443:, while pointing out, with irony, that he would do the same for Bush had he not refused to "ratify" that Court (18). Pinter concludes his Nobel Lecture with a call for "unflinching, unswerving, fierce intellectual determination, as citizens, to define the real truth of our lives and our societies" as "a crucial obligation which devolves upon us all," one which he regards as "in fact mandatory," for, he warns, "If such a determination is not embodied in our political vision we have no hope of restoring what is so nearly lost to us – the dignity of man" (23–24).
485:, and others––has been uniformly positive"; in response to naysayers, Parini concludes: "it may be true this time around that the Nobel Prize in Literature was given to the right man for the right reasons. Few writers in our time have demonstrated such a passionate concern for victims of oppression, whether in the family's living room or in the torturer's faraway bunker, as Harold Pinter. And few dramatists have been so vastly influential, transforming our basic sense of what happens when we enter a theater."
2138:
289:, following an initial line or word or image, calling "the author's position" an "odd one" as, experiencing the "strange moment … of creating characters who up to that moment have had no existence," he must "play a never-ending game with them, cat and mouse, blind man's buff, hide and seek" during which "the search for the truth … has to be faced, right there, on the spot." Distinguishing among his plays
511:
observes that "the reactions to Pinter's Nobel Prize and
Lecture" were "fascinating" and "overwhelmingly positive," though he thinks "it is worth picking out the few negative ones" as examples. He observes, "The most startling fact was that Pinter's Nobel Lecture on 7 December was totally ignored by
409:
It's a scintillating stratagem. Language is actually employed to keep thought at bay. The words 'the
American people' provide a truly voluptuous cushion of reassurance. You don't need to think. Just lie back on the cushion. The cushion may be suffocating your intelligence and your critical faculties
564:, quoting in part Ferguson's statement that in his Nobel Lecture Pinter " 'pretend that crimes were equivalent to those of its Communist opponents ...' "––a distortion according to both Billington and Pinter: "he never made any comparison in his speech between atrocities committed by the
568:
and China and those of
America"; " 'All I ever said,' retorts, 'is that Soviet atrocities were comprehensively documented but that American actions weren't. I didn't go into comparisons as to who killed more people as if it were a contest. Ferguson distorted the whole bloody thing' "
394:
I put to you that the United States is without doubt the greatest show on the road. Brutal, indifferent, scornful and ruthless it may be but it is also very clever. As a salesman it is out on its own and its most saleable commodity is self-love. It's a winner. Listen to all
American presidents on
323:
Political language, as used by politicians, does not venture into any of this territory since the majority of politicians, on the evidence available to us, are interested not in truth but in power and in the maintenance of that power. To maintain that power it is essential that people remain in
395:
television say the words, 'the
American people', as in the sentence, 'I say to the American people it is time to pray and to defend the rights of the American people and I ask the American people to trust their president in the action he is about to take on behalf of the American people.' (15)
384:
It never happened. Nothing ever happened. Even while it was happening it wasn't happening. It didn't matter. It was of no interest. The crimes of the United States have been systematic, constant, vicious, remorseless, but very few people have actually talked about them. You have to hand it to
688:
As a sample of published accounts, see articles by Allen-Mills, Anderson, Billington, Chrisafis and Tilden, Eden and Walker, Hari, Hitchens, McDowell, Riddell, N. Smith, and Traub. Pinter replied to such criticism in his post-Nobel Prize
401:
246:
DVD and VHS video recordings of Pinter's Nobel
Lecture (without Hare's introduction) are produced and distributed by Illuminations. This video recording of the lecture was introduced by Pinter's close friend, the writer
709:, and others have defended Pinter's views and the artistic integrity of his work against widespread critical assaults, as hyperlinked in various news reports covering responses to Pinter's Nobel Lecture in the
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contains "two large boxes containing the thousands of letters Pinter received from friends, colleagues, public eminences and total strangers applauding both the prize and his political stance" (425).
375:?" Then he answers his own question: "The answer is yes, they did take place, and they are attributable to American foreign policy. But you wouldn't know it" (9–10). Revisiting arguments from his
620:, in April 2007; and in London, premiering there from 11 to 23 February 2008. It received appreciative press reviews in both Leeds and London, including 5 stars from Pinter's official biographer
504:. Such criticism of Pinter encompassed thousands of commentaries and focused mostly on his political activism, particularly his purported "anti-Americanism" and his generally "leftist" views.
608:
is "a collation of six Pinter plays, excerpts from his Nobel Prize speech, and letters written by political prisoners in
Belarusian jails," which was performed with Pinter in the audiences in
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653:
274:
Speaking with obvious difficulty in the lecture while seated in a wheelchair, Pinter distinguishes between the search for truth in art and the avoidance of truth in politics (5–10).
385:
America. It has exercised a quite clinical manipulation of power worldwide while masquerading as a force for universal good. It's a brilliant, even witty, highly successful act of
341:, some of which could be fired in 45 minutes, bringing about appalling devastation. We were assured that was true. It was not true. We were told that Iraq had a relationship with
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was wheeled out to dismiss Pinter as 'a bigmouth who has strutted and fretted his hour upon the stage for far too long' ", and, finally, Billington cites
Scottish historian
360:
376:
538:
424). While "in the press, there was also a handful of attacks on both the award and the
Lecture," Billington dispatches criticisms by three of them: "the normally sensible
255:, and shown publicly in the United States for the first time at the Harold Pinter Memorial Celebration: A Tribute to Harold Pinter, at the Martin E. Segal Theatre Center, of
636:
reviewer Sam
Marlowe, who observes that "Drama doesn't come more urgently political than in the work of the Belarus Free Theatre." Also to critical acclaim, it premiered in
31:
1726:
427:("I'm Explaining a Few Things") and himself ("Death"), in a whimsically humble gesture, Pinter offers to "volunteer" for the "job" of "speech writer" for President
324:
ignorance, that they live in ignorance of the truth, even the truth of their own lives. What surrounds us therefore is a vast tapestry of lies, upon which we feed.
349:. We were assured that this was true. It was not true. We were told that Iraq threatened the security of the world. We were assured it was true. It was not true.
798:
354:
The truth is something entirely different. The truth is to do with how the United States understands its role in the world and how it chooses to embody it.
423:
Toward the end of the lecture, after reading two poems referring to "blood in the streets", "deaths", "dead bodies", and "death" by fellow Nobel Laureate
2005:
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473:, in particular, the American reaction to the Pinter award has been one of outrage," whereas "the reaction to the award from Pinter's peers––
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1704:. 2 October 2007. <https://www.telegraph.co.uk/opinion/main.jhtml?xml=/opinion/2006/08/27/nosplit/dp2701.xml> (original URL).
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364:
307:, he segues into his transitions from "the search for truth" in art and "the entirely different set of problems" facing the artist in "
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640:, Australia, beginning on 8 January 2009, two weeks after Pinter's death, and there are plans to bring the troupe over to perform
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193:, the full text and streaming video formats were posted for the public on the Nobel Prize and Swedish Academy official websites.
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371:", leading to "hundreds of thousands of deaths," Pinter asks: "Did they take place? And are they in all cases attributable to
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Video (46 mins.) and "The Lecture in Text Format" in the original English and in French, German, and Swedish translations at
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A New Production by the Belarus Free Theatre Reinforces the Global Resonance of the British Playwright's Political Works."
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A New Production by the Belarus Free Theatre Reinforces the Global Resonance of the British Playwright's Political Works,"
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604:, which has been censored, its members arrested and prevented from performing their work publicly in their own country.
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1304:. 2 October 2007. (RealPlayer streaming audio and video as well as text available). London: Faber and Faber, 2006.
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The Only Response to His Nobel Rant (and Does Anyone Doubt It Will Be a Rant?) Will Be a Long, Long Pause" (column).
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616:, an international conference celebrating Pinter on the occasion of the awarding of an honorary degree to him by the
453:
2222:
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542:", who "dismissed the Lecture in advance as a 'rant' and falsely claimed that Pinter would have refused to resist
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232:, 2009). Many print and online periodicals have also published the full text of Pinter's Nobel Lecture, including
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Pinter's "Nobel Lecture: Art, Truth & Politics" is posted online on the official website of the Nobel Prize,
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789:, 9 May 2009 ; other national newspapers featured similar photographs of the audience watching these screens.
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Pinter's Nobel Lecture is excerpted in a dramatic work developed and performed by the politically dissident
546:"; "in fact," Billington says, Pinter "has repeatedly said that, had he been of age, he would have accepted
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For a critical discussion of the contexts of Pinter's Nobel Lecture, see Merritt, "(Anti-)Global Pinter."
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469:, there has been incessant chatter on both sides of the Atlantic, some of it unflattering," as "from the
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yet finally proffering the "authority" of his (Bush's) "fist" (17–22). Pinter demands prosecution of
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The 46-minute videotaped lecture was projected on three large screens in front of the audience at the
2714:
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2009:
1888:
Hudgins, Christopher C. "The Nobel Prize Festivities: Stockholm, December 2005. A Joyous Report."
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1152:
841:
466:
291:
70:
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1985:
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on Pinter's 75th birthday, 10 October 2005, 3 days before the announcement of his winning the 2005
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1873:"Nobel Prize in Literature Goes to Harold Pinter, British Playwright Widely Studied in Academe"
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1811:. 2 October 2007. and in French . Features photographs reposted from Mark Taylor-Batty's
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The Fifth Annual PEN World Voices Festival of International Literature, 27 April – 3 May 2009
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584:, Pinter's official Website, illustrates further critical debate about Pinter's politics.
516:", adding: "You would have thought that a living British dramatist's views on his art and
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Pinter's Nobel Lecture has been the source of much discussion. In an article published in
181:, in the United Kingdom, where it was introduced by Pinter's friend and fellow playwright
8:
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1958:. Ed. Francis Gillen with Steven H. Gale. Tampa: U of Tampa P, 2008. 261–343. Print.
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914:"Events: PEN World Voices Festival: Harold Pinter Memorial Celebration: Updated Schedule"
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560:
521:
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1952:
With a Special Supplement on the 2005 Nobel Prize in Literature, October 2005 – May 2006
1940:. Ed. Francis Gillen with Steven H. Gale. Tampa: U of Tampa P, 2008. 140–67. Print.
173:, in Stockholm, on the evening of 7 December 2005. It was simultaneously transmitted on
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Harold Pinter Can Be Cantankerous and Puerile. But He Is a Worthy Nobel Prizewinner."
1947:. Ed. Francis Gillen with Steven H. Gale. Tampa: U of Tampa P, 2008. 51–65. Print.
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1892:. Ed. Francis Gillen with Steven H. Gale. Tampa: U of Tampa P, 2008. 43–50. Print.
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For critical responses and letters, see Merritt, "Harold Pinter Bibliography" 336–42.
372:
297:
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1872:
1727:"Personal View: Do the Sums, Then Compare US and Communist Crimes from the Cold War"
799:"Harold Pinter – Nobel Prize For Literature Speech – Art, Truth & Politics (HQ)"
431:, penning a ruthless message of fierce aggression masquerading as moral struggle of
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1943:–––. "Nobel Week 2005–The Experience of a Lifetime: Homage to Harold Pinter."
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860:. All in-text parenthetical references are to the Faber and Faber publication,
216:, the revised and enlarged edition of Pinter's official authorised biography by
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1073:, 29 January 2009. (Includes excerpts from press reviews of London premiere of
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1339:. Ed. Francis Gillen with Steven H. Gale. Tampa: U of Tampa P, 2008. 5–17.
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Belarus Free Theatre § Subsequent international support and performances
474:
159:
1611:: Shades of Beckett As Ailing Playwright Delivers Powerful Nobel Lecture."
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For an example of an illustrated contemporaneous news account, see Lyall,
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528:'s news bulletins that night or indeed on its current affairs programme,
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observes that "In the weeks that have passed since Harold Pinter won the
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every right wing military dictatorship in the world after the end of the
269:
209:
65:
38:
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with Billington, Koval, Moss, Rose, and Wark, among others. Paul Bond,
573:
425). Billington also points out that the Harold Pinter Archive in the
402:
his description of "speech" as "a constant stratagem to cover nakedness"
1981:
1956:
The Pinter Review: Nobel Prize/Europe Theatre Prize Volume: 2005 – 2008
1945:
The Pinter Review: Nobel Prize/Europe Theatre Prize Volume: 2005 – 2008
1938:
The Pinter Review: Nobel Prize/Europe Theatre Prize Volume: 2005 – 2008
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The Pinter Review: Nobel Prize/Europe Theatre Prize Volume: 2005 – 2008
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The Pinter Review: Nobel Prize/Europe Theatre Prize Volume: 2005 – 2008
1177:
539:
497:
462:
436:
1753:. Presentation at Artist and Citizen: 50 Years of Performing Pinter.
524:
broadcaster"; yet "There was ... no reference to the speech on any of
263:, on 2 May 2009, as part of the 5th annual PEN World Voices Festival.
162:(1930–2008), who was at the time hospitalised and unable to travel to
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151:" (also referred to and published as "Art, Truth & Politics" and
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1994:, Chronicle Rev. Chronicle of Higher Education, 11 November 2005.
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457:
on 11 November 2005, entitled "Pinter's Plays, Pinter's Politics,"
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342:
312:
212:(on 10 October 2006, Pinter's 76th birthday); in the "Appendix" of
2217:
The Official Website of the International Playwright Harold Pinter
1296:. Published as "The Nobel Lecture: Art, Truth & Politics".
2232:
1416:
Various Voices: Sixty Years of Prose, Poetry, Politics 1948–2008
880:
Various Voices: Sixty Years of Prose, Poetry, Politics 1948–2008
410:
but it's very comfortable. This does not apply of course to the
2214:
1925:
26 August 2006: 5. Print. The Scotsman Publications Limited (
1389:
The Essential Pinter: Selections from the Work of Harold Pinter
1288:. Presented on video in Stockholm, Sweden. 7 December 2005.
833:
806:
543:
525:
489:
418:
in the vast gulag of prisons, which extends across the US. (16)
178:
224:, 2007); and in the 3rd edition of Harold Pinter's collection
1609:"Passionate Pinter's Devastating Assault On US Foreign Policy
1189:
609:
329:
As every single person here knows, the justification for the
1536:"Being Harold Pinter/Generation Jeans: 5 Stars Soho, London"
1095:"Being Harold Pinter/Generation Jeans: 5 Stars Soho, London"
30:
2036:
1513:
At the Prize of Europe, the Playwright Is All Politics."
345:
and shared responsibility for the atrocity in New York of
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1655:
1521:
1515:
1460:"The Nobel Prize in Literature 2005: Presentation Speech"
947:
746:
513:
488:
In response to his videotaped Nobel Lecture broadcast on
266:
The lecture caused much discussion, including criticism.
1667:"Pinter Blasts 'Nazi America' and 'deluded idiot' Blair"
1775:"Johann Hari: Pinter Does Not Deserve the Nobel Prize:
1184:, 7 May 2009. (About "The Free Theatre's performance
1122:"Being Harold Pinter/Generation Jeans at Soho Theatre"
155:) is the Nobel Lecture delivered on video by the 2005
1065:
presents Belarus Free Theatre: 11–23 February 2008,"
1962:"The Nobel Prize for Literature 2005: Harold Pinter"
984:
496:, heated critical debate about Pinter spiked in the
1950:–––, comp. "Harold Pinter Bibliography: 2002–2004
1917:
Pinter at 75: The Anger Still Burns: Harold Pinter"
1881:. Chronicle of Higher Education, 13 October 2006.
1860:
17 October 2005, A18. Print. Wall Street Journal (
1852:"Opinion: The Sinister Mediocrity of Harold Pinter"
1438:"The Nobel Prize in Literature 2005: Harold Pinter"
1174:"Free Theatre's Performance Was Watched by Militia"
928:: The New York Festival of International Literature
2103:"The Way We Live Now: Their Highbrow Hatred of Us"
1787:, 6 December 2005. Johann Hari, 2 October 2007.
277:He describes his own artistic process of creating
105:Executive Producers: John Wyver and Michael Kustow
1936:Merritt, Susan Hollis. "(Anti-)Global Pinter."
1817:Artist and Citizen: 50 Years of Performing Pinter
614:Artist and Citizen: 50 Years of Performing Pinter
2903:
2874:The Harold Pinter Archive in the British Library
377:political essays and speeches of the past decade
1638:. World Socialist Web Site, 29 December 2005.
1084:
792:
550:in World War II" (424–25). "More predictably,
412:40 million people living below the poverty line
580:The "Harold Pinter Community" Forum hosted on
239:(PMLA), in May 2006, with permission from the
2248:
1662:. 2 October 2007. (Features related links.)
2177:"Art, Truth and Politics: The Nobel Lecture"
2083:" 'Political element' to Pinter Prize?"
1986:"Theater: Pinter's Plays, Pinter's Politics"
1897:"Playwright Takes a Prize and a Jab at U.S."
1368:"Art, Truth and Politics: The Nobel Lecture"
723:
721:
719:
270:"Art, Truth and Politics": The Nobel Lecture
1795:"Harold Pinter Meets Free Theatre in Leeds"
1229:
767:"Playwright Takes a Prize and a Jab at U.S"
204:on 16 March 2006. It is also published in
2255:
2241:
2223:"Nobel Lecture: Art, Truth & Politics"
2166:Art, Truth and Politics: The Nobel Lecture
1335:121 (2006): 811–18. Print. Rpt. also in
1285:Art, Truth and Politics: The Nobel Lecture
1195:
1034:, London, Soho Theatre Company Ltd, n.d.,
507:Pinter's official, authorised biographer,
311:" to the avoidance of seeking "truth" in "
198:Art, Truth and Politics: The Nobel Lecture
29:
1665:Chrisafis, Angelique, and Imogen Tilden.
1167:
1141:
716:
520:might have been of passing interest to a
1511:"Harold Pinter: Theater's Angry Old Man:
1490:"This Pinter Guy Could Turn Into a Pain"
1252:(Blog), Gothamist LLC, 11 January 2008,
1222:(Blog), Gothamist LLC, 10 January 2008,
1203:"Mark Russell, Under the Radar Festival"
1041:
761:
759:
684:
682:
680:
359:Charging the United States with having "
1300:. Nobel Foundation, 8 December 2005.
1114:
951:"May 2, 2009: Tribute to Harold Pinter"
2904:
1630:"Harold Pinter's Artistic Achievement"
1328:, 2006. (Listed below.) Rpt. also in
1148:"An Arresting Performance – Literally"
1069:, London, Soho Theatre Company Ltd, ,
730:
587:
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1380:, 2 October 2007 and 8 December 2005
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826:
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337:possessed a highly dangerous body of
196:A privately printed limited edition,
139:Merritt, "Harold Pinter Bibliography"
116:
1828:***** Workshop, University of Leeds"
1014:
907:
446:
2006:"Harold Pinter's Special Triteness:
1384:. 2 October 2007 and 7 May 2009.
941:
838:Channel Four Television Corporation
13:
1573:The Life and Work of Harold Pinter
930:, Martin E. Segal Theatre Center,
847:
416:2 million men and women imprisoned
14:
2938:
2262:
2123:
2062:"Comment: Prophet without Honour:
1929:Plc), (updated) 27 August 2006.
1688:"Mandrake: A Pinteresque Silence"
1646:"Bush and Blair Slated by Pinter"
1418:. 3rd ed. 1998, 2005. London:
737:"Harold Pinter Taken to Hospital"
644:in New York City, as part of the
454:The Chronicle of Higher Education
2136:
1998:. 2 October 2007. (3 pages.)
1686:Eden, Richard, and Tim Walker.
1588:"The Importance of Being Pinter:
995:"The Importance of Being Pinter:
2187:(Pinter's publisher in the US).
2173:(Pinter's publisher in the UK).
1575:. 1996. London: Faber, 1997.
1180:Press Center, 8 November 2007,
975:
261:The City University of New York
2143:Nobel Lecture by Harold Pinter
1751:"The Courage of Harold Pinter"
1269:Bibliography for Harold Pinter
1262:
558:'s "attack" on the Lecture in
177:'s digital television channel
1:
2927:Works about the war on terror
2737:The French Lieutenant's Woman
2057:. 7 March 2009. (3 pages.)
1991:Chronicle of Higher Education
1878:Chronicle of Higher Education
873:For publication details, see
819:, (posted) 16 November 2008.
671:
630:review, and 4 stars from the
251:, originator and chairman of
16:2006 lecture by Harold Pinter
2200:(PMLA) 121.3 (2006): 811–18.
2032:"News Publications: 2005 Ad"
1785:Independent News & Media
1763:. Donald Freed, Apr. 2007.
1544:, Culture: Stage: Theatre.
1061:in association with English
778:International Herald Tribune
652:, according to its director
441:International Criminal Court
157:Nobel Laureate in Literature
7:
2197:Modern Language Association
2191:"Art, Truth & Politics"
1815:Website for the conference
1332:Modern Language Association
1103:, Culture: Stage: Theatre,
659:
339:weapons of mass destruction
236:Modern Language Association
10:
2943:
2879:Harold Pinter and politics
2869:Relationship with academia
2511:Remembrance of Things Past
2030:. 3 March 2009. Rpt. in
1621:, 8 December 2005, Books.
1571:(13). Updated 2nd ed. of
1330:PMLA: Publications of the
1266:
968:(pen.org), 29 April 2009,
783:The New York Times Company
593:
500:and spread throughout the
228:, published posthumously (
2917:Nobel Prize in Literature
2841:
2642:
2521:
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2158:Art, Truth & Politics
2135:
2130:
2010:Nobel Prize in Literature
1715:(Gale), 27 August 2006.
1237:"Pencil This In: Theater"
926:PEN World Voices Festival
862:Art, Truth & Politics
842:Nobel Prize in Literature
769:, which appeared in both
467:Nobel Prize in Literature
166:to deliver it in person.
124:
121:
97:
85:
77:
64:
56:
48:
37:
28:
23:
2823:The Tragedy of King Lear
2785:The Comfort of Strangers
1915:"Book Festival Reviews:
1635:World Socialist Web Site
650:Under the Radar Festival
492:and distributed via the
2884:Art, Truth and Politics
2633:The Pres and an Officer
2161:. Illuminations, 2006.
2008:Harold Pinter Wins the
1862:Dow Jones & Company
1596:, Arts blog – Theatre.
1444:. Swedish Academy and
1176:, "News from Belarus",
1003:, Arts blog – Theatre,
813:(UK), 7 December 2005,
153:Art, Truth and Politics
149:Art, Truth and Politics
24:Art, Truth and Politics
2675:The Quiller Memorandum
2113:New York Times Company
2020:National Review Online
1906:New York Times Company
1791:. 12 October 2007.
1242:14 August 2009 at the
1208:14 August 2009 at the
1053:13 August 2009 at the
1048:"Belarus Free Theatre"
1026:13 August 2009 at the
1021:"Belarus Gala Evening"
612:, England, during the
421:
420:
398:
397:
391:
357:
356:
2722:The Proust Screenplay
2206:for Harold Pinter at
2047:Gale Cengage Learning
2026:), 28 October 2005.
2024:National Review, Inc.
1912:. 2 October 2007.
1848:Hitchens, Christopher
1739:, 11 December 2005.
1737:Telegraph Media Group
1698:Telegraph Media Group
1548:, 18 February 2008.
1320:(13). Rpt. also in
1267:Further information:
1153:Sydney Morning Herald
713:and other news sites.
666:The arts and politics
569:(Qtd. in Billington,
407:
406:
400:In imagery recalling
392:
382:
381:
321:
320:
2536:Trouble in the Works
2195:Publications of the
2181:The Essential Pinter
2094:, 13 October 2005.
2074:, 11 December 2005.
2072:Guardian Media Group
1978:. 23 March 2009.
1972:Guardian Media Group
1864:), 17 October 2005.
1838:Guardian Media Group
1805:Belarus Free Theatre
1800:Belarus Free Theatre
1719:. 16 March 2009.
1677:Guardian Media Group
1619:Guardian Media Group
1598:Guardian Media Group
1546:Guardian Media Group
1506:. 15 March 2009.
1488:Allen-Mills, Tony.
1478:, 2 October 2007.
1474:, 10 December 2005.
1468:The Nobel Foundation
1452:. 4 October 2007.
1378:Guardian Media Group
1322:The Essential Pinter
1160:, 15 December 2008,
1134:, 20 February 2008,
1107:, 18 February 2008,
1105:Guardian Media Group
1005:Guardian Media Group
956:14 July 2011 at the
932:CUNY Graduate Center
919:14 June 2011 at the
885:24 July 2009 at the
749:, 30 November 2005,
602:Belarus Free Theatre
552:Christopher Hitchens
379:, Pinter reiterates:
234:Publications of the
206:The Essential Pinter
112:Professional ratings
2793:The Handmaid's Tale
2769:The Heat of the Day
2561:That's Your Trouble
2529:The Black and White
2474:The New World Order
2119:. 30 October 2005.
2115:, 30 October 2005.
2108:New York Times Mag.
2098:. 2 October 2007.
2078:. 6 January 2009.
1933:. 6 January 2009.
1908:, 8 December 2006.
1885:. 2 October 2007.
1871:Howard, Jennifer.
1844:. 2 October 2007.
1826:Being Harold Pinter
1822:Hickling, Alfred.
1813:University of Leeds
1797:. Press release.
1755:University of Leeds
1700:, 27 August 2006.
1683:. 2 October 2007.
1658:, 7 December 2005.
1642:. 2 October 2007.
1625:. 2 October 2007.
1532:Billington, Michael
1528:. 2 October 2007.
1509:Anderson, Porter.
1502:, 6 November 2005.
1472:The Swedish Academy
1448:, 13 October 2005.
1186:Being Harold Pinter
1075:Being Harold Pinter
966:PEN American Center
785:, 8 December 2009,
642:Being Harold Pinter
618:University of Leeds
606:Being Harold Pinter
589:Being Harold Pinter
561:The Daily Telegraph
257:The Graduate Center
200:, was published by
113:
2864:Honours and awards
2815:The Dreaming Child
2715:Langrishe, Go Down
2691:The Birthday Party
2587:Dialogue for Three
2287:The Birthday Party
2204:"Bio-Bibliography"
2039:: Business Network
2018:7 November 2005.
2002:Pryce-Jones, David
1757:, 13 April 2007.
1500:News International
1256:, 12 January 2008.
1235:John Del Signore,
1226:, 10 January 2008.
1201:John Del Signore,
1138:, 30 January 2009.
1130:, Stage: Theatre,
1091:Michael Billington
1038:, 15 January 2008.
991:Michael Billington
622:Michael Billington
509:Michael Billington
461:English professor
459:Middlebury College
363:and in many cases
347:September 11, 2001
292:The Birthday Party
218:Michael Billington
111:
2899:
2898:
2667:The Pumpkin Eater
2522:Dramatic sketches
2467:Mountain Language
2215:HaroldPinter.org:
2153:
2152:
1857:Wall Street Jour.
1840:, 16 April 2007.
1708:HighBeam Research
1600:, 16 April 2007.
1569:978-0-571-23476-9
1524:, 17 March 2006.
1483:Secondary sources
1428:978-0-571-24480-5
1409:978-0-8021-4269-6
1353:978-1-879852-20-4
1345:978-1-879852-19-8
1318:978-0-571-23396-0
1212:, interview with
1007:, 16 April 2007,
934:, 29 April 2009,
447:Critical response
373:US foreign policy
309:Political theatre
298:Mountain Language
185:. Soon after its
145:
144:
109:
108:
2934:
2842:Related articles
2621:Press Conference
2459:One for the Road
2451:Victoria Station
2443:A Kind of Alaska
2257:
2250:
2243:
2234:
2233:
2144:
2140:
2139:
2128:
2127:
2060:Riddell, Mary.
1868:. 7 May 2009.
1767:. 28 May 2007.
1713:Cengage Learning
1693:Sunday Telegraph
1679:, 11 June 2003.
1446:Nobel Foundation
1290:Nobel Foundation
1257:
1233:
1227:
1199:
1193:
1171:
1165:
1145:
1139:
1132:News Corporation
1118:
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1079:Generation Jeans
1045:
1039:
1018:
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988:
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979:
973:
945:
939:
911:
905:
871:
865:
854:
845:
836:was launched by
832:Coincidentally,
830:
824:
823:. Television.
801:, introduced by
796:
790:
763:
754:
734:
728:
725:
714:
686:
582:HaroldPinter.org
433:good versus evil
369:Second World War
331:invasion of Iraq
253:PEN World Voices
241:Nobel Foundation
114:
110:
33:
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20:
2942:
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2895:
2890:Pinter's People
2859:Characteristics
2837:
2729:The Last Tycoon
2638:
2627:Apart From That
2517:
2295:The Dumb Waiter
2266:
2261:
2183:, published by
2171:Faber and Faber
2142:
2137:
2131:External videos
2126:
2121:
2053:, Inc., 2009.
2051:CBS Interactive
2015:National Review
1760:Another America
1743:. 9 May 2009.
1732:Daily Telegraph
1723:Ferguson, Niall
1604:. 8 May 2009.
1480:
1434:Swedish Academy
1294:Swedish Academy
1274:Primary sources
1271:
1265:
1260:
1244:Wayback Machine
1234:
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1210:Wayback Machine
1200:
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518:global politics
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171:Swedish Academy
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2124:External links
2122:
2101:Traub, James.
2081:Smith, Neil.
2067:Guardian.co.uk
1996:World Wide Web
1927:Johnston Press
1901:New York Times
1895:Lyall, Sarah.
1807:, 2 May 2007.
1552:, 8 May 2009.
1541:Guardian.co.uk
1486:
1485:
1484:
1464:Nobelprize.org
1442:Nobelprize.org
1411:(13). Print.
1382:World Wide Web
1355:(softcover).
1347:(hardcover).
1298:NobelPrize.org
1280:Pinter, Harold
1277:
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646:Public Theater
594:Main article:
591:
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556:Niall Ferguson
522:public service
448:
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429:George W. Bush
404:, Pinter adds:
335:Saddam Hussein
313:power politics
304:Ashes to Ashes
280:The Homecoming
271:
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249:Salman Rushdie
226:Various Voices
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2185:Grove Press
1982:Parini, Jay
1780:Independent
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1263:Works cited
1178:Charter '97
893:Faber.co.uk
703:John Pilger
502:blogosphere
318:He asserts:
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2906:Categories
2800:Party Time
2567:That's All
2480:Party Time
2342:The Dwarfs
2049:), 2008.
1706:Bookrags:
1430:. Print.
1363:. Print.
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699:David Hare
691:Interviews
672:References
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479:David Hare
463:Jay Parini
437:Tony Blair
365:engendered
187:videotaped
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103:Linda Zuck
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2807:The Trial
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2593:Umbrellas
2580:Applicant
2573:Interview
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1422:, 2009.
1361:0895-9706
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1219:Gothamist
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191:simulcast
175:Channel 4
164:Stockholm
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2745:Betrayal
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2427:Betrayal
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1967:Guardian
1833:Guardian
1672:Guardian
1651:BBC News
1614:Guardian
1593:Guardian
1395:, 2006.
1373:Guardian
1240:Archived
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742:BBC News
660:See also
627:Guardian
494:internet
414:and the
387:hypnosis
343:Al-Qaeda
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