114:
67:
Naturalness is persuasive, artificiality is the contrary; for our hearers are prejudiced and think we have some design against them, as if we were mixing their wines for them. It is like the difference between the quality of
Theodorus' voice and the voices of all other actors: his really seems to be
88:
observes that "some artificial things are imitations of things in nature, and the imitation may use either the same basic materials as those in the natural object or quite different materials. Simon distinguishes between the artificial and the synthetic, the former being an imitation of something
125:
It is generally possible for humans, and in some instances, for computers, to distinguish natural from artificial environments. The artificial environment tends to have more physical regularity both spatially and over time, with natural environments tending to have both irregular structures and
105:
world, "everything is natural and nothing is artificial", because everything in the world (including everything made by humans) is a product of the physical laws of the world.
101:
created in a laboratory that is chemically indistinguishable from a naturally occurring sugar). Some philosophers have gone further and asserted that, in a
274:
Herman Kaken, "Recognition of
Natural and Artificial Environments by Computers: Commonalities and Differences", in Juval Portugali,
126:
structures that change over time. However, on close observation it is possible to discern some mathematical structures and
97:
using a formula not found in nature), and the latter being a replication of something found in nature (for example, a
324:
53:
Artificiality often carries with it the implication of being false, counterfeit, or deceptive. The philosopher
359:
76:, as it may also reflect the ability of humans to replicate forms or functions arising in nature, as with an
288:
142:
20:
309:
Proceedings of the 18th annual conference on
Computer graphics and interactive techniques - SIGGRAPH '91
182:
24:
130:, which can then be replicated to create an artificial environment with a more natural appearance.
81:
118:
113:
167:
41:) is the state of being the product of intentional human manufacture, rather than occurring
211:
138:
90:
59:
8:
330:
127:
334:
320:
162:
134:
354:
312:
227:
85:
77:
348:
301:
316:
150:
108:
102:
73:
187:
177:
172:
259:
Automatic
Extraction of Man-made Objects from Aerial and Space Images
206:
94:
54:
146:
42:
19:"Artificial" and "Man-made" redirect here. For other uses, see
98:
45:
through processes not involving or requiring human activity.
299:
215:, (2004, Dover Publications, W.D. Ross, translator), p. 121.
72:
However, artificiality does not necessarily have a negative
133:
For example, by identifying and imitating natural means of
16:
State of being the product of intentional human manufacture
84:. Political scientist and artificial intelligence expert
257:
See generally, E. P. Baltsavias, A. Gruen, L. VanGool,
109:
Distinguishing natural objects from artificial objects
68:
that of the character who is speaking, theirs do not.
346:
141:have been used to generate organic-looking
112:
270:
268:
223:
221:
121:model, produced using sharpen and blur.
347:
300:Andrew Witkin, Michael Kassy (1991).
265:
218:
13:
14:
371:
89:found in nature (for example, an
128:patterns in natural environments
276:Complex Artificial Environments
48:
293:
281:
250:
237:
232:The Sciences of the Artificial
200:
1:
302:"Reaction-diffusion textures"
193:
7:
156:
21:Artificial (disambiguation)
10:
376:
183:Synthetic (disambiguation)
18:
25:Man-made (disambiguation)
82:artificial intelligence
122:
70:
317:10.1145/122718.122750
168:Fake (disambiguation)
117:Pattern resembling a
116:
65:
360:Artificial materials
311:. pp. 299–308.
245:Philosophical Papers
91:artificial sweetener
33:(the state of being
145:for more realistic
289:Reaction–Diffusion
261:, Volume 3 (2001).
123:
119:reaction–diffusion
278:(2006), p. 31-48.
163:Cultural artifact
135:pattern formation
367:
339:
338:
306:
297:
291:
285:
279:
272:
263:
254:
248:
241:
235:
228:Herbert A. Simon
225:
216:
204:
137:, some types of
93:which generates
86:Herbert A. Simon
78:artificial heart
375:
374:
370:
369:
368:
366:
365:
364:
345:
344:
343:
342:
327:
304:
298:
294:
286:
282:
273:
266:
255:
251:
247:(1993), p. 342.
243:Qinglai Sheng,
242:
238:
226:
219:
205:
201:
196:
159:
111:
51:
28:
17:
12:
11:
5:
373:
363:
362:
357:
341:
340:
325:
292:
280:
264:
249:
236:
217:
198:
197:
195:
192:
191:
190:
185:
180:
175:
170:
165:
158:
155:
110:
107:
50:
47:
15:
9:
6:
4:
3:
2:
372:
361:
358:
356:
353:
352:
350:
336:
332:
328:
322:
318:
314:
310:
303:
296:
290:
284:
277:
271:
269:
262:
258:
253:
246:
240:
234:(1996), p. 4.
233:
229:
224:
222:
214:
213:
208:
203:
199:
189:
186:
184:
181:
179:
176:
174:
171:
169:
166:
164:
161:
160:
154:
152:
148:
144:
140:
136:
131:
129:
120:
115:
106:
104:
103:deterministic
100:
96:
92:
87:
83:
79:
75:
69:
64:
62:
61:
57:wrote in his
56:
46:
44:
40:
39:anthropogenic
36:
32:
31:Artificiality
26:
22:
308:
295:
283:
275:
260:
256:
252:
244:
239:
231:
210:
202:
132:
124:
71:
66:
58:
52:
49:Connotations
38:
34:
30:
29:
287:Greg Turk,
74:connotation
349:Categories
326:0897914368
194:References
188:Tamagotchi
178:Simulation
173:Homo faber
151:3D objects
35:artificial
335:207162368
207:Aristotle
95:sweetness
55:Aristotle
43:naturally
212:Rhetoric
157:See also
143:textures
139:automata
60:Rhetoric
355:Culture
147:shading
333:
323:
331:S2CID
305:(PDF)
99:sugar
321:ISBN
23:and
313:doi
149:of
80:or
37:or
351::
329:.
319:.
307:.
267:^
230:,
220:^
209:,
153:.
63::
337:.
315::
27:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
