222:
31:
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254:, made possible by the increasing number of people seeking to own objects of cultural and aesthetic value. At the end of the 19th and the beginning of the 20th century there were also the first indications of modern values regarding art; art as an investment versus pure aesthetics, and the increased attention to living artists as an opportunity for such investment.
265:, accounting for most transactions, although not those with the highest monetary values. Once limited to major urban art worlds such as New York, Paris and London, art galleries have become global. Another trend in globalization is that while maintaining their urban establishments, galleries also participate in art fairs such as
333:. Rather than simply being the broker for sales, Castelli became actively involved in the discovery and development of new artists, while expecting to remain an exclusive agent for their work. However he also focused exclusively on new works, not participating in the resale of older work by the same artists.
246:
in the 16th century represented efforts by painters and sculptors to raise their status from mere artisans who worked with their hands to that of the classical arts such as poetry and music, which are purely intellectual pursuits. However, the public exhibition of art had to overcome the bias against
217:
For more recent work, status is based upon the reputation of the artist. Reputation includes both aesthetic factors; art schools attended, membership in a stylistic or historical movement, the opinions of art historians and critics; and economic factors; inclusion in group and solo exhibitions and
341:
All art sales after the first are part of the secondary market, in which the artist and the original dealer are not involved. Many of these sales occur privately between collectors, or works are sold at auctions. However some galleries participate in the secondary market depending upon the market
170:
of valued objects. Art museums also function as galleries that display works from the museum's own collection or on loan from the collections of other museums. Museums might be in public or private ownership and may be accessible to all or have restrictions on access. Although primarily concerned
294:
galleries connect artists with buyers by hosting exhibitions and openings. The artworks are on consignment, with the artist and the gallery splitting the proceeds from each sale. Depending upon the expertise of the gallery owner and staff, and the particular market, the artwork shown may be more
108:
a permanent collection may be called either "gallery of art" or "museum of art". If the latter, the rooms where art is displayed within the museum building are called galleries. Art galleries that do not maintain a collection are either commercial enterprises for the sale of artworks, or similar
442:
Attempting to recreate this natural process, arts districts have been created intentionally by local governments in partnership with private developers as a strategy for revitalizing neighborhoods. Such developments often include spaces for artists to live and work as well as galleries.
218:
past success in the art market. Art dealers, through their galleries, have occupied a central role in the art world by bringing many of these factors together; such as "discovering" new artists, promoting their associations in group shows, and managing market valuation.
418:
Galleries selling the work of recognized artists may occupy space in established commercial areas of a city. New styles in art have historically been attracted to the low rent of marginal neighborhoods. An artist colony existed in
84:
as objects of ritual or the depiction of narratives. The first galleries were in the palaces of the aristocracy, or in churches. As art collections grew, buildings became dedicated to art, becoming the first art museums.
342:
conditions. As with any market, the major conditions are supply and demand. Because art is a unique commodity, the artist has a monopoly on production, which ceases when the artist either dies or stops working.
354:, charging artists a fee to exhibit their work. Lacking a selection process to assure the quality of the artworks, and having little incentive to promote sales, vanity galleries are avoided as unprofessional.
303:
Galleries may deal in the primary market of new works by living artists, or the secondary markets for works from prior periods owned by collectors, estates, or museums. The periods represented include
451:
A contemporary practice has been the use of vacant commercial space for art exhibitions that run for periods from a single day to a month. Now called "popup galleries", a precursor was
68:
is displayed. In
Western cultures from the mid-15th century, a gallery was any long, narrow covered passage along a wall, first used in the sense of a place for art in the 1590s. The
139:
The terms 'art museum' and 'art gallery' may be used interchangeably as reflected in the names of institutions around the world, some of which are called galleries (e.g. the
376:, and expand into full-fledged arts programs. Other non-profits include the arts as part of other missions, such as providing services to low-income neighborhoods.
242:
that preceded, painters and sculptors were members of guilds, seeking commissions to produce artworks for aristocratic patrons or churches. The establishment of
191:
The art world comprises everyone involved in the production and distribution of fine art. The market for fine art depends upon maintaining its distinction as
372:
or local governments host art galleries for cultural enrichment and to support local artists. Non-profit organizations may start as exhibit spaces for
411:
The proximity of art galleries facilitated an informal tradition of art show openings on the same night, which have become officially coordinated as "
1789:
1568:
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and dealers sell the work of celebrity artists; at the low end artists sell their work from their studio, or in informal venues such as restaurants.
175:, art museums are often used as a venue for other cultural exchanges and artistic activities where the art object is replaced by practices such as
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purposes. The term is used to refer to establishments with distinct social and economic functions, both public and private. Institutions that
121:, art galleries play an important role in maintaining the network of connections between artists, collectors, and art experts that define
1838:
408:
Historically, art world activities have benefited from clustering together either in cities or in remote areas offering natural beauty.
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houses served many purposes including the display of art. Historically, art is displayed as evidence of status and wealth, and for
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713:"The Rise of the Modern Art Market in London, 1850–1939/The Development of the Art Market in England: Money as Muse, 1730–1900"
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Mainardi, Patricia (2018). "Show and Tell: Exhibition
Practice in the Nineteenth Century". In Facos, Michelle (ed.).
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307:, Modern (1900–1950), and contemporary (1950–present). Modern and contemporary may be combined in the category of
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Moureau, Nathalie; Sagot-Duvauroux, Dominique (2012). "Four
Business Models in Contemporary Art".
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Exhibitions of art operating similar to current galleries for marketing art first appeared in the
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commercial activity, which was deemed beneath the dignity of artists in many
European societies.
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which had its first event in 1999 and has occurred periodically to the present, mainly in the
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prompted artists and galleries to move to the adjacent neighborhood "south of
Houston" (
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962:"Creatives' Expectations: The Role of Supercreatives in Cultural District Development"
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Winkleman, Edward; Hindle, Patton (2018). "Business Models and
Customary Practices".
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art; while contemporary may be limited to the 21st century or "emerging artists".
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544:"Reflections on the Global Art Market: Implications for the Sociology of Culture"
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of artifacts with cultural, historical, and aesthetic value by maintaining a
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834:"The "Death Effect" on Artists' Prices Actually Occurs When They're Alive"
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to house immigrants after the Civil War also attracted young artists and
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878:"Art Demystified: What Is the Role of Non-Profits in the Art World?"
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674:"The Art Market and the Spaces of Sociability in Victorian London"
661:. Newark, US: John Wiley & Sons, Incorporated. pp. 69–82.
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852:"Beware the Vanity Gallery - and why they should be avoided"
960:
Goldberg-Miller, Shoshanah B. D.; Heimlich, Joe E. (2017).
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Commercial art galleries were well-established by the
992:"Everything You Need to Know about Pop-Up Galleries"
284:. At the high end of the market, a handful of elite
27:
Place where art is exhibited and sometimes also sold
575:Oosterlinck, Kim; Radermecker, Anne-Sophie (2019).
295:innovative or more traditional in style and media.
831:
147:), and some of which are called museums (e.g. the
88:Among the modern reasons art may be displayed are
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616:"Reputation, Status Networks, and the Art Market"
516:(2nd. ed.). University of California Press.
423:as early as 1850, and the tenements built around
276:Art galleries are the primary connection between
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1519:Timeline of 20th century printmaking in America
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797:How to Start and Run a Commercial Art Gallery
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261:or "gallerist" occupy the middle tier of the
257:Commercial galleries owned or operated by an
210:this distinction is maintained by the work's
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162:The distinctive function of a museum is the
383:was founded in 1972 in SoHo, New York City.
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159:functions, are only called art galleries.
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778:International Journal of Arts Management
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614:Braden, L.E.A.; Teekens, Thomas (2019).
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238:, approximately 1500 to 1800 CE. In the
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832:Anna Louie Sussman (January 2, 2018).
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659:A Companion to Nineteenth-Century Art
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386:Westbeth Gallery is operated by the
206:In the case of historical works, or
799:(2nd ed.). Simon and Schuster.
439:) which became gentrified in turn.
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214:; proof of its origin and history.
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1839:Types of art museums and galleries
1618:Index of painting-related articles
388:Westbeth Artists Residents Council
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729:10.2979/victorianstudies.56.2.334
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64:is a room or a building in which
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488:"Origin and Meaning of Gallery"
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153:National Museum of Western Art
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431:art galleries. The resulting
135:Art museum § Terminology
1557:Museum collection management
1480:Art history (academic study)
1359:alternative exhibition space
978:10.1016/j.cities.2016.12.011
512:Becker, Howard Saul (2008).
415:" in a number of locations.
179:, dance, music concerts, or
129:Art museums versus galleries
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1718:Colossal sculptures in situ
1422:Artist-in-residence program
492:Online Etymology Dictionary
462:
350:Some businesses operate as
187:Galleries and the art world
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1849:Contemporary art galleries
1728:Contemporary art galleries
1623:Outline of the visual arts
469:List of national galleries
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1782:Most expensive paintings
1569:Conservation-restoration
1371:Contemporary art gallery
939:10.1177/0096144212443134
927:Journal of Urban History
711:Scragg, Rebecca (2014).
672:Helmreich, Anne (2017).
370:non-profit organizations
321:Contemporary art gallery
115:non-profit organizations
34:A museum gallery at the
1844:Business of visual arts
1790:works by living artists
1552:Classificatory disputes
921:Shkuda, Aaron (2013).
587:(1). New York: 57–95.
425:Washington Square Park
327:contemporary galleries
325:An enduring model for
315:Contemporary galleries
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49:A commercial gallery (
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1427:Artist-run initiative
1314:Visual arts education
811:"The Castelli Method"
542:Crane, Diana (2009).
457:Washington metro area
398:Further information:
346:Outside the art world
319:Further information:
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98:historic preservation
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1723:Contemporary artists
1586:Destination painting
1383:Single-artist museum
1272:Conservator-restorer
972:(February): 120–30.
358:Non-profit galleries
230:Commercial galleries
149:Museum of Modern Art
145:Neue Nationalgalerie
1713:Art reference books
1507:History of painting
1091:Fine-art photograph
633:10.3390/arts8030081
447:Temporary galleries
413:first Friday events
236:early modern period
199:has been eroded by
109:spaces operated by
55:Seattle, Washington
1808:Visual arts portal
1738:National galleries
1591:Eclecticism in art
1546:Catalogue raisonné
1417:Artist cooperative
548:Sociedade e Estado
374:artist collectives
299:Types of galleries
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1226:Site-specific art
1076:Cultural artifact
856:Art Business Info
813:. 10 October 2018
717:Victorian Studies
678:Victorian Studies
523:978-0-520-25636-1
421:Greenwich Village
117:. As part of the
16:(Redirected from
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1777:Stolen paintings
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1596:Economics of art
1447:Sculpture garden
1432:Artist-run space
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1696:most visited
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1096:Found object
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1813:Arts portal
1686:Art museums
1601:art finance
1402:Arts centre
1366:Art gallery
1349:Art commune
1339:Art auction
1182:Printmaking
1111:Mixed media
1106:Kinetic art
1043:Visual arts
784:(3): 44–56.
752:"Gallerist"
643:1765/119341
429:avant-garde
329:was set by
305:Old Masters
240:Middle Ages
208:Old Masters
92:enjoyment,
74:Elizabethan
62:art gallery
1828:Categories
1786:sculptures
1640:Provenance
1535:Art market
1442:Commission
1390:Art school
1378:Art museum
1344:Art colony
1332:and events
1192:street art
1187:Public art
514:Art Worlds
475:References
404:art colony
362:See also:
282:collectors
263:art market
259:art dealer
212:provenance
183:readings.
173:visual art
168:collection
133:See also:
66:visual art
1765:Sculptors
1671:Art media
1633:sculpture
1574:paintings
1495:Criticism
1277:paintings
1267:Collector
1199:Sculpture
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1743:Painters
1628:painting
1540:The arts
1500:feminist
1437:Biennale
1177:Portrait
1162:Painting
1133:graffiti
1086:Fine art
1045:and the
463:See also
309:Post-war
123:fine art
106:preserve
78:Jacobean
1748:by name
1691:largest
1528:Related
1512:outline
1294:Curator
1282:frescos
1219:tallest
1204:carving
1155:virtual
1150:digital
1145:history
1081:Drawing
1066:Collage
1054:Artwork
278:artists
1770:female
1395:Europe
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1659:Lists
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