and witty
272:
Richard Beers Loos and Minerva Ellen "Minnie" (Smith) Loos
4403:
Some contemporary articles and interviews with Anita Loos
3983:"With the Joy She Requested, Anita Loos Is Bade Farewell"
1408:
She was interviewed in the television documentary series
692:
310:, and lead to her father's romance with the opera singer
3740:
2614:(1918; screenplay; producer; story Gosh Darn the Kaiser)
1368:, was written in collaboration with friend and actress
434:
at $ 75 a week with a bonus for every produced script.
4265:
What Happens Next: A History of American Screenwriting
4063:
Reel women: pioneers of the cinema 1896 to the present
719:
537:
Loos and Emerson at their wedding on June 28, 1919 in
3751:"Gentlemen Prefer Blondes – Broadway Play – Original"
3085:
1225:. Two Broadway producers wanted a musical version of
3967:
Hollywood: A Celebration of the American Silent Film
1462:'s look back at early silent filmmaking in the film
1411:
Hollywood: A Celebration of the American Silent Film
1334:
in the title roles, but it ran for only two months.
1004:
Jean Harlow and Anita Loos in a publicity photo for
768:
began as a series of short sketches, illustrated by
4252:Loos, R. Beers. "Anita's Dad Spills the Frijoles,"
4131:
Encyclopedia of World Biography Supplement, Vol. 21
4117:
3931:"Ageless Anita Loos Talks of Herself and Hollywood"
3748:
1433:, regaled the mourners with humorous anecdotes and
4170:
4139:
1450:Loos is portrayed in a thinly disguised manner by
1337:
472:. They had an instant rapport and Loos remained a
3663:
3661:
3628:"Gentlemen Prefer Blondes: About This Production"
5326:20th-century American dramatists and playwrights
5307:
4978:Intolerance: Love's Struggle Throughout the Ages
2465:Intolerance: Love's Struggle Throughout the Ages
1854:(1913; scenario; story "The Making of a Masher")
1172:
518:magazine labeled her "The Soubrette of Satire".
4383:New York Public Library for the Performing Arts
4308:"Anita Loos Dead at 93; Screenwriter, Novelist"
4301:. New York, N.Y: Charles Scribner's Sons. 1998.
4137:
4079:
3734:
3652:
3158:"Anita Loos Dead at 93; Screenwriter, Novelist"
1161:Loos wrote screenplays, grew vegetables in her
3658:
3380:(2). Johns Hopkins University Press: 299–300.
1437:played songs from Loos's musicals, including "
1364:, published in September 1966. Her 1972 book,
983:
651:After one more film for Schenck and Talmadge,
448:'s. When Griffith asked her to assist him and
230:. She is best known for her 1925 comic novel,
5136:
4447:
3708:"Gentlemen Prefer Blondes | Vanity Fair"
3054:(1955; novel "But Gentlemen Marry Brunettes")
2766:(1922; screenplay; story; executive producer)
4261:
4084:. Berkeley: University of California Press.
3630:. Internet Broadway Database. Archived from
3416:
3414:
3412:
3410:
3354:
3352:
3350:
3348:
3346:
3344:
3342:
4381:, held by the Billy Rose Theatre Division,
4231:
4210:
4191:
4138:Henderson, Mary C.; Greene, Alexis (2008).
4098:
4060:
1205:it was a hit and ran for 600 performances.
1013:The first project Thalberg handed Loos was
394:By 1912, Loos had sold scripts to both the
5143:
5129:
4454:
4440:
4349:
3847:
3749:The Broadway League (September 28, 1926).
3668:Atkinson, J. Brooks (September 29, 1926).
2894:(1934; screenplay contributor; uncredited)
1247:version was produced in 1953, directed by
902:
330:
31:
5346:American women dramatists and playwrights
3880:
3878:
3728:
3646:
3407:
3339:
3332:
3330:
1873:(1913; story "The Queen of the Carnival")
1683:Twice Over Lightly: New York Then and Now
1366:Twice Over Lightly: New York Then and Now
1221:. A few romances came her way, including
940:(now lost) was released in 1928 starring
3667:
3462:
3460:
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3312:
3310:
3308:
3259:
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3249:
3247:
3245:
3243:
2830:(1931; story "The Whole Town's Talking")
1637:
1103:
998:
906:
702:
532:
414:Stylized cover drawing of Anita Loos by
409:
5401:People from Siskiyou County, California
4305:
4282:
3848:Hutchinson, Pamela (January 11, 2016).
3478:
3476:
3474:
3472:
3241:
3239:
3237:
3235:
3233:
3231:
3229:
3227:
3225:
3223:
3155:
2958:(1939; contributing writer; uncredited)
2950:(1938; contributing writer; uncredited)
405:
186: 1919; died 1956)
5308:
4545:intertitles; some works are co-written
3980:
3875:
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3327:
3213:
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3209:
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3201:
3199:
3197:
3195:
1150:who was surprisingly well-read. When
521:
444:in which her billing came right after
5124:
4435:
3964:Brownlow, Kevin; Gill, David (1980).
3925:
3923:
3561:
3490:
3488:
3457:
3429:
3367:
3361:
3305:
3284:from the original on October 19, 2017
1686:. NY: Harcourt Brace Jovanovich, 1972
727:Loos had become a devoted admirer of
690:"Sometimes I get enquiries [
5366:People from Mount Shasta, California
4041:
4014:
3620:
3520:
3469:
3296:
3220:
3151:
3149:
3125:
2734:(1920; writer; producer; uncredited)
1796:
1629:. NY: Dodd, Mead & Company, 1984
1380:(1978) is about the actress sisters
590:) was an independent producer. Both
5426:20th-century American screenwriters
5336:20th-century American women writers
4543:/I signals that Loos also wrote the
3787:from the original on April 12, 2022
3763:from the original on April 12, 2022
3688:from the original on April 13, 2022
3570:
3192:
1714:
1599:. NY: Doubleday & Company, 1951
1217:, worked on an unproduced play for
1146:. Loos made immediate friends with
13:
4375:at the Women Film Pioneers Project
4306:Whitman, Alden (August 19, 1981).
4173:Women filmmakers & their films
4133:. New York, N.Y: Gale Group. 2001.
4021:. University of California Press.
3920:
3604:. September 26, 1926. pp. D15
3521:Wood, Bethany (February 5, 2024).
3485:
3156:Whitman, Alden (August 19, 1981).
3132:. University of California Press.
1444:
1185:cocktail party comedy written for
1115:MGM had bought the film rights to
1096:, formerly of MGM and now head of
14:
5447:
5228:Diamonds Are a Girl's Best Friend
4408:Works by Anita Loos in eBook form
4327:
3981:Lawson, Carol (August 28, 1981).
3970:(video). Thames Video Production.
3146:
3126:Loos, Anita (November 10, 2003).
2814:(1928; novel; screenplay; titles)
1439:Diamonds Are a Girl's Best Friend
571:, published in 1920, followed by
476:contributor for several decades.
5421:Screenwriters from New York City
5361:People from Great Neck, New York
5341:20th-century American memoirists
4424:
4398:AFI Catalog entry for Anita Loos
4238:. New York: Grosset and Dunlap.
4125:. New York: Funk & Wagnalls.
4042:Loos, Anita (February 5, 1961).
3430:Gross, John (October 11, 1988).
3095:
3062:"Happy Birthday" (1956; writer)
1617:London: Arthur Barker Ltd., 1961
1591:. NY: Boni & Liveright, 1927
1583:. NY: Boni & Liveright, 1925
544:Loos, Emerson and fellow writer
158:
5381:Novelists from New York (state)
5331:20th-century American novelists
4994:The Mystery of the Leaping Fish
4599:The Telephone Girl and the Lady
4053:
4035:
4008:
3974:
3957:
3948:
3887:
3841:
3815:
3801:
3714:
3700:
3588:
3514:
3423:
3113:
2473:The Mystery of the Leaping Fish
2072:The Telephone Girl and the Lady
1791:
1338:1960-1981: Later life and death
1078:formation, she was paired with
1074:In 1935, about the time of the
707:Anita Loos and John Emerson in
627:The couple moved into a modest
373:, for which she received $ 25.
183:
154:
4461:
4361:Internet Off-Broadway Database
4196:. New York: The Viking press.
4146:. New York: Back Stage Books.
3266:
3183:
3119:
2982:(1940; adaptation; uncredited)
1702:. NY: Grosset and Dunlap, 1977
1665:"This Brunette Prefers Work",
1557:University of California Press
1471:In the second season of HBO's
1:
5406:Screenwriters from California
5246:But Gentlemen Marry Brunettes
4486:But Gentlemen Marry Brunettes
4015:Loos, Anita (November 2003).
3670:"The Play; Blondes Preferred"
3108:
2049:The Lady in Black (1913 film)
1633:
1588:But Gentlemen Marry Brunettes
1193:as director, and produced by
1173:1946-1959: Return to New York
970:But Gentlemen Marry Brunettes
921:But Gentlemen Marry Brunettes
912:
841:But Gentlemen Marry Brunettes
253:
5431:San Diego High School alumni
5356:American women screenwriters
4388:Anita Loos papers, 1917-1979
4379:Anita Loos papers, 1917–1981
2907:Biography of a Bachelor Girl
1526:Resources in other libraries
1507:Resources in other libraries
1474:Perry Mason (2020 TV series)
1027:was having no luck adapting
430:put Loos on the payroll for
339:stock company production of
7:
5272:Marilyn Monroe's pink dress
4575:The Musketeers of Pig Alley
4423:(public domain audiobooks)
4177:. London: St. James Press.
3735:Henderson & Greene 2008
3653:Henderson & Greene 2008
3368:Frost, Laura (April 2010).
3074:
2886:(1934; original screenplay)
1812:The Musketeers of Pig Alley
1119:'s 1936 smash Broadway hit
984:1931-1935: MGM screenwriter
483:for a string of successful
418:on the April 1918 issue of
10:
5452:
5386:Writers from San Francisco
5032:(1922; executive producer)
4347:Internet Broadway Database
4268:. New York, N.Y: Harmony.
4258:, August 1928, p. 47.
4217:. New York: Viking Press.
2654:(1919; scenario; producer)
2481:A Wild Girl of the Sierras
1662:. NY: James A McCann, 1921
1572:
934:The first film version of
226:put her on the payroll at
5411:People from Gramercy Park
5391:Novelists from California
5371:American women memoirists
5285:
5264:
5254:Gentlemen Marry Brunettes
5237:
5219:
5192:
5165:
5055:
5012:
4959:
4949:Gentlemen Marry Brunettes
4932:
4881:
4663:His Picture in the Papers
4539:
4496:
4469:
3051:Gentlemen Marry Brunettes
2934:(1937; screenplay; story)
2862:(1933; screenplay; story)
2790:(1925; screenplay; story)
2758:(1922; screenplay; story)
2718:(1920; screenplay; story)
2489:His Picture in the Papers
2444:(1916; screenplay; story)
2289:The Last Drink of Whiskey
2215:The Gangsters of New York
1653:NY: James A McCann, 1920
1521:Resources in your library
1502:Resources in your library
490:His Picture in the Papers
432:Triangle Film Corporation
325:
228:Triangle Film Corporation
194:
133:
125:
102:
91:
68:
42:
30:
23:
5436:Actresses from Manhattan
5376:Writers from Los Angeles
5351:American women novelists
5201:Gentlemen Prefer Blondes
5182:Gentlemen Prefer Blondes
5174:Gentlemen Prefer Blondes
5157:Gentlemen Prefer Blondes
5104:A Tree Grows in Brooklyn
5045:Gentlemen Prefer Blondes
5002:Gentlemen Prefer Blondes
4941:Gentlemen Prefer Blondes
4874:"Happy Birthday" (1956)
4743:Gentlemen Prefer Blondes
4513:Gentlemen Prefer Blondes
4371:August 20, 2019, at the
4123:What's the Name, Please?
4103:. New York: A.A. Knopf.
4080:Beauchamp, Cari (1997).
4044:"No Mother to Guide Her"
3043:Gentlemen Prefer Blondes
3027:A Tree Grows in Brooklyn
2811:Gentlemen Prefer Blondes
2795:The Whole Town's Talking
2726:(1920; writer; producer)
2702:(1920; producer; writer)
2638:(1918; writer; producer)
2436:(1916; scenario; titles)
2297:The White Slave Catchers
2207:The Million Dollar Bride
2111:Nearly a Burglar's Bride
1756:Gentlemen Prefer Blondes
1734:Gentlemen Prefer Blondes
1721:The Whole Town's Talking
1710:. NY: Viking Press, 1978
1694:. NY: Viking Press, 1974
1659:Breaking Into the Movies
1481:
1228:Gentlemen Prefer Blondes
937:Gentlemen Prefer Blondes
833:by this time, affecting
757:Gentlemen Prefer Blondes
722:Gentlemen Prefer Blondes
663:The Whole Town's Talking
609:Gentlemen Prefer Blondes
573:Breaking Into the Movies
233:Gentlemen Prefer Blondes
5072:The Cowboy and the Lady
4101:Anita Loos: a biography
2947:The Cowboy and the Lady
2662:(1919; scenario; story)
2359:The Fatal Finger Prints
2011:The Power of the Camera
1878:A Cure for Suffragettes
1677:. NY:Viking Press, 1966
1650:How to Write Photoplays
1167:Aldous and Maria Huxley
903:1927-1931: Leisure time
582:, whose brother-in-law
569:How to Write Photoplays
555:William Randolph Hearst
331:1897-1915: Early career
276:Ross-Loos Medical Group
5416:Writers from Manhattan
5064:The Cat and the Fiddle
5037:Blondie of the Follies
4890:Nell's Eugenic Wedding
4783:The Girl from Missouri
4679:A Daughter of the Poor
4214:Kiss Hollywood Good-by
3596:"This Week's Openings"
3500:The Hollywood Reporter
2891:The Cat and the Fiddle
2883:The Girl from Missouri
2843:Blondie of the Follies
2619:Hit-The-Trail Holliday
2579:A Daughter of the Poor
2183:Nell's Eugenic Wedding
1992:The Hicksville Epicure
1691:Kiss Hollywood Good-by
1667:Woman's Home Companion
1643:
1642:Loos' Nonfiction books
1604:No Mother to Guide Her
1399:
1374:Kiss Hollywood Good-by
1060:
1010:
966:the stock market crash
916:
848:that she had promised
716:
665:, which opened at the
541:
422:
353:After graduating from
4687:Reaching for the Moon
4615:The Girl in the Shack
4262:Norman, Marc (2007).
3035:The Buick Circus Hour
2731:In Search of a Sinner
2595:Reaching for the Moon
2343:The Deacon's Whiskers
2273:The Girl in the Shack
2257:For Her Father's Sins
2135:The Road to Plaindale
2103:A Lesson in Mechanics
1958:How the Day Was Saved
1641:
1614:NY: McGraw Hill, 1961
1394:
1104:1936-1945: Life alone
1041:
1002:
910:
871:and notables such as
838:after her next book,
706:
536:
413:
355:San Diego High School
37:1916 portrait of Loos
5296:" (1984 music video)
4898:American Aristocracy
4831:Blossoms in the Dust
4711:The Isle of Conquest
4394:, Harvard University
4286:Everybody's Magazine
4232:Loos, Anita (1977).
4211:Loos, Anita (1974).
4192:Loos, Anita (1966).
4099:Carey, Gary (1988).
4065:. London: Batsford.
4061:Acker, Ally (1991).
3539:10.1353/tj.2014.0120
2995:Blossoms in the Dust
2755:Polly of the Follies
2683:The Isle of Conquest
2675:Getting Mary Married
2651:A Temperamental Wife
2544:The Social Secretary
2457:American Aristocracy
2320:A Ten-Cent Adventure
2199:The Man on the Couch
2191:The Fatal Dress Suit
2119:Some Bull's Daughter
925:ear, nose and throat
897:Times Square Theater
787:Boni & Liveright
593:A Temperamental Wife
564:Getting Mary Married
528:Famous Players–Lasky
502:Famous Players–Lasky
406:1915-1917: Hollywood
367:He Was a College Boy
157: 1915;
5396:Women film pioneers
4871:Producers' Showcase
4703:Let's Get a Divorce
4417:Works by Anita Loos
4119:Funk, Charles Earle
3901:. August 20, 1981.
3899:The Washington Post
3829:. December 14, 2015
3502:. February 16, 2017
3374:Modernism/Modernity
3059:Producers' Showcase
2627:Let's Get a Divorce
2571:In Again, Out Again
2410:The French Milliner
2378:(1916; intertitles)
2305:When the Road Parts
2151:The Saving Presence
2041:His Awful Vengeance
1741:The Social Register
1454:, as the character
1025:F. Scott Fitzgerald
944:as Lorelei Lee and
811:Joseph Hergesheimer
751:and theater critic
745:Joseph Hergesheimer
522:1918-1924: New York
464:Frank Crowninshield
302:The Dramatic Review
292:Her father founded
5024:(1920; adaptation)
4863:I Married an Angel
4855:They Met in Bombay
4312:The New York Times
3987:The New York Times
3954:Loos, 1966, p. 36.
3674:The New York Times
3436:The New York Times
3386:10.1353/mod.0.0213
3162:The New York Times
3022:(1942; screenplay)
3019:I Married an Angel
3011:They Met in Bombay
3006:(1941; screenplay)
2998:(1941; screenplay)
2990:(1940; screenplay)
2974:(1939; uncredited)
2966:(1939; screenplay)
2918:(1936; screenplay)
2699:Dangerous Business
2694:(1920; adaptation)
2449:A Corner in Cotton
2265:Izzy and His Rival
2234:A Bunch of Flowers
2229:(1914; uncredited)
2175:Gentleman or Thief
2098:(1914/I; scenario)
1707:The Talmadge Girls
1644:
1542:Author: Anita Loos
1382:Constance Talmadge
1378:The Talmadge Girls
1294:Paramount Pictures
1011:
917:
753:George Jean Nathan
717:
580:Constance Talmadge
542:
423:
216:Corinne Anita Loos
206:Richard Beers Loos
5303:
5302:
5118:
5117:
5114:
5113:
5021:The Branded Woman
4559:
4546:
4275:978-0-307-38339-6
4235:Cast of Thousands
4153:978-0-8230-3072-9
4028:978-0-520-22894-8
3895:"The Loos Legend"
3139:978-0-520-22894-8
3071:
3070:
3038:(1952; teleplays)
3030:(1945 uncredited)
2715:The Perfect Woman
2691:The Branded Woman
2574:(1917/II; writer)
1669:, 83 (March 1956)
1488:Library resources
1460:Peter Bogdanovich
1314:Charles MacArthur
1302:The Amazing Adele
1223:Maurice Chevalier
1207:Katharine Hepburn
1117:Clare Boothe Luce
974:Cherries are Ripe
899:, in April 1927.
801:, among others. "
737:Sherwood Anderson
698:Cast of Thousands
654:The Perfect Woman
642:Elisabeth Marbury
622:Lucy Stone League
485:Douglas Fairbanks
258:Loos was born in
213:
212:
144:Frank Pallma, Jr.
126:Years active
5443:
5145:
5138:
5131:
5122:
5121:
5080:Another Thin Man
5040:(1932; dialogue)
4839:When Ladies Meet
4786:(1934; original)
4759:Red-Headed Woman
4671:The Children Pay
4583:The New York Hat
4555:
4550:
4549:
4541:
4456:
4449:
4442:
4433:
4432:
4428:
4427:
4392:Houghton Library
4353:
4322:
4320:
4318:
4302:
4294:
4279:
4249:
4228:
4207:
4188:
4176:
4165:
4145:
4134:
4126:
4114:
4095:
4076:
4048:
4047:
4039:
4033:
4032:
4012:
4006:
4005:
4003:
4001:
3978:
3972:
3971:
3961:
3955:
3952:
3946:
3945:
3943:
3941:
3927:
3918:
3917:
3915:
3913:
3891:
3885:
3882:
3873:
3872:
3870:
3868:
3845:
3839:
3838:
3836:
3834:
3819:
3813:
3812:
3805:
3799:
3796:
3794:
3792:
3772:
3770:
3768:
3744:
3738:
3732:
3726:
3725:
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3704:
3698:
3697:
3695:
3693:
3665:
3656:
3650:
3644:
3643:
3641:
3639:
3634:on April 5, 2023
3624:
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3611:
3609:
3592:
3586:
3583:
3568:
3565:
3559:
3558:
3518:
3512:
3511:
3509:
3507:
3492:
3483:
3482:Gale Group. 2001
3480:
3467:
3464:
3455:
3454:
3452:
3450:
3427:
3421:
3418:
3405:
3404:
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3400:
3365:
3359:
3356:
3337:
3334:
3325:
3322:
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3294:
3293:
3291:
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3218:
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3190:
3187:
3181:
3180:
3178:
3176:
3153:
3144:
3143:
3123:
3100:
3099:
3098:
3091:
3003:When Ladies Meet
2955:Another Thin Man
2851:Red-Headed Woman
2846:(1932; dialogue)
2787:Learning to Love
2710:(1920; scenario)
2646:(1919; scenario)
2564:
2537:
2497:The Children Pay
2428:(1916; scenario)
2426:
2405:(1916; scenario)
2403:
2386:(1916; scenario)
2383:A Calico Vampire
2370:(1916/I; writer)
2354:(1915; scenario)
2346:(1915; scenario)
2338:(1915; scenario)
2330:(1915; scenario)
2328:
2313:
2242:
2227:
2159:A Corner in Hats
2154:(1914; scenario)
2146:(1914; scenario)
2143:The Saving Grace
2138:(1914; scenario)
2130:(1914; scenario)
2122:(1914; scenario)
2114:(1914; scenario)
2106:(1914; scenario)
2088:
2080:The Widow's Kids
2057:
2034:
2026:The Suicide Pact
2019:
2004:
1985:
1970:
1951:
1932:
1913:
1894:
1871:
1846:(1913; scenario)
1844:
1836:The Wedding Gown
1831:(1913; scenario)
1820:The New York Hat
1797:
1715:Broadway credits
1656:w/John Emerson.
1419:Doctors Hospital
1148:Paulette Goddard
1144:Rosalind Russell
1131:censorship board
1034:The Great Gatsby
1020:Red-Headed Woman
1006:Red-Headed Woman
914:
823:Lillian Lorraine
791:William Faulkner
733:Theodore Dreiser
387:and directed by
385:Lionel Barrymore
376:The New York Hat
371:Biograph Company
187:
185:
162:
160:
156:
97:Etna, California
75:
52:
50:
35:
21:
20:
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5299:
5281:
5260:
5233:
5215:
5188:
5161:
5149:
5119:
5110:
5051:
5029:Red Hot Romance
5008:
4955:
4928:
4877:
4735:Red Hot Romance
4719:A Virtuous Vamp
4695:Wild and Woolly
4557:
4554:
4544:
4542:
4535:
4492:
4465:
4460:
4425:
4412:Standard Ebooks
4373:Wayback Machine
4330:
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3566:
3562:
3527:Theatre Journal
3519:
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3503:
3494:
3493:
3486:
3481:
3470:
3465:
3458:
3448:
3446:
3428:
3424:
3420:Beauchamp. 1997
3419:
3408:
3398:
3396:
3366:
3362:
3358:Scribners.1998.
3357:
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3124:
3120:
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3106:
3096:
3094:
3086:
3077:
3072:
2899:Social Register
2819:The Fall of Eve
2779:Three Miles Out
2763:Red Hot Romance
2723:The Love Expert
2643:A Virtuous Vamp
2603:Wild and Woolly
2546:
2527:
2525:The Matrimaniac
2517:The Little Liar
2412:
2393:
2322:
2307:
2236:
2217:
2167:A Flurry in Art
2082:
2051:
2028:
2013:
1994:
1979:
1960:
1941:
1922:
1920:Binks' Vacation
1903:
1901:A Horse on Bill
1888:
1861:
1838:
1828:A Narrow Escape
1794:
1779:The King's Mare
1727:The Fall of Eve
1717:
1680:w/Helen Hayes.
1647:w/John Emerson
1636:
1596:A Mouse Is Born
1575:
1532:
1531:
1530:
1512:
1511:
1496:
1495:
1491:
1484:
1447:
1445:Popular culture
1345:Harper's Bazaar
1340:
1272:A Mouse is Born
1266:The success of
1253:Charles Lederer
1251:and adapted by
1231:and brought in
1210:circumstances.
1175:
1157:Throughout the
1106:
1029:Katherine Brush
1009:
990:Irving Thalberg
986:
905:
889:Waldorf Theatre
865:Harold Nicolson
850:Harper's Bazaar
775:Harper's Bazaar
772:, published in
725:
709:Edward Steichen
638:Alice B. Toklas
599:A Virtuous Vamp
524:
452:in writing the
408:
333:
328:
298:Music and Drama
256:
236:, and her 1951
190:
189:
181:
177:
174:
164:
161: 1919)
152:
148:
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121:
95:Etna Cemetery,
87:
77:
73:
72:August 18, 1981
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5213:
5212:(1974 musical)
5205:
5204:(1949 musical)
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4910:
4902:
4894:
4885:
4883:
4879:
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4867:
4859:
4851:
4847:The Lost House
4843:
4835:
4827:
4819:
4811:
4803:
4795:
4787:
4779:
4771:
4763:
4755:
4747:
4739:
4731:
4723:
4715:
4707:
4699:
4691:
4683:
4675:
4667:
4659:
4655:The Half-Breed
4651:
4643:
4635:
4627:
4619:
4611:
4603:
4595:
4587:
4579:
4571:
4562:
4560:
4547:
4537:
4536:
4534:
4533:
4525:
4517:
4509:
4505:Happy Birthday
4500:
4498:
4494:
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4491:
4490:
4482:
4473:
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4467:
4466:
4459:
4458:
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4429:
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4405:
4400:
4395:
4385:
4376:
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4354:
4340:
4329:
4328:External links
4326:
4324:
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4274:
4259:
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4208:
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3886:
3874:
3840:
3814:
3800:
3798:
3797:
3773:
3739:
3737:, p. 202.
3727:
3713:
3699:
3657:
3655:, p. 201.
3645:
3619:
3614:Newspapers.com
3587:
3585:NYT Obit. 1981
3569:
3560:
3533:(4): 559–579.
3513:
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3073:
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3063:
3055:
3047:
3039:
3031:
3023:
3015:
3014:(1941; writer)
3007:
2999:
2991:
2983:
2975:
2967:
2959:
2951:
2943:
2942:(1937; writer)
2939:Mama Steps Out
2935:
2927:
2926:(1936; writer)
2919:
2911:
2910:(1935; writer)
2903:
2895:
2887:
2879:
2878:(1933; writer)
2871:
2863:
2855:
2854:(1932; writer)
2847:
2839:
2838:(1931; writer)
2831:
2823:
2815:
2807:
2799:
2791:
2783:
2782:(1924; writer)
2775:
2774:(1923; writer)
2767:
2759:
2751:
2750:(1921; writer)
2743:
2735:
2727:
2719:
2711:
2703:
2695:
2687:
2686:(1919; writer)
2679:
2678:(1919; writer)
2671:
2663:
2659:Oh, You Women!
2655:
2647:
2639:
2631:
2630:(1918; writer)
2623:
2622:(1918; writer)
2615:
2611:Good-Bye, Bill
2607:
2606:(1917; writer)
2599:
2598:(1917; writer)
2591:
2590:(1917; writer)
2583:
2582:(1917; writer)
2575:
2567:
2566:(1916; writer)
2540:
2539:(1916; writer)
2521:
2520:(1916; writer)
2513:
2512:(1916; writer)
2509:The Half-Breed
2503:
2502:
2501:
2500:(1916; writer)
2493:
2492:(1916; writer)
2485:
2484:(1916; writer)
2477:
2476:(1916; titles)
2469:
2468:(1916; titles)
2461:
2453:
2445:
2437:
2429:
2406:
2387:
2379:
2371:
2363:
2362:(1915; writer)
2355:
2351:The Lost House
2347:
2339:
2331:
2316:
2315:(1914; writer)
2301:
2300:(1914; writer)
2293:
2292:(1914; writer)
2285:
2284:(1914; writer)
2277:
2276:(1914; writer)
2269:
2268:(1914; writer)
2261:
2260:(1914; writer)
2253:
2252:(1914; writer)
2245:
2244:(1914; writer)
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2195:
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2179:
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2131:
2123:
2115:
2107:
2099:
2091:
2090:(1913; writer)
2076:
2075:(1913; writer)
2068:
2067:(1913; writer)
2060:
2059:(1913; writer)
2045:
2044:(1913; writer)
2037:
2022:
2007:
1988:
1973:
1954:
1935:
1916:
1897:
1882:
1874:
1855:
1847:
1832:
1824:
1823:(1912; writer)
1816:
1815:(1912; writer)
1808:
1807:(1912; writer)
1795:
1793:
1790:
1789:
1788:
1782:
1776:
1768:
1760:
1752:
1748:Happy Birthday
1744:
1738:
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1713:
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1553:
1547:Cari Beauchamp
1543:
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1504:
1498:
1497:
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1485:
1483:
1480:
1479:
1478:
1469:
1446:
1443:
1388:specifically.
1386:Norma Talmadge
1357:The New Yorker
1339:
1336:
1332:Horst Buchholz
1308:with music by
1290:Audrey Hepburn
1261:Marilyn Monroe
1237:Carol Channing
1215:Frances Marion
1179:Happy Birthday
1174:
1171:
1163:Victory garden
1152:Hunt Stromberg
1105:
1102:
1098:United Artists
1094:Samuel Goldwyn
1080:Robert Hopkins
1076:Writer's Guild
1003:
985:
982:
955:confidence man
904:
901:
893:Selwyn Theatre
873:Arnold Bennett
844:, a sequel to
815:Jesse L. Lasky
741:Sinclair Lewis
724:
718:
683:Marilyn Miller
646:Elsie De Wolfe
634:Gertrude Stein
588:Norma Talmadge
584:Joseph Schenck
546:Frances Marion
523:
520:
450:Frank E. Woods
407:
404:
389:D. W. Griffith
332:
329:
327:
324:
307:Police Gazette
255:
252:
240:adaptation of
224:D. W. Griffith
211:
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93:
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88:
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76:(aged 93)
70:
66:
65:
55:
53:April 26, 1888
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24:
15:
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5294:Material Girl
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5127:
5126:
5123:
5106:
5105:
5101:
5098:
5097:
5096:Strange Cargo
5093:
5090:
5089:
5088:Babes in Arms
5085:
5082:
5081:
5077:
5074:
5073:
5069:
5066:
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5060:
5058:
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5018:
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5003:
4999:
4996:
4995:
4991:
4988:
4987:
4983:
4980:
4979:
4975:
4972:
4971:
4970:The Americano
4967:
4966:
4964:
4962:
4958:
4951:
4950:
4946:
4943:
4942:
4938:
4937:
4935:
4931:
4924:
4923:
4919:
4916:
4915:
4914:Midnight Mary
4911:
4908:
4907:
4906:Woman's Place
4903:
4900:
4899:
4895:
4892:
4891:
4887:
4886:
4884:
4880:
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4872:
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4833:
4832:
4828:
4825:
4824:
4823:Susan and God
4820:
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4816:
4812:
4809:
4808:
4804:
4801:
4800:
4799:San Francisco
4796:
4793:
4792:
4788:
4785:
4784:
4780:
4777:
4776:
4775:Hold Your Man
4772:
4769:
4768:
4767:The Barbarian
4764:
4761:
4760:
4756:
4753:
4752:
4748:
4745:
4744:
4740:
4737:
4736:
4732:
4729:
4728:
4727:Mama's Affair
4724:
4721:
4720:
4716:
4713:
4712:
4708:
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4704:
4700:
4697:
4696:
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4668:
4665:
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4656:
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4649:
4648:
4644:
4641:
4640:
4639:The Americano
4636:
4633:
4632:
4628:
4625:
4624:
4623:The Hunchback
4620:
4617:
4616:
4612:
4609:
4608:
4607:Billy's Rival
4604:
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4596:
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4522:
4518:
4515:
4514:
4510:
4507:
4506:
4502:
4501:
4499:
4495:
4488:
4487:
4483:
4480:
4479:
4475:
4474:
4472:
4468:
4464:
4457:
4452:
4450:
4445:
4443:
4438:
4437:
4434:
4422:
4418:
4415:
4413:
4409:
4406:
4404:
4401:
4399:
4396:
4393:
4389:
4386:
4384:
4380:
4377:
4374:
4370:
4367:
4364:
4362:
4358:
4355:
4352:
4348:
4344:
4341:
4339:
4335:
4332:
4331:
4313:
4309:
4304:
4300:
4296:
4292:
4288:
4287:
4281:
4277:
4271:
4267:
4266:
4260:
4257:
4256:
4251:
4247:
4245:0-448-12264-2
4241:
4237:
4236:
4230:
4226:
4224:0-670-41374-7
4220:
4216:
4215:
4209:
4205:
4203:0-670-34112-6
4199:
4195:
4194:A Girl Like I
4190:
4186:
4184:1-55862-357-4
4180:
4175:
4174:
4167:
4163:
4159:
4155:
4149:
4144:
4143:
4136:
4132:
4128:
4124:
4120:
4116:
4112:
4110:0-394-53127-2
4106:
4102:
4097:
4093:
4091:0-520-21492-7
4087:
4083:
4078:
4074:
4072:0-7134-6960-9
4068:
4064:
4059:
4058:
4045:
4038:
4030:
4024:
4020:
4019:
4011:
3996:
3992:
3988:
3984:
3977:
3969:
3968:
3960:
3951:
3936:
3932:
3926:
3924:
3908:
3904:
3900:
3896:
3890:
3884:Jacobs. 1998.
3881:
3879:
3863:
3859:
3855:
3851:
3844:
3828:
3824:
3818:
3810:
3804:
3786:
3782:
3778:
3774:
3762:
3758:
3757:
3752:
3747:
3746:
3743:
3736:
3731:
3723:
3717:
3709:
3703:
3687:
3683:
3679:
3675:
3671:
3664:
3662:
3654:
3649:
3633:
3629:
3623:
3615:
3603:
3602:
3597:
3591:
3582:
3580:
3578:
3576:
3574:
3564:
3556:
3552:
3548:
3544:
3540:
3536:
3532:
3528:
3524:
3517:
3501:
3497:
3491:
3489:
3479:
3477:
3475:
3473:
3463:
3461:
3445:
3441:
3437:
3433:
3426:
3417:
3415:
3413:
3411:
3395:
3391:
3387:
3383:
3379:
3375:
3371:
3364:
3355:
3353:
3351:
3349:
3347:
3345:
3343:
3336:Schmidt. 1917
3333:
3331:
3324:Norman. 2007.
3321:
3319:
3317:
3315:
3313:
3311:
3309:
3299:
3283:
3279:
3275:
3269:
3260:
3258:
3256:
3254:
3252:
3250:
3248:
3246:
3244:
3242:
3240:
3238:
3236:
3234:
3232:
3230:
3228:
3226:
3224:
3214:
3212:
3210:
3208:
3206:
3204:
3202:
3200:
3198:
3196:
3186:
3171:
3167:
3163:
3159:
3152:
3150:
3141:
3135:
3131:
3130:
3122:
3118:
3103:
3093:
3092:
3089:
3082:
3079:
3078:
3067:
3061:
3060:
3056:
3053:
3052:
3048:
3045:
3044:
3040:
3037:
3036:
3032:
3029:
3028:
3024:
3021:
3020:
3016:
3013:
3012:
3008:
3005:
3004:
3000:
2997:
2996:
2992:
2989:
2988:
2987:Susan and God
2984:
2981:
2980:
2979:Strange Cargo
2976:
2973:
2972:
2971:Babes in Arms
2968:
2965:
2964:
2960:
2957:
2956:
2952:
2949:
2948:
2944:
2941:
2940:
2936:
2933:
2932:
2928:
2925:
2924:
2923:San Francisco
2920:
2917:
2916:
2912:
2909:
2908:
2904:
2902:(1934; story)
2901:
2900:
2896:
2893:
2892:
2888:
2885:
2884:
2880:
2877:
2876:
2875:The Barbarian
2872:
2870:(1933; story)
2869:
2868:
2867:Midnight Mary
2864:
2861:
2860:
2859:Hold Your Man
2856:
2853:
2852:
2848:
2845:
2844:
2840:
2837:
2836:
2832:
2829:
2828:
2824:
2822:(1929; story)
2821:
2820:
2816:
2813:
2812:
2808:
2806:(1927; story)
2805:
2804:
2800:
2797:
2796:
2792:
2789:
2788:
2784:
2781:
2780:
2776:
2773:
2772:
2768:
2765:
2764:
2760:
2757:
2756:
2752:
2749:
2748:
2747:Mama's Affair
2744:
2742:(1921; story)
2741:
2740:
2739:Woman's Place
2736:
2733:
2732:
2728:
2725:
2724:
2720:
2717:
2716:
2712:
2709:
2708:
2704:
2701:
2700:
2696:
2693:
2692:
2688:
2685:
2684:
2680:
2677:
2676:
2672:
2670:(1919; story)
2669:
2668:
2667:Under the Top
2664:
2661:
2660:
2656:
2653:
2652:
2648:
2645:
2644:
2640:
2637:
2636:
2632:
2629:
2628:
2624:
2621:
2620:
2616:
2613:
2612:
2608:
2605:
2604:
2600:
2597:
2596:
2592:
2589:
2588:
2587:Down to Earth
2584:
2581:
2580:
2576:
2573:
2572:
2568:
2565:
2562:
2558:
2554:
2550:
2545:
2541:
2538:
2535:
2531:
2526:
2522:
2519:
2518:
2514:
2511:
2510:
2506:
2505:
2504:
2499:
2498:
2494:
2491:
2490:
2486:
2483:
2482:
2478:
2475:
2474:
2470:
2467:
2466:
2462:
2460:(1916; story)
2459:
2458:
2454:
2452:(1916; story)
2451:
2450:
2446:
2443:
2442:
2441:The Wharf Rat
2438:
2435:
2434:
2433:The Americano
2430:
2427:
2424:
2420:
2416:
2411:
2407:
2404:
2401:
2397:
2392:
2388:
2385:
2384:
2380:
2377:
2376:
2372:
2369:
2368:
2364:
2361:
2360:
2356:
2353:
2352:
2348:
2345:
2344:
2340:
2337:
2336:
2332:
2329:
2326:
2321:
2317:
2314:
2311:
2306:
2302:
2299:
2298:
2294:
2291:
2290:
2286:
2283:
2282:
2281:The Hunchback
2278:
2275:
2274:
2270:
2267:
2266:
2262:
2259:
2258:
2254:
2251:
2250:
2249:Billy's Rival
2246:
2243:
2240:
2235:
2231:
2228:
2225:
2221:
2216:
2212:
2210:(1914; story)
2209:
2208:
2204:
2202:(1914; story)
2201:
2200:
2196:
2194:(1914; story)
2193:
2192:
2188:
2186:(1914; story)
2185:
2184:
2180:
2178:(1914; story)
2177:
2176:
2172:
2170:(1914; story)
2169:
2168:
2164:
2162:(1914; story)
2161:
2160:
2156:
2153:
2152:
2148:
2145:
2144:
2140:
2137:
2136:
2132:
2129:
2128:
2124:
2121:
2120:
2116:
2113:
2112:
2108:
2105:
2104:
2100:
2097:
2096:
2092:
2089:
2086:
2081:
2077:
2074:
2073:
2069:
2066:
2065:
2061:
2058:
2055:
2050:
2046:
2043:
2042:
2038:
2036:(1913; story)
2035:
2032:
2027:
2023:
2021:(1913; story)
2020:
2017:
2012:
2008:
2006:(1913; story)
2005:
2002:
1998:
1993:
1989:
1987:(1913; story)
1986:
1983:
1978:
1974:
1972:(1913; story)
1971:
1968:
1964:
1959:
1955:
1953:(1913; story)
1952:
1949:
1945:
1940:
1939:Highbrow Love
1936:
1934:(1913; story)
1933:
1930:
1926:
1921:
1917:
1915:(1913; story)
1914:
1911:
1907:
1902:
1898:
1896:(1913; story)
1895:
1892:
1887:
1886:A Fallen Hero
1883:
1881:(1913; story)
1880:
1879:
1875:
1872:
1869:
1865:
1860:
1856:
1853:
1852:
1848:
1845:
1842:
1837:
1833:
1830:
1829:
1825:
1822:
1821:
1817:
1814:
1813:
1809:
1806:
1805:
1801:
1800:
1799:
1798:
1786:
1783:
1780:
1777:
1774:
1773:
1769:
1766:
1765:
1761:
1758:
1757:
1753:
1750:
1749:
1745:
1742:
1739:
1736:
1735:
1731:
1728:
1725:
1722:
1719:
1718:
1709:
1708:
1704:
1701:
1700:
1696:
1693:
1692:
1688:
1685:
1684:
1679:
1676:
1675:
1674:A Girl Like I
1671:
1668:
1664:
1661:
1660:
1655:
1652:
1651:
1646:
1645:
1640:
1628:
1627:
1623:
1622:
1616:
1613:
1612:
1611:
1610:
1606:
1605:
1601:
1598:
1597:
1593:
1590:
1589:
1585:
1582:
1581:
1577:
1576:
1568:
1567:9780520228948
1564:
1561:
1558:
1554:
1552:
1548:
1544:
1541:
1540:
1537:
1534:
1533:
1527:
1524:
1522:
1519:
1518:
1516:
1515:By Anita Loos
1508:
1505:
1503:
1500:
1499:
1494:
1489:
1476:
1475:
1470:
1467:
1466:
1461:
1457:
1456:Alice Forsyte
1453:
1449:
1448:
1442:
1440:
1436:
1432:
1428:
1424:
1420:
1415:
1413:
1412:
1406:
1404:
1398:
1393:
1389:
1387:
1383:
1379:
1375:
1371:
1367:
1363:
1362:A Girl Like I
1359:
1358:
1353:
1352:
1347:
1346:
1335:
1333:
1329:
1325:
1321:
1320:
1315:
1311:
1310:Albert Selden
1307:
1303:
1297:
1295:
1291:
1287:
1286:
1281:
1277:
1276:Mouse is Born
1273:
1269:
1264:
1262:
1258:
1255:. It starred
1254:
1250:
1246:
1242:
1238:
1234:
1233:Joseph Fields
1230:
1229:
1224:
1220:
1216:
1211:
1208:
1204:
1200:
1196:
1192:
1188:
1184:
1180:
1170:
1168:
1164:
1160:
1155:
1153:
1149:
1145:
1141:
1140:Joan Crawford
1137:
1136:Norma Shearer
1132:
1128:
1124:
1123:
1118:
1113:
1111:
1110:schizophrenia
1101:
1099:
1095:
1091:
1087:
1086:
1085:San Francisco
1081:
1077:
1072:
1070:
1064:
1059:
1058:
1054:
1050:
1046:
1040:
1037:
1035:
1030:
1026:
1022:
1021:
1016:
1007:
1001:
997:
995:
991:
981:
977:
975:
972:and a comedy
971:
967:
963:
958:
956:
952:
951:Wilson Mizner
947:
943:
939:
938:
932:
930:
926:
922:
909:
900:
898:
894:
890:
886:
882:
878:
874:
870:
866:
862:
858:
857:Sibyl Colefax
853:
851:
847:
843:
842:
836:
832:
826:
824:
820:
816:
813:and producer
812:
806:
804:
800:
799:Edith Wharton
796:
795:Aldous Huxley
792:
788:
783:
781:
777:
776:
771:
767:
765:
760:
758:
754:
750:
746:
742:
738:
734:
730:
729:H. L. Mencken
723:
714:
710:
705:
701:
699:
695:
694:
688:
687:Adele Astaire
684:
680:
679:Marion Davies
674:
672:
671:Gramercy Park
668:
667:Bijou Theatre
664:
660:
659:Actors Equity
656:
655:
649:
647:
643:
639:
635:
630:
625:
623:
619:
613:
611:
610:
605:
601:
600:
595:
594:
589:
585:
581:
576:
574:
570:
566:
565:
560:
559:Marion Davies
556:
550:
547:
540:
535:
531:
529:
519:
517:
516:
511:
510:Mary Pickford
507:
503:
498:
496:
492:
491:
486:
482:
477:
475:
471:
470:
465:
461:
460:
456:for his epic
455:
451:
447:
443:
442:
435:
433:
429:
421:
420:The Liberator
417:
412:
403:
401:
397:
392:
390:
386:
382:
381:Mary Pickford
378:
377:
372:
368:
362:
360:
356:
351:
349:
344:
342:
338:
337:San Francisco
323:
321:
320:Barbary Coast
315:
313:
312:Alice Nielsen
309:
308:
303:
299:
295:
294:Sisson Mascot
290:
288:
284:
279:
277:
273:
269:
265:
261:
251:
249:
248:
243:
239:
235:
234:
229:
225:
221:
217:
207:
204:
202:
199:
198:
197:
193:
173:
166:
165:
139:
138:
136:
132:
128:
124:
117:
114:
111:
108:
107:
105:
101:
98:
94:
92:Resting place
90:
85:
81:
80:New York City
71:
67:
62:
58:
45:
41:
34:
29:
22:
19:
5252:
5244:
5208:
5200:
5181:
5173:
5155:
5151:
5102:
5094:
5086:
5078:
5070:
5062:
5048:(1953; play)
5043:
5035:
5027:
5019:
5000:
4992:
4984:
4976:
4968:
4947:
4939:
4920:
4912:
4904:
4896:
4888:
4869:
4861:
4853:
4845:
4837:
4829:
4821:
4813:
4805:
4797:
4789:
4781:
4773:
4765:
4757:
4751:The Struggle
4749:
4741:
4733:
4725:
4717:
4709:
4701:
4693:
4685:
4677:
4669:
4661:
4653:
4645:
4637:
4629:
4621:
4613:
4605:
4597:
4589:
4581:
4573:
4565:
4556:(screenplay/
4527:
4519:
4511:
4503:
4484:
4476:
4462:
4315:. Retrieved
4311:
4298:
4290:
4284:
4264:
4253:
4234:
4213:
4193:
4172:
4141:
4130:
4122:
4100:
4081:
4062:
4054:Bibliography
4037:
4017:
4010:
3998:. Retrieved
3986:
3976:
3966:
3959:
3950:
3938:. Retrieved
3934:
3910:. Retrieved
3898:
3889:
3865:. Retrieved
3854:The Guardian
3853:
3843:
3833:February 12,
3831:. Retrieved
3826:
3817:
3803:
3789:. Retrieved
3780:
3765:. Retrieved
3754:
3742:
3730:
3716:
3702:
3690:. Retrieved
3673:
3648:
3636:. Retrieved
3632:the original
3622:
3612:– via
3606:. Retrieved
3599:
3590:
3567:Acker. 1991.
3563:
3530:
3526:
3516:
3504:. Retrieved
3499:
3447:. Retrieved
3435:
3425:
3397:. Retrieved
3377:
3373:
3363:
3298:
3286:. Retrieved
3278:cdnc.ucr.edu
3277:
3268:
3185:
3173:. Retrieved
3161:
3128:
3121:
3065:
3057:
3049:
3046:(1953; play)
3041:
3033:
3025:
3017:
3009:
3001:
2993:
2985:
2977:
2969:
2961:
2953:
2945:
2937:
2929:
2921:
2913:
2905:
2897:
2889:
2881:
2873:
2865:
2857:
2849:
2841:
2835:The Struggle
2833:
2825:
2817:
2809:
2801:
2798:(1926; play)
2793:
2785:
2777:
2769:
2761:
2753:
2745:
2737:
2729:
2721:
2713:
2705:
2697:
2689:
2681:
2673:
2665:
2657:
2649:
2641:
2633:
2625:
2617:
2609:
2601:
2593:
2585:
2577:
2569:
2542:
2523:
2515:
2507:
2495:
2487:
2479:
2471:
2463:
2455:
2447:
2439:
2431:
2408:
2389:
2381:
2373:
2365:
2357:
2349:
2341:
2335:Mixed Values
2333:
2318:
2303:
2295:
2287:
2279:
2271:
2263:
2255:
2247:
2232:
2213:
2205:
2197:
2189:
2181:
2173:
2165:
2157:
2149:
2141:
2133:
2127:The Deceiver
2125:
2117:
2109:
2101:
2093:
2078:
2070:
2062:
2047:
2039:
2024:
2009:
1990:
1975:
1956:
1937:
1918:
1899:
1884:
1876:
1857:
1849:
1834:
1826:
1818:
1810:
1802:
1792:Film credits
1784:
1778:
1770:
1762:
1754:
1746:
1740:
1732:
1726:
1720:
1705:
1697:
1689:
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1672:
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1624:
1602:
1594:
1586:
1578:
1555:Publisher :
1535:
1514:
1492:
1472:
1463:
1455:
1452:Tatum O'Neal
1431:Lillian Gish
1416:
1409:
1407:
1400:
1395:
1390:
1377:
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1361:
1355:
1349:
1343:
1341:
1323:
1317:
1306:Tammy Grimes
1301:
1298:
1283:
1275:
1271:
1267:
1265:
1257:Jane Russell
1249:Howard Hawks
1245:musical film
1241:Herman Levin
1226:
1212:
1191:Joshua Logan
1183:Saroyanesque
1178:
1176:
1156:
1120:
1114:
1107:
1083:
1073:
1069:George Cukor
1065:
1061:
1042:
1032:
1018:
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1005:
987:
978:
973:
969:
962:Cecil Beaton
959:
935:
933:
920:
918:
884:
881:Bernard Shaw
877:Max Beerbohm
861:John Gielgud
854:
849:
845:
839:
831:hypochondria
827:
807:
802:
784:
773:
770:Ralph Barton
762:
761:
756:
726:
721:
697:
691:
675:
662:
652:
650:
626:
614:
607:
597:
591:
586:(husband of
577:
572:
568:
562:
551:
543:
525:
513:
506:Lillian Gish
499:
488:
481:John Emerson
478:
473:
467:
457:
439:
436:
424:
419:
393:
374:
366:
363:
359:The Ink Well
358:
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305:
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297:
293:
291:
286:
282:
280:
264:Mount Shasta
257:
245:
231:
215:
214:
172:John Emerson
118:screenwriter
74:(1981-08-18)
18:
5321:1981 deaths
5316:1888 births
5184:(1953 film)
5176:(1928 film)
4631:The Sisters
4591:The Mistake
3466:Loos. 1977.
3263:Carey. 1988
3217:Loos. 1966.
3189:Funk. 1936.
2547: [
2528: [
2413: [
2394: [
2391:Laundry Liz
2323: [
2308: [
2237: [
2218: [
2095:The Sisters
2083: [
2064:The Mistake
2052: [
2029: [
2014: [
1995: [
1980: [
1961: [
1942: [
1923: [
1904: [
1889: [
1862: [
1839: [
1465:Nickelodeon
1427:Ruth Gordon
1423:Helen Hayes
1370:Helen Hayes
1351:Vanity Fair
1328:Kim Stanley
1199:Hammerstein
1187:Helen Hayes
1127:Jane Murfin
1090:Clark Gable
1057:Samuel Marx
1015:Jean Harlow
946:Alice White
942:Ruth Taylor
911:Anita Loos
869:Noël Coward
749:Ernest Boyd
747:, essayist
720:1925-1926:
715:, July 1928
713:Vanity Fair
629:Murray Hill
604:Park Avenue
596:(1919) and
539:Long Island
474:Vanity Fair
469:Vanity Fair
459:Intolerance
454:intertitles
446:Shakespeare
416:Frank Walts
379:, starring
244:'s novella
103:Occupations
5310:Categories
5277:Gypsy Robe
5152:Anita Loos
5056:Uncredited
4463:Anita Loos
4366:Anita Loos
4357:Anita Loos
4343:Anita Loos
4334:Anita Loos
3940:January 6,
3935:PEOPLE.com
3912:January 6,
3867:January 5,
3601:Daily News
3506:January 6,
3449:January 6,
3302:Loos. 1974
3114:References
3109:References
2827:Ex-Bad Boy
2635:Come on In
1977:Oh, Sammy!
1851:His Hoodoo
1634:Nonfiction
1493:Anita Loos
1435:Jule Styne
1403:Mainbocher
1219:Zasu Pitts
1203:Broadhurst
835:laryngitis
711:photo for
341:Quo Vadis?
268:California
254:Early life
115:playwright
61:California
49:1888-04-26
25:Anita Loos
4815:The Women
4558:scenario)
4293:: 622–23.
4255:Photoplay
4162:190860159
4000:August 4,
3995:0362-4331
3907:0190-8286
3862:0261-3077
3791:April 12,
3767:April 12,
3692:April 13,
3682:0362-4331
3555:143677872
3444:0362-4331
3399:March 22,
3394:143104887
3288:April 24,
3175:August 4,
3170:0362-4331
3102:Biography
3081:Mary Loos
2963:The Women
2707:Two Weeks
1551:Mary Loos
1545:Editors:
1319:Anastasia
1304:starring
1122:The Women
821:showgirl
618:Ruth Hale
575:in 1921.
526:In 1918,
515:Photoplay
495:subtitles
369:, to the
348:San Diego
220:Hollywood
201:Mary Loos
195:Relatives
129:1912–1980
5286:See also
5193:Musicals
4922:Saratoga
4807:Saratoga
4791:Riffraff
4650:(1916/I)
4647:Stranded
4642:(1916/I)
4634:(1914/I)
4481:. (1926)
4421:LibriVox
4369:Archived
4317:April 6,
4121:(1936).
3827:Playbill
3785:Archived
3781:Playbill
3761:Archived
3686:Archived
3638:June 26,
3608:June 26,
3547:24580463
3282:Archived
3075:See also
2931:Saratoga
2915:Riffraff
2803:Stranded
2367:Stranded
1414:(1980).
1049:Crawford
1023:because
887:for its
819:Ziegfeld
428:Griffith
396:Biograph
238:Broadway
112:novelist
84:New York
5265:Related
5249:(novel)
5238:Sequels
5209:Lorelei
4986:Macbeth
4567:My Baby
4553:Writer
4359:at the
4345:at the
2375:Macbeth
1859:Pa Says
1804:My Baby
1785:Lorelei
1573:Fiction
1326:, with
1280:Colette
1268:Blondes
1195:Rodgers
1053:Shearer
885:Blondes
846:Blondes
803:Blondes
780:flapper
441:Macbeth
242:Colette
222:, when
188:
180:
176:
163:
151:
147:
134:Spouses
109:Actress
5257:(film)
5160:(1925)
5107:(1945)
5099:(1940)
5091:(1939)
5083:(1939)
5075:(1938)
5067:(1934)
5005:(1928)
4997:(1916)
4989:(1916)
4981:(1916)
4973:(1916)
4961:Titles
4952:(1955)
4944:(1928)
4925:(1937)
4917:(1933)
4909:(1921)
4901:(1916)
4893:(1914)
4866:(1942)
4858:(1941)
4850:(1915)
4842:(1941)
4834:(1941)
4826:(1940)
4818:(1939)
4810:(1937)
4802:(1936)
4794:(1936)
4778:(1933)
4770:(1933)
4762:(1932)
4754:(1931)
4746:(1928)
4738:(1922)
4730:(1921)
4722:(1919)
4714:(1919)
4706:(1918)
4698:(1917)
4690:(1917)
4682:(1917)
4674:(1916)
4666:(1916)
4658:(1916)
4626:(1914)
4618:(1914)
4610:(1914)
4602:(1913)
4594:(1913)
4586:(1912)
4578:(1912)
4570:(1912)
4540:Film
4532:(1959)
4524:(1951)
4516:(1949)
4508:(1946)
4489:(1928)
4470:Novels
4272:
4242:
4221:
4200:
4181:
4160:
4150:
4107:
4088:
4069:
4025:
3993:
3905:
3860:
3680:
3553:
3545:
3442:
3392:
3168:
3136:
3088:Portal
3066:
1787:(1974)
1781:(1967)
1775:(1959)
1767:(1951)
1759:(1949)
1751:(1946)
1743:(1931)
1737:(1926)
1729:(1925)
1723:(1923)
1565:
1559:, 2003
1490:about
1429:, and
929:polyps
326:Career
260:Sisson
86:, U.S.
63:, U.S.
57:Sisson
5220:Songs
5166:Films
5013:Other
4933:Novel
4882:Story
4529:Chéri
4497:Plays
3551:S2CID
3543:JSTOR
3390:S2CID
2771:Dulcy
2563:]
2536:]
2425:]
2402:]
2327:]
2312:]
2241:]
2226:]
2087:]
2056:]
2033:]
2018:]
2003:]
1984:]
1969:]
1950:]
1931:]
1912:]
1893:]
1870:]
1843:]
1772:Chéri
1482:Works
1458:, in
1324:Chéri
1045:Garbo
919:When
915:1930s
400:Lubin
283:lohse
270:, to
262:(now
182:(
178:
153:(
149:
4521:Gigi
4338:IMDb
4319:2008
4270:ISBN
4240:ISBN
4219:ISBN
4198:ISBN
4179:ISBN
4158:OCLC
4148:ISBN
4105:ISBN
4086:ISBN
4067:ISBN
4023:ISBN
4002:2020
3991:ISSN
3942:2019
3914:2019
3903:ISSN
3869:2019
3858:ISSN
3835:2024
3793:2022
3769:2022
3756:IBDB
3694:2022
3678:ISSN
3640:2023
3610:2023
3508:2019
3451:2019
3440:ISSN
3401:2020
3290:2018
3177:2020
3166:ISSN
3134:ISBN
1764:Gigi
1563:ISBN
1384:and
1354:and
1330:and
1285:Gigi
1259:and
1197:and
1181:, a
1142:and
879:and
797:and
644:and
398:and
383:and
287:luce
247:Gigi
159:div.
69:Died
43:Born
4419:at
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4390:at
4336:at
3535:doi
3382:doi
1441:".
1282:'s
1159:war
1017:'s
994:MGM
992:at
693:sic
620:'s
508:or
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