Knowledge

Anna Laetitia Barbauld

Source 📝

3872: 565: 1452:, published in 1810 with a broad introductory essay on the history of the novel, allowed her to place her mark on literary history. It was "the first English edition to make comprehensive critical and historical claims" and was in every respect "a canon-making enterprise". In an insightful essay, Barbauld legitimises the novel, then still a controversial genre, by connecting it to ancient Persian and Greek literature. For her, a good novel is "an epic in prose, with more of character and less (indeed in modern novels nothing) of the supernatural machinery". Barbauld maintains that novel-reading has a multiplicity of benefits. Not only is it a "domestic pleasure", but it is also a way to "infus principles and moral feelings" into the population. Barbauld also provided introductions to each of the fifty authors included in the series. 899: 1031:, which limited the civil rights of Dissenters. After the repeal was voted down for the third time, Barbauld burst onto the public stage after "nine years of silence". Her highly charged pamphlet is written in a biting and sarcastic tone. It opens, "We thank you for the compliment paid the Dissenters, when you suppose that the moment they are eligible to places of power and profit, all such places will at once be filled with them". She argues that Dissenters deserve the same rights as any other men: "We claim it as men, we claim it as citizens, we claim it as good subjects". Moreover, she contends that it is precisely the isolation forced on Dissenters by others that marks them out, not anything inherent in their form of worship. Finally, appealing to 1215:, a four-volume, age-adapted reading primer, Barbauld employs the concept of a mother teaching her son. It is more than likely that many of the events in these stories were inspired by Barbauld's experience of teaching her own son, Charles. The series is far more than a way to acquire literacy – it also introduces the reader to "elements of society's symbol-systems and conceptual structures, inculcates an ethics, and encourages him to develop a certain kind of sensibility". Moreover, it exposes the child to the principles of "botany, zoology, numbers, change of state in chemistry... the money system, the calendar, geography, meteorology, agriculture, political economy, geology, astronomy." The series was relatively popular. 1186: 756: 33: 952: 1039: 1421:, an anthology of literature chosen specifically for young girls. Because, according to Barbauld's philosophy, what one reads when one is young is formative, she carefully considered the "delicacy" of her female readers and "direct her choice to subjects more particularly appropriate to the duties, the employments, and the dispositions of the softer sex". The anthology is subdivided into sections such as "moral and didactic pieces" and "descriptive and pathetic pieces"; it includes poetry and prose by, among others, 926:... neither consented to the idea of a special feminine discourse nor accepted an account of themselves as belonging to the realm of the nonrational. They engaged with two strategies to deal with the problem of affective discourse. First, they used the customary 'feminine' forms and languages, but they turned them to analytical account and used them to think with. Second, they challenged the male philosophical traditions that led to a demeaning discourse of feminine experience and remade those traditions. 548:, which often used corporal punishment, with a system of "fines and jobations" and even, it seems likely, "juvenile trials", that is, trials run by and for the students themselves. Moreover, instead of the traditional classical studies, the school offered a practical curriculum that stressed science and the modern languages. Barbauld herself taught the foundation subjects of reading and religion to the youngest boys, and geography, history, composition, rhetoric and science to higher grade levels. 352:
intellectualism. The two were never so close as Barbauld and her father. Yet Barbauld's mother was proud of her accomplishments and in later years wrote of her daughter, "I once indeed knew a little girl who was as eager to learn as her instructors could be to teach her, and who at two years old could read sentences and little stories in her wise book, roundly, without spelling; and in half a year more could read as well as most women; but I never knew such another, and I believe never shall".
344:
been viewed as unseemly in a woman; according to Lucy Aikin's memoir, what resulted was "a double portion of bashfulness and maidenly reserve" in Barbauld's character. Barbauld was uncomfortable with her identity as a woman and believed she had failed to live up to the ideal of womanhood; much of her writing would focus on issues central to women, and her outsider perspective allowed her to question many of the traditional assumptions about femininity being made in the 18th century.
971:
publish social commentary. Ross points out, however, that women were in a double bind: "They could choose to speak politics in nonpolitical modes, and thus risk greatly diminishing the clarity and pointedness of their political passion, or they could choose literary modes that were overtly political while trying to infuse them with a recognizable 'feminine' decorum, again risking a softening of their political agenda". So Barbauld and other Romantic women poets often wrote
6368: 849:
explains, feminist critics wanted to resurrect a particular kind of woman – one who was angry, who resisted the gender roles of her time, and who attempted to create a sisterhood with other women. Barbauld did not easily fit into these categories. Indeed, it was not until Romanticism and its canon began to be re-examined through a deep reassessment of feminism itself that a picture emerged of the vibrant voice that Barbauld had contributed.
663:, as her husband's mind was rapidly failing. Rochemont developed a "violent antipathy to his wife and he was liable to fits of insane fury directed against her. One day at dinner he seized a knife and chased her round the table so that she only saved herself by jumping out of the window." Such scenes repeated themselves to Barbauld's great sadness and real danger, but she refused to leave him. Rochemont drowned himself in the nearby 370:, described their father as "the best parent, the wisest counsellor, the most affectionate friend, every thing that could command love and veneration". Barbauld's father prompted many such tributes, although Lucy Aikin described him as excessively modest and reserved. Barbauld developed a strong bond with her only sibling during childhood, standing in as a mother figure to him; they eventually became literary partners. In 1817, 3905: 1094:, on the moral responsibility of the individual. For her, each individual is responsible for the actions of the nation because he or she constitutes part of the nation. The essay attempts to determine what the proper role of the individual is in the state, and while she argues that "insubordination" can undermine a government, she admits there are lines of "conscience" that cannot be crossed in obeying a government. 356: 454:', Mr. B. impersonating St. Preux. was informed by a true friend that he had experienced one attack of insanity, and was urged to break off the engagement on that account. – "Then", answered she, "if I were now to disappoint him, he would certainly go mad". To this there could be no reply; and with a kind of desperate generosity she rushed upon her melancholy destiny. 1012:(1812). As Harriet Guest explains, "The theme Barbauld's essays of the 1790s repeatedly return to is that of the constitution of the public as a religious, civic, and national body, and she is always concerned to emphasize the continuity between the rights of private individuals and those of the public defined in capaciously inclusive terms". 533:. Early on, Barbauld was responsible not only for running her own household, but also the school's, to which she served as accountant, maid, and housekeeper. The school opened with only eight boys, but the number had risen to about forty by the time the Barbaulds left in 1785, which reflects the excellent reputation the school had acquired. 825:, poets who in their youthful, radical days had looked to her poetry for inspiration, but in their later, conservative years dismissed her work. Once these poets had become canonised, their opinions held sway. Moreover, the intellectual ferment of which Barbauld was an important part of – particularly at the 1296:
ridiculed Barbauld's children's books and believed that she was wasting her talents, Barbauld herself saw such writing as noble and encouraged others to follow her. As Betsy Rodgers, her biographer explains, "She gave prestige to the writing of juvenile literature, and by not lowering her standard of
343:
Barbauld commented to her husband in 1773: "For the early part of my life I conversed little with my own Sex. In the Village where I was, there was none to converse with." Barbauld was surrounded by boys as a child and adopted their high spirits. Her mother attempted to subdue these, which would have
970:
to the recovery of women writers. They argue that Barbauld and other Romantic women poets carved out a distinctive feminine voice in the literary sphere. As a woman and a dissenter, Barbauld had a unique perspective on society, according to Ross, and it was this specific position that obliged her to
1400:
consisted of the following pieces: "The Young Mouse", "The Wasp and Bee", "Alfred, a drama", "Animals and Countries", "Canute's Reproof", "The Masque of Nature", "Things by their right Names", "The Goose and Horse", "On Manufactures", "The Flying-fish", "A Lesson in the Art of Distinguishing", "The
1210:
made a revolution in children's literature. For the first time, the needs of the child reader were seriously considered. Barbauld demanded that her books be printed in large type with wide margins so that children could easily read them, and even more importantly, she developed a style of "informal
1089:
In 1793, when the British government called on the nation to fast in honour of the war, anti-war Dissenters such as Barbauld were left with a moral quandary: "Obey the order and violate their consciences by praying for success in a war they disapproved? observe the Fast, but preach against the war?
478:
I am sensible it is not a small thing we ask; nor can it be easy for a parent to part with a child. This I would say, from a number, one may more easily be spared. Though it makes a very material difference in happiness whether a person has children or no children, it makes, I apprehend, little or
449:
er attachment to Mr. Barbauld was the illusion of a romantic fancy – not of a tender heart. Had her true affections been early called forth by a more genial home atmosphere, she would never have allowed herself to be caught by crazy demonstrations of amorous rapture, set off with theatrical French
979:
poems, a style then much in vogue, on personal occasions such as the birth of a child and argued that in commenting on the small occurrences of daily life, they would establish a moral foundation for the nation. Scholars such as Ross and Mellor maintain that this adaptation of existing styles and
680:
McCarthy explains that Barbauld "did not entirely withdraw from print or from writing", but that she withdrew into "the waters of a deep and long depression". Barbauld confessed that her pen had been lazy in 1813, but after that year she wrote as many as three "dialogues" and an "Ode to Remorse".
339:
church. She spent her childhood in what Barbauld scholar William McCarthy describes as "one of the best houses in Kibworth and in the very middle of the village square". She was much in the public eye, as the house was also a boys' school. The family had a comfortable standard of living. McCarthy
405:
also fell in love with Barbauld, describing her later as "possessed of great beauty, distinct traces of which she retained to the latest of her life. Her person was slender, her complexion exquisitely fair with the bloom of perfect health; her features regular and elegant, and her dark blue eyes
782: 1162:
recognizes Barbauld as contributing to this outcome and calls for replacing the image of her as a victim of reviewers with an image of her as an agent of change. But Barbauld was always mindful of the human cost of politics. Even when Britain was on the verge of winning the war, she wrote to a
1834:...The Unitarian Sarah Meadows Martineau (ca 1725-1800), who sent her children to Anna Laetitia Barbauld's school in Palgrave, also lived in Norwich. Martineau was a relative of the Taylors, and thanks to her Anna Laetitia Barbauld was able to meet Susannah Taylor...important of these was The 848:
in England emerged along with it. According to this version of literary history, Coleridge and Wordsworth were the dominant poets of the age. This view held sway for almost a century. Even with the advent of feminist criticism in the 1970s, Barbauld did not receive her due. As Margaret Ezell
351:
and after much pestering, he did. She had the opportunity to learn not only Latin and Greek, but French, Italian, and many other subjects generally deemed unnecessary for women at the time. Barbauld's penchant for study worried her mother, who expected her to end up a spinster because of her
816:
greatly admired Barbauld, sending her poetry in 1787 for her to critique. However, by the early 19th century, Barbauld's remarkable disappearance from the literary landscape had taken place. This is due to a number of reasons. One of the most important was the disdain heaped upon her by
1116:; she argued that the British Empire was waning and the American Empire waxing. It is to America that Britain's wealth and fame will now go, she contended, and Britain will become a mere empty ruin. She tied this decline directly to Britain's participation in the Napoleonic Wars: 1333:
is when a solid put into a fluid entirely disappears in it, leaving the liquor clear. Thus when I throw this lump of sugar into my tea, you see it gradually wastes away till it is all gone; and then I can taste it in every single drop of my tea; but the tea is clear as before.
308: 1157:
states that Barbauld deliberately invited controversy to stir up public debate over the "government war policy and ... specifically the system of trade blockades". The blockade policy was indeed changed in 1812, with a resulting improvement in trade. Clery's 2017 study of
1413:'s correspondence and wrote an extensive biographical introduction of the man who was perhaps the most influential novelist of the 18th century. Her "212-page essay on his life and works the first substantial Richardson biography". The following year she edited 635:, which not only lamented the fate of the enslaved, but warned of the cultural and social degeneration the British people could expect if they did not abolish slavery. In 1792, she continued this theme of national responsibility in an anti-war sermon entitled 1385:. In fact, Michelle Levy, a scholar of the period, argued that the series encouraged readers to "become critical observers of and, where necessary, vocal resisters to authority". This resistance is learned and practised in the home; according to Levy, " 2204:
One of Amelia's particular friends in the literary world, the essayist and poet Anna Letitia Barbauld, was also known to the Martineaus. In her autobiography, Harriet recalled her as a 'comely elderly lady' visiting the household when she was a
1838:, founded in the early...The women that he met within the Scottish community and among the Unitarians such as Mrs Livie and her sister Mrs Taylor, transferred to Obradović the knowledge they had gained from frequenting the feminist circles of 676:
It was reviewed so viciously that according to Barbauld scholar William McCarthy, there "were no further separate publications from her pen", and Lucy Aikens went so far as to say, erroneously, that Barbauld gave up writing altogether.
1376:
such as "once upon a time", but confounding his son with details, such as the murderers all "had steel caps on". In the end the child realises his father has told him the story of a battle, and his father comments "I do not know of any
689:
of Romantic literature as well as Barbauld's reputation as a poet of the period. It is now often viewed by scholars as her greatest poetic achievement. Barbauld died in 1825, a renowned writer, and was buried in the family vault in
551:
She was a dedicated teacher, producing a "weekly chronicle" for the school and writing theatrical pieces for the students to perform. Barbauld had a profound effect on many of her students. One who went on to great success was
450:
manners, or have conceived of such exaggerated passion as a safe foundation on which to raise the sober structure of domestic happiness. My father ascribed that ill-starred union in great part to the baleful influence of '
1358:
education: "curiosity, observation, and reasoning". For example, the stories encourage the learning of science through hands-on activities: in "A Tea Lecture" the child learns that tea-making is "properly an operation of
592:, the playwright. Although no longer in charge of a school, the Barbaulds did not abandon their commitment to education; they often boarded one or two pupils recommended by personal friends. Barbauld lived on Hampstead's 270:
received negative reviews after which she continued to write poetry but not publish in the public sphere. Barbauld's reputation was further damaged when many of the Romantic poets she had inspired in the heyday of the
935: 1371:
follow. The text also emphasises rationality: in "Things by Their Right Names", a child demands that his father tell him a story about "a bloody murder". The father does so, using some of the fictional tropes of
240:
and an innovative writer of works for children. Her primers provided a model for more than a century. Her essays showed it was possible for a woman to be engaged in the public sphere; other women authors such as
470:. Attached to this work is her essay "Thoughts on the Devotional Taste, on Sects and on Establishments", which explains her theory of religious feeling and the problems inherent in institutionalising religion. 579:
In September 1785, the Barbaulds left Palgrave for a tour of France. By this time Rochemont's mental health was deteriorating and he was no longer able to carry out his teaching duties. In 1787, they moved to
473:
It seems that Barbauld and her husband were concerned that they would never have a child of their own, and in 1775, after only a year of marriage, Barbauld suggested to her brother that they adopt one of his
401:. School records suggest he taught French there in the 1770s. He may also have been a suitor to Barbauld – he allegedly wrote to John Aikin declaring his intention to become an English citizen and marry her. 1152:
Not surprisingly, this pessimistic view of the future was poorly received: "Reviews, whether in liberal or conservative magazines, ranged from cautious to patronizingly negative to outrageously abusive".
1808:""There were banquets and parties every day": the importance of British female circles for the Serbian Enlightenment - A study of Dositej Obradović, Serbia's First Minister of Education (1739/42-1811)" 1163:
friend, "I do not know how to rejoice at this victory, splendid as it is, over Buonaparte, when I consider the horrible waste of life, the mass of misery, which such gigantic combats must occasion".
797:
declared "so long as letters shall be cultivated in Britain, or wherever the English language shall be known, so long will the name of this lady be respected". She was favourably compared to both
275:
turned against her in their later, more conservative years. Barbauld was remembered only as a pedantic children's writer in the 19th century, and largely forgotten in the 20th, until the rise of
2485:
She seems also to have been skilled in poetry as she sent manuscript copies of an early poem, 'The Virgin's Love', to Anna Laetitia Barbauld in 1787. Amelia married painter John Opie in 1798.
381:, halfway between the growing industrial cities of Liverpool and Manchester, where Barbauld's father had been offered a teaching position. Some of the founders of the academy were members of 639:
which argued that each individual is responsible for the actions of the nation: "We are called upon to repent of national sins, because we can help them, and because we ought to help them".
1079:(1791). In the work, Barbauld lambasted Parliament for their rejection of abolitionist legislation, along with castigating the slave trade; the work focused on the supposed degeneracy of a 1840:
Elizabeth Carter, Anna Laetitia Barbauld, Elizabeth Montagu, Elizabeth Vessey, Margaret Cavendish Bentinck Sarah Fielding, Hannah More, Clara Reeve, Amelia Opie, Sarah Meadows Martineau.
837:
viewed Barbauld as "an icon of sentimental saintliness" and "erased her political courage, her tough mindedness, her talent for humor and irony", to arrive at a literary figure that
1842:
Their knowledge of the then current literary and cultural scene enabled Obradović to supply the works that he took from England and translated and adapted for the Serbian nation.
1381:
half so bloody". Both the tactic of defamiliarising the world to force the reader to think about it rationally, along with the anti-war message of this tale, prevail throughout
340:
suggests they may have ranked with large freeholders, well-to-do tradesmen, and manufacturers. At Barbauld's father's death in 1780, his estate was valued at more than £2,500.
805:– no mean feat for a woman writer in the 18th century. By 1925, however, she was remembered only as a moralising writer for children, if that. It was not until the advent of 1542: 6054: 390: 975:. These had traditionally commented, often satirically, on national events, but by the end of the 18th century were increasingly serious and personal. Women wrote 1524:(each year with a link connects to its corresponding " in literature" article, for verse works, or " in literature" article, for prose or mixed prose and verse): 1236:(1812), has the 14-year-old Christina Cleveland remark, "Well, then; you know fairy-tales are forbidden pleasures in all modern school-rooms. Mrs. Barbauld, and 418:, went through four editions in a single year and surprised Barbauld by its success. Barbauld became a respected literary figure in England on the reputation of 385:, whose creedless and liberal "Liverpool Liturgy" formed a starting point for her beliefs and writings The Academy drew many luminaries of the day, such as the 611:
to pass a law granting Dissenters full citizenship rights. When this bill was defeated for the third time, Barbauld wrote one of her most passionate pamphlets,
569: 414:
In 1773, Barbauld brought out her first book of poems, after her friends had praised them and convinced her to publish them. The collection, entitled simply
327:. She was named after her maternal grandmother and referred to as "Nancy" (a nickname for Anna). She was baptised by her mother's brother, John Jennings, in 1781: 1252:, quite out of favour; – at least, with papas and mamas." A more strident criticism was made by the Lambs, telling of Mary's abortive search for a copy of 397:, and came to be known as "the Athens of the North" for its stimulating intellectual atmosphere. Another instructor may have been the French revolutionary 4373: 1669: 6432: 6427: 4363: 1883:
Barbauld, Anna Laetitia (1743-1825) was born Anna Laetitia Aikin...a "provincial Bluestocking"...she was among the second generation of the group...
1409:
Barbauld edited several major works towards the end of her life, all of which helped to shape the canon as known today. First, in 1804, she edited
3585: 3538:
McCarthy, William (1997), "The Celebrated Academy at Palgrave: A Documentary History of Anna Letitia Barbauld's School", in Korshin, Paul (ed.),
1180: 1154: 1086:
and his wife which revealed the failings of the "colonial enterprise: indolent, voluptuous, monstrous woman" and a "degenerate, enfeebled man".
374:
commented of their relationship: "How few brothers and sisters have been to one another what they have been through so long a course of years!".
6532: 295:. Some letters from Barbauld to others also exist. However, a great many Barbauld family documents were lost in a fire that resulted from the 6472: 6462: 3223: 1698:
The Correspondence of Samuel Richardson . . . to which are prefixed, a biographical account of that author, and observations on his writing
833:
put it. The reformist 18th-century middle class was later held responsible for the excesses and abuses of the industrial age. Finally, the
6457: 6447: 2461: 1102: 362:(c. 1763): "Mrs. Barbauld has told me that it was the perusal of some verses of mine that first induced her to write any thing in verse". 4717: 3130:
The Female Speaker; or, Miscellaneous Pieces, in Prose and Verse, Selected from the Best Writers, and Adapted to the Use of Young Women
2154: 3634:
McCarthy, William. "'We Hoped the Woman Was Going to Appear': Repression, Desire, and Gender in Anna Letitia Barbauld's Early Poems."
1737:
The Female Speaker; or, Miscellaneous Pieces in Prose and Verse, Selected from the Best Writers, and Adapted to the Use of Young Women
3930: 3113: 1354:(1793). It is a miscellany of stories, fables, dramas, poems, and dialogues. In many ways this series encapsulates the ideals of an 245:
emulated her. Barbauld's literary career spanned numerous periods in British literary history: her work promoted the values of the
6512: 6477: 6467: 1726:, (London: F. C. & J. Rivington; edited with a comprehensive introductory essay and introductions to each author, 50 volumes) 6417: 4888: 3392: 257:. Barbauld was also a literary critic. Her anthology of 18th-century novels helped to establish the canon as it is known today. 1020: 608: 3755:
White, Daniel E. (Summer 1999). "The "Joineriana": Anna Barbauld, the Aikin Family Circle, and the Dissenting Public Sphere".
2582: 1280:, they were also used to teach several generations of schoolchildren. Children's literature scholar William McCarthy states, " 462:, near where Rochemont had been offered a congregation and a school for boys. Barbauld took this time and rewrote some of the 6452: 6313: 3966: 3742: 3689: 3671: 3657: 3643: 3578: 3495: 3481: 3385: 3371: 3327: 3256: 1254: 6492: 5984: 4002: 3313:
Memoir of Mrs. Barbauld, including Letters and Notices of Her Family and Friends. By her Great Niece Anna Letitia Le Breton
2569:
Memoir of Mrs. Barbauld, including Letters and Notices of Her Family and Friends. By her Great Niece Anna Letitia Le Breton
793:
as "unquestionably the first of our female poets, and one of the most eloquent and powerful of our prose writers" and the
287:
Much of what is known about Barbauld's life comes from two memoirs, the first published in 1825 and written by her niece,
6442: 6437: 4406: 4811: 6522: 6407: 5826: 3701: 3539: 624: 430:, which was also well received. The essays in it (most of which were by Barbauld) were favourably compared to those of 852:
Barbauld's works fell out of print and no full-length scholarly biography of her was written until William McCarthy's
6507: 4195: 4037: 3882:
Anna Letitia Barbauld by Elizabeth Kraft, in Then & Now: Romantic-Era Poets in the Encyclopedia Britannica (2023)
3549: 3284: 3270: 2856: 2831: 2806: 2592: 2471: 2164: 875: 233:" who published in multiple genres, Barbauld had a successful writing career that spanned more than half a century. 4791: 6487: 1520: 1090:
defy the Proclamation and refuse to take any part in the Fast?". Barbauld took this opportunity to write a sermon,
656: 4786: 4083: 2178:
NB Charles studied under Philip Meadows Martineau, not David Martineau - Sarah's surgeon husband who died in 1768.
1258:, which her brother claimed was because "Mrs. Barbauld's stuff has banished all the old classics of the nursery". 437:
In May 1774, despite some "misgivings", Barbauld married Rochemont Barbauld (1749–1808), the grandson of a French
6392: 6328: 4492: 3796: 1461: 1438: 553: 529:
in Suffolk which had benefitted from the financial support of Philip Meadows (1719–83), a solicitor from nearby
4847: 4497: 4271: 619:). Readers were shocked to discover that such a well-reasoned argument should come from a woman. In 1791, after 564: 4587: 4017: 3994: 3766: 3710: 3514: 1619: 5851: 3699:
and Teaching Mothers: Mrs. Barbauld's Primer for the Textual Construction of Middle-Class Domestic Pedagogy".
1297:
writing for children, she inspired others to write on a similar high standard". In fact, because of Barbauld,
1228:
Some at the time saw Barbauld's work as marking a shift in children's literature from fantasy to didacticism.
6517: 6422: 6352: 6336: 6253: 5771: 4883: 4837: 3662:
Myers, Mitzi. "Of Mice and Mothers: Mrs. Barbauld's 'New Walk' and Gendered Codes in Children's Literature."
3054: 809:
in the academic world of the 1970s and 1980s that Barbauld finally began to be included in literary history.
694:. After her death, a marble tablet was erected in the Newington Green Chapel with the following inscription: 652: 585: 2993:
Mitzi Myers, "Of Mice and Mothers: Mrs. Barbauld's 'New Walk' and Gendered Codes in Children's Literature".
1807: 844:
As literary studies developed into a discipline at the end of the 19th century, the story of the origins of
6412: 5876: 5246: 4027: 3886: 1225:(1798): it is "one of the best books for young people from seven to ten years old, that has yet appeared". 667:
in 1808 and his widow was overcome with grief. When she returned to writing, she produced the radical poem
4323: 2997:, eds. Louise Wetherbee Phelps and Janet Ennig. Pittsburgh: University of Pittsburgh Press (1995), p. 261. 994:
According to 18th century studies scholar Harriet Guest, Barbauld's most significant political texts are:
6502: 6124: 5939: 5781: 4093: 4042: 2636:, eds Carol Shiner Wilson and Joel Haefner. Philadelphia: University of Pennsylvania Press (1994), p. 93. 1744: 1590: 1249: 1206: 1176: 1072: 1008: 989: 930:
In her subsequent analysis of "Inscription for an Ice-House" Armstrong points to Barbauld's challenge of
911: 806: 761: 669: 501: 276: 262: 6059: 4388: 3569:
McCarthy, William. "A 'High-Minded Christian Lady': The Posthumous Reception of Anna Letitia Barbauld."
2680:, eds Carol Shiner Wilson and Joel Haefner. Philadelphia: University of Pennsylvania Press (1994), p. 6. 1641:
Remarks on Mr. Gilbert Wakefield's Enquiry into the Expediency and Propriety of Public or Social Worship
6482: 5761: 4990: 4502: 3757: 3616: 3409: 2944:
dated 23 October 1802. Quoted in Norma Clarke: "The Cursed Barbauld Crew..." In: Hilton, Mary, et al.:
1536: 1281: 914:
interested in recovering women writers important in their own time, but forgotten in literary history.
517:, recalled that as a child, Barbauld, a "comely elderly lady", had visited the Martineau family home. 6069: 4735: 4512: 3362:
Armstrong, Isobel. "The Gush of the Feminine: How Can we Read Women's Poetry of the Romantic Period?"
6527: 6308: 5708: 5659: 3959: 3844: 3820: 2632:
Marlon B. Ross, "Configurations of Feminine Reform: The Woman Writers and the Tradition of Dissent."
1509: 1485: 451: 382: 5989: 5146: 4868: 3747:
Ruwe, Donelle. "Barbauld and the Body-Part Game: Maternal Pedagogy in the Long Eighteenth Century."
3573:. Eds. Harriet Kramer Linkin and Stephen C. Behrendt. Lexington: University Press of Kentucky, 1999 556:, a pre-eminent scholar of German literature, who referred to Barbauld as "the mother of his mind". 485:] to exercise all his whole stock of care and affection. We should gain, but you would not lose. 6207: 6029: 5919: 5909: 5846: 5612: 5297: 4358: 4088: 3733:
Ross, Marlon. "Configurations of Feminine Reform: The Woman Writers and the Tradition of Dissent."
1620:
An Epistle to William Wilberforce, Esq. on the Rejection of the Bill for Abolishing the Slave Trade
1314: 691: 402: 222: 5786: 5076: 3737:. Eds. Carol Shiner Wilson and Joel Haefner. Philadelphia: University of Pennsylvania Press, 1994 3304: 1211:
dialogue between parent and child" that would dominate children's literature for a generation. In
829:– had by the end of the 19th century come to be associated with the "philistine" middle class, as 6497: 5979: 5836: 5741: 5597: 5026: 4642: 4032: 3910: 3854: 3834: 3810: 2941: 1499: 1475: 818: 686: 490: 336: 4852: 4552: 3666:. Eds. Louise Wetherbee Phelps and Janet Emig. Pittsburgh: University of Pittsburgh Press, 1995 3334: 3251:. Eds. William McCarthy and Elizabeth Kraft. Peterborough, Ontario: Broadview Press Ltd., 2002. 3220: 2957:
McCarthy, "Mother of All Discourses," pp. 85–86; Ruwe, "Barbauld and the Body-Part Game," 36–38.
685:
was considered to have ended Barbauld's career, but recent scholarship has reinstated it to the
210: 6318: 6273: 6268: 5964: 5856: 5756: 5267: 5041: 4980: 4368: 3400: 3152:
The British Novelists; with An Essay; and Prefaces, Biographical and Critical, by Mrs. Barbauld
1835: 1723:
The British Novelists; with an Essay; and Prefaces, Biographical and Critical, by Mrs. Barbauld
864: 633:
Epistle to William Wilberforce Esq. On the Rejection of the Bill for Abolishing the Slave Trade
324: 292: 226: 5643: 5516: 5302: 5226: 5111: 4537: 3749:
Mothers in Children's and Young Adult Literature: From the Eighteenth Century to Postfeminism.
3366:. Eds. Paula R. Feldman and Theresa M. Kelley. Hanover: University Press of New England, 1995 1268:
had, for children's books, an unprecedented impact; not only did they influence the poetry of
6323: 6288: 6278: 6212: 6039: 6014: 5974: 5924: 5821: 5674: 5521: 5333: 5190: 5131: 4965: 4960: 4914: 4842: 4781: 4667: 4426: 4073: 4022: 3999: 3924: 3457: 3448: 2191: 944: 593: 4878: 4353: 4338: 3009:
Vol. 2, 2nd ed. London: Printed for J. Johnson, 1794. Eighteenth Century Collections Online.
1035:, she maintains that the French cannot be allowed to outstrip Britons in extending liberty. 6402: 6397: 6371: 5944: 5506: 5393: 5318: 5031: 4995: 4697: 4677: 4431: 4118: 4058: 3952: 3604: 1566: 1355: 1200: 1191: 1172: 1061: 1028: 826: 628: 495: 332: 246: 6044: 5861: 5096: 4873: 4730: 4451: 4416: 3380:
Ed. Carol Shiner Wilson and Joel Haefner. Philadelphia: Univ. of Pennsylvania Press, 1994
2940:, ed. Edwin W. Marrs, Jr. (Ithaca: Cornell University Press, 1976). Vol. 2, pp. 81–82. To 1831: 1077:
Epistle to William Wilberforce on the Rejection of the Bill for Abolishing the Slave Trade
1000:
Epistle to William Wilberforce on the Rejection of the Bill for Abolishing the Slave Trade
479:
none whether he has three, or four; five, or six; because four or five are enow [
8: 6303: 6162: 5866: 5751: 5592: 4975: 4970: 4806: 4547: 4482: 4098: 3110: 3107:
Selections from the Spectator, Tatler, Guardian, and Freeholder, with a Preliminary Essay
3018:
Fyfe, Aileen. "Reading Children's Books in Late Eighteenth-Century Dissenting Families."
1705:
Selections from the Spectator, Tatler, Guardian, and Freeholder, with a Preliminary Essay
1415:
Selections from the Spectator, Tatler, Guardian, and Freeholder, with a Preliminary Essay
1221: 1068: 1044: 1032: 620: 5954: 5470: 5287: 4827: 4765: 4612: 4441: 3612: 32: 6359: 6079: 5841: 5831: 5716: 5607: 5501: 5343: 5292: 5205: 5101: 5071: 5061: 4909: 4707: 4396: 4288: 4229: 4007: 3778: 3722: 3638:
Eds. Paula R. Feldman and Theresa M. Kelley. Hanover: Univ. Press of New England, 1995
3526: 3431: 3265:. Ed. William McCarthy and Elizabeth Kraft. Athens: University of Georgia Press, 1994. 1867: 1700:, (London: Richard Phillips; edited with substantial biographical introduction, 6 vols) 1681: 1277: 1273: 1016: 838: 822: 664: 537: 386: 378: 279:
in the 1980s renewed interest in her works and restored her place in literary history.
218: 5241: 5121: 4318: 3751:
Eds. Karen Coats and Lisa Rowe Fraustino. University of Mississippi Press, 2016. 27–44
1417:, a volume of essays emphasising "wit", "manners" and "taste". In 1811, she assembled 6293: 6263: 6227: 6172: 6094: 6024: 5949: 5886: 5791: 5776: 5746: 5587: 5562: 5536: 5475: 5465: 5363: 5358: 5353: 5348: 5016: 4985: 4929: 4924: 4740: 4725: 4647: 4532: 4477: 4401: 4313: 4266: 4169: 4159: 4123: 3989: 3867: 3782: 3738: 3726: 3685: 3667: 3653: 3639: 3574: 3545: 3530: 3491: 3477: 3446:(May 2017). "The Novel Comes of Age: When Literature Started Talking with Children". 3435: 3381: 3367: 3323: 3280: 3266: 3252: 2852: 2827: 2802: 2588: 2467: 2160: 1664:
Reasons for National Penitence Recommended for the Fast Appointed on 28 February 1794
1634:
Poems. A new edition, corrected. To which is added, An Epistle to William Wilberforce
1410: 1401:
Phoenix and Dove", "The Manufacture of Paper", "The Four Sisters", and "Live Dolls".
1318: 1293: 1244:, and a hundred others, have written good books for children, which have thrown poor 1057: 972: 860: 604: 600: 514: 272: 5633: 5628: 5511: 4348: 4298: 2005:
The Enlightenment of Joseph Priestley: A Stud of His Life and Work from 1733 to 1773
918:'s work represents one way to do such a study; she argues that Barbauld, like other 5899: 5796: 5721: 5638: 5602: 5480: 5455: 5450: 5151: 5141: 5136: 5126: 5116: 5091: 5021: 4944: 4919: 4487: 4436: 4333: 4174: 4164: 4147: 4108: 4103: 4078: 3876: 3770: 3714: 3608: 3518: 3461: 3443: 3421: 3413: 1786: 1648: 1518:
Unless otherwise noted, this list is taken from Wolicky's entry on Barbauld in the
1350: 1053: 915: 526: 510: 506: 394: 359: 242: 237: 185: 153: 6074: 6064: 5282: 5056: 4893: 4557: 4235: 3881: 3472:
Guest, Harriet. "Anna Laetitia Barbauld and the Mighty Mothers of Immortal Rome."
2223:
Philip Meadows, solicitor, of Diss (1719–83), was a sponsor of Palgrave School ...
1721: 6298: 6283: 6258: 6182: 6114: 6109: 6104: 6019: 6004: 5959: 5894: 5766: 5736: 5582: 5577: 5460: 5383: 5373: 5323: 5231: 5106: 5000: 4939: 4934: 4801: 4745: 4662: 4652: 4472: 4456: 4411: 4378: 4251: 4201: 4139: 4128: 3227: 3117: 1762:(London: Longman; edited by Barbauld's niece, Lucy Aikin, after Barbauld's death) 1760:
A Legacy for Young Ladies, Consisting of Miscellaneous Pieces, in Prose and Verse
1430: 1389:... makes the claim that social and political reform must begin in the family". 1322: 1313:
to write and design a series of readers and games for middle-class children, and
1241: 1216: 1106: 967: 648: 573: 398: 328: 267: 95: 64: 5679: 4617: 4012: 3839: 3815: 2749:
Poems of Nation, Anthems of Empire: English Verse in the Long Eighteenth Century
1504: 1480: 1348:
Barbauld also collaborated with her brother John Aikin on the six-volume series
869:
Memoir of Mrs. Barbauld, including Letters and Notices of her Family and Friends
6222: 6192: 6157: 6147: 6129: 6034: 5994: 5929: 5801: 5731: 5572: 5557: 5485: 5429: 5419: 5388: 5368: 5277: 5200: 5180: 5165: 5086: 5046: 4750: 4702: 4632: 4527: 4507: 4446: 4343: 4207: 4133: 3863: 3664:
Feminine Principles and Women's Experience in American Composition and Rhetoric
2995:
Feminine Principles and Women's Experience in American Composition and Rhetoric
1442: 1434: 1422: 1289: 1049: 963: 951: 830: 802: 798: 589: 431: 371: 6237: 5806: 4832: 4796: 4607: 3417: 1791: 253:, while her poetry made a founding contribution to the development of British 6386: 6232: 6197: 6187: 6167: 6099: 6049: 5914: 5904: 5689: 5664: 5552: 5526: 5414: 5195: 5066: 4672: 4602: 4577: 4567: 4522: 4222: 3648:
Mellor, Anne K. "A Criticism of Their Own: Romantic Women Literary Critics."
3465: 1713: 1306: 1298: 1269: 1237: 1083: 834: 596:
in the early 1800s, though it is not known exactly which house she occupied.
530: 5424: 3555: 3132:. 2nd ed. London: Printed for Baldwin, Cradock, and Joy, etc. (1816), p. vi. 1219:
commented in the educational treatise that she co-authored with her father,
1105:
had been at war with France for a decade and was on the brink of losing the
6202: 6177: 6152: 6119: 6089: 6009: 5969: 5871: 5816: 5726: 5694: 5684: 5669: 5409: 5272: 5262: 5236: 5081: 5036: 4760: 4692: 4682: 4622: 4572: 4517: 4328: 4246: 4217: 4068: 3890: 3308:. 2 vols. Boston: James R. Osgood and Co., 1874. Retrieved on 17 April 2007 1368: 1310: 1305:
were inspired to write for poor children as well as organise a large-scale
1245: 1229: 931: 882: 603:, Barbauld published her most radical political pieces. From 1787 to 1790, 545: 230: 105: 5567: 3914: 3858: 3774: 3522: 584:, where Rochemont was asked to serve as the minister at what later became 6217: 6084: 5934: 5531: 5434: 5378: 5185: 5051: 4755: 4687: 4421: 4282: 4241: 4190: 4063: 3975: 3935: 3393:"Reading Children's Books in Late Eighteenth-Century Dissenting Families" 1613:
An Address to the Opposers of the Repeal of the Corporation and Test Acts
1426: 1364: 1302: 1080: 996:
An Address to the Opposers of the Repeal of the Corporation and Test Acts
976: 919: 845: 813: 613:
An Address to the Opposers of the Repeal of the Corporation and Test Acts
544:. Palgrave replaced the strict discipline of traditional schools such as 541: 254: 250: 2915:, ed. Susan Manly, Vol. 11. London: Pickering and Chatto (2003), p. 195. 5338: 4657: 4637: 4627: 4276: 4113: 3718: 1871: 1855: 1393: 1373: 980:
genres is one way in which women poets created a feminine Romanticism.
939: 660: 442: 423: 367: 312: 288: 217:; 20 June 1743 – 9 March 1825) was a prominent English poet, essayist, 3426: 5999: 5328: 5210: 4542: 4261: 2007:. University Park: Pennsylvania State University Press (1997), p. 93. 1024: 879: 616: 581: 438: 296: 100: 3936:
Selected works of Anna Barbauld including a full-color facsimile of
1755:, Volume 1 (London: Longman; edited by Barbauld's niece, Lucy Aikin) 878:
in London presented Barbauld's portrait alongside a number of other
659:, a mile away. Barbauld herself was happy to be nearer her brother, 6139: 3920: 3899: 3895: 3376:
Ellison, Julie. "The Politics of Fancy in the Age of Sensibility."
2319:
Barbauld, "Sins of Government, Sins of the Nation." (2002), p. 300.
1560:
Devotional Pieces, Compiled from the Psalms and the Book of the Job
781: 348: 331:
two weeks after her birth. Barbauld's father was headmaster of the
320: 47: 2946:
Opening the Nursery Door: Reading, Writing and Childhood 1600–1900
1185: 5811: 4562: 4153: 3035:, 6 vols, 2nd ed. London: Printed for J. Johnson (1794) 2: p. 69. 1110: 459: 441:
and a former pupil at Warrington. According to Barbauld's niece,
355: 110: 3305:
A Memoir of Mrs. Anna Laetitia Barbauld with Many of Her Letters
2849:
Eighteen Hundred and Eleven: Poetry, Protest and Economic Crisis
2824:
Eighteen Hundred and Eleven: Poetry, Protest and Economic Crisis
2799:
Eighteen Hundred and Eleven: Poetry, Protest and Economic Crisis
1753:
The Works of Anna Laetitia Barbauld. With a Memoir by Lucy Aikin
1707:(London: J. Johnson; edited with an introduction, three volumes) 1038: 898: 4256: 2769:
Barbauld, "Sins of Government, Sins of the Nation," pp. 316–17.
2751:. Charlottesville: University of Virginia Press (2000), p. 262. 1321:, which would culminate in an educational treatise authored by 1113: 755: 463: 291:, and the second published in 1874, written by her great-niece 3944: 468:
Devotional Pieces Compiled from the Psalms and the Book of Job
3279:
Ed. William McCarthy. Oxford: Oxford University Press, 2019.
1325:
and him, and in a large body of children's stories by Maria.
721:
With Wit, Genius, Poetic Talent, and a Vigorous Understanding
505:(1781). He studied surgery in Norwich under the tutelage of 3652:. Ed. John Beer. Baltimore: Johns Hopkins Univ. Press, 1995 3154:. London: Printed for F. C. and J. Rivington, (1810), p. 3. 493:. It was for him that Barbauld wrote her most famous books: 307: 191: 159: 4212: 3571:
Romanticism and Women Poets: Opening the Doors of Reception
3378:
Re-Visioning Romanticism: British Women Writers, 1776–1837.
466:, a common pastime in the 18th century, publishing them as 200: 168: 3735:
Re-visioning Romanticism: British Women Writers, 1776–1837
3230:, at Rutgers University Web site, retrieved 8 January 2009 3221:"Selected Bibliography: Anna Letitia Barbauld (1743–1825)" 2678:
Re-visioning Romanticism: British Women Writers, 1776–1837
2634:
Re-visioning Romanticism: British Women Writers, 1776–1837
1684:, M. Robinson, Anna Laetitia Barbauld, J. Ogilvie, &c. 910:
Barbauld's wide-ranging poetry has been read primarily by
731:
Let the Young, Nurtured by her Writings in the Pure Spirit
489:
After a time, her brother conceded and the couple adopted
715:
She was born at Kibworth in Leicestershire, 20 June 1743,
481: 266:
in 1812, which criticised Britain's participation in the
525:
Barbauld and her husband spent eleven years teaching at
409: 1856:"Biographical Sketches of Principal Bluestocking Women" 1071:'s many abolitionist legislation failed to pass in the 737:
the Acuteness, the Brilliant Fancy, and Sound Reasoning
725:
in Promoting the Cause of Humanity, Peace, and Justice,
3501:
Levy, Michelle (Fall 2006). "The Radical Education of
3320:
Anna Anna Letitia Barbauld: Voice of the Enlightenment
2851:. Cambridge: Cambridge University Press. p. 230. 2826:. Cambridge: Cambridge University Press. p. 229. 2801:. Cambridge: Cambridge University Press. p. 228. 2693:. Chicago: University of Chicago Press (2000), p. 235. 588:. It was here that Barbauld became close friends with 559: 315:(shown here in later years), became literary partners. 3488:
Women Romantic Poets: Anna Barbauld and Mary Robinson
3087:. 2 vols. London: Routledge (1996), pp. xxxvi–xxxvii. 859:
Barbauld's adopted son Charles married a daughter of
713:
Formerly the Respected Minister of this Congregation.
3474:
Small Change: Women, Learning, Patriotism, 1750–1810
2691:
Small Change: Women, Learning, Patriotism, 1750–1810
1731:
An Essay on the Origin and Progress of Novel-Writing
197: 188: 174: 171: 165: 156: 3449:
differences: A Journal of Feminist Cultural Studies
2425:
Quoted in McCarthy, "Posthumous Reception," p. 165.
735:
Let those of Maturer Years, Capable of Appreciating
194: 162: 3322:. Baltimore: Johns Hopkins University Press, 2008 3249:Anna Letitia Barbauld: Selected Poetry & Prose 2928:(London: Henry Colburn, 1812), Vol. II, pp. 68–69. 1135:Thou who hast shared the guilt must share the woe. 3636:Romantic Women Writers: Voices and Countervoices. 3007:Evenings at Home; or, The Juvenile Budget Opened. 2156:Anna Letitia Barbauld: Voice of the Enlightenment 1583:Lessons for Children from Three to Four Years Old 1121:And think'st thou, Britain, still to sit at ease, 966:represents a second way to apply the insights of 936:characterisation of the sublime and the beautiful 854:Anna Letitia Barbauld: Voice of the Enlightenment 642: 6384: 3364:Romantic Women Writers: Voices and Countervoices 3350:Georgian Chronicle: Mrs. Barbauld and Her Family 3033:Evenings at Home; or, The Juvenile Budget Opened 2913:The Novels and Selected Works of Maria Edgeworth 2880:McCarthy, "Mother of All Discourses," pp. 88–89. 1866:(1/2). University of Pennsylvania Press: 25–37. 1396:, Barbauld's niece, Barbauld's contributions to 1317:to begin one of the first systematic studies of 1127:But soothe thy slumbers, and but kiss thy shore? 536:The Barbaulds' educational philosophy attracted 347:Barbauld demanded that her father teach her the 2159:. Johns Hopkins University Press. p. 396. 1649:Evenings at Home, or The Juvenile Budget Opened 1192:Lessons for Children of Three Years Old, Part I 1181:Evenings at Home, or The Juvenile Budget Opened 741:Let the Surviving few who shared her Delightful 2527:McCarthy, "Posthumous Reception," pp. 174–175. 2496:McCarthy, "Posthumous Reception," pp. 167–168. 1139:And whispered fears, creating what they dread; 1125:While the vext billows, in their distant roar, 570:Committee for the Abolition of the Slave Trade 422:alone. In the same year, she and her brother, 335:in Kibworth Harcourt and minister at a nearby 3960: 3541:The age of Johnson: a scholarly annual vol. 8 3476:. Chicago: University of Chicago Press, 2000 2898:McCarthy, "Mother of All Discourses," p. 100. 2216: 983: 655:. Rochemont took over the pastoral duties of 3185:For dating on these volumes, also see Myers. 2966:McCarthy, "Mother of All Discourses," p. 85. 2889:McCarthy, "Mother of All Discourses," p. 93. 2300: 2221:. University of Georgia Press. p. 279. 2090: 2088: 1994:Quoted in Anna Letitia Le Breton, pp. 23–24. 1821:. Università degli Studi “G. d’Annunzio”: 13 1785:(online ed.). Oxford University Press. 1137:Nor distant is the hour; low murmurs spread, 3684:Ed. Ralph Haekel. Boston: De Gruyter, 2017 3586:"Mother of All Discourses: Anna Barbauld's 1141:Ruin, as with an earthquake shock, is here 1133:So sing thy flatterers; but, Britain, know, 1129:To sport in wars, while danger keeps aloof, 867:, wrote literary memoirs, which included a 729:of Pure, Ardent, and Affectionate Devotion. 673:(1812), which depicted England as a ruin. 3967: 3953: 2587:. Bucknell University Press. p. 284. 2442: 2440: 1805: 1339:—Anna Laetitia Barbauld, "A Tea Lecture", 1131:Thy grassy turf unbruised by hostile hoof? 717:and died at Stoke Newington, 9 March 1825. 31: 3676:Murphy, Olivia. "Anna Laetitia Barbauld, 3544:, New York: AMS Press, pp. 279–392, 3425: 3181: 3179: 3177: 3175: 3173: 2938:The Letters of Charles and Mary Anne Lamb 2558:McCarthy, "Posthumous Reception," p. 444. 2536:McCarthy, "Posthumous Reception," p. 182. 2505:McCarthy, "Posthumous Reception," p. 169. 2466:. Taylor and Francis Group. p. 324. 2434:McCarthy, "Posthumous Reception," p. 166. 2085: 1790: 789:At her death, Barbauld was lauded in the 406:beamed with the light of wit and fancy." 6433:19th-century English non-fiction writers 6428:18th-century English non-fiction writers 3873:Works by or about Anna Laetitia Barbauld 3859:Eighteenth-Century Poetry Archive (ECPA) 3583: 3537: 3442: 3215: 3213: 3211: 2152: 1184: 1166: 1123:An island Queen amidst thy subject seas, 1037: 950: 897: 780: 754: 563: 354: 306: 3694: 3209: 3207: 3205: 3203: 3201: 3199: 3197: 3195: 3193: 3191: 3031:Anna Laetitia Barbauld and John Aikin, 2584:Anna Letitia Barbauld: New Perspectives 2459: 2437: 2337:Rodgers, p. 136; Le Breton, pp. 121–22. 1782:Oxford Dictionary of National Biography 1576:Lessons for Children of Three Years Old 1284:could still quote the opening lines of 902:"The Mouse's Petition" from Barbauld's 657:the Unitarian Chapel at Newington Green 458:After the wedding, the couple moved to 138: 1774; died 1808) 6385: 3597:Princeton University Library Chronicle 3170: 2580: 1853: 1657:Sins of Government, Sins of the Nation 1092:Sins of Government, Sins of the Nation 1004:Sins of Government, Sins of the Nation 637:Sins of Government, Sins of the Nation 6533:Members of the Blue Stockings Society 6314:Romanticism and the French Revolution 3948: 3754: 2846: 2821: 2796: 2676:Wilson Carol Shiner, "Introduction." 948:as evidence for this interpretation. 410:First literary successes and marriage 319:Barbauld was born on 20 June 1743 at 209: 6473:19th-century English women educators 6463:18th-century English women educators 3500: 3390: 3335:Mrs. Barbauld and her Contemporaries 3315:. London: George Bell and Sons, 1874 3291: 3188: 2217:Mrs. Barbauld, Anna Letitia (1994). 1067:In the following year, after one of 1015:For three years, from 1787 to 1790, 888: 697: 599:During this time, the heyday of the 3919:Several of Barbauld's writings are 3613:10.25290/prinunivlibrchro.60.2.0196 3490:. Tavistock: Northcote House, 2003 3085:The Works of Anna Laetitia Barbauld 3044:Barbauld and Aikin, 1: pp. 150–152. 2729:Barbauld, "An Appeal", pp. 269–270. 2667:, New York: Routledge (1993), p. 7. 2189: 1288:at age thirty-nine". Although both 631:had failed, Barbauld published her 560:Political involvement and Hampstead 520: 13: 6458:19th-century English women writers 6448:18th-century English women writers 3938:The Works of Anna Lætitia Barbauld 3263:The Poems of Anna Letitia Barbauld 3241: 3219:White, Daniel E., Web page titled 2738:Barbauld, "An Appeal", pp. 278–79. 2219:The Poems of Anna Letitia Barbauld 1045:Nine Living Muses of Great Britain 14: 6544: 3790: 3695:Robbins, Sarah (December 1993). " 3584:McCarthy, William (Winter 1999). 2948:. London: Routledge, 1997, p. 91. 1601:, Part Three (London: J. Johnson) 1404: 48:Kibworth-Harcourt, Leicestershire 6367: 6366: 3903: 3682:Handbook of British Romanticism. 3157: 3144: 3135: 3122: 3099: 3090: 3077: 3068: 2243:McCarthy, "Academy", pp. 284–85. 2192:"Amelia Opie and the Martineaus" 1608:, Part Four (London: J. Johnson) 1521:Dictionary of Literary Biography 1455: 1109:, Barbauld presented a shocking 1019:had been attempting to convince 719:Endowed by the Giver of all Good 647:In 1802, the Barbaulds moved to 568:Design for the medallion of the 509:, the son of Barbauld's friend 184: 152: 3974: 3896:Works by Anna Laetitia Barbauld 3887:Works by Anna Laetitia Barbauld 3236: 3105:Anna Barbauld, "Introduction." 3047: 3038: 3025: 3012: 3000: 2987: 2978: 2969: 2960: 2951: 2931: 2918: 2901: 2892: 2883: 2874: 2865: 2840: 2815: 2790: 2781: 2772: 2763: 2754: 2741: 2732: 2723: 2714: 2705: 2696: 2683: 2670: 2657: 2648: 2639: 2626: 2617: 2608: 2574: 2561: 2552: 2539: 2530: 2521: 2508: 2499: 2490: 2463:Romantic women Writers Reviewed 2453: 2428: 2419: 2410: 2397: 2388: 2375: 2362: 2349: 2340: 2331: 2322: 2313: 2291: 2282: 2273: 2264: 2255: 2246: 2237: 2228: 2210: 2183: 2146: 2133: 2124: 2115: 2112:Quoted in Le Breton, pp. 42–43. 2106: 2097: 2076: 2067: 2058: 2049: 2036: 2023: 2010: 1997: 1988: 1979: 1966: 1448:Barbauld's 50-volume series of 727:of Civil and Religious Liberty, 236:She was a noted teacher at the 135: 6513:British women literary critics 6478:19th-century English educators 6468:18th-century English educators 3915:A Celebration of Women Writers 3864:Works by Anna Letitia Barbauld 3767:Johns Hopkins University Press 3711:Johns Hopkins University Press 3515:Johns Hopkins University Press 3296: 2720:Barbauld, "An Appeal", p. 266. 1953: 1940: 1927: 1914: 1901: 1888: 1847: 1799: 1772: 1652:(with John Aikin, six volumes) 812:Young poets such as Norwich's 643:Stoke Newington and later life 323:in Leicestershire to Jane and 1: 6337:Wanderer above the Sea of Fog 2567:see Le Breton, Anna Letitia. 2234:McCarthy, "Academy", p. 282. 2082:Quoted in Rodgers, pp. 51–52. 1553:Miscellaneous Pieces in Prose 743:and Instructive Conversation, 739:of her Literary Compositions; 723:She Employed these High Gifts 586:Rosslyn Hill Unitarian Chapel 428:Miscellaneous Pieces in Prose 377:In 1758, the family moved to 302: 6453:18th-century English writers 3931:Prose Works of Anna Barbauld 3845:Resources in other libraries 3821:Resources in other libraries 2871:Quoted in Le Breton, p. 132. 2623:Armstrong, pp. 18 and 22–23. 2270:McCarthy, "Academy," p. 306. 2261:McCarthy, "Academy," p. 298. 2252:McCarthy, "Academy," p. 292. 1860:Huntington Library Quarterly 1779:"Barbauld , Anna Letitia ". 1766: 1739:(London: J. Johnson; edited) 1717:(London: W. Suttaby; edited) 1510:Resources in other libraries 1486:Resources in other libraries 962:The work of Marlon Ross and 785:Engraving, published in 1785 711:The Rev. Rochemont Barbauld, 707:Daughter of John Aikin, D.D. 225:. A prominent member of the 7: 6493:Writers of the Romantic era 3902:(public domain audiobooks) 3678:Eighteen Hundred and Eleven 3141:McCarthy and Kraft, p. 375. 3096:McCarthy and Kraft, p. 360. 2787:McCarthy and Kraft, p. 160. 2778:McCarthy and Kraft, p. 160. 2760:McCarthy and Kraft, p. 297. 2711:McCarthy and Kraft, p. 263. 2702:McCarthy and Kraft, p. 261. 1745:Eighteen Hundred and Eleven 1628:Civic Sermons to the People 1591:Hymns in Prose for Children 1569:from Two to Three Years Old 1207:Hymns in Prose for Children 1177:Hymns in Prose for Children 1160:Eighteen Hundred and Eleven 1099:Eighteen Hundred and Eleven 1009:Eighteen Hundred and Eleven 990:Eighteen Hundred and Eleven 807:feminist literary criticism 762:Eighteen Hundred and Eleven 683:Eighteen Hundred and Eleven 670:Eighteen Hundred and Eleven 502:Hymns in Prose for Children 277:feminist literary criticism 263:Eighteen Hundred and Eleven 10: 6549: 6443:19th-century English poets 6438:18th-century English poets 6418:English children's writers 6254:Coleridge's theory of life 3758:Eighteenth-Century Studies 3507:Eighteenth Century Fiction 3391:Fyfe, Aileen (June 2000). 3063:Eighteenth-Century Fiction 3055:"The Radical Education of 2547:Voice of the Enlightenment 2516:Voice of the Enlightenment 2448:Voice of the Enlightenment 2405:Voice of the Enlightenment 2383:Voice of the Enlightenment 2370:Voice of the Enlightenment 2357:Voice of the Enlightenment 2308:Voice of the Enlightenment 2141:Voice of the Enlightenment 2044:Voice of the Enlightenment 2031:Voice of the Enlightenment 2018:Voice of the Enlightenment 1974:Voice of the Enlightenment 1961:Voice of the Enlightenment 1948:Voice of the Enlightenment 1935:Voice of the Enlightenment 1922:Voice of the Enlightenment 1909:Voice of the Enlightenment 1896:Voice of the Enlightenment 1282:Elizabeth Barrett Browning 1170: 987: 984:Political essays and poems 747:That this Monument Records 692:St Mary's, Stoke Newington 651:, where they lived at 113 607:attempted to convince the 311:Barbauld and her brother, 282: 16:English author (1743–1825) 6523:British women hymnwriters 6408:Dissenting academy tutors 6346: 6309:Romanticism and economics 6246: 6138: 5885: 5707: 5652: 5621: 5545: 5494: 5443: 5402: 5311: 5255: 5219: 5173: 5164: 5009: 4953: 4902: 4861: 4820: 4774: 4716: 4586: 4465: 4387: 4324:Manuel Antônio de Almeida 4306: 4297: 4183: 4051: 3982: 3840:Resources in your library 3829:By Anna Laetitia Barbauld 3816:Resources in your library 3418:10.1017/S0018246X99001156 3341:Thackeray, Anne Ritchie. 3311:Le Breton, Anna Letitia. 3150:Barbauld, Anna Laetitia. 3116:11 September 2006 at the 3065:19.1–2 (2006–07), p. 123. 2279:Quoted in Rodgers, p. 75. 2130:Quoted in Rodgers, p. 68. 1505:Resources in your library 1494:By Anna Laetitia Barbauld 1481:Resources in your library 912:feminist literary critics 893: 876:National Portrait Gallery 776: 759:Original title page from 572:(formed 1787), struck by 119: 88: 71: 54: 39: 30: 23: 6508:English literary critics 4089:German historical school 3702:The Lion and the Unicorn 3466:10.1215/10407391-3821688 3356: 3275:Barbauld, Anna Letitia. 3261:Barbauld, Anna Letitia. 3247:Barbauld, Anna Letitia. 3226:12 December 2010 at the 3128:Anna Laetitia Barbauld, 1815:Књиженство (Knjiženstvo) 1315:Richard Lovell Edgeworth 942:'s economic theories in 507:Philip Meadows Martineau 403:Archibald Hamilton Rowan 221:, editor, and author of 6488:British women essayists 4736:Józef Ignacy Kraszewski 3650:Questioning Romanticism 3352:. London: Methuen, 1958 3338:. London: Longman, 1877 3083:Aikin, Lucy. "Memoir." 2942:Samuel Taylor Coleridge 1232:, in her popular novel 819:Samuel Taylor Coleridge 749:No Exaggerated Praise. 6393:Anna Laetitia Barbauld 6319:Romanticism in science 6274:Middle Ages in history 6269:List of Romantic poets 4981:Josiah Gilbert Holland 3855:Anna Laetitia Barbauld 3802:Anna Laetitia Barbauld 3401:The Historical Journal 3020:The Historical Journal 2665:Romanticism and Gender 1836:Blue Stockings Society 1806:Di Giacomo, P (2016). 1712:The Poetical Works of 1686:(Ludlow: G. Nicholson) 1467:Anna Laetitia Barbauld 1336: 1195: 1150: 1101:(1812), written after 1064: 1056:, Barbauld gesturing, 959: 928: 907: 865:Anna Letitia Le Breton 786: 765: 733:of Christian Morality; 705:ANNA LETITIA BARBAULD, 576: 487: 456: 363: 316: 293:Anna Letitia Le Breton 227:Blue Stockings Society 182:, by herself possibly 148:Anna Laetitia Barbauld 25:Anna Laetitia Barbauld 6289:Romantic epistemology 6279:Opium and Romanticism 4848:Stojadinović-Srpkinja 4074:Counter-Enlightenment 3925:Women Writers Project 3911:Anna Letitia Barbauld 3775:10.1353/ecs.1999.0041 3523:10.1353/ecf.2006.0084 3458:Duke University Press 3345:. London: Smith, 1883 3165:The British Novelists 2847:Clery, E. J. (2017). 2822:Clery, E. J. (2017). 2797:Clery, E. J. (2017). 2614:Armstrong, pp. 15–16. 2346:Rodgers, pp. 139–141. 2297:Rodgers, pp. 101–102. 2153:McCarthy, W. (2008). 2003:Robert E. Schofield, 1792:10.1093/ref:odnb/1324 1450:The British Novelists 1328: 1188: 1167:Children's literature 1118: 1075:, Barbauld wrote the 1041: 954: 945:The Wealth of Nations 924: 901: 784: 758: 567: 513:whose granddaughter, 476: 447: 358: 310: 223:children's literature 6518:English book editors 6423:People from Kibworth 6353:Age of Enlightenment 3995:England (literature) 3697:Lessons for Children 3605:Princeton University 3588:Lessons for Children 3022:43.2 (2000), p. 469. 2460:Hawkins, A. (2022). 2328:Rodgers, pp. 128–29. 2055:McCarthy, pp. 152–3. 2016:Quoted in McCarthy, 1933:Quoted in McCarthy, 1748:(London: J. Johnson) 1670:"What is Education?" 1643:(London: J. Johnson) 1636:(London: J. Johnson) 1623:(London: J. Johnson) 1606:Lessons for Children 1599:Lessons for Children 1594:(London: J. Johnson) 1585:(London: J. Johnson) 1578:(London: J. Johnson) 1571:(London: J. Johnson) 1567:Lessons for Children 1286:Lessons for Children 1262:Lessons for Children 1213:Lessons for Children 1201:Lessons for Children 1173:Lessons for Children 827:Dissenting academies 496:Lessons for Children 426:, jointly published 366:Barbauld's brother, 6413:English women poets 6304:Romantic psychology 4099:Hudson River School 4043:Sweden (literature) 4028:Russia (literature) 3622:on 18 November 2018 3318:McCarthy, William. 3277:The Poems, Revised. 2909:Practical Education 2581:Murphy, O. (2013). 2385:, pp. 482–484, 487. 2194:. Martineau Society 2121:Rodgers, pp. 63–64. 2103:Rodgers, pp. 61–62. 1854:Miegon, A. (2002). 1222:Practical Education 1069:William Wilberforce 1052:(1779); from left: 1033:British nationalism 621:William Wilberforce 387:natural philosopher 260:The publication of 43:Anna Laetitia Aikin 6503:English Unitarians 4289:White Mountain art 4230:Historical fiction 4038:Spain (literature) 3719:10.1353/uni.0.0058 3410:Cambridge Journals 2907:Edgeworth, Maria. 2416:Le Breton, p. 197. 1419:The Female Speaker 1274:William Wordsworth 1196: 1073:British Parliament 1065: 960: 908: 823:William Wordsworth 791:Newcastle Magazine 787: 766: 577: 379:Warrington Academy 364: 333:Dissenting academy 317: 125:Rochemont Barbauld 6483:English essayists 6380: 6379: 6294:Romantic medicine 6264:List of romantics 5703: 5702: 5354:Felix Mendelssohn 5349:Fanny Mendelssohn 5160: 5159: 4874:Rosalía de Castro 4812:Soares dos Passos 4160:Transcendentalism 4124:Nazarene movement 4084:Düsseldorf School 3868:Project Gutenberg 3797:Library resources 3743:978-0-8122-1421-5 3690:978-3-11-037636-4 3672:978-0-8229-5544-3 3658:978-0-8018-5052-3 3644:978-0-87451-724-8 3579:978-0-8131-2107-9 3496:978-0-7463-0896-7 3482:978-0-226-31052-7 3444:Ferguson, Frances 3386:978-0-8122-1421-5 3372:978-0-87451-724-8 3328:978-0-8018-9016-1 3292:Secondary sources 3257:978-1-55111-241-1 3111:14 February 2007. 1832:Dositej Obradović 1693:(with John Aikin) 1555:(with John Aikin) 1462:Library resources 1411:Samuel Richardson 1363:" and lessons on 1319:child development 1294:Charles James Fox 1058:Angelica Kauffman 889:Literary analysis 861:Gilbert Wakefield 795:Imperial Magazine 773: 772: 681:Until the 2010s, 605:Charles James Fox 601:French Revolution 515:Harriet Martineau 321:Kibworth Harcourt 273:French Revolution 145: 144: 6540: 6528:Occasional poets 6370: 6369: 6329:Evolution theory 5171: 5170: 4304: 4303: 4165:Ukrainian school 3969: 3962: 3955: 3946: 3945: 3927:by subscription. 3907: 3906: 3877:Internet Archive 3786: 3730: 3631: 3629: 3627: 3621: 3615:. Archived from 3594: 3566: 3565: 3563: 3554:, archived from 3534: 3503:Evenings at Home 3486:Janowitz, Anne. 3469: 3439: 3429: 3397: 3348:Rodgers, Betsy. 3343:A Book of Sibyls 3231: 3217: 3186: 3183: 3168: 3161: 3155: 3148: 3142: 3139: 3133: 3126: 3120: 3103: 3097: 3094: 3088: 3081: 3075: 3072: 3066: 3057:Evenings at Home 3053:Levy, Michelle. 3051: 3045: 3042: 3036: 3029: 3023: 3016: 3010: 3004: 2998: 2991: 2985: 2982: 2976: 2973: 2967: 2964: 2958: 2955: 2949: 2935: 2929: 2926:Traits of Nature 2922: 2916: 2905: 2899: 2896: 2890: 2887: 2881: 2878: 2872: 2869: 2863: 2862: 2844: 2838: 2837: 2819: 2813: 2812: 2794: 2788: 2785: 2779: 2776: 2770: 2767: 2761: 2758: 2752: 2745: 2739: 2736: 2730: 2727: 2721: 2718: 2712: 2709: 2703: 2700: 2694: 2687: 2681: 2674: 2668: 2663:Mellor, Anne K. 2661: 2655: 2654:Ross, pp. 96–97. 2652: 2646: 2643: 2637: 2630: 2624: 2621: 2615: 2612: 2606: 2605: 2603: 2601: 2578: 2572: 2565: 2559: 2556: 2550: 2543: 2537: 2534: 2528: 2525: 2519: 2512: 2506: 2503: 2497: 2494: 2488: 2487: 2482: 2480: 2457: 2451: 2444: 2435: 2432: 2426: 2423: 2417: 2414: 2408: 2401: 2395: 2392: 2386: 2379: 2373: 2366: 2360: 2353: 2347: 2344: 2338: 2335: 2329: 2326: 2320: 2317: 2311: 2304: 2298: 2295: 2289: 2286: 2280: 2277: 2271: 2268: 2262: 2259: 2253: 2250: 2244: 2241: 2235: 2232: 2226: 2225: 2214: 2208: 2207: 2201: 2199: 2187: 2181: 2180: 2175: 2173: 2150: 2144: 2137: 2131: 2128: 2122: 2119: 2113: 2110: 2104: 2101: 2095: 2092: 2083: 2080: 2074: 2071: 2065: 2062: 2056: 2053: 2047: 2040: 2034: 2027: 2021: 2014: 2008: 2001: 1995: 1992: 1986: 1983: 1977: 1970: 1964: 1957: 1951: 1944: 1938: 1931: 1925: 1918: 1912: 1905: 1899: 1892: 1886: 1885: 1880: 1878: 1851: 1845: 1844: 1828: 1826: 1812: 1803: 1797: 1796: 1794: 1776: 1691:The Arts of Life 1673:Monthly Magazine 1548: 1398:Evenings at Home 1387:Evenings at Home 1383:Evenings at Home 1351:Evenings at Home 1344: 1341:Evenings at Home 1234:Traits of Nature 1189:Title page from 1148: 1062:Elizabeth Linley 1054:Elizabeth Carter 1029:Corporation Acts 973:occasional poems 916:Isobel Armstrong 698: 609:House of Commons 527:Palgrave Academy 521:Palgrave Academy 452:Nouvelle Heloise 395:Joseph Priestley 360:Joseph Priestley 243:Elizabeth Benger 238:Palgrave Academy 231:woman of letters 213: 208:, as in French, 207: 206: 203: 202: 199: 196: 193: 190: 181: 180: 177: 176: 173: 170: 167: 164: 161: 158: 139: 137: 61: 35: 21: 20: 6548: 6547: 6543: 6542: 6541: 6539: 6538: 6537: 6383: 6382: 6381: 6376: 6375: 6364: 6356: 6342: 6299:Romantic poetry 6284:Romantic ballet 6259:German idealism 6242: 6208:Lacoue-Labarthe 6134: 5881: 5699: 5648: 5617: 5598:Rimsky-Korsakov 5541: 5490: 5439: 5398: 5307: 5251: 5215: 5156: 5005: 4949: 4898: 4857: 4816: 4770: 4712: 4653:Maria Edgeworth 4589: 4582: 4461: 4383: 4293: 4272:Romantic genius 4202:Gesamtkunstwerk 4179: 4140:Sturm und Drang 4047: 3978: 3973: 3904: 3851: 3850: 3849: 3826: 3825: 3805: 3804: 3800: 3793: 3625: 3623: 3619: 3592: 3561: 3559: 3552: 3395: 3359: 3299: 3294: 3244: 3242:Primary sources 3239: 3234: 3228:Wayback Machine 3218: 3189: 3184: 3171: 3162: 3158: 3149: 3145: 3140: 3136: 3127: 3123: 3118:Wayback Machine 3104: 3100: 3095: 3091: 3082: 3078: 3073: 3069: 3052: 3048: 3043: 3039: 3030: 3026: 3017: 3013: 3005: 3001: 2992: 2988: 2984:Rodgers, p. 72. 2983: 2979: 2975:Rodgers, p. 71. 2974: 2970: 2965: 2961: 2956: 2952: 2936: 2932: 2923: 2919: 2906: 2902: 2897: 2893: 2888: 2884: 2879: 2875: 2870: 2866: 2859: 2845: 2841: 2834: 2820: 2816: 2809: 2795: 2791: 2786: 2782: 2777: 2773: 2768: 2764: 2759: 2755: 2746: 2742: 2737: 2733: 2728: 2724: 2719: 2715: 2710: 2706: 2701: 2697: 2689:Harriet Guest, 2688: 2684: 2675: 2671: 2662: 2658: 2653: 2649: 2644: 2640: 2631: 2627: 2622: 2618: 2613: 2609: 2599: 2597: 2595: 2579: 2575: 2566: 2562: 2557: 2553: 2544: 2540: 2535: 2531: 2526: 2522: 2518:, pp. xiii–xiv. 2513: 2509: 2504: 2500: 2495: 2491: 2478: 2476: 2474: 2458: 2454: 2445: 2438: 2433: 2429: 2424: 2420: 2415: 2411: 2402: 2398: 2394:Murphy, p. 459. 2393: 2389: 2380: 2376: 2367: 2363: 2354: 2350: 2345: 2341: 2336: 2332: 2327: 2323: 2318: 2314: 2305: 2301: 2296: 2292: 2288:Rodgers, p. 92. 2287: 2283: 2278: 2274: 2269: 2265: 2260: 2256: 2251: 2247: 2242: 2238: 2233: 2229: 2215: 2211: 2197: 2195: 2188: 2184: 2171: 2169: 2167: 2151: 2147: 2138: 2134: 2129: 2125: 2120: 2116: 2111: 2107: 2102: 2098: 2094:Rodgers, p. 57. 2093: 2086: 2081: 2077: 2073:Rodgers, p. 44. 2072: 2068: 2064:Rodgers, p. 38. 2063: 2059: 2054: 2050: 2041: 2037: 2028: 2024: 2015: 2011: 2002: 1998: 1993: 1989: 1985:Rodgers, p. 30. 1984: 1980: 1971: 1967: 1958: 1954: 1945: 1941: 1932: 1928: 1919: 1915: 1906: 1902: 1893: 1889: 1876: 1874: 1852: 1848: 1824: 1822: 1810: 1804: 1800: 1778: 1777: 1773: 1769: 1541: 1530:Corsica: An Ode 1516: 1515: 1514: 1491: 1490: 1470: 1469: 1465: 1458: 1431:Maria Edgeworth 1407: 1346: 1338: 1323:Maria Edgeworth 1255:Goody Two Shoes 1217:Maria Edgeworth 1183: 1171:Main articles: 1169: 1149: 1146: 1143: 1140: 1138: 1136: 1134: 1132: 1130: 1128: 1126: 1124: 1122: 1107:Napoleonic Wars 992: 986: 968:feminist theory 896: 891: 863:. Their child, 779: 774: 751: 748: 746: 744: 742: 740: 738: 736: 734: 732: 730: 728: 726: 724: 722: 720: 718: 716: 714: 712: 710: 708: 706: 704: 649:Stoke Newington 645: 574:Josiah Wedgwood 562: 523: 511:Sarah Martineau 412: 399:Jean-Paul Marat 329:Huntingdonshire 305: 285: 268:Napoleonic Wars 219:literary critic 187: 183: 155: 151: 141: 133: 129: 126: 115: 84: 65:Stoke Newington 63: 59: 46: 44: 26: 17: 12: 11: 5: 6546: 6536: 6535: 6530: 6525: 6520: 6515: 6510: 6505: 6500: 6498:Romantic poets 6495: 6490: 6485: 6480: 6475: 6470: 6465: 6460: 6455: 6450: 6445: 6440: 6435: 6430: 6425: 6420: 6415: 6410: 6405: 6400: 6395: 6378: 6377: 6357: 6349: 6348: 6347: 6344: 6343: 6341: 6340: 6333: 6332: 6331: 6326: 6316: 6311: 6306: 6301: 6296: 6291: 6286: 6281: 6276: 6271: 6266: 6261: 6256: 6250: 6248: 6247:Related topics 6244: 6243: 6241: 6240: 6235: 6230: 6225: 6220: 6215: 6210: 6205: 6200: 6195: 6190: 6185: 6180: 6175: 6170: 6165: 6160: 6155: 6150: 6144: 6142: 6136: 6135: 6133: 6132: 6127: 6122: 6117: 6112: 6107: 6102: 6097: 6092: 6087: 6082: 6077: 6072: 6067: 6062: 6057: 6052: 6047: 6042: 6037: 6032: 6027: 6022: 6017: 6012: 6007: 6002: 5997: 5992: 5987: 5982: 5977: 5975:Gallen-Kallela 5972: 5967: 5962: 5957: 5952: 5950:David d'Angers 5947: 5942: 5937: 5932: 5927: 5922: 5917: 5912: 5907: 5902: 5897: 5891: 5889: 5887:Visual artists 5883: 5882: 5880: 5879: 5874: 5869: 5864: 5859: 5854: 5849: 5847:Schleiermacher 5844: 5839: 5834: 5829: 5824: 5819: 5814: 5809: 5804: 5799: 5794: 5789: 5784: 5779: 5774: 5769: 5764: 5759: 5754: 5749: 5744: 5739: 5734: 5729: 5724: 5719: 5713: 5711: 5705: 5704: 5701: 5700: 5698: 5697: 5692: 5687: 5682: 5677: 5672: 5667: 5662: 5656: 5654: 5650: 5649: 5647: 5646: 5641: 5636: 5631: 5625: 5623: 5619: 5618: 5616: 5615: 5610: 5605: 5600: 5595: 5590: 5585: 5580: 5575: 5570: 5565: 5560: 5555: 5549: 5547: 5543: 5542: 5540: 5539: 5534: 5529: 5524: 5519: 5514: 5509: 5504: 5498: 5496: 5492: 5491: 5489: 5488: 5483: 5478: 5473: 5468: 5463: 5458: 5453: 5447: 5445: 5441: 5440: 5438: 5437: 5432: 5427: 5422: 5417: 5412: 5406: 5404: 5400: 5399: 5397: 5396: 5391: 5386: 5381: 5376: 5371: 5366: 5361: 5356: 5351: 5346: 5341: 5336: 5331: 5326: 5321: 5315: 5313: 5309: 5308: 5306: 5305: 5300: 5295: 5290: 5285: 5280: 5275: 5270: 5265: 5259: 5257: 5253: 5252: 5250: 5249: 5244: 5239: 5234: 5229: 5223: 5221: 5217: 5216: 5214: 5213: 5208: 5203: 5198: 5193: 5188: 5183: 5177: 5175: 5168: 5162: 5161: 5158: 5157: 5155: 5154: 5149: 5144: 5139: 5134: 5129: 5124: 5119: 5114: 5112:Oehlenschläger 5109: 5104: 5099: 5094: 5089: 5084: 5079: 5074: 5069: 5064: 5059: 5054: 5049: 5044: 5039: 5034: 5029: 5024: 5019: 5013: 5011: 5007: 5006: 5004: 5003: 4998: 4993: 4988: 4983: 4978: 4973: 4968: 4963: 4957: 4955: 4951: 4950: 4948: 4947: 4942: 4937: 4932: 4927: 4922: 4917: 4912: 4906: 4904: 4900: 4899: 4897: 4896: 4891: 4886: 4881: 4876: 4871: 4865: 4863: 4859: 4858: 4856: 4855: 4850: 4845: 4840: 4835: 4830: 4824: 4822: 4818: 4817: 4815: 4814: 4809: 4804: 4799: 4794: 4789: 4784: 4782:Castelo Branco 4778: 4776: 4772: 4771: 4769: 4768: 4763: 4758: 4753: 4748: 4743: 4738: 4733: 4728: 4722: 4720: 4714: 4713: 4711: 4710: 4705: 4700: 4695: 4690: 4685: 4680: 4675: 4670: 4665: 4660: 4655: 4650: 4645: 4640: 4635: 4630: 4625: 4620: 4615: 4610: 4605: 4600: 4594: 4592: 4584: 4583: 4581: 4580: 4575: 4570: 4565: 4560: 4555: 4550: 4545: 4540: 4535: 4530: 4525: 4520: 4515: 4510: 4508:Brothers Grimm 4505: 4500: 4495: 4490: 4485: 4480: 4475: 4469: 4467: 4463: 4462: 4460: 4459: 4454: 4449: 4444: 4439: 4434: 4429: 4424: 4419: 4414: 4409: 4404: 4399: 4393: 4391: 4385: 4384: 4382: 4381: 4376: 4371: 4366: 4361: 4356: 4351: 4346: 4341: 4336: 4331: 4326: 4321: 4316: 4310: 4308: 4301: 4295: 4294: 4292: 4291: 4286: 4279: 4274: 4269: 4264: 4259: 4254: 4249: 4244: 4239: 4232: 4227: 4226: 4225: 4220: 4210: 4208:Gothic fiction 4205: 4198: 4196:British Marine 4193: 4187: 4185: 4181: 4180: 4178: 4177: 4172: 4167: 4162: 4157: 4150: 4145: 4144: 4143: 4131: 4126: 4121: 4116: 4111: 4106: 4101: 4096: 4094:Gothic revival 4091: 4086: 4081: 4076: 4071: 4066: 4061: 4055: 4053: 4049: 4048: 4046: 4045: 4040: 4035: 4030: 4025: 4020: 4015: 4010: 4005: 3997: 3992: 3986: 3984: 3980: 3979: 3972: 3971: 3964: 3957: 3949: 3943: 3942: 3933: 3928: 3917: 3908: 3893: 3884: 3879: 3870: 3861: 3848: 3847: 3842: 3837: 3831: 3827: 3824: 3823: 3818: 3813: 3807: 3806: 3795: 3794: 3792: 3791:External links 3789: 3788: 3787: 3752: 3745: 3731: 3692: 3674: 3660: 3646: 3632: 3581: 3567: 3558:on 21 May 2018 3550: 3535: 3498: 3484: 3470: 3440: 3388: 3374: 3358: 3355: 3354: 3353: 3346: 3339: 3330: 3316: 3309: 3302:Ellis, Grace. 3298: 3295: 3293: 3290: 3289: 3288: 3273: 3259: 3243: 3240: 3238: 3235: 3233: 3232: 3187: 3169: 3156: 3143: 3134: 3121: 3098: 3089: 3076: 3067: 3046: 3037: 3024: 3011: 2999: 2986: 2977: 2968: 2959: 2950: 2930: 2924:Miss Burney: 2917: 2900: 2891: 2882: 2873: 2864: 2857: 2839: 2832: 2814: 2807: 2789: 2780: 2771: 2762: 2753: 2740: 2731: 2722: 2713: 2704: 2695: 2682: 2669: 2656: 2647: 2638: 2625: 2616: 2607: 2593: 2573: 2560: 2551: 2538: 2529: 2520: 2507: 2498: 2489: 2472: 2452: 2436: 2427: 2418: 2409: 2407:, pp. 476–481. 2396: 2387: 2374: 2361: 2359:, pp. 476-481. 2348: 2339: 2330: 2321: 2312: 2299: 2290: 2281: 2272: 2263: 2254: 2245: 2236: 2227: 2209: 2182: 2165: 2145: 2132: 2123: 2114: 2105: 2096: 2084: 2075: 2066: 2057: 2048: 2035: 2022: 2009: 1996: 1987: 1978: 1965: 1952: 1939: 1926: 1913: 1900: 1887: 1846: 1798: 1770: 1768: 1765: 1764: 1763: 1756: 1749: 1740: 1733: 1727: 1718: 1708: 1701: 1694: 1687: 1676: 1666: 1660: 1653: 1644: 1637: 1630: 1624: 1615: 1609: 1602: 1595: 1586: 1579: 1572: 1562: 1556: 1549: 1532: 1513: 1512: 1507: 1502: 1496: 1492: 1489: 1488: 1483: 1478: 1472: 1471: 1460: 1459: 1457: 1454: 1443:Hester Chapone 1435:Samuel Johnson 1423:Alexander Pope 1406: 1405:Editorial work 1403: 1327: 1290:Samuel Johnson 1266:Hymns in Prose 1250:Arabian Nights 1242:Miss Edgeworth 1168: 1165: 1144: 1119: 1050:Richard Samuel 1023:to repeal the 988:Main article: 985: 982: 964:Anne K. Mellor 895: 892: 890: 887: 831:Matthew Arnold 803:Samuel Johnson 799:Joseph Addison 778: 775: 771: 770: 752: 701: 696: 644: 641: 623:'s attempt to 590:Joanna Baillie 561: 558: 554:William Taylor 522: 519: 499:(1778–79) and 432:Samuel Johnson 411: 408: 383:Octagon Chapel 372:Joanna Baillie 304: 301: 284: 281: 143: 142: 131: 127: 124: 123: 121: 117: 116: 114: 113: 108: 103: 98: 92: 90: 86: 85: 83: 82: 79: 75: 73: 69: 68: 62:(aged 81) 56: 52: 51: 41: 37: 36: 28: 27: 24: 15: 9: 6: 4: 3: 2: 6545: 6534: 6531: 6529: 6526: 6524: 6521: 6519: 6516: 6514: 6511: 6509: 6506: 6504: 6501: 6499: 6496: 6494: 6491: 6489: 6486: 6484: 6481: 6479: 6476: 6474: 6471: 6469: 6466: 6464: 6461: 6459: 6456: 6454: 6451: 6449: 6446: 6444: 6441: 6439: 6436: 6434: 6431: 6429: 6426: 6424: 6421: 6419: 6416: 6414: 6411: 6409: 6406: 6404: 6401: 6399: 6396: 6394: 6391: 6390: 6388: 6374: 6373: 6362: 6361: 6355: 6354: 6345: 6339: 6338: 6334: 6330: 6327: 6325: 6322: 6321: 6320: 6317: 6315: 6312: 6310: 6307: 6305: 6302: 6300: 6297: 6295: 6292: 6290: 6287: 6285: 6282: 6280: 6277: 6275: 6272: 6270: 6267: 6265: 6262: 6260: 6257: 6255: 6252: 6251: 6249: 6245: 6239: 6236: 6234: 6231: 6229: 6226: 6224: 6221: 6219: 6216: 6214: 6211: 6209: 6206: 6204: 6201: 6199: 6196: 6194: 6191: 6189: 6186: 6184: 6181: 6179: 6176: 6174: 6171: 6169: 6166: 6164: 6161: 6159: 6156: 6154: 6151: 6149: 6146: 6145: 6143: 6141: 6137: 6131: 6128: 6126: 6123: 6121: 6118: 6116: 6113: 6111: 6108: 6106: 6103: 6101: 6098: 6096: 6093: 6091: 6088: 6086: 6083: 6081: 6078: 6076: 6073: 6071: 6068: 6066: 6063: 6061: 6058: 6056: 6053: 6051: 6048: 6046: 6043: 6041: 6038: 6036: 6033: 6031: 6028: 6026: 6023: 6021: 6018: 6016: 6013: 6011: 6008: 6006: 6003: 6001: 5998: 5996: 5993: 5991: 5988: 5986: 5983: 5981: 5978: 5976: 5973: 5971: 5968: 5966: 5963: 5961: 5958: 5956: 5953: 5951: 5948: 5946: 5943: 5941: 5938: 5936: 5933: 5931: 5928: 5926: 5923: 5921: 5918: 5916: 5913: 5911: 5908: 5906: 5903: 5901: 5898: 5896: 5893: 5892: 5890: 5888: 5884: 5878: 5875: 5873: 5870: 5868: 5865: 5863: 5860: 5858: 5855: 5853: 5850: 5848: 5845: 5843: 5840: 5838: 5835: 5833: 5830: 5828: 5825: 5823: 5820: 5818: 5815: 5813: 5810: 5808: 5805: 5803: 5800: 5798: 5795: 5793: 5790: 5788: 5785: 5783: 5780: 5778: 5775: 5773: 5770: 5768: 5765: 5763: 5760: 5758: 5755: 5753: 5750: 5748: 5745: 5743: 5740: 5738: 5735: 5733: 5730: 5728: 5725: 5723: 5720: 5718: 5715: 5714: 5712: 5710: 5706: 5696: 5693: 5691: 5688: 5686: 5683: 5681: 5678: 5676: 5673: 5671: 5668: 5666: 5663: 5661: 5658: 5657: 5655: 5651: 5645: 5642: 5640: 5637: 5635: 5632: 5630: 5627: 5626: 5624: 5620: 5614: 5611: 5609: 5606: 5604: 5601: 5599: 5596: 5594: 5591: 5589: 5586: 5584: 5581: 5579: 5576: 5574: 5571: 5569: 5566: 5564: 5561: 5559: 5556: 5554: 5551: 5550: 5548: 5544: 5538: 5535: 5533: 5530: 5528: 5525: 5523: 5520: 5518: 5515: 5513: 5510: 5508: 5505: 5503: 5500: 5499: 5497: 5493: 5487: 5484: 5482: 5479: 5477: 5474: 5472: 5469: 5467: 5464: 5462: 5459: 5457: 5454: 5452: 5449: 5448: 5446: 5442: 5436: 5433: 5431: 5428: 5426: 5423: 5421: 5418: 5416: 5413: 5411: 5408: 5407: 5405: 5401: 5395: 5392: 5390: 5387: 5385: 5382: 5380: 5377: 5375: 5372: 5370: 5367: 5365: 5362: 5360: 5357: 5355: 5352: 5350: 5347: 5345: 5342: 5340: 5337: 5335: 5332: 5330: 5327: 5325: 5322: 5320: 5317: 5316: 5314: 5310: 5304: 5301: 5299: 5296: 5294: 5291: 5289: 5286: 5284: 5281: 5279: 5276: 5274: 5271: 5269: 5266: 5264: 5261: 5260: 5258: 5254: 5248: 5245: 5243: 5240: 5238: 5235: 5233: 5230: 5228: 5225: 5224: 5222: 5218: 5212: 5209: 5207: 5204: 5202: 5199: 5197: 5194: 5192: 5189: 5187: 5184: 5182: 5179: 5178: 5176: 5172: 5169: 5167: 5163: 5153: 5150: 5148: 5145: 5143: 5140: 5138: 5135: 5133: 5130: 5128: 5125: 5123: 5120: 5118: 5115: 5113: 5110: 5108: 5105: 5103: 5100: 5098: 5095: 5093: 5090: 5088: 5085: 5083: 5080: 5078: 5075: 5073: 5070: 5068: 5067:Nikolai Gogol 5065: 5063: 5060: 5058: 5055: 5053: 5050: 5048: 5045: 5043: 5040: 5038: 5035: 5033: 5030: 5028: 5025: 5023: 5020: 5018: 5015: 5014: 5012: 5008: 5002: 4999: 4997: 4994: 4992: 4989: 4987: 4984: 4982: 4979: 4977: 4974: 4972: 4969: 4967: 4964: 4962: 4959: 4958: 4956: 4952: 4946: 4943: 4941: 4938: 4936: 4933: 4931: 4928: 4926: 4923: 4921: 4918: 4916: 4913: 4911: 4908: 4907: 4905: 4901: 4895: 4892: 4890: 4887: 4885: 4882: 4880: 4877: 4875: 4872: 4870: 4867: 4866: 4864: 4860: 4854: 4851: 4849: 4846: 4844: 4841: 4839: 4836: 4834: 4831: 4829: 4826: 4825: 4823: 4819: 4813: 4810: 4808: 4805: 4803: 4800: 4798: 4795: 4793: 4790: 4788: 4785: 4783: 4780: 4779: 4777: 4773: 4767: 4764: 4762: 4759: 4757: 4754: 4752: 4749: 4747: 4744: 4742: 4739: 4737: 4734: 4732: 4729: 4727: 4724: 4723: 4721: 4719: 4715: 4709: 4706: 4704: 4701: 4699: 4698:P. B. Shelley 4696: 4694: 4691: 4689: 4686: 4684: 4681: 4679: 4678:Mary Robinson 4676: 4674: 4671: 4669: 4666: 4664: 4661: 4659: 4656: 4654: 4651: 4649: 4646: 4644: 4641: 4639: 4636: 4634: 4631: 4629: 4626: 4624: 4621: 4619: 4616: 4614: 4611: 4609: 4606: 4604: 4601: 4599: 4596: 4595: 4593: 4591: 4585: 4579: 4576: 4574: 4571: 4569: 4566: 4564: 4561: 4559: 4556: 4554: 4551: 4549: 4546: 4544: 4541: 4539: 4536: 4534: 4531: 4529: 4526: 4524: 4521: 4519: 4516: 4514: 4511: 4509: 4506: 4504: 4501: 4499: 4496: 4494: 4491: 4489: 4486: 4484: 4481: 4479: 4476: 4474: 4471: 4470: 4468: 4464: 4458: 4455: 4453: 4450: 4448: 4445: 4443: 4440: 4438: 4435: 4433: 4430: 4428: 4425: 4423: 4420: 4418: 4415: 4413: 4410: 4408: 4407:Chateaubriand 4405: 4403: 4400: 4398: 4395: 4394: 4392: 4390: 4386: 4380: 4377: 4375: 4372: 4370: 4367: 4365: 4362: 4360: 4357: 4355: 4352: 4350: 4347: 4345: 4342: 4340: 4337: 4335: 4332: 4330: 4327: 4325: 4322: 4320: 4317: 4315: 4312: 4311: 4309: 4305: 4302: 4300: 4296: 4290: 4287: 4285: 4284: 4280: 4278: 4275: 4273: 4270: 4268: 4265: 4263: 4260: 4258: 4255: 4253: 4250: 4248: 4245: 4243: 4240: 4238: 4237: 4236:Mal du siècle 4233: 4231: 4228: 4224: 4221: 4219: 4216: 4215: 4214: 4211: 4209: 4206: 4204: 4203: 4199: 4197: 4194: 4192: 4189: 4188: 4186: 4182: 4176: 4173: 4171: 4168: 4166: 4163: 4161: 4158: 4156: 4155: 4151: 4149: 4146: 4142: 4141: 4137: 4136: 4135: 4132: 4130: 4127: 4125: 4122: 4120: 4117: 4115: 4112: 4110: 4107: 4105: 4102: 4100: 4097: 4095: 4092: 4090: 4087: 4085: 4082: 4080: 4077: 4075: 4072: 4070: 4067: 4065: 4062: 4060: 4057: 4056: 4054: 4050: 4044: 4041: 4039: 4036: 4034: 4031: 4029: 4026: 4024: 4021: 4019: 4016: 4014: 4011: 4009: 4006: 4004: 4001: 3998: 3996: 3993: 3991: 3988: 3987: 3985: 3981: 3977: 3970: 3965: 3963: 3958: 3956: 3951: 3950: 3947: 3941: 3939: 3934: 3932: 3929: 3926: 3922: 3918: 3916: 3912: 3909: 3901: 3897: 3894: 3892: 3888: 3885: 3883: 3880: 3878: 3874: 3871: 3869: 3865: 3862: 3860: 3856: 3853: 3852: 3846: 3843: 3841: 3838: 3836: 3833: 3832: 3830: 3822: 3819: 3817: 3814: 3812: 3809: 3808: 3803: 3798: 3784: 3780: 3776: 3772: 3768: 3764: 3760: 3759: 3753: 3750: 3746: 3744: 3740: 3736: 3732: 3728: 3724: 3720: 3716: 3712: 3708: 3704: 3703: 3698: 3693: 3691: 3687: 3683: 3679: 3675: 3673: 3669: 3665: 3661: 3659: 3655: 3651: 3647: 3645: 3641: 3637: 3633: 3618: 3614: 3610: 3606: 3602: 3598: 3591: 3589: 3582: 3580: 3576: 3572: 3568: 3557: 3553: 3551:9780404627584 3547: 3543: 3542: 3536: 3532: 3528: 3524: 3520: 3516: 3512: 3508: 3504: 3499: 3497: 3493: 3489: 3485: 3483: 3479: 3475: 3471: 3467: 3463: 3459: 3455: 3451: 3450: 3445: 3441: 3437: 3433: 3428: 3423: 3419: 3415: 3411: 3407: 3403: 3402: 3394: 3389: 3387: 3383: 3379: 3375: 3373: 3369: 3365: 3361: 3360: 3351: 3347: 3344: 3340: 3337: 3336: 3331: 3329: 3325: 3321: 3317: 3314: 3310: 3307: 3306: 3301: 3300: 3286: 3285:9780198704348 3282: 3278: 3274: 3272: 3271:0-8203-1528-1 3268: 3264: 3260: 3258: 3254: 3250: 3246: 3245: 3229: 3225: 3222: 3216: 3214: 3212: 3210: 3208: 3206: 3204: 3202: 3200: 3198: 3196: 3194: 3192: 3182: 3180: 3178: 3176: 3174: 3166: 3160: 3153: 3147: 3138: 3131: 3125: 3119: 3115: 3112: 3108: 3102: 3093: 3086: 3080: 3074:Levy, p. 127. 3071: 3064: 3060: 3058: 3050: 3041: 3034: 3028: 3021: 3015: 3008: 3003: 2996: 2990: 2981: 2972: 2963: 2954: 2947: 2943: 2939: 2934: 2927: 2921: 2914: 2910: 2904: 2895: 2886: 2877: 2868: 2860: 2858:9781107189225 2854: 2850: 2843: 2835: 2833:9781107189225 2829: 2825: 2818: 2810: 2808:9781107189225 2804: 2800: 2793: 2784: 2775: 2766: 2757: 2750: 2744: 2735: 2726: 2717: 2708: 2699: 2692: 2686: 2679: 2673: 2666: 2660: 2651: 2642: 2635: 2629: 2620: 2611: 2596: 2594:9781611485509 2590: 2586: 2585: 2577: 2570: 2564: 2555: 2548: 2542: 2533: 2524: 2517: 2511: 2502: 2493: 2486: 2475: 2473:9781000743753 2469: 2465: 2464: 2456: 2449: 2443: 2441: 2431: 2422: 2413: 2406: 2400: 2391: 2384: 2378: 2371: 2365: 2358: 2352: 2343: 2334: 2325: 2316: 2309: 2303: 2294: 2285: 2276: 2267: 2258: 2249: 2240: 2231: 2224: 2220: 2213: 2206: 2193: 2186: 2179: 2168: 2166:9780801890161 2162: 2158: 2157: 2149: 2142: 2136: 2127: 2118: 2109: 2100: 2091: 2089: 2079: 2070: 2061: 2052: 2045: 2039: 2032: 2026: 2019: 2013: 2006: 2000: 1991: 1982: 1975: 1969: 1962: 1956: 1949: 1943: 1936: 1930: 1923: 1917: 1910: 1904: 1897: 1891: 1884: 1873: 1869: 1865: 1861: 1857: 1850: 1843: 1841: 1837: 1833: 1820: 1816: 1809: 1802: 1793: 1788: 1784: 1783: 1775: 1771: 1761: 1757: 1754: 1750: 1747: 1746: 1741: 1738: 1734: 1732: 1728: 1725: 1724: 1719: 1716: 1715: 1714:Mark Akenside 1709: 1706: 1702: 1699: 1695: 1692: 1688: 1685: 1683: 1677: 1674: 1671: 1667: 1665: 1661: 1658: 1654: 1651: 1650: 1645: 1642: 1638: 1635: 1631: 1629: 1625: 1622: 1621: 1616: 1614: 1610: 1607: 1603: 1600: 1596: 1593: 1592: 1587: 1584: 1580: 1577: 1573: 1570: 1568: 1563: 1561: 1557: 1554: 1550: 1546: 1545: 1539: 1538: 1533: 1531: 1527: 1526: 1525: 1523: 1522: 1511: 1508: 1506: 1503: 1501: 1498: 1497: 1495: 1487: 1484: 1482: 1479: 1477: 1474: 1473: 1468: 1463: 1456:List of works 1453: 1451: 1446: 1444: 1440: 1439:James Thomson 1436: 1432: 1428: 1424: 1420: 1416: 1412: 1402: 1399: 1395: 1392:According to 1390: 1388: 1384: 1380: 1375: 1370: 1366: 1362: 1357: 1356:Enlightenment 1353: 1352: 1345: 1342: 1335: 1332: 1331:Tut. Solution 1326: 1324: 1320: 1316: 1312: 1308: 1307:Sunday school 1304: 1300: 1299:Sarah Trimmer 1295: 1291: 1287: 1283: 1279: 1275: 1271: 1270:William Blake 1267: 1263: 1259: 1257: 1256: 1251: 1247: 1243: 1239: 1235: 1231: 1226: 1224: 1223: 1218: 1214: 1209: 1208: 1203: 1202: 1194: 1193: 1187: 1182: 1178: 1174: 1164: 1161: 1156: 1147:(lines 39–49) 1142: 1117: 1115: 1112: 1108: 1104: 1100: 1095: 1093: 1087: 1085: 1082: 1078: 1074: 1070: 1063: 1059: 1055: 1051: 1047: 1046: 1040: 1036: 1034: 1030: 1026: 1022: 1018: 1013: 1011: 1010: 1005: 1001: 997: 991: 981: 978: 974: 969: 965: 957: 953: 949: 947: 946: 941: 937: 933: 927: 923: 922:women poets: 921: 917: 913: 905: 900: 886: 884: 883:Bluestockings 881: 877: 874:In 2008, the 872: 870: 866: 862: 857: 855: 850: 847: 842: 840: 836: 832: 828: 824: 820: 815: 810: 808: 804: 800: 796: 792: 783: 769: 764: 763: 757: 753: 750: 700: 699: 695: 693: 688: 684: 678: 674: 672: 671: 666: 662: 658: 654: 653:Church Street 650: 640: 638: 634: 630: 626: 622: 618: 614: 610: 606: 602: 597: 595: 591: 587: 583: 575: 571: 566: 557: 555: 549: 547: 543: 539: 534: 532: 528: 518: 516: 512: 508: 504: 503: 498: 497: 492: 486: 484: 483: 475: 471: 469: 465: 461: 455: 453: 446: 444: 440: 435: 433: 429: 425: 421: 417: 407: 404: 400: 396: 392: 388: 384: 380: 375: 373: 369: 361: 357: 353: 350: 345: 341: 338: 334: 330: 326: 322: 314: 309: 300: 298: 294: 290: 280: 278: 274: 269: 265: 264: 258: 256: 252: 248: 247:enlightenment 244: 239: 234: 232: 228: 224: 220: 216: 212: 205: 179: 149: 122: 118: 112: 109: 107: 104: 102: 99: 97: 94: 93: 91: 87: 80: 77: 76: 74: 70: 66: 57: 53: 49: 42: 38: 34: 29: 22: 19: 6365: 6358: 6351: 6335: 6055:Porto-Alegre 5709:Philosophers 5593:Rachmaninoff 5042:Chavchavadze 5032:Baratashvili 4792:João de Deus 4761:Wincenty Pol 4597: 4553:Küchelbecker 4281: 4247:Noble savage 4234: 4200: 4175:Wallenrodism 4152: 4138: 4069:Coppet group 4003:(literature) 3937: 3891:Google Books 3835:Online books 3828: 3811:Online books 3801: 3762: 3756: 3748: 3734: 3706: 3700: 3696: 3681: 3677: 3663: 3649: 3635: 3624:. Retrieved 3617:the original 3600: 3596: 3587: 3570: 3560:, retrieved 3556:the original 3540: 3510: 3506: 3502: 3487: 3473: 3453: 3447: 3405: 3399: 3377: 3363: 3349: 3342: 3333: 3319: 3312: 3303: 3276: 3262: 3248: 3237:Bibliography 3167:, pp. 47–48. 3164: 3159: 3151: 3146: 3137: 3129: 3124: 3109:. Quoted in 3106: 3101: 3092: 3084: 3079: 3070: 3062: 3056: 3049: 3040: 3032: 3027: 3019: 3014: 3006: 3002: 2994: 2989: 2980: 2971: 2962: 2953: 2945: 2937: 2933: 2925: 2920: 2912: 2908: 2903: 2894: 2885: 2876: 2867: 2848: 2842: 2823: 2817: 2798: 2792: 2783: 2774: 2765: 2756: 2748: 2747:Suvir Kaul, 2743: 2734: 2725: 2716: 2707: 2698: 2690: 2685: 2677: 2672: 2664: 2659: 2650: 2645:Ross, p. 94. 2641: 2633: 2628: 2619: 2610: 2598:. Retrieved 2583: 2576: 2568: 2563: 2554: 2546: 2541: 2532: 2523: 2515: 2510: 2501: 2492: 2484: 2477:. Retrieved 2462: 2455: 2447: 2430: 2421: 2412: 2404: 2399: 2390: 2382: 2377: 2369: 2364: 2356: 2351: 2342: 2333: 2324: 2315: 2307: 2302: 2293: 2284: 2275: 2266: 2257: 2248: 2239: 2230: 2222: 2218: 2212: 2203: 2196:. Retrieved 2190:Farrant, A. 2185: 2177: 2170:. Retrieved 2155: 2148: 2140: 2135: 2126: 2117: 2108: 2099: 2078: 2069: 2060: 2051: 2043: 2038: 2030: 2025: 2017: 2012: 2004: 1999: 1990: 1981: 1973: 1968: 1963:, pp. 28–29. 1960: 1955: 1950:, pp. 23–24. 1947: 1942: 1934: 1929: 1924:, pp. 17–18. 1921: 1916: 1908: 1903: 1895: 1890: 1882: 1875:. Retrieved 1863: 1859: 1849: 1839: 1830: 1823:. Retrieved 1818: 1814: 1801: 1780: 1774: 1759: 1752: 1743: 1736: 1730: 1722: 1711: 1704: 1697: 1690: 1679: 1672: 1663: 1656: 1647: 1640: 1633: 1627: 1618: 1612: 1605: 1598: 1589: 1582: 1575: 1565: 1559: 1552: 1543: 1535: 1529: 1519: 1517: 1500:Online books 1493: 1476:Online books 1466: 1449: 1447: 1418: 1414: 1408: 1397: 1391: 1386: 1382: 1378: 1369:condensation 1360: 1349: 1347: 1340: 1337: 1330: 1329: 1311:Ellenor Fenn 1285: 1265: 1261: 1260: 1253: 1246:Mother Goose 1238:Mrs. Trimmer 1233: 1230:Sarah Burney 1227: 1220: 1212: 1205: 1199: 1197: 1190: 1159: 1151: 1120: 1098: 1096: 1091: 1088: 1076: 1066: 1043: 1042:Detail from 1014: 1007: 1006:(1793), and 1003: 999: 995: 993: 961: 955: 943: 932:Edmund Burke 929: 925: 909: 903: 873: 868: 858: 853: 851: 843: 811: 794: 790: 788: 767: 760: 745:Bear Witness 703:In Memory of 702: 682: 679: 675: 668: 646: 636: 632: 612: 598: 578: 550: 535: 524: 500: 494: 488: 480: 477: 472: 467: 457: 448: 436: 427: 419: 415: 413: 376: 365: 346: 342: 337:Presbyterian 318: 297:London Blitz 286: 261: 259: 235: 214: 147: 146: 106:Christianity 60:(1825-03-09) 58:9 March 1825 45:20 June 1743 18: 6403:1825 deaths 6398:1743 births 6045:Michałowski 5877:Wackenroder 5842:F. Schlegel 5837:A. Schlegel 5613:Tchaikovsky 5502:Bortkiewicz 5374:R. Schumann 5369:C. Schumann 5334:Kalkbrenner 5303:Saint-Saëns 4608:Anne Brontë 4493:Eichendorff 4478:B. v. Arnim 4473:A. v. Arnim 4283:Weltschmerz 4242:Medievalism 4191:Blue flower 4119:Nationalist 4064:Bohemianism 3976:Romanticism 3769:: 511–533. 3713:: 135–151. 3607:: 196–219. 3517:: 123–150. 3513:(1&2). 3412:: 453–473. 3297:Biographies 1682:George Dyer 1427:Hannah More 1374:fairy tales 1365:evaporation 1303:Hannah More 1278:Jane Taylor 1198:Barbauld's 1155:E. J. Clery 1081:West Indian 977:sentimental 846:Romanticism 814:Amelia Opie 709:And Wife of 629:slave trade 540:as well as 393:theologian 255:Romanticism 251:sensibility 6387:Categories 5920:Chassériau 5895:Aivazovsky 5603:Rubinstein 5588:Mussorgsky 5537:Wieniawski 5522:Paderewski 5364:Moszkowski 5147:Vörösmarty 5137:Shevchenko 4991:Longfellow 4915:Batyushkov 4910:Baratynsky 4879:Espronceda 4746:Mickiewicz 4741:Malczewski 4708:Wordsworth 4693:M. Shelley 4648:de Quincey 4513:Günderrode 4397:Baudelaire 4277:Wanderlust 4114:Lake Poets 3427:10023/5653 3332:Murch, J. 3163:Barbauld, 2545:McCarthy, 2514:McCarthy, 2446:McCarthy, 2403:McCarthy, 2381:McCarthy, 2368:McCarthy, 2355:McCarthy, 2306:McCarthy, 2143:, pp. 191. 2139:McCarthy, 2042:McCarthy, 2029:McCarthy, 1972:McCarthy, 1959:McCarthy, 1946:McCarthy, 1920:McCarthy, 1907:McCarthy, 1894:McCarthy, 1394:Lucy Aikin 1309:movement, 1248:, and the 1111:Juvenalian 1021:Parliament 1017:Dissenters 940:Adam Smith 880:celebrated 841:despised. 839:modernists 835:Victorians 687:Literature 594:Church Row 538:Dissenters 443:Lucy Aikin 424:John Aikin 368:John Aikin 325:John Aikin 313:John Aikin 303:Early life 289:Lucy Aikin 72:Occupation 6360:Modernism 6020:Kiprensky 5980:Géricault 5965:Friedrich 5955:Delacroix 5930:Constable 5910:Bonington 5900:Bierstadt 5852:Senancour 5827:Schelling 5782:Lamennais 5777:Khomyakov 5742:Coleridge 5737:Chaadayev 5644:Stanković 5639:Mokranjac 5558:Balakirev 5517:Moniuszko 5466:Donizetti 5461:Cherubini 5359:Meyerbeer 5344:Marschner 5319:Beethoven 5232:Moscheles 5166:Musicians 5152:Wergeland 5117:Orbeliani 5072:Grundtvig 4976:Hawthorne 4945:Zhukovsky 4940:Vyazemsky 4925:Lermontov 4884:Gutiérrez 4843:Radičević 4807:Herculano 4731:Krasiński 4673:Radcliffe 4643:Coleridge 4618:E. Brontë 4613:C. Brontë 4543:Jean Paul 4538:Hölderlin 4427:Lamartine 4364:Magalhães 4354:Guimarães 4262:Pantheism 4252:Nostalgia 4104:Indianism 4052:Movements 3983:Countries 3923:from the 3921:available 3783:144947971 3727:143092185 3531:162354886 3460:: 37–63. 3436:159819711 2372:, p. 481. 2310:, p. 615. 1898:, p. xvi. 1767:Citations 1680:Odes, by 1646:1792–96: 1361:chemistry 871:in 1874. 856:in 2009. 665:New River 582:Hampstead 542:Anglicans 474:children: 391:Unitarian 299:in 1940. 101:education 67:, England 50:, England 6372:Category 6188:Dahlhaus 6173:Blanning 6140:Scholars 6110:Tropinin 6105:Tidemand 6095:Stattler 6090:Scheffer 5990:Głowacki 5960:Edelfelt 5915:Bryullov 5857:Snellman 5832:Schiller 5822:Rousseau 5802:Michelet 5747:Constant 5717:Belinsky 5690:Sibelius 5634:Konjović 5608:Scriabin 5578:Lyapunov 5512:Lipiński 5481:Spontini 5471:Paganini 5415:Goldmark 5206:Thalberg 5201:Schubert 5181:Bruckner 5142:Topelius 5132:Runeberg 5122:Prešeren 5092:Leopardi 5057:Frashëri 5047:Eminescu 5027:Andersen 4935:Tyutchev 4920:Karamzin 4894:Zorrilla 4889:Saavedra 4787:Castilho 4775:Portugal 4766:Słowacki 4668:Polidori 4598:Barbauld 4533:Hoffmann 4488:Brentano 4402:Bertrand 4223:Romantic 4059:Ancients 4033:Scotland 3900:LibriVox 3224:Archived 3114:Archived 2549:, p. xv. 2450:p. xvii. 2046:, p. 36. 2033:, p. 31. 2020:, p. 30. 1976:, p. 32. 1937:, p. 23. 1145:—  1002:(1791), 998:(1790), 920:Romantic 617:Test Act 439:Huguenot 349:classics 6213:Lovejoy 6148:Abraham 6070:Richard 6060:Préault 5985:Girodet 5867:Thoreau 5812:Novalis 5797:Mazzini 5792:Maistre 5767:Hazlitt 5752:Emerson 5732:Carlyle 5722:Berchet 5665:Berwald 5660:Bennett 5629:Hristić 5583:Medtner 5563:Borodin 5553:Arensky 5476:Rossini 5451:Bellini 5430:Joachim 5403:Hungary 5384:Strauss 5312:Germany 5278:Berlioz 5247:Voříšek 5242:Smetana 5220:Czechia 5174:Austria 5107:Maturin 5102:Manzoni 5077:Heliade 5052:Foscolo 5022:Alfieri 5017:Abovian 4971:Emerson 4930:Pushkin 4869:Bécquer 4802:Garrett 4756:Potocki 4703:Southey 4663:Maturin 4633:Carlyle 4590:Britain 4563:Novalis 4518:Gutzkow 4466:Germany 4432:Mérimée 4417:Gautier 4344:Barreto 4339:Azevedo 4319:Alencar 4299:Writers 4218:Byronic 4154:Purismo 4008:Germany 3990:Denmark 3875:at the 3857:at the 2600:11 June 2479:11 June 2198:12 June 2172:12 June 1911:, p. 7. 1872:3817729 1825:12 June 1547:. 1777. 1379:murders 1103:Britain 1084:planter 625:abolish 491:Charles 460:Suffolk 283:Sources 249:and of 229:and a " 140:​ 132:​ 128:​ 111:history 89:Subject 6238:Wellek 6218:de Man 6203:Janion 6193:Ferber 6168:Berlin 6163:Beiser 6158:Barzun 6153:Abrams 6130:Wiertz 6115:Turner 6065:Révoil 6050:Palmer 6040:Martin 6035:Leutze 6010:Janmot 5970:Fuseli 5925:Church 5817:Quinet 5807:Müller 5762:Goethe 5757:Fichte 5680:Franck 5622:Serbia 5573:Glinka 5546:Russia 5532:Tausig 5527:Stolpe 5507:Chopin 5495:Poland 5456:Busoni 5420:Heller 5389:Wagner 5324:Brahms 5298:Onslow 5288:Halévy 5256:France 5237:Reicha 5227:Dvořák 5196:Mahler 5191:Hummel 5186:Czerny 5082:Isaacs 5062:Geijer 4996:Lowell 4986:Irving 4966:Cooper 4961:Bryant 4903:Russia 4838:Njegoš 4833:Kostić 4828:Jakšić 4821:Serbia 4751:Norwid 4726:Fredro 4718:Poland 4688:Seward 4578:Uhland 4568:Schwab 4558:Mörike 4548:Kleist 4503:Goethe 4498:Fouqué 4447:Nodier 4442:Nerval 4437:Musset 4389:France 4379:Varela 4374:Taunay 4359:Macedo 4307:Brazil 4257:Ossian 4184:Themes 4023:Poland 4018:Norway 4000:France 3940:(1825) 3799:about 3781:  3741:  3725:  3688:  3670:  3656:  3642:  3626:11 May 3577:  3562:11 May 3548:  3529:  3494:  3480:  3434:  3384:  3370:  3326:  3283:  3269:  3255:  2855:  2830:  2805:  2591:  2470:  2205:child. 2163:  1877:6 June 1870:  1758:1826: 1751:1825: 1742:1812: 1735:1811: 1729:1810: 1720:1810: 1710:1805: 1703:1805: 1696:1804: 1689:1802: 1678:1800: 1668:1798: 1662:1794: 1659:(1793) 1655:1793: 1639:1792: 1632:1792: 1626:1792: 1617:1791: 1611:1790: 1604:1788: 1597:1787: 1588:1781: 1581:1779: 1574:1778: 1564:1778: 1558:1775: 1551:1773: 1534:1773: 1528:1768: 1464:about 1367:, and 1343:(1793) 1276:, and 1240:, and 1179:; and 1114:satire 958:(1777) 906:(1773) 894:Poetry 777:Legacy 768: 464:Psalms 120:Spouse 96:Reform 78:Writer 6324:Bacon 6233:Rosen 6228:Ricks 6223:Nancy 6183:Blume 6178:Bloom 6100:Stroy 6085:Saleh 6080:Runge 6030:Lampi 6015:Jones 6005:Hayez 5940:Corot 5905:Blake 5872:Tieck 5862:Staël 5787:Larra 5772:Hegel 5727:Burke 5685:Grieg 5675:Field 5670:Elgar 5653:Other 5486:Verdi 5444:Italy 5435:Liszt 5425:Hubay 5410:Erkel 5394:Weber 5379:Spohr 5339:Loewe 5329:Bruch 5293:Méhul 5283:Fauré 5273:Auber 5268:Alkan 5127:Raffi 5097:Mácha 5087:Lenau 5037:Botev 5010:Other 4862:Spain 4797:Dinis 4683:Scott 4658:Keats 4638:Clare 4628:Byron 4623:Burns 4603:Blake 4588:Great 4573:Tieck 4528:Heine 4523:Hauff 4457:Vigny 4452:Staël 4412:Dumas 4334:Assis 4329:Alves 4314:Abreu 4267:Rhine 4170:Ultra 4013:Japan 3779:S2CID 3765:(4). 3723:S2CID 3709:(2). 3620:(PDF) 3603:(2). 3593:(PDF) 3527:S2CID 3456:(1). 3432:S2CID 3408:(2). 3396:(PDF) 3357:Other 1868:JSTOR 1811:(PDF) 1544:Poems 1537:Poems 956:Poems 904:Poems 615:(see 420:Poems 416:Poems 215:Aikin 134:( 130: 6198:Frye 6125:Ward 6120:Veit 6075:Rude 6025:Koch 6000:Gude 5995:Goya 5945:Dahl 5935:Cole 5263:Adam 5211:Wolf 4954:U.S. 4853:Zmaj 4483:Beer 4422:Hugo 4369:Reis 4349:Dias 4213:Hero 4148:Post 4109:Jena 4079:Dark 3739:ISBN 3686:ISBN 3668:ISBN 3654:ISBN 3640:ISBN 3628:2017 3575:ISBN 3564:2017 3546:ISBN 3492:ISBN 3478:ISBN 3382:ISBN 3368:ISBN 3324:ISBN 3281:ISBN 3267:ISBN 3253:ISBN 2853:ISBN 2828:ISBN 2803:ISBN 2602:2023 2589:ISBN 2481:2023 2468:ISBN 2200:2023 2174:2023 2161:ISBN 1879:2023 1827:2023 1441:and 1301:and 1292:and 1264:and 1204:and 1027:and 1025:Test 938:and 821:and 801:and 661:John 627:the 546:Eton 531:Diss 389:and 81:poet 55:Died 40:Born 5695:Sor 5568:Cui 5001:Poe 4134:Pre 4129:Neo 3913:at 3898:at 3889:at 3866:at 3771:doi 3715:doi 3680:". 3609:doi 3519:doi 3505:". 3462:doi 3422:hdl 3414:doi 1787:doi 1097:In 1048:by 934:'s 482:sic 211:née 192:ɑːr 160:ɑːr 6389:: 6350:← 3777:. 3763:32 3761:. 3721:. 3707:17 3705:. 3601:60 3599:. 3595:. 3525:. 3511:19 3509:. 3454:28 3452:. 3430:. 3420:. 3406:43 3404:. 3398:. 3287:. 3190:^ 3172:^ 3061:" 2911:, 2483:. 2439:^ 2202:. 2176:. 2087:^ 1881:. 1864:65 1862:. 1858:. 1829:. 1817:. 1813:. 1540:, 1445:. 1437:, 1433:, 1429:, 1425:, 1272:, 1175:; 1060:, 885:. 445:: 434:. 201:oʊ 169:oʊ 136:m. 6363:→ 3968:e 3961:t 3954:v 3785:. 3773:: 3729:. 3717:: 3630:. 3611:: 3590:" 3533:. 3521:: 3468:. 3464:: 3438:. 3424:: 3416:: 3059:. 2861:. 2836:. 2811:. 2604:. 2571:. 1819:6 1795:. 1789:: 1675:5 204:/ 198:b 195:ˈ 189:b 186:/ 178:/ 175:d 172:l 166:b 163:ˈ 157:b 154:/ 150:(

Index


Kibworth-Harcourt, Leicestershire
Stoke Newington
Reform
education
Christianity
history
/bɑːrˈbld/
/bɑːrˈb/
née
literary critic
children's literature
Blue Stockings Society
woman of letters
Palgrave Academy
Elizabeth Benger
enlightenment
sensibility
Romanticism
Eighteen Hundred and Eleven
Napoleonic Wars
French Revolution
feminist literary criticism
Lucy Aikin
Anna Letitia Le Breton
London Blitz

John Aikin
Kibworth Harcourt
John Aikin

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.