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Arri Alexa

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In February 2013, the range was renewed as the Alexa XT (XT standing for extended technology) series. Alexa XT cameras are equipped with the XR module, which replaces the SxS module and allows direct ArriRaw recording without the need for an external recorder. Further improvements is an internal tray
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used for generating images. 2880×2160 pixels are generally used for recording on the Alexa Studio and M in 4:3 mode, and 2880×1620 pixels are used for recording on the regular Alexa and other models in 16:9 mode. The rest of the sensor is used for looking around in the viewfinder. Alternatively, the
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On May 31, 2022, Arri announced the Alexa 35. It is based on a Super 35 ALEV 4 sensor, Arri's first new sensor for the Alexa family since the release of the first model in 2010. The sensor is sized 27.99 x 19.22 mm and records at a resolution of 4608 × 3164 with 17 stops of dynamic range. It is the
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The Alexa (retroactively known as the Alexa Classic) was announced in April 2010 and was the first camera released of the product family. The Alexa's CMOS Super-35mm sensor is rated at 2.8K and ISO 800. That sensitivity allows the camera to see a full seven stops of over exposure and another seven
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On 28 March 2019, Arri announced the Alexa Mini LF, which houses the same sensor as the Alexa LF inside a camera body similar to the Alexa Mini. Additional improvements over the Alexa Mini include an improved EVF (MVF-2) with larger flip-out monitor and power outputs for camera accessories. The
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stops of underexposure. To take advantage of this, Arri offers both industry-standard Rec.709 HD video output as well as the Log-C mode that shows the entire range of the chip's sensitivity, allowing for an extreme range of color correction options in post.
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The Alexa Plus added integrated wireless remote control, the Arri Lens Data System (LDS), additional outputs, lens synchronization for 3D, and built-in position and motion sensors and a 4:3 sensor making it ideal for anamorphic cinematography.
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The Alexa M had its imaging and processing unit broken down in two parts to be small, compact and lightweight for 3D rigs and other uses where size is a concern. A special version of the Alexa M, called the Alexa SXT-M, was created for
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On 2 February 2018, Arri announced the Alexa LF at the BSC Expo. It is a 4K large format camera. The Alexa LF's A2X sensor is based on two vertical ALEV III sensors, which are stitched together to create a seamless
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The Alexa 65 uses the A3X sensor, composed of three vertical ALEV III sensors, which has a 54.12 mm × 25.59 mm active imaging area. It provides up to 6560×3102 open gate maximum recordable resolution.
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The Alexa is the dominant camera in the professional film industry, and was used as the primary system on over 70% of the top 100 grossing films since 2016. Since its introduction, eight movies shot on Alexa
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The Alexa LF and Alexa Mini LF use the A2X sensor, composed of two vertical ALEV III sensors, which has a 36.70mm × 25.54mm active imaging area. It provides up to 4448×3096 maximum recordable resolution.
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image. This is the same principle that was used to create the Alexa 65, which uses three Alexa sensors that are arranged vertically. The Alexa LF can record in open gate in a resolution of 4448 × 3096.
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ARRIRAW files can be reduced in size by up to 50% using CODEX High-density Encoding (HDE). This lossless compression format provides workflow improvements that match those of lossy compressed formats.
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The basic camera package will cost you about $ 66,575. And with accessories, this price can easily reach $ 100,000 with the addition of XR drives, remotes, licenses, cables and add-on hardware.
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On 24 February 2015, Arri announced the Alexa Mini. It has the same sensor as the other Alexa cameras housed in a smaller body. It records to CFast 2.0 cards, 200 FPS, 4K UHD in-camera
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The ALEV 4 sensor debuted in 2022 with the release of the Alexa 35. It is sized at 27.99 x 19.22 mm and records at a resolution of 4608 × 3164 with 17 stops of dynamic range.
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The price of the camera depends on the model and accessories. For example, in 2015, an Arri Alexa XT cost approximately $ 66,000 to $ 100,000, depending on accessories included.
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Cards or 2880×1620 ArriRaw to external recording devices. The Arri Alexa Firmware 7 increases the resolution on the SxS cards to 2K ProRes 4444 (previously 1080p).
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Alexa cameras are designed to be used in feature films, television shows and commercials. Alexa uses the ALEV series of image sensors manufactured by
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On 18 March 2015, Arri announced the SXT line of Alexa cameras which replaced the XR module with the SXR module and support in-camera upscaling of
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that unlock different capabilities of the Alexa Camera. This includes; high speed 120fps recording, the DNxHD codec and 4:3 "open gate" mode for
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also features a new Codex recording module, which accepts 1TB Codex Compact Drives. It was Arri's top-selling camera prior to the
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information. The camera's data stream was initially recorded via T-link with certified recorders like the CODEX Onboard from
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The Alexa Studio features an optical viewfinder, mechanical shutter, and a 4:3 sensor for anamorphic cinematography.
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convention in Munich, Arri announced the Alexa 65, a 6K 65mm digital cinema camera. As with cameras from competitor
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full sensor resolution may be employed in "open gate" mode for resolution-demanding situations. It has a native
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first camera in the Alexa line to allow for full-height, natively 4K anamorphic shooting.
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color space. XT, XT Plus and XT Studio cameras can be upgraded with the SXR module.
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The ALEV III sensor debuted in the first Alexa model in 2010. It has 3424×2202
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The Arri Alexa can record to 1920×1080 ProRes 422 or ProRes 4444 on
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ten times, including five in a row between 2011 and 2015, for
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ARRIRAW is an uncompressed format that contains unaltered
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A custom 3D variant was used to film specific scenes in
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codecs. The Alexa camera offers additional and optional
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The camera has several methods of recording, including
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Image Sensors World. 3 February 2017 734: 34:contains content that is written like 1247:American Cinematographer: Time Bandit 1165: 1163: 877: 619:Academy Award for Best Cinematography 541:Academy Award for Best Cinematography 1021:Deborah D. McAdams (18 March 2015). 742:"ON Semi Sensors Power ARRI Cameras" 405:Arri Alexa being used on the set of 149:as a digital negative, which allows 18: 1305:Frameline Generator Advanced | FLAG 227: 13: 1160: 684: 441: 291:Mission: Impossible – Rogue Nation 14: 1348: 1289: 1256:. The ASC. Retrieved 7 June 2012. 756: 617:. Also, movies shot on Alexa won 610:Everything Everywhere All at Once 423:of 800 and records 14.5 stops of 370: 23: 1259: 1214: 1198:. 15 April 2015. Archived from 1188: 1134: 1120: 1095: 1070: 991: 971: 251: 1025:. TVTechnology. Archived from 919: 878:Renée, V (21 September 2014). 871: 845: 819: 770:. 15 July 2010. 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Index

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promotional content
external links
neutral point of view
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digital motion picture camera
Arri
digital cinematography
Arriflex D-20
D-21
ON Semiconductor

Steadicam
imaging science
digital cinema
scanned film
SxS cards
color space
ProRes
ArriRaw
software licenses
anamorphic lenses
PL mount
Super 35
CMOS sensor
uncompressed video
raw
Gemini Man

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