Arthur Honegger - Knowledge

2055:. Far from reacting against German romanticism as the other members of Les Six did, Honegger's mature works show evidence of a distinct influence by it. "I place great importance on musical architecture", he wrote, "which I would never want to see sacrificed for literary or pictorial reasons. I have a perhaps exaggerated tendency to seek polyphonic complexity. My great model is J. S. Bach. I am not aiming, as some anti-impressionist composers do, for a return to harmonic simplicity. On the contrary, I believe we should use the harmonic materials developed by the school that preceded us, but in a different way—as a base for lines and rhythms. Bach makes use of the elements of tonal harmony, just as I wish to make use of modern harmonic overlays. I do not subscribe to the cult of the Music Hall or of the street fair; on the contrary, I am committed to chamber music and symphonic music in their most serious and austere aspects). 185: 939: 29: 2263: 2077:"The work of composer Arthur Honegger stands out for its great diversity, ranging from tonality to atonality, without forgetting polytonality, using all registers, and respecting both the achievements of the past and the contributions of his contemporaries… he is not classifiable in any school.". This diversity in reality reflects an artistic journey whose coherence comes from the deep conviction that music is a true means of communication with the public. Halbreich notes that after 2202:(1921, "his most radical and daring masterpiece", or in his symphonies. The complexity and, above all, the interest of his main compositions lies in the work of relative objectivity. He often played on the scope of the subjects he dealt with. He sought to reach a profound and universal dimension of humanity. This is why his religious works (he was a Protestant) go beyond the strict framework of religion to reach a more universal and human dimension. This explains the success of 4219:

dual aim, seeking as clear a structure as possible without forgoing the enrichment of the sound material, whether harmonic or contrapuntal. (...). Some are afraid of falling into banality, of being simple, apprehensive about not revolutionizing the world with each new work. (…) I have always wanted to reach both audiences: the specialists and the general public. At times, it seemed to me that I had achieved my goal, for example, when hearing the 'Alleluia' from

4923: 624:, on the condition that they live in separate apartments because he required solitude for composing. Andrée lived with her mother, and Honegger visited them for lunch every day. They lived apart for the duration of their marriage, with the exception of one year from 1935 to 1936 following Vaurabourg's injury in a car accident, and the last year of Honegger's life, when he was not well enough to live alone. They had one daughter, Pascale, born in 1932. 88: 2085:, was aimed at the immediate (and, it was accepted, perhaps ephemeral) approval of a vast popular audience, not that of a hypothetical and elitist posterity". It is for this reason that Honegger often aspired to a music free from too much formalism, too much seduction, and above all, in general, from musical habits. All his life he feared the danger of cultural habits, of different forms of collective consciousness ( 4294:) on 3 December 1921. In order to complement the violin, viola, , cello, double bass family, luthiers Léon Sir (1855–1927) and his son Léo Sir (1883–1915) invented five new bowed instruments which played a fourth or a fifth higher than each of the "regular" instruments. The "Dixtuor Léo Sir" was active in Paris after the First World War, until 1934. Other composers who wrote for these instruments include 5446: 2081:, "The need to communicate took precedence over all others, and in his freely chosen mission as "musician in the city of men" Honegger considered the maintenance of an esoteric and avant-garde language as a narcissistic luxury contrary to his humanist demands, even if the aesthetes of art for art's sake suffered and disapproved of his choice. His only subsequent attempt at opera, 989:, was inspired by the euphoria triggered (initially) by the Munich agreements – which stirred the composer's pacifist feelings. "Honegger excelled in these large-scale frescoes that require a powerful breath. Rising very high, while retaining the popular character that befits them, he knew how to put into them as much poetry as familiar grandeur," wrote the critic of 5434: 560:. The music captures the interest of the casual music lover as it mimics the sounds and motion of a steam locomotive – Honegger said "I have always loved locomotives passionately. For me they are living creatures…" but for the composer, the main point was to "giv the impression of a mathematical acceleration of rhythm, while the movement itself slows down."" 1384:. Honegger evokes war, then what remains in man that drives him to elevate himself, and finally what the composer calls "the inevitable rise of the stupidity of the world" – before, in the final few bars, "the symphony ends with an – alas! – utopian evocation of what life could be like in mutual brotherhood and love" says Honegger whose voice was recorded. 244:(1904), "the most complete work ever written on the subject". Gédalge taught his pupils the craft while respecting their ideas and personalities, he went on, and added that while some teachers trained their pupils well to succeed in competitions, "the most advanced musicians in terms of modern spirit were Gédalge's pupils". 649:, an oratorio on a text by René Bizet (1887–1947) inspired (loosely) by John Keats' sonnet 'To Solitude', expressed Honegger's great pessimism : it was a warning against "everything that contributes to the loss of the soul and the death of the individual" including pollution, noise, mass culture, etc. 4444:, translated into English by Roger Nichols. Portland, Oregon: Amadeus Press, 1992. Considers both Honegger's life and works. With the cooperation of Honegger's daughter Pascale; Halbreich has fully documented Honegger's life since childhood. All works are treated, more significant ones analyzed in detail. 4254:"Beethovenian in Honegger's music, beyond the virile energy of the discourse and the vigour of the thematic profiles, the coexistence of an ardently romantic subjectivity and an architecture of a solidity that can withstand any test in its exemplary conciseness", according to Halbreich 1992, p. 728-729 501:

by Daniel Reuss (Mirare). In this version, the spoken voices are replaced by a narrator, but the instrumentation remains the same: the work is written for the seventeen instruments available at the Théâtre du Jorat: no strings except for a double bass, winds, percussion, piano, harmonium and celesta.

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The apparent simplicity of some passages of his music masks the work he did on each passage of his major works in the sense of objectivity, i.e. the strictly musical coherence of the piece: everything depends on it, including the complexity of the techniques, which, according to him, should only be

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is a work for strings and trumpet, and it reflects the dark and oppressive atmosphere of the war years, but the atmosphere changes in its final movement and finally offers a glimmer of hope with the introduction of a trumpet – about one minute from the end of the symphony. Halbreich considers it as

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Halbreich 1992, p. 552. "My taste and endeavor have always been to compose music that is accessible to the vast majority of listeners while still sufficiently free of banalities to interest music lovers. It is especially in the scores kindly referred to as "grand frescoes" that I have pursued this

1803:, written from August to December, premiered in 1951, is subtitled "Di tre re" (which refers to the three D notes at the end of each movement). It is marked by a stark and somber tone, reflecting the author's belief that the end of civilization was near: the work ends with a vision of nothingness. 950:

During World War II, Honegger, although he was Swiss, chose to remain in Paris, which was under Nazi occupation from 14 June 1940 to 24 August 1944. Honegger initially fled south, but returned to Paris at the end of October 1940. Nevertheless, he was allowed to continue his work without too much

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Things were not all good during the 1930s: in 1932, Honegger published "Pour prendre congé", an article in which he complained that his music was not understood, he felt he was on a dead end. When Hitler came to power, Honegger's works were banned (in Germany and later in the countries that were

958:, whose libretto was by Paul Claudel (and based on the Bible), and it was a great success. It was commissioned by Paul Sacher and the music was written between July and November 1938. In April 1940, the first of three radio plays for "Radio Lausanne" was broadcast, based on a text by the actor 1063:

Honegger was later criticised for accepting an invitation from the Third Reich to attend the celebrations in Vienna for the 150th anniversary of Mozart's death, but it was on this occasion that he brought out of France the score of his second symphony (written in 1941–1942), which had been

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which concluded with: "It is therefore important that this country , made so rich by its past achievements, should dare to proclaim that the new Europe and a Franco-German entente, which is its keystone, can only arise from agreements freely entered into by their pacified populations."

1639:, for voice (originally for Madeleine Martinetti's deep contralto voice) and piano. It was orchestrated in June 1947. According to Halbreich, it is (at least the version with orchestra) "one of the peaks of his work" in which he finds "the typical intonations of synagogue chant". 1612:, bathed by the Rhine and where life is good, and to the friendship that bound the Swiss composer to the patron and conductor Paul Sacher". Completed in October, it was premiered by the dedicatee, in Basel, in January 1947. At the end of the second movement, the solo horn quotes 1679:

known. A fortnight after he arrived, however, he suffered a heart attack that left him bedridden. A month later he suffered a massive heart attack. The composer nevertheless managed to recover and he returned to Paris on 15 November. He did not return to work until spring 1948.

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H.54 (on Ronsard's 'Plus tu connais que je brûle pour toi', composed to mark the 450th anniversary of the poet's birth, exists in a version for voice and piano (premiered by Claire Croiza, 1924), and above all for voice, flute and string quartet (Régine de Lormoy, 1925).

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contains 1930–1931 recordings of : Pacific 2.3.1, Rugby, Prelude to The Tempest, Pastorale d'été, Les Aventures du roi Pausole (extracts) and the 1943 recording of the Concerto for cello recorded in the Salle du Conservatoire, October 1943, by Maurice Maréchal for

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composed in 1929–30, was premiered in Boston and then in Paris in 1931. It is described by Harry Halbreich as "written in a language that is rougher and less spare than the following ones, despite a perfectly mastered form, at the crossroads of youth and maturity".

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In 1928 Honegger composed a new symphonic movement called "Rugby," inspired by the sport. The music reflects "the attacks and counter-attacks of the game, the rhythm and colour of a match at the Colombe stadium", according to the composer himself.

930:: "He who creates cannot reconcile his dignity as an artist with the enslavement that fascism imposes". In 1931 Honegger, like many musicians and intellectuals, had already expressed his support for the manifesto for peace published in 485:: he completed his score in two months, and on 11 June the 'dramatic psalm' (written as incidental music) was triumphantly received. On 13 March 1924, Honegger shot to fame when the French version re-orchestrated for large orchestra of 645:, revealing a Honegger full of humour, was a huge success with no less than 800 performances according to Halbreich (p. 671) The composer admitted to having three models here: Mozart, Chabrier and Messager (p. 671). In 1932 2108:, 1945, which, according to the composer, "musically depicts the struggle in the heart of man between abandonment to the blind forces that enslave him and the instinct for happiness, the love of peace, the feeling of divine refuge". 3795:'De profundis clamavi' is not a part of a Catholic Requiem Mass, although it may have been performed at funerals, but it can be used in Protestant Requiem Masses usually composed for concert performance rather than liturgical use. 416:" wanted to create a fresh, French style of composition. Honegger was far from blending in with the group as his style was somewhat more serious ("I don't have a cult for street fairs or the music-hall", he wrote in a letter to 1911:

After a long stay in Switzerland, he managed to return to Paris in June 1954, when "Jeanne d'Arc au Bûcher" was about to be revived at the Opéra, directed by Roberto Rossellini and starring Ingrid Bergman: this was the version

2051:, driving rhythms, melodic amplitude, highly coloristic harmonies, an impressionistic use of orchestral sonorities, and a concern for formal architecture. His style is weightier and more solemn than that of his colleagues in 1395:

achieves a grandeur to which very few musicians have attained": it was "for about ten years one of the most performed works of contemporary music". Halbreich sees the 'De profundis' as "one of the highest peaks of his work".

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The diversity of his works is therefore easy to understand: what each of them had to say in a new way required, in his eyes, a new language. He thus explored different genres and techniques, taking an equal interest in

420:) and complex. Nevertheless, this association was important in establishing his reputation in the Parisian music scene. Honegger collaborated with the other members of Les Six only in 1920 (with a short 'Sarabande' for 2945: 1545:

1946 was marked by numerous trips in France and Europe, including during his holidays in Switzerland. In May, Claire Croiza died. In June, Honegger began his fourth symphony. In November he began giving classes at the

578:(the mother of his son Jean-Claude, 1926–2003) who sang the part of Judith in the first version. Halbreich (p. 550) says that "Judith is full of marvellous, inspired music although the whole piece is imperfect." 4145: 2467: 3923:

Halbreich 1992, p. 228. Honegger never taught at the Conservatoire (even though he was on the board of exams of both the Conservatoire and the École normale de Musique). He also had some private students like

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for flute, English horn and strings, finished in October 1948 and premiered in 1949, an "exquisite masterpiece". In October, he wrote incidental music (the score of which is lost) for Albert Camus's play

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annexed). In 1934, Vaura was seriously injured a car accident – Honegger escaped without serious injury. Above all, the political climate in Europe was increasingly tense. In 1937, Honegger had written

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were all French adoptees : Alexander Tcherepnin, Bohuslav Martinů, Federico Mompou, Vittorio Rieti, Ernesto Halffter, Alexandre Tansman, Marcel Mihalovici, Tibor Harsányi and of course Honegger.

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In 1922, Honegger became one of the first major composers (after Camille Saint-Saëns) to write music specifically for films. His score (of which only the 'Ouverture' remains) for the silent film "

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panel and premiered by Radio-Lausanne in June 1949, will be transmitted live from Lausanne by the national program this evening, Friday 2 December at 9 pm. Its performance will feature the

981:, composed in 1938–39 and scheduled for Zurich, finally took place in Solothurn, not far from Bern, in October 1940. The oratorio, written to the glory of the patron saint of Switzerland, 570:

Another significant work was "Judith" for René Morax's play, which continued his interest in religious themes. It was premiered as a biblical drama in December 1924 or January 1925 at the

5236: 2140:. He also made use of new instruments, or instruments used in new ways: He also made use of new instruments, or instruments used in new ways: the bowed instruments invented by Léo Sir in 1642:

During the first months of 1947, Honegger was bursting with activity as his works were given in concert all over Europe. In April 1947, he found the time to compose a competition piece,

240:. Gédalge encouraged him to compose and Honegger announced his decision to become a composer in a letter to his parents dated 28 April 1915. He then praised his teacher Gédalge and his 5561: 2011:, Op. 350, composed by his friend Darius Milhaud and dedicated to Honegger. In 1962, Poulenc, too, dedicated "à la mémoire de Arthur Honegger" one of the last pieces he completed, his 1083: 1403:(a competition piece) in June, in time for the Conservatoire exams (but good enough to have been recorded): he was a member of the boards of examiners of the Conservatoire and the 5365: 2102:, December 1931). This fear was justified by his ideology of authentic and above all meaningful music, capable of carrying a message, sometimes even a philosophical one as in his 3156: 2422: 1309:, at the Salle du Conservatoire. The first song, based on a text by Arshag Chobanian, was not composed until December 1945. Then there was the composition of the 'Prologue' to 3379: 3140: 1263:

Honegger was expelled from the Front national des musiciens in 1943, maybe in September or October, presumably because he was considered too close to the enemy. Writing in

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into an oratorio is one of the key events in the musical life of the first half of the 20th century," musicologist Mathieu Ferey wrote in the booklet for the recording of

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On 18 December, "Jeanne d'Arc au Bûcher" finally entered the repertoire of the Paris Opera, under the direction of Louis Fourestier. The event was once again hailed by

969:: "Christophe Colomb", the score of which dates from 1940 (and which can be heard in English on YouTube). Two more radio plays were written under the same conditions: 3197: 3216: 3101: 1313:– the work with its prologue was premiered only in February 1946, in Brussels. The other musical event of the year was, in March, the completion of the recording of 343:); his first String Quartet, "the composer's first fully accomplished masterpiece" (Halbreich 1992, p. 311) premiered in 1919 by the Quatuor Capelle; music for 1082:

On 3 February 1942, another event for which he was later reproached took place: he attended a reception at the Hotel Ritz organized by Heinz Schmidtke, head of the

208:(to whom he dedicated his first published work) and violin in Le Havre. He then moved to Switzerland, where he spent two years (September 1909 – June 1911) at the 4695: 2104: 1360: 1458: 4207: 2932: 1710:. In November, in Genoa, he resumed his conducting career, which he was to give up a year later (except in 1951 when he conducted the Orchestre National De La 1431: 916: 4577: 2545: 1098: 825: 2950: 951:

interference and even to travel abroad several times during the war years, mostly to conduct his music – only twice to Switzerland, and without his family.

4276: 2632: 1231:(mai 1943), and extracted two orchestral suites, "one of the most beautiful scores Honegger ever wrote for the cinema". He also composed for Abel Gance's 1130:

in Zurich. In June 1942, a whole series of concerts took place to celebrate the composer's fiftieth birthday. Of particular note was the concert at which

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wrote: "This is the first novelty given by the Opéra since the Liberation: it is worthy of the honour.". Honegger then produced a concert suite from it,

1171: 926:(which included the Fédération musicale populaire) in France. Honegger took a clear stand against the Nazi regime in the June 1939 issue of the magazine 3393: 3124: 1470: 1119:. The work begun in 1938, resumed in 1940–41 and again in 1942 and December 1944, finally came to nothing, but Honegger reused part of his work in the 48:; 10 March 1892 – 27 November 1955) was a Swiss composer who was born in France and lived a large part of his life in Paris. Honegger was a member of 2472: 2241: 2091: 2272: 747:

in 1936 and premiered in 1937. Kent Nagano released a good CD recording of it in 2016. With the same composer (Ibert) Honegger wrote the operetta

5576: 5036: 4131: 3000: 2984: 2914: 2574: 1446: 1287: 1153: 959: 4082: 1620:'s poem "Z'Basel, a mim Rhi", and two minutes before the end of the third movement Honegger describes a carnival march: this is an evocation of 1101:. Some suspected that Honegger had taken advantage of the situation to further his own interests, but Halbreich makes light of this accusation. 285: 2879: 3804: 5571: 4473:(Incantation to fossils), Editions d'Ouchy (Lausanne), 1948 (Some of his articles in Comœdia promoting French contemporary music). Gallica: 1814:, in the stage version and in French, achieved in December 1950 one of the greatest, most spontaneous successes ever seen at this theatre". 1430:, "a ballet that is both folkloric and fairytale-like, set in the pre-Romantic era and in the setting of the Bernese Alps" to a libretto by 3449:

Collester, Colette (1995). Rudolph Ganz: A Musical Pioneer (1st ed.). Metuchen, NJ: Scarecrow Press. pp. 38–56, 124–129. ISBN 0-8108-2883-9

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In the first quarter of 1951, despite his increasingly failing health, Honegger still managed to compose an important orchestral piece,

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in a 1929 electrical recording. Many of Honegger's recordings as conductor of his music have been reissued on CD by Pearl and Dutton.

1355:" (tried). Although he was not officially reproached for anything, it so happened that his works disappeared from concert programmes. 443:

et Andrée Varabourg : it « should be part of every cellist's repertoire » (Halbreich 1992, p. 330). He also wrote

408:(now complete for the first time). Roland-Manuel was present, Halbreich notes that he might well have been one of the Six, as well as 5511: 5491: 4612: 4524: 864:

in Basel in 1938. It is thought of as one of his finest works, blending spoken word, music, and choral elements to tell the story of

528:" (1923) by Abel Gance marked the beginning of his long involvement with film music. 1922 He had met Gance through the French writer 5496: 5352: 4926: 1097:"and attended by various personalities from the Parisian musical world". Drewes was head of Division X (in charge of music) of the 1667:, following which he planned to go on tour throughout the US, then to Mexico and South America, where he was well-known thanks to 1014:, a resistance organisation founded within the Communist Party: he later considered that he had been co-opted because he wrote in 224:

from 1911 to 1918 (except for a brief period during the winter of 1914–1915, when he was mobilised in Switzerland), studying with

4632: 3016: 2314: 1364:, dedicated to Münch, who conducted its premiere in Zurich in 1946. The three movements take their titles from the parts of the 1010:

was a journal of cultural information more or less dependent on the occupation authorities. Some time later, Honegger joined the

775: 3928:(who at the same time took courses at the Conservatoire) or Conrad Beck (Halbreich 1992, p. 169). He also "gave some advice" to 3032: 2967: 574:, then reworked as an "opéra sérieux" (1926, Monte-Carlo), and finally became an oratorio (1927, Rotterdam). It is dedicated to 5566: 781: 152: 5536: 4160: 3500: 3305: 2816:; libretto for acts 2–4 by H. Cain, after E. Rostand, libretto for acts 1 and 5 by Ibert, Opéra de Monte-Carlo, 10 March 1937 5591: 4275:, composed at the end of 1920, was played by Léo Sir's Decet on 27 October at the first concert the theatrical "laboratory" 124: 5506: 4561: 4547: 1592: 1419:(the title echoes a line from 'Le Lac', a famous poem by Lamartine) for voice and piano; and, in December, the last of the 4012: 3825: 3820: 3694: 3682: 3677: 3552: 3321: 1547: 1404: 5546: 5531: 5230: 5029: 3595:. Annales littéraires de l'Université de Franche-Comté, vol. 517 (in French). Presses Université Franche-Comté, pp. 72–73 2206:, for example. This did not stop him from sometimes being more concerned with reacting to the culture of his time, as in 2089:, 1931, the subject of which is "the revolt of the individual against the crowd that crushes him" according to Honegger, 1501: 4552: 4391: 4318: 3763:

More details on this in 'Lettre de Darius Milhaud à Alexandre Tansman', 1945, quoted, then commented, by Erin K. Maher:

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at the Opéra de Paris – but for only seventeen performances between 1943 and 1952. Honegger also wrote small pieces for

5521: 5212: 4718: 2563: 1088: 636: 361: 131: 4426:, the French composer and arts administrator, who was greatly influenced by Honegger. His biography appeared in 1978 ( 1956:, director of the Strasbourg Conservatory and brother of friend Charles Münch, to the sound of the "lamento" from the 4958: 4449: 4431: 4118: 1075:

the 'supreme masterpiece of its composer' and adds that it is one of his most frequently recorded pieces, along with

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were arrested in Cannes, in July. When they were driven to Drancy, Honegger did his best on their behalf, in vain.

105: 1900:, premiered in Basel by his friend Sacher in December. The French premiere, on 10 January 1954, was celebrated in 1602:

subtitled "Deliciae Basilienses" ("The Delights of Basel"), dedicated to his friend Paul Sacher. It is "a kind of

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presenting arms (although he remained a Swiss national and never took French citizenship), and was then taken to

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for the Fédération musicale populaire: it was a song celebrating the singing tomorrows after the success of the

425: 5526: 5022: 4770: 4541: 3783:, issue of 9 October 1943. The French version of the A. Honegger page gives details on Honegger's articles for 1897: 1745:

troupe". This is, for Halbreich, "the most important and the most beautiful" of his collaborations with Aguet.

1738: 721:, March 1938) in which he claimed the pre-eminence of dancers and choreographers in the conception of ballets. 109: 5292: 3269: 3145: 4735: 4605: 3247: 2684: 2509: 2446: 1696: 868:. It remains one of his most frequently performed compositions. There is a DVD version recorded by Don Kent. 209: 4058: 3647:"Notre temps : Paraît chaque mois / Directeur Jean Luchaire ; rédacteur en chef Jacques Chabannes" 1918: 770: 120: 5242: 4801: 4668: 4095: 2821: 1711: 1332:. He died before the next convoy left for Auschwitz. Then, only a few days before the liberation of Paris, 1233: 1011: 809: 641: 537: 280:'s play : the prelude was premiered at the orchestral class in 1917, with a public premiere in 1920); 4777: 3910: 3897: 3885: 3880: 2650: 2166: 852: 58: 5556: 5297: 5287: 4637: 2738: 2318: 2036: 1625: 1412: 4520: 3202: 1889:

At the end of 1952, despite his health problems, he began to reorganise work he had done for an aborted

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are part of this score (although the latter had been composed earlier). His other film score was for

1203: 1070: 1056: 755:(Bouffes-Parisiens, 1938). He also wrote a very short piano piece with an original title in English, 654: 632:, incidental music for Shakespeare's play, was composed between 1923 and 1929 and premiered in 1929. 602: 590: 557: 1965: 682:(a former dancer with the Ballets Russes) financed several works by Honegger, who collaborated with 546:

In 1923, Honegger composed a short piece which was to become one of this most often recorded works:

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By 1950, his health had deteriorated again. Nevertheless, he wrote a score for a documentary film,

1246: 1214:(composed in 1929 and premiered in 1930) was also made in 1943 by dedicatee and premiere performer 503: 4308:

Le Laboratoire de théâtre Art et Action. Étude sur le théâtre de recherche entre les deux guerres

1463: 1305:'s 'La terre les eaux va buvant') were premiered in May 1944 by Ginette Guillamat (1911–1999) and 997:

premiered later by Christian Ferras (1953 Decca recording on YouTube) dates from the same period.

327:(1918, public premiere by the Orchestre Pasdeloup in 1920: his first symphonic piece, inspired by 5336: 5191: 4291: 2842:, libretto by Willemetz and P. Brach, after L. Halévy, Paris, Bouffes-Parisiens, 13 February 1938 1968:, several personalities made speeches, including Jean Cocteau. The urn passed between a hedge of 1664: 1436: 1238: 1108:, completed in January 1941 and premiered in April 1942. At the same time, he was working on his 921: 908: 694:(1934), created by Ida Rubinstein at the Opéra. The former is best remembered for the composer's 98: 4829: 4315: 3646: 2761: 2066:(as well as Taillefer). Milhaud dedicated his fourth string quintet to Honegger's memory, while 1029:

and Poulenc, "the pinnacle of the composer's entire melodic oeuvre" (H358)"; the composition of

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by Jean Giraudoux, premiered in 1942 ; and above all the writing of the second symphony.

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Darius Milhaud in the United States, 1940–71: Transatlantic Constructions of Musical Identity

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In 1949, he resumed his frenetic pace, leaving him time to compose only two new radio plays:

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From January 1945 (and until April 1946), Honegger began work on his third symphony, called

445: 184: 5486: 5481: 5379: 5169: 5003: 4815: 4474: 4314:(Paris, 1992), p. 223. Free access pdf file about Leo Sir, in French (Louvain University): 3864: 3625: 3477: 1742: 1506: 1487:

Honegger again returned to ballet music by composing two tableaux (I and IV) of the ballet

1348: 1250: 1186: 1176: 472: 381: 5219: 4306:(Piece in quintet for three "Léo Sir" instruments, violin and viola). See Michel Corvin, 1040:

The composer returned to incidental music with two small works premiered on 2 April 1941:

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He remained active in the field of film music, notably with scores for Raymond Bernard's "

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for voice, piano and organ or just organ (premiered in 1943) is derived from this work).

724: 668: 594: 366: 277: 225: 221: 5129: 5099: 4459:. Cork University Press, 1987. Spratt also wrote the entry in Grove Music Online (2001). 1407:– although he started teaching (at the ENM) only in 1946; a short piece for cello solo, 1282:), which premiered at the Théâtre du Jorat in May. He composed the 3rd and 4th songs of 1215: 982: 543:

1922 is also the year Honegger lost his mother (in February) and father (in September).

5358: 5268: 5174: 5124: 4855: 2004: 1941: 1725:

In June 1949, he completed a score for a final radio play in collaboration with Aguet,

1702: 1660: 1617: 1539: 1411:

in July, a "truly superb piece" for Halbreich"; he also set to music a poem by painter

1237:

just before Gance had to flee to Spain in August 1943. The piano score was recorded by

986: 843:. After this work, Honegger stopped writing chamber music, with only a few exceptions. 553: 421: 352: 316: 20: 4487:, London: Faber and Faber, 1966 / New York: St. Martin's Press, 1966 (Interviews with 3956:"Mimaamaquim" is the Hebrew word for "Out of the depths": it is the opening phrase of 3347: 1824: 1442: 5411: 5104: 4445: 4427: 3496: 3301: 2826: 2187: 2129: 2096: 2000: 1783: 1604: 1302: 1194: 872: 393: 308: 237: 1847: 1510: 938: 915:

who tried to alert people to the realities of Hitler's regime and founded the first

532:, an advocate of cinema as the "Seventh Art". He worked for Gance again in 1927 for 449:(1921), which has become a staple in the flute repertoire. The work is dedicated to 5581: 5438: 5281: 5144: 5064: 4944: 4423: 4303: 4025:

Henri Vachey and the Jeune Orchestre Symphonique de Douai have recorded Honegger's

3359: 2579: 2223: 2183: 1984: 1879: 1757: 1719: 1588: 1562: 1492: 1451: 1381: 1292: 1158: 964: 836: 529: 348: 5074: 4168: 2117: 1905: 1531: 1388: 1337: 1318: 1131: 1116: 912: 663:(composed in 1932–1933) was premiered in March 1933 by those who commissioned it: 312: 290: 233: 28: 5198: 5164: 5159: 5139: 5094: 5069: 4998: 4906: 4886: 4584:. More on the history of the Czech Philharmonic between the 1940s and the 1980s: 4581: 4565: 4437: 3933: 3929: 3925: 2884: 2310: 2174:, a piece for solo percussion ; and even electronic instruments such as the 2121: 2067: 2021: 1996: 1933:(Honneger speaks to you and presents his work ; see on YouTube, in French). 1858: 1733:: "... this musico-literary radio work, specially noticed and recommended by the 1576: 1513:(act III), with a rhythmic base provided by Serge Lifar (Monte-Carlo, May 1946). 1496: 1143: 904: 883:(CdM 520, October 1938) and two of his works were recorded, again by Désormière: 875:, he harmonized several French folk songs recorded under Désormière's direction: 792: 762: 713:, premiered in 1938. On this occasion the choreographer published his manifesto 593:

by Sophocles. The composer then developed it between 1924 and 1927 for the opera

464: 440: 320: 296: 217: 53: 44: 5464: 4558: 2835:, libretto by René Morax, Mézières, Jorat, Switzerland, 30 May 1931, unpublished 1854: 1333: 5308: 5134: 5109: 4993: 4901: 4808: 4498:, with preface and notes by Harry Halbreich, Genève, Éd. Papillon, 2005, 344 p. 4488: 4396: 4368: 4295: 3355: 3351: 2825:, libretto by A. Willemetz, after P. Louÿs, premiered 12 December 1930, Paris, 2175: 2170:, a bouteillophone (bottles filled with varying amounts of water) for No. 7 of 2113: 2059: 1992: 1976:, in the Montmartre district, where it is now placed under a simple tombstone. 803: 732: 679: 377: 336: 328: 213: 4346: 4001: 3768: 1953: 1197:, as well as a few very short works for six trombone players and percussions, 683: 450: 5475: 5149: 5089: 5079: 5059: 4978: 4466:. Zurich: Atlantis Verlag, 1954. Honegger made scathing remarks on this book. 4191: 3772: 2895: 2813: 2248: 1791: 1306: 1298: 1223: 1026: 943: 759:

in 1937, premiered in 1938. It was his contribution to a collaborative work,

744: 606: 575: 490: 417: 409: 385: 373: 2757: 2621: 1829: 1572: 835:

was also composed in 1936–37 ; it was premiered in October 1937 by the

728: 552:, for the Concerts Koussevitzky at the Opéra de Paris in May 1924– although 476: 5114: 4784: 3605: 2777: 2669: 2655: 2616: 2048: 1691:, premiered in November by Ansermet, then left for his first water cure at 1668: 1551: 1094: 1046: 857: 620:

In 1926, he married Andrée Vaurabourg, a pianist and fellow student at the

582: 510: 481: 401: 356: 300: 229: 64: 1945: 1632:, before a phrase full of nostalgia followed by a brief mocking farewell. 1456:, dancer and choreographer. The press widely echoed it, and the critic of 1068:, and which was premiered in Zurich in 1942 under Sacher's direction. The 307:, in December 1918 (Composed of thirteen short pieces that at times evoke 5406: 5084: 4983: 4711: 3609: 2733: 2410: 2306: 2211: 2207: 2160: 2145: 1926:

In December 1954, he was made a "Grand Officier de la Légion d'honneur".

1874: 1652: 1621: 1324:

Two more significant events took place: firstly, the death of his friend

1241:

but the full orchestra score seems to be lost. He also wrote a score for

1228: 1065: 865: 861: 740: 736: 702: 610: 581:

In 1922, Honegger had written a very brief piece of incidental music for

548: 456: 70: 4290:). It was revived on 3 November 1921 and again at the Salle Touche (25, 3467:

Halbreich 1992, p. 430. The book analyses it in detail on pages 429–432.

1940:, on 27 November 1955. His funeral took place on 2 December 1955 at the 5154: 2785: 2298: 1629: 598: 112: in this section. Unsourced material may be challenged and removed. 2058:

Despite the differences in their styles, he and fellow Les Six member

1865:, he was elected foreign associate member of the music section of the 887:

recorded by the Chorale de la jeunesse, with an orchestra directed by

5014: 4287: 3957: 2781: 2133: 2125: 1613: 1377: 1373: 1325: 268: 5237:

Divertimento for chamber orchestra after keyboard pieces by Couperin

2007:

organized a series of concerts featuring works by Honegger, and the

87: 4533:– The official site on the composer; bilingual (French and English) 2794: 2749:, libretto by M. Jacob, unpublished and only Interlude orchestrated 2602: 2456: 2334: 2186:

himself at the premiere in 1938, but already used in films such as

1794:

filmed by André Gillet; and above all a new symphony, and a suite.

1328:

who was arrested by the Gestapo in February and transferred to the

1321:; the first part of the recording had taken place in October 1942. 847: 197: 4590: 1270:

From January 1944, Honegger composed his music for the radio play

1152:. He collaborated again with Blanchar, when he wrote the score of 4967: 4891: 4837: 2052: 1979:

The Paris Opéra paid tribute to him on 18 December 1955 with the

1892: 1821:, followed, at the end of the year, by two very short pieces for 1646:, for trumpet and piano. In June he wrote some incidental music, 1142:. In October, he wrote the score requested by resistance fighter 1111: 525: 413: 253: 201: 49: 4544:– discusses the controversy of Honegger's role in the Resistance 2242:

List of music students by teacher: G to J § Arthur Honegger

2020:

Many of Honegger's works were championed by his longtime friend

1441:. The music used popular Swiss and Scottish themes. It featured 1267:(now considered too collaborationist) now worked against him... 506:

in Lyon in January 1923 and is still played and recorded today.

257:), premiered in 1916 and 1918 ; 'Hommage à Ravel' from the 1786:, obviously), by René Lucot; another score for the documentary 1567: 671:. G. K. Spratt thought it was his best symphonic piece so far. 471:

in Lausanne (in a concert version). It evokes the fight of the

4530: 954:

In March 1940, in Basel, Sacher premiered the sacred oratorio

5262: 1609: 846:

On a new commission from Ida Rubinstein he wrote a "dramatic

813:

is a suite drawn from his score) and partly by Honegger (His

3604:

1 Fernand Lhomme, saxophone and Jean Manuel, piano ; 2

1952:, Queen of the Belgians. The eulogy was delivered by Pastor 597:

which premiered on 28 December 1927 at the Théâtre Royal de

4310:(Université de Lille III, 1973) ; Dominique Saudinos, 3593:

Paul Claudel et Ida Rubinstein: Une collaboration difficile

2226:(eighth series), issued October 1996 and replaced in 2017. 2155: 1741:, conducted by Ernest Ansermet, the Montreux choir and the 4936: 3767:(PhD thesis, Chapel Hill, 2016), p. 108 ff. Online (pdf): 1944:, in the presence of a representative of French President 1426:

By August 1945 Honegger was back at the Paris Opéra, with

824:, "unquestionably the pinnacle of his chamber music " for 4100: 2024:, who conducted the premiere recordings of some of them ( 1842:, as well as a film score for Georges Rony's documentary 1495:'s libretto based on the poem by the great Georgian poet 1166:

Among the important events of 1943 were the recording of

315:, " caused a scandal comparable in every way to those of 3493:

Symphony of Dreams: The Conductor and Patron Paul Sacher

3478:"Plus tu connais que je brûle pour toi | LiederNet" 1516:

He also composed some film music, for Raymond Bernard's

467:

conducted the avant-garde music of the ballet-pantomime

5562:

Academic staff of the École Normale de Musique de Paris

4198:, 28 September 1920. Quoted by Halbreich 1992, p. 76-77 2047:

The principal elements of Honegger's style are Bachian

1663:

at the beginning of July to give summer courses at the

1126:

In May 1942, Paul Sacher conducted the premiere of the

1635:

There was one more (short) piece written in December:

509:

Honegger's works were played in the US from 1921 when

5422: 1995:, creator of the role. In November 1956, his friends 1760:, whose plane was shot down on 27 November 1940, and 351:: four out of the ten tableaux were premiered at the 4434:) although it has yet to be translated into English. 1872:

In April 1952, he completed a final stage score for

1583:. He also wrote a score for four ondes Martenot for 1099:

Reichsministerium für Volksaufklärung und Propaganda

196:(the first name was never used) to Swiss parents in 2928:

Trio en fa mineur pour violon, violoncelle et piano

2062:were close friends, having studied together at the 475:and concludes with Camilla's death. Still in 1921, 5366:Tanzsuite aus Klavierstücken von François Couperin 3661:La musique au pas. Être musicien sous l'Occupation 1598:His most important work, though, was that on his 1538:(1946), written in collaboration with his friend 1221:Moreover, Honegger composed a score for the film 284:, commissioned in April 1918 by the Belgian poet 5473: 1931:Arthur Honegger vous parle et présente son œuvre 1608:that pays tribute both to the beautiful city of 1557:He composed several pieces of incidental music ( 709:(1935) for percussion and double bass, then for 493:. It is still in the choral repertoire. "Making 439:H. 32 composed in 1920 was premiered in 1921 by 372:While at the conservatoire, Honegger befriended 4389: 4223:sung by the peasants of the Jorat." (Honegger, 3417:"Danse de la Chèvre Arthur Honegger – ProQuest" 2946:Rhapsodie pour deux flûtes, clarinette et piano 2009:Quintet No. 4 for 2 violins, viola and 2 cellos 1052:Prélude et postlude pour 'L'Ombre de la Ravine' 19:"Honegger" redirects here. For other uses, see 4158: 3094:Three Pieces (Prelude, Homage to Ravel, Danse) 1351:, Honegger, a Swiss citizen, was not exactly " 5030: 4952: 4606: 1064:commissioned by the patron and yet conductor 2910:Sonate pour violon et piano no 0 de Honegger 2355:Second Symphony for strings and trumpet in D 2164:and many other pieces), three saxophones in 428:, and finally in 1952 (with a 'Toccata' for 3769:https://cdr.lib.unc.edu/downloads/pc289j467 3491:Stephenson, Lesley (2002). Don Weed (ed.). 2718:, not orchestrated, performed, or published 2484:Concerto for cello and orchestra in C major 1000:In 1941 Honegger became a music critic for 761:Parc d'Attractions – Expo. 1937: Hommage à 639:, the first of Honegger's three operettas, 5037: 5023: 4959: 4945: 4613: 4599: 4483:, Paris: Éditions du Conquistador, 1951 / 4352:(Mouvement symphonique No 2) recorded 1929 4106: 3490: 3080:Three Pieces (Scherzo, Humoresque, Adagio) 1399:Apart from this symphony, he also wrote a 1256:Finally, he wrote the music for a ballet, 489:was performed in Paris under the baton of 4525:International Music Score Library Project 4512:Publications by and about Arthur Honegger 3578:booklet for Abeille Musique's 4 CD album 2313:. For a longer list of compositions, see 2309:originate from the complete catalogue by 1260:, which was premiered only in July 1945. 424:), and 1921 (with a 'Marche funèbre' for 172:Learn how and when to remove this message 3180:Deux Esquisses pour piano (Two Sketches) 1695:where he worked a little. Next came the 1656:, which was premiered in December 1947. 1591:, first performed in summer 1946 at the 1401:Morceau de concours pour violon et piano 1301:'s 'Un grand sommeil noir') and n°4 (on 1115:, based on a libretto by his compatriot 937: 791:(1936 film) p648, in collaboration with 678:with very Fauréan passages), the patron 183: 27: 4286:performed at the "Grenier jaune"" (66, 2317:. For a list of select recordings, see 2315:List of compositions by Arthur Honegger 2254: 1936:Arthur Honegger died in his studio, 71 335:with Native American themes (thanks to 188:Plaque at the Honegger home in Le Havre 5577:Grand Officers of the Legion of Honour 5474: 5044: 4496:Lettres à ses parents : 1914–1922 3295: 2668:, (The Dance of the Dead) libretto by 1683:In the spring of 1948, Honegger wrote 247:Among his notable early works are his 74:, his most universally popular work". 5018: 4940: 4594: 4161:"Georges Tzipine interprète Honegger" 3636:Quoted in Halbreich 1992, pp. 196–197 3580:Honegger : La musique de chambre 2512:, for flute, English horn and strings 2493:Prélude, Fugue et Postlude (Honegger) 2240:For Honegger's notable students, see 2233:was recorded with him conducting the 1134:conducted the French premiere of the 412:. Those who would later be known as " 43: 5572:Zurich University of the Arts alumni 4390:Reto Kirchhofer (19 December 2010). 4369:"Honegger conducts: CDs & Vinyl" 1775:which he completed in January 1950. 1575:'s new translation) and a score for 881:Les trois princesses au pommier doux 801:(1938). In 1939, the film score for 743:, was written in collaboration avec 613:. It is dedicated to "Vaura" : 110:adding citations to reliable sources 81: 5231:Concerto in E-flat (Dumbarton Oaks) 4620: 4514:in the catalogue Helveticat of the 3721:[archive]"Dr%20Drewes".zoom 3707:Halbreich 1992, p. 384 & p. 781 2528:Prélude pour Aglavaine et Sélysette 2222:Honegger was pictured on the Swiss 1729:, whose broadcast was announced by 1587:, a ballet based on a storyline by 1274:and wrote several short pieces for 1243:Callisto, la petite nymphe de Diane 274:Prélude pour Aglavaine et Sélysette 13: 5517:20th-century French male musicians 4416: 2468:Concertino for piano and orchestra 2261: 727:, drame lyrique (on a libretto by 556:was already music director of the 14: 5603: 4537:Unlocking the Mystery of Honegger 4505: 3173:Petits Airs sur une basse célèbre 2289:Performed by Sarah Bassingthwaite 1882:'s translation, premiered at the 1846:(1951) with the collaboration of 1571:for a performance of the play in 1548:École Normale de Musique de Paris 1405:École Normale de Musique de Paris 1227:based on the life of the aviator 1104:Works from this year include the 942:Arthur Honegger, as portrayed by 459:danced on three of the dances of 272:(1916) ; his very Debussian 5512:French male film score composers 5492:20th-century classical composers 5444: 5432: 4922: 4921: 4043:La Rédemption de François Villon 3495:. Scarecrow Press. p. 208. 2996:Sonata for Violin and Piano No.2 2980:Sonata for Violin and Piano No.1 2297:Problems playing this file? See 2279: 1929:Early 1955 saw the recording of 1790:, Paul Claudel's interview with 1595:, but it is unfortunately lost. 1502:The Knight in the Panther's Skin 701:Honegger also collaborated with 605:'s baton, with sets designed by 86: 5497:French male classical composers 5458: 4383: 4361: 4340: 4331: 4322: 4317:. Pictures of the instruments: 4312:Manuel Rosenthal : Une vie 4266: 4257: 4248: 4239: 4230: 4212: 4201: 4184: 4175: 4159:Michel Tibbaut (15 July 2005). 4152: 4139: 4125: 4112: 4089: 4076: 4063: 4052: 4019: 4006: 3995: 3986: 3972: 3963: 3950: 3939: 3917: 3904: 3891: 3869: 3858: 3849: 3840: 3831: 3809: 3798: 3789: 3757: 3748: 3734: 3725: 3710: 3701: 3688: 3666: 3653: 3639: 3630: 3615: 3598: 3585: 3572: 3567:Parc d'Attractions – Expo. 1937 3559: 3545: 3536: 3527: 3518: 3509: 3484: 3470: 3461: 3452: 3443: 3434: 3409: 3400: 2658:, version with prologue in 1941 2624:, version for orchestra in 1923 1421:Quatre Chansons pour voix grave 1284:Quatre chansons pour voix grave 1084:Propaganda-Abteilung Frankreich 807:was written partly by Milhaud ( 479:commissioned Honegger to write 404:and Andrée Vaurabourg gave the 200:, France, he initially studied 97:needs additional citations for 4521:Free scores by Arthur Honegger 3779:of 4 April 1942; for Egk's on 3387: 3373: 3364: 3337: 3328: 3314: 3289: 3280: 3262: 2229:Honegger's symphonic movement 1834:Toccata sur un thème de Campra 1739:Orchestre de la Suisse Romande 1550:, where his students included 1210:The premiere recording of his 839:. It had been commissioned by 690:(1931), as well as the ballet 220:. In 1911, he enrolled in the 1: 5567:Conservatoire de Paris alumni 4501:Arthur Honegger, many scores. 4027:Musiques de films et de scène 3932:(Halbreich 1992, p. 107) and 3255: 1659:Honegger was then invited by 893:Petite suite en trois parties 637:Théâtre des Bouffes-Parisiens 345:Vérité ? Mensonge ? 341:Notes d'ethnographie musicale 5537:20th-century Swiss composers 4870:Les mariés de la tour Eiffel 4669:Les aventures du roi Pausole 4553:Drama lírico Bíblico, Judith 4457:The Music of Arthur Honegger 4392:"Das Debüt der Doppelbürger" 3771:) For Honegger's article on 3663:. CNRS Editions 2016, p. 173 3157:Prelude, Arioso and Fughetta 3117:Sarabande (for Album de Six) 2822:Les aventures du roi Pausole 2742:, unfinished and unpublished 1218:under the composer's baton. 1012:Front National des Musiciens 642:Les Aventures du roi Pausole 463:early in 1921. Also in 1921 453:and written for solo flute. 426:Les mariés de la tour Eiffel 355:, on 25 November 1920, with 77: 7: 5507:French film score composers 5353:Symphony in Three Movements 5298:Piano Sonata No. 3 (Enescu) 5293:Piano Sonata No. 3 (Chávez) 5288:Piano Sonata No. 1 (Enescu) 4966: 4568:– biography of the composer 4167:(in French). Archived from 2739:The Hunchback of Notre-Dame 2319:Arthur Honegger discography 2198:pushed if necessary, as in 1718:in a recording studio, for 1626:German-speaking Switzerland 1499:(c. 1160 – after c. 1220), 1093:section, given in honor of 1033:on extracts from the novel 698:(first performed in 1948). 392:. The first concert of the 10: 5608: 5547:Swiss male opera composers 5532:Swiss film score composers 5303:Piano Suite No. 2 (Enescu) 4555:(audio online y descarga). 4422:Honegger's biographer was 3742:Honegger Conducts Honegger 3731:Halbreich 1992, p. 205-206 3591:Depaulis, Jacques (1994). 3243:Fugue et Choral (Honegger) 3012:Sonata for Viola and Piano 2747:La mort de sainte Alméenne 2680:Nicolas de Flue (oratorio) 2433:(Symphonic Movement No. 2) 2414:(Symphonic Movement No. 1) 2239: 1964:. During the cremation at 1628:using the piccolo and the 1593:Comédie des Champs-Elysées 1423:(which became the first). 1025:(written in 1939–1940) by 1018:, to defend French music. 841:Elizabeth Sprague Coolidge 696:Prelude, Fugue et Postlude 661:Mouvement symphonique No 3 437:Sonata for cello and piano 398:Théâtre du Vieux-Colombier 305:Théâtre du Vieux-Colombier 18: 16:Swiss composer (1892–1955) 5522:Swiss classical composers 5389: 5330:El retablo de maese Pedro 5183: 5052: 4974: 4918: 4879: 4847: 4794: 4762: 4744: 4728: 4678: 4646: 4628: 4580:14 September 2019 at the 3044:String Quartet No. 3 in E 2620:(King David) libretto by 2217: 1743:Radio-théâtre de Lausanne 1624:, typical brass bands of 1616:'s setting of Basel-born 1417:Ô temps, suspends ton vol 1245:, an animated cartoon by 1057:In the Shadow of the Glen 1021:1941 saw the premiere of 993:. The composition of the 782:Les Mutinés de l'Elseneur 773:" (1934), Pierre Chenal's 711:Le Cantique des cantiques 676:L'Impératrice aux rochers 635:In December 1930, at the 603:Maurice Corneil de Thoran 558:Boston Symphony Orchestra 311:, this work dedicated to 5592:Pupils of Vincent d'Indy 5213:Le bourgeois gentilhomme 4471:Incantation aux fossiles 4190:Letter from Honegger to 3334:Halbreich 1992, p. 35-36 3207:de Guillaume Apollinaire 3141:Hommage à Albert Roussel 2860:Le dit des jeux du monde 2235:Paris Symphony Orchestra 2204:Joan of Arc at the stake 2138:Le Dit des Jeux du Monde 2070:similarly dedicated his 2042: 1960:and the "Alleluia' from 1754:Antoine de Saint-Exupéry 1712:Radiodiffusion Française 1685:Prélude, Fugue, Postlude 1368:(like Britten's earlier 1249:, in collaboration with 1140:Joan of Arc at the stake 1044:(for Machiavelli's play 977:(1949). The premiere of 891:(CdM 501, fév 1938) and 879:(CdM 513, May 1938) and 504:Georges Martin Witkowski 461:Le Dit des Jeux du monde 406:Six Poèmes d'Apollinaire 388:was well as the pianist 282:Le Dit des Jeux du monde 249:Six Poèmes d'Apollinaire 5587:Musicians from Le Havre 5337:Sonatine bureaucratique 4337:Halbreich 1992, p. 431 4300:Fourth Chamber Symphony 4292:boulevard de Strasbourg 4263:Halbreich 1992, p. 450 3296:Meylan, Pierre (1970). 3217:Nature morte (Honegger) 3064:for C trumpet and piano 1867:Académie des Beaux-Arts 1727:Saint-François d'Assise 1665:Tanglewood Music Center 1239:Jean-Francois Antonioli 1201:, for Giraudoux's play 1035:Suzanne et le Pacifique 1023:Trois poèmes de Claudel 985:, based on the work of 975:Saint François d'Assise 909:Paul Vaillant-Couturier 810:La cheminée du roi René 259:Trois pièces pour piano 32:Arthur Honegger in 1928 5552:Neoclassical composers 5502:French opera composers 5402:Neoromanticism (music) 5373:Le Tombeau de Couperin 4863:La guirlande de Campra 4778:Jeanne d'Arc au bûcher 4564:20 August 2013 at the 4516:Swiss National Library 4328:Halbreich 1992, p. 455 4245:Halbreich 1992, p. 730 4236:Halbreich 1992, p. 392 4194:, who published it in 4181:Halbreich 1992, p. 728 3992:Halbreich 1992, p. 246 3969:Halbreich 1992, p. 238 3855:Halbreich 1992, p. 340 3846:Halbreich 1992, p. 221 3837:Halbreich 1992, p. 390 3754:Halbreich 1992, p. 472 3542:Halbreich 1992, p. 436 3524:Halbreich 1992, p. 507 3515:Halbreich 1992, p. 433 3458:Halbreich 1992, p. 781 2651:Jeanne d'Arc au bûcher 2377:Fourth Symphony in A ( 2266: 2247:The ice hockey player 2180:Jeanne d'Arc au bûcher 2167:Jeanne d'Arc au bûcher 2132:'s genius – excluding 1974:Saint-Vincent Cemetery 1966:Père Lachaise Cemetery 1839:La Guirlande de Campra 1836:, his contribution to 1528:Chant de la Délivrance 1519:Un ami viendra ce soir 1428:L'Appel de la Montagne 1330:Drancy internment camp 1258:L'appel de la montagne 1168:Jeanne d'Arc au bûcher 1163:the following summer. 995:Sonata for solo violin 947: 853:Jeanne d'Arc au bûcher 751:, in the same vein as 739:"), about the life of 715:La Danse et la Musique 430:La Guirlande de Campra 189: 59:Jeanne d'Arc au bûcher 33: 5527:Swiss opera composers 4803:Le Capitaine Fracasse 4548:Cello Concerto Review 3533:Halbreich 1992 p. 378 3440:Halbreich 1992, p. 86 3406:Halbreich 1992, p. 69 3370:Halbreich 1992, p. 65 3286:Halbreich 1992, p.182 3198:Six poèmes (Honegger) 3087:Toccata and Variation 2701:(A Christmas Cantata) 2390:Fifth Symphony in D ( 2265: 2224:twenty franc banknote 2172:Dit des Jeux du Monde 1896:project. This became 1853:At the suggestion of 1750:Marche contre la mort 1286:. Songs n°2 (text by 1234:Le Capitaine Fracasse 1031:Petit cours de morale 941: 907:. The lyrics were by 206:Robert-Charles Martin 194:Oscar-Arthur Honegger 187: 45:[aʁtyʁɔnɛɡɛʁ] 31: 5243:Harpsichord Concerto 5192:Antiche arie e danze 5170:Germaine Tailleferre 5004:Germaine Tailleferre 4647:Operas and operettas 4633:List of compositions 4531:Site Arthur Honegger 4171:on 11 February 2009. 3565:The contributors to 3028:String Quartet No. 2 2963:String Quartet No. 1 2840:Les petites cardinal 2762:Opéra de Monte-Carlo 2401:Symphonic movements: 2379:Deliciae basilienses 2366:Symphonie Liturgique 2255:Notable compositions 2251:is his grandnephew. 1536:Les démons de l'aube 1522:(released in 1946): 1507:Alexander Tcherepnin 1432:Robert Favre Le Bret 1393:Symphonie liturgique 1378:De profundis clamavi 1361:Symphonie liturgique 1276:Charles le téméraire 1187:Henry de Montherlant 1181:and the premiere of 917:Maison de la culture 785:and Anatole Litvak's 776:Crime and Punishment 749:Les Petites Cardinal 502:It was conducted by 473:Horatii and Curiatii 400:on 15 January 1918: 382:Germaine Tailleferre 106:improve this article 5397:Neoclassical ballet 5323:The Rake's Progress 5206:Le baiser de la fée 4771:A Christmas Cantata 4481:Je suis compositeur 4225:Je suis compositeur 3775:'s Palestrina, see 3719:, 6 February 1942: 3555:. 29 November 1955. 3324:. 29 November 1955. 2788:on 28 December 1927 2764:on 13 February 1925 2760:, premiered at the 2698:Une cantate de Noël 2546:Le Chant de Nigamon 2440:Symphonic Movement 2064:Paris Conservatoire 2039:is very extensive. 1938:boulevard de Clichy 1898:A Christmas Cantata 1850:and Arthur Hoérée. 1708:Jean-Louis Barrault 1482:Jour de Fête suisse 1370:Sinfonia da Requiem 1345:liberation of Paris 1272:Battements du monde 1247:André Édouard Marty 1195:Le Soulier de Satin 971:Battements du monde 856:, to a libretto by 826:Jacques Tchamkerten 674:From 1925 onwards ( 669:Berlin Philharmonic 665:Wilhelm Furtwängler 622:Paris Conservatoire 367:Vladimir Golschmann 359:; and in 1920–1921 331:'s adventure novel 325:Le Chant de Nigamon 278:Maurice Maeterlinck 226:Charles-Marie Widor 222:Paris Conservatoire 210:Zurich Conservatory 62:is "more even than 5557:Oratorio composers 5359:Symphony of Psalms 5175:Heitor Villa-Lobos 5046:Neoclassical music 4753:Danse de la chèvre 4745:Instrumental music 4736:Concerto da camera 4135:, 19 December 1955 3982:, 2 December 1949; 3383:, 26 November 1920 3102:Seven Short Pieces 2833:La belle de Moudon 2812:, co-written with 2666:La danse des morts 2633:Amphion (Honegger) 2510:Concerto da camera 2274:Danse de la chèvre 2267: 1942:Oratoire du Louvre 1828:, a radio play by 1703:The State of Siege 1697:Concerto da camera 1693:Bagnoles-de-l'Orne 1661:Serge Koussevitzky 1618:Johann Peter Hebel 1524:Souvenir de Chopin 1204:Sodom and Gomorrah 1193:(1936), Claudel's 987:Denis de Rougemont 956:La Danse des morts 948: 911:, a journalist at 564:Chanson de Ronsard 554:Serge Koussevitzky 446:Danse de la chèvre 396:took place at the 317:The Rite of Spring 265:H. 7 (1914–1916); 242:Traité de la fugue 190: 34: 21:Honegger (surname) 5420: 5419: 5412:Modernism (music) 5220:Concert champêtre 5105:Camargo Guarnieri 5012: 5011: 4934: 4933: 4810:Cavalcade d'amour 4494:Arthur Honegger, 4479:Arthur Honegger, 4469:Arthur Honegger, 4455:Geoffrey Spratt. 4348:Arthur Honegger, 4120:L'Est républicain 3649:. 4 January 1931. 3553:"Arthur Honegger" 3502:978-3-907625-10-1 3322:"Arthur Honegger" 3307:978-2-8251-3235-7 3300:. L'age D'homme. 3270:"Arthur Honegger" 2871:, symphonie mimée 2869:Horace victorieux 2827:Bouffes-Parisiens 2284: 2200:Horace Victorieux 2188:Berthold Bartosch 2130:Arnold Schoenberg 2001:Fernand Oubradous 1970:Republican Guards 1884:Comédie-Française 1869:on 3 April 1952. 1823:La rédemption de 1650:, for Sophocles' 1605:Pastoral Symphony 1303:Pierre de Ronsard 1199:Sodome et Gomorre 1172:Lodewijk de Vocht 877:La femme du marin 873:Le Chant du Monde 647:Les Cris du monde 615:Andrée Vaurabourg 469:Horace victorieux 390:Andrée Vaurabourg 182: 181: 174: 156: 121:"Arthur Honegger" 5599: 5542:Ballet composers 5467: 5462: 5449: 5448: 5447: 5437: 5436: 5435: 5428: 5256:Mathis der Maler 5145:Sergei Prokofiev 5130:Bohuslav Martinů 5100:Radamés Gnattali 5039: 5032: 5025: 5016: 5015: 4961: 4954: 4947: 4938: 4937: 4925: 4924: 4880:Related articles 4679:Orchestral works 4615: 4608: 4601: 4592: 4591: 4462:Willy Tappolet. 4424:Marcel Landowski 4410: 4409: 4407: 4405: 4387: 4381: 4380: 4378: 4376: 4365: 4359: 4353: 4344: 4338: 4335: 4329: 4326: 4320: 4304:Manuel Rosenthal 4285: 4270: 4264: 4261: 4255: 4252: 4246: 4243: 4237: 4234: 4228: 4216: 4210: 4205: 4199: 4188: 4182: 4179: 4173: 4172: 4156: 4150: 4143: 4137: 4129: 4123: 4116: 4110: 4104: 4098: 4093: 4087: 4080: 4074: 4067: 4061: 4056: 4050: 4023: 4017: 4010: 4004: 3999: 3993: 3990: 3984: 3976: 3970: 3967: 3961: 3954: 3948: 3943: 3937: 3921: 3915: 3908: 3902: 3895: 3882: 3876: 3867: 3862: 3856: 3853: 3847: 3844: 3838: 3835: 3822: 3816: 3807: 3802: 3796: 3793: 3787: 3761: 3755: 3752: 3746: 3738: 3732: 3729: 3723: 3714: 3708: 3705: 3699: 3692: 3679: 3673: 3664: 3659:Karine Le Bail, 3657: 3651: 3650: 3643: 3637: 3634: 3628: 3619: 3613: 3602: 3596: 3589: 3583: 3576: 3570: 3563: 3557: 3556: 3549: 3543: 3540: 3534: 3531: 3525: 3522: 3516: 3513: 3507: 3506: 3488: 3482: 3481: 3474: 3468: 3465: 3459: 3456: 3450: 3447: 3441: 3438: 3432: 3431: 3429: 3427: 3413: 3407: 3404: 3398: 3391: 3385: 3377: 3371: 3368: 3362: 3360:Arshag Chobanian 3341: 3335: 3332: 3326: 3325: 3318: 3312: 3311: 3293: 3287: 3284: 3278: 3277: 3274:Oxford Reference 3266: 3251: 3225: 3206: 3166:on the name BACH 3165: 3149: 3133: 3125:Le Cahier romand 3110: 3070:Piano solo works 3036: 3020: 3004: 2988: 2971: 2954: 2936: 2918: 2888: 2688: 2641: 2583: 2554: 2536: 2501: 2476: 2450: 2431: 2364:Third Symphony ( 2326:Orchestral music 2286: 2285: 2264: 2184:Maurice Martenot 2100: 1989:Jeanne au Bûcher 1985:Louis Fourestier 1922: 1880:Thierry Maulnier 1844:La tour de Babel 1812:Jeanne au bûcher 1774: 1758:Henri Guillaumet 1756:, in tribute to 1720:Ducretet Thomson 1687:, a suite after 1589:Leyla Bedir Khan 1563:Prometheus Bound 1493:Nikolai Evreinov 1489:Chota Roustaveli 1479: 1471:Maurice Brillant 1467: 1455: 1440: 1382:Dona nobis pacem 1311:Jeanne au bûcher 1296: 1280:Charles the Bold 1216:Maurice Maréchal 1180: 1162: 1092: 983:Nicholas of Flüe 979:Nicholas of Flüe 968: 925: 889:Roger Désormière 837:Pro Arte Quartet 834: 609:and costumes by 572:Théâtre du Jorat 538:Captain Fracasse 536:and in 1943 for 530:Ricciotto Canudo 294: 267:Trois Poèmes de 212:being taught by 177: 170: 166: 163: 157: 155: 114: 90: 82: 47: 42: 5607: 5606: 5602: 5601: 5600: 5598: 5597: 5596: 5472: 5471: 5470: 5463: 5459: 5455: 5451:Classical music 5445: 5443: 5433: 5431: 5423: 5421: 5416: 5385: 5269:Octet for winds 5179: 5165:Igor Stravinsky 5160:Richard Strauss 5140:Francis Poulenc 5120:Arthur Honegger 5095:Manuel de Falla 5070:Alfredo Casella 5048: 5043: 5013: 5008: 4999:Francis Poulenc 4989:Arthur Honegger 4970: 4965: 4935: 4930: 4914: 4887:Harry Halbreich 4875: 4856:L'Album des Six 4843: 4790: 4758: 4740: 4724: 4719:Pastorale d'été 4674: 4642: 4624: 4622:Arthur Honegger 4619: 4582:Wayback Machine 4572:František Sláma 4566:Wayback Machine 4559:Arthur Honegger 4542:Holocaust Music 4508: 4485:I Am a Composer 4464:Arthur Honegger 4442:Arthur Honegger 4438:Harry Halbreich 4419: 4417:Further reading 4414: 4413: 4403: 4401: 4388: 4384: 4374: 4372: 4367: 4366: 4362: 4347: 4345: 4341: 4336: 4332: 4327: 4323: 4279: 4277:Art et d'Action 4271: 4267: 4262: 4258: 4253: 4249: 4244: 4240: 4235: 4231: 4217: 4213: 4206: 4202: 4189: 4185: 4180: 4176: 4157: 4153: 4144: 4140: 4130: 4126: 4117: 4113: 4107:Stephenson 2002 4105: 4101: 4094: 4090: 4081: 4077: 4068: 4064: 4057: 4053: 4024: 4020: 4011: 4007: 4000: 3996: 3991: 3987: 3977: 3973: 3968: 3964: 3955: 3951: 3944: 3940: 3934:Maurice Jaubert 3930:Marcel Delannoy 3926:Marius Constant 3922: 3918: 3909: 3905: 3896: 3892: 3887:La France libre 3879: 3870: 3863: 3859: 3854: 3850: 3845: 3841: 3836: 3832: 3819: 3810: 3803: 3799: 3794: 3790: 3762: 3758: 3753: 3749: 3739: 3735: 3730: 3726: 3715: 3711: 3706: 3702: 3693: 3689: 3676: 3667: 3658: 3654: 3645: 3644: 3640: 3635: 3631: 3620: 3616: 3603: 3599: 3590: 3586: 3577: 3573: 3564: 3560: 3551: 3550: 3546: 3541: 3537: 3532: 3528: 3523: 3519: 3514: 3510: 3503: 3489: 3485: 3476: 3475: 3471: 3466: 3462: 3457: 3453: 3448: 3444: 3439: 3435: 3425: 3423: 3415: 3414: 3410: 3405: 3401: 3392: 3388: 3378: 3374: 3369: 3365: 3348:André Fontainas 3342: 3338: 3333: 3329: 3320: 3319: 3315: 3308: 3298:Arthur Honegger 3294: 3290: 3285: 3281: 3268: 3267: 3263: 3258: 3245: 3219: 3200: 3159: 3143: 3127: 3104: 3030: 3014: 2998: 2982: 2965: 2948: 2930: 2912: 2882: 2784:, premiered at 2682: 2635: 2577: 2564:Pastorale d'été 2548: 2530: 2495: 2470: 2444: 2425: 2311:Harry Halbreich 2304: 2303: 2295: 2293: 2292: 2291: 2290: 2287: 2280: 2277: 2268: 2262: 2257: 2245: 2220: 2122:Igor Stravinsky 2094: 2072:Clarinet Sonata 2068:Francis Poulenc 2045: 2030:Nicolas de Flüe 2022:Georges Tzipine 2014:Clarinet Sonata 1997:Georges Tzipine 1958:Danse des morts 1916: 1878:, this time in 1859:Florent Schmitt 1832:as well as his 1825:François Villon 1768: 1764:, adapted from 1671:, who had made 1577:Christian-Jaque 1561:for Aeschylus' 1497:Shota Rustaveli 1473: 1461: 1449: 1443:Yvette Chauviré 1434: 1290: 1174: 1156: 1144:Pierre Blanchar 1136:Second Symphony 1128:Second Symphony 1121:Cantate de Noël 1086: 962: 919: 905:Front Populaire 860:, premiered by 828: 793:Maurice Jaubert 763:Marguerite Long 519:Pastorale d'été 465:Ernest Ansermet 441:Diran Alexanian 422:L'Album des Six 394:Nouveaux Jeunes 380:, and then met 362:Pastorale d'été 353:Salon d'automne 297:Walther Straram 295:, premiered by 288: 218:Friedrich Hegar 178: 167: 161: 158: 115: 113: 103: 91: 80: 40: 37:Arthur Honegger 24: 17: 12: 11: 5: 5605: 5595: 5594: 5589: 5584: 5579: 5574: 5569: 5564: 5559: 5554: 5549: 5544: 5539: 5534: 5529: 5524: 5519: 5514: 5509: 5504: 5499: 5494: 5489: 5484: 5469: 5468: 5456: 5454: 5453: 5441: 5418: 5417: 5415: 5414: 5409: 5404: 5399: 5393: 5391: 5387: 5386: 5384: 5383: 5376: 5369: 5362: 5355: 5350: 5345: 5343:Symphony No. 1 5340: 5333: 5326: 5319: 5312: 5309:Premier Menuet 5305: 5300: 5295: 5290: 5285: 5278: 5271: 5266: 5259: 5252: 5245: 5240: 5233: 5228: 5223: 5216: 5209: 5202: 5195: 5187: 5185: 5181: 5180: 5178: 5177: 5172: 5167: 5162: 5157: 5152: 5147: 5142: 5137: 5135:Darius Milhaud 5132: 5127: 5122: 5117: 5112: 5110:Paul Hindemith 5107: 5102: 5097: 5092: 5087: 5082: 5077: 5072: 5067: 5062: 5056: 5054: 5050: 5049: 5042: 5041: 5034: 5027: 5019: 5010: 5009: 5007: 5006: 5001: 4996: 4994:Darius Milhaud 4991: 4986: 4981: 4975: 4972: 4971: 4964: 4963: 4956: 4949: 4941: 4932: 4931: 4919: 4916: 4915: 4913: 4912: 4904: 4902:Poetic realism 4899: 4894: 4889: 4883: 4881: 4877: 4876: 4874: 4873: 4866: 4859: 4851: 4849: 4848:Collaborations 4845: 4844: 4842: 4841: 4834: 4827: 4820: 4813: 4806: 4798: 4796: 4792: 4791: 4789: 4788: 4781: 4774: 4766: 4764: 4760: 4759: 4757: 4756: 4748: 4746: 4742: 4741: 4739: 4738: 4732: 4730: 4726: 4725: 4723: 4722: 4715: 4708: 4706:Symphony No. 5 4703: 4701:Symphony No. 4 4698: 4696:Symphony No. 3 4693: 4691:Symphony No. 2 4688: 4686:Symphony No. 1 4682: 4680: 4676: 4675: 4673: 4672: 4665: 4658: 4650: 4648: 4644: 4643: 4641: 4640: 4635: 4629: 4626: 4625: 4618: 4617: 4610: 4603: 4595: 4589: 4588: 4569: 4556: 4550: 4545: 4539: 4534: 4528: 4518: 4507: 4506:External links 4504: 4503: 4502: 4499: 4492: 4489:Bernard Gavoty 4477: 4467: 4460: 4453: 4435: 4418: 4415: 4412: 4411: 4397:Berner Zeitung 4382: 4360: 4339: 4330: 4321: 4296:Darius Milhaud 4265: 4256: 4247: 4238: 4229: 4227:, p. 132-133). 4211: 4200: 4183: 4174: 4151: 4138: 4124: 4111: 4109:, p. 211. 4099: 4088: 4075: 4062: 4051: 4018: 4005: 3994: 3985: 3971: 3962: 3949: 3946:France Musique 3938: 3916: 3903: 3890: 3868: 3857: 3848: 3839: 3830: 3808: 3797: 3788: 3756: 3747: 3733: 3724: 3709: 3700: 3687: 3665: 3652: 3638: 3629: 3614: 3597: 3584: 3571: 3558: 3544: 3535: 3526: 3517: 3508: 3501: 3483: 3469: 3460: 3451: 3442: 3433: 3408: 3399: 3386: 3372: 3363: 3356:Francis Jammes 3352:Jules Laforgue 3336: 3327: 3313: 3306: 3288: 3279: 3260: 3259: 3257: 3254: 3235: 3234: 3228: 3227: 3209: 3189: 3188: 3182: 3181: 3174: 3167: 3150: 3134: 3118: 3111: 3095: 3088: 3081: 3073: 3072: 3066: 3065: 3055: 3054:for cello solo 3045: 3038: 3021: 3005: 2989: 2973: 2956: 2938: 2920: 2901: 2900: 2891: 2890: 2872: 2862: 2852: 2851: 2844: 2843: 2836: 2829: 2817: 2800: 2799: 2790: 2789: 2776:, libretto by 2765: 2756:, libretto by 2750: 2743: 2726: 2719: 2711: 2710: 2703: 2702: 2690: 2672: 2659: 2654:, libretto by 2643: 2625: 2608: 2607: 2598: 2597: 2596: 2595: 2586: 2567: 2556: 2538: 2515: 2514: 2513: 2503: 2485: 2478: 2453: 2452: 2451: 2434: 2415: 2398: 2397: 2396: 2383: 2370: 2357: 2348: 2346:First Symphony 2330: 2329: 2294: 2288: 2278: 2271: 2270: 2269: 2260: 2259: 2258: 2256: 2253: 2219: 2216: 2176:ondes Martenot 2114:Claude Debussy 2105:Symphony No. 3 2060:Darius Milhaud 2044: 2041: 1993:Claude Nollier 1987:, followed by 1863:J.-G. Domergue 1848:Tibor Harsányi 1800:Symphonie n° 5 1766:Claudel's play 1706:, directed by 1600:Symphony No. 4 1511:Tibor Harsányi 1317:by his friend 1212:Cello Concerto 1138:, followed by 1071:Symphony No. 2 804:Love Cavalcade 771:Les Misérables 757:Scenic Railway 753:Le Roi Pausole 735:'s 1900 play, 733:Edmond Rostand 719:Revue Musicale 680:Ida Rubinstein 655:Symphony No. 1 347:, a ballet by 337:Julien Tiersot 329:Gustave Aimard 238:Vincent d'Indy 214:Lothar Kempter 180: 179: 94: 92: 85: 79: 76: 15: 9: 6: 4: 3: 2: 5604: 5593: 5590: 5588: 5585: 5583: 5580: 5578: 5575: 5573: 5570: 5568: 5565: 5563: 5560: 5558: 5555: 5553: 5550: 5548: 5545: 5543: 5540: 5538: 5535: 5533: 5530: 5528: 5525: 5523: 5520: 5518: 5515: 5513: 5510: 5508: 5505: 5503: 5500: 5498: 5495: 5493: 5490: 5488: 5485: 5483: 5480: 5479: 5477: 5466: 5461: 5457: 5452: 5442: 5440: 5430: 5429: 5426: 5413: 5410: 5408: 5405: 5403: 5400: 5398: 5395: 5394: 5392: 5388: 5382: 5381: 5377: 5375: 5374: 5370: 5368: 5367: 5363: 5361: 5360: 5356: 5354: 5351: 5349: 5348:Symphony in C 5346: 5344: 5341: 5339: 5338: 5334: 5332: 5331: 5327: 5325: 5324: 5320: 5318: 5317: 5313: 5311: 5310: 5306: 5304: 5301: 5299: 5296: 5294: 5291: 5289: 5286: 5284: 5283: 5279: 5277: 5276: 5272: 5270: 5267: 5265: 5264: 5260: 5258: 5257: 5253: 5251: 5250: 5249:Jeu de cartes 5246: 5244: 5241: 5239: 5238: 5234: 5232: 5229: 5227: 5226:Concerto in D 5224: 5222: 5221: 5217: 5215: 5214: 5210: 5208: 5207: 5203: 5201: 5200: 5196: 5194: 5193: 5189: 5188: 5186: 5182: 5176: 5173: 5171: 5168: 5166: 5163: 5161: 5158: 5156: 5153: 5151: 5150:Maurice Ravel 5148: 5146: 5143: 5141: 5138: 5136: 5133: 5131: 5128: 5126: 5125:Zoltán Kodály 5123: 5121: 5118: 5116: 5113: 5111: 5108: 5106: 5103: 5101: 5098: 5096: 5093: 5091: 5090:George Enescu 5088: 5086: 5083: 5081: 5080:Aaron Copland 5078: 5076: 5075:Carlos Chávez 5073: 5071: 5068: 5066: 5063: 5061: 5060:Georges Auric 5058: 5057: 5055: 5051: 5047: 5040: 5035: 5033: 5028: 5026: 5021: 5020: 5017: 5005: 5002: 5000: 4997: 4995: 4992: 4990: 4987: 4985: 4982: 4980: 4979:Georges Auric 4977: 4976: 4973: 4969: 4962: 4957: 4955: 4950: 4948: 4943: 4942: 4939: 4929: 4928: 4917: 4911: 4909: 4905: 4903: 4900: 4898: 4897:Neoclassicism 4895: 4893: 4890: 4888: 4885: 4884: 4882: 4878: 4872: 4871: 4867: 4865: 4864: 4860: 4858: 4857: 4853: 4852: 4850: 4846: 4840: 4839: 4835: 4833: 4832: 4828: 4826: 4825: 4821: 4819: 4818: 4814: 4812: 4811: 4807: 4805: 4804: 4800: 4799: 4797: 4793: 4787: 4786: 4782: 4780: 4779: 4775: 4773: 4772: 4768: 4767: 4765: 4761: 4755: 4754: 4750: 4749: 4747: 4743: 4737: 4734: 4733: 4731: 4727: 4721: 4720: 4716: 4714: 4713: 4709: 4707: 4704: 4702: 4699: 4697: 4694: 4692: 4689: 4687: 4684: 4683: 4681: 4677: 4671: 4670: 4666: 4664: 4663: 4659: 4657: 4656: 4652: 4651: 4649: 4645: 4639: 4636: 4634: 4631: 4630: 4627: 4623: 4616: 4611: 4609: 4604: 4602: 4597: 4596: 4593: 4587: 4583: 4579: 4576: 4573: 4570: 4567: 4563: 4560: 4557: 4554: 4551: 4549: 4546: 4543: 4540: 4538: 4535: 4532: 4529: 4526: 4522: 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3760: 3751: 3743: 3737: 3728: 3722: 3718: 3713: 3704: 3698: 3697: 3691: 3686: 3685: 3681: 3680: 3678: 3672: 3671: 3662: 3656: 3648: 3642: 3633: 3626: 3623: 3618: 3611: 3607: 3601: 3594: 3588: 3581: 3575: 3568: 3562: 3554: 3548: 3539: 3530: 3521: 3512: 3504: 3498: 3494: 3487: 3479: 3473: 3464: 3455: 3446: 3437: 3422: 3418: 3412: 3403: 3397: 3396: 3390: 3384: 3382: 3376: 3367: 3361: 3357: 3353: 3349: 3345: 3344:Quatre Poèmes 3340: 3331: 3323: 3317: 3309: 3303: 3299: 3292: 3283: 3275: 3271: 3265: 3261: 3253: 3252: 3249: 3244: 3240: 3233: 3230: 3229: 3226: 3223: 3218: 3214: 3210: 3208: 3204: 3199: 3195: 3191: 3190: 3187: 3184: 3183: 3179: 3175: 3172: 3168: 3163: 3158: 3155: 3151: 3147: 3142: 3139: 3135: 3131: 3126: 3123: 3119: 3116: 3112: 3108: 3103: 3100: 3096: 3093: 3089: 3086: 3082: 3079: 3075: 3074: 3071: 3068: 3067: 3063: 3060: 3056: 3053: 3050: 3046: 3043: 3039: 3034: 3029: 3026: 3022: 3018: 3013: 3010: 3006: 3002: 2997: 2994: 2990: 2986: 2981: 2978: 2974: 2969: 2964: 2961: 2957: 2955: 2952: 2947: 2943: 2939: 2937: 2934: 2929: 2925: 2921: 2919: 2916: 2911: 2907: 2903: 2902: 2899: 2897: 2896:Chamber music 2893: 2892: 2889: 2886: 2881: 2877: 2873: 2870: 2867: 2863: 2861: 2858: 2854: 2853: 2849: 2846: 2845: 2841: 2837: 2834: 2830: 2828: 2824: 2823: 2818: 2815: 2814:Jacques Ibert 2811: 2810: 2806: 2802: 2801: 2797: 2796: 2792: 2791: 2787: 2783: 2779: 2775: 2774: 2770: 2766: 2763: 2759: 2755: 2751: 2748: 2744: 2741: 2740: 2735: 2731: 2727: 2724: 2720: 2717: 2713: 2712: 2708: 2705: 2704: 2700: 2699: 2695: 2691: 2689: 2686: 2681: 2677: 2673: 2671: 2667: 2664: 2660: 2657: 2653: 2652: 2648: 2644: 2642: 2639: 2634: 2630: 2626: 2623: 2619: 2618: 2614: 2610: 2609: 2605: 2604: 2600: 2599: 2594: 2591: 2587: 2585:(Song of Joy) 2584: 2581: 2576: 2575:Chant de joie 2572: 2568: 2566: 2565: 2561: 2557: 2555: 2552: 2547: 2543: 2539: 2537: 2534: 2529: 2525: 2521: 2520: 2519: 2516: 2511: 2508: 2504: 2502: 2499: 2494: 2490: 2486: 2483: 2479: 2474: 2469: 2466: 2462: 2461: 2460: 2458: 2454: 2448: 2443: 2439: 2435: 2432: 2429: 2424: 2420: 2416: 2413: 2412: 2408: 2404: 2403: 2402: 2399: 2395: 2393: 2388: 2384: 2382: 2380: 2375: 2371: 2369: 2367: 2362: 2358: 2356: 2353: 2349: 2347: 2344: 2340: 2339: 2338: 2336: 2332: 2331: 2327: 2324: 2323: 2322: 2320: 2316: 2312: 2308: 2302: 2300: 2276: 2275: 2252: 2250: 2249:Doug Honegger 2243: 2238: 2236: 2232: 2227: 2225: 2215: 2213: 2209: 2205: 2201: 2195: 2193: 2189: 2185: 2181: 2177: 2173: 2169: 2168: 2163: 2162: 2157: 2153: 2152: 2147: 2143: 2139: 2135: 2131: 2127: 2123: 2119: 2118:Gabriel Fauré 2115: 2109: 2107: 2106: 2101: 2098: 2093: 2088: 2087:Cris du monde 2084: 2080: 2075: 2073: 2069: 2065: 2061: 2056: 2054: 2050: 2040: 2038: 2033: 2031: 2027: 2026:Cris du Monde 2023: 2018: 2016: 2015: 2010: 2006: 2005:Arthur Hoérée 2002: 1998: 1994: 1990: 1986: 1983:conducted by 1982: 1981:Symphonie n°3 1977: 1975: 1971: 1967: 1963: 1959: 1955: 1951: 1947: 1943: 1939: 1934: 1932: 1927: 1924: 1920: 1915: 1909: 1907: 1906:René Dumesnil 1903: 1899: 1895: 1894: 1887: 1885: 1881: 1877: 1876: 1870: 1868: 1864: 1860: 1856: 1851: 1849: 1845: 1841: 1840: 1835: 1831: 1827: 1826: 1820: 1815: 1813: 1809: 1804: 1802: 1801: 1795: 1793: 1792:Jean Amrouche 1789: 1785: 1781: 1776: 1772: 1767: 1763: 1759: 1755: 1751: 1746: 1744: 1740: 1736: 1735:Premio Italia 1732: 1728: 1723: 1721: 1717: 1713: 1709: 1705: 1704: 1698: 1694: 1690: 1686: 1681: 1678: 1674: 1670: 1666: 1662: 1657: 1655: 1654: 1649: 1645: 1640: 1638: 1633: 1631: 1627: 1623: 1619: 1615: 1611: 1607: 1606: 1601: 1596: 1594: 1590: 1586: 1582: 1578: 1574: 1570: 1569: 1564: 1560: 1555: 1553: 1549: 1543: 1541: 1540:Arthur Hoérée 1537: 1533: 1532:Yves Allégret 1529: 1525: 1521: 1520: 1514: 1512: 1509:(act II) and 1508: 1504: 1503: 1498: 1494: 1490: 1485: 1483: 1477: 1472: 1468: 1465: 1460: 1453: 1448: 1447:Serge Peretti 1444: 1438: 1433: 1429: 1424: 1422: 1418: 1415:(1860–1943), 1414: 1410: 1406: 1402: 1397: 1394: 1390: 1389:René Dumesnil 1387:According to 1385: 1383: 1379: 1375: 1371: 1367: 1363: 1362: 1356: 1354: 1350: 1346: 1341: 1339: 1338:Fernand Ochsé 1335: 1331: 1327: 1322: 1320: 1319:Charles Münch 1316: 1315:Symphonie n°2 1312: 1308: 1307:Pierre Sancan 1304: 1300: 1299:Paul Verlaine 1294: 1289: 1288:William Aguet 1285: 1281: 1277: 1273: 1268: 1266: 1261: 1259: 1254: 1252: 1251:Roland-Manuel 1248: 1244: 1240: 1236: 1235: 1230: 1226: 1225: 1219: 1217: 1213: 1208: 1206: 1205: 1200: 1196: 1192: 1188: 1184: 1178: 1173: 1169: 1164: 1160: 1155: 1154:Un seul amour 1151: 1150: 1146:for his film 1145: 1141: 1137: 1133: 1132:Charles Münch 1129: 1124: 1122: 1118: 1117:Cäsar von Arx 1114: 1113: 1107: 1102: 1100: 1096: 1090: 1085: 1080: 1078: 1073: 1072: 1067: 1061: 1059: 1058: 1054:(for Synge's 1053: 1049: 1048: 1043: 1042:La Mandragore 1038: 1036: 1032: 1028: 1027:Pierre Bernac 1024: 1019: 1017: 1013: 1009: 1005: 1004: 998: 996: 992: 988: 984: 980: 976: 972: 966: 961: 960:William Aguet 957: 952: 946:, Paris, 1944 945: 944:Serge Ivanoff 940: 936: 933: 929: 923: 918: 914: 910: 906: 902: 896: 894: 890: 886: 882: 878: 874: 869: 867: 863: 859: 855: 854: 849: 844: 842: 838: 832: 827: 823: 818: 816: 812: 811: 806: 805: 800: 799: 794: 790: 789: 784: 783: 778: 777: 772: 767: 765: 764: 758: 754: 750: 746: 745:Jacques Ibert 742: 738: 734: 730: 726: 722: 720: 716: 712: 708: 704: 699: 697: 693: 689: 685: 681: 677: 672: 670: 666: 662: 657: 656: 650: 648: 644: 643: 638: 633: 631: 625: 623: 618: 616: 612: 608: 607:Pablo Picasso 604: 600: 596: 592: 589:based on the 588: 584: 579: 577: 576:Claire Croiza 573: 568: 565: 561: 559: 555: 551: 550: 549:Pacific 2.3.1 544: 541: 539: 535: 531: 527: 522: 520: 516: 512: 507: 505: 500: 496: 492: 491:Robert Siohan 488: 484: 483: 478: 474: 470: 466: 462: 458: 454: 452: 448: 447: 442: 438: 433: 431: 427: 423: 419: 418:Paul Landormy 415: 411: 410:Jacques Ibert 407: 403: 399: 395: 391: 387: 386:Georges Auric 383: 379: 375: 374:Jacques Ibert 370: 368: 365:premiered by 364: 363: 358: 354: 350: 346: 342: 338: 334: 330: 326: 322: 318: 314: 313:Fernand Ochsé 310: 306: 302: 298: 292: 287: 283: 279: 276:(inspired by 275: 271: 270: 264: 263:Quatre Poèmes 260: 256: 255: 250: 245: 243: 239: 235: 234:André Gédalge 231: 227: 223: 219: 215: 211: 207: 203: 199: 195: 186: 176: 173: 165: 154: 151: 147: 144: 140: 137: 133: 130: 126: 123: – 122: 118: 117:Find sources: 111: 107: 101: 100: 95:This section 93: 89: 84: 83: 75: 73: 72: 67: 66: 61: 60: 55: 51: 46: 38: 30: 26: 22: 5460: 5390:Other topics 5378: 5371: 5364: 5357: 5335: 5328: 5321: 5314: 5307: 5280: 5273: 5261: 5254: 5247: 5235: 5218: 5211: 5204: 5197: 5190: 5184:Compositions 5119: 5115:Vagn Holmboe 4988: 4920: 4907: 4868: 4861: 4854: 4836: 4830: 4823: 4816: 4809: 4802: 4785:Le Roi David 4783: 4776: 4769: 4751: 4717: 4710: 4667: 4660: 4653: 4621: 4585: 4495: 4484: 4480: 4476:(in French). 4470: 4463: 4456: 4441: 4402:. Retrieved 4395: 4385: 4373:. Retrieved 4363: 4349: 4342: 4333: 4324: 4311: 4307: 4272: 4268: 4259: 4250: 4241: 4232: 4224: 4221:Le Roi David 4220: 4214: 4208:Radio-France 4203: 4195: 4186: 4177: 4169:the original 4164: 4154: 4146: 4141: 4132: 4127: 4119: 4114: 4102: 4096:Base Léonore 4091: 4083: 4078: 4070: 4065: 4054: 4046: 4042: 4038: 4034: 4030: 4026: 4021: 4013: 4008: 3997: 3988: 3979: 3974: 3965: 3952: 3941: 3919: 3911: 3906: 3898: 3893: 3886: 3878: 3877: 3873: 3872: 3860: 3851: 3842: 3833: 3826: 3818: 3817: 3813: 3812: 3800: 3791: 3784: 3780: 3776: 3764: 3759: 3750: 3741: 3736: 3727: 3716: 3712: 3703: 3695: 3690: 3683: 3675: 3674: 3670: 3669: 3660: 3655: 3641: 3632: 3621: 3617: 3608:and his son 3606:Marcel Moyse 3600: 3592: 3587: 3579: 3574: 3566: 3561: 3547: 3538: 3529: 3520: 3511: 3492: 3486: 3472: 3463: 3454: 3445: 3436: 3424:. Retrieved 3421:proquest.com 3420: 3411: 3402: 3394: 3389: 3380: 3375: 3366: 3346:on poems by 3343: 3339: 3330: 3316: 3297: 3291: 3282: 3273: 3264: 3241: 3238: 3236: 3231: 3215: 3212: 3196: 3193: 3185: 3177: 3170: 3153: 3137: 3121: 3114: 3098: 3091: 3084: 3077: 3069: 3061: 3058: 3051: 3048: 3041: 3024: 3008: 2992: 2976: 2959: 2944: 2941: 2926: 2923: 2908: 2905: 2894: 2880:Skating-Rink 2878: 2875: 2868: 2865: 2859: 2856: 2847: 2839: 2832: 2820: 2807: 2804: 2793: 2778:Jean Cocteau 2771: 2768: 2753: 2746: 2737: 2730:La Esmeralda 2729: 2722: 2715: 2706: 2696: 2693: 2678: 2675: 2670:Paul Claudel 2665: 2662: 2656:Paul Claudel 2649: 2646: 2631: 2628: 2617:Le roi David 2615: 2612: 2601: 2592: 2589: 2573: 2570: 2562: 2559: 2544: 2541: 2526: 2523: 2517: 2506: 2491: 2488: 2481: 2464: 2455: 2437: 2421: 2418: 2409: 2406: 2400: 2391: 2386: 2378: 2373: 2365: 2360: 2351: 2342: 2333: 2325: 2307:Opus numbers 2305: 2296: 2273: 2246: 2230: 2228: 2221: 2203: 2199: 2196: 2191: 2182:, played by 2179: 2171: 2165: 2159: 2149: 2141: 2137: 2126:Beethovenian 2120:'s harmony, 2110: 2103: 2090: 2086: 2082: 2078: 2076: 2057: 2049:counterpoint 2046: 2034: 2029: 2025: 2019: 2012: 2008: 1988: 1980: 1978: 1962:Le Roi David 1961: 1957: 1935: 1930: 1928: 1925: 1910: 1901: 1890: 1888: 1873: 1871: 1855:Henri Büsser 1852: 1843: 1837: 1833: 1822: 1818: 1816: 1811: 1807: 1805: 1798: 1796: 1788:Paul Claudel 1787: 1779: 1777: 1761: 1749: 1747: 1734: 1730: 1726: 1724: 1716:Le Roi David 1715: 1701: 1688: 1684: 1682: 1676: 1673:Le roi David 1672: 1669:Jane Bathori 1658: 1651: 1647: 1643: 1641: 1636: 1634: 1603: 1597: 1584: 1566: 1558: 1556: 1552:Yves Ramette 1544: 1535: 1527: 1523: 1517: 1515: 1500: 1488: 1486: 1481: 1457: 1427: 1425: 1420: 1416: 1413:Henri Martin 1408: 1400: 1398: 1392: 1386: 1366:Requiem Mass 1359: 1357: 1342: 1323: 1314: 1310: 1283: 1279: 1275: 1271: 1269: 1264: 1262: 1257: 1255: 1242: 1232: 1222: 1220: 1211: 1209: 1202: 1198: 1190: 1167: 1165: 1147: 1139: 1135: 1127: 1125: 1120: 1109: 1106:Three Psalms 1105: 1103: 1095:Heinz Drewes 1081: 1076: 1069: 1062: 1055: 1051: 1047:The Mandrake 1045: 1041: 1039: 1034: 1030: 1022: 1020: 1015: 1007: 1001: 999: 994: 990: 978: 974: 970: 955: 953: 949: 931: 927: 900: 897: 892: 884: 880: 876: 870: 858:Paul Claudel 851: 845: 822:Quartet n° 3 821: 819: 814: 808: 802: 796: 795:(1936); and 786: 780: 774: 768: 760: 756: 752: 748: 723: 718: 714: 710: 706: 700: 695: 691: 687: 675: 673: 660: 653: 651: 646: 640: 634: 629: 626: 619: 586: 583:Jean Cocteau 580: 569: 563: 562: 547: 545: 542: 523: 518: 514: 511:Rudolph Ganz 508: 499:Le roi David 498: 495:Le Roi David 494: 487:Le Roi David 486: 482:Le Roi David 480: 468: 460: 455: 444: 436: 434: 405: 402:Jane Bathori 371: 360: 357:Yvonne Daunt 344: 340: 333:Le Souriquet 332: 324: 301:Jane Bathori 281: 273: 266: 262: 258: 252: 251:(poems from 248: 246: 241: 230:Lucien Capet 193: 191: 168: 159: 149: 142: 135: 128: 116: 104:Please help 99:verification 96: 69: 65:Le Roi David 63: 57: 36: 35: 25: 5487:1955 deaths 5482:1892 births 5407:Neotonality 5380:Gli uccelli 5275:Oedipus rex 5085:Louis Durey 5065:Béla Bartók 4984:Louis Durey 4763:Vocal music 4729:Concertante 4712:Pacific 231 4638:Discography 4404:10 December 4400:(in German) 4280: [ 4196:La Victoire 4031:Un Revenant 3610:Louis Moyse 3246: [ 3220: [ 3201: [ 3160: [ 3144: [ 3128: [ 3105: [ 3031: [ 3015: [ 2999: [ 2983: [ 2966: [ 2949: [ 2931: [ 2913: [ 2883: [ 2734:Victor Hugo 2683: [ 2636: [ 2593:Monopartita 2578: [ 2549: [ 2531: [ 2496: [ 2471: [ 2445: [ 2426: [ 2411:Pacific 231 2212:noise music 2208:Pacific 231 2161:Pacific 231 2124:'s rhythm, 2095: [ 2037:discography 2035:Honegger's 1954:Fritz Münch 1917: [ 1891:Passion de 1875:Oedipus Rex 1819:Monopartita 1782:(about the 1769: [ 1653:Oedipus Rex 1637:Mimaamaquim 1622:Guggenmusik 1581:Un revenant 1474: [ 1462: [ 1450: [ 1435: [ 1297:), n°3 (on 1291: [ 1229:Jean Mermoz 1175: [ 1170:on disc by 1157: [ 1110:Passion de 1087: [ 1077:Pacific 231 1066:Paul Sacher 973:(1944) and 963: [ 932:Notre temps 920: [ 866:Joan of Arc 862:Paul Sacher 829: [ 815:O Salutaris 741:Napoleon II 703:Serge Lifar 684:Paul Valéry 611:Coco Chanel 457:Loie Fuller 451:René Le Roy 435:Honegger's 349:André Hellé 289: [ 71:Pacific 231 5476:Categories 5316:Pulcinella 5155:Erik Satie 4795:Film music 4586:Conductors 3865:Lieder.net 3256:References 2972:in C minor 2786:La Monnaie 2758:René Morax 2622:René Morax 2477:in E major 2335:Symphonies 2299:media help 1830:José Bruyr 1630:Basel drum 1585:Sortilèges 1573:André Gide 1343:After the 913:L'Humanité 729:Henri Cain 630:La Tempête 599:la Monnaie 477:René Morax 384:and later 286:Paul Méral 132:newspapers 5439:Biography 5053:Composers 4824:Mayerling 4288:rue Lepic 4035:Tête d'or 3958:Psalm 130 3781:Peer Gynt 3627:page 1367 3395:Excelsior 3097:1919–20: 2795:Operettas 2782:Sophocles 2780:based on 2723:Sigismond 2603:Oratorios 2392:Di tre re 2194:, 1934). 2134:serialism 1950:Elisabeth 1946:René Coty 1923:in 1956. 1780:Bourdelle 1762:Tête d'or 1614:Franz Abt 1559:Prométhée 1374:Dies irae 1326:Max Jacob 798:Pygmalion 788:Mayerling 731:based on 692:Sémiramis 513:directed 309:Schönberg 269:Paul Fort 162:July 2023 78:Biography 54:Halbreich 4927:Category 4910:(ballet) 4831:Napoléon 4817:The Idea 4662:Antigone 4655:L'Aiglon 4578:Archived 4562:Archived 4371:. 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