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745:, an immemorial god created the Universe from chaos by a combination of four elements â fire, water, air and the earth, as defines all-encompassing unity. In T. DaCosta Kauffman's works serious interpretation of heritage of Arcimboldo in the context of culture of the 16th century is carried out consistently. Kauffman in general was skeptical about attribution of works by Arcimboldo, and recognized as undoubted originals only four pictures, those with a signature of the artist. He based the interpretation on the text of the unpublished poem by J. Fonteo "The picture
616:", 1937) and in Venice ("Arcimboldo's Effect: Evolution of the person in painting from the XVI century", Palazzo Grassi, 1987) where Arcimboldo's allegories were presented. The largest encyclopedic exhibition of Arcimboldo's heritage, where about 150 of his works were presented, including graphics, was held in Vienna in 2008. In spite of the fact that very few works of Arcimboldo are available in the art market, their auction cost is in the range of five to 10 million dollars. Experts note that it is very modest for an artist at such a level of popularity.
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321:, Arcimboldo used objects that signified the book culture at that time, such as the curtain that created individual study rooms in a library. The animal tails, which became the beard of the portrait, were used as dusters. By using everyday objects, the portraits were decoration and still-life paintings at the same time. His works showed not only nature and human beings, but also how closely they were related.
677:, who used the terms "scherzi, grilli, and capricci" (respectively, "jokes", "whims", "caprices"). Geyger's monograph is entitled: "Comic pictures of Giuseppe Arcimboldo". Geyger considered the works of the artist as inversion, when the ugliness seems beautiful, or, on the contrary, as the disgrace exceeding the beauty, entertaining the regal customer. A similar point of view was stated by
709:, published in 1957. Arcimboldo was born in the late Renaissance, and his first works were done in a traditional Renaissance manner. In Hocke's opinion, during the Renaissance era the artist had to be first of all a talented handicraftsman who skillfully imitated nature, as the idea of fine art was based on its studying.
463:. A transitional period from 1520 to 1590, Mannerism adopted some artistic elements from the High Renaissance and influenced other elements in the Baroque period. A Mannerist tended to show close relationships between human and nature. Arcimboldo also tried to show his appreciation of nature through his portraits. In
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of the imperial artist
Giuseppe Arcimboldo". According to Fonteo, the allegorical cycles of Arcimboldo transfer ideas of greatness of the emperor. The harmony in which fruits and animals are combined into images of the human head symbolizes harmony of the empire under the good board of the Habsburgs.
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art in attraction to "not naturalistic abstraction". It was a continuation of artistic innovation in the late Middle Agesâart embodying ideas. According to G. Hocke, in consciousness there is concettoâthe concept of a picture or a picture of the concept, an intellectual prototype. Arcimboldo, making
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At a distance, his portraits look like normal human portraits. However, individual objects in each portrait actually overlap together to make various human anatomical shapes. They were carefully constructed by his imagination. The assembled objects in each portrait were not random: each was related
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After a portrait was released to the public, some scholars, who had a close relationship with the book culture at that time, argued that the portrait ridiculed their scholarship. In fact, Arcimboldo criticized rich people's misbehavior and showed others what happened at that time through his art.
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are turned to each other. In each cycle symmetry is also observed: two heads look to the right, and two â to the left. Seasons alternate in an invariable order, symbolizing both constancy of the nature and eternity of board of the
Habsburgs' house. The political symbolism also hints at it: at the
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Giuseppe
Arcimboldo did not leave written certificates on himself or his artwork. After the deaths of Arcimboldo and his patronâthe emperor Rudolph IIâthe heritage of the artist was quickly forgotten, and many of his works were lost. They were not mentioned in the literature of the 17th and 18th
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Arcimboldo speaks double language, at the same time obvious and obfuscatory; he creates "mumbling" and "gibberish", but these inventions remain quite rational. Generally, the only whim (bizarrerie) which isn't afforded by
Arcimboldo â he doesn't create language absolutely unclear ⊠his art not
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The main object of modern art critics' interpretation are the "curious" paintings of
Arcimboldo whose works, according to V. Krigeskort, "are absolutely unique". Attempts of interpretation begin with judgments of the cultural background and philosophy of the artist, however a consensus in this
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Since 1978 T. DaCosta
Kaufmann was engaged in Arcimboldo's heritage, and wrote of the artist defending his dissertation "Variations on an imperial subject". His volume work, published in 2009, summed up the attitude of modern art critics towards Arcimboldo. An article published in 1980 by
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Arcimboldo's conventional work, on traditional religious subjects, has fallen into oblivion, but his portraits of human heads made up of vegetables, plants, fruits, sea creatures and tree roots, were greatly admired by his contemporaries and remain a source of fascination today.
681:, but he reduced works of the artist to the theory of language, believing that fundamentals of Arcimboldo's art philosophy is linguistic, because without creating new signs he confused them by mixing and combining elements that then played a role in the innovation of language.
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Arcimboldo's art heritage is badly identified, especially as it concerns his early works and pictures in traditional style. In total about 20 of his pictures remain, but many more have been lost, according to mentions of his contemporaries and documents of the era. His cycles
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is decorated with a chain of the Award of the Golden Fleece, a great master of which by tradition was a head of a reigning dynasty. However it is made of flints and shod steel. Guns also point to the aggressive beginning. The
Habsburg symbolics is present in the picture
467:, the human portrait was composed of only various spring flowers and plants. From the hat to the neck, every part of the portrait, even the lips and nose, was composed of flowers, while the body was composed of plants. On the other hand, in
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739:. The key to reconstruction of Arcimboldo's outlook seemed to them to be in the symbolism of court celebrations staged by the artist, and in his allegorical series. According to Plato's dialogue
471:, the human was composed mostly of roots of trees. Some leaves from evergreen trees and the branches of other trees became hair, while a straw mat became the costume of the human portrait.
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centuries. Only in 1885 did the art critic K. Kasati publish the monograph "Giuseppe
Arcimboldi, Milan Artist" in which the main attention was given to Arcimboldi's role as a portraitist.
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Arcimboldo is described as belonging to the manneristic tradition for which "...the preference for aspiration to strange, extravagant and shapeless over expressional fine" is peculiar.
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339:. A majority of scholars hold to the view, however, that given the Renaissance fascination with riddles, puzzles, and the bizarre (see, for example, the grotesque heads of
329:, although the painting might have appeared ridiculous, it also contained a criticism of wealthy people who collected books only to own them, rather than to read them.
358:(see above), as well as his self-portrait as the Four Seasons. His Italian contemporaries honored him with poetry and manuscripts celebrating his illustrious career.
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its theorists paid attention to the formal work of
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in Vienna and Prague; also producing religious subjects and, among other things, a series of coloured drawings of exotic animals in the imperial
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where he had retired after leaving the Prague service. It was during this last phase of his career that he produced the composite portrait of
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735:, F. Legrand and F. Xu tried to reconstruct the artist's philosophical views. They came to a conclusion that the views represented a kind of
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portraits were clearly partly intended as curiosities to amuse the court, but critics have speculated as to how seriously they engaged with
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respect is not developed. B. Geyger, who for the first time raised these questions, relied mainly on judgments of contemporariesâ
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as a homage to the
Italian painter. This work was followed by the limited-edition sculpture in 1000 copies titled
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symbolical compositions of fruits, animals, landscapes, or various inanimate objects arranged into human forms.
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a start from concetti, painted metaphorical and fantastic pictures, extremely typical of manneristic art. In
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514:(1987) includes numerous 'double meaning' paintings. Arcimboldo's influence can also be seen in the work of
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Archimboldo's relation with surrealism was emphasized at landmark exhibitions in New York ("Fantastic art,
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counterpoints the innate surrealism of the eponymous work against a drug-induced altered mental state.
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597:'s works. A volume monograph of B. Geyger and the book by F. Legrand and F. Xu were published in 1954.
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A 1813 Puzzle Picture of Napoleon, in the style of Giuseppe Arcimboldo, hand-colored etching, in the
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Arcimboldo's works are used by some psychologists and neuroscientists to determine the presence of
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1382:. Judge, Harry George., Toyne, Anthony. Oxford : Oxford University Press. 1985â1993. p. 21.
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These works form a distinct category from his other productions. He was a conventional
343:), Arcimboldo, far from being mentally imbalanced, catered to the taste of his times.
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830:. Turning to contemporary Latin American literature, the first and last sections of
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A number of writers from seventeenth-century Spain allude to his work, given that
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critics debate whether his paintings were whimsical or the product of a deranged
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by characterization. In the portrait now represented by several copies called
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made entirely of objects such as fruits, vegetables, flowers, fish and books.
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in Paris; as well as in numerous museums in Sweden. In Italy, his work is in
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1990:
Levisi, Margarita (1968). "Las figuras compuestas en Arcimboldo y Quevedo".
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Werner Kriegeskorte (2000). Arcimboldo. Ediz. Inglese. Taschen. pp. 58â60.
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1758:"Arcimboldo's 'Four Seasons' will join National Gallery of Art collection"
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Images of seasons and elements are always presented in profile, but thus
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created the original bronze sculpture interlocking in 20 elements titled
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in 1570 and 1573, saw Arcimboldo's work and commissioned a copy of his
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Elhard, K. C. (2005). "Reopening the Book on Arcimboldo's Librarian".
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had acquired some of Arcimboldo's paintings. Grotesque images in the
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2095:. â Chicago â London: University of Chicago Press, 2009. â 313 p. â
2003:
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The Portrait of Eccentricity: Arcimboldo and the Mannerist Grotesque
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Arcimboldo: Visual Jokes, Natural History, and Still-Life Painting
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Italian Culture in the Drama of Shakespeare and His Contemporaries
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Arcimboldo: Visual Jokes, Natural History, and Still-Life Painting
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Arcimboldo-style fruit people appear as characters in the films
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and visual puns, were rediscovered in the early 20th century by
1951:(2004). "Nero's Golden House: Italian Art and the Grotesque in
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656:), Austria, the Czech Republic, Spain, Sweden, and in the US.
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1538:"Giuseppe Arcimboldo's hallucinations: Fantasy or insanity?"
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16th-century Italian painter of the late renaissance period
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audiobooks, released from 1998 onwards, is a portrait of
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there are Habsburg symbols â a peacock and an eagle and
290:. He was also the court decorator and costume designer.
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Cervantes: Bulletin of the Cervantes Society of America
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Werner Kriegeskorte (2000). Arcimboldo. Ediz. Inglese.
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840:'s last novel, concern a fictional German writer named
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Giuseppe's father, Biagio Arcimboldo, was an artist of
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GonzĂĄlez de AmezĂșa, Mercedes (2012). "La colecciĂłn".
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of 1976â1979 consisting of 30 interlocking elements.
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Opus 167 OMAGGIO AD ARCIMBOLDO (HOMAGE TO ARCIMBOLDO)
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Arcimboldo is referenced in the 2020 revival of the
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1358:. University of Chicago Press. pp. 1, 93, 96.
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2028:. Farrar, Straus and Giroux, 2008, pps. 729, 784.
1663:. Artsconnected.org. 10 March 2009. Archived from
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694:also belongs to the 20th century, for example in
494:The works of Arcimboldo, especially his multiple
373:, many of Arcimboldo's paintings were taken from
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920:made out of books, in the style of Arcimboldo's
530:, and Sandro del Prete, as well as the films of
1732:"Arcimboldo Work Bought in Time for Exhibition"
541:in the hemispheres of the brain that recognize
263:at local cathedrals when he was 21 years old.
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1637:Real Academia de Bellas Artes de San Fernando
1114:Real Academia de Bellas Artes de San Fernando
446:Real Academia de Bellas Artes de San Fernando
159:best known for creating imaginative portrait
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1240:, possibly 1566, private collection, Austria
1007:Holy Roman Emperor Maximilian II. of Austria
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1591:Marrapodi, Michele, ed. (5 December 2016).
1451:. The Pennsylvania State University Press.
988:video game series as the "jolly painting".
844:, who takes his pseudonym from Arcimboldo.
193:or other intellectual currents of the day.
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1512:"Several Obsessions, United on the Canvas"
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2354:Italian expatriates in the Czech Republic
2146:The Complete works by Giuseppe Arcimboldo
1661:"The Mannerist Style and the Lamentation"
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1169:, 1563, Kunsthistorisches Museum, Vienna
2061:Fernando, Real Academia de BBAA de San.
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1255:, 1566, Kunsthistorisches Museum, Vienna
952:was used on the cover of the 2009 album
851:was used as the cover of the 1975 album
564:Cooper Hewitt, Smithsonian Design Museum
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266:In 1562, he became court portraitist to
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1886:(Bompiani, 2007 â English translation:
155:; 5 April 1527 â 11 July 1593), was an
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1989:
1510:Rosenberg, Karen (23 September 2010).
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903:'s version of Arcimboldo incorporated
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2063:"Arcimboldo, Giuseppe - La Primavera"
2050:https://nookipedia.com/Jolly_painting
1867:. Ediz. Inglese. Taschen. pp. 56â58.
1825:. Ediz. Inglese. Taschen. pp. 32â34.
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1303:Art of the late 16th century in Milan
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89:Milan, Duchy of Milan, Habsburg Spain
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1785:. Ediz. Inglese. Taschen. p. 16â20.
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2106:Ferino-Pagden, Sylvia, ed. (2007).
1536:Melikian, Souren (5 October 2007).
605:was devoted to Arcimboldo's works.
589:drew parallels between Arcimboldo,
380:His works can be found in Vienna's
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1841:Roland Barthes. Arcimboldo. p. 335
1756:Blake Gopnik (17 September 2010).
25:
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2156:"Arcimboldo's Feast for the Eyes"
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1931:. Ediz. Inglese. Taschen. p. 44.
1805:. Ediz. Inglese. Taschen. p. 20.
1730:Carol Vogel (16 September 2010).
893:'s 1993 fantasy detective novel,
808:In literature and popular culture
2037:See the 1977 Paladin edition of
1352:Thomas DaCosta Kaufmann (2009).
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896:The Case of the Toxic Spell Dump
444:also hold Arcimboldo works. The
218:, the Roman god of the seasons,
2150:Giuseppe Archimboldo collection
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1426:"Giuseppe Arcimboldo Biography"
1380:Oxford illustrated encyclopedia
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936:Alice Through the Looking Glass
690:Arcimboldo's classification as
152:[dÊuËzÉppeartÊimËbÉldo]
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1440:
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1183:The Four Elements (Arcimboldo)
479:In 1976, the Spanish sculptor
459:He is known as a 16th-century
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2329:16th-century Italian painters
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1096:The Four Seasons (Arcimboldo)
1016:
241:
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212:Rudolf II, Holy Roman Emperor
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1927:Werner Kriegeskorte (2000).
1863:Werner Kriegeskorte (2000).
1821:Werner Kriegeskorte (2000).
1801:Werner Kriegeskorte (2000).
1781:Werner Kriegeskorte (2000).
1447:Maiorino, Giancarlo (1991).
1298:Composite miniature painting
733:Arcimboldo and archimboldesk
196:
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2349:Italian still life painters
2110:Arcimboldo : 1526-1593
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553:
440:; and the Candie Museum in
302:which incorporates his own
292:Augustus, Elector of Saxony
157:Italian Renaissance painter
10:
2385:
2339:Italian Mannerist painters
2091:DaCosta Kaufmann, Thomas.
2039:The Myth of Mental Illness
1969:10.3138/Cervantes.24.1.143
1206:(copy), private collection
1180:
1093:
1082:, 1574, private collection
991:
939:(2016), as well as in the
872:The Myth of Mental Illness
432:; the Menil Foundation in
2344:Italian portrait painters
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1428:. Giuseppe-arcimboldo.org
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191:Renaissance Neo-Platonism
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1277:Jan van Kessel the Elder
1223:Kunsthistorisches Museum
1133:Kunsthistorisches Museum
707:The world as a Labyrinth
382:Kunsthistorisches Museum
278:, Austria and later, to
238:Four Seasons in One Head
2161:10 October 2013 at the
2144:Giuseppe-Arcimboldo.org
1477:Libraries & Culture
1063:, 1566, oil on canvas,
880:The Coming of Vertumnus
549:Art heritage, estimates
485:Opus 144 ARCIMBOLDO BIG
386:Habsburg Schloss Ambras
249:National Gallery of Art
210:, a portrait depicting
170:of portraits for three
53:National Gallery Prague
1992:Comparative Literature
1949:de Armas, Frederick A.
1884:Storia della bruttezza
1410:: CS1 maint: others (
1267:Jan Brueghel the Elder
1011:Infanta Maria of Spain
930:The Tale of Despereaux
847:Arcimboldo's painting
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2369:Italian caricaturists
2334:Italian male painters
2152:at the Israel Museum.
1603:10.4324/9781315251707
1563:"Rudolph II., Kaiser"
1489:10.1353/lac.2005.0027
1221:, Oil on Wood, 1566,
984:, is featured in the
955:Bonfires on the Heath
842:Benno von Archimboldi
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2167:Smithsonian Magazine
2067:Academia Colecciones
913:Arkangel Shakespeare
828:Francisco de Quevedo
545:images and objects.
369:in 1648, during the
178:. He specialized in
2204:Giuseppe Arcimboldo
1013:with their children
945:video game series.
918:William Shakespeare
878:The 1992 novelette
818:Miguel de Cervantes
660:Art interpretations
574:With the advent of
452:owns a painting of
346:Arcimboldo died in
172:Holy Roman Emperors
140:Giuseppe Arcimboldo
73:, Holy Roman Empire
36:Giuseppe Arcimboldo
2324:Artists from Milan
2222:(1563, 1572, 1573)
1916:Ferino-Pagden 2007
1736:The New York Times
1718:Ferino-Pagden 2007
1639:. pp. 44â45.
1571:10.1553/0x0001dfe9
804:hint at the same.
737:Platonic pantheism
713:differed from the
652:Gallery), France (
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414:Wadsworth Atheneum
253:
231:
2359:Austrian painters
2301:
2300:
2243:The Four Elements
2121:978-88-6130-379-9
2024:Bolaño, Roberto.
1937:978-3-8228-5993-3
1918:, p. 97â101.
1905:978-3-8228-5993-3
1873:978-3-8228-5993-3
1831:978-3-8228-5993-3
1811:978-3-8228-5993-3
1791:978-3-8228-5993-3
1704:978-3-8228-5993-3
1646:978-84-96406-26-1
1612:978-1-351-92585-3
1065:Skokloster Castle
901:alternate history
696:Gustav René Hocke
580:Gustav René Hocke
426:Denver Art Museum
371:Thirty Years' War
341:Leonardo da Vinci
227:Skokloster Castle
137:
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16:(Redirected from
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2267:The Fruit Basket
2219:The Four Seasons
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2114:. Milan: Skira.
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910:The logo of the
891:Harry Turtledove
859:progressive rock
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543:global and local
502:artists such as
430:Denver, Colorado
300:The Four Seasons
286:at the court in
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556:
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481:Miguel Berrocal
477:
456:by Arcimboldo.
377:'s collection.
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2017:
1994:(in Spanish).
1982:
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838:Roberto Bolaño
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603:Roland Barthes
555:
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532:Jan Ć vankmajer
524:Octavio Ocampo
508:Palazzo Grassi
476:
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406:Uffizi Gallery
294:, who visited
223: 1590â91
198:
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95:Known for
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1597:. Routledge.
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1288:
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1176:Four Elements
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1060:The Librarian
1054:
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1024:Ambras Castle
1014:
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1009:and his wife
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989:
987:
983:
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974:His painting
972:
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969:
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960:The Clientele
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751:Four Elements
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631:The Librarian
627:
623:
622:Four Elements
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591:Salvador DalĂ
586:
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516:Shigeo Fukuda
513:
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504:Salvador DalĂ
501:
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365:army invaded
364:
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327:The Librarian
322:
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319:The Librarian
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280:Maximilian II
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214:, painted as
213:
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169:
168:court painter
164:
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119:
112:
111:
110:The Librarian
107:
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58:
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50:
49:Self-portrait
45:
40:
33:
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19:
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2259:The Gardener
2257:
2249:
2241:
2233:
2225:
2217:
2203:
2165:
2109:
2092:
2071:. Retrieved
2069:(in Spanish)
2066:
2056:
2045:
2038:
2033:
2025:
2020:
1995:
1991:
1985:
1960:
1956:
1955:, Part II".
1952:
1943:
1928:
1923:
1911:
1895:
1887:
1883:
1879:
1864:
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1851:
1846:
1837:
1822:
1817:
1802:
1797:
1782:
1777:
1765:. Retrieved
1761:
1751:
1739:. Retrieved
1735:
1725:
1681:
1669:. Retrieved
1665:the original
1655:
1628:
1621:
1593:
1586:
1576:29 September
1574:. Retrieved
1557:
1545:. Retrieved
1541:
1531:
1519:. Retrieved
1515:
1505:
1480:
1476:
1448:
1442:
1430:. Retrieved
1420:
1379:
1374:
1354:
1347:
1335:. Retrieved
1333:(in Italian)
1330:
1327:"Arcimboldo"
1317:
1290:
1282:
1272:Hidden faces
1252:
1237:
1218:
1196:
1175:
1166:
1147:
1128:
1109:
1089:Four Seasons
1088:
1079:
1058:
1037:
1005:
979:
975:
973:
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947:
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934:
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911:
909:
894:
888:
879:
877:
870:
867:Thomas Szasz
852:
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846:
831:
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797:
792:
788:
783:
779:
775:
771:
767:
763:
759:
755:
750:
746:
741:
732:
731:In the work
730:
723:
706:
689:
684:
663:
645:
641:
635:
629:
625:
621:
618:
607:
599:
573:
569:
536:
520:IstvĂĄn Orosz
493:
488:
484:
478:
468:
464:
458:
453:
379:
360:
345:
331:
326:
323:
318:
315:
311:
299:
282:and his son
265:
254:
237:
205:
184:
165:
143:
139:
138:
124:
116:
115:
108:
104:Notable work
84:(1593-07-11)
82:11 July 1593
63:5 April 1526
48:
29:
2319:1593 deaths
2314:1527 births
2262:(1587â1590)
1953:Don Quijote
1888:On Ugliness
1547:30 December
1521:30 December
1331:DiPI Online
1204: 1566
1020: 1563
942:Cosmic Osmo
933:(2008) and
823:Don Quixote
725:On Ugliness
720:Umberto Eco
715:Renaissance
699: [
583: [
422:Connecticut
268:Ferdinand I
245: 1590
132: 1591
121:, 1590â1591
2308:Categories
2235:The Jurist
1929:Arcimboldo
1865:Arcimboldo
1852:Arcimboldo
1823:Arcimboldo
1803:Arcimboldo
1783:Arcimboldo
1767:31 October
1741:31 October
1635:. Madrid:
1337:5 February
1309:References
1293:(painting)
1285:(painting)
1080:The Waiter
1039:The Jurist
968:Animaniacs
884:Ian Watson
637:The Jurist
614:surrealism
576:surrealism
500:Surrealist
469:The Winter
465:The Spring
454:The Spring
404:, and the
356:Rudolph II
187:still life
144:Arcimboldi
18:Arcimboldo
2293:Mannerism
2275:Vertumnus
2270:(c. 1590)
2254:(c. 1570)
2230:(c. 1566)
2211:Paintings
2130:181069711
1977:190011126
1698:. p. 30.
1497:170771712
1406:cite book
922:Librarian
814:Philip II
787:image of
711:Mannerism
692:mannerist
646:Cupbearer
595:Max Ernst
528:Vic Muniz
461:Mannerist
390:Innsbruck
375:Rudolf II
361:When the
304:monarchic
284:Rudolf II
274:court in
229:, Sweden.
216:Vertumnus
207:Vertumnus
197:Biography
180:grotesque
176:menagerie
118:Vertumnus
51:, now in
2251:The Cook
2159:Archived
2086:Readings
2073:31 March
1854:. p. 338
1542:NY Times
1516:NY Times
1398:11814265
1261:See also
1225:, Vienna
1150:, 1573,
1135:, Vienna
1131:, 1563,
1116:, Madrid
1112:, 1563,
1067:, Sweden
1046:, Sweden
1042:, 1566,
836:(2008),
705:'s work
671:Comanini
642:The Cook
554:Heritage
442:Guernsey
418:Hartford
410:Florence
384:and the
272:Habsburg
261:frescoes
148:Italian:
98:Painting
2286:Related
2012:1769441
1696:Taschen
1671:16 July
1432:16 July
1154:, Paris
992:Gallery
857:by the
747:Seasons
742:Timaeus
679:Barthes
675:Morigia
667:Lomazzo
626:Seasons
539:lesions
434:Houston
402:Brescia
398:Cremona
363:Swedish
307:symbols
270:at the
2246:(1566)
2238:(1566)
2128:
2118:
2099:
2010:
1975:
1935:
1903:
1871:
1829:
1809:
1789:
1702:
1643:
1609:
1495:
1455:
1396:
1386:
1362:
1167:Winter
1152:Louvre
1148:Autumn
1129:Summer
1110:Spring
976:Summer
899:, the
863:Kansas
854:Masque
820:novel
772:Summer
764:Spring
756:Winter
686:madly.
673:, and
654:Louvre
650:Uffizi
593:, and
512:Venice
496:images
475:Legacy
450:Madrid
424:; the
412:. The
394:Louvre
392:; the
367:Prague
296:Vienna
288:Prague
276:Vienna
251:, U.S.
113:, 1566
2008:JSTOR
1973:S2CID
1633:(PDF)
1493:S2CID
1253:Water
1238:Earth
950:Flora
861:band
849:Water
802:Water
798:Earth
784:Earth
760:Water
703:]
587:]
438:Texas
352:Italy
348:Milan
257:Milan
161:heads
125:Flora
67:Milan
2126:OCLC
2116:ISBN
2097:ISBN
2075:2020
2026:2666
1933:ISBN
1901:ISBN
1869:ISBN
1827:ISBN
1807:ISBN
1787:ISBN
1769:2014
1743:2014
1700:ISBN
1673:2012
1641:ISBN
1607:ISBN
1578:2023
1549:2012
1523:2012
1453:ISBN
1434:2012
1412:link
1394:OCLC
1384:ISBN
1360:ISBN
1339:2021
1219:Fire
905:imps
833:2666
793:Fire
782:and
780:Fall
776:Fire
774:and
766:and
758:and
749:and
624:and
610:dada
337:mind
185:The
79:Died
60:Born
2000:doi
1965:doi
1599:doi
1567:doi
1485:doi
1197:Air
958:by
889:In
882:by
869:'s
789:Air
768:Air
722:'s
510:in
448:in
428:in
416:in
408:in
388:in
333:Art
325:In
2310::
2124:.
2065:.
2006:.
1996:20
1971:.
1961:24
1959:.
1760:.
1734:.
1710:^
1687:^
1605:.
1565:.
1540:.
1514:.
1491:.
1481:40
1479:.
1467:^
1408:}}
1404:{{
1392:.
1329:.
1325:.
1201:c.
1199:,
1022:,
1017:c.
1015:,
962:.
924:.
875:.
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770:,
762:,
701:de
669:,
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585:de
534:.
526:,
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