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257:) on 4 September 1824. The ancestors of Bruckner's family were farmers and craftsmen; their history can be traced as far back as the 16th century. They lived near a bridge south of Sindelburg, which led to their being called "Bruckhner an der Bruckhen" (bridgers on the bridge). Bruckner's grandfather was appointed schoolmaster in Ansfelden in 1776; this position was inherited by Bruckner's father, Anton Bruckner Sr., in 1823. It was a poorly paid but well-respected position in the rural environment. Bruckner Sr. married Therese Helm, and they had eleven children, Anton Bruckner being the eldest.
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616:. His interest in teenage girls seems to have been motivated by his fear of sin; he believed that (unlike older women) he could be certain that he was marrying a virgin. His unsuccessful proposals to teenagers continued when he was past his 70th birthday; one prospect, Berlin hotel chambermaid Ida Buhz, came near to marrying him but broke off the engagement when she refused to convert to Catholicism. He suffered from periodic attacks of depression, with his numerous failed attempts to find a female companion only adding to his unhappiness.
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1181:, Mark Evan Bonds called the Bruckner symphonies "monumental in scope and design, combining lyricism with an inherently polyphonic design... Bruckner favored an approach to large-scale form that relied more on large-scale thematic and harmonic juxtaposition. Over the course of his output, one senses an ever-increasing interest in cyclic integration that culminates in his masterpiece, the Symphony No. 8 in C minor, a work whose final page integrates the main themes of all four movements simultaneously."
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restoration of the organ and the institution of a
Bruckner study center there. He also paid for the Haas collection of Bruckner's works to be published, and himself purchased material for the proposed library. Additionally, Hitler caused the founding of the Bruckner Symphony Orchestra, which began presenting concerts in Fall 1943. His plan for one of the bell towers in Linz to play a theme from Bruckner's Fourth Symphony never came to pass. The Adagio from
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unprecedented that they were taken as evidence of sheer incompetence... Now it is recognized that
Bruckner's unorthodox structural methods were inevitable... Bruckner created a new and monumental type of symphonic organism, which abjured the tense, dynamic continuity of Beethoven, and the broad, fluid continuity of Wagner, in order to express something profoundly different from either composer, something elemental and metaphysical.
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2989:. London: Universal Edition & Rockliff (1955): 101. "The Bruckner problem is ... complicated by the fact that not only did the composer often revise his own works but to a certain extent sanctioned the alterations, even those on the largest scale, which his pupils and others found it advisable to make. The case of Haydn is simpler, since we are not faced with two or more alternatives but with one."
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392:(WAB 29), written a year earlier, and was accepted. The education, which included skills in music theory and counterpoint among others, took place mostly via correspondence, but also included long in-person sessions in Vienna. Sechter's teaching would have a profound influence on Bruckner. Later, when Bruckner began teaching music himself, he would base his curriculum on Sechter's book
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continued to improve his education by taking further courses, passing an examination giving him permission to also teach in higher education institutes, receiving the grade "very good" in all disciplines. In 1848 Bruckner was appointed an organist in Sankt
Florian and in 1851 this was made a regular position. In Sankt Florian, most of the repertoire consisted of the music of
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317:. The living standards and pay were appalling and Bruckner was constantly humiliated by his superior, teacher Franz Fuchs. Despite the difficult situation, Bruckner never complained or rebelled; a belief in his own inferiority was to remain one of Bruckner's main personal traits during his whole life. He stayed at Windhaag from age 17 to 19, teaching general subjects.
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735:"Bruckner expanded the concept of the symphonic form in ways that have never been witnessed before or since. ... When listening to a Bruckner symphony, one encounters some of the most complex symphonic writing ever created. As scholars study Bruckner's scores they continue to revel in the complexity of Bruckner's creative logic."
2398:, p. 70: "In July 1875 Bruckner ... proposed yet a third time to the university of Vienna that a lectureship in harmony and counterpoint be created, and at long last, despite Hanslick's opposition, his application was successful. Bruckner was appointed to the post, and on 25 November 1875 he gave his opening oration."
216:, who pointed to their large size and use of repetition, as well as to Bruckner's propensity for revising many of his works, often with the assistance of colleagues, and his apparent indecision about which versions he preferred. On the other hand, Bruckner was greatly admired by subsequent composers, including his friend
1215:"The Bruckner Problem" refers to the difficulties and complications resulting from the numerous contrasting versions and editions that exist for most of the symphonies. The term gained currency following the publication (in 1969) of an article dealing with the subject, "The Bruckner Problem Simplified" by
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The revision issue has generated controversy. A common explanation for the multiple versions is that
Bruckner was willing to revise his work on the basis of harsh, uninformed criticism from his colleagues. "The result of such advice was to awaken immediately all the insecurity in the non-musical part
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to become a choirboy. In addition to choir practice, his education included violin and organ lessons. Bruckner was in awe of the monastery's great organ, which was built during the late baroque era and rebuilt in 1837, and he sometimes played it during church services. Despite his musical abilities,
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Music was a part of the school curriculum, and
Bruckner's father was his first music teacher. Bruckner learned to play the organ early as a child. He was very dedicated to the instrument just as he was later in life in composing, often practising for 12 hours a day. He entered school when he was six,
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was mostly written for choral societies. The texts are always in German. Some of these works were written specifically for private occasions such as weddings, funerals, birthdays or name-days, many of these being dedicated to friends and acquaintances of the composer. This music is rarely performed.
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alone succeeded in creating a new school of symphonic writing... Some have classified him as a conservative, some as a radical. Really he was neither, or alternatively was a fusion of both... is music, though
Wagnerian in its orchestration and in its huge rising and falling periods, patently has its
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was clearly meant for concert, rather than liturgical performance, and it is the only one of his Masses in which he set the first line of the Gloria, "Gloria in excelsis Deo", and of the Credo, "Credo in unum Deum", to music. In concert performances of the other Masses, these lines are intoned by a
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as his starting-point... The introduction to the first movement, beginning mysteriously and climbing slowly with fragments of the first theme to the gigantic full statement of that theme, was taken over by
Bruckner; so was the awe-inspiring coda of the first movement. The scherzo and slow movement,
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who made numerous unsuccessful marriage proposals to teenage girls. One such was the daughter of a friend, called Louise; in his grief he is believed to have written the cantata "Entsagen" (Renunciation). His affection for teenage girls led to an accusation of impropriety where he taught music, and
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became enamored with the music of
Bruckner, and, as a result, planned to convert the monastery of St. Florian in Linz â where Bruckner had played the organ, and where he was buried â into a repository of Bruckner's manuscripts. Hitler evicted the monks from the building and personally paid for the
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gave a paper called "The
Systematic Translation of Anton Bruckner's Eighth Symphony into a series of Thirteen Paintings" at the Bruckner Symposium in Linz Austria; here she structurally analyzed all of the Eighth Symphony's themes. She then proceeded to show how she mapped this musical data into a
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Biographers generally characterize
Bruckner as a "simple" provincial man, and many biographers have complained that there is huge discrepancy between Bruckner's life and his work. For example, Karl Grebe said: "his life doesn't tell anything about his work, and his work doesn't tell anything about
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roll at the climax of the second movement). Bruckner's style of orchestral writing was criticized by his Viennese contemporaries (Eduard Hanslick and his circle), but by the middle of the twentieth century, musicologists recognized that his orchestration was modeled after the sound of his primary
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opposition and criticism, and many well-meaning exhortations to caution from his friends, he looked neither to right nor left, but simply got down to work on the next symphony." The matter of Bruckner's authentic texts and the reasons for his changes to them remains politicised and uncomfortable.
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After the Kronstorf period, Bruckner returned to Sankt Florian in 1845 where, for the next 10 years, he would work as a teacher and an organist. In May 1845, Bruckner passed an examination, which allowed him to begin work as an assistant teacher in one of the village schools of Sankt Florian. He
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Josef Bruckner had twelve children, and one of them, Anton, born in 1791, became a teacher like his father. ... In 1823 he married Therese Helm from Streyr, a marriage which was to be blessed with eleven children, ... Their eldest was Josef Anton, born on 4 September 1824 and named after his
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Despite its general debt to Beethoven and Wagner, the "Bruckner Symphony" is a unique conception, not only because of the individuality of its spirit and its materials, but even more because of the absolute originality of its formal processes. At first, these processes seemed so strange and
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argued that Haas's explanation is at best idle speculation, at worst a shady justification of Haas's own editorial decisions. Also, it has been pointed out that Bruckner often started work on a symphony just days after finishing the one before. As Deryck Cooke writes, "In spite of continued
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about whom it is possible to make such generalizations. His symphonies deliberately followed a pattern, each one building on the achievements of its predecessors... His melodic and harmonic style changed little, and it had as much of Schubert in it as of Wagner... His technique in the
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The approval by Hitler and the Nazis of his music did not hurt Bruckner's standing in the postwar media, and several movies and TV productions in Europe and the United States have used excerpts from his music ever since the 1950s, as they already did in the 1930s. Nor did the
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while he was exonerated, he decided to concentrate on teaching boys afterwards. His calendar for 1874 details the names of girls who appealed to him, and the list of such girls in all his diaries was very long. In 1880 he fell for a 17-year-old peasant girl in the cast of the
1656:, the stylistic examination of this "prelude" shows that it is all Bruckner's. Possibly Bruckner had given a draft-score to his pupil Krzyzanowski, which already contained the string parts and some important lines for woodwind and brass, as an exercise in instrumentation.
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writes. "Lacking all self-assurance in such matters, he felt obliged to bow to the opinions of his friends, 'the experts,' to permit ... revisions and even to help make them in some cases." This explanation was widely accepted when it was championed by Bruckner scholar
345:(WAB 4), which the young assistant teacher, out of line given his position, signed with "Anton Bruckner m.p.ria. Comp". This has been interpreted as a lone early sign of Bruckner's artistic ambitions. Otherwise, little is known of Bruckner's life plans and intentions.
201:, Bruckner showed respect, even humility, before other famous musicians, Wagner in particular. This apparent dichotomy between Bruckner the man and Bruckner the composer hampers efforts to describe his life in a way that gives a straightforward context for his music.
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In 2011 it was decided to issue a new edition (editorial board: Paul Hawkshaw, Thomas Leibnitz, Andreas Lindner, Angela Pachovsky, Thomas Röder), which will include the content of the current edition and integrate it with sources that had been retrieved since its
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Bruckner died in Vienna in 1896 at the age of 72. He is buried in the crypt of the monastery church at Sankt Florian, immediately below his favorite organ. He had always had a fascination with death and dead bodies, and left explicit instructions regarding the
339:. Compared to the few works he wrote in Windhaag, the Kronstorf compositions from 1843 to 1845 show a significantly improved artistic ability, and finally the beginnings of what could be called "the Bruckner style". Among the Kronstorf works is the vocal piece
564:: "When the symphony was over," Richter related, "Bruckner came to me, his face beaming with enthusiasm and joy. I felt him press a coin into my hand. 'Take this' he said, 'and drink a glass of beer to my health.'" Richter, of course, accepted the coin, a
2423:. London: Ravette Books (1985):: 33. "it is generally said that Bruckner was a very simple man ... If, after listening to one of his symphonies, you still feel that he was simple, then you are not the kind of person who should be reading this book."
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described parts of the first movements of Bruckner's sixth and seventh symphonies as follows: "There is the same slow, broad introduction, the drawn-out climaxes that grow, pull back and then grow some more â a sort of musical coitus interruptus."
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who, like Bruckner, had a strong, Catholic religious faith and who first and foremost was a harmonic innovator, initiating the new German school together with Wagner. In May 1861 he made his concert debut, as both composer and conductor of his
2548:, p. 108: "Bruckner's ... body was taken to St. Florian. ... There, in a splendid sarcophagus, lie the earthly remains of Anton Bruckner, but from above the crypt, from the great 'Bruckner Organ', his living spirit still bursts forth."
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his life, that's the uncomfortable fact any biography must start from." Anecdotes abound as to Bruckner's dogged pursuit of his chosen craft and his humble acceptance of the fame that eventually came his way. Once, after a rehearsal of his
690:; it continues to be found in the majority of program notes and biographical sketches concerning Bruckner. Haas's work was endorsed by the Nazis and so fell out of favour after the war as the Allies enforced denazification. Haas's rival
431:, which he composed in 1862â1863), mere school exercises, done under the supervision of Otto Kitzler. He continued his studies to the age of 40. Broad fame and acceptance did not come until he was over 60 (after the premiere of his
1694:. Most of this music was written for teaching purposes. Sixteen other pieces for piano, which Bruckner composed in 1862 during his tuition by Kitzler, have not been WAB classified. A facsimile of these pieces is found in the
269:. The schoolmaster, Johann Baptist WeiĂ, was a music enthusiast and respected organist. Here, Bruckner completed his school education and refined his skills as an organist. Around 1835 Bruckner wrote his first composition, a
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Because of the long duration and vast orchestral canvas of much of his music, Bruckner's popularity has greatly benefited from the introduction of long-playing media and from improvements in recording technology.
489:. At the time, there was a feud between advocates of the music of Wagner and Brahms; by aligning himself with Wagner, Bruckner made an unintentional enemy out of Hanslick. He was not without supporters, though.
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went about publishing several versions of some works, in the process correcting some mistakes of Haas. After Nowak's resignation, (1990 onwards, Editorial Head: Herbert Vogg) William Carragan, Paul Hawkshaw,
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men's choir and large orchestra, was composed in 1893 and was Bruckner's last completed composition and the only secular vocal work that he thought worthy enough to bequeath to the Austrian National Library.
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466:, during which time he concentrated most of his energy on writing symphonies. These symphonies were poorly received, at times considered "wild" and "nonsensical". His students at the Conservatory included
1652:, and had it orchestrated by Albrecht GĂŒrsching. In 1985 Wolfgang Hiltl, who had retrieved the original score by Rudolf Krzyzanowski, had it published by Doblinger (issued in 2002). According to scholar
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constantly tried to bring his music to the public, and for this purpose proposed "improvements" for making Bruckner's music more acceptable to the public. Bruckner bequeathed his original scores to the
450:. From 1861 to 1868, he alternated his time between Vienna and Sankt Florian. He wished to ensure he knew how to make his music modern, but he also wanted to spend time in a more religious setting.
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583:. Though he wrote no major works for the organ, his improvisation sessions sometimes yielded ideas for the symphonies. He taught organ performance at the Conservatory; among his students were
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for two years. Here he would be able to have more of a part in musical activity. The time in Kronstorf was a much happier one for Bruckner. Between 1843 and 1845, Bruckner was the pupil of
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proved to be a hard-working student, and was promoted to upper class early. While studying, Bruckner also helped his father in teaching the other children. After Bruckner received his
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with their alternation of melodies, are models for Bruckner's spacious middle movements, while the finale with a grand culminating hymn is a feature of almost every Bruckner symphony.
1233:), the originality of which has not been understood and which were considered unperformable by the musicians. In order to make them "performable", the symphonies, except Symphonies
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based on a novel by Gertrud Bollé-Hellmund. Although he attended performances of Wagner's operas, he was much more interested in the music than the plot. After seeing Wagner's
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has survived. The five Preludes in E-flat major (1836â1837), classified WAB 127 and WAB 128, as well as a few other WAB-unclassified works, which have been found in Bruckner's
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characterizes the pieces for men's choir as being "of little concern to the non-German listener". Of about 30 such pieces, a most unusual and evocative composition is the song
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Michael Arneth noticed Bruckner's bad situation in Windhaag and awarded him an assistant teacher position in the vicinity of the monastic town of Sankt Florian, sending him to
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1091:, is followed by a second, melodious and often contrapuntal group, and a third, rhythmical and often in unison, group, which is sometimes a variant of the first group, as in
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described him as "half genius, half simpleton". Bruckner was critical of his own work and often reworked his compositions. There are several versions of many of his works.
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1257:, which have been deeply emended by Bruckner's friends and associates, and it is not always possible to tell whether the emendations had Bruckner's direct authorization.
624:. He most likely retired from his position at the University of Vienna in 1892, at the age of 68. He wrote a great deal of music that he used to help teach his students.
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1648:(Symphonic Prelude) in C minor was discovered by Mahler scholar Paul Banks in the Austrian National Library in 1974 in a piano duet transcription. Banks ascribed it to
1546:, of which only a few have been published. The Lieder that Bruckner composed in 1861â1862 during his tuition by Otto Kitzler have not been WAB classified. In 2013 the
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The first edition (1934â1944, Editorial Head: Robert Haas) included 'hybrid' scores for Symphonies 2 and 8 and other similar conflations for some other revised works.
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Bruckner never wrote an opera, and as much as he was a fan of Wagner's music dramas, he was uninterested in drama. In 1893 he thought about writing an opera called
754:), none of Bruckner's symphonies originally had a subtitle and in the case of those that now do, the nicknames or subtitles did not originate with the composer.
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1556:, the autograph manuscript hitherto unavailable to the public. The facsimile is edited by Paul Hawkshaw and Erich Wolfgang Partsch in Band XXV of Bruckner's
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275: â one of the compositions which he revised at the end of his life. When his father became ill, Anton returned to Ansfelden to help him in his work.
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Bruckner's father died in 1837, when Bruckner was 13 years old. The teacher's position and house were given to a successor, and Bruckner was sent to the
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Bruckner was a renowned organist in his day, impressing audiences in France in 1869, and the United Kingdom in 1871, giving six recitals on a new
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Bruckner's symphonic works, much maligned in Vienna in his lifetime, now have an important place in the tradition and musical repertoire of the
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The three Masses which Bruckner wrote in the 1860s and revised later on in his life are more often performed. The Masses numbered
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1620:. These works, which are occasionally included in recordings of the symphonies, show already hints of Bruckner's emerging style.
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1404:. It shows the clear influence of Mozart's Requiem (also in D minor) and similar works of Michael Haydn. The seldom performed
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Largely self-taught as a composer, Bruckner only started composing seriously at age 37 in 1861. Bruckner studied further with
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character, and considerable length. Bruckner's compositions helped to define contemporary musical radicalism, owing to their
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is for mixed choir and a small group of wind instruments, and was written in an attempt to meet the Cecilians halfway. The
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devoted to Anton Bruckner, edited by Ken Ward, caters for lay enthusiasts, musicians and academics. Produced in the UK
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The first versions of Bruckner's symphonies often presented an instrumental, contrapuntal and rhythmic complexity (
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Gilliam, Bryan (1997). "The Annexation of Anton Bruckner: Nazi Revisionism and the Politics of Appropriation". In
2005:"The laconic idiom of restraint, the art of mere suggestion, involving economy of means and form, is not theirs."
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After completing the seminar with an excellent grade, Bruckner was sent as an assistant teacher to a school in
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In German "halb Genie, halb Trottel". This description is often, but mistakenly, attributed to Gustav Mahler.
151:; 4 September 1824 – 11 October 1896) was an Austrian composer and organist best known for his
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Bruckner, Anton. Symphony No. 8/2, C minor, 1890 version. Edited by Leopold Nowak. New York: Eulenburg, 1994.
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in F Major of 1879, contemporaneous with the Fifth and Sixth symphonies, has been frequently performed. The
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Hawkshaw, Paul (2007). "Anton Bruckner's Counterpoint Studies at the Monastery of Saint Florian, 1845â55".
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reprise, in Bruckner's early symphonies, ends with a short, powerful coda. The revised version of the
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His works, the symphonies in particular, had detractors, most notably the influential Austrian critic
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1888:, starring Peter Mackriel, also fictionalizes Bruckner's real-life stay at a sanatorium because of
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and Wagner, was unsurpassed, and he was almost the equal of Brahms in the art of melodic variation.
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3792:â Detailed listing recordings of Anton Bruckner's works. Also includes articles and free downloads
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in 1875, where he tried to make music theory a part of the curriculum. Overall, he was unhappy in
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Bruckner used a piano score without text â a sign of how unconcerned he was with opera as drama."
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was appointed to produce a whole new critical edition of Bruckner's works. He and others such as
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2739:"Torring, Ebbe: Essay & Appendix on Recapitulations in Bruckner Symphonies â Anton Bruckner"
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2328:. Stuttgart: J. B. Metzler'sche Verlagsbuchhandlung and Carl Ernst Poeschel Verlag. p. 31.
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686:, who was the chief editor of the first critical editions of Bruckner's works published by the
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series of twelve large, painted visualizations. The conference report was published in 1993.
767:
700:
621:
536:. Unlike his romantic symphonies, some of Bruckner's choral works are often conservative and
458:
In 1868, after Sechter had died, Bruckner hesitantly accepted Sechter's post as a teacher of
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242:
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271:
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3148:
8:
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1853:
ever ban Bruckner's music as they have Wagner's, even recording the Eighth Symphony with
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428:
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794:. The later symphonies increase this complement, but not by much. Notable is the use of
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was broadcast by German radio (Deutscher Reichsrundfunk) when it announced the news of
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for use in local churches and did not always set all the numbers of the ordinary. His
1325:
Bruckner was a devoutly religious man, and composed numerous sacred works. He wrote a
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3416:
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2171:"Pange lingua C-Dur, WAB 31 (zwischen 1835â37) | Diskografie von Anton Bruckner"
2098:
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1973:
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1835:
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3321:. Jefferson, North Carolina: McFarland & Company, Inc., Publishers (2004): 49â50
2937:
382:
In 1855, Bruckner, aspiring to become a student of the famous Vienna music theorist
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1896:
1631:, also composed in 1862, were discovered decades after Bruckner's death. The later
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3657:(2004), "Bruckner editions: the revolution revisited", in Williamson, John (ed.),
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are in the process of reviewing and further correcting the work of Haas and Nowak.
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even consecrated a bust of Bruckner in a widely photographed ceremony in 1937 at
1677:
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1464:"Anton Bruckner arrives in Heaven". Bruckner is greeted by (from left to right):
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486:
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233:
213:
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168:
7756:
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1992:: "»Halb Genie, halb Trottel«. Hans von BĂŒlows Urteil ĂŒber Anton Bruckner". In:
595:, who called Bruckner his "forerunner", attended the conservatory at this time.
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is often fiery. The, sometimes very short, trio is more melodious and often in
995:
973:
in cantilena form. The adagio is put in third position in the first version of
951:
864:
847:
782:, two or three trumpets, three trombones, tuba (from the second version of the
552:
and at least one Mass demonstrate innovative and radical uses of chromaticism.
501:
467:
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194:
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7883:
6909:
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6684:
5234:
2369:: Volume 3. "Vienna: Triumph and Disillusion" (1904â1907), footnote 66, p. 486
474:, wrote a book about his impressions of Bruckner as a composer and a teacher.
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5149:
5144:
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3715:
3614:
3444:
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3384:
3272:
3012:"Anton Bruckner's Critical Complete Edition â Songs and secular choral works"
2010:
1758:
1649:
1460:
1273:
1029:
features a scherzo â the "Hunt scherzo" â in which the outer sections are in
706:
691:
592:
411:, who was nine years younger than him and who introduced him to the music of
383:
374:. During his stay in Sankt Florian, Bruckner continued to work with Zenetti.
363:
302:
217:
7501:
1794:
strongly approved of Bruckner's music because they saw it as expressing the
1750:(Bruckner's Critical Complete Edition) comprises three successive editions.
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5284:
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3984:
3705:
3589:
3472:
3366:
2567:
2563:"Sex, death and dissonance: the strange, obsessive world of Anton Bruckner"
2134:
2006:
1919:
takes "inspiration from Bruckner to achieve reverence in biblical scenes."
1901:
1842:
1826:
1819:
1497:
1269:
1219:
941:
835:
The structure of Bruckner's symphonies is in a way an extension of that of
678:
572:
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505:
497:
459:
408:
328:
295:
262:
7644:
5214:
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1639:, which was intended to replace its scherzo, is not frequently performed.
1222:, which brought the issue to the attention of English-speaking musicians.
762:
283:
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122:
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6267:
6140:
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5932:
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4511:
4446:
3639:. Cambridge, UK ; New York: Cambridge University Press. p. 19.
3476:
2558:
1881:
1854:
1573:
1465:
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889:
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436:
336:
171:
1314:
The second of Bruckner's three settings of "Ave Maria" performed by the
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6734:
6714:
6704:
6353:
6190:
5821:
5424:
3843:
3227:. Westport, Connecticut: Greenwood Publishing Group (2000): 51, note 14
1910:
1811:
1516:
As a young man Bruckner sang in men's choirs and wrote music for them.
1431:
1216:
1045:
1012:
820:
3709:
3392:
1591:(WAB 70), composed in 1863â1864, was Bruckner's first published work.
1184:
1016:
399:
8076:
7405:
7287:
6619:
6338:
5764:
5169:
5109:
3936:
1796:
1449:
1363:
905:
836:
775:
629:
584:
324:
250:
238:
198:
175:
78:
8558:
Academic staff of the University of Music and Performing Arts Vienna
3789:
1402:
the earliest work Bruckner himself considered worthy of preservation
774:
Bruckner's symphonies are scored for a fairly standard orchestra of
661:
Sometimes Bruckner's works are referred to by WAB numbers, from the
8216:
5856:
1666:
of 1865 is an occasional work as a gesture of appreciation for the
892:
with three thematic groups. The first group is mostly displayed in
815:
608:
2499:, Bruckner Society of America, Inc., January 1940 â (Vol. 2, No.1)
7888:
6639:
6230:
5831:
5018:
4057:
3795:
3510:"Anton Bruckner wird 200 Jahre: Was seine Musik besonders machte"
2966:
1532:
1197:
1021:
990:
937:
901:
787:
668:
320:
187:
167:. The symphonies are considered emblematic of the final stage of
39:
3607:
Bruckner's Symphonies: Analysis, Reception and Cultural Politics
3050:"Discography of Bruckner's secular choral music by Hans Roelofs"
6333:
3783:
2340:"Bruckner: Motets â CD â CDA66062 â Anton Bruckner (1824â1896)"
1807:
1608:
During his apprenticeship with Otto Kitzler, Bruckner composed
1418:, a large work, for SATB soloists, double choir and orchestra.
1230:
1103:, the first thematic group of all four movements are magnified.
970:
925:
921:
811:
665:, a catalogue of Bruckner's works edited by Renate Grasberger.
482:
97:
6021:
4127:
3790:
Bruckner Discography edited by John F. Berky and Hans Roelofs
3171:"Bruckner's organ works listed and commented by Hans Roelofs"
909:
637:
Anton Bruckner Private University for Music, Drama, and Dance
525:
2823:
2383:
Meine Lehrjahre bei Bruckner; Erinnerungen und Betrachtungen
839:'s symphonies. Bruckner's symphonies are in four movements.
6289:
5826:
4531:
2678:"Carragan, William: Timed Analysis Tables â Anton Bruckner"
1802:
1742:
Published by Musikwissenschaftlicher Verlag in Vienna, the
1596:
913:
803:
640:
307:
254:
1616:
as orchestration exercises. At that time he also wrote an
435:
in 1884). In 1861 he had already made the acquaintance of
3539:. Cambridge: Cambridge University Press. pp. 72â91.
1662:
of 1847 for three trombones are solemn, brief works. The
265:
in 1833, Bruckner's father sent him to another school in
3319:
The Great Composers Portrayed on Film: 1913 through 2002
2835:
2497:
Chord and Dischord: A Journal of Modern Musical Progress
2239:
1448:
tenor soloist in the way a priest would, with a line of
1268:
of Bruckner's works based on the original scores. After
560:
in 1881, the well-meaning Bruckner tipped the conductor
306:
Bruckner's mother sent her son to a teaching seminar in
290:, where Bruckner lived on many occasions during his life
241:, Austria, where Anton Bruckner was born. It is now the
3205:
3145:"Discography of Bruckner's piano works by Hans Roelofs"
1392:), composed between 1842 and 1844, were short Austrian
806:, and percussion besides timpani in all versions. (The
3238:"Anton Bruckner (1824â1896) â Kritische Gesamtausgabe"
2484:
Chords and Discords: Purely Personal Opinions on Music
2251:
8459:
3111:
Symphonisches PrĂ€ludium â Composed by Anton Bruckner?
3073:
3071:
2871:"In a Show of Accessibility, Schumann Joins Bruckner"
3347:. Cambridge: Cambridge University Press. p. 39.
3324:
2847:
2632:
2527:
1880:, which focuses on his recovery in an Austrian spa.
1443:
wanted to rid church music of instruments entirely.
738:
Bruckner composed eleven symphonies, the first, the
2652:"Anton Bruckner â An Introduction by John F. Berky"
2495:Engel, G. (1940), "The Life of Anton Bruckner", in
2227:
2034:
Handbuch der klassischen und romantischen Symphonie
1845:in Linz, which opened in 1974, is named after him.
928:, is sometimes a variant of the first group, as in
3438:
3400:
3079:"Startseite | Musikwissenschaftlichen Verlag"
3068:
2613:
2090:
1757:In the second edition (1951â1989, Editorial Head:
1260:Looking for authentic versions of the symphonies,
174:because of their rich harmonic language, strongly
2992:
1818:. Bruckner's music was among the most popular in
936:is followed by a modified and somewhat shortened
620:In July 1886, the Emperor decorated him with the
8519:
3665:, Cambridge University Press, pp. 121â137,
3225:The Wind and Wind-chorus Music of Anton Bruckner
2207:. New York: Schuster & Macmillan. p. 3.
2025:
2023:
1781:
3450:The New Grove Dictionary of Music and Musicians
3412:The New Grove Dictionary of Music and Musicians
2607:
2605:
2157:Classical Music (Visual Reference Guide Series)
1113:The New Grove Dictionary of Music and Musicians
904:of the string instruments and is, after a long
19:"Bruckner" redirects here. For other uses, see
4962:Versions and editions of Bruckner's symphonies
2119:
1211:Versions and editions of Bruckner's symphonies
516:In addition to his symphonies, Bruckner wrote
485:, which was musically dominated by the critic
6037:
5034:
3811:
3684:"Problems and Detours on Bruckner's Timeline"
2890:Bonds, Mark Evan (2001). "II. 19th century".
2020:
1892:(or 'numeromania' as it was then described).
568:, and wore it on his watch-chain ever after.
3724:(11th ed.). Cambridge University Press.
2602:
2097:. New York: Grossman Publishers. p. 8.
2056:
2054:
2052:
2050:
1744:
1558:
394:Die GrundsÀtze der musikalischen Komposition
348:
3574:(in German). Salzburg Wien: Residenz-Verl.
3369:(1969), "The Bruckner Problem Simplified",
6044:
6030:
5041:
5027:
3818:
3804:
2545:
2459:
2407:
2395:
2320:
2245:
2085:
2036:. Breitkopf & HĂ€rtel, Wiesbaden 1964.
912:. The second group, melodious and in ABA'
38:
8628:People with obsessiveâcompulsive disorder
3773:International Music Score Library Project
3609:. Cambridge: Cambridge University Press.
3433:
2841:
2829:
2047:
1729:
1429:are for solo singers, mixed choir, organ
1410:, composed in 1854 for Friedrich Mayer's
677:of Bruckner's personality," musicologist
3570:Harten, Uwe; Grasberger, Renate (1996).
3147:. Brucknerdiskografie.nl. Archived from
2592:
2590:
2269:
1886:The Strange Affliction of Anton Bruckner
1701:Bruckner was a renowned organist at the
1683:Bruckner also wrote a Lancer-Quadrille (
1459:
1183:
761:
731:Symphony No. 3, third movement (excerpt)
723:
667:
639:, an institution of higher education in
597:
398:
352:
282:
253:(then a village, now almost a suburb of
232:
44:Anton Bruckner wearing the badge of the
8633:Recipients of the Order of Franz Joseph
3592:(18 October 1896). "Anton Bruckner â ".
3557:(25 October 1896). "Anton Bruckner â ".
2910:10.1093/gmo/9781561592630.article.27254
2865:
2611:
2557:
2222:Anton Bruckner â apogĂ©e de la symphonie
1970:Anton Bruckner â apogĂ©e de la symphonie
1550:was able to acquire a facsimile of the
1204:
798:in his last three symphonies. Only the
8520:
3487:(2), Bruckner Society of America: 2â12
3471:
3293:"Bruckner in the Movies, TV and Radio"
3211:
3195:
3125:from the original on 27 September 2013
3036:
2638:
2533:
2444:
2199:
2065:. Hamburg: Rowohlt Taschenbuchverlag.
2014:
1872:The life of Bruckner was portrayed in
1455:
1290:
810:, in some versions, features a single
657:List of compositions by Anton Bruckner
278:
193:Unlike other musical radicals such as
8391:Romanticism and the French Revolution
6025:
5022:
3799:
3398:
3365:
3342:
3330:
3299:from the original on 5 September 2024
3177:from the original on 15 February 2020
3056:from the original on 5 September 2024
3018:from the original on 22 February 2014
2998:
2889:
2853:
2811:from the original on 5 September 2024
2749:from the original on 22 December 2017
2658:from the original on 5 September 2024
2596:
2587:
2575:from the original on 5 September 2024
2465:
2432:
2380:
2346:from the original on 22 February 2014
2257:
2233:
2181:from the original on 5 September 2024
2060:
1913:for the restoration of the 1925 film
1867:
1571:, as well as two patriotic cantatas,
1531:(1878) for men's choir, man soloist,
1135:Bruckner is the first composer since
1121:roots in older styles. Bruckner took
357:The "Bruckner Organ" in Sankt Florian
138:
4192:Dir, Herr, dir will ich mich ergeben
2971:Anton Bruckner Institute Linz (1993)
2948:from the original on 31 January 2018
2798:
2767:
2706:
2612:Johnson, Stephen (10 January 1996).
1905:(1954), its plot concerned with the
720:List of symphonies by Anton Bruckner
453:
8593:Classical composers of church music
5900:Tchaikovsky and the Belyayev circle
4563:Wie bist du, FrĂŒhling, gut und treu
3659:The Cambridge Companion to Bruckner
3508:Felber, Gerald (4 September 2024).
1899:used the music of Bruckner for his
13:
5048:
4987:Anton-Bruckner-Gymnasium Straubing
3825:
3500:
3453:. Vol. 18. pp. 461â462.
2688:from the original on 26 April 2016
1264:produced during the 1930s a first
1177:In the 2001 second edition of the
746:in 1887â96. With the exception of
742:in 1863, the last, the unfinished
223:
14:
8644:
8568:Austrian male classical composers
4972:Anton Bruckner Private University
3752:
3415:. Vol. 3. pp. 352â371.
2780:from the original on 18 July 2017
2770:"Part 2: The Five-Part Song Form"
2615:"Bruckner: guilty or not guilty?"
2302:from the original on 3 March 2016
2009:observed, comparing Bruckner and
672:Portrait of Anton Bruckner (1889)
155:and sacred music, which includes
8543:19th-century classical composers
8505:
8493:
8481:
8469:
8444:
8443:
6005:
5996:
5995:
5004:
5003:
4692:Des Dankes Wort sei mir vergönnt
4628:Das Lied vom deutschen Vaterland
3244:from the original on 18 May 2014
3089:from the original on 1 July 2023
2719:from the original on 3 July 2024
2628:from the original on 7 May 2022.
1972:, l'Age d'Homme, Lausanne, 1977
1746:Bruckner Kritische Gesamtausgabe
1713:, are probably not by Bruckner.
1668:MilitÀr-Kapelle der JÀger-Truppe
1304:
500:, and famous conductors such as
477:He later accepted a post at the
121:
6051:
4486:Heil Vater! Dir zum hohen Feste
3779:The Bruckner Society of America
3336:
3311:
3285:
3256:
3230:
3217:
3189:
3163:
3137:
3101:
3042:
3030:
3004:
2976:
2960:
2930:
2883:
2859:
2792:
2761:
2731:
2700:
2670:
2644:
2551:
2539:
2502:
2489:
2476:
2450:
2438:
2413:
2401:
2389:
2374:
2358:
2332:
2314:
2284:
2263:
2211:
2193:
1907:war Italy waged against Austria
1518:Bruckner's secular choral music
1156:Deryck Cooke adds, also in the
650:
377:
8623:People from Linz-Land District
4947:International Bruckner Society
3736:(in Dutch). Uitgeverij Thoth.
3515:Frankfurter Allgemeine Zeitung
2987:The Symphonies of Joseph Haydn
2163:
2149:
2079:
1999:
1982:
1956:
1934:International Bruckner Society
1825:Near the end of World War II,
1627:in C minor and the additional
1603:
1349:(among them eight settings of
688:International Bruckner Society
663:Werkverzeichnis Anton Bruckner
1:
8588:Catholic liturgical composers
8414:Wanderer above the Sea of Fog
4684:LaĂt Jubeltöne laut erklingen
3769:Free scores by Anton Bruckner
3759:Free scores by Anton Bruckner
3663:Cambridge Companions to Music
2510:"Bruckner, Anton (1824â1896)"
1944:
1890:obsessive-compulsive disorder
1862:Vienna Philharmonic Orchestra
1851:Israel Philharmonic Orchestra
1790:Decades after his death, the
1782:Reception in the 20th century
1684:
1610:three short orchestral pieces
1355:, and three settings of both
1287:) carried on with this work.
1196:In 1990, the American artist
713:
647:was also named in his honor.
605:
228:
16:Austrian composer (1824â1896)
8563:Austrian classical organists
4016:Messe fĂŒr den GrĂŒndonnerstag
3763:Choral Public Domain Library
2469:Anton Bruckner Rustic Genius
1567:Bruckner composed also five
1389:Messe fĂŒr den GrĂŒndonnerstag
830:
368:Johann Georg Albrechtsberger
7:
8583:Austrian Romantic composers
8548:19th-century male musicians
5943:Gothic Revival architecture
4233:In jener letzten der NĂ€chte
1922:
1832:Bruckner's Seventh Symphony
579:in London and five more at
249:Anton Bruckner was born in
10:
8649:
8553:19th-century musicologists
8331:Coleridge's theory of life
5884:Neue Zeitschrift fĂŒr Musik
5059:List of Romantic composers
4587:Mein Herz und deine Stimme
3402:"Bruckner, (Joseph) Anton"
3355:
3173:. Brucknerdiskografie.nl.
3052:. Brucknerdiskografie.nl.
2801:"Bruckner's Golden Arches"
2371:; Retrieved 28 August 2013
2365:Henry-Louis de La Grange,
1939:List of Austrians in music
1735:
1542:Bruckner also composed 20
1227:Brucknerian rhythm "2 + 3"
1208:
920:. The third group, mostly
717:
654:
18:
8423:
8386:Romanticism and economics
8323:
8215:
7962:
7784:
7729:
7698:
7622:
7571:
7520:
7479:
7388:
7332:
7296:
7250:
7241:
7086:
7030:
6979:
6938:
6897:
6851:
6793:
6663:
6542:
6464:
6401:Manuel AntĂŽnio de Almeida
6383:
6374:
6260:
6128:
6059:
5975:
5920:
5865:
5799:
5778:
5065:
5056:
5000:
4939:
4882:
4605:
4530:
4454:
4442:
4412:
4126:
4056:
3983:
3974:
3934:
3842:
3833:
3734:Anton Bruckner, 1824â1896
3535:; Hawkshaw, Paul (eds.).
2381:Klose, Friedrich (1927).
1548:Austrian National Library
1508:. (Silhouette drawing by
1148:, learnt from Beethoven,
744:Symphony No. 9 in D minor
740:Study Symphony in F minor
614:Oberammergau Passion Play
511:Austrian National Library
349:Organist in Sankt Florian
120:
115:
105:
86:
64:
37:
30:
21:Bruckner (disambiguation)
8613:Male classical organists
8578:Austrian Roman Catholics
8573:Austrian music theorists
6166:German historical school
5905:Tchaikovsky and The Five
3615:10.1017/cbo9780511481925
3594:Neue musikalische Presse
3559:Neue musikalische Presse
3198:, p. 19: "Studying
3109:"Benjamin-Gunnar Cohrs:
2486:, Crown Publishers, p.40
2322:Hinrichsen, Hans-Joachim
2127:"Bruckner in a nutshell"
1949:
1374:The three early Masses (
1318:'s Sea Chanters ensemble
1146:transformation of themes
757:
607:Bruckner was a lifelong
386:, showed the master his
212:and other supporters of
140:[ËantoËnËbÊÊknÉ]
6813:JĂłzef Ignacy Kraszewski
4977:Bruckner Orchestra Linz
4362:Salvum fac populum tuum
3964:Symphonisches PrÀludium
3721:EncyclopĂŠdia Britannica
3711:"Bruckner, Anton"
3605:Horton, Julian (2004).
3440:"Bruckner and his time"
3399:Cooke, Derryck (1980).
3345:A History of Film Music
2925:(subscription required)
2902:Oxford University Press
2421:Bluff Your Way in Music
2385:. Regensburg, G. Bosse.
2087:Schönzeler, Hans-Hubert
1990:Hans-Joachim Hinrichsen
1929:Bruckner Orchestra Linz
1645:Symphonisches PrÀludium
1316:United States Navy Band
645:Bruckner Orchestra Linz
540:in style; however, the
421:three orchestral pieces
8608:Concert band composers
8396:Romanticism in science
8351:Middle Ages in history
8346:List of Romantic poets
7058:Josiah Gilbert Holland
5928:Common practice period
4952:Bruckner Gesamtausgabe
4772:VaterlÀndisch Weinlied
4716:Du bist wie eine Blume
3945:Four Orchestral Pieces
3894:; 1874/1878â1880/1888)
3655:Korstvedt, Benjamin M.
3633:Korstvedt, Benjamin M.
3343:Cooke, Mervyn (2008).
3268:The Third Reich at War
3223:Keith William Kinder,
2942:intermediaprojects.org
2927:Print: vol. 24, p. 839
2472:, E.P. Dutton & Co
2466:Wolff, Werner (1942),
1909:in 1866. The score by
1745:
1738:Bruckner Gesamtausgabe
1731:Bruckner Gesamtausgabe
1680:for violin and piano.
1660:Bruckner's Two Aequali
1559:
1513:
1367:), and at least seven
1193:
1167:
1154:
1132:
932:. The often extensive
918:contrapuntal structure
771:
732:
673:
603:
404:
358:
291:
246:
8603:Composers from Vienna
8366:Romantic epistemology
8356:Opium and Romanticism
6925:StojadinoviÄ-Srpkinja
6151:Counter-Enlightenment
4992:Anton Bruckner Museum
4930:Intermezzo in D minor
4370:Veni Creator Spiritus
4306:Iam lucis orto sidere
4200:O Du liebes Jesu-Kind
4047:Mass No. 3 in F minor
4041:Mass No. 2 in E minor
4035:Mass No. 1 in D minor
3957:March in E-flat major
3706:Tovey, Donald Francis
3477:"Bruckner and Mahler"
3317:Charles P. Mitchell,
2273:The Musical Quarterly
2218:Paul-Gilbert Langevin
1996:55 (2000), pp. 21â24.
1966:Paul-Gilbert Langevin
1768:Benjamin-Gunnar Cohrs
1692:small works for piano
1654:Benjamin-Gunnar Cohrs
1637:Intermezzo in D minor
1463:
1435:and orchestra, while
1282:Benjamin-Gunnar Cohrs
1209:Further information:
1187:
1169:In a concert review,
1162:
1133:
1118:
1116:(1980) that Bruckner
768:Order of Franz Joseph
765:
730:
718:Further information:
671:
622:Order of Franz Joseph
601:
402:
356:
286:
243:Anton Bruckner Museum
236:
132:Joseph Anton Bruckner
46:Order of Franz Joseph
8430:Age of Enlightenment
6072:England (literature)
5965:Romantic nationalism
5911:War of the Romantics
4812:Zur VermÀhlungsfeier
4695:(at the latest 1855)
4378:Ecce sacerdos magnus
3836:List of compositions
3784:The Bruckner Journal
2983:H. C. Robbins Landon
2709:"Bruckner's Library"
2342:. Hyperion Records.
2296:www.antonbruckner.at
2061:Grebe, Karl (1972).
1994:IBG-Mitteilungsblatt
1205:The Bruckner Problem
566:Maria Theresa thaler
110:List of compositions
8598:Composers from Linz
8381:Romantic psychology
6176:Hudson River School
6120:Sweden (literature)
6105:Russia (literature)
5960:Musical nationalism
5878:Musical nationalism
4860:Der deutsche Gesang
4613:Weltliche Chorwerke
4394:Ave Regina caelorum
4354:Christus factus est
4322:Christus factus est
3951:Overture in G minor
3870:Symphony in D minor
3858:Symphony in F minor
3680:Oestreich, James R.
3533:Jackson, Timothy L.
3435:Temperley, Nicholas
3151:on 10 December 2014
2869:(25 January 2008).
2832:, pp. 461â462.
2799:Carragan, William.
2768:Carragan, William.
2707:Carragan, William.
2482:Wilson. C. (1966),
2292:"Bruckner Gemeinde"
1878:Bruckner's Decision
1703:St Florian's Priory
1696:Kitzler-Studienbuch
1676:of 1866 is a short
1618:Overture in G minor
1553:Kitzler-Studienbuch
1456:Secular vocal works
1358:Christus factus est
1291:Sacred choral works
948:The second movement
916:form, is mostly of
464:Vienna Conservatory
429:Overture in G minor
417:Symphony in F minor
396:(Leipzig 1853/54).
372:Franz Joseph Aumann
333:Leopold von Zenetti
288:St Florian's Priory
279:Teacher's education
6366:White Mountain art
6307:Historical fiction
6115:Spain (literature)
5873:Indianist movement
5791:Romantic orchestra
4957:Kitzler Study Book
4852:TrÀumen und Wachen
4023:Requiem in D minor
3730:Zwol, Cornelis van
3689:The New York Times
3637:Bruckner: Symphony
3481:Chord and Dischord
2897:Grove Music Online
2876:The New York Times
1868:In popular culture
1690:) and a few other
1585:August Silberstein
1514:
1398:Requiem in D minor
1194:
1108:Nicholas Temperley
844:The first movement
814:crash alongside a
772:
766:Bruckner with the
733:
696:Benjamin Korstvedt
674:
604:
581:the Crystal Palace
405:
359:
292:
247:
8618:Organ improvisers
8457:
8456:
8371:Romantic medicine
8341:List of romantics
7780:
7779:
7431:Felix Mendelssohn
7426:Fanny Mendelssohn
7237:
7236:
6951:RosalĂa de Castro
6889:Soares dos Passos
6237:Transcendentalism
6201:Nazarene movement
6161:DĂŒsseldorf School
6019:
6018:
5890:New German School
5485:Felix Mendelssohn
5480:Fanny Mendelssohn
5016:
5015:
4878:
4877:
4504:Sankt Jodok sproĂ
4438:
4437:
4098:Preiset den Herrn
4096:Festive Cantata:
4008:Kronstorfer Messe
3927:
3898:No. 5 in Bâ major
3888:No. 4 in Eâ major
3743:978-90-6868-590-9
3672:978-0-521-00878-5
3646:978-0-521-63226-3
3635:(30 March 2000).
3624:978-0-511-48192-5
3581:978-3-7017-1030-0
3555:Göllerich, August
3546:978-0-521-57014-5
3475:(November 1940),
3460:978-0-333-23111-1
3422:978-0-333-23111-1
3372:The Musical Times
3295:. Abruckner.com.
3281:978-0-14-311671-4
3263:Evans, Richard J.
3214:, pp. 45â46.
2919:978-1-56159-263-0
2743:www.abruckner.com
2682:www.abruckner.com
2654:. Abruckner.com.
2326:Bruckner Handbuch
2260:, pp. 27â34.
2104:978-0-7145-0144-4
2072:978-3-499-50190-6
2042:978-3-7651-0017-8
1978:978-2-8251-0880-2
1874:Jan Schmidt-Garre
1569:name-day cantatas
1383:Kronstorfer Messe
1337:in the 1890s), a
1309:
728:
602:Bruckner, c. 1892
577:Royal Albert Hall
528:works, and a few
524:and other sacred
479:Vienna University
454:The Vienna period
403:Bruckner, c. 1860
129:
128:
8640:
8510:
8509:
8508:
8498:
8497:
8496:
8486:
8485:
8484:
8474:
8473:
8472:
8465:
8447:
8446:
8406:Evolution theory
7248:
7247:
6381:
6380:
6242:Ukrainian school
6046:
6039:
6032:
6023:
6022:
6009:
5999:
5998:
5895:Post-romanticism
5760:Vaughan Williams
5043:
5036:
5029:
5020:
5019:
5007:
5006:
4940:Related articles
4910:Rondo in C minor
4676:Vor Arneths Grab
4484:Arneth Cantata:
4452:
4451:
4049:(1868/1883/1893)
4000:Windhaager Messe
3981:
3980:
3925:
3922:No. 9 in D minor
3916:No. 8 in C minor
3910:No. 7 in E major
3904:No. 6 in A major
3884:(1873/1877/1889)
3882:No. 3 in D minor
3876:No. 2 in C minor
3864:No. 1 in C minor
3820:
3813:
3806:
3797:
3796:
3747:
3725:
3713:
3701:
3699:
3697:
3682:(10 July 2005).
3675:
3650:
3628:
3601:
3585:
3566:
3550:
3537:Bruckner Studies
3527:
3525:
3523:
3495:
3494:
3492:
3468:
3465:Internet Archive
3442:
3430:
3427:Internet Archive
3404:
3395:
3349:
3348:
3340:
3334:
3328:
3322:
3315:
3309:
3308:
3306:
3304:
3289:
3283:
3260:
3254:
3253:
3251:
3249:
3234:
3228:
3221:
3215:
3209:
3203:
3193:
3187:
3186:
3184:
3182:
3167:
3161:
3160:
3158:
3156:
3141:
3135:
3134:
3132:
3130:
3124:
3117:
3113:, 2006/rev.2010"
3105:
3099:
3098:
3096:
3094:
3075:
3066:
3065:
3063:
3061:
3046:
3040:
3034:
3028:
3027:
3025:
3023:
3008:
3002:
2996:
2990:
2980:
2974:
2964:
2958:
2957:
2955:
2953:
2934:
2928:
2926:
2923:
2900:(8th ed.).
2887:
2881:
2880:
2867:Holland, Bernard
2863:
2857:
2851:
2845:
2839:
2833:
2827:
2821:
2820:
2818:
2816:
2796:
2790:
2789:
2787:
2785:
2765:
2759:
2758:
2756:
2754:
2735:
2729:
2728:
2726:
2724:
2704:
2698:
2697:
2695:
2693:
2674:
2668:
2667:
2665:
2663:
2648:
2642:
2636:
2630:
2629:
2617:
2609:
2600:
2594:
2585:
2584:
2582:
2580:
2561:(1 April 2014).
2555:
2549:
2543:
2537:
2531:
2525:
2524:
2522:
2520:
2506:
2500:
2493:
2487:
2480:
2474:
2473:
2463:
2457:
2454:
2448:
2442:
2436:
2430:
2424:
2417:
2411:
2405:
2399:
2393:
2387:
2386:
2378:
2372:
2362:
2356:
2355:
2353:
2351:
2336:
2330:
2329:
2318:
2312:
2311:
2309:
2307:
2288:
2282:
2281:
2267:
2261:
2255:
2249:
2243:
2237:
2231:
2225:
2215:
2209:
2208:
2197:
2191:
2190:
2188:
2186:
2167:
2161:
2160:
2153:
2147:
2146:
2144:
2142:
2133:. Archived from
2123:
2117:
2116:
2109:Internet Archive
2096:
2083:
2077:
2076:
2058:
2045:
2027:
2018:
2003:
1997:
1986:
1980:
1964:
1960:
1748:
1689:
1686:
1629:Rondo in C minor
1614:March in D minor
1562:
1437:No. 2 in E minor
1403:
1377:Windhaager Messe
1311:
1310:
1278:William Carragan
1272:other scholars (
1266:critical edition
1086:
1085:
1084:
1083:
1071:
1070:
1069:
1068:
1043:
1042:
1041:
1040:
1009:
1008:
1007:
1006:
968:
967:
966:
965:
878:
877:
876:
875:
861:
860:
859:
858:
819:instrument, the
729:
704:
495:
491:Deutsche Zeitung
433:Seventh Symphony
425:March in D minor
150:
149:
148:
142:
137:
125:
93:
75:4 September 1824
74:
72:
58:
42:
28:
27:
8648:
8647:
8643:
8642:
8641:
8639:
8638:
8637:
8518:
8517:
8516:
8506:
8504:
8494:
8492:
8482:
8480:
8476:Classical music
8470:
8468:
8460:
8458:
8453:
8452:
8441:
8433:
8419:
8376:Romantic poetry
8361:Romantic ballet
8336:German idealism
8319:
8285:Lacoue-Labarthe
8211:
7958:
7776:
7725:
7694:
7675:Rimsky-Korsakov
7618:
7567:
7516:
7475:
7384:
7328:
7292:
7233:
7082:
7026:
6975:
6934:
6893:
6847:
6789:
6730:Maria Edgeworth
6666:
6659:
6538:
6460:
6370:
6349:Romantic genius
6279:Gesamtkunstwerk
6256:
6217:Sturm und Drang
6124:
6055:
6050:
6020:
6015:
5992:
5988:Modernist music
5984:
5981:Classical music
5971:
5916:
5861:
5842:Romantic ballet
5837:Orchestral song
5817:Chorale prelude
5812:Character piece
5795:
5786:Romantic guitar
5779:Instrumentation
5774:
5610:Rimsky-Korsakov
5230:Ferdinand David
5067:
5061:
5052:
5047:
5017:
5012:
4996:
4967:Bruckner rhythm
4935:
4874:
4836:Trösterin Musik
4756:Der Abendhimmel
4724:Der Abendhimmel
4644:Der Lehrerstand
4601:
4526:
4495:Auf BrĂŒder! auf
4493:Mayer Cantata:
4469:VergiĂmeinnicht
4434:
4408:
4330:Tota pulchra es
4282:Afferentur regi
4122:
4052:
3970:
3930:
3838:
3829:
3824:
3755:
3750:
3744:
3728:
3704:
3695:
3693:
3692:. sec. 2, p. 23
3678:
3673:
3653:
3647:
3631:
3625:
3604:
3588:
3582:
3569:
3553:
3547:
3530:
3521:
3519:
3507:
3503:
3501:Further reading
3498:
3490:
3488:
3461:
3423:
3379:(1511): 59â62,
3358:
3353:
3352:
3341:
3337:
3329:
3325:
3316:
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2645:
2637:
2633:
2621:The Independent
2610:
2603:
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2588:
2578:
2576:
2556:
2552:
2546:Schönzeler 1970
2544:
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2518:
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2494:
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2481:
2477:
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2443:
2439:
2431:
2427:
2419:Peter Gammond,
2418:
2414:
2408:Schönzeler 1970
2406:
2402:
2396:Schönzeler 1970
2394:
2390:
2379:
2375:
2363:
2359:
2349:
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2338:
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2319:
2315:
2305:
2303:
2290:
2289:
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2256:
2252:
2246:Hinrichsen 2010
2244:
2240:
2232:
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2216:
2212:
2198:
2194:
2184:
2182:
2169:
2168:
2164:
2155:
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2150:
2140:
2138:
2137:on 27 July 2018
2131:52composers.com
2125:
2124:
2120:
2105:
2084:
2080:
2073:
2059:
2048:
2028:
2021:
2004:
2000:
1987:
1983:
1962:
1961:
1957:
1952:
1947:
1925:
1870:
1838:on 1 May 1945.
1816:Walhalla temple
1784:
1740:
1734:
1723:GötterdÀmmerung
1707:works for organ
1687:
1678:character piece
1606:
1458:
1401:
1339:Festive cantata
1323:
1322:
1321:
1320:
1319:
1312:
1305:
1302:
1293:
1213:
1207:
1171:Bernard Holland
1082:
1077:
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1073:
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1005:
1000:
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998:
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996:
964:
959:
958:
957:
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940:and a powerful
874:
869:
868:
867:
866:
865:
857:
852:
851:
850:
849:
848:
833:
778:in pairs, four
760:
724:
722:
716:
698:
659:
653:
632:of his corpse.
618:
558:Fourth Symphony
493:
487:Eduard Hanslick
472:Friedrich Klose
470:. His student,
456:
448:Mass in D Minor
380:
351:
281:
231:
226:
224:Life and career
214:Johannes Brahms
210:Eduard Hanslick
144:
143:
135:
101:
95:
91:
90:11 October 1896
82:
76:
70:
68:
60:
52:
33:
24:
17:
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11:
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8560:
8555:
8550:
8545:
8540:
8535:
8530:
8528:Anton Bruckner
8515:
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8325:
8324:Related topics
8321:
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8054:
8052:Gallen-Kallela
8049:
8044:
8039:
8034:
8029:
8027:David d'Angers
8024:
8019:
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8009:
8004:
7999:
7994:
7989:
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7974:
7968:
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7964:Visual artists
7960:
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7189:OehlenschlÀger
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6859:Castelo Branco
6855:
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6585:Brothers Grimm
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6341:
6336:
6331:
6326:
6321:
6316:
6309:
6304:
6303:
6302:
6297:
6287:
6285:Gothic fiction
6282:
6275:
6273:British Marine
6270:
6264:
6262:
6258:
6257:
6255:
6254:
6249:
6244:
6239:
6234:
6227:
6222:
6221:
6220:
6208:
6203:
6198:
6193:
6188:
6183:
6178:
6173:
6171:Gothic revival
6168:
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6158:
6153:
6148:
6143:
6138:
6132:
6130:
6126:
6125:
6123:
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5907:
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5892:
5887:
5880:
5875:
5869:
5867:
5863:
5862:
5860:
5859:
5854:
5852:Symphonic poem
5849:
5847:Romantic opera
5844:
5839:
5834:
5829:
5824:
5819:
5814:
5809:
5803:
5801:
5797:
5796:
5794:
5793:
5788:
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5780:
5776:
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5527:
5522:
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5497:
5492:
5487:
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5472:
5467:
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5447:
5442:
5437:
5432:
5427:
5422:
5417:
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5407:
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5377:
5372:
5367:
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5297:
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5282:
5277:
5272:
5267:
5262:
5257:
5252:
5247:
5242:
5237:
5232:
5227:
5225:FĂ©licien David
5222:
5217:
5212:
5207:
5202:
5197:
5192:
5187:
5182:
5177:
5172:
5167:
5162:
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5137:
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5127:
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5112:
5107:
5102:
5097:
5092:
5087:
5082:
5077:
5071:
5069:
5063:
5062:
5057:
5054:
5053:
5050:Romantic music
5046:
5045:
5038:
5031:
5023:
5014:
5013:
5001:
4998:
4997:
4995:
4994:
4989:
4984:
4979:
4974:
4969:
4964:
4959:
4954:
4949:
4943:
4941:
4937:
4936:
4934:
4933:
4927:
4924:String Quintet
4921:
4913:
4907:
4904:String Quartet
4901:
4895:
4888:
4886:
4880:
4879:
4876:
4875:
4873:
4872:
4864:
4856:
4848:
4844:Um Mitternacht
4840:
4832:
4824:
4816:
4808:
4800:
4792:
4784:
4776:
4768:
4764:Vaterlandslied
4760:
4752:
4744:
4740:Um Mitternacht
4736:
4728:
4720:
4712:
4704:
4696:
4688:
4680:
4672:
4664:
4656:
4652:Sternschnuppen
4648:
4640:
4632:
4624:
4616:
4609:
4607:
4603:
4602:
4600:
4599:
4591:
4583:
4575:
4567:
4559:
4551:
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4528:
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4525:
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4516:
4508:
4499:
4490:
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4473:
4465:
4458:
4456:
4449:
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4435:
4433:
4432:
4423:
4416:
4414:
4410:
4409:
4407:
4406:
4398:
4390:
4382:
4374:
4366:
4358:
4350:
4342:
4334:
4326:
4318:
4310:
4302:
4294:
4286:
4278:
4270:
4262:
4254:
4246:
4237:
4229:
4221:
4212:
4208:Herz Jesu-Lied
4204:
4196:
4188:
4180:
4172:
4163:
4155:
4147:
4146:(c. 1835/1891)
4139:
4138:(c. 1835â1892)
4132:
4130:
4124:
4123:
4121:
4120:
4114:
4108:
4102:
4093:
4087:
4081:
4075:
4069:
4066:Psalm settings
4062:
4060:
4054:
4053:
4051:
4050:
4044:
4038:
4032:
4029:Missa solemnis
4026:
4020:
4012:
4004:
3996:
3989:
3987:
3978:
3972:
3971:
3969:
3968:
3960:
3954:
3948:
3941:
3939:
3932:
3931:
3929:
3928:
3919:
3913:
3907:
3901:
3895:
3885:
3879:
3873:
3867:
3861:
3855:
3848:
3846:
3840:
3839:
3834:
3831:
3830:
3827:Anton Bruckner
3823:
3822:
3815:
3808:
3800:
3794:
3793:
3787:
3781:
3776:
3766:
3754:
3753:External links
3751:
3749:
3748:
3742:
3726:
3716:Chisholm, Hugh
3702:
3676:
3671:
3651:
3645:
3629:
3623:
3602:
3586:
3580:
3572:Anton Bruckner
3567:
3551:
3545:
3528:
3504:
3502:
3499:
3497:
3496:
3469:
3459:
3431:
3421:
3396:
3363:
3359:
3357:
3354:
3351:
3350:
3335:
3333:, p. 437.
3323:
3310:
3284:
3255:
3229:
3216:
3204:
3188:
3162:
3136:
3100:
3067:
3041:
3029:
3003:
2991:
2975:
2959:
2929:
2918:
2882:
2858:
2856:, p. 365.
2846:
2844:, p. 462.
2842:Temperley 1980
2834:
2830:Temperley 1980
2822:
2791:
2760:
2730:
2699:
2669:
2643:
2631:
2601:
2586:
2550:
2538:
2526:
2501:
2488:
2475:
2458:
2449:
2437:
2425:
2412:
2400:
2388:
2373:
2357:
2331:
2324:, ed. (2010).
2313:
2283:
2262:
2250:
2238:
2226:
2210:
2192:
2162:
2148:
2118:
2103:
2078:
2071:
2063:Anton Bruckner
2046:
2030:Rudolf Kloiber
2019:
1998:
1981:
1954:
1953:
1951:
1948:
1946:
1943:
1942:
1941:
1936:
1931:
1924:
1921:
1869:
1866:
1836:Hitler's death
1800:of the German
1783:
1780:
1779:
1778:
1774:
1755:
1736:Main article:
1733:
1728:
1664:Military march
1633:String Quintet
1625:String Quartet
1605:
1602:
1595:(WAB 71), for
1583:, on texts by
1457:
1454:
1407:Missa solemnis
1345:, about forty
1331:psalm settings
1313:
1303:
1298:
1297:
1296:
1295:
1294:
1292:
1289:
1206:
1203:
1127:Ninth Symphony
1105:
1104:
1101:Symphony No. 8
1097:Symphony No. 7
1093:Symphony No. 2
1078:
1063:
1049:
1035:
1027:Symphony No. 4
1001:
986:
983:Symphony No. 9
979:Symphony No. 8
975:Symphony No. 2
960:
945:
930:Symphony No. 4
908:, repeated in
882:Symphony No. 2
870:
853:
832:
829:
759:
756:
748:Symphony No. 4
715:
712:
705:and conductor
652:
649:
534:string quintet
532:, including a
502:Arthur Nikisch
468:Richard Robert
455:
452:
413:Richard Wagner
389:Missa solemnis
379:
376:
350:
347:
280:
277:
230:
227:
225:
222:
203:Hans von BĂŒlow
195:Richard Wagner
127:
126:
118:
117:
113:
112:
107:
103:
102:
96:
94:(aged 72)
88:
84:
83:
77:
66:
62:
61:
43:
35:
34:
32:Anton Bruckner
31:
15:
9:
6:
4:
3:
2:
8645:
8634:
8631:
8629:
8626:
8624:
8621:
8619:
8616:
8614:
8611:
8609:
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8601:
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8477:
8467:
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8463:
8451:
8450:
8439:
8438:
8432:
8431:
8422:
8416:
8415:
8411:
8407:
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8402:
8399:
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8389:
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8379:
8377:
8374:
8372:
8369:
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8364:
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8332:
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8316:
8313:
8311:
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8301:
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8110:
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8018:
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8000:
7998:
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7990:
7988:
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7907:
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7880:
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7875:
7872:
7870:
7867:
7865:
7862:
7860:
7857:
7855:
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7850:
7847:
7845:
7842:
7840:
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7835:
7832:
7830:
7827:
7825:
7822:
7820:
7817:
7815:
7812:
7810:
7807:
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7800:
7797:
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7740:
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7709:
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7701:
7697:
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7668:
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7638:
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7633:
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7621:
7615:
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7607:
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7597:
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7570:
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7554:
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7513:
7510:
7508:
7505:
7503:
7500:
7498:
7495:
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7490:
7488:
7485:
7484:
7482:
7478:
7472:
7469:
7467:
7464:
7462:
7459:
7457:
7454:
7452:
7449:
7447:
7444:
7442:
7439:
7437:
7434:
7432:
7429:
7427:
7424:
7422:
7419:
7417:
7414:
7412:
7409:
7407:
7404:
7402:
7399:
7397:
7394:
7393:
7391:
7387:
7381:
7378:
7376:
7373:
7371:
7368:
7366:
7363:
7361:
7358:
7356:
7353:
7351:
7348:
7346:
7343:
7341:
7338:
7337:
7335:
7331:
7325:
7322:
7320:
7317:
7315:
7312:
7310:
7307:
7305:
7302:
7301:
7299:
7295:
7289:
7286:
7284:
7281:
7279:
7276:
7274:
7271:
7269:
7266:
7264:
7261:
7259:
7256:
7255:
7253:
7249:
7246:
7244:
7240:
7230:
7227:
7225:
7222:
7220:
7217:
7215:
7212:
7210:
7207:
7205:
7202:
7200:
7197:
7195:
7192:
7190:
7187:
7185:
7182:
7180:
7177:
7175:
7172:
7170:
7167:
7165:
7162:
7160:
7157:
7155:
7152:
7150:
7147:
7145:
7144:Nikolai Gogol
7142:
7140:
7137:
7135:
7132:
7130:
7127:
7125:
7122:
7120:
7117:
7115:
7112:
7110:
7107:
7105:
7102:
7100:
7097:
7095:
7092:
7091:
7089:
7085:
7079:
7076:
7074:
7071:
7069:
7066:
7064:
7061:
7059:
7056:
7054:
7051:
7049:
7046:
7044:
7041:
7039:
7036:
7035:
7033:
7029:
7023:
7020:
7018:
7015:
7013:
7010:
7008:
7005:
7003:
7000:
6998:
6995:
6993:
6990:
6988:
6985:
6984:
6982:
6978:
6972:
6969:
6967:
6964:
6962:
6959:
6957:
6954:
6952:
6949:
6947:
6944:
6943:
6941:
6937:
6931:
6928:
6926:
6923:
6921:
6918:
6916:
6913:
6911:
6908:
6906:
6903:
6902:
6900:
6896:
6890:
6887:
6885:
6882:
6880:
6877:
6875:
6872:
6870:
6867:
6865:
6862:
6860:
6857:
6856:
6854:
6850:
6844:
6841:
6839:
6836:
6834:
6831:
6829:
6826:
6824:
6821:
6819:
6816:
6814:
6811:
6809:
6806:
6804:
6801:
6800:
6798:
6796:
6792:
6786:
6783:
6781:
6778:
6776:
6775:P. B. Shelley
6773:
6771:
6768:
6766:
6763:
6761:
6758:
6756:
6755:Mary Robinson
6753:
6751:
6748:
6746:
6743:
6741:
6738:
6736:
6733:
6731:
6728:
6726:
6723:
6721:
6718:
6716:
6713:
6711:
6708:
6706:
6703:
6701:
6698:
6696:
6693:
6691:
6688:
6686:
6683:
6681:
6678:
6676:
6673:
6672:
6670:
6668:
6662:
6656:
6653:
6651:
6648:
6646:
6643:
6641:
6638:
6636:
6633:
6631:
6628:
6626:
6623:
6621:
6618:
6616:
6613:
6611:
6608:
6606:
6603:
6601:
6598:
6596:
6593:
6591:
6588:
6586:
6583:
6581:
6578:
6576:
6573:
6571:
6568:
6566:
6563:
6561:
6558:
6556:
6553:
6551:
6548:
6547:
6545:
6541:
6535:
6532:
6530:
6527:
6525:
6522:
6520:
6517:
6515:
6512:
6510:
6507:
6505:
6502:
6500:
6497:
6495:
6492:
6490:
6487:
6485:
6484:Chateaubriand
6482:
6480:
6477:
6475:
6472:
6471:
6469:
6467:
6463:
6457:
6454:
6452:
6449:
6447:
6444:
6442:
6439:
6437:
6434:
6432:
6429:
6427:
6424:
6422:
6419:
6417:
6414:
6412:
6409:
6407:
6404:
6402:
6399:
6397:
6394:
6392:
6389:
6388:
6386:
6382:
6379:
6377:
6373:
6367:
6364:
6362:
6361:
6357:
6355:
6352:
6350:
6347:
6345:
6342:
6340:
6337:
6335:
6332:
6330:
6327:
6325:
6322:
6320:
6317:
6315:
6314:
6313:Mal du siĂšcle
6310:
6308:
6305:
6301:
6298:
6296:
6293:
6292:
6291:
6288:
6286:
6283:
6281:
6280:
6276:
6274:
6271:
6269:
6266:
6265:
6263:
6259:
6253:
6250:
6248:
6245:
6243:
6240:
6238:
6235:
6233:
6232:
6228:
6226:
6223:
6219:
6218:
6214:
6213:
6212:
6209:
6207:
6204:
6202:
6199:
6197:
6194:
6192:
6189:
6187:
6184:
6182:
6179:
6177:
6174:
6172:
6169:
6167:
6164:
6162:
6159:
6157:
6154:
6152:
6149:
6147:
6144:
6142:
6139:
6137:
6134:
6133:
6131:
6127:
6121:
6118:
6116:
6113:
6111:
6108:
6106:
6103:
6101:
6098:
6096:
6093:
6091:
6088:
6086:
6083:
6081:
6078:
6075:
6073:
6070:
6068:
6065:
6064:
6062:
6058:
6054:
6047:
6042:
6040:
6035:
6033:
6028:
6027:
6024:
6012:
6008:
6004:
6002:
5994:
5993:
5990:
5989:
5983:
5982:
5974:
5966:
5963:
5962:
5961:
5958:
5954:
5951:
5949:
5946:
5944:
5941:
5939:
5936:
5935:
5934:
5931:
5929:
5926:
5925:
5923:
5919:
5912:
5908:
5906:
5903:
5901:
5898:
5896:
5893:
5891:
5888:
5886:
5885:
5881:
5879:
5876:
5874:
5871:
5870:
5868:
5864:
5858:
5855:
5853:
5850:
5848:
5845:
5843:
5840:
5838:
5835:
5833:
5830:
5828:
5825:
5823:
5820:
5818:
5815:
5813:
5810:
5808:
5805:
5804:
5802:
5798:
5792:
5789:
5787:
5784:
5783:
5781:
5777:
5771:
5768:
5766:
5763:
5761:
5758:
5756:
5753:
5751:
5748:
5746:
5743:
5741:
5738:
5736:
5733:
5731:
5728:
5726:
5723:
5721:
5718:
5716:
5713:
5711:
5708:
5706:
5703:
5701:
5698:
5696:
5695:J. Strauss II
5693:
5691:
5688:
5686:
5683:
5681:
5678:
5676:
5673:
5671:
5668:
5666:
5663:
5661:
5658:
5656:
5653:
5651:
5648:
5646:
5643:
5641:
5638:
5636:
5633:
5631:
5628:
5626:
5623:
5621:
5618:
5616:
5613:
5611:
5608:
5606:
5603:
5601:
5598:
5596:
5593:
5591:
5588:
5586:
5583:
5581:
5578:
5576:
5573:
5571:
5568:
5566:
5563:
5561:
5558:
5556:
5553:
5551:
5548:
5546:
5543:
5541:
5538:
5536:
5533:
5531:
5528:
5526:
5523:
5521:
5518:
5516:
5513:
5511:
5508:
5506:
5503:
5501:
5498:
5496:
5493:
5491:
5488:
5486:
5483:
5481:
5478:
5476:
5473:
5471:
5468:
5466:
5463:
5461:
5458:
5456:
5453:
5451:
5448:
5446:
5443:
5441:
5438:
5436:
5433:
5431:
5428:
5426:
5423:
5421:
5418:
5416:
5413:
5411:
5408:
5406:
5403:
5401:
5398:
5396:
5393:
5391:
5388:
5386:
5383:
5381:
5378:
5376:
5373:
5371:
5368:
5366:
5363:
5361:
5358:
5356:
5353:
5351:
5348:
5346:
5343:
5341:
5338:
5336:
5333:
5331:
5328:
5326:
5323:
5321:
5318:
5316:
5313:
5311:
5308:
5306:
5303:
5301:
5298:
5296:
5293:
5291:
5288:
5286:
5283:
5281:
5278:
5276:
5273:
5271:
5268:
5266:
5263:
5261:
5258:
5256:
5253:
5251:
5248:
5246:
5243:
5241:
5238:
5236:
5233:
5231:
5228:
5226:
5223:
5221:
5218:
5216:
5213:
5211:
5208:
5206:
5203:
5201:
5198:
5196:
5193:
5191:
5188:
5186:
5183:
5181:
5178:
5176:
5173:
5171:
5168:
5166:
5163:
5161:
5158:
5156:
5153:
5151:
5148:
5146:
5143:
5141:
5138:
5136:
5133:
5131:
5128:
5126:
5123:
5121:
5118:
5116:
5113:
5111:
5108:
5106:
5103:
5101:
5098:
5096:
5093:
5091:
5088:
5086:
5083:
5081:
5078:
5076:
5073:
5072:
5070:
5066:Composers and
5064:
5060:
5055:
5051:
5044:
5039:
5037:
5032:
5030:
5025:
5024:
5021:
5011:
5010:
4999:
4993:
4990:
4988:
4985:
4983:
4980:
4978:
4975:
4973:
4970:
4968:
4965:
4963:
4960:
4958:
4955:
4953:
4950:
4948:
4945:
4944:
4942:
4938:
4931:
4928:
4925:
4922:
4919:
4918:
4914:
4911:
4908:
4905:
4902:
4899:
4898:Chamber music
4896:
4893:
4890:
4889:
4887:
4885:
4881:
4870:
4869:
4865:
4862:
4861:
4857:
4854:
4853:
4849:
4846:
4845:
4841:
4838:
4837:
4833:
4830:
4829:
4825:
4822:
4821:
4817:
4814:
4813:
4809:
4806:
4805:
4801:
4798:
4797:
4796:Das hohe Lied
4793:
4790:
4789:
4785:
4782:
4781:
4777:
4774:
4773:
4769:
4766:
4765:
4761:
4758:
4757:
4753:
4750:
4749:
4745:
4742:
4741:
4737:
4734:
4733:
4729:
4726:
4725:
4721:
4718:
4717:
4713:
4710:
4709:
4705:
4702:
4701:
4700:Das edle Herz
4697:
4694:
4693:
4689:
4686:
4685:
4681:
4678:
4677:
4673:
4670:
4669:
4665:
4662:
4661:
4660:Das edle Herz
4657:
4654:
4653:
4649:
4646:
4645:
4641:
4638:
4637:
4633:
4630:
4629:
4625:
4622:
4621:
4617:
4614:
4611:
4610:
4608:
4604:
4597:
4596:
4592:
4589:
4588:
4584:
4581:
4580:
4576:
4573:
4572:
4568:
4565:
4564:
4560:
4557:
4556:
4555:FrĂŒhlingslied
4552:
4549:
4548:
4547:Der Mondabend
4544:
4541:
4538:
4537:
4535:
4533:
4529:
4522:
4521:
4517:
4514:
4513:
4509:
4506:
4505:
4500:
4497:
4496:
4491:
4488:
4487:
4482:
4479:
4478:
4474:
4471:
4470:
4466:
4463:
4460:
4459:
4457:
4453:
4450:
4448:
4445:
4441:
4430:
4429:
4424:
4421:
4418:
4417:
4415:
4411:
4404:
4403:
4402:Vexilla regis
4399:
4396:
4395:
4391:
4388:
4387:
4383:
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3626:
3620:
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3608:
3603:
3599:
3596:(in German).
3595:
3591:
3590:Helm, Theodor
3587:
3583:
3577:
3573:
3568:
3564:
3561:(in German).
3560:
3556:
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3542:
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3529:
3517:
3516:
3511:
3506:
3505:
3486:
3482:
3478:
3474:
3473:Walter, Bruno
3470:
3466:
3462:
3456:
3452:
3451:
3446:
3445:Stanley Sadie
3441:
3436:
3432:
3428:
3424:
3418:
3414:
3413:
3408:
3407:Stanley Sadie
3403:
3397:
3394:
3390:
3386:
3382:
3378:
3374:
3373:
3368:
3367:Cooke, Deryck
3364:
3361:
3360:
3346:
3339:
3332:
3327:
3320:
3314:
3298:
3294:
3288:
3282:
3278:
3274:
3273:Penguin Books
3270:
3269:
3264:
3259:
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3208:
3201:
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2718:
2714:
2710:
2703:
2687:
2683:
2679:
2673:
2657:
2653:
2647:
2641:, p. 46.
2640:
2635:
2627:
2623:
2622:
2616:
2608:
2606:
2599:, p. 360
2598:
2593:
2591:
2574:
2570:
2569:
2564:
2560:
2554:
2547:
2542:
2536:, p. 39.
2535:
2530:
2515:
2514:Violinman.com
2511:
2505:
2498:
2492:
2485:
2479:
2471:
2470:
2462:
2453:
2446:
2441:
2434:
2429:
2422:
2416:
2410:, p. 173
2409:
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2368:
2367:Gustav Mahler
2361:
2345:
2341:
2335:
2327:
2323:
2317:
2301:
2297:
2293:
2287:
2279:
2275:
2274:
2266:
2259:
2254:
2248:, p. 18.
2247:
2242:
2236:, p. 27.
2235:
2230:
2224:, pp. 17, 306
2223:
2219:
2214:
2206:
2202:
2201:Watson, Derek
2196:
2180:
2176:
2175:Abruckner.com
2172:
2166:
2158:
2152:
2136:
2132:
2128:
2122:
2115:
2110:
2106:
2100:
2095:
2094:
2088:
2082:
2074:
2068:
2064:
2057:
2055:
2053:
2051:
2044:. pp. 241â285
2043:
2039:
2035:
2031:
2026:
2024:
2016:
2012:
2011:Gustav Mahler
2008:
2002:
1995:
1991:
1985:
1979:
1975:
1971:
1967:
1959:
1955:
1940:
1937:
1935:
1932:
1930:
1927:
1926:
1920:
1918:
1917:
1912:
1908:
1904:
1903:
1898:
1895:In addition,
1893:
1891:
1887:
1883:
1879:
1876:'s 1995 film
1875:
1865:
1863:
1858:
1856:
1852:
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1805:
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1772:
1769:
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1760:
1759:Leopold Nowak
1756:
1753:
1752:
1751:
1749:
1747:
1739:
1732:
1727:
1725:
1724:
1719:
1714:
1712:
1711:PrÀludienbuch
1708:
1704:
1699:
1697:
1693:
1681:
1679:
1675:
1674:
1669:
1665:
1661:
1657:
1655:
1651:
1650:Gustav Mahler
1647:
1646:
1640:
1638:
1634:
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1626:
1621:
1619:
1615:
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1601:
1598:
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1565:
1563:
1561:
1560:Gesamtausgabe
1555:
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1328:
1317:
1301:
1288:
1286:
1283:
1279:
1275:
1274:Leopold Nowak
1271:
1267:
1263:
1258:
1256:
1252:
1248:
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1232:
1228:
1223:
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1202:
1199:
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1128:
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1102:
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1047:
1038:
1028:
1024:
1023:
1018:
1014:
1010:
1004:
993:
992:
987:
984:
980:
976:
972:
963:
953:
949:
946:
943:
939:
935:
931:
927:
924:and often in
923:
919:
915:
911:
907:
903:
899:
895:
891:
887:
883:
879:
873:
862:
856:
845:
842:
841:
840:
838:
828:
826:
822:
817:
813:
809:
805:
801:
797:
793:
789:
785:
781:
777:
769:
764:
755:
753:
749:
745:
741:
736:
721:
711:
708:
707:Leon Botstein
702:
697:
693:
692:Leopold Nowak
689:
685:
680:
670:
666:
664:
658:
648:
646:
642:
638:
633:
631:
625:
623:
617:
615:
610:
600:
596:
594:
593:Gustav Mahler
590:
589:Franz Schmidt
586:
582:
578:
574:
569:
567:
563:
559:
553:
551:
547:
543:
539:
535:
531:
530:chamber works
527:
523:
519:
514:
512:
507:
503:
499:
496:music critic
492:
488:
484:
480:
475:
473:
469:
465:
461:
451:
449:
445:
444:
438:
434:
430:
426:
422:
418:
414:
410:
401:
397:
395:
391:
390:
385:
384:Simon Sechter
375:
373:
369:
365:
364:Michael Haydn
355:
346:
344:
343:
338:
334:
330:
326:
322:
318:
316:
311:
309:
304:
303:Sankt Florian
300:
297:
289:
285:
276:
274:
273:
268:
264:
258:
256:
252:
244:
240:
237:The house in
235:
221:
219:
218:Gustav Mahler
215:
211:
206:
204:
200:
196:
191:
189:
186:, and roving
185:
182:, unprepared
181:
177:
173:
170:
169:Austro-German
166:
162:
158:
154:
147:
141:
133:
124:
119:
114:
111:
108:
104:
99:
89:
85:
80:
67:
63:
56:
51:
48:(portrait by
47:
41:
36:
29:
26:
22:
8442:
8435:
8428:
8412:
8132:Porto-Alegre
7786:Philosophers
7670:Rachmaninoff
7257:
7119:Chavchavadze
7109:Baratashvili
6869:JoĂŁo de Deus
6838:Wincenty Pol
6630:KĂŒchelbecker
6358:
6324:Noble savage
6311:
6277:
6252:Wallenrodism
6229:
6215:
6146:Coppet group
6080:(literature)
5986:
5979:
5882:
5866:Other topics
5690:J. Strauss I
5580:Rachmaninoff
5335:Gretchaninov
5174:
5002:
4982:Brucknerhaus
4916:
4867:
4859:
4851:
4843:
4835:
4827:
4819:
4811:
4803:
4795:
4787:
4779:
4771:
4763:
4755:
4748:Trauungschor
4747:
4739:
4731:
4723:
4715:
4707:
4699:
4691:
4682:
4675:
4667:
4659:
4651:
4643:
4635:
4627:
4620:An dem Feste
4619:
4606:Choral works
4594:
4586:
4578:
4571:Herbstkummer
4570:
4562:
4554:
4546:
4519:
4510:
4503:
4502:Festgesang:
4494:
4485:
4476:
4468:
4427:
4401:
4393:
4385:
4377:
4369:
4361:
4353:
4345:
4337:
4329:
4321:
4313:
4305:
4298:Inveni David
4297:
4290:Pange lingua
4289:
4280:
4273:
4265:
4257:
4249:
4241:
4231:
4224:
4216:
4206:
4198:
4190:
4183:
4175:
4167:
4158:
4150:
4143:Pange lingua
4142:
4097:
4014:
4006:
3998:
3976:Sacred works
3963:
3926:(unfinished)
3891:
3826:
3765:(ChoralWiki)
3733:
3719:
3694:. Retrieved
3687:
3658:
3636:
3606:
3597:
3593:
3571:
3562:
3558:
3536:
3520:. Retrieved
3513:
3489:, retrieved
3484:
3480:
3463:– via
3448:
3425:– via
3410:
3376:
3370:
3344:
3338:
3326:
3318:
3313:
3301:. Retrieved
3287:
3271:. New York:
3266:
3258:
3246:. Retrieved
3232:
3224:
3219:
3207:
3199:
3191:
3179:. Retrieved
3165:
3153:. Retrieved
3149:the original
3139:
3127:. Retrieved
3110:
3103:
3091:. Retrieved
3082:
3058:. Retrieved
3044:
3032:
3020:. Retrieved
3006:
2994:
2986:
2978:
2970:
2962:
2950:. Retrieved
2941:
2932:
2895:
2891:
2885:
2874:
2861:
2849:
2837:
2825:
2813:. Retrieved
2805:Carragan.com
2804:
2794:
2782:. Retrieved
2774:Carragan.com
2773:
2763:
2751:. Retrieved
2742:
2733:
2721:. Retrieved
2713:Carragan.com
2712:
2702:
2690:. Retrieved
2681:
2672:
2660:. Retrieved
2646:
2634:
2619:
2577:. Retrieved
2568:The Guardian
2566:
2559:Service, Tom
2553:
2541:
2529:
2517:. Retrieved
2513:
2504:
2496:
2491:
2483:
2478:
2468:
2461:
2456:Walter n.d.
2452:
2440:
2428:
2420:
2415:
2403:
2391:
2382:
2376:
2366:
2360:
2348:. Retrieved
2334:
2325:
2316:
2304:. Retrieved
2295:
2286:
2277:
2271:
2265:
2253:
2241:
2229:
2221:
2213:
2204:
2195:
2183:. Retrieved
2174:
2165:
2156:
2151:
2139:. Retrieved
2135:the original
2130:
2121:
2114:grandfather.
2112:
2107:– via
2092:
2081:
2062:
2033:
2007:Bruno Walter
2001:
1993:
1984:
1969:
1958:
1914:
1900:
1894:
1885:
1884:'s TV movie
1877:
1871:
1859:
1847:
1843:Brucknerhaus
1840:
1827:Adolf Hitler
1824:
1820:Nazi Germany
1801:
1795:
1789:
1785:
1777:publication.
1770:
1762:
1743:
1741:
1730:
1721:
1717:
1715:
1710:
1700:
1695:
1682:
1672:
1667:
1658:
1643:
1641:
1622:
1607:
1592:
1588:
1578:
1572:
1566:
1557:
1552:
1541:
1527:
1523:Derek Watson
1515:
1430:
1427:3 in F minor
1423:1 in D minor
1420:
1412:installation
1406:
1393:
1387:
1381:
1375:
1373:
1362:
1356:
1350:
1324:
1284:
1270:World War II
1259:
1224:
1220:Deryck Cooke
1217:musicologist
1214:
1195:
1188:Copy of the
1178:
1176:
1168:
1163:
1157:
1155:
1134:
1119:
1111:
1106:
1089:introduction
1079:
1064:
1051:
1036:
1020:
1002:
988:
961:
950:, mostly an
947:
888:in modified
871:
854:
843:
834:
824:
796:Wagner tubas
773:
751:
737:
734:
679:Deryck Cooke
675:
662:
660:
651:Compositions
634:
626:
619:
606:
573:Henry Willis
570:
562:Hans Richter
554:
538:contrapuntal
515:
506:Franz Schalk
498:Theodor Helm
490:
476:
460:music theory
457:
441:
409:Otto Kitzler
406:
393:
388:
381:
378:Study period
360:
341:
319:
312:
293:
272:Pange lingua
270:
263:confirmation
259:
248:
207:
192:
131:
130:
92:(1896-10-11)
25:
8538:1896 deaths
8533:1824 births
8122:MichaĆowski
7954:Wackenroder
7919:F. Schlegel
7914:A. Schlegel
7690:Tchaikovsky
7579:Bortkiewicz
7451:R. Schumann
7446:C. Schumann
7411:Kalkbrenner
7380:Saint-Saëns
6685:Anne Brontë
6570:Eichendorff
6555:B. v. Arnim
6550:A. v. Arnim
6360:Weltschmerz
6319:Medievalism
6268:Blue flower
6196:Nationalist
6141:Bohemianism
6053:Romanticism
5933:Romanticism
5715:Tchaikovsky
5650:R. Schumann
5645:C. Schumann
5630:Saint-Saëns
5525:Niedermeyer
5415:Leoncavallo
5385:Kalkbrenner
5160:Bortkiewicz
4917:AbendklÀnge
4900:(1862â1879)
4894:(1850â1868)
4892:Piano works
4804:Abendzauber
4799:(1876â1879)
4780:Mitternacht
4615:(1843â1893)
4542:(1850â1882)
4512:Germanenzug
4464:(1845â1893)
4422:(1835â1890)
4420:Organ works
4413:Other works
4386:Virga Jesse
4309:(1868/1886)
4258:Tantum ergo
4242:Totenlieder
4228:(1846/1888)
4225:Tantum ergo
4220:(1846/1888)
4217:Tantum ergo
4211:(1845â1846)
4203:(1845â1846)
4187:(1845â1846)
4184:Tantum ergo
4176:Tantum ergo
4171:(1844â1845)
4168:Asperges me
4162:(1843â1844)
4159:Asperges me
4113:(1881â1884)
4068:(1852â1892)
4043:(1866/1882)
4019:(1844â1845)
3995:(1842â1868)
3953:(1862â1863)
3918:(1887/1890)
3878:(1872/1877)
3866:(1866/1891)
3854:(1863â1896)
3696:5 September
3522:4 September
3518:(in German)
3212:Watson 1997
3196:Watson 1997
3093:4 September
3037:Watson 1997
2815:4 September
2784:4 September
2723:4 September
2639:Watson 1997
2534:Watson 1997
2519:4 September
2445:Watson 1997
2435:, p. .
2185:4 September
2015:Walter 1940
1963:(in French)
1882:Ken Russell
1855:Zubin Mehta
1688: 1850
1673:AbendklÀnge
1604:Other works
1589:Germanenzug
1574:Germanenzug
1528:Abendzauber
1521:Biographer
1510:Otto Böhler
1400:of 1849 is
1352:Tantum ergo
1333:(including
1300:"Ave Maria"
1262:Robert Haas
1231:quintuplets
1142:development
934:development
890:sonata form
880:, is, from
699: [
684:Robert Haas
513:in Vienna.
437:Franz Liszt
342:Asperges me
296:Augustinian
184:modulations
180:dissonances
172:Romanticism
53: [
50:Josef BĂŒche
8522:Categories
7997:Chassériau
7972:Aivazovsky
7680:Rubinstein
7665:Mussorgsky
7614:Wieniawski
7599:Paderewski
7441:Moszkowski
7224:Vörösmarty
7214:Shevchenko
7068:Longfellow
6992:Batyushkov
6987:Baratynsky
6956:Espronceda
6823:Mickiewicz
6818:Malczewski
6785:Wordsworth
6770:M. Shelley
6725:de Quincey
6590:GĂŒnderrode
6474:Baudelaire
6354:Wanderlust
6191:Lake Poets
5921:Background
5822:Intermezzo
5755:Wieniawski
5735:Vieuxtemps
5700:R. Strauss
5625:Rubinstein
5550:Paderewski
5520:Mussorgsky
5515:Moszkowski
5490:Mercadante
4820:SĂ€ngerbund
4732:Herbstlied
4668:Die Geburt
4314:Locus iste
4078:Magnificat
3937:orchestral
3852:Symphonies
3844:Symphonies
3600:(42): 1â5.
3565:(43): 361.
3331:Cooke 2008
3275:. p. 579.
3240:. Mwv.at.
3014:. Mwv.at.
2999:Cooke 1969
2952:30 January
2938:"Bruckner"
2854:Cooke 1980
2624:. London.
2597:Cooke 1980
2433:Grebe 1972
2350:6 February
2258:Grebe 1972
1945:References
1911:Carl Davis
1841:Today the
1812:Regensburg
1432:ad libitum
1394:Landmessen
1343:Magnificat
1110:writes in
1046:major mode
1019:form. The
1013:minor mode
922:rhythmical
898:pianissimo
821:pipe organ
714:Symphonies
655:See also:
229:Early life
176:polyphonic
153:symphonies
71:1824-09-04
8500:Biography
8437:Modernism
8097:Kiprensky
8057:GĂ©ricault
8042:Friedrich
8032:Delacroix
8007:Constable
7987:Bonington
7977:Bierstadt
7929:Senancour
7904:Schelling
7859:Lamennais
7854:Khomyakov
7819:Coleridge
7814:Chaadayev
7721:StankoviÄ
7716:Mokranjac
7635:Balakirev
7594:Moniuszko
7543:Donizetti
7538:Cherubini
7436:Meyerbeer
7421:Marschner
7396:Beethoven
7309:Moscheles
7243:Musicians
7229:Wergeland
7194:Orbeliani
7149:Grundtvig
7053:Hawthorne
7022:Zhukovsky
7017:Vyazemsky
7002:Lermontov
6961:Gutiérrez
6920:RadiÄeviÄ
6884:Herculano
6808:KrasiĆski
6750:Radcliffe
6720:Coleridge
6695:E. Brontë
6690:C. Brontë
6620:Jean Paul
6615:Hölderlin
6504:Lamartine
6441:MagalhĂŁes
6431:GuimarĂŁes
6339:Pantheism
6329:Nostalgia
6181:Indianism
6129:Movements
6060:Countries
5535:Offenbach
5510:Moscheles
5505:Moniuszko
5500:Meyerbeer
5455:Marschner
5440:MacDowell
5255:Donizetti
5200:Cherubini
5190:Chaminade
5115:Beethoven
5100:Balakirev
5090:Atterberg
5068:musicians
4868:Tafellied
4828:Volkslied
4663:(c. 1851)
4655:(c. 1848)
4647:(c. 1847)
4639:(c. 1846)
4636:StÀndchen
4631:(c. 1845)
4595:Volkslied
4582:(c. 1865)
4550:(c. 1850)
4520:Helgoland
4480:(c. 1851)
4397:(c. 1886)
4373:(c. 1884)
4346:Ave Maria
4274:Ave Maria
4266:Ave Maria
4261:(c. 1854)
4250:Libera me
4236:(c. 1848)
4195:(c. 1845)
4154:(c. 1843)
4151:Libera me
4117:Psalm 150
4105:Psalm 112
4092:(c. 1856)
4090:Psalm 146
4086:(c. 1852)
4072:Psalm 114
3385:0027-4666
3303:27 August
2973:, 83:101.
2234:Grebe1972
1797:zeitgeist
1670:of Linz.
1593:Helgoland
1580:Helgoland
1535:and four
1490:Beethoven
1450:plainsong
1441:Cecilians
1416:Psalm 146
1364:Ave Maria
1335:Psalm 150
1229:, use of
1179:New Grove
1158:New Grove
1123:Beethoven
977:, and in
906:crescendo
837:Beethoven
831:Structure
776:woodwinds
630:embalming
585:Hans Rott
575:organ at
550:Psalm 150
546:Helgoland
443:Ave Maria
325:Kronstorf
310:in 1841.
299:monastery
267:Hörsching
251:Ansfelden
239:Ansfelden
199:Hugo Wolf
188:harmonies
116:Signature
100:, Austria
81:, Austria
79:Ansfelden
8449:Category
8265:Dahlhaus
8250:Blanning
8217:Scholars
8187:Tropinin
8182:Tidemand
8172:Stattler
8167:Scheffer
8067:GĆowacki
8037:Edelfelt
7992:Bryullov
7934:Snellman
7909:Schiller
7899:Rousseau
7879:Michelet
7824:Constant
7794:Belinsky
7767:Sibelius
7711:KonjoviÄ
7685:Scriabin
7655:Lyapunov
7589:LipiĆski
7558:Spontini
7548:Paganini
7492:Goldmark
7283:Thalberg
7278:Schubert
7258:Bruckner
7219:Topelius
7209:Runeberg
7199:PreĆĄeren
7169:Leopardi
7134:Frashëri
7124:Eminescu
7104:Andersen
7012:Tyutchev
6997:Karamzin
6971:Zorrilla
6966:Saavedra
6864:Castilho
6852:Portugal
6843:SĆowacki
6745:Polidori
6675:Barbauld
6610:Hoffmann
6565:Brentano
6479:Bertrand
6300:Romantic
6136:Ancients
6110:Scotland
6001:Category
5978: â
5857:Symphony
5720:Thalberg
5685:Spontini
5660:Sibelius
5655:Scriabin
5640:Schubert
5635:Sarasate
5600:Respighi
5595:Reinecke
5555:Paganini
5465:Massenet
5460:Masarnau
5445:Madetoja
5390:Kreisler
5380:Kalivoda
5325:J. Gomis
5310:Glazunov
5305:Giuliani
5195:Chausson
5185:Chadwick
5175:Bruckner
5009:Category
4708:Am Grabe
4579:Im April
4477:Entsagen
4462:Cantatas
4455:Cantatas
4338:Os justi
4084:Psalm 22
4058:Cantatas
3892:Romantic
3732:(2012).
3708:(1911).
3437:(1980).
3297:Archived
3242:Archived
3175:Archived
3120:Archived
3087:Archived
3054:Archived
3016:Archived
2946:Archived
2892:Symphony
2809:Archived
2778:Archived
2747:Archived
2717:Archived
2686:Archived
2656:Archived
2626:Archived
2573:Archived
2344:Archived
2300:Archived
2280:(1): 94.
2205:Bruckner
2203:(1997).
2179:Archived
2093:Bruckner
2089:(1970).
1923:See also
1897:Visconti
1761:) Nowak
1533:yodelers
1478:Schumann
1474:Schubert
1137:Schubert
816:triangle
752:Romantic
609:bachelor
427:and the
315:Windhaag
8512:Austria
8462:Portals
8290:Lovejoy
8225:Abraham
8147:Richard
8137:Préault
8062:Girodet
7944:Thoreau
7889:Novalis
7874:Mazzini
7869:Maistre
7844:Hazlitt
7829:Emerson
7809:Carlyle
7799:Berchet
7742:Berwald
7737:Bennett
7706:HristiÄ
7660:Medtner
7640:Borodin
7630:Arensky
7553:Rossini
7528:Bellini
7507:Joachim
7480:Hungary
7461:Strauss
7389:Germany
7355:Berlioz
7324:VoĆĂĆĄek
7319:Smetana
7297:Czechia
7251:Austria
7184:Maturin
7179:Manzoni
7154:Heliade
7129:Foscolo
7099:Alfieri
7094:Abovian
7048:Emerson
7007:Pushkin
6946:BĂ©cquer
6879:Garrett
6833:Potocki
6780:Southey
6740:Maturin
6710:Carlyle
6667:Britain
6640:Novalis
6595:Gutzkow
6543:Germany
6509:Mérimée
6494:Gautier
6421:Barreto
6416:Azevedo
6396:Alencar
6376:Writers
6295:Byronic
6231:Purismo
6085:Germany
6067:Denmark
5991:â
5953:Science
5832:Mazurka
5807:Ballade
5740:VoĆĂĆĄek
5710:TĂĄrrega
5705:Taneyev
5665:Smetana
5620:Rossini
5575:Puccini
5570:Prudent
5530:Nielsen
5495:MĂ©reaux
5470:Medtner
5435:Lysenko
5405:Lachner
5370:Joachim
5350:Herbert
5270:Farrenc
5235:Delibes
5210:Crusell
5155:Borodin
5145:Berwald
5135:Berlioz
5125:Bennett
5120:Bellini
5105:Bazzini
5085:Arensky
4884:Chamber
4788:Nachruf
4444:Secular
4428:Aequali
4111:Te Deum
3924:(1896)
3775:(IMSLP)
3771:at the
3761:in the
3718:(ed.).
3491:29 July
3447:(ed.).
3409:(ed.).
3356:Sources
3265:(2008)
3248:30 June
3200:Tristan
3181:19 June
3155:30 June
3129:30 June
3060:19 June
3022:30 June
2967:Jack Ox
2753:7 March
2692:7 March
2662:30 June
2579:4 April
2141:27 July
1916:Ben-Hur
1329:, five
1327:Te Deum
1198:Jack Ox
1190:Tilgner
1044:and in
1022:da capo
1017:LĂ€ndler
1011:and in
991:scherzo
938:reprise
902:tremolo
886:allegro
884:on, an
808:Seventh
792:strings
788:timpani
542:Te Deum
462:at the
327:an der
321:Prelate
161:Te Deum
136:German:
8315:Wellek
8295:de Man
8280:Janion
8270:Ferber
8245:Berlin
8240:Beiser
8235:Barzun
8230:Abrams
8207:Wiertz
8192:Turner
8142:RĂ©voil
8127:Palmer
8117:Martin
8112:Leutze
8087:Janmot
8047:Fuseli
8002:Church
7894:Quinet
7884:MĂŒller
7839:Goethe
7834:Fichte
7757:Franck
7699:Serbia
7650:Glinka
7623:Russia
7609:Tausig
7604:Stolpe
7584:Chopin
7572:Poland
7533:Busoni
7497:Heller
7466:Wagner
7401:Brahms
7375:Onslow
7365:Halévy
7333:France
7314:Reicha
7304:DvoĆĂĄk
7273:Mahler
7268:Hummel
7263:Czerny
7159:Isaacs
7139:Geijer
7073:Lowell
7063:Irving
7043:Cooper
7038:Bryant
6980:Russia
6915:NjegoĆĄ
6910:KostiÄ
6905:JakĆĄiÄ
6898:Serbia
6828:Norwid
6803:Fredro
6795:Poland
6765:Seward
6655:Uhland
6645:Schwab
6635:Mörike
6625:Kleist
6580:Goethe
6575:Fouqué
6524:Nodier
6519:Nerval
6514:Musset
6466:France
6456:Varela
6451:Taunay
6436:Macedo
6384:Brazil
6334:Ossian
6261:Themes
6100:Poland
6095:Norway
6077:France
6011:Portal
5948:Poetry
5800:Genres
5745:Wagner
5725:Tobias
5590:Reicha
5565:Popper
5545:Pacini
5540:Onslow
5450:Mahler
5430:Lumbye
5395:Kuhlau
5375:Joplin
5365:Hummel
5355:HĂ©rold
5345:Halévy
5330:Gounod
5315:Glinka
5295:Franck
5290:Foster
5260:DvoĆĂĄk
5250:d'Indy
5240:Delius
5220:Czerny
5205:Chopin
5180:Busoni
5165:Brahms
5140:Bertin
5130:BĂ©riot
4932:(1879)
4926:(1879)
4920:(1866)
4912:(1862)
4906:(1862)
4871:(1893)
4863:(1892)
4855:(1890)
4847:(1886)
4839:(1886)
4831:(1882)
4823:(1882)
4815:(1878)
4807:(1878)
4791:(1877)
4783:(1869)
4775:(1866)
4767:(1866)
4759:(1866)
4751:(1865)
4743:(1864)
4735:(1864)
4727:(1862)
4719:(1861)
4711:(1861)
4703:(1857)
4687:(1854)
4679:(1854)
4671:(1852)
4623:(1843)
4598:(1882)
4590:(1868)
4574:(1864)
4566:(1856)
4558:(1851)
4540:Lieder
4532:Lieder
4523:(1893)
4515:(1865)
4507:(1855)
4498:(1855)
4489:(1852)
4472:(1845)
4431:(1847)
4405:(1892)
4389:(1885)
4381:(1885)
4365:(1884)
4357:(1884)
4349:(1882)
4341:(1879)
4333:(1878)
4325:(1873)
4317:(1869)
4301:(1868)
4293:(1868)
4285:(1861)
4277:(1861)
4269:(1856)
4253:(1854)
4245:(1852)
4179:(1845)
4136:Motets
4128:Motets
4119:(1892)
4107:(1863)
4101:(1862)
4080:(1852)
4074:(1852)
4037:(1864)
4031:(1854)
4025:(1849)
4011:(1843)
4003:(1842)
3993:Masses
3985:Masses
3967:(1876)
3959:(1865)
3947:(1862)
3935:Other
3912:(1883)
3906:(1881)
3900:(1876)
3872:(1869)
3860:(1863)
3740:
3669:
3643:
3621:
3578:
3543:
3457:
3419:
3393:953722
3391:
3383:
3279:
3083:Mwv.at
2916:
2306:16 May
2101:
2069:
2040:
1976:
1808:Hitler
1806:, and
1771:et al.
1763:et al.
1612:and a
1544:Lieder
1502:Handel
1486:Mozart
1470:Wagner
1369:Masses
1347:motets
1285:et al.
1054:Finale
971:melody
952:adagio
926:unison
812:cymbal
800:Eighth
784:Fourth
770:, 1886
526:choral
522:motets
518:Masses
494:'s
483:Vienna
423:, the
419:, the
165:motets
157:Masses
98:Vienna
8488:Music
8401:Bacon
8310:Rosen
8305:Ricks
8300:Nancy
8260:Blume
8255:Bloom
8177:Stroy
8162:Saleh
8157:Runge
8107:Lampi
8092:Jones
8082:Hayez
8017:Corot
7982:Blake
7949:Tieck
7939:Staël
7864:Larra
7849:Hegel
7804:Burke
7762:Grieg
7752:Field
7747:Elgar
7730:Other
7563:Verdi
7521:Italy
7512:Liszt
7502:Hubay
7487:Erkel
7471:Weber
7456:Spohr
7416:Loewe
7406:Bruch
7370:MĂ©hul
7360:Fauré
7350:Auber
7345:Alkan
7204:Raffi
7174:MĂĄcha
7164:Lenau
7114:Botev
7087:Other
6939:Spain
6874:Dinis
6760:Scott
6735:Keats
6715:Clare
6705:Byron
6700:Burns
6680:Blake
6665:Great
6650:Tieck
6605:Heine
6600:Hauff
6534:Vigny
6529:Staël
6489:Dumas
6411:Assis
6406:Alves
6391:Abreu
6344:Rhine
6247:Ultra
6090:Japan
5938:Chess
5770:YsaĂże
5750:Weber
5730:Verdi
5680:Spohr
5675:Sousa
5560:Paine
5475:MĂ©hul
5425:Loewe
5420:Liszt
5400:Kuula
5360:Holst
5340:Grieg
5320:Gomes
5300:Franz
5285:Foote
5280:Field
5275:Fauré
5265:Elgar
5245:Denza
5170:Bruch
5150:Bizet
5110:Beach
5095:Auber
5080:Alkan
4447:vocal
4215:Four
3714:. In
3443:. In
3405:. In
3389:JSTOR
3123:(PDF)
3116:(PDF)
2013:(see
1950:Notes
1902:Senso
1792:Nazis
1718:Astra
1537:horns
1498:Haydn
1494:Gluck
1482:Weber
1466:Liszt
1445:No. 3
1243:No. 7
1239:No. 6
1235:No. 5
1150:Liszt
1057:, in
910:tutti
900:on a
894:piano
846:, in
780:horns
758:Style
703:]
106:Works
57:]
8275:Frye
8202:Ward
8197:Veit
8152:Rude
8102:Koch
8077:Gude
8072:Goya
8022:Dahl
8012:Cole
7340:Adam
7288:Wolf
7031:U.S.
6930:Zmaj
6560:Beer
6499:Hugo
6446:Reis
6426:Dias
6290:Hero
6225:Post
6186:Jena
6156:Dark
5827:Lied
5765:Wolf
5615:Rode
5605:Ries
5585:Raff
5410:Lalo
5075:Adam
4426:Two
4240:Two
4166:Two
3738:ISBN
3698:2024
3667:ISBN
3641:ISBN
3619:ISBN
3576:ISBN
3541:ISBN
3524:2024
3493:2006
3455:ISBN
3417:ISBN
3381:ISSN
3305:2012
3277:ISBN
3250:2014
3183:2020
3157:2014
3131:2014
3095:2024
3062:2020
3024:2014
2954:2018
2914:ISBN
2817:2024
2786:2024
2755:2016
2725:2024
2694:2016
2664:2014
2581:2018
2521:2024
2352:2014
2308:2016
2187:2024
2143:2018
2099:ISBN
2067:ISBN
2038:ISBN
1974:ISBN
1803:volk
1597:TTBB
1577:and
1506:Bach
1425:and
1386:and
1361:and
1341:, a
1253:and
1241:and
1192:bust
1144:and
1052:The
989:The
981:and
942:coda
914:lied
825:i.e.
804:harp
802:has
790:and
641:Linz
635:The
587:and
504:and
370:and
337:Enns
329:Enns
308:Linz
255:Linz
197:and
163:and
87:Died
65:Born
7772:Sor
7645:Cui
7078:Poe
6211:Pre
6206:Neo
5670:Sor
5215:Cui
3611:doi
2906:doi
1814:'s
1125:'s
1072:or
994:in
954:in
896:or
863:or
786:),
335:in
301:in
8524::
8427:â
3686:.
3661:,
3617:.
3512:.
3485:II
3483:,
3479:,
3387:,
3377:CX
3375:,
3118:.
3085:.
3081:.
3070:^
2985:,
2969:,
2944:.
2940:.
2912:.
2904:.
2894:.
2873:.
2807:.
2803:.
2776:.
2772:.
2745:.
2741:.
2715:.
2711:.
2684:.
2680:.
2618:.
2604:^
2589:^
2571:.
2565:.
2512:.
2298:.
2294:.
2278:90
2276:.
2220:,
2177:.
2173:.
2129:.
2111:.
2049:^
2032::
2022:^
2017:).
1968:,
1864:.
1857:.
1822:.
1698:.
1685:c.
1642:A
1623:A
1587:.
1564:.
1539:.
1504:,
1500:,
1496:,
1492:,
1488:,
1484:,
1480:,
1476:,
1472:,
1468:,
1452:.
1380:,
1371:.
1280:,
1276:,
1249:,
1237:,
1160:,
823:,
701:fr
591:.
548:,
544:,
520:,
366:,
220:.
190:.
159:,
55:de
8464::
8440:â
6045:e
6038:t
6031:v
5913:"
5909:"
5042:e
5035:t
5028:v
3890:(
3819:e
3812:t
3805:v
3746:.
3700:.
3649:.
3627:.
3613::
3598:5
3584:.
3563:5
3549:.
3526:.
3467:.
3429:.
3307:.
3252:.
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