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tendencies especially obvious in the frequent use of the rose motif. At the same time in
Aksentije's work, there are already positive signs of the modern neo-classical tendencies: laurel wreaths, oak leaves, with or without acorns, amphorae, vessels on consoles over the architrave or acroterions on
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30:. The two brothers learned the craft of woodcarving and inherited the talent from their father and teacher Marko Gavrilović. Arsenije's most important work is the
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129:"Iconostasis Of The Metropolitan-patriarch's Chapel − The Choirloft Of The Cathedral Church In Sremski Karlovci"
111:"Iconostasis Of The Metropolitan-patriarch's Chapel − The Choirloft Of The Cathedral Church In Sremski Karlovci"
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top of the iconostasis. "Aksentije
Marković made Noah's sacrifice for the tower of
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in Novi Sad, otherwise a very rare plastic ornament on
Serbian Orthodox churches.
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Eighteenth-century master woodcarvers from
Vojvodina, children of Marko Gavrilovic
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is also attributed to him. His brother
Aksentije did the iconostasis in the
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are the two most important eighteenth-century master woodcarvers in
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38:. The outstanding iconostasis in the Assumption Church in
50:(1766) and the iconostasis in the Cathedral Church in
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151:"Assumption Church | Novi Sad"
54:(1797). According to art historian
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169:"Almaška Church | Novi Sad"
34:in the Cathedral Church in the
20:Arsenije and Aksentije Marković
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203:18th-century Serbian artists
81:List of painters from Serbia
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133:www.galerijamaticesrpske.rs
115:www.galerijamaticesrpske.rs
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36:Metropolitanate of Karlovci
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58:"Arsenije is a distinctly
44:Church of the Holy Virgin
62:artist, with discerning
208:Serbian male artists
193:Serbian woodcarvers
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135:. Archived from
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56:Dejan Medaković
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139:on 2016-04-01.
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69:Almaška Church
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198:Brother duos
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86:Serbian art
32:iconostasis
187:Categories
97:References
24:Vojvodina
75:See also
40:Novi Sad
28:Novi Sad
60:baroque
64:rococo
52:Vršac
48:Zemun
46:in
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