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Shortly after closing Anita
Stewart Productions, Stewart received news that her younger brother, actor George Stewart, suffered brain damage in a physical assault by their brother-in-law, director Ralph Ince. Ince was indicted for the assault. Invalided, Stewart would ultimately assume responsibility
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Stewart’s success at
Vitagraph proceeded unabated through 1915, where she was gratified with working with director and brother-in-law Ralph Ince. Vitagraph began assigning Stewart vehicles to directors other than Ince in 1916. The screen star objected, questioning the professionalism of one director,
426:
Although the extent of
Stewart’s oversight as co-producer at Anita Stewart Productions is not clearly documented, historian Hugh Neely surmises that, as she was “consistently present on the set of her films, it seems logical to conclude that Stewart was in position to make the daily production
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Vitagraph moved quickly to open litigation against
Stewart for breach of contract, claiming that she was under obligation to the studio until 31 January 1918. Stewart’s claims of illness or disability were rejected by the court, and she was made liable for all the days absent from the set. The
329:
Anxious to move to
Hollywood, and promised opportunities to acquire quality directors and film roles, she contractually formed Anita Stewart Productions with Mayer in 1917. Stewart’s husband and former co-star Rudolph Cameron, who she had married secretly in 1917, was enlisted as her business
250:
Stewart was one of the earliest film actresses to achieve public recognition in the nascent medium of motion pictures and achieved a great deal of acclaim early in her acting career. Within a year of joining
Vitagraph, Stewart was playing lead roles, notably as the child-like Olympia in
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as a writer-director. At the time, Weber enjoyed her own studio provided by
Universal Pictures, where she “controlled every aspect of production” creating films that advanced her “conservative moral universe.” The Stewart-Weber collaboration produced the “unapologetically commercial”
430:
Stewart’s increasing disaffection in her role as co-producer arose over Mayer’s veto power over subject matter and the treatment of scenarios. Stewart championed adapting films that presented socially significant topics, including realistic literary treatments of prostitution (e.g.
439:). Mayer’s “moralistic” outlook allowed only for features that would be suitable for family entertainment: “The sort of mature stories that appealed to Anita Stewart were out of the question.” Stewart declined to renew her contract with Mayer in 1922 to resume a career in acting.
326:. As a prerequisite, he needed to bring a high-profile screen personality into the enterprise to attract investors. Mayer approached Stewart, who was still under contract to Vitagraph, and proposed they establish “Anita Stewart Productions.”
343:(1918). This was the first of the seventeen feature films that her production outfit completed between 1918 and 1922. After this successful production, Stewart and Mayer moved to Hollywood in 1919, operating at the facilities of the
258:
When
Vitagraph publicity personnel accidentally published Stewart’s name as “Anita Stewart” rather the hitherto “Anna M. Stewart”, she adopted it as her professional name. By 1914, with the release of the melodramatic romance
269:“Soon, Stewart was being promoted as “America’s daintiest actress,” and her image was featured on sheet music, souvenir plates, silver spoons, and a collection of paper dolls published in
290:. Stewart walked off the set, reporting that she needed to convalesce after suffering injuries in an automobile accident—effectively canceling the production. This legal
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noted that, though she had appeared in but two features and a serial and had never appeared on the theatrical stage, “her face is perhaps familiar to as wide a circle as
487:. Stewart regarded the latter, in which she plays Tamea, her personal favorite, now a lost film. After leaving Cosmopolitan, Stewart began accepting roles offered by
265:(1914), in which she played the long-suffering Agnes Belgradin, Stewart was elevated to a veritable screen icon. Film historian Hugh Neely describes the phenomenon:
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settlement included $ 70,000 compensation to
Vitagraph and a loss of revenue from her films. The decision is still cited today in actor-studio legal disputes.
551:. Though the book's dust jacket traded on the author's Hollywood connection, the plot concerned the killing of a stage actor and was set in San Francisco.
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president and they settled in
Beverly Hills, California. Stewart made a number of appearances on film and radio and in 1932 made a brief appearance in
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signaled the end of Stewart’s six-year tenure at Vitagraph and her recruitment as a business associate and co-producer with aspiring movie mogul
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392:(1919). Neilan's own recent attempt at independent filmmaking had failed. Among her other directors at Anita Stewart Productions were
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Motion Picture Magazine, April 1919. Anita Stewart: "America's daintiest actress" and "a slender screen fairy." Publicity portrait.
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as Anna Marie Stewart on February 7, 1895, the middle child of three to parents William and Martha Stewart. Her elder sister
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1967:"Anita Stewart Weds George P. Converse. Marriage of Film Actress and New York Banker Recorded in Sound and on Film"
369:(1919), another romance. An accomplished pianist and composer, Stewart wrote the music and lyrics for both films.
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Stewart divorced Rudolph Cameron shortly after retiring from film, and married George Converse, an heir of a
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For her contribution to motion picture industry as an actress, Anita Stewart was given a star on the
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Stewart and Mayer obtained the services of some of Hollywood’s most talented directors of that era.
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1996:"The Devil's Toy by Anita STEWART on Yesterday's Gallery and Babylon Revisited Rare Books"
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movie exhibitor, wished to engage in producing independent films under the aegis of
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decisions that might be required of her, as well as other creative decisions.”
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Stewart began her acting career in 1911 at the age of 16 while still attending
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Slide, 1970 p. 42: Stewart “started with Vitagraph as a bit player in 1911.”
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Despite this initial setback, Anita Stewart Productions proceeded to make
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2129:. The International Film Guide Series. A. S. Barnes & Co. New York.
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2109:. Oxford University Press. Library of Congress Catalog Number: 76-9262.
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203:; February 7, 1895 – May 4, 1961) was an American actress and
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2094:. In Jane Gaines, Radha Vatsal, and Monica Dall’Asta, eds.
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Lion of Hollywood: The Life and Legend of Louis B. Mayer
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in several productions, made two pictures with Stewart:
467:(1923). She completed two more Cosmopolitan pictures:
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2052:
From Hollywood: The Careers of 15 Great American Stars
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2098:. New York, NY: Columbia University Libraries, 2013.
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American silent film actress and producer (1895–1961)
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Yesterday's Gallery and Babylon Revisited Rare Books
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2080:. Doubleday & Company, Inc. New York.
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524:. Stewart and Converse divorced in 1946.
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2078:The Art of the American Film: 1900-1971
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175: 1929; died 1946)
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500:(1928), in which she played opposite
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2100:https://doi.org/10.7916/d8-4bse-4g29
491:studios in order to stay employed.
302:Anita Stewart Productions: 1918-1922
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547:, published in New York in 1935 by
447:Final years in Hollywood: 1923-1928
239:Stewart’s brother-in-law, director
103:Forest Lawn Memorial Park, Glendale
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2183:at the Women Film Pioneers Project
527:On May 4, 1961, Stewart died of a
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21:Anita Stewart (culinary author)
2247:American silent film actresses
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843:Countess Gabrielle de Villars
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459:in 1923, where she starred in
451:Stewart returned to acting at
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2277:American women film producers
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19:For the culinary author, see
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2187:Literature on Anita Stewart
2096:Women Film Pioneers Project
1594:The Lodge in the Wilderness
1125:Lily Upjohn/Lily Parradell
804:Viola Rushin/Louise Hardin
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2105:Koszarski, Richard. 1976.
2057:A. S. Barnes & Company
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1947:Robinson, 1970 p. 109-110.
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1469:Never the Twain Shall Meet
812:Two of five reels survive
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480:Never the Twain Shall Meet
219:Anita Stewart was born in
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2117:Hollywood in the Twenties
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361:(1919), an adaption of a
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1785:"Profile: Anita Stewart"
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1630:Princess Kala of Tafofu
1203:Hilda / Berta Nordstrom
1178:The Fighting Shepherdess
963:The Message of the Mouse
713:The Girl from Prosperity
613:Credited as Anna Stewart
457:Cosmopolitan Productions
435:’s sexually provocative
399:The Fighting Shepherdess
237:Erasmus Hall High School
2262:Actresses from Brooklyn
2237:American film actresses
2102:Retrieved 19 June 2021.
1625:The Isle of Sunken Gold
1120:The Mind the Paint Girl
822:Celestia - The Goddess
763:The Sins of the Mothers
453:William Randolph Hearst
345:Selig Polyscope Company
162:George Peabody Converse
2018:Hollywood Walk of Fame
1938:Robinson, 1970 p. 109.
1929:Koszarski, 1976 p. 49.
1829:. Simon and Schuster.
946:The More Excellent Way
767:Trixie Graham Raymond
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561:Hollywood Walk of Fame
522:The Hollywood Handicap
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271:Ladies’ World Magazine
245:Vitagraph film studios
112:Actress, film producer
2127:Early American Cinema
1994:www.bibliopolis.com.
1920:Koszarski, 1976 p. 99
1823:Eyman, Scott (2008).
1261:Rosaamund Athelstane
1241:Playthings of Destiny
1218:Harriet and the Piper
1085:Her Kingdom of Dreams
633:May – The Vain Niece
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410:Playthings of Destiny
389:Her Kingdom of Dreams
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1956:Bodeen, 1976, p. 126
1755:Bodeen, 1976, p. 119
1558:The Prince of Pilsen
1354:The Woman He Married
911:The Glory of Yolanda
571:Selected filmography
512:Retirement and death
483:(1925), directed by
473:(1924), directed by
365:mystery-romance and
318:, then a successful
148: 1917;
2272:Women film pioneers
2192:1924 passport photo
2090:Neely, Hugh. 2013.
1519:Baree, Son of Kazan
1448:The Great White Way
1334:A Question of Honor
1186:Alternative title:
1068:Shadows of the Past
873:The Daring of Diana
680:Mrs. Harry Bennett
565:Hollywood Boulevard
518:United States Steel
470:The Great White Way
443:for George’s care.
1972:The New York Times
1773:Slide, 1970 p. 42.
1735:The New York Times
1682:Romance of a Rogue
1669:Beatrice Franklin
1613:Doris Stockbridge
1576:Morganson's Finish
1540:Rustling for Cupid
1409:Mary of the Movies
1271:The Invisible Fear
1198:The Yellow Typhoon
1155:A Midnight Romance
976:Clover's Rebellion
950:Chrissy Desselden
641:Billy's Pipe Dream
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497:Romance of a Rogue
358:A Midnight Romance
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221:Brooklyn, New York
201:Anna Marie Stewart
93:, California, U.S.
58:Anna Marie Stewart
2066:978-0-498-01346-1
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1599:Virginia Coulson
1453:Mabel Vandegrift
1018:The Painted World
929:The Girl Philippa
861:Sophie Karrenina
838:My Lady's Slipper
747:The Painted World
676:A Regiment of Two
275:Munsey's Magazine
231:Vitagraph Studios
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117:Years active
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2155:Biography portal
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2024:on July 30, 2017
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1737:. May 5, 1961
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109:Occupation(s)
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32:Anita Stewart
29:
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2202:Find a Grave
2194:(flickr.com)
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2051:
2026:. Retrieved
2022:the original
2017:
2008:
1999:
1989:
1977:. Retrieved
1970:
1961:
1952:
1943:
1934:
1925:
1916:
1911:Neely, 2013.
1840:. Retrieved
1825:
1818:
1809:
1797:. Retrieved
1793:the original
1788:
1778:
1751:
1739:. Retrieved
1734:
1694:
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1651:
1648:Lind Archer
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1396:Hope Warner
1389:
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980:Clover Dean
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645:Pert Dawson
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529:heart attack
526:
521:
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502:H. B. Warner
495:
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405:Edwin Carewe
397:
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85:(1961-05-04)
25:
2222:1961 deaths
2217:1895 births
1979:January 11,
1741:January 11,
1501:Go Straight
1319:Rose Elton
1188:Vindication
1072:Antoinette
1054:Mary Regan
1038:Enid Arden
856:The Suspect
818:The Goddess
555:Recognition
549:E.P. Dutton
506:King Baggot
489:Poverty Row
394:Edward José
363:Marion Orth
320:New England
292:contretemps
279:Maude Adams
273:. In 1915,
225:Lucille Lee
215:Early years
209:silent film
188:Lucille Lee
91:Los Angeles
83:May 4, 1961
2211:Categories
1643:Wild Geese
1634:Incomplete
1418:Incomplete
1164:Incomplete
1050:Mary Regan
890:The Combat
808:Incomplete
628:Her Choice
580:The Combat
423:) (1921).
415:John Stahl
367:Mary Regan
352:Lois Weber
241:Ralph Ince
64:1895-02-07
1715:Footnotes
1701:Florence
1687:Charmain
1427:Hollywood
1034:Two Women
934:Philippa
694:The Wreck
330:manager.
314:In 1917,
298:in 1917.
184:Relatives
120:1911–1932
2176:AllMovie
2125:. 1970.
2115:. 1968.
2076:. 1973.
2049:(1976).
2028:July 30,
1842:July 29,
1799:July 30,
1524:Nepeese
1432:Herself
1414:Herself
1382:Herself
1110:Bernice
916:Yolanda
563:at 6724
403:(1920),
255:(1912).
190:(sister)
72:Brooklyn
44:Stewart
2040:Sources
539:Writing
177:
169:
165:
154:
142:
138:
125:Spouses
2133:
2084:
2063:
1833:
1474:Tamea
1160:Marie
877:Diana
598:Notes
592:Title
582:(1916)
199:(born
1710:Notes
1675:film
1659:1928
1654:film
1636:film
1620:1927
1587:film
1569:film
1551:film
1535:1926
1530:film
1512:film
1506:Self
1480:film
1464:1925
1459:film
1443:1924
1438:film
1420:film
1402:film
1372:1923
1365:film
1345:film
1325:film
1309:1922
1302:film
1282:film
1236:1921
1229:film
1209:film
1173:1920
1166:film
1131:film
1096:film
1078:film
1060:film
1044:film
1028:film
1014:1919
1007:film
991:1918
986:film
956:film
940:film
922:film
906:1917
901:film
883:film
867:film
849:film
833:1916
828:film
810:film
792:film
778:1915
773:film
757:film
741:film
723:film
709:1914
704:film
686:film
670:film
656:1913
651:film
623:1912
618:film
603:1911
595:Role
589:Year
477:, and
211:era.
171:(
167:
144:(
140:
2167:IMDb
2131:ISBN
2082:ISBN
2061:ISBN
2030:2017
1981:2014
1844:2017
1831:ISBN
1801:2017
1743:2014
1673:Lost
1652:Lost
1585:Lost
1567:Lost
1549:Lost
1528:Lost
1510:Lost
1478:Lost
1457:Lost
1436:Lost
1400:Lost
1363:Lost
1343:Lost
1323:Lost
1300:Lost
1280:Lost
1227:Lost
1207:Lost
1129:Lost
1094:Lost
1076:Lost
1058:Lost
1042:Lost
1026:Lost
1005:Lost
984:Lost
954:Lost
938:Lost
920:Lost
899:Lost
881:Lost
865:Lost
847:Lost
826:Lost
790:Lost
771:Lost
755:Lost
739:Lost
721:Lost
702:Lost
684:Lost
668:Lost
649:Lost
616:Lost
386:and
281:’s”.
150:div.
80:Died
54:Born
48:1920
2200:at
2174:at
2165:at
786:Jo
531:in
463:’s
455:’s
243:at
2213::
2059:.
2055:.
2016:.
1998:.
1969:.
1852:^
1787:.
1760:^
1733:.
1722:^
567:.
535:.
508:.
347:.
173:m.
146:m.
46:c.
2069:.
2032:.
2002:.
1983:.
1846:.
1803:.
1745:.
417:(
407:(
401:)
396:(
66:)
62:(
23:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
