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138:; but whatsoever attitude be given to any figure, that attitude must show the beautiful parts, as much as the subject will permit, let the subject be what it will. It must, besides, have such a turn as, without departing from probability, or from the character of the figure, may diffuse a beauty over the action. It is allowed that the choice of fine attitudes constitutes the greatest part of the beauties of grouping.
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the posture or disposition of the limbs and members of a figure, by which we discover the action in which it is engaged, and the very sentiment supposed to be in the mind of the person represented. It comprehends all the motions of the body, and requires a perfect knowledge of
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A New
Universal Etymological, Technological, and Pronouncing Dictionary of the English Language Embracing All the Terms Used in Art, Science, and Literature
259:
Biographical
Dictionary of Eminent Artists: Comprising Painters, Sculptors, Engravers, and Architects, from the Earliest Ages to the Present Time
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82:, but the arrangement of the body is presumed to serve a communicative or expressive purpose. An example of a
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114:, "attitude" is used most often to label one of these conventional postures; another example is the
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made the striking of attitudes into an art form, portraying classical themes such as the
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term in the 19th century, when it was defined in one art-related dictionary as
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106:, it is particularly characteristic in depictions of the emperor paying
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Posture or gesture given to a figure by a painter or sculptor
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121:"Attitude" was arguably more important as an
74:by a painter or sculptor. It applies to the
245:(Greenwood Publishing Group, 1996), p. 205
229:(The Frontier press company, 1916), p. 222
147:Seated Buddha in the Attitude of Preaching
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42:
20:
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90:to indicate submissive respect toward
110:to Christ. In 20th- and 21st-century
62:as a term of fine art refers to the
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243:Medieval Art: A Topical Dictionary
26:Nun Standing in Attitude of Prayer
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261:(London: E. Wilson, 1835), p. xc
227:The Standard Dictionary of Facts
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98:of high status, and religious
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134:, and whatever refers to the
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281:Composition in visual art
191:Composition (visual arts)
213:(London, 1844), p. 130
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165:is delivering a sermon
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40:
225:Henry Woldmar Ruoff,
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153:: the hand gesture
86:attitude in art is
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53:Judgement of Paris
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176:Attitude (ballet)
136:centre of gravity
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181:Mimoplastic art
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161:indicates that
38:François Bonvin
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149:, 2nd-century
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78:and not to a
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36:on paper, by
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94:, emperors,
84:conventional
80:mental state
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132:ponderation
112:art history
88:proskynesis
70:given to a
275:Categories
197:References
163:the Buddha
123:aesthetic
170:See also
60:Attitude
30:charcoal
28:(1862),
263:online.
247:online.
231:online.
215:online.
96:clerics
68:gesture
64:posture
118:pose.
108:homage
72:figure
47:Emma,
34:pastel
157:mudra
116:orans
102:; in
100:icons
76:body
32:and
92:God
66:or
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155:(
55:.
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