29:
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500:, he argued that the value of art lies in its ability to produce a distinctive aesthetic experience in the viewer. an experience he called "aesthetic emotion". He defined it as that experience which is aroused by significant form. He also suggested that the reason we experience aesthetic emotion in response to the significant form of a work of art was that we perceive that form as an expression of an experience the artist has. The artist's experience in turn, he suggested, was the experience of seeing ordinary objects in the world as pure form: the experience one has when one sees something not as a means to something else, but as an end in itself.
379:(1865), a portrait of a nude courtesan, provoked a scandal for its blatant realism, Baudelaire worked privately to support his friend. He claimed that "criticism should be partial, impassioned, political— that is to say, formed from an exclusive point of view, but also from a point of view that opens up the greatest number of horizons". He tried to move the debate from the old binary positions of previous decades, declaring that "the true painter, will be he who can wring from contemporary life its epic aspect and make us see and understand, with colour or in drawing, how great and poetic we are in our cravats and our polished boots".
168:
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186:. In this work, he attempted to create an objective system for the ranking of works of art. Seven categories, including drawing, composition, invention and colouring, were given a score from 0 to 18, which were combined to give a final score. The term he introduced quickly caught on, especially as the English middle class began to be more discerning in their art acquisitions, as symbols of their flaunted social status.
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expressive, formalist, relativist, processional, imitation, ritual, cognition, mimetic and postmodern theories, are some of many theories to criticize and appreciate art. Art criticism and appreciation can be subjective based on personal preference toward aesthetics and form, or it can be based on the elements and principle of design and by social and cultural acceptance.
228:, "When Diderot took up art criticism it was on the heels of the first generation of professional writers who made it their business to offer descriptions and judgments of contemporary painting and sculpture. The demand for such commentary was a product of the similarly novel institution of regular, free, public exhibitions of the latest art".
127:
critic. There is in an activity with such a marked subjective component a variety of ways in which it can be pursued. As extremes in a possible spectrum, while some favour simply remarking on the immediate impressions caused by an artistic object, others prefer a more systematic approach calling on technical knowledge, favoured
297:, a painter and essayist. He wrote about his deep pleasure in art and his belief that the arts could be used to improve mankind's generosity of spirit and knowledge of the world around it. He was one of a rising tide of English critics that began to grow uneasy with the increasingly abstract direction
853:
Art critics today work not only in print media and in specialist art magazines as well as newspapers. Art critics appear also on the internet, TV, and radio, as well as in museums and galleries. Many are also employed in universities or as art educators for museums. Art critics curate exhibitions and
461:
art attracted much criticism for its iconoclasm. He vigorously defended himself in a lecture, in which he argued that art had moved to attempt to discover the language of pure imagination, rather than the staid and, to his mind, dishonest scientific capturing of landscape. Fry's argument proved to be
794:
spoke of the transformation of painting into an existential drama in
Pollock's work, in which "what was to go on the canvas was not a picture but an event". "The big moment came when it was decided to paint 'just to paint'. The gesture on the canvas was a gesture of liberation from value—political,
105:
Art criticism has many and often numerous subjective viewpoints which are nearly as varied as there are people practising it. It is difficult to come by a more stable definition than the activity being related to the discussion and interpretation of art and its value. Depending on who is writing on
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wrote catalogue forewords and reviews and by the late 1940s became an exhibiting artist at Betty
Parsons Gallery. His first solo show was in 1948. Soon after his first exhibition, Barnett Newman remarked in one of the Artists' Session at Studio 35: "We are in the process of making the world, to a
126:
Art criticism includes a descriptive aspect, where the work of art is sufficiently translated into words so as to allow a case to be made. The evaluation of a work of art that follows the description (or is interspersed with it) depends as much on the artist's output as on the experience of the
96:
There are many different variables that determine judgment of art such as aesthetics, cognition or perception. Art is a human instinct with a diverse range of form and expression. Art can stand alone with an instantaneous judgment, or be viewed with a deeper knowledge. Aesthetic, pragmatic,
76:
Despite perceptions that art criticism is a much lower risk activity than making art, opinions of current art are always liable to drastic corrections with the passage of time. Critics of the past are often ridiculed for dismissing artists now venerated (like the early work of the
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called "the most ambitious work of scientific art criticism ever attempted." Ruskin became renowned for his rich and flowing prose, and later in life he branched out to become an active and wide-ranging critic, publishing works on architecture and
68:
has resulted in a division of art criticism into different disciplines which may each use different criteria for their judgements. The most common division in the field of criticism is between historical criticism and evaluation, a form of
290:, criticized the old styles as overly formulaic and devoid of any feeling. Instead, they championed the new expressive, Idealistic, and emotional nuances of Romantic art. A similar, though more muted, debate also occurred in England.
92:
Artists have often had an uneasy relationship with their critics. Artists usually need positive opinions from critics for their work to be viewed and purchased; unfortunately for the artists, only later generations may understand it.
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certain extent, in our own image". Utilizing his writing skills, Newman fought every step of the way to reinforce his newly established image as an artist and to promote his work. An example is his letter to
60:
or the theory of beauty. A goal of art criticism is the pursuit of a rational basis for art appreciation but it is questionable whether such criticism can transcend prevailing socio-political circumstances.
775:
in particular as the epitome of aesthetic value. Greenberg supported
Pollock's work on formalistic grounds as simply the best painting of its day and the culmination of an art tradition going back via
118:, "The borders between art history and art criticism... are no more as firmly drawn as they once used to be. It perhaps began with art historians taking interest in modern art."
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It is true that Rothko talks the fighter. He fights, however, to submit to the philistine world. My struggle against bourgeois society has involved the total rejection of it.
876:
Since the early 21st century, online art critical websites and art blogs have cropped up around the world to add their voices to the art world. Many of these writers use
441:
Towards the end of the 19th century a movement towards abstraction, as opposed to specific content, began to gain ground in
England, notably championed by the playwright
324:
in its distinction between "things seen by the artist" and "things as they are." Through painstaking analysis and attention to detail, Ruskin achieved what art historian
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457:. As an art historian in the 1890s, Fry became intrigued with the new modernist art and its shift away from traditional depiction. His 1910 exhibition of what he called
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The new critics elevated their protégés by casting other artists as "followers" or ignoring those who did not serve their promotional goal. As an example, in 1958,
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greatly advanced the medium of art criticism. Diderot's "The Salon of 1765" was one of the first real attempts to capture art in words. According to art historian
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that all art work has its particular 'significant form', while the conventional subject matter was essentially irrelevant. This work laid the foundations for the
81:). Some art movements themselves were named disparagingly by critics, with the name later adopted as a sort of badge of honour by the artists of the style (e.g.,
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697:"became the first American painter since Whistler (1895) to win top prize at the Biennale of Venice. New York's two leading art magazines were not interested.
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Reflexions sur quelques causes de l'état présent de la peinture en France : avec un examen des principaux ouvrages exposés au Louvre le mois d'août 1746
270:
From the 19th century onwards, art criticism became a more common vocation and even a profession, developing at times formalised methods based on particular
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for flinging a pot of paint in the public's face." This criticism provoked
Whistler into suing the critic for libel. The ensuing court case proved to be a
189:
In France and
England in the mid-1700s, public interest in art began to become widespread, and art was regularly exhibited at the Salons in Paris and the
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610:
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Art criticism as a genre of writing, obtained its modern form in the 18th century. The earliest use of the term art criticism was by the
English painter
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1640:
Orestano, Francesca (2012). "Chapter 6: John Neal, the Rise of the
Critick, and the Rise of American Art". In Watts, Edward; Carlson, David J. (eds.).
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2070:
2101:
2365:"Oral history interview with Robert Motherwell, 1971 Nov. 24-1974 May 1 – Oral Histories | Archives of American Art, Smithsonian Institution"
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in 1958. After visiting the studios of several
Argentine artists in the company of the young Director of the Museum of Modern Art of Buenos Aires
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were also important postwar art historians who voiced support for
Abstract Expressionism. During the early to mid sixties younger art critics
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in 1762 and later, in 1766, prompted a flurry of critical, though anonymous, pamphlets. Newspapers and periodicals of the period, such as the
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365:, which attracted immediate attention for its boldness. Many of his critical opinions were novel in their time, including his championing of
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wrote extensively on art, going well beyond the limits of his native Europe. His conviction that the vanguard in Latin America lay in
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787:, in which painting became ever "purer" and more concentrated in what was "essential" to it, the making of marks on a flat surface.
764:, well-heeled, joined Greenberg in promoting a style that fit the political climate and the intellectual rebelliousness of the era.
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As in the case of Baudelaire in the 19th century, the poet-as-critic phenomenon appeared once again in the 20th, when French poet
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Barnett Newman Selected Writings and Interviews, (ed.) by John P. O'Neill, pgs.: 240–241, University of California Press, 1990
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The Interpretation of Art: Essays on the Art Criticism of John Ruskin, Walter Pater, Clive Bell, Robert Fry, and Herbert Read
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The Interpretation of Art: Essays on the Art Criticism of John Ruskin, Walter Pater, Clive Bell, Robert Fry, and Herbert Read
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The Interpretation of Art: Essays on the Art Criticism of John Ruskin, Walter Pater, Clive Bell, Robert Fry, and Herbert Read
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628:, by the late 1940s most of the artists who have become household names today had their well established patron critics.
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1920:
IAN CHILVERS. "Fry, Roger." The Concise Oxford Dictionary of Art and Artists. 2003. Encyclopedia.com. 9 March 2009 <
28:
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Barnett Newman Selected Writings Interviews, (ed.) by John P. O'Neill, p.: 201, University of California Press, 1990.
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445:. By the early twentieth century these attitudes formally coalesced into a coherent philosophy, through the work of
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who wrote about the Salon of 1746, commenting on the socioeconomic framework of the production of the then popular
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2012:
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Critiques of art likely originated with the origins of art itself, as evidenced by texts found in the works of
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added considerable insights into the critical dialectic that continues to grow around Abstract Expressionism.
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of London. The first writers to acquire an individual reputation as art critics in 18th-century France were
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159:, intermediary art-evaluators to assist them in the procurement of commissions and/or finished pieces.
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in its essays and art history itself may use critical methods implicitly. According to art historian
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since it's the form, and not the object itself, that interests me." As well as being a proponent of
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defended the classical ideal and preferred carefully finished form in paintings. Romantics, such as
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Stuttaford, Genevieve. "Nonfiction – the Aesthetic Movement by Lionel Lambourne." Vol. 243. (1996).
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which has around 76 national sections and a political non-aligned section for refugees and exiles.
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are frequently employed to write exhibition catalogues. Art critics have their own organisation, a
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approach to art. In 1920, Fry argued that "it's all the same to me if I represent a Christ or a
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1317:(2). The University of Chicago Press on behalf of the Renaissance Society of America: 392–450.
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398:: "I have seen, and heard, much of Cockney impudence before now; but never expected to hear a
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Conley, Katharine (Spring 2005). "The Cubist Painters by Guillaume Apollinaire; Peter Read".
403:
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241:, began to carry columns for art criticism; a form that took off with the foundation of the
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The person thought to have had most to do with the promotion of this style was a New York
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within its framework. Regardless of definitional problems, art criticism can refer to the
8:
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The Enlightenment Against the Baroque: Economics and Aesthetics in the Eighteenth Century
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and the known sociocultural context the artist is immersed in to discern their intent.
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the subject, "art criticism" itself may be obviated as a direct goal or it may include
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590:'s new artistic movements. Squirru, a poet-critic who became Cultural Director of the
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and became associated with Nash's contemporary arts group Unit One. He focused on the
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became the first newspaper to systematically review the art featured at exhibitions.
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Observations on American Art: Selections from the Writings of John Neal (1793-1876)
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as the critical examination of both visual representations of women in art and art
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A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful
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Thomas B. Hess, "Willem de Kooning", George Braziller, Inc. New York, 1959 p.:13
1935:"Archive Journeys: Bloomsbury Biographies: Roger Fry, as art critic | Tate"
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before his death, contributing to a revival of interest in the American artist.
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art style, which led to a perception of anti-monarchist sentiments in the text.
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Ackerman, James S. (Winter 1960). "Art History and the Problems of Criticism".
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became the champion of Cubism. Later, French writer and hero of the Resistance
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by Roger Fry, 1924, oil on canvas. National Portrait Gallery, London. NPG 4967.
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437:... In so far as taste can be changed by one man, it was changed by Roger Fry".
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274:. In France, a rift emerged in the 1820s between the proponents of traditional
225:
111:
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22:
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1125:
Tekiner, Deniz (2006). "Formalist Art Criticism and the Politics of Meaning".
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760:, he became an early and literate proponent of Abstract Expressionism. Artist
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2013:"Archive Journeys: Bloomsbury Biographies: Roger Fry, modern art | Tate"
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1256:"Humanities underground » All the Shared Experiences of the Lived World"
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Another dominating figure in 19th-century art criticism, was the French poet
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From Armida to Cornelia: Women and Representation in Prerevolutionary France
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Reflexions sur quelques causes de l'état présent de la peinture en France
156:
107:
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53:
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1987:"Archive Journeys: Bloomsbury Biographies: Roger Fry, ideas | Tate"
1644:. Lewisburg, Pennsylvania: Bucknell University Press. pp. 137–138.
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1138:
943:. North Texas Institute For Educators on the Visual Arts. Archived from
798:
One of the most vocal critics of Abstract Expressionism at the time was
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Chapter 2, "The American Action Painter", Da Capo Press, 1959 pp.:23–39
2603:
1710:. Vol. 3 (11th ed.). Cambridge University Press. p. 537.
1621:. State College, Pennsylvania: Pennsylvania State College. p. ix.
1591:. Vol. 8 (11th ed.). Cambridge University Press. p. 205.
1330:
902:
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613:. There were also a few artists with a literary background, among them
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among others, that contain early forms of art criticism. Also, wealthy
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49:
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2990:"Frieze or faculty? One art critic's move from academia to journalism"
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very influential at the time, especially among the progressive elite.
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remarked that: "in or about December 1910 human character changed."
450:
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2782:("The Crisis of the Easel Picture"), Beacon Press, 1961 pp.:154–157
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534:, and published an influential 1929 essay on the meaning of art in
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287:
202:
2526:"American Abstract Expressionism: Painting Action and Colorfields"
1828:
After Whistler: The Artist and His Influence on American Painting.
1458:(in French). Paris: Charpentier et C, Libraires-Éditeurs. p.
1369:"Art as Gift: Liberal Art and Religious Reform in the Renaissance"
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Although New York and the world were unfamiliar with the New York
609:) but also few critics who were willing to follow the work of the
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4329:
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Diderot on Art, Volume I: The Salon of 1765 and Notes on Painting
682:
214:
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John Neal and Nineteenth Century American Literature and Culture
1602:
Crow, Thomas E. (1995). "Introduction". In Denis Diderot (ed.).
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1158:(4th, Revised Ed.). New York: The Museum of Modern Art. p. 323
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1231:"Painting by ridiculed but popular artist sells for ÂŁ744,800"
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to introduce readers to their opinions about art criticism.
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1004:
Rupkatha Journal on Interdisciplinary Studies in Humanities
2968:"12 Step Guide to Feminist Art, Art History and Criticism"
2338:"The Art Story: Gallery – The Art of This Century Gallery"
2272:
Art and the Human Adventure, André Malraux's Theory of Art
1761:"Édouard Manet's Olympia by Beth Harris and Steven Zucker"
1503:. Berkeley: University of California Press. pp. 49–50
205:
for the sagacity of his approach to aesthetic theory; and
3769:
1961:"Archive Journeys: Bloomsbury Group Profiles | Tate"
705:(Managing editor: Thomas B. Hess) ignored it completely.
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Negotiating the Gift: Pre-Modern Figurations of Exchange
293:
One of the prominent critics in England at the time was
73:, and contemporary criticism of work by living artists.
701:
mentioned the historic event only in a news column and
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as "incomparably the greatest influence on taste since
1553:(in French). Paris: François Buisson. pp. 118–407
1479:
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The Work of Art in the Age of Mechanical Reproduction
2508:
Greenberg, Clement (1955). "American-Type Painting".
1435:
Réflexions critiques sur la poésie et sur la peinture
790:
Jackson Pollock's work has always polarised critics.
199:
Réflexions critiques sur la poésie et sur la peinture
2362:
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2331:
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266:, the preeminent art critic of 19th century England
3053:. New York Foundation for the Arts. Archived from
1133:(2 (104) – Art, Power, and Social Change): 31–44.
4305:
3106:"AICA – International Association of Art Critics"
506:was a champion of modern British artists such as
304:One of the great critics of the 19th century was
89:), with the original negative meaning forgotten.
5476:
3078:"The Death of Criticism or Everyone Is a Critic"
2326:
1438:(in French) (3rd ed.). Utrecht: E. Neaulme.
1282:
1280:
605:In the 1940s there were not only few galleries (
413:
361:, whose first published work was his art review
4783:Timeline of 20th century printmaking in America
3124:. Guardian News and Media Limited. 8 July 2008.
2625:Stevens, Mark; Annalyn Swan (8 November 2004).
1547:Diderot, Denis (1795). François Buisson (ed.).
1209:
1207:
997:"Subjectivity in Art History and Art Criticism"
353:art review shocked its audience with its ideas.
1179:
1177:
1175:
1173:
1171:
598:, during the 1960s, was the last to interview
586:, Malraux declared the new vanguard to lie in
388:Nocturne in Black and Gold: The Falling Rocket
5103:
4291:
4167:
3191:
2755:"Robert Motherwell, Master of Abstract, Dies"
1490:
1277:
1120:
1118:
1116:
1114:
1112:
1110:
1072:
1070:
1068:
1066:
1064:
1062:
1060:
1058:
1056:
1054:
990:
988:
986:
984:
982:
668:seemed to prefer the action painters such as
3916:The Literary Mind and the Carving of Dragons
3147:– conference, reading room, and bibliography
2602:. The Estate of Hans Hofmann. Archived from
2424:
2422:
2409:"Chronology - The Barnett Newman Foundation"
1865:, Carroll & Graf, New York, 1994, p. 216
1843:, Carroll & Graf, New York, 1994, p. 215
1690:
1688:
1291:. University of California Press. p. 5.
1273:. University of California Press. p. 3.
1218:. University of California Press. p. 6.
1204:
1150:
1148:
1052:
1050:
1048:
1046:
1044:
1042:
1040:
1038:
1036:
1034:
980:
978:
976:
974:
972:
970:
968:
966:
964:
962:
2518:
2501:
2322:. Berkeley: University of California Press.
1168:
231:Meanwhile, in England an exhibition of the
155:have employed, at least since the start of
5110:
5096:
4298:
4284:
4174:
4160:
3198:
3184:
3016:"International Association of Art Critics"
2401:
2356:
2320:Edward Hopper : an intimate biography
2291:Journal of Conservation and Museum Studies
1720:
1664:
1403:
1401:
1399:
1397:
1395:
1393:
1107:
931:
929:
927:
925:
923:
858:non-governmental organisation, called the
544:London International Surrealist Exhibition
3139:"Judgment and Contemporary Art Criticism"
2507:
2419:
2302:
1890:. New York: Time-Life Books, 1970. p. 123
1685:
1496:
1145:
1031:
1015:
959:
829:
2965:
1727:. New York: St. Martin's Press. p.
1694:
1639:
1480:La Font de Saint-Yenne, Étienne (1747).
1448:
1183:
910:(contemporary examples of art criticism)
860:International Association of Art Critics
468:
417:
341:
258:
174:coined the term 'art criticism' in 1719.
166:
56:usually criticize art in the context of
27:
5406:
3157:X-TRA : Contemporary Art Quarterly
2860:"Remembering Leo Steinberg (1920–2011)"
2857:
2831:
2574:"Special Exhibitions – Adolph Gottlieb"
2228:
2130:
2099:
2068:
2037:
1863:James McNeill Whistler: Beyond the Myth
1841:James McNeill Whistler: Beyond the Myth
1671:Curiosités esthétiques: Salon 1845–1859
1616:
1546:
1528:(MA). Texas Tech University. p. 11
1390:
1301:
1286:
1268:
1213:
1124:
920:
5477:
3075:
2987:
2752:
2185:
1795:
1753:
1571:
1521:
1304:"What Did the Renaissance Patron Buy?"
1228:
1192:(1 – The Visual Arts Today): 253–263.
1076:
994:
184:An Essay on the Whole Art of Criticism
16:Discussion or evaluation of visual art
5091:
4279:
4155:
3179:
2988:Gratza, Agnieszka (17 October 2013).
2317:
2284:
2269:
1486:(in French). The Hague: Jean Neaulme.
1431:
1366:
1302:Gilbert, Creighton E. (Summer 1998).
480:Independently, and at the same time,
201:(1718) which garnered the acclaim of
3153:"The Myth of Criticism in the 1980s"
3076:Kaiser, Michael (14 November 2011).
1601:
837:emerged in the 1970s from the wider
320:(1829) by first American art critic
2834:"A Critic Turns 90; Meyer Schapiro"
2832:Solomon, Deborah (14 August 1994).
2576:. The Jewish Museum. Archived from
2430:"Painters in Postwar New York City"
1606:. Yale University Press. p. x.
621:who functioned as critics as well.
538:. He also edited the trend-setting
282:fashion. The Neoclassicists, under
48:is the discussion or evaluation of
13:
4882:Index of painting-related articles
4181:
2966:Deepwell, Katie (September 2012).
1701:"Baudelaire, Charles Pierre"
880:resources like Facebook, Twitter,
748:. As long time art critic for the
542:(1933–38) and helped organise the
14:
5521:
3098:
3044:
2996:. Guardian News and Media Limited
2858:McGuire, Kristi (15 March 2011).
2139:. British Council. Archived from
2108:. British Council. Archived from
2077:. British Council. Archived from
2046:. British Council. Archived from
1802:. Yale University Press. p.
1522:Walter, Nancy Paige Ryan (1995).
4134:
2938:
2911:
2884:
2804:
2780:Art and Culture Critical essays,
2672:
2645:
2496:University of Iowa Museum of Art
2454:
2335:
2229:Mathews, Timothy (Summer 1988).
1861:Ronald Anderson and Anne Koval,
1839:Ronald Anderson and Anne Koval,
1452:(1874). Charles Louandre (ed.).
1229:Seenan, Gerard (20 April 2004).
1097:"The curious case of criticism."
301:'s landscape art was moving in.
3069:
3038:
3008:
2981:
2959:
2932:
2905:
2878:
2851:
2825:
2798:
2785:
2772:
2746:
2737:
2728:
2702:
2693:
2666:
2639:
2618:
2592:
2566:
2554:. The Barnett Newman Foundation
2544:
2475:
2448:
2379:
2311:
2278:
2263:
2222:
2179:
2155:
2124:
2093:
2062:
2031:
2005:
1979:
1953:
1927:
1914:
1893:
1880:
1868:
1855:
1846:
1833:
1820:
1789:
1714:
1658:
1633:
1617:Dickson, Harold Edward (1943).
1610:
1595:
1565:
1540:
1515:
1473:
1442:
1425:
1360:
1295:
1262:
1248:
254:
220:The 18th-century French writer
5454:Appraisal (discourse analysis)
3205:
2753:Glueck, Grace (18 July 1991).
2133:"Barbara Hepworth (1903–1975)"
1875:Whistler, James Abbott McNeill
1222:
1089:
207:Étienne La Font de Saint-Yenne
121:
1:
5117:
2866:. University of Chicago Press
1830:City: Publisher, 2003. p. 112
1432:Dubos, Jean-Baptiste (1732).
914:
767:Clement Greenberg proclaimed
549:
414:Turn of the twentieth century
100:
4821:Museum collection management
4744:Art history (academic study)
4623:alternative exhibition space
4046:Aestheticization of politics
2244:(2): 275–298. Archived from
2163:"A History of Art Criticism"
1903:. New Line Books. pp. 51–52
1665:Baudelaire, Charles (1868).
1409:"A History of Art Criticism"
1156:The History of Impressionism
865:
578:) changed after his trip to
7:
4982:Colossal sculptures in situ
4686:Artist-in-residence program
2071:"Ben Nicholson (1894–1982)"
1924:>.Retrieved 9 March 2009
1922:http://www.encyclopedia.com
1799:Baudelaire, Man of His Time
1721:Richardson, Joanna (1994).
1497:Saisselin, RĂ©my G. (1992).
941:Comprehensive Art Education
891:
717:printed feature articles".
245:in 1768. In the 1770s, the
10:
5526:
4992:Contemporary art galleries
4887:Outline of the visual arts
2947:. The Art Story Foundation
2920:. The Art Story Foundation
2893:. The Art Story Foundation
2813:. The Art Story Foundation
2681:. The Art Story Foundation
2654:. The Art Story Foundation
2627:"When de Kooning Was King"
2463:. The Art Story Foundation
2363:Archives of American Art.
2344:. The Art Story Foundation
1085:. Oxford University Press.
869:
162:
134:
20:
5441:
5381:
5333:
5225:
5172:
5156:
5125:
5062:
4922:
4791:
4729:
4593:
4518:
4317:
4257:
4189:
4114:
4038:
3887:
3660:
3367:
3279:
3213:
2793:The Tradition of the New,
2600:"Hans Hofmann: Biography"
2436:. Oxford University Press
2231:"Apollinaire and Cubism?"
2102:"Henry Moore (1898–1986)"
1796:Hyslop, Lois Boe (1980).
1367:Nagel, Alexander (2003).
1287:Fishman, Solomon (1963).
1269:Fishman, Solomon (1963).
1214:Fishman, Solomon (1963).
1017:10.21659/rupkatha.v2n1.02
680:, the managing editor of
278:forms of art and the new
5046:Most expensive paintings
4833:Conservation-restoration
4635:Contemporary art gallery
3022:. UNESCO. Archived from
2457:"Abstract Expressionism"
1899:Peters, Lisa N. (1998).
1673:. M. Lévy. pp. 5–76
1081:. In Jane Turner (ed.).
848:
484:argued in his 1914 book
182:in his 1719 publication
33:Monkeys as Judges of Art
21:Not to be confused with
5398:Criticism of technology
5054:works by living artists
4816:Classificatory disputes
4066:Evolutionary aesthetics
4016:The Aesthetic Dimension
2040:"Paul Nash (1889–1946)"
1707:Encyclopædia Britannica
1588:Encyclopædia Britannica
1083:Grove Dictionary of Art
723:, a late member of the
607:The Art of This Century
308:. In 1843 he published
4197:Architecture criticism
3996:Avant-Garde and Kitsch
3946:Lectures on Aesthetics
2530:Color Vision & Art
2285:Hudek, Antony (2012).
1578:"Diderot, Denis"
1550:Essais sur la peinture
1455:Le Siècle de Louis XIV
1077:Elkins, James (1996).
995:Gemtou, Eleni (2010).
908:Documenta 12 magazines
835:Feminist art criticism
830:Feminist art criticism
769:Abstract Expressionism
738:
670:Willem de Kooning
634:Abstract Expressionist
477:
438:
392:James McNeill Whistler
354:
284:Étienne-Jean Delécluze
267:
175:
39:
5500:Criticism in the arts
5200:Intellectual property
4691:Artist-run initiative
4578:Visual arts education
4239:Video game journalism
4222:Rockism and poptimism
4141:Philosophy portal
3118:"Our critics' advice"
3112:on 22 September 2017.
2994:Guardian Professional
2413:www.barnettnewman.org
2270:Allan, Derek (2009).
2200:10.1353/frf.2005.0030
2131:Overton, Tom (2009).
2100:Overton, Tom (2009).
2069:Overton, Tom (2009).
2038:Overton, Tom (2009).
1901:James McNeil Whistler
1888:The World of Whistler
1311:Renaissance Quarterly
1154:Rewald, John (1973).
734:
472:
421:
345:
262:
170:
31:
5505:American art critics
5393:Criticism of science
5382:Science, technology,
4987:Contemporary artists
4850:Destination painting
4647:Single-artist museum
4536:Conservator-restorer
4244:Visual art criticism
4229:Television criticism
4086:Philosophy of design
3966:In Praise of Shadows
3956:The Critic as Artist
2714:. Arno Press. 1980.
2491:11 July 2015 at the
2318:Levin, Gail (1998).
2304:10.5334/jcms.1011210
2251:on 13 September 2012
112:history of the craft
5510:British art critics
5320:Walt Disney Company
4977:Art reference books
4771:History of painting
4355:Fine-art photograph
4096:Philosophy of music
4071:Mathematical beauty
3151:Singerman, Howard.
3057:on 25 November 2005
3026:on 15 December 2013
2778:Clement Greenberg,
2387:"Robert Motherwell"
2143:on 15 December 2013
2112:on 15 December 2013
2081:on 15 December 2013
2050:on 15 December 2013
1877:. WebMuseumn, Paris
1348:on 15 December 2013
947:on 10 February 2013
795:aesthetic, moral."
540:Burlington Magazine
426:, described by the
195:Jean-Baptiste Dubos
180:Jonathan Richardson
172:Jonathan Richardson
5133:Literary criticism
5072:Visual arts portal
5002:National galleries
4855:Eclecticism in art
4810:Catalogue raisonné
4681:Artist cooperative
4212:Literary criticism
4091:Philosophy of film
4081:Patterns in nature
4051:Applied aesthetics
4026:Why Beauty Matters
3812:Life imitating art
3673:Art for art's sake
3145:on 19 August 2011.
3051:In Their Own Words
2838:The New York Times
2791:Harold Rosenberg,
2759:The New York Times
2648:"Harold Rosenberg"
2606:on 29 January 2013
1378:. pp. 319–360
1104:. 23 January 2014.
708:The New York Times
478:
459:post-Impressionist
439:
390:after the artist,
359:Charles Baudelaire
355:
347:Charles Baudelaire
272:aesthetic theories
268:
191:Summer Exhibitions
176:
149:Augustine of Hippo
66:artistic movements
40:
5472:
5471:
5437:
5436:
5384:engineering, and
5148:Theatre criticism
5085:
5084:
4676:Artist collective
4490:Site-specific art
4340:Cultural artifact
4273:
4272:
4234:Theatre criticism
4149:
4148:
4101:Psychology of art
3976:Art as Experience
2977:. online (21): 8.
2914:"Rosalind Krauss"
2580:on 13 August 2011
2532:. webexhibits.org
2482:Jackson Pollock,
2434:Oxford Art Online
1777:on 6 October 2014
1651:978-1-61148-420-5
843:produced by women
839:feminist movement
762:Robert Motherwell
746:Clement Greenberg
732:on 9 April 1955:
688:Willem de Kooning
630:Clement Greenberg
615:Robert Motherwell
611:New York Vanguard
422:Self portrait of
396:Grosvenor Gallery
248:Morning Chronicle
5517:
5442:Similar concepts
5404:
5403:
5300:Paramount Global
5180:Social criticism
5112:
5105:
5098:
5089:
5088:
5041:Stolen paintings
4909:Sociology of art
4860:Economics of art
4711:Sculpture garden
4696:Artist-run space
4495:Social sculpture
4365:Installation art
4300:
4293:
4286:
4277:
4276:
4217:Music journalism
4176:
4169:
4162:
4153:
4152:
4139:
4138:
4137:
4031:
4021:
4011:
4001:
3991:
3981:
3971:
3961:
3951:
3941:
3931:
3921:
3911:
3901:
3200:
3193:
3186:
3177:
3176:
3172:
3170:
3168:
3163:on 1 August 2013
3159:. Archived from
3146:
3141:. Archived from
3128:In this article
3125:
3113:
3108:. Archived from
3093:
3092:
3090:
3088:
3073:
3067:
3066:
3064:
3062:
3042:
3036:
3035:
3033:
3031:
3012:
3006:
3005:
3003:
3001:
2985:
2979:
2978:
2972:
2963:
2957:
2956:
2954:
2952:
2936:
2930:
2929:
2927:
2925:
2909:
2903:
2902:
2900:
2898:
2882:
2876:
2875:
2873:
2871:
2864:The Chicago Blog
2855:
2849:
2848:
2846:
2844:
2829:
2823:
2822:
2820:
2818:
2802:
2796:
2789:
2783:
2776:
2770:
2769:
2767:
2765:
2750:
2744:
2741:
2735:
2732:
2726:
2725:
2706:
2700:
2697:
2691:
2690:
2688:
2686:
2675:"Thomas B. Hess"
2670:
2664:
2663:
2661:
2659:
2643:
2637:
2636:
2622:
2616:
2615:
2613:
2611:
2596:
2590:
2589:
2587:
2585:
2570:
2564:
2563:
2561:
2559:
2548:
2542:
2541:
2539:
2537:
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2516:
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2505:
2499:
2479:
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2470:
2468:
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2445:
2443:
2441:
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2372:
2360:
2354:
2353:
2351:
2349:
2333:
2324:
2323:
2315:
2309:
2308:
2306:
2287:"The Vocal Turn"
2282:
2276:
2275:
2267:
2261:
2260:
2258:
2256:
2250:
2235:
2226:
2220:
2219:
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2177:
2176:
2174:
2172:
2167:
2159:
2153:
2152:
2150:
2148:
2128:
2122:
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2119:
2117:
2097:
2091:
2090:
2088:
2086:
2066:
2060:
2059:
2057:
2055:
2035:
2029:
2028:
2026:
2024:
2017:Archive Journeys
2009:
2003:
2002:
2000:
1998:
1991:Archive Journeys
1983:
1977:
1976:
1974:
1972:
1965:Archive Journeys
1957:
1951:
1950:
1948:
1946:
1939:Archive Journeys
1931:
1925:
1918:
1912:
1897:
1891:
1884:
1878:
1872:
1866:
1859:
1853:
1850:
1844:
1837:
1831:
1826:Merrill, Linda,
1824:
1818:
1817:
1793:
1787:
1786:
1784:
1782:
1773:. Archived from
1757:
1751:
1750:
1718:
1712:
1711:
1703:
1692:
1683:
1682:
1680:
1678:
1662:
1656:
1655:
1637:
1631:
1630:
1614:
1608:
1607:
1599:
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1580:
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1558:
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1533:
1519:
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1494:
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1487:
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1471:
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1429:
1423:
1422:
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1405:
1388:
1387:
1385:
1383:
1373:
1364:
1358:
1357:
1355:
1353:
1347:
1341:. Archived from
1308:
1299:
1293:
1292:
1284:
1275:
1274:
1266:
1260:
1259:
1252:
1246:
1245:
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1220:
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1211:
1202:
1201:
1181:
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1143:
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1122:
1105:
1093:
1087:
1086:
1074:
1029:
1028:
1026:
1024:
1019:
1001:
992:
957:
956:
954:
952:
933:
792:Harold Rosenberg
666:Harold Rosenberg
596:Washington, D.C.
564:Mexican Muralism
520:Barbara Hepworth
447:Bloomsbury Group
402:ask two hundred
367:Eugène Delacroix
336:Stones of Venice
333:, including the
238:London Chronicle
129:aesthetic theory
5525:
5524:
5520:
5519:
5518:
5516:
5515:
5514:
5475:
5474:
5473:
5468:
5433:
5402:
5385:
5383:
5377:
5368:Washington Post
5329:
5265:Electronic Arts
5221:
5168:
5152:
5121:
5116:
5086:
5081:
5067:Painting portal
5058:
4965:sculpture parks
4918:
4877:Elements of art
4845:Cultural policy
4787:
4739:Timeline of art
4725:
4716:Sculpture trail
4595:
4589:
4514:
4431:Performance art
4313:
4304:
4274:
4269:
4265:Arts journalism
4253:
4202:Dance criticism
4185:
4180:
4150:
4145:
4135:
4133:
4110:
4034:
4029:
4019:
4009:
4006:Critical Essays
3999:
3989:
3979:
3969:
3959:
3949:
3939:
3929:
3919:
3909:
3899:
3883:
3656:
3570:Ortega y Gasset
3363:
3275:
3209:
3204:
3166:
3164:
3150:
3137:
3116:
3104:
3101:
3096:
3086:
3084:
3074:
3070:
3060:
3058:
3043:
3039:
3029:
3027:
3020:UNESCO NGO – db
3014:
3013:
3009:
2999:
2997:
2986:
2982:
2970:
2964:
2960:
2950:
2948:
2941:"Robert Hughes"
2937:
2933:
2923:
2921:
2910:
2906:
2896:
2894:
2887:"Michael Fried"
2883:
2879:
2869:
2867:
2856:
2852:
2842:
2840:
2830:
2826:
2816:
2814:
2803:
2799:
2790:
2786:
2777:
2773:
2763:
2761:
2751:
2747:
2742:
2738:
2733:
2729:
2722:
2708:
2707:
2703:
2698:
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2511:Partisan Review
2506:
2502:
2493:Wayback Machine
2480:
2476:
2466:
2464:
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2184:
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2146:
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2137:Venice Biennale
2129:
2125:
2115:
2113:
2106:Venice Biennale
2098:
2094:
2084:
2082:
2075:Venice Biennale
2067:
2063:
2053:
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2044:Venice Biennale
2036:
2032:
2022:
2020:
2011:
2010:
2006:
1996:
1994:
1985:
1984:
1980:
1970:
1968:
1959:
1958:
1954:
1944:
1942:
1933:
1932:
1928:
1919:
1915:
1898:
1894:
1886:Prideaux, Tom.
1885:
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1873:
1869:
1860:
1856:
1851:
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1838:
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1759:
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1667:"Salon de 1845"
1663:
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1407:
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1391:
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1365:
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1323:10.2307/2901572
1306:
1300:
1296:
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1278:
1267:
1263:
1254:
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1239:
1237:
1227:
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1205:
1182:
1169:
1153:
1146:
1123:
1108:
1095:Kaplan, Marty.
1094:
1090:
1079:"Art Criticism"
1075:
1032:
1022:
1020:
999:
993:
960:
950:
948:
937:"Art Criticism"
935:
934:
921:
917:
894:
874:
868:
851:
832:
820:Rosalind Krauss
773:Jackson Pollock
751:Partisan Review
658:Adolph Gottlieb
642:Jackson Pollock
552:
416:
408:Pyrrhic victory
394:, showed it at
331:Renaissance art
311:Modern Painters
299:J. M. W. Turner
295:William Hazlitt
257:
233:Society of Arts
165:
137:
124:
103:
64:The variety of
37:Gabriel von Max
26:
17:
12:
11:
5:
5523:
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5207:
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5192:
5187:
5182:
5176:
5174:
5173:Social systems
5170:
5169:
5167:
5166:
5164:Self-criticism
5160:
5158:
5157:Human behavior
5154:
5153:
5151:
5150:
5145:
5143:Film criticism
5140:
5135:
5129:
5127:
5123:
5122:
5115:
5114:
5107:
5100:
5092:
5083:
5082:
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5079:
5074:
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5063:
5060:
5059:
5057:
5056:
5043:
5038:
5037:
5036:
5026:
5021:
5020:
5019:
5017:by nationality
5014:
5004:
4999:
4997:Modern artists
4994:
4989:
4984:
4979:
4974:
4973:
4972:
4967:
4962:
4957:
4947:
4942:
4940:Art techniques
4937:
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4911:
4906:
4901:
4900:
4899:
4894:
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4879:
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4873:
4872:
4867:
4857:
4852:
4847:
4842:
4841:
4840:
4830:
4829:
4828:
4826:deaccessioning
4818:
4813:
4806:
4801:
4795:
4793:
4789:
4788:
4786:
4785:
4780:
4779:
4778:
4768:
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4766:
4756:
4751:
4746:
4741:
4735:
4733:
4731:History of art
4727:
4726:
4724:
4723:
4721:Virtual museum
4718:
4713:
4708:
4703:
4698:
4693:
4688:
4683:
4678:
4673:
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4663:
4662:
4661:
4651:
4650:
4649:
4639:
4638:
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4627:
4626:
4625:
4618:Art exhibition
4615:
4610:
4605:
4599:
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4588:
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4528:
4522:
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4516:
4515:
4513:
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4507:
4502:
4500:Soft sculpture
4497:
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4480:
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4460:
4459:
4458:
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4384:
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4362:
4357:
4352:
4347:
4342:
4337:
4335:Conceptual art
4332:
4327:
4321:
4319:
4315:
4314:
4303:
4302:
4295:
4288:
4280:
4271:
4270:
4268:
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4254:
4252:
4251:
4241:
4236:
4231:
4226:
4225:
4224:
4214:
4209:
4207:Film criticism
4204:
4199:
4193:
4191:
4187:
4186:
4183:Arts criticism
4179:
4178:
4171:
4164:
4156:
4147:
4146:
4144:
4143:
4131:
4126:
4121:
4115:
4112:
4111:
4109:
4108:
4103:
4098:
4093:
4088:
4083:
4078:
4076:Neuroesthetics
4073:
4068:
4063:
4058:
4056:Arts criticism
4053:
4048:
4042:
4040:
4036:
4035:
4033:
4032:
4022:
4012:
4002:
3992:
3982:
3972:
3962:
3952:
3942:
3932:
3926:On the Sublime
3922:
3912:
3902:
3891:
3889:
3885:
3884:
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3876:
3871:
3866:
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3846:
3839:
3834:
3829:
3824:
3819:
3814:
3809:
3804:
3797:
3792:
3790:Interpretation
3787:
3782:
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3762:
3757:
3752:
3747:
3742:
3737:
3732:
3727:
3722:
3717:
3712:
3707:
3706:
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3700:
3690:
3685:
3683:Artistic merit
3680:
3675:
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3662:
3658:
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3654:
3647:
3642:
3637:
3632:
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3597:
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3497:
3492:
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3397:
3392:
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3382:
3377:
3371:
3369:
3365:
3364:
3362:
3361:
3354:
3349:
3344:
3339:
3334:
3332:Psychoanalysis
3329:
3324:
3319:
3314:
3309:
3304:
3299:
3294:
3289:
3283:
3281:
3277:
3276:
3274:
3273:
3268:
3263:
3258:
3253:
3248:
3243:
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3228:
3223:
3217:
3215:
3211:
3210:
3203:
3202:
3195:
3188:
3180:
3174:
3173:
3148:
3135:
3134:
3133:
3114:
3100:
3099:External links
3097:
3095:
3094:
3068:
3045:Green, Tyler.
3037:
3007:
2980:
2958:
2939:Wolf, Justin.
2931:
2912:Wolf, Justin.
2904:
2885:Wolf, Justin.
2877:
2850:
2824:
2807:"John Canaday"
2805:Wolf, Justin.
2797:
2784:
2771:
2745:
2736:
2727:
2720:
2701:
2692:
2673:Wolf, Justin.
2665:
2646:Wolf, Justin.
2638:
2617:
2591:
2565:
2543:
2517:
2500:
2474:
2455:Wolf, Justin.
2447:
2418:
2400:
2378:
2355:
2336:Wolf, Justin.
2325:
2310:
2277:
2262:
2221:
2194:(2): 139–141.
2178:
2154:
2123:
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2030:
2004:
1978:
1952:
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1913:
1892:
1879:
1867:
1854:
1845:
1832:
1819:
1812:
1788:
1752:
1737:
1713:
1698:, ed. (1911).
1696:Chisholm, Hugh
1684:
1657:
1650:
1632:
1609:
1594:
1583:Chisholm, Hugh
1564:
1539:
1514:
1489:
1472:
1441:
1424:
1389:
1359:
1294:
1276:
1261:
1247:
1221:
1203:
1167:
1144:
1127:Social Justice
1106:
1101:Jewish Journal
1088:
1030:
958:
918:
916:
913:
912:
911:
905:
900:
893:
890:
870:Main article:
867:
864:
850:
847:
831:
828:
808:Meyer Schapiro
800:New York Times
721:Barnett Newman
678:Thomas B. Hess
654:Barnett Newman
646:Clyfford Still
640:painters like
619:Barnett Newman
584:Rafael Squirru
551:
548:
532:Georges Braque
464:Virginia Woolf
415:
412:
410:for Whistler.
326:E. H. Gombrich
256:
253:
226:Thomas E. Crow
164:
161:
136:
133:
123:
120:
102:
99:
79:Impressionists
23:Arts criticism
15:
9:
6:
4:
3:
2:
5522:
5511:
5508:
5506:
5503:
5501:
5498:
5496:
5493:
5491:
5488:
5486:
5485:Art criticism
5483:
5482:
5480:
5465:
5462:
5460:
5457:
5455:
5452:
5450:
5447:
5446:
5444:
5440:
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5425:
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5420:
5419:Desktop Linux
5417:
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5139:
5138:Art criticism
5136:
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5124:
5120:
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5024:Photographers
5022:
5018:
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5009:
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5000:
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4995:
4993:
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4988:
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4970:single artist
4968:
4966:
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4953:
4952:
4951:
4948:
4946:
4945:Art movements
4943:
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4938:
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4933:
4931:
4930:Art magazines
4928:
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4915:
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4907:
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4898:
4895:
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4870:art valuation
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4755:
4754:Art movements
4752:
4750:
4749:Art manifesto
4747:
4745:
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4740:
4737:
4736:
4734:
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4728:
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4671:Arts festival
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4510:Artwork title
4508:
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4505:Stained glass
4503:
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4407:
4406:
4405:
4404:New media art
4402:
4398:
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4390:
4389:
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4381:
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4326:
4325:Appropriation
4323:
4322:
4320:
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4312:
4308:
4301:
4296:
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4289:
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4142:
4132:
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4107:
4106:Theory of art
4104:
4102:
4099:
4097:
4094:
4092:
4089:
4087:
4084:
4082:
4079:
4077:
4074:
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4059:
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4054:
4052:
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4047:
4044:
4043:
4041:
4037:
4028:
4027:
4023:
4018:
4017:
4013:
4008:
4007:
4003:
3997:
3993:
3987:
3983:
3978:
3977:
3973:
3968:
3967:
3963:
3957:
3953:
3948:
3947:
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3933:
3928:
3927:
3923:
3918:
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3913:
3908:
3907:
3903:
3898:
3897:
3896:Hippias Major
3893:
3892:
3890:
3886:
3880:
3877:
3875:
3872:
3870:
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2891:The Art Story
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560:André Malraux
557:
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541:
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525:
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512:Ben Nicholson
509:
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431:Kenneth Clark
429:
428:art historian
425:
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371:Édouard Manet
368:
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360:
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243:Royal Academy
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5227:Corporations
5137:
4960:most visited
4808:
4758:
4436:Plastic arts
4360:Found object
4243:
4024:
4014:
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3974:
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3841:
3817:Magnificence
3799:
3649:
3615:Schopenhauer
3450:Coomaraswamy
3368:Philosophers
3356:
3287:Aestheticism
3165:. Retrieved
3161:the original
3156:
3143:the original
3121:
3110:the original
3085:. Retrieved
3081:
3071:
3059:. Retrieved
3055:the original
3050:
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3028:. Retrieved
3024:the original
3019:
3010:
2998:. Retrieved
2993:
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2949:. Retrieved
2944:
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2917:
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2895:. Retrieved
2890:
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2868:. Retrieved
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2841:. Retrieved
2837:
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2815:. Retrieved
2810:
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2774:
2762:. Retrieved
2758:
2748:
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2704:
2695:
2683:. Retrieved
2678:
2668:
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2641:
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2620:
2608:. Retrieved
2604:the original
2594:
2582:. Retrieved
2578:the original
2568:
2556:. Retrieved
2552:"Chronology"
2546:
2534:. Retrieved
2529:
2520:
2509:
2503:
2498:, Iowa City.
2483:
2477:
2465:. Retrieved
2460:
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2438:. Retrieved
2433:
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2403:
2391:. Retrieved
2381:
2369:. Retrieved
2367:. Aaa.si.edu
2358:
2346:. Retrieved
2341:
2319:
2313:
2297:(1): 64–65.
2294:
2290:
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2265:
2253:. Retrieved
2246:the original
2241:
2237:
2224:
2191:
2188:French Forum
2187:
2181:
2169:. Retrieved
2157:
2145:. Retrieved
2141:the original
2136:
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2114:. Retrieved
2110:the original
2105:
2095:
2083:. Retrieved
2079:the original
2074:
2064:
2052:. Retrieved
2048:the original
2043:
2033:
2021:. Retrieved
2016:
2007:
1995:. Retrieved
1990:
1981:
1969:. Retrieved
1964:
1955:
1943:. Retrieved
1938:
1929:
1916:
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1840:
1835:
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1779:. Retrieved
1775:the original
1771:Khan Academy
1766:Smarthistory
1764:
1755:
1723:
1716:
1705:
1675:. Retrieved
1670:
1660:
1641:
1635:
1618:
1612:
1603:
1597:
1586:
1573:Morley, John
1567:
1555:. Retrieved
1549:
1542:
1530:. Retrieved
1524:
1517:
1505:. Retrieved
1499:
1492:
1482:
1475:
1463:. Retrieved
1454:
1444:
1434:
1427:
1415:. Retrieved
1380:. Retrieved
1375:
1362:
1350:. Retrieved
1343:the original
1314:
1310:
1297:
1288:
1270:
1264:
1250:
1238:. Retrieved
1235:The Guardian
1234:
1224:
1215:
1189:
1185:
1155:
1130:
1126:
1099:
1091:
1082:
1021:. Retrieved
1007:
1003:
949:. Retrieved
945:the original
940:
878:social media
875:
852:
833:
804:John Canaday
799:
797:
789:
766:
755:
749:
739:
735:
730:Sidney Janis
725:Uptown Group
719:
712:
706:
702:
698:
692:
681:
662:Hans Hofmann
623:
604:
580:Buenos Aires
553:
539:
536:The Listener
535:
504:Herbert Read
502:
485:
479:
473:
440:
387:
381:
374:
362:
356:
350:
334:
315:
309:
303:
292:
269:
255:19th century
246:
236:
230:
219:
210:
198:
188:
183:
177:
138:
125:
104:
95:
91:
75:
63:
42:
41:
32:
18:
5490:Art history
5386:mathematics
5310:Tesla, Inc.
5185:Advertising
5077:Arts portal
4950:Art museums
4865:art finance
4666:Arts centre
4630:Art gallery
4613:Art commune
4603:Art auction
4446:Printmaking
4375:Mixed media
4370:Kinetic art
4307:Visual arts
3910:(c. 335 BC)
3900:(c. 390 BC)
3879:Work of art
3832:Picturesque
3688:Avant-garde
3645:Winckelmann
3520:Kierkegaard
3445:Collingwood
3415:Baudrillard
3342:Romanticism
3312:Historicism
3246:Mathematics
3087:12 December
3061:12 December
3030:12 December
3000:12 December
2951:12 December
2924:12 December
2897:12 December
2870:12 December
2843:12 December
2817:12 December
2764:12 December
2685:12 December
2658:12 December
2610:12 December
2584:12 December
2558:12 December
2536:12 December
2467:12 December
2440:12 December
2393:12 December
2348:12 December
2255:11 December
2171:17 December
2147:11 December
2116:11 December
2085:11 December
2054:11 December
2023:10 December
1997:10 December
1971:10 December
1945:10 December
1781:11 February
1677:10 December
1557:10 December
1532:10 December
1507:10 December
1465:10 December
1417:16 December
1382:14 December
1352:14 December
1240:12 December
1023:12 December
1010:(1): 2–13.
951:12 December
898:Art history
802:art critic
674:Franz Kline
650:Mark Rothko
638:color field
626:avant-garde
556:Apollinaire
516:Henry Moore
443:Oscar Wilde
384:John Ruskin
306:John Ruskin
264:John Ruskin
157:Renaissance
122:Methodology
108:art history
71:art history
54:Art critics
5495:Aesthetics
5479:Categories
5459:Evaluation
5429:Windows 10
5335:Mass media
5190:Capitalism
5050:sculptures
4904:Provenance
4799:Art market
4706:Commission
4654:Art school
4642:Art museum
4608:Art colony
4596:and events
4456:street art
4451:Public art
3849:Recreation
3827:Perception
3720:Creativity
3420:Baumgarten
3410:Baudelaire
3292:Classicism
3207:Aesthetics
2975:N.paradoxa
2711:Mark Tobey
2371:7 December
1724:Baudelaire
915:References
903:Art critic
757:The Nation
742:Trotskyist
695:Mark Tobey
632:advocated
550:Since 1945
482:Clive Bell
474:Clive Bell
455:Clive Bell
373:'s famous
317:The Yankee
101:Definition
58:aesthetics
50:visual art
5373:Knowledge
5305:Starbucks
5290:McDonalds
5285:Microsoft
5255:Coca-Cola
5205:Copyright
5195:Democracy
5119:Criticism
5029:Sculptors
4935:Art media
4897:sculpture
4838:paintings
4759:Criticism
4541:paintings
4531:Collector
4463:Sculpture
4380:bricolage
4311:art world
3854:Reverence
3760:Eroticism
3730:Depiction
3703:Masculine
3605:Santayana
3565:Nietzsche
3510:Hutcheson
3500:Heidegger
3485:Greenberg
3440:Coleridge
3405:Balthasar
3390:Aristotle
3352:Theosophy
3347:Symbolism
3322:Modernism
3307:Formalism
3167:9 January
2274:. Rodopi.
2216:191632519
1339:192025173
866:Art blogs
588:Argentina
576:Siqueiros
546:in 1936.
524:modernism
508:Paul Nash
498:formalism
490:formalist
451:Roger Fry
424:Roger Fry
382:In 1877,
322:John Neal
197:with his
145:Vitruvius
45:criticism
5449:Critique
5407:Software
5343:Fox News
5245:AT&T
5217:Religion
5126:The arts
5007:Painters
4892:painting
4804:The arts
4764:feminist
4701:Biennale
4441:Portrait
4426:Painting
4397:graffiti
4350:Fine art
4309:and the
4258:See also
4248:Feminist
4129:Category
4061:Axiology
3930:(c. 500)
3920:(c. 100)
3795:Judgment
3750:Emotions
3745:Elegance
3725:Cuteness
3698:Feminine
3661:Concepts
3630:Tanizaki
3610:Schiller
3595:Richards
3585:Rancière
3555:Maritain
3490:Hanslick
3430:Benjamin
3302:Feminism
3271:Theology
3251:Medieval
3241:Japanese
3236:Internet
3082:HuffPost
2632:New York
2489:Archived
2208:40552391
1747:30736784
1575:(1911).
1450:Voltaire
1198:20026565
1186:Daedalus
1139:29768369
892:See also
872:Art blog
703:Art News
494:saucepan
449:members
386:derided
288:Stendhal
280:romantic
203:Voltaire
35:, 1889,
5315:Walmart
5295:Netflix
5260:Comcast
5250:Chevron
5210:Patents
5012:by name
4955:largest
4792:Related
4776:outline
4558:Curator
4546:frescos
4483:tallest
4468:carving
4419:virtual
4414:digital
4409:history
4345:Drawing
4330:Collage
4318:Artwork
4124:Outline
4039:Related
3906:Poetics
3874:Tragedy
3864:Sublime
3837:Quality
3822:Mimesis
3780:Harmony
3765:Fashion
3740:Ecstasy
3735:Disgust
3651:more...
3620:Scruton
3545:Lyotard
3480:Goodman
3460:Deleuze
3395:Aquinas
3385:Alberti
3358:more...
3337:Realism
3317:Marxism
3297:Fascism
3280:Schools
3266:Science
3221:Ancient
1585:(ed.).
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