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She created many of the most famous soloist roles in the Petipa/Ivanov repertoire. These roles include the following:
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After retiring from the stage, following her father's footsteps, she became a celebrated teacher of the
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19th-century ballet dancers from the
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217:The Fairy Canari and the Diamond Fairy in
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41:Relevant discussion may be found on the
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307:The Life and Ballets of Lev Ivanov
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266:The female variation of the
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320:Wiley, Roland John (2001).
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226:The leading soloist of the
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103:December 2014
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