506:. Farrar was less comfortable discussing the lyrics that he wrote, claiming that his songs frequently change their meanings. Like other Uncle Tupelo albums, Farrar and Tweedy wrote their own lyrics, and played them for each other a week before the recording sessions. In comparison to the rest of the Uncle Tupelo catalog, Coomer described the music of the album as "some of earlier crunch with the acoustic subtlety of
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412:. The now-expanded lineup inspired Tweedy to spend more time with his bandmates. After Tweedy wrote each song, he would play it to Stirratt, Coomer, and Johnston to get their opinions. Farrar interpreted these practice sessions as a sign of Tweedy's increasing arrogance. At live shows, during this time, tensions between Tweedy and Farrar increased and led to verbal altercations.
833:
Margherita, who had acquired a $ 3000 debt on behalf of the band, Farrar agreed to do another promotional tour. Physical altercations between Tweedy and Farrar began two weeks into the tour and continued throughout—many were due to Farrar's refusal to play on Tweedy's songs. Despite Farrar's reservations, Uncle Tupelo performed Tweedy's "The Long Cut" on
340:. McEwen was impressed by how the band was willing to go against trends, calling the band "an alternative to the alternative". Executing an out-clause in their contract with Rockville, Uncle Tupelo signed a seven-record deal with Sire in 1992. The deal guaranteed the release of at least two albums, with a $ 150,000 budget for the first.
31:
832:
Despite the label's aspirations, Jay Farrar announced his intention to leave Uncle Tupelo in
January 1994. Farrar kept his reasoning secret until fall 1995, when he claimed in an interview that "it reached a point where Jeff and I really weren't compatible." As a sign of loyalty to band manager Tony
423:
was the only Uncle Tupelo album to completely lack overdubbing. Sire was pleased with the album; according to McEwen, "everybody considered it a step up from what they'd done before." Farrar wrote six of the songs on the album and Tweedy wrote five, though all the new material was credited to both
312:
had a reduced role on the album; because it was an acoustic album, Heidorn added only brush-stroke percussion on a few songs. Heidorn wanted to leave the band to spend more time with his wife and two young children. Though band manager Tony
Margherita announced that several major labels were
829:. Most shows on the tour sold over one thousand tickets. The success of the tour encouraged the label; according to Sire executive Bill Bentley, "people here thought we were going to have platinum records from Uncle Tupelo."
359:. Belzer was dismissed from the band after six months, and Coomer was hired as his permanent replacement. Coomer was not the only new member added after the tour—Uncle Tupelo sought to expand beyond a trio for the
1610:
MacQueen, Steve (February 4, 1994). "Uncle Tupelo Taps Both
Vintage Country and Punk Rock for a Winning Sound. The Band from Belleville, Ill., has a Loose, Spontaneous Sound".
2174:
1779:
271:. After two promotional tours for the album, tensions between Farrar and Tweedy culminated in the breakup of Uncle Tupelo. Well-received upon its initial release,
825:
to promote the album, sales eventually surpassed 150,000 copies. A promotional tour for the album began later that year, including a sold-out show at Tramps in
343:
Before releasing their first album with Sire, Uncle Tupelo needed a drummer. Farrar and Tweedy interviewed twenty-four candidates and were both impressed with
2514:
939:
found that the album "is certainly derivative, but Uncle Tupelo isn't seeking to reinvent its sources, merely to honor them". At the end of the year,
328:, sold a combined 40,000 copies. Consequently, Margherita was trying to find a new recording deal for the band. On a recommendation by singer
2313:
1674:
1002:
s reviewer gave the album three stars out of five and noted that the band needed to "shed some of the Neil Young obsession." Tom Moon of
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862:. The new version included two previously unreleased songs: Farrar's "Stay True", Tweedy's "Wherever". It also included a cover of
1988:
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The album was recorded live in the studio, and each song was recorded in only one take. As a result, the recording sessions for
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gave the 2003 re-release all five stars, but commented that the bonus tracks there were "pleasant but inconsequential."
296:, was released through Rockville Records on August 3, 1992. On the release, the band eschewed the growing popularity of
1091:
1627:
Morrison, Mark (February 18, 1994). "A Musical Mix Uncle Tupelo is a Little Bit
Country, A Little Bit Rock 'N' Roll".
2295:
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2226:
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1321:
396:. Uncle Tupelo liked the studio because it "just seemed really kind of homey and small and cheap". The album was
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that the band " an intuitive sense of the simplicity and dynamics of a country song." German music periodical
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839:, the band's only network television appearance. The band played their final concert on May 1, 1994, at
197:, released on October 5, 1993. The recording of the album was preceded by the departure of the original
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writer Jason Ankeny wrote, "Uncle Tupelo never struck a finer balance between rock and country than on
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who were "all just show biz" in his opinion. Tweedy was also the author of "New Madrid", a song about
316:
Rockville
Records refused to pay Uncle Tupelo any royalties, even though the band's first two albums,
2442:
351:. Belzer was chosen and Uncle Tupelo embarked on the European segment of the promotional tour for
2427:
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1504:
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song "Give Back the Key to My Heart", with Sahm on vocals. The lyrical themes were influenced by
219:
377:—Stirratt's presence enabled Tweedy to become a full-time guitarist on the songs that he wrote.
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Although the majority of the album's reviews were positive, some critics disagreed.
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interested in signing Uncle Tupelo, Heidorn decided to permanently leave the band.
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of Sahm's "Give Back the Key to My Heart", which Sahm contributed lead vocals to.
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1972:
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324:
129:
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Gettelman, Parry (February 4, 1994). "Uncle Tupelo Mines Rock's
Country Vein".
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480:
479:. He also wrote "We've Been Had", which was intended to chastise bands such as
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71:
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1502:
Hampel, Paul (August 5, 1993). "Uncle Tupelo: Filling Out into a
Quintet".
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perceived the album as neither a "dud" nor worthy of "honorable mention".
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The band re-mastered and re-released the album on March 11, 2003, through
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2255:(2004). "Uncle Tupelo". In Brackett, Nathan; Hoard, Christian (eds.).
1581:
Masley, Ed (February 27, 1994). "Mix of Punk and
Country? Say Uncle".
2115:
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1262:
1045:
968:
893:
484:
429:
260:
1551:
Durcholz, Daniel (November 1993). "Are You Ready for the
Country?".
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1652:
1397:
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1154:
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and called the album "Tupelo's finest effort." Norwegian newspaper
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at number one in its list of "The 50 Best Alt-Country Albums".
884:
was well received by critics domestically and internationally.
433:
336:, talent scout Joe McEwen pursued the band for a contract with
1970:
Diederichsen, Detlef (October 1993). "Uncle Tupelo: Anodyne".
2501:
1219:
1212:
976:
in 1999 as one of "The Best Albums of the
Century". In 2008,
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as "another austere, inspired collection". Karen Schoemer of
852:
472:
393:
38:
812:
was Uncle Tupelo's only recording to appear on the American
388:
was recorded from May to June 1993 at Cedar Creek studio in
467:. Tweedy included several songs referencing aspects of the
440:. Farrar invited him to join the band in the studio for a
1993:
1737:
922:
645:
866:' "Are You Sure Hank Done It This Way?", with vocals by
247:
featured a split in songwriting credits between singers
308:
songs "as a big 'fuck you' to the rock scene". Drummer
962:
praised Max Johnston's contributions in the 2004 book
2261:(4th ed.). New York City: Simon & Schuster.
1566:
Fine, Jason (November 1993). "Heart of the Country".
870:, a song previously released on the 1993 compilation
1121:*Tracks 13–15 previously unreleased studio outtakes.
2515:
I Am Trying to Break Your Heart: A Film About Wilco
874:. Live cover versions of "Truck Drivin' Man" and "
267:and—more than their preceding releases—touched on
230:was Uncle Tupelo's only major label release until
2314:"Uncle Tupelo's 'Anodyne' at 25: An Oral History"
2119:(in Norwegian). December 28, 1999. Archived from
1886:"Jay Farrar Traces a Path Away from Uncle Tupelo"
2530:
1953:Sheridan, Phil (February 1995). "Roger, Wilco".
1076:
2214:Christgau's Consumer Guide: Albums of the '90s
2022:"Critic's Choice/Pop; Mending an Aching Heart"
542:
2368:
424:songwriters. While on tour, Uncle Tupelo met
1969:
1642:
1640:
1365:"The 50 Best Alt-Country Albums of All Time"
954:critics' poll and at number nineteen on the
777:
739:
701:
663:
613:
580:
204:and the addition of three new band members:
1031:Songwriting credits from the 2003 reissue.
275:was re-mastered and re-released in 2003 by
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1805:
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513:
29:
2203:
2197:
1637:
1521:
2019:
1952:
1626:
1609:
1550:
1394:"Uncle Tupelo | Biography & History"
2311:
2148:1,000 Recordings to Hear Before You Die
1870:
1868:
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1802:
1596:
1594:
1425:album notes (re-issued version), 2003.
1418:
1416:
1414:
1359:
1357:
989:1,000 Recordings to Hear Before You Die
2531:
1700:
1673:Rothschild, David (October 24, 1993).
1580:
1546:
1544:
1501:
878:" were also included on the re-issue.
2356:
2141:
2020:Schoemer, Karen (December 10, 1993).
1986:
1814:
1770:
1768:
1517:
1515:
523:
18:1993 studio album by Uncle Tupelo
2172:
1863:
1830:(73): 113. June 2003. Archived from
1774:
1750:
1748:
1591:
1565:
1411:
1354:
1069:"No Sense in Lovin'" (Tweedy) – 3:46
226:shortly before recording the album;
2275:
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1980:
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1541:
544:
363:recording sessions. They recruited
13:
2305:
2061:from the original on July 16, 2007
1765:
1646:
1512:
1391:
1144:(1, 4, 5, 7, 9, 10, 12, 13, 15–17)
1092:Are You Sure Hank Done It This Way
1072:"Steal the Crumbs" (Farrar) – 3:38
471:. One example was "Acuff-Rose", a
451:was influenced by 1950s and 1960s
14:
2565:
2332:
2258:The New Rolling Stone Album Guide
1745:
1707:The Encyclopedia of Popular Music
1084:"Stay True"* (Farrar) – 3:29
1044:"Give Back the Key to My Heart" (
964:The New Rolling Stone Album Guide
943:placed at number twenty-eight on
779:
741:
703:
665:
615:
582:
2544:Albums produced by Brian Paulson
2382:
2312:Beaugez, Jim (October 5, 2018).
1087:"Wherever"* (Tweedy) – 3:38
1060:"We've Been Had" (Tweedy) – 3:26
1026:
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1963:
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1937:
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1884:Blackstock, Peter (Fall 1995).
1877:
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1620:
1603:
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1559:
1532:
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1318:Dan Corrigan – photography
847:. The remaining members of the
2087:. January 1994. Archived from
1675:"Uncle Tupelo: Anodyne (Sire)"
1477:
1468:
1459:
1450:
1441:
1432:
1385:
1116:/Lewis/Broadwater) – 7:13
1063:"Fifteen Keys" (Farrar) – 3:25
1041:"The Long Cut" (Tweedy) – 3:20
491:'s erroneous prediction of an
1:
2245:
1051:"Chickamauga" (Farrar) – 3:42
836:Late Night with Conan O'Brien
821:chart. Despite the lack of a
734:The Rolling Stone Album Guide
608:Encyclopedia of Popular Music
419:were completed in two weeks.
279:including five bonus tracks.
1125:
1101:"Truck Drivin' Man (Live)" (
1077:2003 CD reissue bonus tracks
1066:"High Water" (Farrar) – 4:14
1054:"New Madrid" (Tweedy) – 3:31
1038:"Acuff-Rose" (Tweedy) – 2:35
380:
7:
2173:Moon, Tom (April 8, 2003).
475:on the music publishers of
269:interpersonal relationships
10:
2570:
2508:Wilco: Learning How to Die
2279:Wilco: Learning How to Die
282:
2489:
2441:
2390:
2150:. Workman. Archived from
1822:"This Month In Americana"
1761:(86): 138. November 1993.
1755:"Uncle Tupelo: Anodyne".
1735:"Uncle Tupelo: Anodyne".
1057:"Anodyne" (Farrar) – 4:50
531:
528:
148:
140:
128:
116:
100:
77:
66:
58:
50:
37:
28:
23:
1710:(5th concise ed.).
1649:"Anodyne – Uncle Tupelo"
1348:
1083:
929:s Jim Caligiuri praised
432:at the Hotel Phoenix in
185:is the fourth and final
2209:"Uncle Tupelo: Anodyne"
2175:"Uncle Tupelo: Anodyne"
2081:"1993 Jahresabrechnung"
1989:"Uncle Tupelo: Anodyne"
1780:"Uncle Tupelo: Anodyne"
1741:: 31. October 16, 1993.
1584:Pittsburgh Post-Gazette
1505:St. Louis Post-Dispatch
1035:"Slate" (Farrar) – 3:24
982:critic Tom Moon listed
514:Promotion and reception
447:The lyrical content of
355:as the opening act for
222:. The band signed with
908:compared the album to
2049:"Pazz & Jop 1993"
1811:Kot 2004b, pp. 836–37
1790:on September 27, 2007
1308:Dave C. Birke –
1202:(1, 2, 4, 12, 14, 16)
365:multi-instrumentalist
217:multi-instrumentalist
2349:, February 21, 2003.
2219:Macmillan Publishers
2091:on February 21, 2008
1778:(December 9, 1993).
1613:Tallahassee Democrat
1525:The Orlando Sentinel
1257:Additional musicians
1178:(1, 7, 9, 10, 12–17)
1171:(2, 3, 6, 8, 11, 14)
872:Trademark of Quality
519:Professional ratings
300:by playing acoustic
2554:Uncle Tupelo albums
2549:Sire Records albums
2480:89/93: An Anthology
1859:. October 10, 1993.
1474:Kot 2004. pp. 72–73
1447:Kot 2004. pp. 68–69
1303:Technical personnel
855:a few weeks later.
845:St. Louis, Missouri
520:
277:Rhino Entertainment
233:89/93: An Anthology
191:alternative country
87:Alternative country
2339:Press release for
2290:: Broadway Books.
2276:Kot, Greg (2004).
2185:on October 1, 2007
2111:"Århundrets album"
2027:The New York Times
1483:Kot 2004. p. 73–74
1276:pedal steel guitar
1182:(2, 4, 6, 11)
936:The New York Times
841:Mississippi Nights
518:
2524:
2523:
2466:March 16-20, 1992
2205:Christgau, Robert
2057:. March 1, 1994.
2054:The Village Voice
1898:on March 26, 2007
1721:978-0-85712-595-8
1298:
1289:
1286:– vocals, guitar
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1191:
1187:
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946:The Village Voice
807:
806:
508:March 16–20, 1992
353:March 16–20, 1992
293:March 16–20, 1992
178:
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174:
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155:March 16–20, 1992
2561:
2490:Related articles
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2370:
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2354:
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2301:
2282:(1st ed.).
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2194:
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2181:. Archived from
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2154:on June 28, 2013
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2039:
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2017:
2011:
2010:
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2001:on June 24, 2007
1997:. Archived from
1987:Caligiuri, Jim.
1984:
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1894:. Archived from
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1834:on June 15, 2013
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1786:. Archived from
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1373:. August 4, 2016
1361:
1296:
1287:
1278:
1266:
1265:– guitar, vocal
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1238:
1234:
1222:
1215:
1208:
1206:lap steel guitar
1201:
1189:
1188:, backing vocal
1185:
1184:, rhythm guitar
1181:
1177:
1170:
1161:
1160:, backing vocal
1157:
1150:
1143:
1008:Robert Christgau
928:
851:sessions formed
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477:Acuff-Rose Music
298:alternative rock
290:'s third album,
150:
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107:
33:
21:
20:
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2459:Still Feel Gone
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2308:
2306:Further reading
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2018:
2014:
2004:
2002:
1985:
1981:
1968:
1964:
1951:
1947:
1943:Kot 2004. p. 85
1942:
1938:
1934:Kot 2004. p. 84
1933:
1929:
1925:Kot 2004. p. 83
1924:
1920:
1916:Kot 2004. p. 82
1915:
1911:
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1874:Kot 2004. p. 80
1873:
1864:
1853:"Heatseekers".
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1647:Ankeny, Jason.
1645:
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1600:Kot 2004. p. 79
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1351:
1128:
1079:
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958:critics' poll.
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864:Waylon Jennings
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383:
325:Still Feel Gone
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1110:Suzy Q (Live)
1107:
1105:) – 2:13
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1098:) – 3:01
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1027:Track listing
1024:
1022:
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1004:Rolling Stone
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899:Rolling Stone
895:
891:
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883:
879:
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873:
869:
865:
861:
860:Rhino Records
856:
854:
850:
846:
842:
838:
837:
830:
828:
827:New York City
824:
820:
817:
816:
811:
776:
774:
773:
769:
768:
738:
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731:
730:
700:
698:
697:
696:Rolling Stone
693:
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612:
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609:
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541:
539:
536:
535:
527:
524:Review scores
522:
511:
509:
505:
501:
497:
494:
490:
489:Iben Browning
486:
482:
478:
474:
470:
466:
462:
458:
454:
453:country music
450:
445:
443:
439:
438:Massachusetts
435:
431:
427:
422:
418:
413:
411:
410:Brian Paulson
407:
403:
399:
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391:
387:
378:
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375:John Stirratt
373:
369:
366:
362:
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354:
350:
346:
341:
339:
335:
331:
327:
326:
321:
320:
319:No Depression
314:
311:
307:
303:
299:
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289:
280:
278:
274:
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265:country music
262:
258:
257:cover version
254:
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246:
242:
241:Austin, Texas
237:
235:
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229:
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210:
209:John Stirratt
207:
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147:
143:
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135:Brian Paulson
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99:
93:
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88:
85:
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76:
73:
72:Austin, Texas
70:Cedar Creek,
69:
65:
62:May–June 1993
61:
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53:
49:
45:
40:
36:
32:
27:
22:
16:
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2457:
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2428:Max Johnston
2410:Mike Heidorn
2408:
2401:
2394:
2384:Uncle Tupelo
2340:
2321:. Retrieved
2317:
2277:
2256:
2234:December 28,
2232:. Retrieved
2213:
2199:
2189:December 28,
2187:. Retrieved
2183:the original
2178:
2168:
2156:. Retrieved
2152:the original
2147:
2137:
2125:. Retrieved
2121:the original
2114:
2105:
2093:. Retrieved
2089:the original
2084:
2075:
2063:. Retrieved
2052:
2043:
2033:November 20,
2031:. Retrieved
2025:
2015:
2003:. Retrieved
1999:the original
1992:
1982:
1971:
1965:
1954:
1948:
1939:
1930:
1921:
1912:
1900:. Retrieved
1896:the original
1889:
1879:
1854:
1848:
1836:. Retrieved
1832:the original
1825:
1816:
1792:. Retrieved
1788:the original
1783:
1756:
1736:
1730:
1705:
1696:
1684:. Retrieved
1678:
1668:
1656:. Retrieved
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1534:
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1503:
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1434:
1427:Sire Records
1422:
1401:. Retrieved
1387:
1375:. Retrieved
1368:
1272:Lloyd Maines
1235:(3–6, 8, 11)
1195:Max Johnston
1131:Uncle Tupelo
1030:
1020:
1014:
1012:
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987:
983:
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606:
573:
507:
448:
446:
420:
416:
414:
385:
384:
368:Max Johnston
360:
352:
342:
338:Sire Records
334:The Jayhawks
323:
317:
315:
310:Mike Heidorn
291:
288:Uncle Tupelo
286:
272:
244:
239:Recorded in
238:
231:
227:
224:Sire Records
220:Max Johnston
202:Mike Heidorn
195:Uncle Tupelo
187:studio album
181:
180:
179:
163:
162:
153:
142:Uncle Tupelo
92:country rock
44:Uncle Tupelo
39:Studio album
15:
2539:1993 albums
2443:Discography
2418:Bill Belzer
2403:Jeff Tweedy
2158:October 31,
2142:Moon, Tom.
2127:January 24,
2095:January 21,
1339:engineering
1279:(7, 10, 11)
1232:bass guitar
1175:bass guitar
1167:Jeff Tweedy
918:debut album
914:Little Feat
819:Heatseekers
493:apocalyptic
457:Ernest Tubb
349:Bill Belzer
330:Gary Louris
253:Jeff Tweedy
2533:Categories
2423:Ken Coomer
2396:Jay Farrar
2343:re-release
2323:October 1,
2246:References
2065:August 10,
1776:Kemp, Mark
1403:August 17,
1377:August 17,
1335:production
1322:Scott Hull
1244:Ken Coomer
1190:(4, 5, 16)
1137:Jay Farrar
986:among the
910:Neil Young
896:wrote for
500:New Madrid
496:earthquake
461:Buck Owens
406:engineered
345:Ken Coomer
249:Jay Farrar
213:Ken Coomer
211:, drummer
144:chronology
2253:Kot, Greg
2144:"Anodyne"
2116:Dagbladet
1856:Billboard
1658:August 6,
1326:mastering
1295:– guitar
1263:Doug Sahm
1251:(1, 3–17)
1237:, guitar
1209:(3, 7, 8)
1186:(3, 5, 8)
1180:, guitar
1151:(1, 3–17)
1126:Personnel
1046:Doug Sahm
1013:In 2016,
969:Dagbladet
894:Mark Kemp
815:Billboard
485:The Clash
430:Doug Sahm
381:Recording
261:Doug Sahm
255:, plus a
236:in 2002.
2497:Son Volt
2207:(2000).
2059:Archived
2005:June 12,
1838:June 14,
1794:June 14,
1704:(2011).
1686:June 14,
1653:AllMusic
1398:AllMusic
1333: –
1324: –
1297:(16, 17)
1169:– vocal
1155:mandolin
1096:Jennings
1048:) – 3:26
960:Greg Kot
886:AllMusic
538:AllMusic
504:Missouri
398:produced
130:Producer
59:Recorded
51:Released
41: by
2473:Anodyne
2341:Anodyne
1902:June 8,
1423:Anodyne
1284:Joe Ely
1114:Hawkins
1021:Anodyne
1019:ranked
984:Anodyne
974:Anodyne
972:listed
941:Anodyne
931:Anodyne
912:and to
890:Anodyne
882:Anodyne
868:Joe Ely
849:Anodyne
810:Anodyne
481:Nirvana
449:Anodyne
428:singer
421:Anodyne
417:Anodyne
386:Anodyne
372:bassist
361:Anodyne
306:country
283:Context
273:Anodyne
259:of the
245:Anodyne
228:Anodyne
206:bassist
199:drummer
182:Anodyne
168:(1993)
164:Anodyne
159:(1992)
24:Anodyne
2294:
2265:
2225:
1956:Magnet
1718:
1343:mixing
1239:(7, 9)
1199:fiddle
1148:guitar
876:Suzy Q
823:single
532:Rating
529:Source
463:, and
434:Boston
404:, and
390:Austin
215:, and
101:Length
67:Studio
2502:Wilco
2345:, by
1827:Uncut
1370:Paste
1349:Notes
1248:drums
1220:Dobro
1213:banjo
1141:vocal
1016:Paste
927:'
853:Wilco
772:Uncut
473:paean
442:cover
402:mixed
394:Texas
357:Sugar
193:band
118:Label
79:Genre
2325:2023
2292:ISBN
2263:ISBN
2236:2007
2223:ISBN
2191:2007
2160:2014
2129:2024
2097:2008
2085:Spex
2067:2007
2035:2009
2007:2009
1973:Spex
1904:2007
1840:2013
1796:2013
1716:ISBN
1688:2013
1660:2007
1405:2021
1379:2021
1288:(15)
1103:Fell
1094:"* (
956:Spex
905:Spex
651:9/10
483:and
370:and
347:and
322:and
304:and
302:folk
251:and
123:Sire
1994:CMJ
1738:NME
1267:(4)
1223:(9)
1216:(6)
1162:(8)
1158:(2)
1112:" (
923:CMJ
916:'s
892:".
843:in
646:NME
510:".
498:in
408:by
332:of
189:by
2535::
2316:.
2288:NY
2286:,
2221:.
2217:.
2211:.
2177:.
2146:.
2113:.
2083:.
2051:.
2024:.
1991:.
1888:.
1865:^
1824:.
1804:^
1782:.
1767:^
1747:^
1714:.
1677:.
1651:.
1639:^
1593:^
1543:^
1514:^
1413:^
1396:.
1367:.
1356:^
1341:,
1337:,
1312:,
1274:–
1246:–
1230:–
1218:,
1211:,
1204:,
1197:–
1173:,
1153:,
1146:,
1139:–
992:.
950:s
920:.
502:,
459:,
436:,
400:,
392:,
243:,
110:17
106:43
2376:e
2369:t
2362:v
2327:.
2300:.
2271:.
2238:.
2193:.
2162:.
2131:.
2099:.
2069:.
2037:.
2009:.
1976:.
1959:.
1906:.
1842:.
1798:.
1758:Q
1724:.
1690:.
1662:.
1633:.
1616:.
1587:.
1570:.
1555:.
1528:.
1508:.
1429:.
1407:.
1381:.
1108:"
1090:"
1000:'
998:Q
948:'
658:Q
108::
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