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662:. The railway that transported visitors to the site did even better, making a profit of about £50,000. After the exhibition ended, the exhibited works were returned to their owners, and the temporary building and its contents were auctioned. Glass display cases were bought by the new museums under construction in South Kensington. The building was entirely demolished by November 1858. Having cost over £37,000 in all, the materials comprising the building sold for little more than £7,000; internal fittings and decorations that cost £18,581 sold for £2,836.
35:, England, from 5 May to 17 October 1857. It remains the largest art exhibition to be held in the UK, possibly in the world, with over 16,000 works on display. It attracted over 1.3 million visitors in the 142 days it was open, about four times the population of Manchester at that time, many of whom visited on organised railway excursions. Its selection and display of artworks had a formative influence on the public art collections that were then being established in the UK, such as the
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of London. A 24-foot (7.3 m) wide gallery ran around the transept at an upper level. The central third of each vault was glazed, providing ample diffuse light. In the summer, the glazing in the picture galleries was shaded with calico to prevent damage to the artworks, and firemen played water
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The exhibition gave rise to several different publications. The committee published a 234-page catalogue, a series of "Handbooks" by type of object, and an illustrated weekly periodical "The Art
Treasures Examiner". An apparently satirical book by "Tennyson Longfellow Smith" of "Poems inspired by
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The works were organised chronologically, to demonstrate the development of art, with works from northern Europe on one wall contrasted with contemporaneous works from southern Europe on the facing wall. Although the collection included works from Europe and the Orient, it had a clear emphasis on
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The exhibition comprised over 16,000 works split into 10 categories: Pictures by
Ancient Masters, Pictures by Modern Masters, British Portraits and Miniatures, Water Colour Drawings, Sketches and Original Drawings (Ancient), Engravings, Illustrations of Photography, Works of Oriental Art, Varied
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Sales of season tickets raised more than £20,000, added to daily admission fees amounting to nearly £61,000. Another £8,111 was raised by selling over 160,000 catalogues, plus £239 from selling concert programmes. Almost £1,500 came from the charges for safe-keeping of personal effects at the
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The exhibition was used as a model for the display of art in public galleries during the second half of the 19th century. Although the works displayed were returned to private collections, many found their way into public collections over the following decades, having usefully boosted their
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Certain
Pictures at the Art Treasures Exhibition" was illustrated with caricatures. A 16-page booklet was titled the "What to see, and Where to see it: The Operative's Guide to the Manchester Art Treasures Exhibition" (an "operative" was the operator of a machine, as in a mill).
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reputation by their appearance in
Manchester. The National Portrait Gallery in London had been founded in 1856 and opened its doors to the public in 1858. Scharf was its first director, and arranged the displays in chronological order, as the Manchester exhibition had done.
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on the roof as a form of rudimentary air conditioning when the interior temperature exceeded 70 °F (21 °C). Young & Co's original quote of £24,500 proved over-optimistic, and cost overruns pushed the final bill up to £37,461.
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in 1851. There had already been an "Exposition of
British Industrial Art in Manchester" in 1845. Unlike these earlier exhibitions, the Manchester exhibition was restricted to works of art without any industrial or trade items on display.
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The site became part of
Manchester Botanical Gardens, and was used to hold a Royal Jubilee Exhibition in 1887, to celebrate the 50th anniversary of Queen Victoria's accession to the throne. The gardens closed in 1907, becoming
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and a commissioner for the 1851 Great
Exhibition. The concept quickly gained momentum: after an initial meeting on 26 March 1856, a guarantee fund of £74,000 was soon underwritten by around 100 contributors, and
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on either side roofing a 104 feet (32 m) wide central gallery running the length of the building, and narrower barrel vaults 45 feet (14 m) wide to either side, all crossed by a 104 feet (32 m)
506:, and then by the Queen and her entourage privately on 30 June. The exhibition ran until 17 October 1857, but was closed on Wednesday 7 October 1857 to mark a "day of humiliation" on account of the ongoing
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From gross receipts of £110,588 9s. 8d., the exhibition made a small profit of £304 14s. 4d, a good result compared to the crippling £20,000 loss made by the Dublin
Exhibition, which ruined its organiser
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to visit on
Saturday 19 September. Many other railway excursions were organised, mostly from the towns and cities around Manchester, but also Shrewsbury, Preston, Leeds, Grimsby, Nottingham, and Lincoln.
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Most public
British collections were in a nascent state, so most of the works were borrowed from 700 private collections. Many had never been exhibited in public before. The exhibition included the
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141:), assisted by an Executive Committee chaired by Fairbairn. Deane was appointed as General Commissioner, on an annual salary of £1,000. The committee took artistic advice from German art historian
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The hall also included two public refreshment rooms, First Class and Second Class, later supplemented by a tent outside, and a separate royal reception room. Following his visit, American author
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in 1853, and the exhibition was financed by the city's increasingly affluent business grandees, who were motivated by a desire to demonstrate their cultural attainment, and inspired by the
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263:. Each column bore the exhibition's monogram: "ATE". The hall was subdivided internally by partitions, creating separate galleries. The interior was lined with wood panels covered with
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was asked to organise an orchestra to perform a daily concert, in addition to a daily organ recital. After the exhibition closed, he continued running the orchestra, which became the
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Internally, the building included a large hall, with corrugated iron sides and vaults supported by iron columns, with space for an orchestra at one end and a large
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The exhibition attracted more than 1.3 million visitors – about four times the population of Manchester in 1857. Prominent visitors included the
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The idea for an exhibition in Manchester was first expressed in a letter sent on 10 February 1856 by John Connellan Deane, son of Irish architect Sir
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517:(including admission on the two state ceremonial occasions) or 1 guinea (without). During the first 10 days, and on Thursdays, daily admission was
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had arranged excursions to the Great Exhibition in 1851 and the Paris Exhibition in 1855, and this time he organised "moonlight" excursions from
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reportedly declined, replying contemptuously: What in the world do you want with art in Manchester? Why can't you stick to your cotton spinning?
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and his female may be seen in full gulp and guzzle, swallowing vast quantities of cold boiled beef, thoroughly moistened with porter or bitter
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for £13,500 to form the core of the collection of medieval and Renaissance decorative arts. The collection had previously been exhibited at
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A sort of black smoke covers the city ... From this foul drain, the greatest stream of human industry flows out to fertilise the world.
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International Rubber, Tropical Products and Allied Industries ExhibitionInternational Exhibition of Rubber and Other Tropical Products
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after 2 pm on Saturdays – to encourage working class visitors – did not noticeably increase revenue and was abandoned.
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Objects of Oriental Art, and Sculpture. The collection included 5,000 paintings and drawings by "Modern Masters" such as
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about the exhibition: "Everyone up here is an art lover just now and the talk is all of the pictures at the exhibition".
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only a few days before, on 30 April. The exhibition was visited ceremonially by Queen Victoria on 29 June, during her
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in 2007–08 to commemorate the 150th anniversary of the Art Treasures Exhibition, and a conference was held at the
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Exhibition of art treasures of the United Kingdom, held at Manchester in 1857. Report of the executive committee
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CALDESI & MONTECCHI (ACTIVE 1857–67) Photographs of the "Gems of the Art Treasures Exhibition", Manchester
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Manchester was a small provincial town in the medieval period, but by 1855 it was an industrial city with 95
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was appointed as the exhibition's Art Secretary; he became secretary and director to the newly founded
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Not all private owners responded positively to the committee's entreaties to lend their works of art.
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in London with a view to being acquired for the South Kensington Museum (now the V&A), but the
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724:, 1859. Many details in this article are taken from this comprehensive record of the exhibition.
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in London, and an ornamental brick entrance at the eastern end was designed by local architect
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Art, City Spectacle: Revisiting the 1857 Manchester Art Treasures Exhibition Junior Conference
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The exhibition was opened by Prince Albert on 5 May 1857, in mourning following the death of
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in London, 656 feet (200 m) long and 200 feet (61 m) wide, with one central
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Catalogue of the art treasures of the United Kingdom: collected at Manchester in 1857
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towards the western end. The design of the main structure has been attributed to
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commissioned three trains to transport 2,600 of his factory workers from
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Catalogue of the books in the Manchester free library: Reference department
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The exhibition was held outside the city centre, on a three-acre site in
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in May – October 1886. A large exhibition of paintings was held in
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refused to fund the purchase. They were later acquired by the V&A.
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The collector's voice: critical readings in the practice of collecting
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482:("Manchester's collection is worth almost as much as the Louvre's").
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285:: "A thing of beauty is a joy for ever." By the exit was a line from
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917:, Volume 24, Cornelius P. Darcy, Manchester University Press, 1976,
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A second but smaller National Art Treasures Exhibition was held in
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970:"A Joy for Ever": the Manchester Art-Treasures Exhibition in Print
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International Exhibition of Arts and Manufactures (Dublin, 1874)
895:, John J. Parkinson-Bailey, Manchester University Press, 2000,
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875:. London & Manchester: Sherratt & Hughes. p. 193.
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Art Treasures Exhibition Returns To Manchester After 150 Years
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International Exhibition of Navigation, Commerce and Industry
693:, using prefabricated buildings moved from South Kensington.
244:. The materials used included 650 long tons (660 t) of
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A General Committee established in May 1856, chaired by the
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The encouragement of the fine arts in Lancashire, 1760–1860
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56 feet (17 m) wide with a 24 feet (7.3 m) wide
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Scottish Exhibition of National History, Art and Industry
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in 1907 and near the present-day White City Retail Park.
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and 1,724 warehouses. It was visited by French historian
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International Exhibition of Science, Art & Industry
605:, leaving at midnight and returning late that evening.
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Dublin Exhibition of Arts, Industries and Manufactures
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of the Works of Industry of All Nations (London, 1851)
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cloakroom, and £3,346 from the refreshments contract.
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and a commissioner for the 1853 Dublin Exhibition, to
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International Exhibition of Science, Art and Industry
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International Agricultural Exhibition (Kilburn, 1879)
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International Exhibition of Industry, Science and Art
853:, Vol.3, Alexandra Bounia, Ashgate Publishing, 2002,
398:; several hundred sculptures; photographs, including
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Art Treasures in Manchester: 150 years on — Part two
1041:
Art Treasures in Manchester: 150 years on — Part one
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surrendered its lease and moved a short distance to
197:and to the west of an existing railway line of the
500:Princess Mary, Duchess of Gloucester and Edinburgh
306:wrote that, in the Second Class refreshment room:
275:Over the entrance was inscribed the first line of
1181:International Exhibition of Arts and Manufactures
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199:Manchester, South Junction and Altrincham Railway
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1036:Drawing of the Art Treasures Exhibition Building
457:Madonna and Child with Saint John and the Angels
1146:Exhibition of Industrial Arts and Manufacturers
477:La collection de Manchester vaut à peu près le
299:: "To wake the soul by tender strokes of art."
201:. The railway company built a new station (now
183:which he had previously let as a cricket ground
145:, who had published the first 3 volumes of his
137:(and, after his death in February 1857, by the
773:The Art Treasures Exhibition, Manchester, 1857
414:; and other works of decorative arts, such as
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521:; on other days, admission was reduced to 1
1229:Royal Mining Engineering Jubilee Exhibition
960:, Vol. 99, No. 656 (Nov. 1957), pp. 361–363
828:Art Treasures: The birth of the blockbuster
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460:which had only recently been attributed to
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737:Art Treasures in Manchester: 150 years on
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525:. An experiment in reducing admission to
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1280:Naval, Shipping and Fisheries Exhibition
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193:. The site was conveniently adjacent to
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1208:First International Forestry Exhibition
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267:. Most internal decoration was done by
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31:was an exhibition of fine art held in
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801:, Manchester Art Gallery and subpages
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892:Manchester: an architectural history
1213:International Inventions Exhibition
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114:son of Manchester iron founder Sir
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1353:Great Britain and Northern Ireland
1202:International Fisheries Exhibition
1164:Great Industrial Exhibition (1853)
615:allegorical photographic montage,
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1337:Universal Exhibition (Nottingham)
1300:Imperial International Exhibition
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147:Treasures of Art in Great Britain
1333:Bristol International Exhibition
991:, University of Manchester, 2007
954:'Art Treasures' Exhibition, 1857
248:, 600 long tons (610 t) of
64:Manchester from Higher Broughton
1187:Annual International Exhibition
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944:, BBC Manchester, 19 March 2008
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78:in 1835, who scathingly wrote:
1290:Irish International Exhibition
1218:Colonial and Indian Exhibition
972:, Manchester Art Gallery, 2007
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378:, and 1,000 works by European
92:Paris International Exhibition
29:Art Treasures of Great Britain
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1437:Festivals established in 1857
1386:UNBOXED: Creativity in the UK
1275:Cork International Exhibition
1175:1862 International Exhibition
1142:Exposition of British Society
1051:List of photographic exhibits
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406:and the photographic tableau
132:Lord Lieutenant of Lancashire
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1285:Imperial Austrian Exhibition
685:, an industrial part of the
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434:of Toulouse, founder of the
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1371:Empire Exhibition, Scotland
1366:North East Coast Exhibition
1158:Irish Industrial Exhibition
942:The greatest art show ever?
873:Reminiscences of Manchester
754:, Culture24, 5 October 2007
691:V&A Museum of Childhood
668:White City Pleasure Gardens
633:To entertain the visitors,
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195:Manchester Botanical Garden
191:Old Trafford Cricket Ground
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1432:19th century in Manchester
1265:Greater Britain Exhibition
775:, Suzanne Fagence Cooper,
696:An exhibition was held at
504:second visit to Manchester
45:Victoria and Albert Museum
1361:British Empire Exhibition
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1328:Anglo-American Exhibition
1295:Franco-British Exhibition
1135:Great Britain and Ireland
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1059:Internet Archive – online
236:, who later designed the
155:National Portrait Gallery
127:granted their patronage.
41:National Portrait Gallery
1417:World's fairs in England
1323:Latin-British Exhibition
1305:Japan–British Exhibition
1248:Royal Jubilee Exhibition
1115:Kingdom of Great Britain
1015:53.4617371°N 2.2843194°W
739:, Manchester Art Gallery
702:University of Manchester
538:Queen of the Netherlands
468:. The French art critic
18:Art Treasures Exhibition
1123:First Exhibition (1760)
958:The Burlington Magazine
871:Hayes, Louis M (1905).
799:Art Treasures in detail
613:Oscar Gustave Rejlander
550:William Ewart Gladstone
412:Oscar Gustave Rejlander
187:Manchester Cricket Club
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783:11 March 2007 at the
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76:Alexis de Tocqueville
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987:27 July 2011 at the
617:The Two Ways of Life
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566:Alfred Lord Tennyson
350:Small Cowper Madonna
333:, also known as the
261:Kirtland and Jardine
179:Humphrey de Trafford
1457:Culture in Trafford
1376:Festival of Britain
1239:American Exhibition
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832:The Daily Telegraph
582:Nathaniel Hawthorne
304:Nathaniel Hawthorne
209:C.D. Young & Co
1313:Festival of Empire
1148:(Birmingham, 1849)
834:, 13 November 2007
704:in November 2007.
687:East End of London
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466:Manchester Madonna
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269:John Gregory Crace
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440:Marlborough House
424:Meissen porcelain
116:William Fairbairn
98:in 1853, and the
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16:(Redirected from
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1120:
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1107:Great Britain
1104:
1100:
1093:
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978:
971:
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923:0-7190-1330-5
920:
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901:0-7190-5606-3
898:
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859:1-85928-419-1
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688:
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683:Bethnal Green
680:
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650:
646:
642:
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636:
635:Charles Hallé
631:
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508:Indian Mutiny
505:
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231:
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177:owned by Sir
176:
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151:George Scharf
148:
144:
143:Gustav Waagen
140:
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128:
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125:Prince Albert
122:
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109:
104:
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97:
94:in 1855, the
93:
89:
83:
79:
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73:
65:
61:
57:
48:
46:
42:
38:
34:
30:
19:
1169:
1160:(Cork, 1852)
996:
977:
965:
957:
949:
913:
908:
891:
872:
866:
849:
831:
779:, June 2001
776:
720:
715:
695:
676:
672:
664:
656:
647:
643:
632:
622:
616:
531:
519:half a crown
512:
497:
485:
476:
475:
465:
462:Michelangelo
455:
452:
448:
407:
382:, including
364:Gainsborough
356:
348:
334:
330:
327:Michelangelo
309:
301:
294:
280:
274:
254:
250:wrought iron
221:barrel vault
207:
175:Old Trafford
172:
146:
129:
108:Thomas Deane
105:
85:
81:
72:cotton mills
69:
63:
60:William Wyld
28:
26:
1427:1857 in art
1055:John Peck:
1018: /
599:Thomas Cook
578:John Ruskin
400:Crimean War
380:Old Masters
86:Manchester
62:'s view of
1401:Categories
1003:53°27′42″N
903:, pp.77–78
708:References
679:Folkestone
590:Titus Salt
402:images by
374:, and the
277:John Keats
257:pipe organ
51:Background
33:Manchester
1006:2°17′04″W
861:, pp.8–13
653:Aftermath
628:Karl Marx
626:wrote to
603:Newcastle
396:Rembrandt
372:Constable
347:Raphael,
311:John Bull
246:cast iron
225:hip vault
157:in 1857.
149:in 1854.
1177:(London)
1166:(Dublin)
985:Archived
781:Archived
777:Antiques
594:Saltaire
527:sixpence
523:shilling
494:Visitors
444:Treasury
416:Wedgwood
282:Endymion
230:transept
43:and the
1103:Ireland
925:, p.151
515:guineas
418:china,
388:Raphael
360:Hogarth
181:, Bt.,
1241:(1887)
1220:(1886)
1195:(1872)
921:
899:
857:
584:, and
556:, the
536:, the
479:Louvre
420:Sèvres
392:Titian
384:Rubens
368:Turner
265:calico
66:, 1852
1105:and
919:ISBN
897:ISBN
855:ISBN
422:and
394:and
296:Cato
123:and
27:The
1101:in
410:by
329:'s
293:'s
279:'s
259:by
1403::
956:,
930:^
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806:^
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729:^
588:.
580:,
576:,
572:,
568:,
564:,
560:,
552:,
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540:,
510:.
390:,
386:,
370:,
366:,
362:,
185:.
47:.
39:,
1091:e
1084:t
1077:v
20:)
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