218:
874:. However, Rinaldi's "weak argument" was "conclusively refuted" by Marco Beghelli in 1991. Since an early version of the libretto was approved by the censors on 23 June 1813, and Luigi Romanelli, La Scala's house librettist, did not retire until 14 December 1813 when Felice Romani took his place, Lindner states that "it seems possible that 'Gian Francesco Romanelli' is derived from Luigi Romanelli and Felice Romani, owing to later ignorance of the true meaning of the acronym. ... the tight chronological linking of the two could have easily prompted such a blend."
577:
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2138:
40:
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892:. Original French: "Ravi par l'accord parfait des voix délicieuses qui nous faisaient entendre 'Se tu m'ami, o mia regina', je me suis supris plusieurs fois à croire que ce duetto est le plus beau che Rossini ait jamais écrit. Ce que je puis assurer c'est qu'il produit l'effet auquel on peut reconnaître la musique sublime: il jette dans une rêverie profonde.", in M. Lévy, 1854, pp. 105–106.
1832:
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Aureliano's refusal to free the prisoners, she asks to at least see Arsace for a last time. Zenobia and Arsace weep over their fate. Aureliano enters and promises to free Arsace on condition that he abandons
Zenobia. Arsace refuses and is sentenced to death. The Roman and Palmyran armies prepare for a last battle.
563:
and announces that
Aureliano's Roman army is at the gates of Palmyra. Arsace pledges his Persian troops to defend the city. After a dramatic battle scene on the plains outside the city, the Persians are defeated. The Roman soldiers celebrate their victory. Aureliano arrives and addresses Arsace, now
592:
In the palace, Aureliano proposes to
Zenobia that they reign together over Palmyra. Once again Zenobia refuses. Later that night, Arsace and Zenobia meet again in the moonlight and embrace. When they are discovered by the Roman troops, they ask to die. Although he secretly admires their courage and
596:
The final scene takes place in a large chamber of
Zenobia's palace. The leaders and priests of the defeated Palmyrans are gathered in supplication before Aureliano. Oraspe, Arsace and Zenobia are led into the chamber in chains. Aureliano, has a change of heart and frees Zenobia and Arsace to reign
850:
vocal score (1855) "spell out (Giuseppe) Felice Romani", while another libretto from Reggio Emilia (1816), and several others based on it, give the name Gian
Francesco Romanelli, or in some cases Gian Francesco Romani, neither of which is otherwise known. The latter attributions, plus stylistic
567:
Inside
Palmyra's walls, Zenobia has hidden the kingdom's treasures in the vaults beneath the palace. She decides to make a last stand with her troops to save the city. She asks Aureliano for a truce so that she can speak with him and obtain the liberty of the prisoners, including Arsace. On
597:
together over
Palmyra provided they both swear fealty to the Roman Empire. This they do, and praise Aureliano for his generous heart. The chorus sings joyfully, "Torni sereno a splendere all'Asia afflitta il dì" (May the day dawn serene and shining for suffering Asia).
272:
which had premiered in Venice earlier that year. There was also criticism of the three principal singers. Nevertheless, it had a run of 14 performances at La Scala that season and was performed sporadically in various
Italian theatres (including the
588:
river where he is sheltered by a group of shepherds. Arsace's soldiers join him and tell him that
Zenobia has been taken prisoner. Arsace sets off to free her and launch a new attack against the Romans with the Palmyran troops.
185:, he heard the duet in a concert in Paris and described its music as "sublime" and one of the best duets that Rossini had written. Other music from this opera, particularly the overture, was later reused by Rossini in
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593:
devotion to each other, Aureliano decrees that they will end their days in separate cells. Publia, the daughter of Roman general and secretly in love with Arsace, begs
Aureliano to take pity on him.
584:
Palmyra has now been conquered by the Romans. Aureliano enters Zenobia's palace and offers his love to her, which she refuses. Meanwhile, Oraspe frees Arsace who then flees to the hills by the
251:, one of the most renowned tenors of the day. However, throat problems during rehearsals led David to withdraw from the production, and Luigi Mari took his place. The popular soprano,
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1271:
Beghelli, Marco; Smith, Candace, translator (1996). "The Opera of Misunderstandings", p. 10 in the booklet accompanying the Bongiovanni recording, catalog no. GB 2201/2-2.
2066:
864:
846:, pp. 19–20, 30–31 (note 8), explains that the first printed libretto identified the librettist with the initials "G. F. R.", but later librettos and the
1039:
133:, but sometimes to the otherwise unknown Gian Francesco Romanelli. It has been suggested that the latter name may have resulted from a confusion of Romani with
647:
Orchestra of the Teatro dell'Opera Giocosa di Genova and the Gregorio Magno Chorus. (Live performance at the Teatro Politeama Genovese, Genoa, 11 September)
286:
277:
in Naples) between 1814 and 1831. It was also performed in London in 1826, again with Velluti as Arsace. The opera then fell more or less into obscurity.
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The opera's opening night proved disappointing to the Milanese critics who praised the production but considered the music inferior to that of Rossini's
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as Arsace. It was the only role that Rossini wrote for the castrato voice. Rossini had originally written the role of Aureliano for
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a prisoner. He responds to the Emperor with dignity and affirms his love for Zenobia, saying that he is prepared to die for her.
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Priests, Palmyran maidens, Palmyran, Persian, and Roman soldiers; shepherds and shepherdesses; Roman, Palmyran, Persian soldiers
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The act 1 duet between Zenobia and Arsace, "Se tu m'ami, o mia regina" (If you love me, oh my queen), was greatly admired by
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in which the librettist was credited only by the initials "G. F. R." The libretto has generally been attributed to
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2012:
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to assume that Felice Romani was not the librettist, and his arguments were later supported by scholars such as
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1963:
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and pray for their deliverance from the approaching Roman army. General Oraspe enters to the strains of
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1970:
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1354:: Un percorso storico-drammaturgico da François Hédelin d'Aubignac a Felice Romani" (in Italian).
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Stage setting from act 2 in the original production at La Scala by Alessandro Sanquirico
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Queen Zenobia, her lover Arsace, and the priests offer sacrifices in the Temple of
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as Arsace, and Tatiana Korovina as Zenobia. It was performed again in 2011 in
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Roccatagliati, Allesandro (2001). "Romani, (Giuseppe) Felice" in Sadie 2001.
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Festival conducted by Francesco Corti, with Donald George as Aureliano,
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Orchestra Internazionale d'Italia and the Coro Slovacco di Bratislava
701:(Recording at performances at the Rossini in Wildbad Festival, July)
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1986:
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Stage setting from act 1 in the original production at La Scala by
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137:, La Scala's house poet prior to Romani's appointment to the post.
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Felice Romani: Dal melodramma classico al melodramma romantico
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in Pesaro in August 2014. The Pesaro production, conducted by
1309:, vol. 15 (1), pp. 33–37, Oxford University Press.
1060:"Rossini Opera Festival's preliminary programme announcement"
387:
297:
115:
99:
2163:
930:
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I Virtuosi di Praga orchestra and the Czech Chamber Chorus
556:
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as Zenobia. There was another major revival in 1996 at the
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Orchestra Lirico-Sinfonico del Teatro del Giglio di Lucca
285:
Its first modern performance was in September 1980 at the
969:"Recordings View; So What Happened to the Rossini Year?"
918:
154:
and it centers on the rivalry between the Roman Emperor
1161:
The Bel Canto Operas of Rossini, Donizetti, and Bellini
947:
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181:. Although he had never seen a complete performance of
1543:
L'occasione fa il ladro, ossia Il cambio della valigia
2152:
906:
1794:
Il viaggio a Reims, ossia L'albergo del Giglio d'Oro
1630:
Il barbiere di Siviglia, ossia L'inutile precauzione
1182:(second ed.). Oxford: Oxford University Press.
942:
2067:
Conservatorio Statale di Musica "Gioachino Rossini"
1755:Matilde di Shabran, ossia Bellezza e Cuor di Ferro
1256:Beghelli, Marco; Gallino, Nicola, editors (1991).
2176:
1551:Il signor Bruschino, ossia Il figlio per azzardo
1519:Ciro in Babilonia, ossia La caduta di Baldassare
1810:MoĂŻse et Pharaon, ou Le passage de la mer rouge
1683:Adelaide di Borgogna, ossia Ottone, re d'Italia
1299:Kaufman, Tom (1999). "A Performance History of
348:Lorenza Corrèa, who created the role of Zenobia
1739:Bianca e Falliero, ossia Il consiglio dei tre
1643:La gazzetta, ossia Il matrimonio per concorso
1431:
1350:Scarton, Cesare; Tosti-Croce, Mauro (2001). "
1333:. Vol. 1. London: MacMillan Publishers.
1213:
924:
1478:
1438:
1424:
336:of the opera, which Crutchfield prepared.
38:
1659:La Cenerentola, ossia La bontĂ in trionfo
1397:International Music Score Library Project
1356:Bollettino del centro rossiniano di studi
1218:
993:
991:
936:
963:
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1236:. Reprint (1987): New York: Limelight.
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140:The story was based on the libretto by
2177:
1412:, published in Milan by Giacomo Pirola
988:
320:and was given a new production at the
207:
1445:
1419:
1143:(1). Oxford University Press: 18–32.
488:Il Gran Sacerdote (High Priest)
231:was Rossini's second commission from
1049:(in Italian). Accessed 25 March 2008
1163:. Portland, Oregon: Amadeus Press.
1129:Lindner, Thomas (1999). "Rossini's
1095:, operadis-opera-discography.org.uk
1038:, December 1813, summarized in the
332:, was the first performance of the
13:
1289:, New York: Penguin Putnam, 2001.
1249:
733:(Recorded at a performance at the
14:
2231:
2210:Opera world premieres at La Scala
1699:Adina, ossia Il califfo di Bagdad
1371:
1330:The New Grove Dictionary of Opera
540:Place: in and around the city of
354:Roles, voice types, premiere cast
2162:
2137:
2136:
1830:
1651:Otello, ossia Il Moro di Venezia
1634:
1614:Elisabetta, regina d'Inghilterra
1377:
188:Elisabetta, regina d'Inghilterra
2220:Cultural depictions of Aurelian
1098:
1083:
1065:. December 2013. Archived from
1052:
1034:Review of the opening night in
1028:
368:Premiere cast, 26 December 1813
259:, with the staging directed by
1003:
957:
877:
837:
204:in Milan on 26 December 1813.
1:
1014:in Piero Gelli (ed.) (2005),
773:London Philharmonic Orchestra
600:
221:Giovanni Battista Velluti by
1358:, vol. 41, pp. 83–165.
735:Festival della Valle d'Itria
444:secretly in love with Arsace
7:
2185:Operas by Gioachino Rossini
1287:The New Penguin Opera Guide
1258:Tutti i libretti di Rossini
1180:Rossini: His Life and Works
1133:: A Descriptive Analysis".
523:
10:
2236:
1323:Aureliano in Palmira". In
1321:Osborne, Richard (1998). "
1018:, Baldini Castoldi Dalai,
622:opera house and orchestra
235:. It opened the theatre's
85:26 December 1813
16:Opera by Gioachino Rossini
2215:Libretti by Felice Romani
2132:
2105:Duetto buffo di due gatti
2090:
2059:
2024:
2005:
1956:
1921:
1882:
1853:
1785:
1581:
1495:La cambiale di matrimonio
1471:
1453:
1178:Osborne, Richard (2007).
1114:from the festival website
1105:2011 Festival information
807:José Miguel Pérez-Sierra,
514:
434:Giovanni Battista Velluti
245:Giovanni Battista Velluti
80:
65:
57:
49:
37:
26:
21:
2205:Operas set in the Levant
2044:(1991 biographical film)
2036:(1942 biographical film)
571:
550:
339:
2190:Italian-language operas
1946:Petite messe solennelle
1197:Rinaldi, Mario (1965).
865:Carlo Marcello Rietmann
777:Geoffrey Mitchell Choir
281:20th century and beyond
121:in two acts written by
2077:Rossini Opera Festival
1891:Ecco, ridente in cielo
1535:La pietra del paragone
1503:L'equivoco stravagante
1404:Original 1813 libretto
1277:; Brauner, Patricia, "
1045:July 24, 2011, at the
763:Andrew Foster-Williams
640:Helga MĂĽller-Molinari,
581:
536:
442:Valeriano's daughter,
349:
322:Rossini Opera Festival
239:season with the famed
225:
2099:La boutique fantasque
2014:The Barber of Seville
1040:Archivi Teatro Napoli
1016:Dizionario dell'Opera
804:Baurzhan Anderzhanov
800:Silvia Dalla Benetta,
796:Juan Francisco Gatell
579:
534:Alessandro Sanquirico
531:
460:Palmyran army general
347:
261:Alessandro Sanquirico
220:
194:The Barber of Seville
1995:Péchés de vieillesse
1802:Le siège de Corinthe
1590:Aureliano in Palmira
1567:L'italiana in Algeri
1458:List of compositions
1391:Aureliano in Palmira
1386:at Wikimedia Commons
1384:Aureliano in Palmira
1352:Aureliano in Palmira
1301:Aureliano in Palmira
1279:Aureliano in Palmira
1224:Rossini: A Biography
1131:Aureliano in Palmira
1092:Aureliano in Palmira
1036:Il Corriere Milanese
1011:Aureliano in Palmira
967:(27 December 1992).
851:considerations, led
826:Notes and references
811:Camerata Bach Choir
694:Alexander Alnicolli
494:Vincenzo Botticelli
229:Aureliano in Palmira
183:Aureliano in Palmira
111:Aureliano in Palmira
22:Aureliano in Palmira
2111:Matinées musicales
2025:Cultural depictions
1979:La regata veneziana
1707:Ricciardo e Zoraide
1622:Torvaldo e Dorliska
1306:The Opera Quarterly
1260:. Milan: Garzanti.
1226:. New York: Knopf.
1201:. Rome: De Santis.
1136:The Opera Quarterly
939:, pp. 40, 494.
809:Virtuosi Brunensis,
356:
275:Teatro di San Carlo
208:Performance history
166:over the beautiful
2082:Rossini in Wildbad
1964:Six string sonatas
1723:Eduardo e Cristina
1598:Il turco in Italia
1487:Demetrio e Polibio
1315:10.1093/oq/15.1.33
1220:Weinstock, Herbert
1149:10.1093/oq/15.1.18
1110:2014-02-01 at the
974:The New York Times
925:Roccatagliati 2001
758:Silvia Tro Santafé
727:Giacomo Sagripanti
582:
546:Time: 271–272 A.D.
537:
453:Luigia Sorrentini
402:Queen of Palmyra,
352:
350:
310:Rossini in Wildbad
226:
151:Zenobia di Palmira
70:Zenobia di Palmira
2150:
2149:
2117:Messa per Rossini
2060:Named for Rossini
2041:Rossini! Rossini!
1998:(1857–1868)
1898:Largo al factotum
1849:
1848:
1781:
1780:
1731:La donna del lago
1577:
1576:
1447:Gioachino Rossini
1382:Media related to
1266:978-88-11-41059-1
1242:978-0-87910-071-1
1189:978-0-19-518129-6
1170:978-0-931340-71-0
1024:978-88-8490-780-6
857:Herbert Weinstock
823:
822:
740:DVD: Bongiovanni,
706:Cat: GB 2201/2-2
690:Tatiana Korovina,
667:Luciana d'Intino,
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123:Gioachino Rossini
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32:Gioachino Rossini
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2006:Film adaptations
1912:Una voce poco fa
1839:Ugo, re d'Italia
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421:Prince of Persia
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372:Alessandro Rolla
357:
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328:and directed by
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287:Teatro Politeama
257:Alessandro Rolla
200:It premiered at
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1610:
1602:
1594:
1585:
1583:
1575:
1574:
1572:
1571:
1563:
1555:
1547:
1539:
1531:
1523:
1515:
1507:
1499:
1491:
1482:
1480:
1473:
1469:
1468:
1466:
1465:
1463:List of operas
1460:
1454:
1451:
1450:
1443:
1442:
1435:
1428:
1420:
1414:
1413:
1399:
1387:
1373:
1372:External links
1370:
1368:
1367:
1348:
1339:
1318:
1297:
1283:Holden, Amanda
1272:
1269:
1253:
1251:
1248:
1246:
1245:
1216:
1211:
1194:
1188:
1175:
1169:
1153:
1125:
1117:
1116:
1097:
1090:Recordings of
1082:
1051:
1027:
1002:
987:
965:Rockwell, John
956:
941:
937:Weinstock 1968
929:
917:
915:, p. 216.
904:
903:
895:
894:
889:Vie de Rossini
876:
853:Rinaldi (1965)
835:
834:
827:
824:
821:
820:
812:
805:
802:Marina Viotti,
793:
789:
788:
779:
765:
751:Kenneth Tarver
748:
744:
743:
742:Cat: AB 20022
738:
724:
719:Franco Fagioli
712:
708:
707:
702:
695:
688:Donald George,
686:
682:
681:
676:
671:
669:Antonio Marani
658:
654:
653:
648:
643:
631:
627:
626:
623:
618:
609:
602:
599:
573:
570:
552:
549:
548:
547:
544:
525:
522:
519:
518:
512:
511:
508:
503:
496:
495:
492:
489:
485:
484:
483:Pietro Vasoli
481:
476:
469:
468:
467:Gaetano Pozzi
465:
462:
455:
454:
451:
446:
437:
436:
431:
423:
416:
415:
412:
407:
404:Arsace's lover
394:
393:
390:
385:
375:
374:
366:
361:
341:
338:
318:Martina Franca
253:Lorenza Correa
249:Giovanni David
209:
206:
148:'s 1789 opera
142:Gaetano Sertor
125:to an Italian
105:
104:
94:
84:
82:
78:
77:
67:
63:
62:
59:
55:
54:
51:
47:
46:
43:
35:
34:
24:
23:
15:
9:
6:
4:
3:
2:
2232:
2221:
2218:
2216:
2213:
2211:
2208:
2206:
2203:
2201:
2198:
2196:
2193:
2191:
2188:
2186:
2183:
2182:
2180:
2170:
2165:
2160:
2159:
2156:
2143:
2135:
2134:
2131:
2125:
2124:
2120:
2118:
2115:
2113:
2112:
2108:
2106:
2103:
2101:
2100:
2096:
2095:
2093:
2089:
2083:
2080:
2078:
2075:
2073:
2070:
2068:
2065:
2064:
2062:
2058:
2051:
2050:
2046:
2043:
2042:
2038:
2035:
2034:
2030:
2029:
2027:
2023:
2017:
2015:
2011:
2010:
2008:
2004:
1997:
1996:
1992:
1989:
1988:
1984:
1981:
1980:
1976:
1973:
1972:
1968:
1965:
1962:
1961:
1959:
1955:
1948:
1947:
1943:
1940:
1939:
1935:
1932:
1931:
1927:
1926:
1924:
1920:
1913:
1909:
1906:
1902:
1899:
1895:
1892:
1888:
1887:
1885:
1881:
1874:
1873:
1869:
1866:
1865:
1861:
1860:
1858:
1856:
1852:
1841:
1840:
1836:
1833:
1828:
1827:
1823:
1820:
1819:
1815:
1812:
1811:
1807:
1804:
1803:
1799:
1796:
1795:
1791:
1790:
1788:
1784:
1773:
1772:
1768:
1765:
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1760:
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1752:
1749:
1748:
1744:
1741:
1740:
1736:
1733:
1732:
1728:
1725:
1724:
1720:
1717:
1716:
1712:
1709:
1708:
1704:
1701:
1700:
1696:
1693:
1692:
1688:
1685:
1684:
1680:
1677:
1676:
1672:
1669:
1668:
1664:
1661:
1660:
1656:
1653:
1652:
1648:
1645:
1644:
1640:
1637:
1632:
1631:
1627:
1624:
1623:
1619:
1616:
1615:
1611:
1608:
1607:
1603:
1600:
1599:
1595:
1592:
1591:
1587:
1586:
1584:
1580:
1569:
1568:
1564:
1561:
1560:
1556:
1553:
1552:
1548:
1545:
1544:
1540:
1537:
1536:
1532:
1529:
1528:
1524:
1521:
1520:
1516:
1513:
1512:
1508:
1505:
1504:
1500:
1497:
1496:
1492:
1489:
1488:
1484:
1483:
1481:
1477:
1474:
1470:
1464:
1461:
1459:
1456:
1455:
1452:
1448:
1441:
1436:
1434:
1429:
1427:
1422:
1421:
1418:
1411:
1407:
1406:
1400:
1398:
1394:
1392:
1388:
1385:
1380:
1376:
1375:
1365:
1361:
1357:
1353:
1349:
1347:
1344:
1342:
1340:1-56159-228-5
1336:
1331:
1328:
1326:
1325:Stanley Sadie
1319:
1316:
1312:
1308:
1307:
1302:
1298:
1296:
1295:0-14-029312-4
1292:
1288:
1284:
1280:
1276:
1273:
1270:
1267:
1263:
1259:
1255:
1254:
1243:
1239:
1233:
1229:
1225:
1221:
1217:
1212:
1208:
1204:
1200:
1195:
1191:
1185:
1181:
1176:
1172:
1166:
1162:
1158:
1154:
1150:
1146:
1142:
1138:
1137:
1132:
1127:
1126:
1124:
1123:
1113:
1109:
1106:
1101:
1094:
1093:
1086:
1072:on 2013-12-21
1068:
1061:
1055:
1048:
1044:
1041:
1037:
1031:
1025:
1021:
1017:
1013:
1012:
1006:
999:
994:
992:
976:
975:
970:
966:
960:
954:, p. 38.
953:
948:
946:
938:
933:
926:
921:
914:
909:
905:
902:
901:
891:
890:
885:
880:
871:
866:
862:
858:
854:
849:
845:
840:
836:
833:
832:
817:
816:Naxos Records
813:
806:
797:
794:
791:
790:
784:
780:
778:
774:
769:
766:
759:
752:
749:
746:
745:
739:
736:
728:
725:
723:Luca Tittoto
720:
716:Maria Aleida,
714:Bogdan Mihai,
713:
710:
709:
703:
696:
687:
684:
683:
678:CD: Nuova Era
677:
673:Giacomo Zani,
672:
664:
663:Denia Mazzola
659:
656:
655:
649:
645:Giacomo Zani,
644:
637:
636:Luciana Serra
632:
629:
628:
624:
619:
610:
607:
606:
598:
594:
590:
587:
578:
569:
565:
562:
561:martial music
558:
545:
543:
539:
538:
535:
530:
517:
513:
509:
507:
504:
502:
498:
497:
493:
490:
487:
486:
482:
480:
477:
475:
471:
470:
466:
463:
461:
457:
456:
452:
450:
449:mezzo-soprano
447:
445:
439:
438:
435:
432:
430:
427:
424:
422:
418:
417:
413:
411:
408:
406:
399:
396:
395:
391:
389:
386:
384:
380:
377:
376:
373:
367:
365:
362:
359:
358:
346:
337:
335:
331:
330:Mario Martone
327:
323:
319:
315:
311:
307:
306:Luciana Serra
303:
300:conducted by
299:
293:
288:
283:
282:
278:
276:
271:
270:
264:
262:
258:
254:
250:
246:
242:
238:
234:
230:
224:
219:
215:
214:
205:
203:
198:
196:
195:
190:
189:
184:
180:
175:
173:
169:
165:
161:
157:
153:
152:
147:
143:
138:
136:
132:
131:Felice Romani
128:
124:
120:
117:
113:
112:
101:
97:
83:
79:
76:
71:
68:
64:
60:
56:
52:
48:
41:
36:
33:
29:
25:
20:
2121:
2109:
2097:
2072:Prix Rossini
2047:
2039:
2031:
2013:
1993:
1985:
1977:
1969:
1949:(1864, 1867)
1944:
1941:(1831, 1841)
1938:Stabat mater
1936:
1928:
1922:Sacred music
1905:Sombre forĂŞt
1872:Robert Bruce
1870:
1862:
1842:(unfinished)
1837:
1824:
1818:Le comte Ory
1816:
1808:
1800:
1792:
1769:
1761:
1753:
1745:
1737:
1729:
1721:
1713:
1705:
1697:
1689:
1681:
1673:
1665:
1657:
1649:
1641:
1628:
1620:
1612:
1604:
1596:
1589:
1588:
1565:
1557:
1549:
1541:
1533:
1525:
1517:
1509:
1501:
1493:
1485:
1410:Google Books
1401:
1390:
1355:
1351:
1346:
1332:
1322:
1304:
1300:
1286:
1278:
1257:
1223:
1198:
1179:
1160:
1140:
1134:
1130:
1121:
1120:
1100:
1091:
1085:
1074:. Retrieved
1067:the original
1054:
1035:
1030:
1015:
1010:
1005:
1000:, p. 19
998:Lindner 1999
978:. Retrieved
972:
959:
952:Osborne 1994
932:
920:
913:Osborne 2007
908:
899:
898:
888:
879:
844:Lindner 1999
839:
830:
829:
680:Cat: 232733
650:CD: Sarx ANG
642:Orazio Mori
595:
591:
583:
566:
554:
515:
500:
473:
459:
441:
420:
401:
382:
302:Giacomo Zani
284:
280:
279:
267:
265:
228:
227:
213:19th century
212:
211:
199:
192:
186:
182:
176:
149:
139:
119:dramma serio
118:
110:
109:
108:
69:
28:Dramma serio
27:
2195:1813 operas
2052:(1996 film)
2016:(1947 film)
1957:Other works
1786:Later works
1747:Maometto II
1479:Early works
868: [
787:Cat: ORC46
652:Cat: 97001
499:Un pastore
392:Luigi Mari
370:Conductor:
290: [
223:Luigi Rados
170:, Queen of
158:and Prince
2179:Categories
2123:Rossiniana
1771:Semiramide
1606:Sigismondo
1076:2013-12-20
783:Opera Rara
620:Conductor,
601:Recordings
501:A shepherd
364:Voice type
89:1813-12-26
50:Librettist
1855:Pastiches
1393:(Rossini)
1364:0411-5384
900:Citations
586:Euphrates
474:a tribune
472:Licinio,
379:Aureliano
2142:Category
1987:La Danza
1582:Maturity
1559:Tancredi
1222:(1968).
1159:(1994).
1108:Archived
1043:Archived
980:31 March
861:Celletti
737:, 2011)
613:Zenobia,
524:Synopsis
506:baritone
458:Oraspe,
440:Publia,
429:castrato
419:Arsace,
269:Tancredi
241:castrato
237:Carnival
233:La Scala
202:La Scala
179:Stendhal
156:Aurelian
127:libretto
116:operatic
96:La Scala
81:Premiere
66:Based on
58:Language
53:G. F. R.
2033:Rossini
1864:Ivanhoé
1829:(1829)
1763:Zelmira
1715:Ermione
1633:(1816)
1327:(ed.).
1285:(ed.),
1122:Sources
884:Stendal
848:Ricordi
615:Arsace,
542:Palmyra
410:soprano
398:Zenobia
191:and in
172:Palmyra
168:Zenobia
87: (
61:Italian
2200:Operas
2155:Portal
1990:(1835)
1982:(1835)
1974:(1817)
1966:(1804)
1933:(1820)
1875:(1846)
1867:(1826)
1821:(1828)
1813:(1827)
1805:(1826)
1797:(1825)
1774:(1823)
1766:(1822)
1758:(1821)
1750:(1820)
1742:(1819)
1734:(1819)
1726:(1819)
1718:(1819)
1710:(1818)
1702:(1826)
1694:(1818)
1686:(1817)
1678:(1817)
1675:Armida
1670:(1817)
1662:(1817)
1654:(1816)
1646:(1816)
1625:(1815)
1617:(1815)
1609:(1814)
1601:(1814)
1593:(1813)
1570:(1813)
1562:(1813)
1554:(1813)
1546:(1812)
1538:(1812)
1530:(1812)
1522:(1812)
1514:(1812)
1506:(1811)
1498:(1810)
1490:(1812)
1472:Operas
1362:
1337:
1293:
1264:
1240:
1232:192614
1230:
1207:283214
1205:
1186:
1167:
1022:
863:, and
625:Label
464:tenor
164:Persia
160:Arsace
114:is an
2169:Opera
1883:Arias
1281:" in
1070:(PDF)
1063:(PDF)
872:]
831:Notes
792:2018
747:2012
711:2011
685:1996
657:1991
630:1980
608:Year
572:Act 2
551:Act 1
491:bass
388:tenor
360:Role
340:Roles
298:Genoa
294:]
100:Milan
1360:ISSN
1335:ISBN
1291:ISBN
1262:ISBN
1238:ISBN
1228:OCLC
1203:OCLC
1184:ISBN
1165:ISBN
1020:ISBN
982:2021
814:CD:
781:CD:
775:and
557:Isis
479:bass
426:alto
144:for
1408:at
1311:doi
1303:",
1145:doi
296:in
162:of
73:by
30:by
2181::
1141:15
1139:.
990:^
971:.
944:^
886:,
870:it
859:,
510:?
400:,
381:,
292:it
263:.
243:,
197:.
174:.
98:,
2157::
1914:"
1910:"
1907:"
1903:"
1900:"
1896:"
1893:"
1889:"
1439:e
1432:t
1425:v
1366:.
1343:.
1317:.
1313::
1268:.
1244:.
1234:.
1209:.
1192:.
1173:.
1151:.
1147::
1079:.
984:.
927:.
798:,
785:,
770:,
760:,
753:,
729:,
721:,
665:,
638:,
91:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
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