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230:, 1617). He worked, however, mainly for private patrons for whom he painted mainly religious and, to a lesser extent, mythological subjects. Many of his works consist of life-size figures depicting scenes from the life of Christ. He made a series of representations of the Twelve Apostles, the Four Evangelists and the
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His early works were in the classizing style of Otto van Veen. Wolffort regularly used themes and motifs of van Veen in these early works, which were executed in a proto-Baroque style. This is obvious in the work
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145:) was born in November 1625 and later became a painter. Artus Wolffort likely operated a workshop in Antwerp, which produced various copies of his works. His pupils
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Wolffort and his work were not well known until the late 1970s and some of his paintings were even classified as early works by
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in 1635. Rubens was in overall charge of this project for which
Wolffort made decorative paintings after designs by Rubens.
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In the beginning of his career
Wolffort completed a number of commissioned altarpieces for churches in Antwerp such as the
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Hans
Vlieghe. "Wolffort, Artus." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 2 August 2014
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in 1603. He returned to
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He married Maria
Wandelaer on 8 September 1619. Their son Johannes Artusz (better known as
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in the year of his birth. He trained as a painter in
Dordrecht where he joined the local
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More variant spellings of family name: Wolfart, Wolfert, Wolfordt, Wolffordt, Wolfort
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Artus
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into
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in London) and various paintings bearing a monogram.
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185:and Lucas Smout the Elder. He died in Antwerp.
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407:Christ in the house of Simon the Pharisee
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222:and the
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
_and_Antony_van_Dyck_-_Portrait_of_the_painter_Artus_Wolffort.jpg)
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