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225:, composed in 1923, only received its world premiere recording in 2021, performed by the Dakota String Quartet. Curt Cacioppo calls it "the composer’s peak achievement" and "the first distinctive and confident step ever taken in American string quartet writing, unique in scope and integrative process". Without explicitly imitating indigenous musical traits the music allows "these and additional cultural aspects to guide and permeate the form on multiple levels". The work was inspired by a ceremony documented in the early 1900s by ethnographer
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Farwell wrote a copious amount of instrumental, chamber, choral and orchestral music as well as theatre scores, masques and music for community performance. Some of his works reflect his interest in a personal, esoteric form of spirituality. This is also expressed in his lectures and writings on the
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that "Disillusioned about commercial opportunities for
American music, including his own, he established in East Lansing, in April 1936, his own lithographic handpress, with which he printed his own music, handling the entire process of reproduction, including the cover designs, by himself."
90:, graduating in 1893. But he turned toward a musical career following contact with Rudolf Gott, an eccentric Boston-based composer. After studying in Boston, Farwell traveled to Europe for additional work, becoming a student of
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59:(April 23, 1872 – January 20, 1952) was an American composer, conductor, educationalist, lithographer, esoteric savant, and music publisher. Interested in American Indian music, he became associated with the
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composers, among whom
Farwell was a leading figure. There was great interest in this period in drawing from Native American forms and songs. From 1910 to 1913 Farwell directed municipal concerts in
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identified
Farwell as “probably the most neglected composer in our history - at the turn of the century no one wrote music with greater seriousness of purpose or fought harder for American music”.
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A gradual but ceaseless developer as a composer, in his last couple of decades
Farwell produced some of his most individual works - including a series of
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276:, Farwell "claims no authenticity. Rather, documents the composer’s enthralled subjective response to a gripping Native American ritual".
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for orchestra, a
Symphony developed from a fragmentary opening left by his mentor Rudolph Gott, the large-scale "symphonic song ceremony"
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to publish music in this genre. He combined teaching, composing and conducting in his career, working on both coasts and in
Michigan.
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studies for piano, several concise instrumental sonatas, numerous effective and penetrating settings of the poetry of
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Community Chorus, and was first holder of the composer's fellowship of the Music & Art
Association of
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In 1918 Farwell moved to
California, assuming the role of Acting Head of the music department at the
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led to social media portrayals of
Farwell as an appropriator. The American critic and author
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He Heard
America Singing: Arthur Farwell, Composer and Crusading Music Educator
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University of California, Berkeley College of Letters and Science faculty
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399:'Lakota music gets short shrift in concert meant to celebrate it'
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Farwell eventually returned to New York City, where he settled.
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Dvorak's Prophecy: And the Vexed Fate of Black Classical Music
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Chase, Gilbert (revised Neely Bruce). 'Farwell, Arthur', in
162:(1927–39) (now Michigan State University in East Lansing).
158:(1921–25). He moved to Michigan, where he taught theory at
369:'Farwell: String Quartet in A major, Op. 65 “The Hako”'
348:(Rev. ed.). Milwaukee: Hal Leonard. p. 254.
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in 1917 at the Community Chorus luncheon in Manhattan
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Horowitz, Joseph. Notes to Naxos CD 8.559900 (2021)
202:. Among his principal compositions are a number of
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333:. New York: Doubleday Page & Co. p. 153.
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473:at Sibley Music Library, Eastman School of Music
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133:. During this period he composed the score for
109:Returning to the U.S., he lectured in music at
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221:Farwell's String Quartet in A major, Op. 65
210:for orchestra and chorus (after the play by
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459:International Music Score Library Project
40:Starting left, back row: Arthur Farwell,
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70:The American composer and critic
517:MIT School of Engineering alumni
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465:"To Morfydd, for oboe and piano"
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177:His notable students include
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272:argues that, in the case of
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385:The Hako: A Pawnee Ceremony
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522:Cornell University faculty
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471:Arthur Farwell Collection
437:, Scarecrow Press, 1992.
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19:For the footballer, see
344:Kimball, Carol (2005).
327:Mackaye, Percy (1916).
373:MusicWeb International
160:Michigan State College
137:'s "Community Masque"
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262:South Dakota Symphony
92:Engelbert Humperdinck
50:Harry Horner Barnhart
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82:Farwell was born in
42:Peter William Dykema
403:The Washington Post
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204:Symbolistic Studies
414:Horowitz, Joseph.
299:Grove Music Online
193:Music and writings
111:Cornell University
100:Alexandre Guilmant
61:Indianist movement
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492:1952 deaths
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256:Controversy
183:Dika Newlin
481:Categories
280:References
250:Schoenberg
246:Stravinsky
179:Roy Harris
131:Roy Harris
234:polytonal
218:peoples.
200:Intuition
198:theme of
166:noted in
119:Indianist
78:Biography
274:The Hako
223:The Hako
156:Pasadena
461:(IMSLP)
457:at the
242:Cartoon
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185:, and
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